0:00:02 > 0:00:06This programme contains some scenes which some viewers may find upsetting from the start.
0:00:06 > 0:00:07I saw a girl kill herself who looked exactly like me.
0:00:07 > 0:00:09Elizabeth Childs. To find out who she is or rob the rest of her shit?
0:00:09 > 0:00:11- Beth is a cop. I'm a cop. - Who the hell is Maggie Chen?
0:00:11 > 0:00:12That's the woman Beth shot.
0:00:12 > 0:00:14The only way you will regain custody of Kira
0:00:14 > 0:00:16- is to show me you can be still. - We're clones.
0:00:16 > 0:00:18We're someone's experiment and they're killing us off!
0:00:18 > 0:00:20The German's dead.
0:00:20 > 0:00:21Someone shot her right in front of me!
0:00:21 > 0:00:23COSIMA: You need to get rid of the body.
0:00:23 > 0:00:26Beth's partner found the German... or at least part of her.
0:00:26 > 0:00:28If the body matches me, the cops will see
0:00:28 > 0:00:30a mugshot of somebody who looks like Beth,
0:00:30 > 0:00:32only it's yours truly and I'm already supposed to be dead.
0:00:32 > 0:00:34ALISON: Beth had a substantial sum,
0:00:34 > 0:00:35a fund she used to buy
0:00:35 > 0:00:36information we couldn't get officially.
0:00:36 > 0:00:38The fund was how I could contribute.
0:00:38 > 0:00:39The killer contacted Art.
0:00:39 > 0:00:41He's already at the scene where Katja was shot.
0:00:41 > 0:00:43That was in the sniper's nest.
0:00:43 > 0:00:45We got a live one. Phone calls, leaving clues.
0:00:45 > 0:00:47"I am fearfully and wonderfully made."
0:00:47 > 0:00:48GUNFIRE
0:00:48 > 0:00:50I'm OK! Go after him, go!
0:00:50 > 0:00:51Oh!
0:00:51 > 0:00:53I'm not Beth!
0:01:08 > 0:01:10"I'm not Beth".
0:01:12 > 0:01:14MOANING
0:01:18 > 0:01:20"I'm not Beth".
0:01:27 > 0:01:29"I'm not Beth".
0:01:29 > 0:01:32"I'm not Beth".
0:02:19 > 0:02:21Shh.
0:03:10 > 0:03:12KNOCK AT DOOR
0:03:21 > 0:03:24Why would one of us be killing us? What is wrong with her?
0:03:24 > 0:03:27Bad breath. Batshit crazy.
0:03:27 > 0:03:29Does she know about me, about my kids?
0:03:29 > 0:03:32How do you know you didn't just bring her right to my doorstep?
0:03:32 > 0:03:34Because she's impaled with rebar and I wouldn't do that.
0:03:34 > 0:03:35I have been living this nightmare
0:03:35 > 0:03:37much longer than you have, Sarah.
0:03:37 > 0:03:39I explained I have a family to protect.
0:03:39 > 0:03:40I do what I can.
0:03:40 > 0:03:42Right, you provide financially.
0:03:42 > 0:03:45Yeah, so you wanted that money Beth was holding.
0:03:45 > 0:03:47Your self-defence fund.
0:03:48 > 0:03:50You're right, I was going to steal it
0:03:50 > 0:03:52and run, but I can't do that,
0:03:52 > 0:03:54because I have a family, too, Alison,
0:03:54 > 0:03:55my daughter.
0:03:56 > 0:03:57Your daughter?
0:03:57 > 0:03:59Yeah. Her name's Kira
0:03:59 > 0:04:00and I'm meant to be seeing her today,
0:04:00 > 0:04:03but there's this killer up my arse, so...
0:04:03 > 0:04:05Wait, is she your biological child
0:04:05 > 0:04:07or adopted, like mine?
0:04:07 > 0:04:09Mine. Why?
0:04:10 > 0:04:13Don't you think you should've told us about that before?
0:04:13 > 0:04:14Why would I do that?
0:04:14 > 0:04:15I'm telling you now because we have to
0:04:15 > 0:04:17deal with this, yeah?
0:04:17 > 0:04:19Beth was on this killer's hit list and, now, I am.
0:04:19 > 0:04:22Yeah? What am I supposed to do about it?
0:04:26 > 0:04:27How can I help?
0:04:27 > 0:04:29Be available.
0:04:29 > 0:04:32I may need you, somehow.
0:04:38 > 0:04:40COSIMA: Wow, rich, man.
0:04:40 > 0:04:42This looks like a new blade inset
0:04:42 > 0:04:44in a much older handle,
0:04:44 > 0:04:47so the fish is a bitch, semiotically speaking,
0:04:47 > 0:04:50like a universal way back symbol of fecundity.
0:04:50 > 0:04:53But these wings, though, they're...
0:04:53 > 0:04:55Seriously, what is she on about?!
0:04:55 > 0:04:57Quiet. She's just weird.
0:04:57 > 0:04:58Sorry. Sorry, sorry, sorry.
0:04:58 > 0:05:00OK, going on a tangent there.
0:05:00 > 0:05:01If she's not dead,
0:05:01 > 0:05:03we need to find her, find out what she knows.
0:05:03 > 0:05:05Are you mad?
0:05:05 > 0:05:06She's a homicidal maniac.
0:05:06 > 0:05:08Yeah, but we need to find out who she is, Sarah.
0:05:08 > 0:05:10She's... She's, she found us. She's got answers.
0:05:10 > 0:05:12The only way I'm going to do that is
0:05:12 > 0:05:13go back to being a cop.
0:05:13 > 0:05:16No. No way. You're not going back to being Beth.
0:05:16 > 0:05:18Impersonating a dead officer,
0:05:18 > 0:05:20that's like a whole new crime.
0:05:20 > 0:05:22I think I'm safest with the cops, to be honest with you.
0:05:22 > 0:05:24Did that actually just come out of your mouth?
0:05:24 > 0:05:26Look, Art's already looking for the killer.
0:05:26 > 0:05:27I shadow him as Beth,
0:05:27 > 0:05:29I let them figure out what's happened to her,
0:05:29 > 0:05:31and then, when I find that out,
0:05:31 > 0:05:32I can jump off and deal.
0:05:32 > 0:05:35"Deal"? I'm beginning to realise crazy's genetic.
0:05:35 > 0:05:37Well, yeah, bad brain chemistry
0:05:37 > 0:05:39can be genetic,
0:05:39 > 0:05:42but environment... that's individual, right?
0:05:42 > 0:05:43I mean, that's the whole
0:05:43 > 0:05:45nature/nurture question right there.
0:05:45 > 0:05:47OK, let's talk nature.
0:05:47 > 0:05:49Out of nine, so far,
0:05:49 > 0:05:51one's a psycho who killed four others,
0:05:51 > 0:05:52one committed suicide,
0:05:52 > 0:05:54one is a bloody soccer mum,
0:05:54 > 0:05:56and then, there's you.
0:05:56 > 0:05:58My crazy sister is sane, by comparison.
0:05:58 > 0:05:59Thanks, Fee.
0:05:59 > 0:06:01I think this might help us figure out
0:06:01 > 0:06:03where she's coming from, so I'll look into it.
0:06:03 > 0:06:06PHONE RINGS
0:06:06 > 0:06:08Ah, police business.
0:06:08 > 0:06:10- Art's got a lead. - OK.
0:06:10 > 0:06:12Hey, you didn't show this to Alison,
0:06:12 > 0:06:13by any chance, did you?
0:06:13 > 0:06:15Are you joking? She'd crap her Lululemons.
0:06:15 > 0:06:16HE LAUGHS
0:06:16 > 0:06:18I've got Alison on stand-by.
0:06:18 > 0:06:20LAUGHTER
0:06:21 > 0:06:23Make sure Gemma wears her seat belt!
0:06:23 > 0:06:24You're sending the kids to your parents
0:06:24 > 0:06:25on a school morning.
0:06:25 > 0:06:28Well, they're staying the night.
0:06:28 > 0:06:29That's not an answer.
0:06:29 > 0:06:31Well, you didn't pose it as a question, did you, Donnie?
0:06:31 > 0:06:33OK. Why?
0:06:33 > 0:06:34Why did you cancel all their activities?
0:06:34 > 0:06:37I just wanted some time to myself.
0:06:37 > 0:06:39You have your usual Thursday-night drinks with clients, right?
0:06:39 > 0:06:41- Yes. - So I'll see you when you come
0:06:41 > 0:06:43crashing in at 3am, normal time.
0:06:44 > 0:06:45I don't crash in.
0:06:45 > 0:06:47< One time.
0:07:05 > 0:07:06Oh, crap.
0:07:06 > 0:07:08KNOCK ON WINDOW
0:07:08 > 0:07:09Sorry.
0:07:09 > 0:07:11I'm jumpy, too.
0:07:11 > 0:07:13How's your head?
0:07:13 > 0:07:15Probably about the same as yours.
0:07:15 > 0:07:17It's a good day to be alive, Beth.
0:07:17 > 0:07:18My kids thank you.
0:07:18 > 0:07:20Hell, even my ex thanks you.
0:07:20 > 0:07:21Yeah, don't mention it.
0:07:21 > 0:07:23I didn't. They did it.
0:07:23 > 0:07:25I got a present for you.
0:07:25 > 0:07:26Our killer made a pit stop.
0:07:26 > 0:07:28That's his bike.
0:07:28 > 0:07:29They got him?
0:07:29 > 0:07:31No, but we got a witness.
0:07:32 > 0:07:34Just follow the bloody brick road.
0:07:37 > 0:07:39Hey, there he is, our walking wounded.
0:07:39 > 0:07:40You all good, Art?
0:07:40 > 0:07:43- Yeah. - Yeah? Hey, glad you're OK.
0:07:43 > 0:07:44We're going to get this guy. Don't worry, all right?
0:07:44 > 0:07:46So your guy wore gloves. No prints.
0:07:46 > 0:07:48But he's not exactly covering his tracks.
0:07:48 > 0:07:49Go take a look.
0:07:57 > 0:07:59Self-surgery.
0:07:59 > 0:08:01Guy's, what, military?
0:08:01 > 0:08:03Looks like it's got to hurt.
0:08:03 > 0:08:05Oh, the witness is ready.
0:08:05 > 0:08:06Art, you want to take him?
0:08:06 > 0:08:08No.
0:08:08 > 0:08:09Come on.
0:08:11 > 0:08:13I slept through the whole thing.
0:08:13 > 0:08:15I can't believe it.
0:08:15 > 0:08:16Trevor came into my room.
0:08:16 > 0:08:18It was dark
0:08:18 > 0:08:22and he was all wet...with blood.
0:08:27 > 0:08:29He said it was an angry angel.
0:08:35 > 0:08:36Hey, Trevor.
0:08:36 > 0:08:39Can you tell me what the angry angel looked like?
0:08:47 > 0:08:51The person in your bathroom was a woman?
0:08:51 > 0:08:53Is that possible?
0:08:57 > 0:08:59Let me talk to him.
0:08:59 > 0:09:00Yeah, sure.
0:09:05 > 0:09:07It's OK, darling.
0:09:07 > 0:09:09I'm not her.
0:09:09 > 0:09:11She said you would come.
0:09:13 > 0:09:14Pick a colour.
0:09:16 > 0:09:17Red.
0:09:17 > 0:09:20R-E-D.
0:09:20 > 0:09:21Pick one.
0:09:23 > 0:09:24That one.
0:09:25 > 0:09:27Wait, wait, wait. Let me see that.
0:09:32 > 0:09:33- Can I keep this? - Yes.
0:09:33 > 0:09:35What you got there?
0:09:36 > 0:09:38Souvenir.
0:09:43 > 0:09:45What the hell?
0:09:45 > 0:09:46Hey, can you bag this?
0:09:54 > 0:09:56It's OK, sweetie. It's OK.
0:10:02 > 0:10:07Yes, once again, 8.00, before her bedtime.
0:10:07 > 0:10:09- Is that my mum? - No, hon.
0:10:09 > 0:10:11Did you just tell her it wasn't me?
0:10:11 > 0:10:13Sarah, why are you calling?
0:10:13 > 0:10:15If you don't show, after all this anticipation, I will...
0:10:15 > 0:10:16Just making sure we're still on.
0:10:16 > 0:10:18Well, we are, at this end.
0:10:18 > 0:10:21Yeah, I'll be there.
0:10:21 > 0:10:22Can I talk to her?
0:10:22 > 0:10:23You can talk to her tonight.
0:10:27 > 0:10:29If you let her down,
0:10:29 > 0:10:32that's it, I won't let you see her again.
0:10:32 > 0:10:34I said I'll be there.
0:10:45 > 0:10:49DEANGELIS: So you all have copies of the fortune teller.
0:10:49 > 0:10:51Eyewitness says we got it wrong...
0:10:51 > 0:10:54Jane Doe's killer is female, about Beth's size.
0:10:54 > 0:10:56BECKWITH: As for the Jane Doe,
0:10:56 > 0:10:58it isn't easy, reconstructing a skull
0:10:58 > 0:11:00that's gone through a gravel crusher, but,
0:11:00 > 0:11:02we do have cause of death.
0:11:02 > 0:11:04This hole, 223-calibre.
0:11:04 > 0:11:08So, we have a long-range, high-powered weapon.
0:11:08 > 0:11:09Name me one homicide
0:11:09 > 0:11:11ever pinned on a female sniper.
0:11:11 > 0:11:12How's that profile?
0:11:12 > 0:11:15Female killers tend to suffer from chronic detachment.
0:11:15 > 0:11:16Isolation breeds sociopaths.
0:11:16 > 0:11:20This psalm, "fearfully and wonderfully made"...
0:11:20 > 0:11:21She's a religious fanatic.
0:11:21 > 0:11:24The stick figures, the doll's head,
0:11:24 > 0:11:25the fortune teller...
0:11:25 > 0:11:26early-childhood development issues?
0:11:26 > 0:11:28Could be extreme abuse.
0:11:28 > 0:11:30Yes, but she's also careful, in her way.
0:11:30 > 0:11:32No prints on any of this, so far.
0:11:32 > 0:11:33And the DNA evidence?
0:11:33 > 0:11:35On rush, but we're still a week away
0:11:35 > 0:11:36from knowing if they match anyone on file.
0:11:36 > 0:11:38HARDCASTLE: Nothing on Jane Doe's prints?
0:11:38 > 0:11:40Her hand didn't give us a match?
0:11:40 > 0:11:42No. No, they did not.
0:11:42 > 0:11:44Look, the bottom line is
0:11:44 > 0:11:45we are chasing a calculated
0:11:45 > 0:11:48female killer who loves playing games.
0:11:48 > 0:11:50Like these fortune tellers.
0:11:50 > 0:11:51Angie.
0:11:51 > 0:11:53Certain choices give certain answers.
0:11:53 > 0:11:55Every choice is a different death.
0:11:55 > 0:11:57Could be threats, could be existing kills.
0:11:57 > 0:11:59They might mean something,
0:11:59 > 0:12:00when combined with the numbers.
0:12:00 > 0:12:01Childs?
0:12:01 > 0:12:03Childs.
0:12:03 > 0:12:04Call for you.
0:12:08 > 0:12:09Detective Childs.
0:12:09 > 0:12:11No, you're not.
0:12:11 > 0:12:12Beth is dead, isn't she?
0:12:12 > 0:12:14ENGLISH ACCENT: What do you want from me?
0:12:14 > 0:12:17You could've killed me, but here we are.
0:12:17 > 0:12:19You didn't feel it?
0:12:19 > 0:12:22- What? - We have a connection.
0:12:23 > 0:12:25Uh, you mean when I stuck
0:12:25 > 0:12:26that piece of rebar in your liver?
0:12:26 > 0:12:27How's that going?
0:12:27 > 0:12:30I need to know who you are.
0:12:30 > 0:12:32Let's meet again.
0:12:32 > 0:12:34I never got your name.
0:12:34 > 0:12:35I never got yours.
0:12:35 > 0:12:37Helena.
0:12:40 > 0:12:41And last name?
0:12:41 > 0:12:43You're doing all this work,
0:12:43 > 0:12:45but how long can that last,
0:12:45 > 0:12:48when the real police find me?
0:12:48 > 0:12:50You are me, I'm you,
0:12:50 > 0:12:53we're both the victim and the cop.
0:12:53 > 0:12:55Yeah, that would be bad for both of us.
0:12:55 > 0:12:59So come see me, discuss.
0:12:59 > 0:13:01I already gave you directions.
0:13:01 > 0:13:03SNAPS FINGERS: Hey, c'mere.
0:13:04 > 0:13:06The numbers, they're addresses.
0:13:09 > 0:13:12OK, 17 is the street number of the quarry
0:13:12 > 0:13:13where we found Jane Doe.
0:13:13 > 0:13:16ART: Yeah. Rooming house,
0:13:16 > 0:13:17shooting scene,
0:13:17 > 0:13:19the kid's house,
0:13:19 > 0:13:21even the precinct... everywhere we've been.
0:13:21 > 0:13:25Except one... 1,024. GPS gives one address with that street number,
0:13:25 > 0:13:27ten minutes from the kid's house, Lakepoint Road.
0:13:27 > 0:13:29No, I know that place.
0:13:29 > 0:13:31A lot of squatters around there.
0:13:31 > 0:13:32- Let's check it out. - Hold it.
0:13:32 > 0:13:35Wait for emergency tactical, huh?
0:13:35 > 0:13:36This is a probable sniper,
0:13:36 > 0:13:38so let them sweep it, first, before you go in.
0:13:38 > 0:13:40- Got it? - Yeah.
0:13:40 > 0:13:43Hey, don't worry. Let's do this.
0:13:52 > 0:13:53I'm parked over here, so...
0:13:53 > 0:13:55No, no, no, no, no. After last night,
0:13:55 > 0:13:57we stick together. Come on.
0:14:00 > 0:14:03SIREN WAILS
0:14:03 > 0:14:04TYRES SCREECH
0:14:23 > 0:14:25Whoa, Beth!
0:14:25 > 0:14:26Rough night?
0:14:28 > 0:14:30Okey-doke, then.
0:14:40 > 0:14:42Out.
0:14:58 > 0:14:59SHE CHUCKLES
0:15:03 > 0:15:05BELL RINGS
0:15:11 > 0:15:13What?
0:15:13 > 0:15:15Anybody else feel like they have a target on their back?
0:15:16 > 0:15:19- RADIO: All clear. - Copy. OK,
0:15:19 > 0:15:21I'll take you guys in for a closer look.
0:15:21 > 0:15:22You're going to love it.
0:15:54 > 0:15:56Over here, detectives.
0:16:01 > 0:16:04Looks like more self-surgery.
0:16:07 > 0:16:09Can't be long till she bleeds out.
0:16:12 > 0:16:14< DEANGELIS: Ho-ly shit.
0:16:14 > 0:16:16It's the same figures as the fortune teller.
0:16:18 > 0:16:20She saying she's a serial killer?
0:16:20 > 0:16:22Could be her single victim,
0:16:22 > 0:16:25our Jane Doe, over and over again.
0:16:25 > 0:16:28Or she just draws like a third-grader.
0:16:28 > 0:16:29This her?
0:16:31 > 0:16:33Or her next victim?
0:16:33 > 0:16:35Next victim.
0:17:29 > 0:17:31PHONE RINGS
0:17:34 > 0:17:35AMERICAN ACCENT: Detective Childs.
0:17:35 > 0:17:37Hey, it's me.
0:17:38 > 0:17:40- Paul? - Oh.
0:17:40 > 0:17:41Hello, Paul.
0:17:41 > 0:17:43How are you doing?
0:17:43 > 0:17:47- Mm, not too good. I got beat up. - What?!
0:17:47 > 0:17:48What happened?
0:17:48 > 0:17:49Oh, please come get me out of here.
0:17:53 > 0:17:55She led us here.
0:17:55 > 0:17:57She wanted us to see this.
0:17:57 > 0:17:58May be a wild goose chase,
0:17:58 > 0:18:00- wasting our time. - No.
0:18:00 > 0:18:02She had a reason.
0:18:02 > 0:18:04OK, let's let forensics have this.
0:18:04 > 0:18:07I hope you don't have dinner plans.
0:18:07 > 0:18:09Yeah, I'll be right with you.
0:18:15 > 0:18:16FELIX: Is it my imagination,
0:18:16 > 0:18:18or does Cosima have bigger breasts than you?
0:18:18 > 0:18:20There's no way I can make dinner with Kira tonight.
0:18:20 > 0:18:21Well, you've got to.
0:18:21 > 0:18:23I can't. I'm stuck with Art
0:18:23 > 0:18:24and this bitch is right on top of me.
0:18:24 > 0:18:26I could lead her straight to Kira.
0:18:26 > 0:18:28I know, but Mrs S gave you an ultimatum.
0:18:28 > 0:18:30She's going to cut you off.
0:18:30 > 0:18:31Rock and a hard place, here, Fee.
0:18:31 > 0:18:33Yeah, your permanent address.
0:18:33 > 0:18:36I do have one really idiotic idea.
0:18:36 > 0:18:38Oh, good(!)
0:18:38 > 0:18:40I need to be in two places at once, yeah?
0:18:40 > 0:18:41Yeah.
0:18:41 > 0:18:43Well, if anybody can do that, we can.
0:18:43 > 0:18:46Are you effing serious?!
0:18:46 > 0:18:48Yeah, suddenly, I am.
0:19:10 > 0:19:12KNOCK ON WINDOW
0:19:22 > 0:19:23What happened? Is she OK?
0:19:23 > 0:19:25Yeah, she's OK. She's fine.
0:19:25 > 0:19:27That doesn't sound OK.
0:19:27 > 0:19:29Sarah needs your help with her daughter.
0:19:34 > 0:19:36I'll get the drawings out to my criminal-psych guy.
0:19:36 > 0:19:38Where's missing persons on our Jane Doe?
0:19:38 > 0:19:40- Nothing local. - Well, widen the net.
0:19:40 > 0:19:41How wide?
0:19:41 > 0:19:44North America.
0:19:44 > 0:19:45Whoa, quick change.
0:19:45 > 0:19:48Huh?
0:19:48 > 0:19:49Your whole look,
0:19:49 > 0:19:50it's cleaned right up.
0:19:51 > 0:19:52Looks way better.
0:19:52 > 0:19:54Keep it in your pants, Raj.
0:19:55 > 0:19:57Uh, sorry.
0:19:57 > 0:19:59Guys,
0:19:59 > 0:20:00what the hell?
0:20:07 > 0:20:09Nice to know someone's having fun.
0:20:26 > 0:20:27Maggie Chen?
0:20:53 > 0:20:56LAUGHING: I'm sorry, but she wants me to impersonate her,
0:20:56 > 0:20:57in front of her own daughter,
0:20:57 > 0:21:00who she hasn't seen in almost a year?
0:21:00 > 0:21:01Ten months.
0:21:01 > 0:21:04This is terrible parenting, Felix. I mean, that poor child...
0:21:04 > 0:21:07I don't think you understand the situation here.
0:21:07 > 0:21:08If Sarah misses tonight,
0:21:08 > 0:21:10then she may never get Kira back.
0:21:10 > 0:21:12I'm sorry, but a request like this?
0:21:12 > 0:21:15Maybe the child is better off with your foster mother.
0:21:15 > 0:21:16Excuse me?!
0:21:16 > 0:21:19Sarah is out there, risking her life,
0:21:19 > 0:21:21playing cat-and-mouse with killer clone,
0:21:21 > 0:21:22so that your kids don't end up orphans,
0:21:22 > 0:21:25and you think that she should lose her child for that?
0:21:26 > 0:21:28Yeah.
0:21:28 > 0:21:30I think you need to step up, here, sister.
0:21:33 > 0:21:34Well, I did just play Annelle
0:21:34 > 0:21:36in "Steel Magnolias".
0:21:36 > 0:21:37Seriously?
0:21:37 > 0:21:40Mm-hmm. Glendale Community Theatre.
0:21:40 > 0:21:43Annelle, Annelle... Oh, my God!
0:21:43 > 0:21:44The Daryl Hannah part?
0:21:44 > 0:21:46Yeah.
0:21:46 > 0:21:47Terrible casting.
0:21:47 > 0:21:50It was actually very good acting, Felix.
0:21:50 > 0:21:52Trust me, Sarah's no stretch.
0:21:52 > 0:21:53I got great reviews.
0:21:53 > 0:21:55From the whole neighbourhood, I'm sure.
0:21:57 > 0:22:01COCKNEY ACCENT: The rain in Spain falls mainly on the plain.
0:22:01 > 0:22:04OK, Eliza(!) Holy shit.
0:22:04 > 0:22:08We need to pull a full reverse Pygmalion here.
0:22:30 > 0:22:31My crime-psych guy says
0:22:31 > 0:22:32biblically messed up or not,
0:22:32 > 0:22:34woman-on-woman means it's got to be personal,
0:22:34 > 0:22:37whether it's her first or 15th kill.
0:22:37 > 0:22:38Yeah, no, that makes sense.
0:22:38 > 0:22:39So we're back to Jane Doe
0:22:39 > 0:22:42and who she was to Jane Death.
0:22:42 > 0:22:44Something's got to give.
0:22:44 > 0:22:46When it does, you know..?
0:22:46 > 0:22:49Yeah. Right behind ya.
0:22:52 > 0:22:54These are your worst clothes?!
0:22:54 > 0:22:57COCKNEY ACCENT: Well, I'm sorry, mate, but I don't shop second hand.
0:22:57 > 0:23:00No, no, my God, no. It's not "mate",
0:23:00 > 0:23:02all right? It's more like, um,
0:23:02 > 0:23:03it's like "might".
0:23:03 > 0:23:04- "Might". - Yeah.
0:23:04 > 0:23:06'Ello, "might".
0:23:06 > 0:23:10Yeah, that's better. But,
0:23:10 > 0:23:12look, you're going to have to get past Mrs S,
0:23:12 > 0:23:15so you really got to play the dreary history there, you know?
0:23:15 > 0:23:16I mean, you basically won't talk.
0:23:16 > 0:23:19This shirt is all wrong.
0:23:19 > 0:23:20Hey! Hey, hey!
0:23:20 > 0:23:23Not "hey"! You're a punk.
0:23:23 > 0:23:24Be one.
0:23:24 > 0:23:26Oi!
0:23:33 > 0:23:35PHONE RINGS
0:23:37 > 0:23:38Detective Childs.
0:23:38 > 0:23:41WOMAN: There's a visitor for you.
0:23:46 > 0:23:48Hey, hey, hey. What are you doing here?
0:23:48 > 0:23:49You said come get you.
0:23:49 > 0:23:51What happened? Are you OK?
0:23:51 > 0:23:55Yeah. Yeah, no, I'm fine. Really.
0:23:55 > 0:23:59You didn't sound fine and you don't look fine.
0:23:59 > 0:24:00Come on, I took the rest of the day off.
0:24:00 > 0:24:01Whatever you need, OK?
0:24:01 > 0:24:05- No, no, no. No. Paul, I can't! - ART: Paul!
0:24:05 > 0:24:06Everything all right here?
0:24:06 > 0:24:08Does she seem all right to you?!
0:24:09 > 0:24:11OK. Take it easy.
0:24:11 > 0:24:13First day back, she gets beat up?
0:24:13 > 0:24:14No wonder she wants to leave.
0:24:14 > 0:24:15Boy, what the hell are you talking about?
0:24:15 > 0:24:19No, no, no. Paul, please. Art? I got this.
0:24:20 > 0:24:22Do you?
0:24:24 > 0:24:26What am I doing here?
0:24:26 > 0:24:28Sorry, I overreacted.
0:24:28 > 0:24:30I didn't mean literally "come get me this second".
0:24:30 > 0:24:31Then what did you mean?
0:24:31 > 0:24:33Because, seriously, you're like
0:24:33 > 0:24:35a completely different person, these days.
0:24:36 > 0:24:39Sorry, it's this case. It's a bitch.
0:24:39 > 0:24:42I got upset, so I asked you to come get me.
0:24:45 > 0:24:46I didn't say I minded.
0:24:47 > 0:24:52Look, we need to spend some time together,
0:24:52 > 0:24:54figure out what's suddenly going on with us
0:24:54 > 0:24:58because most of it, I like,
0:24:58 > 0:24:59a lot.
0:25:08 > 0:25:09Paul.
0:25:14 > 0:25:16Think about it.
0:25:24 > 0:25:26MOBILE RINGS
0:25:29 > 0:25:32So, the woman Beth shot and Helena are connected.
0:25:32 > 0:25:34Holy watershed.
0:25:34 > 0:25:36OK, Beth probably shot Maggie Chen on purpose.
0:25:36 > 0:25:38She never told us anything about this.
0:25:38 > 0:25:40'Yeah, she never told her partner, either.'
0:25:40 > 0:25:42I can't keep doing this, Cosima.
0:25:42 > 0:25:45'Helena was here. She was Beth.'
0:25:45 > 0:25:46She's going to get us both busted,
0:25:46 > 0:25:50- unless I meet her, alone. - Oh, my God. Bad idea.
0:25:50 > 0:25:52'Yeah, she thinks we have a connection.'
0:25:52 > 0:25:55- Do you? - Yeah, we're clones.
0:25:55 > 0:25:59- Right. So what do the cops know? - She's a churchy psychopath. Duh.
0:25:59 > 0:26:04'It's personal. She's a loner, probably abused as a child.'
0:26:04 > 0:26:10OK, so, the fish reads "Christian" and, crafted onto a weapon?
0:26:10 > 0:26:12A personal crusade.
0:26:12 > 0:26:13Great. A zealot.
0:26:13 > 0:26:16You know, when I'm seeing this branded onto Maggie Chen,
0:26:16 > 0:26:18I'm thinking that she's not a lone warrior.
0:26:18 > 0:26:20To extreme creationist types,
0:26:20 > 0:26:22we would be abominations.
0:26:22 > 0:26:25'Like, not God's children, but, but, Satan's.'
0:26:25 > 0:26:28So they hate us and she's killing us,
0:26:28 > 0:26:30even though she's identical to us?
0:26:30 > 0:26:33Well, but if you were a messed-up, abused loner
0:26:33 > 0:26:38whose faith compelled you to belong and somebody that you trusted
0:26:38 > 0:26:43told you that this was the way to redeem yourself in the eyes of God, I mean...
0:26:43 > 0:26:45Yeah, I might become an angry angel, too.
0:26:45 > 0:26:47OK, got it. Thanks.
0:26:53 > 0:26:54Something you want to tell me?
0:26:54 > 0:26:56About Paul?
0:26:56 > 0:26:58No. I've got him wrapped around my little finger.
0:26:58 > 0:27:01What's he talking about, leaving?
0:27:01 > 0:27:03We just got you back, Beth.
0:27:03 > 0:27:05No, he doesn't know what he's talking about.
0:27:05 > 0:27:06Things are just messy right now.
0:27:06 > 0:27:07Yeah, I heard that.
0:27:07 > 0:27:10But we don't bring that shit in here, right?
0:27:10 > 0:27:12I know. It's so frickin' embarrassing.
0:27:12 > 0:27:14Don't worry. It won't happen again.
0:27:14 > 0:27:17I thought you two were calling it quits.
0:27:17 > 0:27:21Yeah, we were, but, now, we're trying to work it out.
0:27:22 > 0:27:24You know how things go.
0:27:24 > 0:27:26Right.
0:27:26 > 0:27:28Let's get back on track.
0:27:29 > 0:27:31This killer. You had a close-quarters run-in with her.
0:27:31 > 0:27:34Did you get anything else? Something she said?
0:27:34 > 0:27:37If she'd said anything, I would've known she was a woman.
0:27:39 > 0:27:42Yeah. I'm going to check with Beckwith.
0:27:42 > 0:27:44She's making progress on Jane Doe.
0:27:44 > 0:27:45Mm.
0:27:45 > 0:27:47She'll have facial reconstruction soon.
0:27:47 > 0:27:49Great.
0:27:53 > 0:27:55PHONE RINGS
0:27:55 > 0:27:56Detective Childs.
0:27:56 > 0:28:00Things must be getting uncomfortable there for you now.
0:28:00 > 0:28:04Helena, you forgot something. Your friend Maggie.
0:28:04 > 0:28:07Oh, you're a terrible detective.
0:28:07 > 0:28:09Beth figured that out.
0:28:09 > 0:28:12Well, Beth shot her, not me, if it's revenge you're after.
0:28:12 > 0:28:15'It's not about revenge.'
0:28:15 > 0:28:16It's about you.
0:28:16 > 0:28:19'Right, we have a connection.'
0:28:19 > 0:28:20KEYPAD BEEPS
0:28:20 > 0:28:23- You want to tell me about that? - In person.
0:28:23 > 0:28:26You have my invitation.
0:28:26 > 0:28:29ELECTRONIC BEEP
0:28:35 > 0:28:39'My name is Detective Beth Childs.
0:28:39 > 0:28:42'I murdered Margaret Chen.
0:28:42 > 0:28:45'It wasn't an accident.
0:28:45 > 0:28:47'I shot her on purpose.'
0:29:05 > 0:29:10- I'm gasping for a fag. - No, you're not. Sarah never smoked.
0:29:10 > 0:29:11OK, it's curtain time.
0:29:11 > 0:29:15So just remember that an insult is a greeting,
0:29:15 > 0:29:16but you're trying not to lose your temper, yeah?
0:29:16 > 0:29:18Mm-hm.
0:29:20 > 0:29:22Wait. Um, thanks.
0:29:25 > 0:29:27OK.
0:29:27 > 0:29:29Over-slouching. You're over-slouching.
0:29:29 > 0:29:30Shut up.
0:29:30 > 0:29:32Now you got it.
0:29:33 > 0:29:35Oi-oi, Mrs S!
0:29:37 > 0:29:40Not driving the nice new Jag today, then?
0:29:40 > 0:29:42- It's in the shop. - Mm-hmm.
0:29:42 > 0:29:45Are you going to let me see my daughter, or what?
0:29:53 > 0:29:54What are you gaping at?
0:30:13 > 0:30:14Something I can do?
0:30:16 > 0:30:17You ever fight a woman?
0:30:17 > 0:30:22Depends. Business or pleasure? Look, they do say crazy makes you strong.
0:30:22 > 0:30:27But women, they look different, fight different, smell different.
0:30:27 > 0:30:31This woman is a trained sniper.
0:30:31 > 0:30:34But Beth taking her for a man, that flies with you?
0:30:34 > 0:30:35Mm.
0:30:35 > 0:30:38This whole time, it feels like she's got
0:30:38 > 0:30:40something else chewing on her mind.
0:30:40 > 0:30:43You know, a civilian shooting's hard to shake. Maybe she's back too soon.
0:30:43 > 0:30:47- I don't know if that's even it. - Where is she, anyway?
0:30:52 > 0:30:54RINGING TONE
0:30:54 > 0:30:55DOOR LOCK BUZZES
0:30:57 > 0:30:59Could be she's just working it out with her boyfriend, right?
0:30:59 > 0:31:01Yeah, could be.
0:31:08 > 0:31:10- What? - Nothing.
0:31:20 > 0:31:22So what, now, invisible ink?
0:31:35 > 0:31:38- Mind the store, Angie. - Maybe I should come with.
0:31:38 > 0:31:40Come on, Art. What's up?
0:31:40 > 0:31:42You'll know when I do.
0:31:59 > 0:32:01SIOBHAN: Kira, your mum's waiting.
0:32:01 > 0:32:03Hurry up, love. Come on.
0:32:10 > 0:32:12Here she is. Look, she's here.
0:32:14 > 0:32:16She won't bite, love.
0:32:19 > 0:32:21Oi, are you shy no, or something?
0:32:24 > 0:32:26Is that for me?
0:32:26 > 0:32:28SHE GASPS Can I see it?
0:32:33 > 0:32:35How about a cuppa in the kitchen, yeah?
0:32:35 > 0:32:37Wow! >
0:32:41 > 0:32:42Give us a hug?
0:32:46 > 0:32:49I'm sorry we haven't seen each other in a long time,
0:32:49 > 0:32:53but we can change all that, see each other all the time?
0:32:55 > 0:32:56You're not my mother.
0:33:04 > 0:33:06SHE SCOFFS Silly!
0:33:06 > 0:33:08Of course I'm your mum.
0:33:08 > 0:33:10Who else would I be?
0:33:14 > 0:33:16You just look like her.
0:33:17 > 0:33:21DOOR SLAMS, LAUGHTER
0:33:21 > 0:33:23ALISON: It's still me, Kira.
0:33:23 > 0:33:24What do you call me?
0:33:24 > 0:33:27- Monkey. - What else?
0:33:27 > 0:33:31Monkey...bum?
0:33:31 > 0:33:32Face?
0:33:32 > 0:33:34Where's my mum?
0:33:34 > 0:33:37SHE DIALS, ELECTRONIC BEEPS
0:33:37 > 0:33:40ENGLISH ACCENT: Art, if you're hearing this,
0:33:40 > 0:33:43you found the body.
0:33:43 > 0:33:46It's not Beth. It's me.
0:33:47 > 0:33:49My name is Sarah Manning and...
0:33:49 > 0:33:53you're about the only person I trust to figure the whole thing out.
0:33:57 > 0:33:59CANADIAN ACCENT: Kira, your mother couldn't be here right now.
0:33:59 > 0:34:01Why?
0:34:12 > 0:34:14SHOUTING
0:34:14 > 0:34:16Police! Stay inside!
0:34:19 > 0:34:23Because she is out there, right now, doing something very brave.
0:34:23 > 0:34:28She's making sure everything is safe so you two can be together.
0:34:46 > 0:34:48I'm unarmed.
0:34:50 > 0:34:51DOOR SLAMS
0:34:53 > 0:34:56Turn around.
0:34:56 > 0:34:59Turn around! All the way.
0:34:59 > 0:35:00SHE SHIVERS
0:35:00 > 0:35:02Kneel.
0:35:02 > 0:35:04I'm guessing you know how.
0:35:05 > 0:35:08- This isn't necessary. - Kneel down.
0:35:10 > 0:35:12You're different than the others.
0:35:12 > 0:35:14Yeah, I am.
0:35:15 > 0:35:17Uh!
0:35:17 > 0:35:19You wanted to talk? Let's talk.
0:35:20 > 0:35:22I think I'm dying.
0:35:22 > 0:35:25Yeah, I think I'll watch.
0:35:33 > 0:35:35Where did you come from?
0:35:35 > 0:35:38I came out of the woodwork. Where did you come from?
0:35:38 > 0:35:42- God sent me. - Right, so you don't know, either.
0:35:42 > 0:35:45- You don't know God. - This God?
0:35:45 > 0:35:47The one branded on your friend Maggie Chen?
0:35:47 > 0:35:50Maggie helped make you.
0:35:52 > 0:35:56Then she saw the light and came to our side.
0:35:56 > 0:35:59Beth killed her to protect us.
0:35:59 > 0:36:01I can save you.
0:36:01 > 0:36:03Right, because we have a connection.
0:36:03 > 0:36:06I can see a light in you.
0:36:06 > 0:36:09- There's a light in all of us. - No!
0:36:09 > 0:36:11N...No!
0:36:11 > 0:36:15The others, poor copies of God's image of human beings.
0:36:15 > 0:36:17But not you?
0:36:17 > 0:36:18You're special?
0:36:23 > 0:36:26They told you you were the original, didn't they?
0:36:26 > 0:36:29DOOR BUZZER
0:36:37 > 0:36:41You people! It's not true, what they said!
0:36:41 > 0:36:43- We're genetic identicals. - Let me save you.
0:36:43 > 0:36:47You, me, Beth, the German you killed!
0:36:47 > 0:36:49We're all made the same.
0:36:49 > 0:36:52Whoever told you different hates you as much as they hate us.
0:36:52 > 0:36:53You're wrong.
0:36:57 > 0:36:58What happened to you, Helena?
0:37:03 > 0:37:05Stay back!
0:37:10 > 0:37:13Can you feel it?
0:37:13 > 0:37:15POUNDING ON DOOR
0:37:17 > 0:37:19Beth!
0:37:22 > 0:37:23Beth!
0:37:23 > 0:37:25POUNDING ON DOOR
0:37:25 > 0:37:28Beth! POUNDING ON DOOR
0:37:28 > 0:37:30Beth, are you in there?
0:37:35 > 0:37:37Run!
0:37:40 > 0:37:42You don't feel it?
0:37:54 > 0:37:57- There's no-one here! - You're here.
0:37:57 > 0:37:58Why?
0:37:59 > 0:38:01Beth!
0:38:01 > 0:38:03The apartment of the woman you killed?
0:38:03 > 0:38:05What the hell are you thinking?
0:38:10 > 0:38:14How can you be my Auntie Alison? My mum doesn't have any sisters.
0:38:14 > 0:38:18- My mum doesn't even have a mum. - Well, it's very complicated.
0:38:20 > 0:38:23But, Kira, I'm sorry about this, but it's very important
0:38:23 > 0:38:27that you keep this a secret, right?
0:38:27 > 0:38:28Promise?
0:38:29 > 0:38:33Getting on for bedtime, Kira, love. Up you go. Get your PJs.
0:38:35 > 0:38:37ENGLISH ACCENT: Pinkies.
0:38:38 > 0:38:39Bye, Mummy.
0:38:46 > 0:38:48Scoot.
0:38:50 > 0:38:52Thanks for everything.
0:38:52 > 0:38:54Well, you kept your word. You showed up.
0:38:54 > 0:38:59I mean Kira. She's well and that's, er, down to you.
0:38:59 > 0:39:01Sarah.
0:39:02 > 0:39:07I'm just, er, I'm not used to an honest word on the subject.
0:39:10 > 0:39:15Um, I'd like to do this again, sooner, rather than later.
0:39:15 > 0:39:17I'm not opposed, long as we take it slowly.
0:39:17 > 0:39:21So, I'll be by tomorrow to walk her home from school.
0:39:22 > 0:39:25- Straight home. - Well, all right, then.
0:39:26 > 0:39:31Well, unleash the doves! World peace must be right around the corner(!)
0:39:31 > 0:39:33Piss off, you.
0:39:39 > 0:39:42Well, aren't you full of surprises.
0:39:42 > 0:39:46You passed! You turned S's head for your Uncle. Mwah!
0:39:46 > 0:39:48Well, that's something.
0:39:48 > 0:39:50Uh-oh!
0:39:50 > 0:39:51Kira knew right away.
0:39:51 > 0:39:53No!
0:39:53 > 0:39:55Oh, shite!
0:39:57 > 0:40:00SIREN WAILS, TYRES SCREECH
0:40:02 > 0:40:05ART: I just don't get it. It doesn't make any sense to me.
0:40:05 > 0:40:08Just explain to us why you were at the home of Maggie Chen.
0:40:08 > 0:40:13Like I said, I was taking a walk to clear my head. I found myself there.
0:40:13 > 0:40:15You just found yourself there? Yeah.
0:40:15 > 0:40:18"Yes" or "no" - is there a connection between
0:40:18 > 0:40:20the Maggie Chen shooting death and this Jane Doe homicide?
0:40:20 > 0:40:22None.
0:40:22 > 0:40:25Well, you called this meeting, Beth. What the hell are we doing here?
0:40:26 > 0:40:30After the Chen thing, I came back to prove that I could,
0:40:30 > 0:40:32but I'm not doing anybody any good, so,
0:40:34 > 0:40:35I quit.
0:40:37 > 0:40:40- After all we've done for you? - Yeah. I appreciate it, but...
0:40:40 > 0:40:45But you bail. Why? What is it with you?!
0:40:45 > 0:40:47Walking out's not the answer, Childs.
0:40:47 > 0:40:49So how does this go?
0:40:52 > 0:40:54Something like this?
0:41:04 > 0:41:06SHE GASPS AND CHOKES