0:00:02 > 0:00:07This programme contains some violent scenes and some scenes which some viewers may find upsetting.
0:00:07 > 0:00:09- Clones? - Nine of us.
0:00:09 > 0:00:10COSIMA: It's an electrode.
0:00:10 > 0:00:13It monitors electrical activity in the brain.
0:00:13 > 0:00:14Just tell me what happens to the results.
0:00:14 > 0:00:15They go to Olivier.
0:00:15 > 0:00:17Olivier, what are you doing here? Is something wrong?
0:00:17 > 0:00:19We need to talk about Beth.
0:00:19 > 0:00:21We need to try and be honest with each other.
0:00:21 > 0:00:23I'm not doing any of this by choice.
0:00:23 > 0:00:24So they forced you to be Beth's monitor
0:00:24 > 0:00:26for two years, without ever knowing why?
0:00:26 > 0:00:27I did peek.
0:00:27 > 0:00:29You have killer grades.
0:00:29 > 0:00:31Delphine. Cosima.
0:00:31 > 0:00:35Hey, Cosima, you were right. Paul doesn't even know about clones.
0:00:35 > 0:00:36I may have a monitor dilemna of my own.
0:00:39 > 0:00:42It's me, this time. I know.
0:00:42 > 0:00:44Is someone trying to hurt us?
0:00:44 > 0:00:46I need you to tell me where I came from.
0:00:46 > 0:00:49Neolution gives us the opportunity
0:00:49 > 0:00:51at self-directed evolution
0:00:51 > 0:00:54and I believe that's not only a choice,
0:00:54 > 0:00:57but a human right.
0:01:01 > 0:01:04Olivier called Paul in hours ago,
0:01:04 > 0:01:05and he's not picking up.
0:01:05 > 0:01:07Well, that isn't out of the ordinary, is it?
0:01:09 > 0:01:12How should I know? There's nothing normal
0:01:12 > 0:01:14about any of this, is there?
0:01:14 > 0:01:16Sarah, this is the new normal, OK?
0:01:16 > 0:01:17So, Paul's a monitor.
0:01:17 > 0:01:19He reports to Olivier, his handler, right?
0:01:19 > 0:01:22As long as Paul is on our side,
0:01:22 > 0:01:23we can start to get answers.
0:01:23 > 0:01:25That's my point, Cosima.
0:01:25 > 0:01:27What if he's not on our side?
0:01:27 > 0:01:29I mean, what if he's selling us out right now?
0:01:31 > 0:01:33Let's go back eight months,
0:01:33 > 0:01:35before Beth's shooting.
0:01:35 > 0:01:36We already did, Olivier.
0:01:36 > 0:01:38When you first stated
0:01:38 > 0:01:39"she doesn't seem to be herself."
0:01:39 > 0:01:41Yeah, she began abusing
0:01:41 > 0:01:44prescription drugs.
0:01:44 > 0:01:45Why are you taping this?
0:01:45 > 0:01:48At the time, you felt it was a typical response
0:01:48 > 0:01:50to the stresses of police work.
0:01:50 > 0:01:52Do you view it any differently, in hindsight?
0:01:52 > 0:01:55No. Her decline led directly to her civilian shooting.
0:01:55 > 0:01:56She only got worse from there.
0:01:56 > 0:01:59This, through your lens as a former soldier.
0:01:59 > 0:02:00If you told me what this was about,
0:02:00 > 0:02:01perhaps I could help you.
0:02:01 > 0:02:03Perhaps you ARE helping me.
0:02:05 > 0:02:08'Don't do it, Cosima.
0:02:08 > 0:02:09'Stay away from Delphine, yeah?'
0:02:09 > 0:02:11Well, if we're going to
0:02:11 > 0:02:13get past our monitors, we have to engage.
0:02:13 > 0:02:15- Yeah, look where that got me. - Into bed with him?
0:02:15 > 0:02:18OK, look where it got Alison, yeah?
0:02:18 > 0:02:20She smoked her husband with a golf club
0:02:20 > 0:02:22on a hunch that he was her monitor
0:02:22 > 0:02:23and now they're at a couple's retreat,
0:02:23 > 0:02:25trying to repair their marriage.
0:02:25 > 0:02:27OK, I'll obviously approach Delphine
0:02:27 > 0:02:28way more logically than that.
0:02:28 > 0:02:29No, you won't.
0:02:29 > 0:02:31Sarah, my situation is way different than yours is.
0:02:31 > 0:02:34Right, cos you're such a brilliant scientist.
0:02:34 > 0:02:36No, because she doesn't know that I know.
0:02:36 > 0:02:38I'm the one who's monitoring HER.
0:02:38 > 0:02:39Can you please stay away from her
0:02:39 > 0:02:41until I find out if Paul's
0:02:41 > 0:02:42selling us down the river?
0:02:42 > 0:02:44Whatever.
0:02:44 > 0:02:45SHE COUGHS
0:02:45 > 0:02:47Got anything else we need to be paranoid about?
0:02:48 > 0:02:49God, I hope not.
0:03:09 > 0:03:10Tomas?
0:03:10 > 0:03:12Shh, shh, shh.
0:03:14 > 0:03:15Where am I?
0:03:15 > 0:03:17You're getting stronger.
0:03:57 > 0:03:59DANCE MUSIC PLAYS
0:04:04 > 0:04:06Olivier told Paul to meet him
0:04:06 > 0:04:08at an underground club he owns.
0:04:08 > 0:04:10That's Paul's car, so...
0:04:10 > 0:04:12What a mess.
0:04:12 > 0:04:14You know, even if he's not
0:04:14 > 0:04:15ratting me out, those medical tests
0:04:15 > 0:04:17could still tell him I'm not Beth.
0:04:17 > 0:04:18Cosima said they wouldn't.
0:04:18 > 0:04:20Yeah, well, she's blinded by science.
0:04:20 > 0:04:22Maybe, but, from everything
0:04:22 > 0:04:23I found online,
0:04:23 > 0:04:25she's right.
0:04:25 > 0:04:27You and Beth are clones,
0:04:27 > 0:04:30so you and Beth have identical DNA.
0:04:30 > 0:04:31Identical?
0:04:31 > 0:04:32Yep.
0:04:32 > 0:04:34The DNA samples from the Jane Doe
0:04:34 > 0:04:36in the gravel crusher
0:04:36 > 0:04:39and the killer in the bathroom...
0:04:39 > 0:04:41A match, same person.
0:04:41 > 0:04:42That doesn't make any sense.
0:04:42 > 0:04:44Someone in the lab must've messed up,
0:04:44 > 0:04:45contaminated or mislabelled the samples.
0:04:45 > 0:04:47Not on my watch.
0:04:47 > 0:04:49Then what, Janice?
0:04:49 > 0:04:50I took Jane Doe DNA
0:04:50 > 0:04:52from a femur.
0:04:52 > 0:04:54Our suspect killer's DNA came
0:04:54 > 0:04:55from blood we found in the bathroom.
0:04:55 > 0:04:58Maybe the killer planted Jane Doe's blood there.
0:04:58 > 0:04:59So she carries around a couple pints
0:04:59 > 0:05:00of Jane Doe's blood and just splashes it around?
0:05:00 > 0:05:02That's more likely than she walked
0:05:02 > 0:05:03into my lab and tampered with the samples.
0:05:03 > 0:05:06Maybe someone with access tampered.
0:05:06 > 0:05:08Are you trying to turn my ulcer
0:05:08 > 0:05:09into a heart attack?
0:05:09 > 0:05:11No, we're missing something,
0:05:11 > 0:05:14from the very beginning, on this thing.
0:05:14 > 0:05:15Yeah, IDs.
0:05:15 > 0:05:17So, if the high tech's broken,
0:05:17 > 0:05:18we do it the horse-and-carriage way.
0:05:18 > 0:05:20Start from the beginning,
0:05:20 > 0:05:22comb through that whole shit-pile again.
0:05:22 > 0:05:26Oh, where's that damn Jane Doe facial reconstruction?
0:05:26 > 0:05:27It's coming. The face went
0:05:27 > 0:05:30through a friggin' gravel crusher.
0:05:30 > 0:05:31"Someone with access"?
0:05:33 > 0:05:35Beth would never tamper with evidence.
0:05:35 > 0:05:37OK, maybe not, but you had questions
0:05:37 > 0:05:40about her run-in with the killer, didn't you?
0:05:41 > 0:05:44Square one, like the man said.
0:05:44 > 0:05:46Open minds.
0:05:46 > 0:05:47We'll see what we find.
0:05:50 > 0:05:52Hey, hang on.
0:05:54 > 0:05:57Oh. Cyber goths.
0:05:57 > 0:05:58That's interesting.
0:05:58 > 0:05:59I know those people.
0:05:59 > 0:06:01Enough waiting. I need to know
0:06:01 > 0:06:03what Paul's up to. I'm going in.
0:06:03 > 0:06:05What? No! No!
0:06:05 > 0:06:06You can't go in there,
0:06:06 > 0:06:08with your recognisable mug.
0:06:08 > 0:06:09Besides...
0:06:11 > 0:06:12Club land is MY world.
0:06:12 > 0:06:16You carry that around with you everywhere?
0:06:16 > 0:06:17Maybe.
0:06:24 > 0:06:27Well, hello.
0:06:27 > 0:06:28Neolution's a private club.
0:06:28 > 0:06:31I know, but you look so lonely.
0:06:32 > 0:06:34Not even a little.
0:06:34 > 0:06:36Oh, good.
0:06:36 > 0:06:38You look a little more important.
0:06:38 > 0:06:41I... I... I... I've come all the way from Brixton
0:06:41 > 0:06:43to party at Neolution before I die.
0:06:43 > 0:06:45My friends told me to mention Olivier.
0:06:48 > 0:06:49You're dying?
0:06:49 > 0:06:51Then you're not familiar
0:06:51 > 0:06:52with Neolutionism?
0:06:52 > 0:06:55Oh, there's an "ism".
0:06:59 > 0:07:01Augmentation?
0:07:01 > 0:07:03Self-directed evolution?
0:07:03 > 0:07:05I'm intrigued.
0:07:05 > 0:07:07Is everyone here a Neolutionist?
0:07:07 > 0:07:09No, not everyone.
0:07:09 > 0:07:11We've got technoprogressives,
0:07:11 > 0:07:14body mods, bio-hackers.
0:07:14 > 0:07:15Now, wait, what about your eye?
0:07:15 > 0:07:17Is that a permanent augmentation?
0:07:17 > 0:07:19It will be, one day.
0:07:19 > 0:07:20I've got other enhancements.
0:07:21 > 0:07:23Right.
0:07:23 > 0:07:26Well, a philosophy so...physical
0:07:26 > 0:07:29makes for a very handsome tribe.
0:07:29 > 0:07:31What about Olivier?
0:07:31 > 0:07:33Is he enhanced?
0:07:33 > 0:07:35Darling, you have no idea.
0:07:38 > 0:07:39When's the last time you and Beth
0:07:39 > 0:07:41were sexually intimate?
0:07:41 > 0:07:42Three days ago.
0:07:42 > 0:07:44Who initiated it?
0:07:44 > 0:07:45She did.
0:07:45 > 0:07:47How would you characterize it?
0:07:51 > 0:07:54I'm not sure I understand the question.
0:07:54 > 0:07:56Would you describe the intercourse as intimate,
0:07:56 > 0:07:58aggressive,
0:07:58 > 0:08:00perfunctory, sensual?
0:08:00 > 0:08:02I would say passionate.
0:08:02 > 0:08:04Beth's generally a "cold fish"...
0:08:04 > 0:08:06Your words.
0:08:06 > 0:08:07It's hard for me to help,
0:08:07 > 0:08:10if I don't know what's going on.
0:08:13 > 0:08:15All of this architecture...
0:08:15 > 0:08:18The psychological profiling,
0:08:18 > 0:08:20physical exams, social metrics...
0:08:20 > 0:08:23You must know it doesn't exist for Beth alone.
0:08:23 > 0:08:24I don't assume anything.
0:08:24 > 0:08:26Of course you do. You're trained...
0:08:26 > 0:08:27Surveillance, intelligence,
0:08:27 > 0:08:29security.
0:08:29 > 0:08:32The problem with clandestine ops is that
0:08:32 > 0:08:35information and security
0:08:35 > 0:08:36rarely go hand-in-hand.
0:08:36 > 0:08:40Which is why I have been told rather late
0:08:40 > 0:08:43that someone is killing our subjects.
0:08:55 > 0:08:57Thank you, Tomas.
0:08:59 > 0:09:01Why did you let the imposter live?
0:09:03 > 0:09:06She's different than the others.
0:09:06 > 0:09:08But how could it be different?
0:09:08 > 0:09:10I don't know.
0:09:10 > 0:09:13We have a connection.
0:09:13 > 0:09:15But it's nothing.
0:09:15 > 0:09:17Just one of your fingernail clippings,
0:09:17 > 0:09:19like the rest of them.
0:09:19 > 0:09:22She said I am not the original,
0:09:22 > 0:09:24that we are all the same.
0:09:37 > 0:09:39How could you believe such a thing?
0:09:39 > 0:09:41Forgive me, Tomas.
0:09:46 > 0:09:48LOUD DANCE MUSIC
0:10:15 > 0:10:16Why are you following me?
0:10:16 > 0:10:18I'm not following you.
0:10:18 > 0:10:20Fine.
0:10:20 > 0:10:22I thought you might want a blowjob.
0:10:22 > 0:10:24Shit. Shit! Hey, Paul, Paul!
0:10:24 > 0:10:26He's with me, OK? He's my brother.
0:10:26 > 0:10:27Jesus Christ, Sarah.
0:10:27 > 0:10:29What are you doing here?
0:10:29 > 0:10:30Sorry. I was worried.
0:10:30 > 0:10:31What happened?
0:10:31 > 0:10:33Not here.
0:10:33 > 0:10:35Meet me at home.
0:10:35 > 0:10:37Don't bring HIM.
0:10:37 > 0:10:40OK. You all right? Yeah.
0:10:40 > 0:10:43Your task is more difficult,
0:10:43 > 0:10:44since the real Beth Childs
0:10:44 > 0:10:46shot our friend Maggie Chen.
0:10:46 > 0:10:48The copies,
0:10:48 > 0:10:50they're harder to find.
0:10:50 > 0:10:52Maybe we could use the imposter.
0:10:52 > 0:10:54I'd like to see her again.
0:10:54 > 0:10:55Tomas...
0:10:57 > 0:10:59It will say anything
0:10:59 > 0:11:02to justify itself.
0:11:02 > 0:11:04I'll be strong.
0:11:05 > 0:11:07The path to the shepherd
0:11:07 > 0:11:08is through the sheep.
0:11:12 > 0:11:14Find the impostor,
0:11:14 > 0:11:17bleed it for what it knows,
0:11:17 > 0:11:18then kill it.
0:11:36 > 0:11:39You are the original.
0:11:39 > 0:11:40You are the light.
0:11:40 > 0:11:42I am the original.
0:11:42 > 0:11:43I am the light.
0:11:52 > 0:11:54PAUL: Let's go over what you know again.
0:11:54 > 0:11:55There's nine of you.
0:11:55 > 0:11:58No! There's only one of me,
0:11:58 > 0:11:59just like there was one of Beth.
0:11:59 > 0:12:01That's not what I meant.
0:12:01 > 0:12:04Yeah, Beth figured out there were nine of us, so far.
0:12:04 > 0:12:06I've only met Alison.
0:12:06 > 0:12:08Who else knows, besides your brother?
0:12:08 > 0:12:10Just me and Alison.
0:12:10 > 0:12:11What about Alison's husband?
0:12:11 > 0:12:13They've been together since high school.
0:12:13 > 0:12:15- He's not her monitor. - We don't know that.
0:12:15 > 0:12:18Don't lie to me, Sarah. What is going on?
0:12:18 > 0:12:20Is Olivier on to us, or what?
0:12:20 > 0:12:22Olivier told me someone is killing the subjects.
0:12:22 > 0:12:23You know anything about that?
0:12:23 > 0:12:25No.
0:12:27 > 0:12:28Who?
0:12:28 > 0:12:31He just said to watch Beth closely,
0:12:31 > 0:12:32protect her, make sure she's not aware.
0:12:32 > 0:12:34Aware of what?
0:12:34 > 0:12:35Of me, of us.
0:12:35 > 0:12:38This is high-level shit, Sarah,
0:12:38 > 0:12:41an illegal human-cloning trial. You think I don't know that?
0:12:41 > 0:12:43Aren't you worried that someone might be trying to kill you?
0:12:43 > 0:12:44Yes.
0:12:46 > 0:12:49But at least it's not you.
0:12:49 > 0:12:51And I still need to see my daughter.
0:12:51 > 0:12:54Take my car.
0:12:54 > 0:12:56It's in the underground.
0:12:56 > 0:12:57Why?
0:12:57 > 0:12:59In case someone is tailing you, all right?
0:12:59 > 0:13:01My job is to keep you safe.
0:13:01 > 0:13:04At least let me do that.
0:13:19 > 0:13:20CAR ALARM CHIRPS
0:13:27 > 0:13:30Shit! I'm not here to hurt you.
0:13:30 > 0:13:32I just want to talk.
0:13:32 > 0:13:34Helena, just stay away from me!
0:13:34 > 0:13:37Please. I have an offer for you.
0:13:37 > 0:13:39But we must talk.
0:13:39 > 0:13:41And eat.
0:13:42 > 0:13:44Let's have lunch.
0:13:44 > 0:13:46Lunch?
0:13:46 > 0:13:48# They say we're young and we don't know... #
0:13:48 > 0:13:51SHE SLURPS
0:13:51 > 0:13:53I dreamed that we were friends.
0:13:53 > 0:13:55We're not friends.
0:13:55 > 0:13:57We will be.
0:13:57 > 0:13:59I've seen it.
0:13:59 > 0:14:02Don't they feed you, wherever you go?
0:14:04 > 0:14:06This is a nice restaurant, isn't it?
0:14:06 > 0:14:09Yeah, five stars.
0:14:12 > 0:14:14Mmm.
0:14:14 > 0:14:16You know my name.
0:14:16 > 0:14:18Tell me yours.
0:14:18 > 0:14:20This friendship isn't there yet.
0:14:20 > 0:14:22You're Russian?
0:14:22 > 0:14:24No.
0:14:24 > 0:14:27I grew up pure in a convent in Ukraine.
0:14:29 > 0:14:30Ukrainian nuns?
0:14:32 > 0:14:36Is that who made you kill Katja Obinger
0:14:36 > 0:14:37and the others?
0:14:37 > 0:14:39No.
0:14:41 > 0:14:44They saved me from abandonment.
0:14:44 > 0:14:46SHE BELCHES
0:14:46 > 0:14:48Excuse me.
0:14:50 > 0:14:52I want my knife back,
0:14:52 > 0:14:53the one you took from me.
0:14:53 > 0:14:57Right, right, the flying-fish blade.
0:14:57 > 0:15:00You got a thing for wings, don't you?
0:15:00 > 0:15:01Mm.
0:15:02 > 0:15:04I'm supposed to kill you, too.
0:15:07 > 0:15:08But you let me live.
0:15:08 > 0:15:11Yeah, so let's call it even, OK?
0:15:11 > 0:15:13We'll go our separate ways.
0:15:13 > 0:15:15We'll never be separate.
0:15:15 > 0:15:17THUD
0:15:17 > 0:15:19Tell me the names of the others
0:15:19 > 0:15:21and I will spare you.
0:15:21 > 0:15:24You move your foot, or I'll stab you again.
0:15:47 > 0:15:50You have until midnight
0:15:50 > 0:15:52to tell me the names.
0:15:56 > 0:15:59Call this number,
0:15:59 > 0:16:01or you die first.
0:16:03 > 0:16:05Bye-bye.
0:16:13 > 0:16:19# I got you, babe
0:16:19 > 0:16:20# I got you, babe... #
0:16:30 > 0:16:31Beth's paperwork's a mess,
0:16:31 > 0:16:33like she's never done it before. Jane Doe's
0:16:33 > 0:16:34fingerprint results aren't even filed here.
0:16:34 > 0:16:36Yeah, I know. We ran 'em. No match.
0:16:36 > 0:16:38Yes, Beth checked the results.
0:16:38 > 0:16:39I remember, but even if there's no match,
0:16:39 > 0:16:41they should still be here.
0:16:41 > 0:16:44The man said double-check everything,
0:16:44 > 0:16:46so let's get Forensics to pull the hand,
0:16:46 > 0:16:47run a fresh set of prints.
0:16:47 > 0:16:49Oh, we're hitting the morgue?
0:16:49 > 0:16:51Thought you'd like that. Sweet.
0:16:53 > 0:16:55PHONE RINGS
0:16:55 > 0:16:57SOFT MUSIC PLAYS
0:16:57 > 0:16:59Hello.
0:16:59 > 0:17:03LEEKIE: 'You have a problem.'
0:17:03 > 0:17:04What kind of a problem?
0:17:04 > 0:17:06I just received the results
0:17:06 > 0:17:07of Beth's medical exam.
0:17:07 > 0:17:09'OK.' She's not Beth.
0:17:09 > 0:17:12Well, which one is she, if she's not Beth?
0:17:12 > 0:17:15That's none of your concern. Just bring her in.
0:17:17 > 0:17:19COSIMA: 'She's back?'
0:17:19 > 0:17:20And she wants your names by midnight,
0:17:20 > 0:17:22or I'm first on her hitlist.
0:17:22 > 0:17:23'Holy shit, Sarah.'
0:17:23 > 0:17:24Don't worry. I won't give you up.
0:17:24 > 0:17:26'You know, maybe you should.'
0:17:26 > 0:17:29Not to Helena, but to Olivier.
0:17:29 > 0:17:31What?
0:17:31 > 0:17:33You were the one who said, if your blind subject
0:17:33 > 0:17:35suddenly became aware, you'd terminate.
0:17:35 > 0:17:36Right, well,
0:17:36 > 0:17:38I'm beginning to rethink that.
0:17:38 > 0:17:40Great, she's got a new hypothesis.
0:17:40 > 0:17:41'So, our creators,'
0:17:41 > 0:17:42whoever they are, they have
0:17:42 > 0:17:45a tremendous investment in us, right?
0:17:45 > 0:17:47Our conception, our whole lives.
0:17:47 > 0:17:48Don't you think they'd try
0:17:48 > 0:17:50to protect us from Helena?
0:17:50 > 0:17:52They know somebody's whacking us.
0:17:52 > 0:17:54Shit.
0:17:54 > 0:17:55Yeah, and Paul said it's more of the same...
0:17:55 > 0:17:57Observe your lab rat,
0:17:57 > 0:17:58keep her stupid.
0:17:58 > 0:18:02Do you know this futurist, Dr Aldous Leekie?
0:18:02 > 0:18:04No. 'You know, he's the poster boy'
0:18:04 > 0:18:06for this movement called Neolution.
0:18:06 > 0:18:07Eh, Neolution?
0:18:07 > 0:18:10Olivier owns a club called Neolution.
0:18:10 > 0:18:12Oh, that's interesting.
0:18:12 > 0:18:14'Yeah, Felix said it's a bunch of bio-hack,'
0:18:14 > 0:18:16body-mod freaks.
0:18:16 > 0:18:18Olivier's supposed to have a tail.
0:18:18 > 0:18:20A tail, for real?
0:18:20 > 0:18:21'Yeah.'
0:18:21 > 0:18:22That's what Felix was told.
0:18:22 > 0:18:25OK, well, tail or no tail,
0:18:25 > 0:18:27they have a philosophy.
0:18:27 > 0:18:29'I went with Delphine
0:18:29 > 0:18:30'to one of Leekie's Neolution lectures.'
0:18:30 > 0:18:33Cosima, you agreed to stay away from Delphine.
0:18:33 > 0:18:34No, I didn't. You just told me to.
0:18:34 > 0:18:37You're going to end up strapped to a gurney,
0:18:37 > 0:18:39'with doctors giving you the probe.'
0:18:39 > 0:18:40I probably already have been.
0:18:40 > 0:18:42Can we please just get back to Helena?
0:18:42 > 0:18:45You know what? Just stay out of my end, I'll stay out of yours.
0:18:45 > 0:18:48Bitch.
0:18:48 > 0:18:50KNOCK AT DOOR
0:18:50 > 0:18:52Shit!
0:18:55 > 0:18:58Shit.
0:19:05 > 0:19:07Hi. Hey.
0:19:07 > 0:19:10Sorry, I'm... Oh, I'm early?
0:19:10 > 0:19:12- No, no, no, no, I'm late, I'm late. - OK.
0:19:12 > 0:19:13I'm kind of always late, though,
0:19:13 > 0:19:15so, kind of always sorry.
0:19:15 > 0:19:17Can you give me two seconds? Just...
0:19:17 > 0:19:18Of course.
0:19:40 > 0:19:42Where is she?
0:19:42 > 0:19:44How'd you get in here?
0:19:44 > 0:19:46My key.
0:19:46 > 0:19:49We bought this place for you, remember?
0:19:49 > 0:19:50So that you would not only appear
0:19:50 > 0:19:51attractive to Beth, but,
0:19:51 > 0:19:54moderately successful.
0:19:54 > 0:19:55Where is your subject?
0:19:55 > 0:19:57She's visiting Christine.
0:19:57 > 0:19:59You were to keep a close eye on her.
0:19:59 > 0:20:01It was a girls' lunch. I couldn't force the issue.
0:20:01 > 0:20:02Astrid?
0:20:10 > 0:20:13Your subject isn't who we think she is.
0:20:15 > 0:20:16She's an imposter.
0:20:18 > 0:20:20I saw her just a few hours ago.
0:20:21 > 0:20:23It wasn't her.
0:20:23 > 0:20:25Is this a test of some kind?
0:20:29 > 0:20:30The person killing our subjects
0:20:30 > 0:20:32looks exactly like Beth.
0:20:32 > 0:20:35You mean, like a twin?
0:20:35 > 0:20:37Yes, Paul, like a twin.
0:20:37 > 0:20:39Now, get dressed.
0:21:07 > 0:21:10SHE PLAYS "Twinkle, Twinkle, Little Star"
0:21:22 > 0:21:23Mom?
0:21:23 > 0:21:25Sorry.
0:21:25 > 0:21:27Sorry, Monkey.
0:21:27 > 0:21:30That was wonderful. That was really good.
0:21:30 > 0:21:31Well, at least
0:21:31 > 0:21:32she didn't get your tin ear.
0:21:32 > 0:21:34I never learned to play piano.
0:21:34 > 0:21:36You were too bad, weren't you?
0:21:36 > 0:21:39Your mom just didn't work hard enough at it, love.
0:21:39 > 0:21:42All right, move over.
0:21:42 > 0:21:44I want to teach her some Queen.
0:21:44 > 0:21:45Uncle Felix wasn't bad.
0:21:45 > 0:21:48He was a different kind of bad.
0:21:48 > 0:21:49What's this?
0:21:49 > 0:21:50Mostly me.
0:21:50 > 0:21:52But some of you.
0:22:08 > 0:22:09SHE SNIFFS
0:22:18 > 0:22:20SIOBHAN: England was burning,
0:22:20 > 0:22:22Maggie Thatcher
0:22:22 > 0:22:24firing on all barrels at Ireland,
0:22:24 > 0:22:27the Falklands.
0:22:27 > 0:22:29She sacked Social Security,
0:22:29 > 0:22:31went after the immigrants, the poor,
0:22:31 > 0:22:32the unions.
0:22:34 > 0:22:36What do you remember about Brixton,
0:22:36 > 0:22:39about my people, then?
0:22:39 > 0:22:41Not much.
0:22:41 > 0:22:43There were always women around.
0:22:43 > 0:22:45Kids would come and go, wards of the state.
0:22:45 > 0:22:47They weren't ALL wards.
0:22:47 > 0:22:50We were a...
0:22:50 > 0:22:51a safe house.
0:22:51 > 0:22:54Some of us worked in Social Services,
0:22:54 > 0:22:56helping women and kids, refugees,
0:22:56 > 0:22:58deportees, radicals on the run,
0:22:58 > 0:23:00that kind of thing.
0:23:00 > 0:23:02And...
0:23:02 > 0:23:04This boy, Carlton.
0:23:04 > 0:23:07Yeah, Carlton. I remember him.
0:23:07 > 0:23:08He was a fine boy.
0:23:08 > 0:23:10Fine man.
0:23:10 > 0:23:14Sometimes his pipeline would bring in
0:23:14 > 0:23:17a child in the black, a child to hide.
0:23:18 > 0:23:20You were one of them.
0:23:20 > 0:23:22Why'd he have to hide me?
0:23:22 > 0:23:26We didn't ask what we didn't need to know.
0:23:26 > 0:23:28I had the chance to legitimize a child,
0:23:28 > 0:23:31so I became your legal guardian.
0:23:33 > 0:23:35The last time I heard from Carlton,
0:23:35 > 0:23:36he was about to be arrested
0:23:36 > 0:23:38and he warned me,
0:23:38 > 0:23:40he begged me, to move you away,
0:23:40 > 0:23:43to hide you deeper.
0:23:44 > 0:23:46So,
0:23:46 > 0:23:48I left everyone I knew...
0:23:51 > 0:23:55..and I brought you and Felix here.
0:24:05 > 0:24:08I should've left him when I left Paris.
0:24:08 > 0:24:11Mm, yeah, cold turkey, it's the only way to go.
0:24:11 > 0:24:13THEY LAUGH "Cold turkey" - what is that?
0:24:13 > 0:24:15Oh, it means "abruptly".
0:24:15 > 0:24:17Oh, yes, that's what I should've...
0:24:17 > 0:24:19You know, he was supposed to follow
0:24:19 > 0:24:22next month, but I changed my mind.
0:24:22 > 0:24:25Oh, my God. You're the asshole?
0:24:25 > 0:24:28Mm-hm, I am the cold-turkey asshole.
0:24:28 > 0:24:30THEY LAUGH
0:24:30 > 0:24:34WOMAN: Dr Leekie! So nice to see you.
0:24:36 > 0:24:37It's Dr Leekie.
0:24:37 > 0:24:40Should we invite him?
0:24:42 > 0:24:43You're single now.
0:24:43 > 0:24:46Oh, no, no, no. He's too old.
0:24:46 > 0:24:47But his mind is sexy.
0:24:47 > 0:24:50Oui, c'est vrai. I will go get him.
0:25:01 > 0:25:04You know you guys already checked the prints, right? Oh, yeah.
0:25:04 > 0:25:06We're looking at the whole chain again.
0:25:10 > 0:25:12Check THAT shit out - finger straightener!
0:25:12 > 0:25:14You are in the wrong department, Angie.
0:25:14 > 0:25:15You want her?
0:25:15 > 0:25:17Ha-ha.
0:25:17 > 0:25:20Hey, you ever seen a postmortem spasm?
0:25:31 > 0:25:33'Well, I'm still trying to work it out'
0:25:33 > 0:25:36with my advisors, but my dissertation is
0:25:36 > 0:25:38on epigenetic influence on clone cells.
0:25:38 > 0:25:39Oh, it's a fascinating field.
0:25:39 > 0:25:42Yeah. THEY LAUGH
0:25:42 > 0:25:45Are either of you familiar with our work at the Dyad Institute?
0:25:45 > 0:25:47Oh, your immunology papers, yes.
0:25:47 > 0:25:49Then you'll be interested in this too, Delphine...
0:25:49 > 0:25:52We've created a pluripotent
0:25:52 > 0:25:54stemcell line from human baby teeth.
0:25:54 > 0:25:57Dr Leekie, you've perfected a number of proprietary
0:25:57 > 0:26:00cloning techniques... in bacteria,
0:26:00 > 0:26:02amphibians, insects, human skin grafts.
0:26:02 > 0:26:03Correct.
0:26:03 > 0:26:04And you're patenting
0:26:04 > 0:26:06transgenic embryonic stem cells?
0:26:06 > 0:26:09We hope to, once we get the necessary approvals,
0:26:09 > 0:26:11but that is not public knowledge.
0:26:11 > 0:26:14Yeah, I did some digging,
0:26:14 > 0:26:16and then just guessed.
0:26:16 > 0:26:18THEY LAUGH
0:26:18 > 0:26:20She...she is very, very... what's the word?
0:26:20 > 0:26:23"Cheeky", I think is the word you're after - "cheeky".
0:26:23 > 0:26:26She is very cheeky, this girl.
0:26:26 > 0:26:28But that's why I like her.
0:26:34 > 0:26:35Beth's dead?
0:26:38 > 0:26:39Why?
0:26:39 > 0:26:42I can't tell you that.
0:26:42 > 0:26:43Who is she?
0:26:43 > 0:26:44All I can tell you is
0:26:44 > 0:26:46that she comes from Europe.
0:26:48 > 0:26:49So, did this imposter kill Beth?
0:26:49 > 0:26:51We suspect so.
0:26:51 > 0:26:53And she's killed other subjects.
0:26:53 > 0:26:54Yet, Paul, she still seems
0:26:54 > 0:26:56to share your bed.
0:26:56 > 0:26:57I don't know what to say, Olivier.
0:26:57 > 0:26:59To me, she's still Beth.
0:26:59 > 0:27:00Regardless of what you think,
0:27:00 > 0:27:01I need you to bring her to me.
0:27:03 > 0:27:05Where in Europe?
0:27:05 > 0:27:06Does that matter?
0:27:08 > 0:27:10Yeah.
0:27:10 > 0:27:11It's a big place.
0:27:11 > 0:27:14England, Spain, what?
0:27:14 > 0:27:16Whether I believe you or not,
0:27:16 > 0:27:20loyalty is proven in the moment,
0:27:20 > 0:27:22after all.
0:27:24 > 0:27:27And loyalty has its rewards.
0:27:29 > 0:27:32I know what I did, Olivier.
0:27:32 > 0:27:35Help make this right, Afghanistan goes away,
0:27:35 > 0:27:37you're free of your debt to us.
0:27:37 > 0:27:39You get your life back, Paul.
0:27:39 > 0:27:42OK. Can I have my phone back?
0:27:44 > 0:27:46What do you think, the both of you,
0:27:46 > 0:27:47of applying to the institute?
0:27:47 > 0:27:50DELPHINE: Who, us?
0:27:50 > 0:27:52Well, why not? You could be the next Watson and Crick!
0:27:52 > 0:27:54I'm just a geek girl from Berkeley.
0:27:54 > 0:27:56SHE LAUGHS
0:27:56 > 0:27:57I can tell you have
0:27:57 > 0:27:59a very unique
0:27:59 > 0:28:01perspective, Cosima.
0:28:01 > 0:28:03Please, you could be
0:28:03 > 0:28:05on the cover of Scientific American.
0:28:05 > 0:28:07Scientific American
0:28:07 > 0:28:08doesn't put scientists on the cover.
0:28:08 > 0:28:09Well,
0:28:09 > 0:28:11every rule needs to be broken.
0:28:17 > 0:28:18KIRA: Here.
0:28:24 > 0:28:27If you... if you have to go back
0:28:27 > 0:28:29to go forward, I understand, but,
0:28:29 > 0:28:30just tell me, OK?
0:28:30 > 0:28:32It might still be dangerous.
0:28:32 > 0:28:34Yeah, I think so, too.
0:28:36 > 0:28:40I can keep Kira safe, just like I kept you.
0:28:53 > 0:28:55KIRA GIGGLES
0:29:04 > 0:29:07Put it on speaker.
0:29:07 > 0:29:09One more story, Mummy?
0:29:09 > 0:29:11Ah! You already had a story, didn't you?
0:29:11 > 0:29:14PHONE RINGS It's time for bed. Oh.
0:29:14 > 0:29:16Monkey-swing to Felix.
0:29:16 > 0:29:17OK. Oh, my gosh!
0:29:17 > 0:29:21Come on, I'll squeeze you to sleep. I'll be right up, OK?
0:29:24 > 0:29:25Hello?
0:29:25 > 0:29:26Hi, Beth.
0:29:26 > 0:29:29What's up?
0:29:29 > 0:29:31Not much. I need you to do something for me.
0:29:31 > 0:29:32OK.
0:29:32 > 0:29:34They know you're not Beth.
0:29:34 > 0:29:35Run!
0:29:51 > 0:29:52OK, I get it, I do.
0:29:52 > 0:29:54Black-ops Paul just proved
0:29:54 > 0:29:55he's down with you for real,
0:29:55 > 0:29:57but he also said, "Run."
0:29:57 > 0:29:59I can't just leave him in there, Fe.
0:29:59 > 0:30:00It's probably my fault
0:30:00 > 0:30:02he's in there in the first place.
0:30:02 > 0:30:04Well, how do you even know he's still here?
0:30:04 > 0:30:05I don't, but I've got to try.
0:30:05 > 0:30:07So, then, what are you going to do?
0:30:07 > 0:30:08Are you going to take Cosima's bad advice,
0:30:08 > 0:30:10fess up to Olivier?
0:30:11 > 0:30:13I've got an even worse idea.
0:30:14 > 0:30:16How was your day, Paul?
0:30:16 > 0:30:20Yes, I also had a pleasant day.
0:30:21 > 0:30:24I went working and shopping.
0:30:24 > 0:30:25MOBILE RINGTONE
0:30:29 > 0:30:31Pardon me. It's work.
0:30:32 > 0:30:34It's almost midnight.
0:30:34 > 0:30:37Do you have names for me? 'I do.'
0:30:37 > 0:30:39Olivier.
0:30:39 > 0:30:40That's not the name
0:30:40 > 0:30:42of a sheep.
0:30:42 > 0:30:43A sheep?
0:30:44 > 0:30:46Baa!
0:30:46 > 0:30:47'Look, Helena,'
0:30:47 > 0:30:50he's more important than a sheep, OK?
0:30:50 > 0:30:52He's a shepherd.
0:30:52 > 0:30:55'I need you to come meet me.'
0:31:03 > 0:31:04I saw Paul come up from the basement.
0:31:04 > 0:31:06I know that Olivier's office
0:31:06 > 0:31:07has got to be down there.
0:31:07 > 0:31:08DOOR OPENS
0:31:12 > 0:31:15OK, if I'm not back in 15 minutes,
0:31:15 > 0:31:18call Art, tell him everything,
0:31:18 > 0:31:20and make sure Kira's safe, yeah?
0:31:20 > 0:31:23Yeah, I... Sarah!
0:31:23 > 0:31:24What?
0:31:24 > 0:31:27Um, just don't die,
0:31:27 > 0:31:29because your first funeral
0:31:29 > 0:31:31was just agonizing enough.
0:32:07 > 0:32:10What are you doing down here?
0:32:12 > 0:32:13I'm looking for Olivier.
0:32:13 > 0:32:16Who are you?
0:32:20 > 0:32:24You know how bad this can get.
0:32:24 > 0:32:26I'm not working for anyone.
0:32:26 > 0:32:27Then, why protect her?
0:32:27 > 0:32:29I told you she was a killer.
0:32:29 > 0:32:30Was she that good?
0:32:32 > 0:32:35I have Beth to see you.
0:32:43 > 0:32:46You must be Olivier.
0:32:46 > 0:32:48Well, this is unexpected.
0:32:48 > 0:32:50She was carrying this.
0:32:53 > 0:32:55I told you to run.
0:32:55 > 0:32:57Yeah, I don't do "run".
0:32:57 > 0:32:59Leave us, please.
0:33:16 > 0:33:18Call me as soon as you can.
0:33:21 > 0:33:23All these years, I've never seen
0:33:23 > 0:33:25one of you in the flesh.
0:33:25 > 0:33:27You're even more beautiful in person.
0:33:27 > 0:33:28He thinks you're the killer.
0:33:30 > 0:33:31Me?!
0:33:32 > 0:33:34You've got it all wrong.
0:33:35 > 0:33:37We have medical evidence
0:33:37 > 0:33:39that proves you're not Beth.
0:33:39 > 0:33:40How can you tell that,
0:33:40 > 0:33:42if we're genetically identical?
0:33:42 > 0:33:44I'm not a scientist.
0:33:44 > 0:33:46Well, you've still got the wrong girl.
0:33:46 > 0:33:48The one who's killing us is blonde,
0:33:48 > 0:33:51she's Ukrainian, she's a religious nut.
0:33:51 > 0:33:53You've created a whole new brand
0:33:53 > 0:33:54of fratricide.
0:33:54 > 0:33:57You're not listening. It's not me.
0:33:57 > 0:33:58Exquisite.
0:34:00 > 0:34:02What do you people want?
0:34:02 > 0:34:03The future.
0:34:03 > 0:34:06Self-directed evolution?
0:34:06 > 0:34:09You want to grow a tail, that's your business.
0:34:09 > 0:34:11Oh, you know about my modest enhancement?
0:34:11 > 0:34:13You've got a tail? The fact that I CAN have a tail,
0:34:13 > 0:34:15millions of years after we shed it,
0:34:15 > 0:34:17reminds me of what we can achieve.
0:34:22 > 0:34:24Would you like to see it?
0:34:25 > 0:34:26God, no.
0:34:28 > 0:34:30Argentinean bio-hack.
0:34:30 > 0:34:32Bloodflow, nerve endings,
0:34:32 > 0:34:34warm to the touch.
0:34:34 > 0:34:36But it's merely performance art,
0:34:36 > 0:34:37compared to you.
0:34:37 > 0:34:40You are our greatest achievement.
0:34:40 > 0:34:42PHONE RINGS
0:34:42 > 0:34:44Perhaps later.
0:34:54 > 0:34:56This is Olivier.
0:34:57 > 0:34:59What's so urgent?
0:34:59 > 0:35:01'I have her, Aldous.'
0:35:01 > 0:35:02The killer.
0:35:05 > 0:35:07Get her ready to travel.
0:35:07 > 0:35:09I'll be there in the morning.
0:35:09 > 0:35:10And be careful with her.
0:35:25 > 0:35:27She's irresistible, isn't she?
0:35:30 > 0:35:33Now I know why you did this.
0:35:33 > 0:35:35If I was in your position,
0:35:35 > 0:35:37I'd fall in love with her, too.
0:35:43 > 0:35:44SHE GASPS AND GRUNTS
0:35:44 > 0:35:46Shh, shh, shh, shh, shh.
0:35:46 > 0:35:49Hello, friend.
0:35:49 > 0:35:52Oh, God! About time.
0:35:52 > 0:35:54Do you want to be saved?
0:35:54 > 0:35:55Yes, Helena! Untie me.
0:35:55 > 0:35:57Give me a name, first.
0:35:57 > 0:35:59I gave you Olivier.
0:35:59 > 0:36:01I want the name of a sheep, too.
0:36:01 > 0:36:03SHE GRUNTS
0:36:08 > 0:36:10OK, I'll give you another name.
0:36:12 > 0:36:14Tell me.
0:36:14 > 0:36:16I offered you a way out,
0:36:16 > 0:36:18and you made a fool of me.
0:36:18 > 0:36:21You made a fatal error, Paul...
0:36:21 > 0:36:23You trusted the wrong person.
0:36:47 > 0:36:49Who are you?
0:36:49 > 0:36:51I want to see your tail.
0:36:58 > 0:37:02Now, show me the tail. Slowly.
0:37:05 > 0:37:07That's good.
0:37:09 > 0:37:11Ahh.
0:37:11 > 0:37:14How is this possible?
0:37:15 > 0:37:17Did you lie with a beast?
0:37:17 > 0:37:20Please. You're a miracle.
0:37:20 > 0:37:21Let me help you.
0:37:21 > 0:37:25I have a message for your master.
0:37:26 > 0:37:28From Tomas.
0:37:28 > 0:37:31Aaargh!
0:37:31 > 0:37:33Aaaaaargh!
0:37:38 > 0:37:42I guess there's a few things I should've told you. You think?
0:37:42 > 0:37:44Come on, Sarah.
0:37:50 > 0:37:52PHONE BEEPS
0:37:56 > 0:37:58PHONE RINGS
0:37:58 > 0:38:00Yeah, one sec.
0:38:04 > 0:38:05Detective Art Bell.
0:38:05 > 0:38:07'Hi, um, Detective.'
0:38:07 > 0:38:10You don't know me, but, um,
0:38:10 > 0:38:12I need to talk to you about Beth Childs.
0:38:12 > 0:38:14Beth Childs? What about her?
0:38:14 > 0:38:16I was told to call, um...
0:38:16 > 0:38:17Shit! Christ!
0:38:17 > 0:38:20Let's go. Wrong number.
0:38:20 > 0:38:22Hello?
0:38:22 > 0:38:24Hello!
0:38:58 > 0:39:01You had to give Helena a name?
0:39:01 > 0:39:04Yeah, mine. I told her who I was.
0:39:04 > 0:39:05Sarah?
0:39:07 > 0:39:08She's got a thing for me.
0:39:19 > 0:39:21Mm.
0:39:21 > 0:39:22Well, three's a crowd,
0:39:22 > 0:39:24so I'm going to go get drunk
0:39:24 > 0:39:26by myself at Bobby's Bar.
0:39:26 > 0:39:28We can't go back to the townhouse.
0:39:28 > 0:39:31It's not safe. They'll be looking for us.
0:39:31 > 0:39:33We should...
0:39:56 > 0:39:59Working with Dr Leekie could be
0:39:59 > 0:40:00the opportunity of a lifetime.
0:40:00 > 0:40:03I know.
0:40:03 > 0:40:05Then, why are you being so coy?
0:40:07 > 0:40:09Don't you think
0:40:09 > 0:40:11it's time we admit what this is really about?
0:40:22 > 0:40:24I, um...
0:40:24 > 0:40:26Oh. Oh, God, Delphine.
0:40:26 > 0:40:29Uh...did I make a huge mistake?
0:40:29 > 0:40:30No. I have to go.
0:40:33 > 0:40:36It-it's OK.
0:40:36 > 0:40:38Bye. Delphine, just...
0:40:48 > 0:40:49Hey, I'm going home.
0:40:49 > 0:40:51You should, too.
0:40:51 > 0:40:52Ha-ha. What, and miss all the fun?
0:40:52 > 0:40:54THEY LAUGH
0:40:55 > 0:40:56Art!
0:40:56 > 0:40:58Art, you got to see this.
0:40:58 > 0:41:00Holy shit.
0:41:00 > 0:41:02It's a match on the Jane Doe print.
0:41:05 > 0:41:07Who's Sarah Manning?
0:41:08 > 0:41:10And why the hell does she look like Beth?
0:42:00 > 0:42:01Alarmingly large numbers are continuing
0:42:01 > 0:42:03to kill themselves in custody.
0:42:03 > 0:42:06"It's their own fault. Shouldn't be in prison in the first place."
0:42:06 > 0:42:09I've heard it - the public's reaction.
0:42:09 > 0:42:10"Mum, help me. Mum, help me."
0:42:10 > 0:42:13He were bullied that much, I think he were tortured.
0:42:13 > 0:42:15Crime Punishment Season concludes.