0:00:02 > 0:00:05This programme contains some scenes which some viewers may find upsetting
0:00:05 > 0:00:08- Do you know Dr Aldous Leekie?- No. - Neolution gives us the opportunity
0:00:08 > 0:00:10- at self-directed evolution. - Delphine.- Cosima.
0:00:10 > 0:00:11Because she doesn't know that I know.
0:00:11 > 0:00:12I'm the one who's monitoring her.
0:00:12 > 0:00:15It's time we admit what this is really about?
0:00:15 > 0:00:16Did I make a huge mistake?
0:00:16 > 0:00:18I have to go.
0:00:18 > 0:00:19This is high-level shit, Sarah,
0:00:19 > 0:00:21an illegal human cloning trial.
0:00:21 > 0:00:23There is nine of you. No! There is only one of me.
0:00:23 > 0:00:24You have a problem.
0:00:24 > 0:00:26- What kind of a problem? - She is not Beth.
0:00:26 > 0:00:30You must be Olivier. The one who's killing us is Ukrainian, she's blonde,
0:00:30 > 0:00:31she's a religious nut.
0:00:31 > 0:00:32You are the original.
0:00:32 > 0:00:33You are the light.
0:00:33 > 0:00:36I dreamed that we were friends.
0:00:36 > 0:00:37- We are not friends. - We will be.
0:00:37 > 0:00:39I have her, Aldous.
0:00:39 > 0:00:41Get her ready to travel. I'll be there in the morning.
0:00:42 > 0:00:44I want to see your tail.
0:00:44 > 0:00:46Aaaaah!
0:00:46 > 0:00:48- 'I need to talk to you about Beth Childs.'- Beth Childs?
0:00:48 > 0:00:50- Let's go. - Wrong number.
0:00:50 > 0:00:54We can't go back to the town house. It is not safe. They will be looking for us.
0:00:54 > 0:00:55Art, you got to see this.
0:00:55 > 0:00:57Who is Sarah Manning?
0:01:08 > 0:01:09Ready for this?
0:01:09 > 0:01:11You believe in doppelgangers, Angie?
0:01:11 > 0:01:15Doppelgangers running around to confuse the issue? No.
0:01:15 > 0:01:16How about twins?
0:01:16 > 0:01:18Beth ever mention a twin sister?
0:01:18 > 0:01:20What the hell is going on?!
0:01:22 > 0:01:24Look, we identified Sarah Manning
0:01:24 > 0:01:25as Jane Doe, so,
0:01:25 > 0:01:27come on, we got to make a house call.
0:01:30 > 0:01:31Hey.
0:01:31 > 0:01:33You mind keeping this between us?
0:01:33 > 0:01:35Just till we figure out what the hell it is.
0:01:35 > 0:01:37Yeah, sure.
0:01:37 > 0:01:39Yeah, sounds good to me.
0:01:39 > 0:01:40Thanks.
0:01:55 > 0:01:57We can't go back to the town house.
0:01:57 > 0:01:59Uh-uh. Shh-shh-shh-shh.
0:02:06 > 0:02:08Olivier's boss, Dr Leekie,
0:02:08 > 0:02:10is flying in today. He will be looking for you.
0:02:10 > 0:02:11OK.
0:02:12 > 0:02:16For a second there, I forgot I was a clone.
0:02:16 > 0:02:19He thinks you're the one killing his clones.
0:02:19 > 0:02:21DOOR OPENS
0:02:23 > 0:02:25Oh. Sorry.
0:02:25 > 0:02:28Couldn't afford lattes for Bonnie and Clyde.
0:02:28 > 0:02:29Morning, Fe.
0:02:29 > 0:02:31Can we torch this, please?
0:02:31 > 0:02:32What?
0:02:32 > 0:02:34Your psycho sister's coat smells like low tide.
0:02:34 > 0:02:37Felix!
0:02:37 > 0:02:39Sarah's going to have to hole up here for a while.
0:02:39 > 0:02:42You, too? Impinging on my creativity. Shagging in my bed.
0:02:42 > 0:02:44MOBILE RINGS
0:02:48 > 0:02:50Alison.
0:02:50 > 0:02:53Oh, brilliant! Invite her, too. Then maybe we can all cuddle up
0:02:53 > 0:02:55with Weight Watchers and Grey's Anatomy.
0:02:55 > 0:02:57Hey. How was couples' camp?
0:02:57 > 0:02:58'I came back early.'
0:02:58 > 0:03:00Cosima filled me in already
0:03:00 > 0:03:02and I'm taking a break from you two.
0:03:02 > 0:03:03I need to get my house together.
0:03:03 > 0:03:06Er, isn't that what marriage counselling was for?
0:03:06 > 0:03:09- Donnie and I are getting a divorce. - What?
0:03:09 > 0:03:10Oh, I'm fine.
0:03:10 > 0:03:12It is my decision.
0:03:12 > 0:03:14Everything is under control.
0:03:14 > 0:03:15OK, now I'm worried.
0:03:15 > 0:03:17Well, don't be. I can take care of myself
0:03:17 > 0:03:19and I don't need...
0:03:19 > 0:03:21WHISPERS: ..you helping me clear my deck
0:03:21 > 0:03:22of liars and spies.
0:03:22 > 0:03:24Alison, you don't know who your monitor is, OK?
0:03:24 > 0:03:26Don't fixate.
0:03:26 > 0:03:28I'm reclaiming my life, Sarah.
0:03:28 > 0:03:30Please respect that.
0:03:40 > 0:03:42Aynsley, what are you doing?
0:03:42 > 0:03:43Alison, you're home!
0:03:43 > 0:03:45I told you I was coming back early.
0:03:45 > 0:03:47But not today, silly.
0:03:47 > 0:03:48I just came to water the plants.
0:03:48 > 0:03:50Did you?
0:03:50 > 0:03:51KNOCKING
0:03:51 > 0:03:52I'll get it!
0:03:55 > 0:03:57Hey, hey, hey, hey. What have I said
0:03:57 > 0:03:59about answering the door on your own?
0:03:59 > 0:04:01Only when we invite someone.
0:04:01 > 0:04:03Uh-huh, and we have not, have we?
0:04:05 > 0:04:08Kira, go up to your room.
0:04:08 > 0:04:09Quick.
0:04:16 > 0:04:17Siobhan Sadler?
0:04:17 > 0:04:18Who wants to know?
0:04:18 > 0:04:20Detectives Bell and Deangelis.
0:04:20 > 0:04:22Are you the legal guardian
0:04:22 > 0:04:23of Sarah Manning?
0:04:59 > 0:05:01Sarah's dead?
0:05:01 > 0:05:04I'm sorry.
0:05:04 > 0:05:05How?
0:05:05 > 0:05:07She was shot.
0:05:07 > 0:05:09Shot?
0:05:09 > 0:05:11When?
0:05:11 > 0:05:13On or around November 25th.
0:05:13 > 0:05:16November 25th? That is two weeks ago.
0:05:16 > 0:05:18Identification took some time.
0:05:18 > 0:05:20But you're sure it's her?
0:05:23 > 0:05:26Did you know if Sarah had any problems
0:05:26 > 0:05:27with anyone?
0:05:27 > 0:05:28Women, especially,
0:05:28 > 0:05:30but not exclusively.
0:05:30 > 0:05:32Why would you ask that?
0:05:34 > 0:05:35I'm sorry.
0:05:35 > 0:05:38We can't share much about the investigation, at this point.
0:05:38 > 0:05:40Did she live here with you?
0:05:40 > 0:05:42No. She came of age and she moved out years ago.
0:05:42 > 0:05:45We aren't...
0:05:45 > 0:05:46We weren't close.
0:05:48 > 0:05:49Did Sarah have a sister?
0:05:49 > 0:05:51No, she was an orphan.
0:05:51 > 0:05:54Could she have a sister?
0:05:54 > 0:05:57If she did, it would be news to both of us.
0:05:59 > 0:06:02Neolution is bullshit, Cosima.
0:06:02 > 0:06:05No, it isn't, Sarah. It's an applied philosophy
0:06:05 > 0:06:06with profound implications for what I do.
0:06:06 > 0:06:09So you'd go around black-bagging your subjects?
0:06:09 > 0:06:12That was mistaken identity, OK?
0:06:12 > 0:06:14Olivier thought you were the killer, Sarah.
0:06:14 > 0:06:16Yeah, well, your good friend Dr Leekie's on his way.
0:06:16 > 0:06:18Can I expect the same from him?
0:06:18 > 0:06:19OK, you know what?
0:06:19 > 0:06:21You were the one who turned our killer
0:06:21 > 0:06:22against our creators.
0:06:22 > 0:06:25I mean, why the hell would you bring Helena into the mix?
0:06:25 > 0:06:27Oi! Ivory tower! This all happened
0:06:27 > 0:06:29because you got the science wrong.
0:06:29 > 0:06:31No, I didn't.
0:06:31 > 0:06:33Yes, you did, OK?
0:06:33 > 0:06:35They knew I wasn't Beth, from the medical tests.
0:06:35 > 0:06:37You said our DNA was identical.
0:06:37 > 0:06:40It is. You know, maybe it was your sunny personality that gave you away.
0:06:40 > 0:06:42Whose bloody side are you on, Cosima?
0:06:42 > 0:06:44Oh, hang up! She is a Freaky Leekie.
0:06:44 > 0:06:45D...
0:06:45 > 0:06:49Shit! Fe, Cosima drank the purple Kool-Aid.
0:06:49 > 0:06:50Well, then, to hell with her.
0:06:50 > 0:06:53You can still save Alison.
0:06:53 > 0:06:54Alison's fine.
0:06:54 > 0:06:57She is not fine. She is divorcing Donnie.
0:06:57 > 0:06:59Every freak for herself.
0:06:59 > 0:07:01Divorces do really strange things to normals, Sarah.
0:07:01 > 0:07:02They lose their fake happiness,
0:07:02 > 0:07:04they forget the way to the mall,
0:07:04 > 0:07:06and then they come downtown to find themselves.
0:07:09 > 0:07:11She is obsessing that one
0:07:11 > 0:07:12of her bitchy friends is her monitor.
0:07:12 > 0:07:14Aynsley.
0:07:15 > 0:07:16It is her, for sure.
0:07:18 > 0:07:21Whew, divorce. You poor thing.
0:07:21 > 0:07:23Where are the kids?
0:07:23 > 0:07:24They are at my mother's.
0:07:24 > 0:07:26Do they know? Did you tell them?
0:07:26 > 0:07:29- You are just full of questions, aren't you?- Well, of course I am.
0:07:29 > 0:07:30I care about you.
0:07:30 > 0:07:32I knew you were unhappy, but...
0:07:32 > 0:07:33How did you know?
0:07:33 > 0:07:34By asking questions.
0:07:34 > 0:07:36Always asking, asking.
0:07:36 > 0:07:38Everything you know, you pried right out of me.
0:07:44 > 0:07:46Here's a thought...
0:07:46 > 0:07:48why don't you let me coach figure skating tonight?
0:07:48 > 0:07:50The kids are with your mom.
0:07:50 > 0:07:52Have a night in, relax.
0:07:52 > 0:07:54No, you relax. Figure skating is
0:07:54 > 0:07:57on my schedule and whether my daughter is in attendance or not, I'll be there.
0:07:57 > 0:08:01Ally, I think you need some "me" time.
0:08:01 > 0:08:03And I think you need to give me my house keys back.
0:08:03 > 0:08:06What?! What have I done?
0:08:06 > 0:08:07Keys, please.
0:08:12 > 0:08:13I know you're in pain,
0:08:13 > 0:08:15so I won't ask for my keys back,
0:08:15 > 0:08:18but I want you to know I won't abandon you, Ally.
0:08:27 > 0:08:29You know...
0:08:31 > 0:08:33I'm afraid restoring your brother's, er,
0:08:33 > 0:08:36appendage was out of the question.
0:08:36 > 0:08:38The tail was too badly damaged.
0:08:38 > 0:08:40Must've been a new one for you.
0:08:40 > 0:08:42Yes, but fascinating, actually.
0:08:42 > 0:08:44That level of surgical enhancement...
0:08:44 > 0:08:45He is very committed.
0:08:45 > 0:08:47How long do you expect to keep him here?
0:08:47 > 0:08:49Between the blood loss and the risk
0:08:49 > 0:08:51of infection in that...area,
0:08:51 > 0:08:52a few days to a week.
0:08:52 > 0:08:53Thanks, doc.
0:08:53 > 0:08:55I'll wait till he comes to.
0:09:15 > 0:09:18Where are you with Cosima?
0:09:19 > 0:09:20Closer.
0:09:20 > 0:09:22She...
0:09:22 > 0:09:25She made a pass at me, Aldous.
0:09:25 > 0:09:27Really?
0:09:27 > 0:09:29Yes.
0:09:29 > 0:09:32Delphine...
0:09:33 > 0:09:36..Cosima's safety is at stake.
0:09:36 > 0:09:38Other subjects, too.
0:09:38 > 0:09:40I need to know
0:09:40 > 0:09:44which ones she's in contact with.
0:09:44 > 0:09:46But she has to initiate disclosure.
0:09:46 > 0:09:50I'm not saying disclose.
0:09:50 > 0:09:52This is a direct threat, so I need you
0:09:52 > 0:09:54to dig deeper and faster.
0:10:51 > 0:10:52"Dear Mummy,
0:10:52 > 0:10:54"I miss you.
0:10:54 > 0:10:55"Mrs S says you
0:10:55 > 0:10:58"are in the sunshine.
0:10:58 > 0:11:00"Please come home.
0:11:00 > 0:11:02"Love,
0:11:02 > 0:11:05"Kira."
0:11:12 > 0:11:15Oi! Can you not, please?
0:11:15 > 0:11:18I'm not going to hole up with you, if you can't sit still.
0:11:18 > 0:11:19Does it smell?
0:11:19 > 0:11:20Yeah! It smells like a foot.
0:11:20 > 0:11:22Only worse, because it's yours.
0:11:22 > 0:11:24Alison's not picking up.
0:11:24 > 0:11:26MOBILE RINGS
0:11:26 > 0:11:28Who is calling?
0:11:28 > 0:11:30Art. Again.
0:11:30 > 0:11:32Sorry, Beth doesn't live here any more.
0:11:32 > 0:11:34No, she lives with me.
0:11:34 > 0:11:37So does her boytoy bodyguard.
0:11:37 > 0:11:39- Stop! Would you please stop?! - DOOR OPENS
0:11:39 > 0:11:40Pl...
0:11:40 > 0:11:42Oi-oi, Mrs S.
0:11:42 > 0:11:43Oi-oi.
0:11:45 > 0:11:47And you're alive.
0:11:47 > 0:11:49Yeah. Why?
0:11:49 > 0:11:52Two homicide detectives on my doorstep this morning,
0:11:52 > 0:11:55quite convinced they'd found your body
0:11:55 > 0:11:58in a gravel quarry.
0:11:58 > 0:11:59Who wants mimosas?
0:11:59 > 0:12:01Sit down and shut your gob!
0:12:01 > 0:12:04I was tempted to claim the remains
0:12:04 > 0:12:06and feed them to you both on toast. Would you care to enlighten me?
0:12:06 > 0:12:09I don't want to lie to you, so,
0:12:09 > 0:12:10not yet.
0:12:10 > 0:12:11What'd they say?
0:12:11 > 0:12:13Very little.
0:12:13 > 0:12:15I'd venture little is all they have.
0:12:15 > 0:12:17Thanks.
0:12:22 > 0:12:24Whatever is going on, if it takes
0:12:24 > 0:12:27one step towards Kira, you need to yell fire.
0:12:29 > 0:12:31The home we've built for ourselves in this country,
0:12:31 > 0:12:34we burn it all down, if we have to.
0:12:34 > 0:12:37That is a promise.
0:12:40 > 0:12:41Hey.
0:12:41 > 0:12:44Hey, facial reconstruction's coming along.
0:12:44 > 0:12:46- Yeah, well, hang on to your hat. - Sounds promising.
0:12:46 > 0:12:49Sarah Manning offed herself, jumped in front
0:12:49 > 0:12:50of a train at Huxley Station.
0:12:50 > 0:12:52What?!
0:12:52 > 0:12:54Check out the time of death.
0:12:54 > 0:12:56Two days before Jane Doe was shot.
0:12:56 > 0:12:59Jane Doe can't be Sarah Manning. Sarah Manning was already dead.
0:12:59 > 0:13:00Except the prints match.
0:13:00 > 0:13:03Twins, right? Twins. Twins' prints are
0:13:03 > 0:13:05close enough to flag a match. I mean, environmental factors like
0:13:05 > 0:13:07wear and tear can usually differentiate.
0:13:07 > 0:13:09- OK, but the foster mother said no relations.- That she knew of.
0:13:09 > 0:13:11Sarah was an orphan.
0:13:11 > 0:13:12Say Beth's a triplet, separated at birth.
0:13:12 > 0:13:15Come on, humour me. Over a couple of days,
0:13:15 > 0:13:17same city, one suicides, the other gets whacked?
0:13:17 > 0:13:20I mean, it suggests they're in touch, that they're not separate any more, right?
0:13:20 > 0:13:22And there's only one left to clear it up.
0:13:25 > 0:13:27- Beth!- Hey. Got your messages.
0:13:27 > 0:13:29Bad time?
0:13:31 > 0:13:34So what's this all about? You miss me already?
0:13:34 > 0:13:37Some questions came up about your work on the Jane Doe case.
0:13:41 > 0:13:42Such as?
0:13:42 > 0:13:44Well, you told us there was
0:13:44 > 0:13:47- no print match on the victim.- Yeah, there wasn't.
0:13:47 > 0:13:50Well, there's no confirmation of that in the case file.
0:13:50 > 0:13:51There should be.
0:13:51 > 0:13:53Well, we ran them again and we got a match.
0:13:56 > 0:13:58So, we're finally getting somewhere.
0:13:58 > 0:14:00Yeah, it sounds like it.
0:14:00 > 0:14:02Just need to know...
0:14:10 > 0:14:11Is this a joke?
0:14:11 > 0:14:13Does the name
0:14:13 > 0:14:14Sarah Manning mean anything to you?
0:14:14 > 0:14:17Who the hell is this?
0:14:17 > 0:14:18You have never seen her before?
0:14:18 > 0:14:20Er, er, yeah, yeah,
0:14:20 > 0:14:22in the mirror.
0:14:22 > 0:14:24Come on. No!
0:14:24 > 0:14:25Hey, I guess people have lookalikes.
0:14:25 > 0:14:26Do they?
0:14:28 > 0:14:30Alison!
0:14:30 > 0:14:31Alison, how are you?
0:14:31 > 0:14:34- Hmm?- Oh, poor hon.
0:14:34 > 0:14:36If you need anything, just call.
0:14:36 > 0:14:37Why can't you just support me
0:14:37 > 0:14:39in what I'm trying to do? This is important to me.
0:14:39 > 0:14:41You can't just put on an outfit and be a coach.
0:14:41 > 0:14:42You are not their coach. You don't know what you're doing.
0:14:42 > 0:14:45- I am here every single... - Ally! Hey!
0:14:45 > 0:14:46Hi, Chad.
0:14:46 > 0:14:47Singlehood. Free at last, huh?
0:14:47 > 0:14:48What are you doing here, Aynsley?
0:14:48 > 0:14:51I know, right?
0:14:51 > 0:14:53Chad, go play with your dumbbells.
0:14:53 > 0:14:54I told you I've got this covered.
0:14:54 > 0:14:56You are in no condition to be coaching kids.
0:14:56 > 0:14:57Way to rub salt in the wounds, Ayns.
0:15:00 > 0:15:03Sorry, I tried.
0:15:03 > 0:15:06I'm perfectly fine and no-one asked you
0:15:06 > 0:15:08to sub for me, so leave.
0:15:08 > 0:15:11Alison, you're mad at Donnie, not me.
0:15:11 > 0:15:12I told you to stay away from me.
0:15:12 > 0:15:15And I told you you're not yourself.
0:15:15 > 0:15:16I know what you're doing, Aynsley.
0:15:16 > 0:15:18You want to mess with my life?
0:15:18 > 0:15:19I'm going to mess with yours.
0:15:25 > 0:15:26Sorry to be a bitch, here,
0:15:26 > 0:15:28but it looks like you buried
0:15:28 > 0:15:30Jane Doe's fingerprints to hide your connection.
0:15:30 > 0:15:31What connection?
0:15:31 > 0:15:34I don't have a sister. I don't know who this person is.
0:15:34 > 0:15:35Sarah Manning was an orphan.
0:15:35 > 0:15:37Same prints as Jane Doe, but she
0:15:37 > 0:15:40killed herself days before Jane Doe was murdered.
0:15:41 > 0:15:42Look, Beth,
0:15:42 > 0:15:45we just need to know where you fit in.
0:15:47 > 0:15:49Can I see her file?
0:15:49 > 0:15:51Sorry,
0:15:51 > 0:15:52you're a civilian.
0:15:52 > 0:15:53Yeah, what you always wanted.
0:15:57 > 0:16:01Art, do I need to lawyer up, here?
0:16:01 > 0:16:04I don't know, Beth.
0:16:04 > 0:16:05Do you?
0:16:19 > 0:16:21Have forensics run her prints
0:16:21 > 0:16:23as fast as possible.
0:16:23 > 0:16:24You got it.
0:16:52 > 0:16:55Oh, shit.
0:16:55 > 0:16:58OK, fine, you caught me.
0:16:58 > 0:17:00Just please don't narc on me to Aynsley.
0:17:00 > 0:17:02You know how apeshit she gets about stuff like this.
0:17:05 > 0:17:07Whoa.
0:17:07 > 0:17:08Alison.
0:17:08 > 0:17:10You know, Chad, this is the first hit
0:17:10 > 0:17:13I've had since Godspell in college.
0:17:13 > 0:17:16I don't know what that is.
0:17:18 > 0:17:20OK.
0:17:20 > 0:17:22You got any more?
0:17:29 > 0:17:31Paul.
0:17:31 > 0:17:33Dr Aldous Leekie will be here
0:17:33 > 0:17:35in a couple hours.
0:17:35 > 0:17:38He texted you.
0:17:38 > 0:17:42You are conspiring
0:17:42 > 0:17:43with at least two clones.
0:17:43 > 0:17:45Just one, actually.
0:17:45 > 0:17:47Are you crazy?
0:17:47 > 0:17:50Despite appearances, I'm not the one
0:17:50 > 0:17:55in a compromising position here, Paul.
0:17:55 > 0:17:58You blackmailed
0:17:58 > 0:18:00an ex-military-intelligence guy
0:18:00 > 0:18:03to do your dirty work.
0:18:03 > 0:18:06Olivier Duval...
0:18:06 > 0:18:08that's a classy pseudonym, bro.
0:18:10 > 0:18:12Thank you.
0:18:12 > 0:18:16Your real name is Kevin,
0:18:16 > 0:18:18you're from Wenatchee, Washington,
0:18:18 > 0:18:21and you have a raft of unsavoury sex warrants.
0:18:21 > 0:18:24The organisation knows that.
0:18:24 > 0:18:25Yeah, but the police don't.
0:18:25 > 0:18:29And that's why you're going to listen
0:18:29 > 0:18:31when I tell you what happened last night.
0:18:36 > 0:18:39Oh, I get it.
0:18:39 > 0:18:41Smoke through the roof...
0:18:41 > 0:18:42Accelerated dissipation.
0:18:42 > 0:18:43Mm.
0:18:43 > 0:18:45Mm-hm.
0:18:45 > 0:18:48Fewer air fresheners required.
0:18:48 > 0:18:50Speaking of fresh air...
0:18:50 > 0:18:52cheers to finally getting Donnie
0:18:52 > 0:18:53off your couch.
0:18:53 > 0:18:56Are you mocking the failure
0:18:56 > 0:18:58of my marriage, Chad?
0:18:58 > 0:19:00Sorry.
0:19:00 > 0:19:01No, don't be.
0:19:01 > 0:19:03I gather you and Aynsley
0:19:03 > 0:19:05aren't exactly booking nooners.
0:19:05 > 0:19:07Eh, you know,
0:19:07 > 0:19:08the thing about you and me, Hendrix...
0:19:08 > 0:19:10Hmm?
0:19:10 > 0:19:13We are sharks - we stop moving, we die.
0:19:13 > 0:19:15Hmm.
0:19:15 > 0:19:17Well, you certainly got that down -
0:19:17 > 0:19:21those late-night runs in your sleeveless Ts.
0:19:21 > 0:19:24You ain't so bad yourself.
0:19:24 > 0:19:26Tight glutes.
0:19:26 > 0:19:27Nice pecs.
0:19:27 > 0:19:29I bet you could bench press me.
0:19:29 > 0:19:31Easy.
0:19:32 > 0:19:35Bet you could bounce me like a ball.
0:19:35 > 0:19:39OK.
0:19:39 > 0:19:41Maybe you've had too much.
0:19:41 > 0:19:42Hmm.
0:19:42 > 0:19:45Maybe you haven't had enough.
0:19:45 > 0:19:47What are we doing, here?
0:19:47 > 0:19:49I'm objectifying you.
0:19:49 > 0:19:51Sexually.
0:19:51 > 0:19:53To get back at Donnie.
0:19:53 > 0:19:55I should really have a problem with this.
0:19:55 > 0:19:58But you don't.
0:20:06 > 0:20:08HORN BEEPS
0:20:11 > 0:20:13Hey, Delphine.
0:20:13 > 0:20:15I hope I'm not disturbing you.
0:20:15 > 0:20:17Oh, no, no, no. No, impossible.
0:20:17 > 0:20:19So, apparently, I've got this thing
0:20:19 > 0:20:22for, like, jumping to conclusions.
0:20:22 > 0:20:26You know, it's just that I've never...
0:20:26 > 0:20:28I know, I know, I know, you're not gay
0:20:28 > 0:20:29and I'm a total idiot.
0:20:29 > 0:20:30So sorry.
0:20:30 > 0:20:32Oh, let me...
0:20:32 > 0:20:34Oh, yes.
0:20:34 > 0:20:35- Do you...?- Yeah.
0:20:35 > 0:20:37I just want to make, like,
0:20:37 > 0:20:39crazy science with you.
0:20:39 > 0:20:41Totally crazy science.
0:20:41 > 0:20:43I'm so glad to hear that because you know what?
0:20:43 > 0:20:46I was reading up on the Dyad Institute
0:20:46 > 0:20:48and did you know that Dr Leekie,
0:20:48 > 0:20:49he has built a dedicated department
0:20:49 > 0:20:52for transgenic organ transplants? And...
0:20:52 > 0:20:55Sorry, I was just dorking out so hard
0:20:55 > 0:20:58to their extrapolation of murine models.
0:20:58 > 0:20:59What?!
0:20:59 > 0:21:01Yeah.
0:21:01 > 0:21:02Oh, wow.
0:21:02 > 0:21:04You know, it's really, really good
0:21:04 > 0:21:06to finally meet someone who gets it.
0:21:06 > 0:21:09- Hmm. - Who gets me.
0:21:12 > 0:21:14Yeah, ditto.
0:21:14 > 0:21:15Obvs.
0:21:19 > 0:21:22I can't stop thinking about that kiss.
0:21:22 > 0:21:25Like in a not-bad way?
0:21:25 > 0:21:27Oh, like,
0:21:27 > 0:21:29I've never thought about bisexuality.
0:21:29 > 0:21:30I mean, for myself, you know.
0:21:30 > 0:21:32But as a scientist, I know that
0:21:32 > 0:21:34sexuality is a spectrum.
0:21:34 > 0:21:35But, you know, social biases,
0:21:35 > 0:21:38they codified attraction.
0:21:38 > 0:21:41It is contrary to the biological facts,
0:21:41 > 0:21:42you know.
0:21:42 > 0:21:45Mm-hm. That is oddly romantic.
0:21:50 > 0:21:51Totally encouraging.
0:22:19 > 0:22:21You want me to coach, yeah!
0:22:25 > 0:22:26LAUGHING
0:22:26 > 0:22:27OK, no.
0:22:27 > 0:22:29Let's turn around right here now.
0:22:29 > 0:22:31Coach, yeah!
0:22:31 > 0:22:33- You are in the end zone. - Yeah, you're my coach!
0:22:33 > 0:22:35Touchdown!
0:22:35 > 0:22:37# When I start to make you nervous
0:22:37 > 0:22:39# And I'm going to extremes
0:22:39 > 0:22:41# Tomorrow, I will change
0:22:41 > 0:22:44# And today won't mean a thing
0:22:44 > 0:22:46# I'm a bitch, I'm a lover
0:22:46 > 0:22:48# I'm a child, I'm a mother
0:22:48 > 0:22:51# I'm a sinner, I'm a saint
0:22:51 > 0:22:53# I do not feel ashamed
0:22:53 > 0:22:56# I'm your hell I'm your dream
0:22:56 > 0:22:58# I'm nothing in between
0:22:58 > 0:23:00# You know you wouldn't want it
0:23:00 > 0:23:03# Any other way, yeah. #
0:23:09 > 0:23:10Get out!
0:23:12 > 0:23:13Get out!
0:23:13 > 0:23:17Meera saw you screwing my husband!
0:23:17 > 0:23:18Everyone knows!
0:23:18 > 0:23:20You screwed my husband!
0:23:22 > 0:23:23Well, maybe, if you paid
0:23:23 > 0:23:25more attention to him and less to me.
0:23:25 > 0:23:27Get out of the car, Alison!
0:23:27 > 0:23:31You've no idea who you're dealing with!
0:23:31 > 0:23:34No, I know exactly who you are.
0:23:34 > 0:23:37You are a sleazy watcher/spy.
0:23:37 > 0:23:38Sleazy?
0:23:38 > 0:23:40That is rich, coming from a backstabbing
0:23:40 > 0:23:41psycho slut like you!
0:23:41 > 0:23:44Do you...?
0:23:44 > 0:23:45Stop it!
0:23:45 > 0:23:47Hey!
0:23:49 > 0:23:51Ha-ha! Aah!
0:23:51 > 0:23:53# I'm a bitch, I'm a lover
0:23:53 > 0:23:55# I'm a child, I'm a mother
0:23:55 > 0:23:58# I'm a sinner, I'm a saint
0:23:58 > 0:23:59# I do not feel... #
0:24:02 > 0:24:05Hey, hey, hey, Morguee.
0:24:05 > 0:24:07We need everything you got on Sarah Manning.
0:24:07 > 0:24:11Caucasian female, suicide by train.
0:24:11 > 0:24:13You processed the body and its release.
0:24:13 > 0:24:14I process lots of bodies.
0:24:14 > 0:24:16Is there a problem?
0:24:16 > 0:24:18Fingerprints from our Jane Doe
0:24:18 > 0:24:20of the gravel crusher.
0:24:20 > 0:24:22Forensics says they're spooky-close to two other women.
0:24:22 > 0:24:24Yeah, one's Sarah Manning.
0:24:24 > 0:24:26The other is a... totally other woman.
0:24:26 > 0:24:29Let's see. Er...
0:24:29 > 0:24:31Sarah Manning. Suicide by train.
0:24:32 > 0:24:35Holy shit.
0:24:35 > 0:24:38It is uncanny.
0:24:38 > 0:24:40We need the name and the address
0:24:40 > 0:24:42of the person who identified her.
0:24:47 > 0:24:49What?! I...
0:24:49 > 0:24:51OK, Colin, please slow down.
0:24:51 > 0:24:52What exactly did they say?
0:24:52 > 0:24:53I couldn't lie, Felix, OK?
0:24:53 > 0:24:56There are records. Your signature, address.
0:24:56 > 0:24:57OK,
0:24:57 > 0:25:00I've got to go,
0:25:00 > 0:25:01but you just take a hot bath.
0:25:01 > 0:25:03I'll talk to you later.
0:25:03 > 0:25:04Shit! Sarah.
0:25:04 > 0:25:06You can handle this, yeah?
0:25:06 > 0:25:08Cops? Yeah. I... Yeah.
0:25:08 > 0:25:09Where are you going to go?
0:25:09 > 0:25:12No idea.
0:25:12 > 0:25:14KNOCKING
0:25:14 > 0:25:15Shit!
0:25:15 > 0:25:17Felix!
0:25:17 > 0:25:18It is me, Alison!
0:25:18 > 0:25:20Please be home.
0:25:24 > 0:25:27You are effing kidding me.
0:25:27 > 0:25:29Bad things have happened to me.
0:25:29 > 0:25:31And I would love to hear about them,
0:25:31 > 0:25:32I would, but right now,
0:25:32 > 0:25:33you need to go.
0:25:33 > 0:25:34What?
0:25:38 > 0:25:41I can't go back there.
0:25:41 > 0:25:43It is just for one night, Alison.
0:25:43 > 0:25:47I slept with Aynsley's husband.
0:25:47 > 0:25:49What?
0:25:49 > 0:25:53I shagged Chad.
0:25:53 > 0:25:56Then Aynsley attacked me in the middle of the street.
0:25:56 > 0:25:57I degraded myself
0:25:57 > 0:25:59and I disgraced my children
0:25:59 > 0:26:00and I can't go back there.
0:26:00 > 0:26:04I seriously underestimated you.
0:26:04 > 0:26:06I hope you kicked her arse.
0:26:06 > 0:26:08I did.
0:26:08 > 0:26:11Kind of.
0:26:11 > 0:26:12I don't want to divorce Donnie,
0:26:12 > 0:26:16but I can't keep lying to him and I hate
0:26:16 > 0:26:18lying to my kids, I hate it!
0:26:18 > 0:26:20How can we possibly sustain this insanity?
0:26:20 > 0:26:24We can't. I don't know if Art's going to throw me in jail
0:26:24 > 0:26:26or if Cosima's going to narc us out
0:26:26 > 0:26:29to the Neolutionists, or what.
0:26:29 > 0:26:32Do not forget Helena. She is always fun.
0:26:32 > 0:26:36All I know is I came back to fix things,
0:26:36 > 0:26:38be a real Mum to Kira.
0:26:40 > 0:26:43So what if we tell them?
0:26:43 > 0:26:46You mean come out?
0:26:57 > 0:26:59"I miss you,
0:26:59 > 0:27:00"Mummy.
0:27:00 > 0:27:03"I miss you, Mummy.
0:27:03 > 0:27:05"I miss you, Mummy.
0:27:05 > 0:27:07"I miss you, Mummy."
0:27:13 > 0:27:15Scotsburn Avenue.
0:27:16 > 0:27:19148.
0:27:23 > 0:27:25'Dr Baker to paediatrics, please.
0:27:25 > 0:27:28'Dr Baker.'
0:27:30 > 0:27:32I replaced your security footage
0:27:32 > 0:27:35to show only one clone.
0:27:35 > 0:27:36Beth...Sarah... was never there.
0:27:36 > 0:27:39He is smart. It won't work.
0:27:39 > 0:27:41It will if you stick to one. There was only one.
0:27:43 > 0:27:45And you need to stop blaming yourself.
0:27:45 > 0:27:47How could you know?
0:27:47 > 0:27:51- Uh, Dr Leekie, I'm...- Paul Dierden.
0:27:51 > 0:27:52I hear great things.
0:27:52 > 0:27:54Aldous.
0:27:54 > 0:27:56Aldous, she took my tail.
0:27:56 > 0:27:59Shut up, Olivier.
0:28:05 > 0:28:08Are you OK?
0:28:08 > 0:28:10Yes.
0:28:12 > 0:28:14Are you sure?
0:28:17 > 0:28:22I...I cry after sex with boys, too.
0:28:22 > 0:28:24Poor you.
0:28:26 > 0:28:28But you know what?
0:28:28 > 0:28:29Hmm?
0:28:29 > 0:28:32I am never this hungry.
0:28:32 > 0:28:34I could kill for some ice cream.
0:28:34 > 0:28:37Mmm. OK.
0:28:37 > 0:28:38Your wish is my command.
0:28:38 > 0:28:41I'm going to go to the store and I'm
0:28:41 > 0:28:43going to get us some Eskimo Pies.
0:28:43 > 0:28:44Eskimo?
0:28:46 > 0:28:47Yeah.
0:28:47 > 0:28:49I don't think I know it.
0:28:49 > 0:28:50- No?- No.
0:28:50 > 0:28:51Prepare yourself.
0:28:51 > 0:28:54You are about to become a craven addict.
0:28:54 > 0:28:56I think I already am.
0:30:12 > 0:30:14Merde.
0:30:22 > 0:30:25She dropped the Beth act cold right in front of us.
0:30:25 > 0:30:27If it weren't for Paul, she would've killed me.
0:30:27 > 0:30:30She said her name was Helena
0:30:30 > 0:30:33and she had an accent, Slavic.
0:30:33 > 0:30:35She admitted she killed Beth
0:30:35 > 0:30:36and took over her life.
0:30:36 > 0:30:38Aldous, she is completely insane.
0:30:41 > 0:30:43Welcome to the big picture.
0:30:43 > 0:30:44Yes, sir.
0:30:44 > 0:30:47Sorry, guys.
0:30:47 > 0:30:48Visiting hours are over.
0:30:48 > 0:30:50Oh, sure. We will get out of your way.
0:30:55 > 0:30:59You just rest and heal.
0:31:04 > 0:31:07What do they say in the military,
0:31:07 > 0:31:09"You've proven your mettle"?
0:31:09 > 0:31:11No, sir, nobody ever said that.
0:31:11 > 0:31:13- OK. - MOBILE RINGS
0:31:13 > 0:31:14Well, tomorrow,
0:31:14 > 0:31:16I'd like to talk about next steps.
0:31:17 > 0:31:19Excuse me.
0:31:20 > 0:31:21Found something?
0:31:21 > 0:31:23Promise me Cosima's safe.
0:31:23 > 0:31:26Her quest, Aldous, it's all perfectly...
0:31:26 > 0:31:28perfectly natural.
0:31:28 > 0:31:29Delphine,
0:31:29 > 0:31:31believe me, I'm protecting her.
0:31:31 > 0:31:33Now, what is it?
0:31:33 > 0:31:35Well, she's not only researching her own biology,
0:31:35 > 0:31:38but she is aware of... of eight others.
0:31:38 > 0:31:40She has had contact.
0:31:40 > 0:31:42I need names.
0:31:42 > 0:31:44OK, yes. Well, some of them seem to be dead.
0:31:44 > 0:31:46- Janika Zingler. - Yes.
0:31:46 > 0:31:47Danielle Fournier.
0:31:47 > 0:31:49Yes. Yes.
0:31:49 > 0:31:50Katja Obinger.
0:31:50 > 0:31:51Yes.
0:31:51 > 0:31:53Helena. There is no last name.
0:31:53 > 0:31:54Helena.
0:31:54 > 0:31:57There is Alison Hendrix, Beth Childs,
0:31:57 > 0:31:59and Sarah Manning.
0:31:59 > 0:32:02Sarah Manning?
0:32:02 > 0:32:04Anything else on her?
0:32:04 > 0:32:06No, nothing.
0:32:06 > 0:32:09Listen, I have to go. She is coming. Bye.
0:32:18 > 0:32:20DOOR OPENS
0:32:26 > 0:32:27Hello?
0:32:27 > 0:32:30What happened? Are you OK?
0:32:30 > 0:32:31Yeah. It is time, Siobhan.
0:32:31 > 0:32:34Time I told you what's really going on.
0:32:34 > 0:32:38Well, then, I am all ears.
0:32:44 > 0:32:48Siobhan, this is Alison Hendrix.
0:32:52 > 0:32:54Pleased to meet you.
0:33:01 > 0:33:03Well, tell me more, love.
0:33:03 > 0:33:07I mean, it can't get any stranger than human cloning.
0:33:07 > 0:33:11Well, we live in Scarborough.
0:33:11 > 0:33:12About a million years ago,
0:33:12 > 0:33:13I went to university.
0:33:13 > 0:33:16You went to university?
0:33:16 > 0:33:17Mm! Yes. Kinesiology.
0:33:17 > 0:33:19Where'd you go wrong?
0:33:19 > 0:33:22Oh, that's just basically massage therapy, isn't it?
0:33:22 > 0:33:25No, Sarah. It is very important.
0:33:25 > 0:33:26It heals.
0:33:26 > 0:33:28- Oh!- No.
0:33:28 > 0:33:31Um, and then I got married.
0:33:32 > 0:33:35And everything is shit.
0:33:37 > 0:33:38She came to see Kira once,
0:33:38 > 0:33:40in your place, didn't she?
0:33:42 > 0:33:44I knew something was up.
0:33:44 > 0:33:47Yeah, sorry, the crazy one, Helena, was after me.
0:33:47 > 0:33:50OK, so, Helena, Alison, Cosima.
0:33:50 > 0:33:52Beth is the policewoman.
0:33:52 > 0:33:56Yeah, who topped herself, yeah.
0:33:56 > 0:33:57You.
0:33:57 > 0:33:59No, there's probably thousands of us.
0:33:59 > 0:34:01Ahem! Unless Helena's killed them all.
0:34:01 > 0:34:03We are all messed up.
0:34:03 > 0:34:06Except you, Sarah.
0:34:06 > 0:34:08I'm the biggest mess there is, Alison.
0:34:08 > 0:34:10No, no, no, no, because you say "eff it".
0:34:10 > 0:34:13I tried to say "eff it" today
0:34:13 > 0:34:15and I blew up my whole life.
0:34:15 > 0:34:17I just wanted to say "eff this",
0:34:17 > 0:34:20"eff you", and I effed it,
0:34:20 > 0:34:21I effed it all up.
0:34:21 > 0:34:24Oh. You know, would you like to see
0:34:24 > 0:34:26the guest bedroom, at this point, chicken?
0:34:26 > 0:34:29Huh? Huh? Come on.
0:34:29 > 0:34:32Yes. Oh, you are so lovely.
0:34:32 > 0:34:35Ahem! You know, you're very lucky, Sarah.
0:34:35 > 0:34:37My mother wouldn't be this lovely. She...
0:34:37 > 0:34:40My mother would have me put in therapy.
0:34:42 > 0:34:44Yeah, yes.
0:34:44 > 0:34:46That is Sarah.
0:34:46 > 0:34:49Whew.
0:34:49 > 0:34:51I was just so shocked.
0:34:51 > 0:34:53Seeing her laid out on that slab,
0:34:53 > 0:34:54looking so
0:34:54 > 0:34:57dead, really.
0:34:57 > 0:35:00So your foster sister didn't have any sisters?
0:35:00 > 0:35:01Just me.
0:35:03 > 0:35:04I keep asking myself
0:35:04 > 0:35:07"What'd I miss?", you know?
0:35:07 > 0:35:09Because I never really saw the signs.
0:35:09 > 0:35:11Beth Childs.
0:35:11 > 0:35:12Hmm? Who is that?
0:35:14 > 0:35:16You mind if I look?
0:35:16 > 0:35:18I like art.
0:35:18 > 0:35:21No, yeah, by all means.
0:35:26 > 0:35:28Oh! Er...
0:35:28 > 0:35:31Those are the many sides of Sarah.
0:35:31 > 0:35:32I call that series
0:35:32 > 0:35:34Twisted Sister.
0:35:34 > 0:35:35I like 'em.
0:35:35 > 0:35:36Sort of working out your grief.
0:35:36 > 0:35:40Yes. Wherever it takes me.
0:35:45 > 0:35:47Thanks.
0:35:47 > 0:35:48I'm sorry, again,
0:35:48 > 0:35:49for your loss.
0:35:49 > 0:35:52Thank you.
0:35:58 > 0:35:59I've been here before.
0:35:59 > 0:36:01What does that mean?
0:36:02 > 0:36:05MOBILE RINGS
0:36:10 > 0:36:12Hello.
0:36:12 > 0:36:15Hello? Hello?
0:36:15 > 0:36:16Harvey, you pervy bastard,
0:36:16 > 0:36:18I know that's you.
0:36:21 > 0:36:23Last night, I get a phone call.
0:36:23 > 0:36:24Some punk with an English accent
0:36:24 > 0:36:27says he wants to talk about Beth.
0:36:27 > 0:36:28Then he hangs up.
0:36:28 > 0:36:31Let's bring him in. Let's shake his tree, man.
0:36:31 > 0:36:33Nah, it's too early. I want to get
0:36:33 > 0:36:35a better picture of this whole deal, first. Come on.
0:36:38 > 0:36:41SIRENS WAIL
0:36:52 > 0:36:53What are you doing?
0:36:53 > 0:36:55Any loss of sensation in your feet?
0:36:55 > 0:36:56No.
0:37:00 > 0:37:02Just checking.
0:37:02 > 0:37:05Get some rest.
0:37:07 > 0:37:10Oh, and Dr Leekie sends his regards.
0:37:10 > 0:37:13RAPID BEEPING
0:37:15 > 0:37:17COUGHING
0:37:17 > 0:37:19MONITOR BEEPS
0:37:24 > 0:37:26CONTINUOUS BEEP
0:37:30 > 0:37:33I know there's more here,
0:37:33 > 0:37:35between the lines.
0:37:35 > 0:37:37What's it that you need, Sarah?
0:37:37 > 0:37:39How can I help?
0:37:39 > 0:37:40Wow,
0:37:40 > 0:37:43Alison, Cosima, Beth...
0:37:43 > 0:37:46Their mothers all wanted babies enough to do in vitro.
0:37:46 > 0:37:47So why did mine give me up?
0:37:49 > 0:37:51There were...rumours.
0:37:51 > 0:37:54Yeah?
0:37:54 > 0:37:55That some of the kids we were hiding,
0:37:55 > 0:37:58the ones that came in Carlton's pipeline,
0:37:58 > 0:38:01like you, children in the black...
0:38:01 > 0:38:02What do you mean,
0:38:02 > 0:38:03exactly, "in the black"?
0:38:03 > 0:38:05You know, undocumented.
0:38:05 > 0:38:06Outside the system.
0:38:06 > 0:38:09The rumour was these kids were the subject of medical experiments.
0:38:12 > 0:38:15Carlton's pipeline.
0:38:15 > 0:38:17What kind of experiments?
0:38:17 > 0:38:21I don't know, love. It was a paranoid time and a radical fringe. Everything was rumour then.
0:38:28 > 0:38:30Carlton brought me to you.
0:38:30 > 0:38:33Wouldn't he know who my birth mother was?
0:38:33 > 0:38:35He may, but even if he did,
0:38:35 > 0:38:37he might not tell me.
0:38:37 > 0:38:39Do your contacts still know him?
0:38:39 > 0:38:41It...it's possible.
0:38:42 > 0:38:43Can you get in touch with him?
0:38:43 > 0:38:45It is 15 years ago.
0:38:45 > 0:38:48Last I heard, he was in Wormwood Scrubs Prison.
0:38:48 > 0:38:49I'll try.
0:39:26 > 0:39:28I just want to know who I am.
0:39:28 > 0:39:30You are still you.
0:39:32 > 0:39:34Remember that.
0:39:34 > 0:39:36You are a survivor.
0:39:49 > 0:39:50Kira?
0:39:55 > 0:39:57It's Helena! Kira!
0:39:59 > 0:40:01Kira!
0:40:03 > 0:40:04Kira!
0:40:07 > 0:40:10Where are we going?
0:40:10 > 0:40:13I'm taking you to meet someone.
0:40:13 > 0:40:16How can you be Sarah's daughter, child?
0:40:16 > 0:40:18How can that be?
0:40:18 > 0:40:20Kira! Stop!
0:40:20 > 0:40:22You are just like my mom.
0:40:22 > 0:40:23No, I'm not.
0:40:23 > 0:40:25She is not real.
0:40:26 > 0:40:28Of course she is.
0:40:30 > 0:40:32Kira!
0:40:33 > 0:40:36Helena?
0:40:36 > 0:40:38Yes, angel?
0:40:40 > 0:40:42What happened to you?
0:40:45 > 0:40:46I don't know.
0:40:59 > 0:41:00Kira!
0:41:06 > 0:41:07Kira!
0:41:07 > 0:41:09I should go home now.
0:41:13 > 0:41:15Yes.
0:41:15 > 0:41:17Do you know the way?
0:41:17 > 0:41:18Of course.
0:41:21 > 0:41:23Good night, angel.
0:41:25 > 0:41:27- Kira!- Mommy!
0:41:27 > 0:41:28HORN BEEPS
0:41:28 > 0:41:31- Kira, no! - BRAKES SCREECH
0:41:32 > 0:41:35No!