0:00:02 > 0:00:04This programme contains some scenes which some viewers may find upsetting
0:00:04 > 0:00:07- You said our DNA was identical. - Maybe it was your sunny personality that gave you away.
0:00:07 > 0:00:08Who the hell is Maggie Chen?
0:00:08 > 0:00:10That's the woman Beth shot.
0:00:10 > 0:00:12Maggie helped make you.
0:00:12 > 0:00:13Then she saw the light.
0:00:13 > 0:00:15Beth killed her to protect us.
0:00:15 > 0:00:18Art, you got to see this. It's a match on the Jane Doe print.
0:00:18 > 0:00:19Why the hell does she look like Beth?
0:00:19 > 0:00:22COSIMA: Paul...reports to Olivier, his handler.
0:00:22 > 0:00:24You just rest and heal.
0:00:24 > 0:00:26Dig faster.
0:00:26 > 0:00:28Cosima's safety is at stake.
0:00:28 > 0:00:30Well, she's not only researching her own biology,
0:00:30 > 0:00:33but she is aware of eight others.
0:00:33 > 0:00:34I think he's my watcher.
0:00:34 > 0:00:37I think that I may have spotted her real monitor.
0:00:37 > 0:00:38You want to mess with my life?
0:00:38 > 0:00:40I'm going to mess with yours.
0:00:41 > 0:00:43I don't want to divorce Donnie,
0:00:43 > 0:00:45but I can't keep lying to him.
0:00:45 > 0:00:47So what if we tell them?
0:00:47 > 0:00:49Siobhan, this is Alison Hendrix.
0:00:49 > 0:00:51- What happened to you? - I don't know.
0:00:51 > 0:00:53Kira! Kira, no!
0:00:53 > 0:00:54HORN HONKS
0:00:54 > 0:00:56TYRES SCREECH
0:00:58 > 0:00:59SIREN WAILS
0:00:59 > 0:01:01TYRES SCREECH
0:01:01 > 0:01:03Seven-year-old female struck by a vehicle.
0:01:03 > 0:01:06GCS 3, chest injury, possible internal bleeding.
0:01:06 > 0:01:08- Stay with me, baby, please. - ETA: Three minutes.
0:01:08 > 0:01:09We're here, love. We're right here.
0:01:09 > 0:01:11Let's get her typed and crossed for three units.
0:01:11 > 0:01:14- We're right here. Please. - Excuse me, excuse me.
0:01:14 > 0:01:16This is as far as you go.
0:01:16 > 0:01:20- No, no, no!- Sarah, Sarah.
0:01:20 > 0:01:22We have to let them do their job.
0:01:22 > 0:01:25On three. One, two, three!
0:01:26 > 0:01:28I want an ultrasound and a trauma series -
0:01:28 > 0:01:31chest, pelvic, C-spine. Let's get a level one on stand-by
0:01:31 > 0:01:33and a crash cart. We may need to intubate.
0:01:33 > 0:01:34- OR's being prepped. - Good.
0:01:37 > 0:01:40I should've known Helena would find us.
0:01:40 > 0:01:42I should've stopped her.
0:01:45 > 0:01:47I won't have you blaming yourself.
0:01:47 > 0:01:49You did not bring this on.
0:01:49 > 0:01:51She's going to be OK, Sarah.
0:01:51 > 0:01:54- She has to be. - Mm-hmm.
0:01:54 > 0:01:56Can I get anybody some coffee?
0:01:58 > 0:02:00Alison, I know you mean well,
0:02:00 > 0:02:02I know you do, it's just...
0:02:02 > 0:02:04- Um, I know, I know. I'm in the way. - Yeah.
0:02:04 > 0:02:09I just can't help but feel like it's my daughter in there.
0:02:09 > 0:02:11You should go home,
0:02:11 > 0:02:12you should get some sleep.
0:02:12 > 0:02:16I can't go home, Felix. I...
0:02:16 > 0:02:18I assaulted my monitor.
0:02:18 > 0:02:20I'm going to get black-bagged like Sarah
0:02:20 > 0:02:23and carted off to God knows where.
0:02:23 > 0:02:25All right,
0:02:25 > 0:02:27use my place, then.
0:02:27 > 0:02:29OK. Thank you.
0:02:29 > 0:02:31I'll call you if we hear anything.
0:02:37 > 0:02:38OK.
0:02:43 > 0:02:45Ultrasound's up.
0:02:45 > 0:02:46Heart rate's at 80.
0:02:46 > 0:02:49BP 85/50.
0:02:51 > 0:02:52Doctor, you need to see this.
0:03:07 > 0:03:09What's happening?
0:03:10 > 0:03:13It looks like Kira's going to be OK.
0:03:14 > 0:03:16What does "looks like" mean?
0:03:16 > 0:03:18Well, she's been sedated, but her blood pressure
0:03:18 > 0:03:20and breathing have stabilised.
0:03:20 > 0:03:23Her ribs are intact, there's no internal bleeding, no head trauma.
0:03:23 > 0:03:25I think she's going to be fine.
0:03:25 > 0:03:29She was run right over. I saw it.
0:03:29 > 0:03:31Then she's a very lucky girl.
0:03:31 > 0:03:32She's OK.
0:03:32 > 0:03:35She's OK, she's OK, she's OK.
0:03:35 > 0:03:37She's OK.
0:03:37 > 0:03:39SHE SOBS
0:03:41 > 0:03:43My baby.
0:04:37 > 0:04:40Mummy, she looks like you.
0:04:40 > 0:04:41She looks like mummy.
0:04:41 > 0:04:43Sh sh sh, sh sh.
0:04:43 > 0:04:45Just sleep now, monkey.
0:04:45 > 0:04:47I'll keep you safe from her.
0:04:49 > 0:04:50I promise.
0:05:00 > 0:05:03There was a girl, a little girl.
0:05:03 > 0:05:05Easy, child. Pull yourself together.
0:05:05 > 0:05:07Sarah is a mother.
0:05:07 > 0:05:08That's ridiculous!
0:05:08 > 0:05:10It's not possible.
0:05:17 > 0:05:20The girl was hit by a car because of me.
0:05:21 > 0:05:23- FELIX:- She's all right?
0:05:23 > 0:05:25Yeah, yeah, she's fast asleep.
0:05:27 > 0:05:28How about you, then?
0:05:28 > 0:05:30Are you thanking your lucky stars?
0:05:30 > 0:05:32I don't believe in miracles.
0:05:32 > 0:05:35Kids are made of rubber, Sarah.
0:05:35 > 0:05:38She got lucky, just like the doctor said.
0:05:38 > 0:05:39You didn't see it.
0:05:39 > 0:05:41Count your blessings.
0:05:41 > 0:05:43Move on to your worries.
0:05:44 > 0:05:46Yeah, Helena's got to go.
0:05:47 > 0:05:50I got a dozen reasons to bring Beth back in.
0:05:50 > 0:05:52Look, we got three sets of matching prints,
0:05:52 > 0:05:53a jumper who looks just like her,
0:05:53 > 0:05:56and we got a smooth little rent-boy who's connected to them both.
0:05:56 > 0:05:57All right, all right. I know, Angie...
0:05:57 > 0:06:00And here, we've got Jane Doe, the one who started it all.
0:06:00 > 0:06:01Bet you 100 bucks I know who she's going to looks like
0:06:01 > 0:06:03when Beckwith is done with the reconstruction.
0:06:03 > 0:06:05- You got no charge that'll stick yet. - Obstruction.
0:06:05 > 0:06:08- This all comes on the heels of that civilian shooting.- So what?!
0:06:08 > 0:06:10So she could be protecting the killer.
0:06:10 > 0:06:11Sh, sh, sh, sh.
0:06:12 > 0:06:14How's it going?
0:06:14 > 0:06:16Still pushing for a break, sir.
0:06:16 > 0:06:19Grigson and Chow just solved that stabbing in the junction.
0:06:19 > 0:06:22Maybe you need a fresh pair of eyes here, huh?
0:06:22 > 0:06:24No, we're good, sir. We're good.
0:06:25 > 0:06:27Just give us till the end of the day.
0:06:32 > 0:06:36You want me to throw my ex-partner under the bus, hmm?
0:06:36 > 0:06:38If I'm wrong about this,
0:06:38 > 0:06:40you'll be the last partner I ever have.
0:06:40 > 0:06:42I don't know, Art.
0:06:42 > 0:06:45I'm starting to wonder.
0:06:45 > 0:06:47Does she have something on you?
0:06:53 > 0:06:55End of day, Angie.
0:07:04 > 0:07:06If this is true,
0:07:06 > 0:07:08if the child's actually hers...
0:07:08 > 0:07:10HE BREATHES HEAVILY
0:07:10 > 0:07:11How could you let her go?
0:07:11 > 0:07:13She's innocent.
0:07:13 > 0:07:16I did what I was told,
0:07:16 > 0:07:17I used Sarah to get to the others.
0:07:17 > 0:07:19Then where are the others?!
0:07:22 > 0:07:24Why is Sarah still alive?
0:07:24 > 0:07:25That man, Olivier!
0:07:25 > 0:07:28- I took off his beast-tail for you. - Yes!
0:07:28 > 0:07:30To get Dr Leekie's attention!
0:07:30 > 0:07:33The child will be valuable to them.
0:07:33 > 0:07:36MOBILE PHONE RINGS
0:07:36 > 0:07:37No, no!
0:07:37 > 0:07:39PHONE CONTINUES TO RING
0:07:39 > 0:07:40That's her!
0:07:41 > 0:07:43Tell her to come here.
0:07:43 > 0:07:45Tell her!
0:07:46 > 0:07:48'Helena.'
0:07:48 > 0:07:50'Is Kira all right?'
0:07:50 > 0:07:53I'll tell you in person.
0:07:53 > 0:07:54Where are you?
0:07:54 > 0:07:57It was an accident.
0:07:57 > 0:07:58Tell her!
0:08:03 > 0:08:05CLATTERING FROM PHONE
0:08:09 > 0:08:12Lovely apartment for a young couple.
0:08:14 > 0:08:17Ahh!
0:08:19 > 0:08:21Very convincing.
0:08:21 > 0:08:23Unfortunately,
0:08:23 > 0:08:25the lie Olivier told last night was not.
0:08:25 > 0:08:27What lie?
0:08:27 > 0:08:31Someone tampered with the security footage at club Neolution,
0:08:31 > 0:08:34but I know there were two clones there
0:08:34 > 0:08:37that night, weren't there?
0:08:37 > 0:08:39HE CHUCKLES
0:08:39 > 0:08:41I've searched for the lost clone,
0:08:41 > 0:08:42Helena, for years.
0:08:42 > 0:08:45She's my white whale, Paul!
0:08:45 > 0:08:46But she's feral.
0:08:46 > 0:08:48She couldn't fool you,
0:08:48 > 0:08:50impersonate Beth,
0:08:50 > 0:08:52under this roof,
0:08:52 > 0:08:54in that bed.
0:08:56 > 0:08:58But Sarah Manning could.
0:09:04 > 0:09:07LOUNGE MUSIC PLAYS
0:09:13 > 0:09:14Oh!
0:09:37 > 0:09:38Oh!
0:09:38 > 0:09:41What the hell?!
0:09:41 > 0:09:43A simple "thank you" would suffice.
0:09:43 > 0:09:44So, Kira's going to be OK?
0:09:44 > 0:09:46Yes, miraculous recovery.
0:09:46 > 0:09:48OK.
0:09:48 > 0:09:50Uh, where's my, um...
0:09:50 > 0:09:51Oh, your...
0:09:51 > 0:09:54drug paraphernalia is in a drawer.
0:09:54 > 0:09:57So is the paraphernalia that was by your bed.
0:09:57 > 0:09:59Did you wash that, too?
0:09:59 > 0:10:02My children are at my mother's house right now.
0:10:02 > 0:10:04I'm a danger to them.
0:10:04 > 0:10:06So I was thinking I could use
0:10:06 > 0:10:09this house as a base
0:10:09 > 0:10:10while I apartment-hunt.
0:10:10 > 0:10:12No!
0:10:12 > 0:10:14Well, Donnie's staying clear of the house for a few hours,
0:10:14 > 0:10:17so I just need to go by
0:10:17 > 0:10:19and get some sundries and clothing.
0:10:20 > 0:10:23Fine! You can stay one night.
0:10:23 > 0:10:26Just don't wake me on your way back in.
0:10:30 > 0:10:32Felix.
0:10:32 > 0:10:34Felix.
0:10:34 > 0:10:36I'm a pariah.
0:10:36 > 0:10:38I can't go back there alone.
0:10:38 > 0:10:39Mnh!
0:10:39 > 0:10:41I need you to be my wingman.
0:10:41 > 0:10:45Are you bloody serious?
0:10:48 > 0:10:50Please?
0:10:52 > 0:10:55I need to change.
0:10:55 > 0:10:56Fetch me something gay.
0:10:56 > 0:10:58BELL TOLLS
0:10:58 > 0:10:59Holy shit, Sarah.
0:10:59 > 0:11:00I'm so relieved.
0:11:00 > 0:11:03'Yeah, even the doctors were stumped.'
0:11:03 > 0:11:05Do you think, because Kira's mine,
0:11:05 > 0:11:07she might be different?
0:11:07 > 0:11:08'Because she's uninjured?'
0:11:08 > 0:11:10'Yeah, it's just a question.'
0:11:10 > 0:11:13Well, if they genetically modified us,
0:11:13 > 0:11:15I mean, you could've passed something down to her.
0:11:15 > 0:11:16Like what?
0:11:16 > 0:11:17'I don't know.
0:11:17 > 0:11:19'Lizards regrow limbs.'
0:11:19 > 0:11:22Cosima, Kira's not a lizard.
0:11:22 > 0:11:23'Right, well,'
0:11:23 > 0:11:25it's not magic,
0:11:25 > 0:11:27it's just stem cells, you know?
0:11:27 > 0:11:30Look, I have a guy who's sequencing
0:11:30 > 0:11:32the German's DNA alongside mine,
0:11:32 > 0:11:34to see if the illness she had was genetic.
0:11:34 > 0:11:37'If you want, I can give him samples'
0:11:37 > 0:11:39of you and Kira, to compare.
0:11:39 > 0:11:41Yeah, I'm not giving you
0:11:41 > 0:11:42our genetic material.
0:11:42 > 0:11:45You'd probably hand it over to Delphine.
0:11:45 > 0:11:47Dude, I'm just doing what we agreed, OK?
0:11:47 > 0:11:49I'm following the science.
0:11:49 > 0:11:50'Yeah, well,'
0:11:50 > 0:11:52I worry about scientists more than science.
0:11:52 > 0:11:54DOORBELL RINGS
0:11:54 > 0:11:56Got to go.
0:11:56 > 0:11:58SHE SIGHS
0:12:00 > 0:12:02Eh, I got it.
0:12:04 > 0:12:05Hey.
0:12:05 > 0:12:08Hey. Colouring books and puzzles.
0:12:08 > 0:12:10She's sleeping.
0:12:10 > 0:12:12Uh, Mrs S, this is Paul.
0:12:12 > 0:12:15- Pleasure.- Paul.
0:12:15 > 0:12:16She knows everything.
0:12:16 > 0:12:18Well, not everything, clearly.
0:12:18 > 0:12:22Well, don't hold it against me, but I have some bad news.
0:12:23 > 0:12:26Dr Leekie knows who you are, Sarah.
0:12:28 > 0:12:29GRUNTING
0:12:29 > 0:12:31Let go!
0:12:31 > 0:12:32Let go!
0:12:34 > 0:12:35Aaaah!
0:12:35 > 0:12:37Aah! No!
0:12:37 > 0:12:39No! No!
0:12:39 > 0:12:41SHE SCREAMS
0:12:44 > 0:12:47SHE SOBS
0:12:47 > 0:12:49I gave you everything!
0:12:49 > 0:12:51A reason for living
0:12:51 > 0:12:52and, in return, weakness.
0:12:52 > 0:12:54Tomas.
0:12:54 > 0:12:56No!
0:12:56 > 0:12:58If you protect this forgery...
0:12:59 > 0:13:01..you're no better than they are.
0:13:01 > 0:13:03No!
0:13:03 > 0:13:05Aah!
0:13:05 > 0:13:07You're no better than they are!
0:13:07 > 0:13:09SHE CRIES OUT
0:13:09 > 0:13:12SHE SOBS
0:13:16 > 0:13:18Leekie wants to meet?
0:13:18 > 0:13:19He says he wants to make a deal.
0:13:19 > 0:13:22He knows you're aware, in contact with each other.
0:13:22 > 0:13:24How? Did Cosima give me up?
0:13:24 > 0:13:26Look, this is an opportunity.
0:13:26 > 0:13:27SHE SIGHS
0:13:27 > 0:13:29You sound exactly like her.
0:13:30 > 0:13:32I don't trust him, either.
0:13:32 > 0:13:35But the genie's out of the bottle.
0:13:35 > 0:13:36For them, too.
0:13:36 > 0:13:39Your interests have aligned. You can get answers.
0:13:39 > 0:13:41Or I could get black-bagged and abducted.
0:13:41 > 0:13:44What if there was a way to meet him safely,
0:13:44 > 0:13:46on your terms?
0:13:48 > 0:13:52Over 4,000 base pairs from each sample, sequenced and analysed.
0:13:52 > 0:13:53Awesome! Awesome.
0:13:53 > 0:13:55OK, what did you find?
0:13:55 > 0:13:57No markers for respiratory disease.
0:13:57 > 0:13:59This sequence is anomalous
0:13:59 > 0:14:01for cytochrome C and then this piece
0:14:01 > 0:14:03is distinct in each sample.
0:14:03 > 0:14:05They're different?
0:14:05 > 0:14:08That's...that's crazy.
0:14:08 > 0:14:10What are you looking for, really?
0:14:10 > 0:14:12Not respiratory disease.
0:14:12 > 0:14:14Nope.
0:14:14 > 0:14:15Hey.
0:14:15 > 0:14:17Hey!
0:14:17 > 0:14:18Hey.
0:14:18 > 0:14:20- Scott, this is Delphine. - Hello.
0:14:20 > 0:14:23Hey.
0:14:23 > 0:14:25I have to run to class,
0:14:25 > 0:14:27but I was wondering if I could
0:14:27 > 0:14:29come over later.
0:14:29 > 0:14:31Yeah, of course.
0:14:31 > 0:14:32OK.
0:14:35 > 0:14:38Oof! Wow! OK!
0:14:43 > 0:14:44Bye.
0:14:44 > 0:14:45Bye.
0:15:01 > 0:15:05If she wakes up, just tell her I'm going to be right back.
0:15:05 > 0:15:06And will you?
0:15:06 > 0:15:08Yeah.
0:15:10 > 0:15:11Are you going to be OK here?
0:15:15 > 0:15:16Don't you worry about Helena.
0:15:16 > 0:15:19Your shotgun. Forgot about that.
0:15:19 > 0:15:22One of the great things about this country...
0:15:22 > 0:15:24hunting's not just for the rich.
0:15:30 > 0:15:33MOBILE PHONE RINGS
0:15:35 > 0:15:38Kind of busy, here, Art.
0:15:38 > 0:15:40Pilates can wait, Beth.
0:15:40 > 0:15:41We need to talk.
0:15:41 > 0:15:44- We already did that. - 'Off the record, this time.
0:15:44 > 0:15:45'No-one else.'
0:15:45 > 0:15:48This is your last chance.
0:15:48 > 0:15:50Where are you?
0:15:50 > 0:15:52You know I get crow's feet
0:15:52 > 0:15:54if I don't get enough shuteye.
0:15:54 > 0:15:57I will have you back on your couch in a jiff.
0:15:58 > 0:16:00Oh, my God!
0:16:00 > 0:16:01Alison.
0:16:01 > 0:16:03Wh...what's going on? What is this?
0:16:03 > 0:16:07We're gathered in a spirit of love and understanding.
0:16:07 > 0:16:09Please, join us.
0:16:09 > 0:16:11An intervention?
0:16:14 > 0:16:16This is bullshit!
0:16:16 > 0:16:17Hello!
0:16:17 > 0:16:19Felix. Gay friend.
0:16:19 > 0:16:20Acting coach.
0:16:20 > 0:16:22Oh, that's perfectly fine here.
0:16:22 > 0:16:23Which one?
0:16:23 > 0:16:26Yes, yes. Please join us.
0:16:26 > 0:16:28Alison, your friends have shown great strength
0:16:28 > 0:16:31in setting aside their pain and hurt
0:16:31 > 0:16:33in order to talk with you today.
0:16:33 > 0:16:34Mm-hmm.
0:16:37 > 0:16:38Um, Donnie, why don't you
0:16:38 > 0:16:40go ahead and get us started.
0:16:40 > 0:16:41Uh...
0:16:41 > 0:16:42Yeah.
0:16:45 > 0:16:48Alison, the pills...
0:16:48 > 0:16:50and the drinking,
0:16:50 > 0:16:52it has to stop.
0:16:54 > 0:16:58I don't think you know how hard this has been for me.
0:16:58 > 0:17:00The constant criticism,
0:17:00 > 0:17:02the abuse.
0:17:02 > 0:17:04You can be specific, Donnie.
0:17:06 > 0:17:09You hit me with a golf club.
0:17:09 > 0:17:13You burned my chest with hot glue.
0:17:13 > 0:17:15It still hurts in the shower, Alison.
0:17:15 > 0:17:17Donnie...
0:17:17 > 0:17:19Alison, it's actually important for you to just
0:17:19 > 0:17:21try and listen right now.
0:17:21 > 0:17:22Aynsley?
0:17:22 > 0:17:24Alison,
0:17:24 > 0:17:27you took advantage of my husband
0:17:27 > 0:17:29and may have ruined my marriage, too.
0:17:31 > 0:17:33You threatened and assaulted me.
0:17:33 > 0:17:35But I think what really hurts is that
0:17:35 > 0:17:38you turned your back on our friendship.
0:17:38 > 0:17:40- Donnie, tell her that we... - Mom!
0:17:42 > 0:17:46It's not just about you and me, Alison.
0:17:46 > 0:17:47It's about our kids.
0:17:49 > 0:17:51Do you really want to break up our family?
0:17:57 > 0:17:58Alison.
0:18:17 > 0:18:19I have two minutes.
0:18:19 > 0:18:21Two minutes?
0:18:21 > 0:18:23That's all I get for two years by your side?
0:18:31 > 0:18:32Who's that?
0:18:32 > 0:18:34Felix Dawkins.
0:18:34 > 0:18:36Your lookalike, Sarah Manning's, foster brother.
0:18:37 > 0:18:39Yeah, and?
0:18:39 > 0:18:41You visited his place a few weeks back
0:18:41 > 0:18:42with 75 grand in your trunk,
0:18:42 > 0:18:45the day I stopped you from skipping town.
0:18:45 > 0:18:48It's all coming back to the Maggie Chen shooting.
0:18:49 > 0:18:51You don't want to go there, Art.
0:18:51 > 0:18:54You put the phone in Maggie Chen's hand.
0:18:54 > 0:18:56You helped me make it look like it was an accident.
0:18:56 > 0:18:59I was trying to help my partner.
0:18:59 > 0:19:02This is your last chance to come clean with me, Beth.
0:19:06 > 0:19:08We do what we gotta do.
0:19:16 > 0:19:19SHOUTING
0:19:46 > 0:19:49COSIMA ON PHONE: 'Sarah, you were right. I was wrong.'
0:19:49 > 0:19:51OK, what have you done with Cosima?
0:19:51 > 0:19:53Because this definitely isn't her.
0:19:53 > 0:19:56Ha ha. OK, listen...
0:19:56 > 0:19:58they can tell us apart by our DNA.
0:19:58 > 0:20:00That's how they knew you weren't Beth.
0:20:00 > 0:20:01So we're not genetically identical?
0:20:01 > 0:20:03'We should be,'
0:20:03 > 0:20:05but there's a synthetic sequence.
0:20:05 > 0:20:06I don't know what it is, exactly,
0:20:06 > 0:20:08but it's like a barcode, maybe,
0:20:08 > 0:20:10- maybe a way to differentiate us? - 'Well, that explains'
0:20:10 > 0:20:12how Olivier knew I wasn't Beth,
0:20:12 > 0:20:14but it does not explain
0:20:14 > 0:20:16how Leekie knows my name.
0:20:16 > 0:20:17'He knows who you are?'
0:20:17 > 0:20:19Yeah, and he knows we're in contact.
0:20:19 > 0:20:21Did you say something to Delphine?
0:20:21 > 0:20:24No. Sarah, no. I...
0:20:24 > 0:20:27Cos they're one step closer to Kira.
0:20:27 > 0:20:28Uh...
0:20:28 > 0:20:33OK, I would never say anything about you or Kira.
0:20:33 > 0:20:37You are the first one of us to ever even have a child.
0:20:37 > 0:20:40I mean, there's not even taxonomy for the offspring of a clone.
0:20:40 > 0:20:42'Well, either way, you got what you wanted,'
0:20:42 > 0:20:44cos I'm about to meet Leekie.
0:20:46 > 0:20:48Really?
0:20:48 > 0:20:51Just give him a chance.
0:20:51 > 0:20:52'You might be surprised.'
0:20:52 > 0:20:54They care about us.
0:20:54 > 0:20:56They...they have to.
0:20:56 > 0:20:59Yeah, I was thinking of putting a gun to his head.
0:21:03 > 0:21:05PAUL: 'Sorry for the precautions.'
0:21:05 > 0:21:07No, I understand completely.
0:21:11 > 0:21:12DOOR OPENS
0:21:35 > 0:21:37Hello, Sarah.
0:21:39 > 0:21:41Dr Leekie.
0:21:42 > 0:21:45You've gleaned how this works.
0:21:45 > 0:21:47There are many questions I can't answer.
0:21:47 > 0:21:48That's not good enough.
0:21:48 > 0:21:50I understand your frustration, but,
0:21:50 > 0:21:53like Olivier or Paul, I only know my part.
0:21:53 > 0:21:55So, what is your part?
0:21:55 > 0:21:57I oversee data collection
0:21:57 > 0:21:59and quantify your well-being.
0:21:59 > 0:22:00I...
0:22:02 > 0:22:03I look after you.
0:22:03 > 0:22:05Not me.
0:22:05 > 0:22:06- No.- Mnh-mnh.
0:22:06 > 0:22:07Somehow, you got away.
0:22:07 > 0:22:11Jesus Christ. Just tell me why!
0:22:11 > 0:22:12What is this all about?
0:22:12 > 0:22:15We can go further, Sarah, much further,
0:22:15 > 0:22:17but we need to come to an agreement on something crucial.
0:22:18 > 0:22:21Helena.
0:22:21 > 0:22:23A common enemy, obviously.
0:22:23 > 0:22:25Olivier said she mentioned Tomas. Who's that?
0:22:25 > 0:22:27Great question,
0:22:27 > 0:22:29and one I can answer.
0:22:29 > 0:22:33Tomas opposes us. Science, in general.
0:22:33 > 0:22:35They're religious extremists.
0:22:35 > 0:22:38Proletheans, they call themselves.
0:22:38 > 0:22:41Right, "Neolutionist" is way better.
0:22:41 > 0:22:44Years ago, one of their agents infiltrated our project.
0:22:44 > 0:22:46Maggie Chen, the woman Beth shot.
0:22:46 > 0:22:47Yes.
0:22:47 > 0:22:49She and Tomas found Helena in a convent,
0:22:49 > 0:22:52then trained a clone to kill clones.
0:22:52 > 0:22:54Brilliant, really.
0:22:54 > 0:22:57That's "brilliant, really."
0:22:59 > 0:23:00So, what, you want me to kill her?
0:23:00 > 0:23:03No, we don't want to harm her at all.
0:23:03 > 0:23:07We want you to bring her in so we can deprogram her,
0:23:07 > 0:23:10get her the help she needs.
0:23:10 > 0:23:11You do this,
0:23:11 > 0:23:14and we can move forward with a new understanding.
0:23:14 > 0:23:17You and your friends will be free
0:23:17 > 0:23:19to live as you choose, no monitors.
0:23:19 > 0:23:21Oh, you're going to give us lives?
0:23:21 > 0:23:23You've always had lives.
0:23:23 > 0:23:25They haven't been directed, just observed.
0:23:25 > 0:23:27Except in your case.
0:23:27 > 0:23:28And Helena's.
0:23:28 > 0:23:30Helena's been under their care,
0:23:30 > 0:23:34which is far, far worse than ours.
0:23:34 > 0:23:36Bring her in.
0:23:36 > 0:23:39We'll get her the help she needs.
0:23:48 > 0:23:49KNOCK AT DOOR
0:23:53 > 0:23:56Bonsoir, ma cherie.
0:23:59 > 0:24:02I have the truffles that I promised you.
0:24:04 > 0:24:05Are you OK?
0:24:05 > 0:24:07Are you?
0:24:07 > 0:24:10Well, I was, but...
0:24:14 > 0:24:17Delphine Cormier, not Beraud.
0:24:17 > 0:24:21You've already got your doctorate in immunology, don't you?
0:24:21 > 0:24:23I am...
0:24:23 > 0:24:24so sorry.
0:24:26 > 0:24:28I'm so stupid.
0:24:28 > 0:24:30No, no, no, you're not.
0:24:30 > 0:24:31You knew this all along.
0:24:31 > 0:24:35Yeah, that transcript you accidentally left behind,
0:24:35 > 0:24:36your fake boyfriend in Paris,
0:24:36 > 0:24:38pretending you didn't know who Dr Leekie was.
0:24:38 > 0:24:40I knew it was bullshit,
0:24:40 > 0:24:42but I still thought you were on my side.
0:24:44 > 0:24:45I wanted to trust you.
0:24:45 > 0:24:47You can trust me.
0:24:47 > 0:24:49You told Leekie I know these girls!
0:24:49 > 0:24:51I had to!
0:24:51 > 0:24:52Look at me.
0:24:52 > 0:24:54He says you're in danger.
0:24:54 > 0:24:56Of what?!
0:24:58 > 0:25:00You don't know, do you?
0:25:01 > 0:25:03No.
0:25:03 > 0:25:05Then you're the real danger, Delphine.
0:25:08 > 0:25:09KNOCK AT DOOR
0:25:09 > 0:25:12Alison, you're only making things worse.
0:25:12 > 0:25:14I only want to talk to Felix.
0:25:25 > 0:25:27This is all Aynsley.
0:25:27 > 0:25:28She put them up to this.
0:25:28 > 0:25:30It's all part of the experiment.
0:25:30 > 0:25:33Yes, how do clones react when ritually
0:25:33 > 0:25:34humiliated by friends and loved ones?
0:25:34 > 0:25:35Fascinating.
0:25:37 > 0:25:38Hey!
0:25:39 > 0:25:41Sharesies?
0:25:50 > 0:25:52Maybe it's not just Aynsley.
0:25:52 > 0:25:54Maybe they're all monitors.
0:25:54 > 0:25:55The reverend seems all right.
0:25:55 > 0:25:57Actually, he's kind of sexy.
0:25:57 > 0:25:59Man of the cloth, and all that.
0:26:00 > 0:26:03Felix, what am I going to do?
0:26:08 > 0:26:12Put your chin up. Be a woman.
0:26:12 > 0:26:14This is backstabbing 101.
0:26:16 > 0:26:17I cannot go back out there.
0:26:17 > 0:26:19Of course you can.
0:26:19 > 0:26:21You're going to face the music,
0:26:21 > 0:26:23eat some humble pie,
0:26:23 > 0:26:25hug it out, play possum.
0:26:25 > 0:26:27Aynsley's going to think she's won
0:26:27 > 0:26:30and you are going to live to fight another day.
0:26:41 > 0:26:42Mm-hmm.
0:26:42 > 0:26:43Oh, lord.
0:26:45 > 0:26:48Can you help me get my face on?
0:26:48 > 0:26:50With pleasure.
0:27:24 > 0:27:30MOBILE PHONE RINGS
0:27:34 > 0:27:37Helena still won't answer.
0:27:37 > 0:27:41What do you plan to do, turn her over to Leekie?
0:27:41 > 0:27:42I don't know.
0:27:42 > 0:27:45I don't know what he's really going to do with her, do I?
0:27:45 > 0:27:47Does that matter?
0:27:47 > 0:27:48She came after your daughter.
0:27:48 > 0:27:52Yeah, my gut says put a bullet in her myself, but,
0:27:52 > 0:27:54you don't understand what it's like.
0:27:54 > 0:27:57I look at Helena and I see me.
0:27:57 > 0:27:59You don't owe her anything, Sarah.
0:28:01 > 0:28:04I, um...
0:28:04 > 0:28:07I got in touch with my people back in England,
0:28:07 > 0:28:08about where you're really from.
0:28:08 > 0:28:10And?
0:28:10 > 0:28:13They said they'd get back to me, but,
0:28:13 > 0:28:14they're scared,
0:28:14 > 0:28:17as if something is going on over there, too.
0:28:20 > 0:28:22Please, Cosima.
0:28:22 > 0:28:24Where are you going?
0:28:24 > 0:28:25Why, so you can tell Leekie?
0:28:25 > 0:28:27I'm such an idiot!
0:28:27 > 0:28:29What else did you tell him?
0:28:29 > 0:28:30Nothing!
0:28:30 > 0:28:32Just the seven names.
0:28:32 > 0:28:34Nothing about Kira.
0:28:36 > 0:28:37She's an anomaly. You know that?
0:28:37 > 0:28:40Delphine, you can use me,
0:28:40 > 0:28:41that's fine,
0:28:41 > 0:28:43but don't go near that little girl.
0:28:43 > 0:28:45I didn't and I won't!
0:28:45 > 0:28:46Get out!
0:28:46 > 0:28:48Please listen to me.
0:28:48 > 0:28:50Just let me tell you this one thing.
0:28:50 > 0:28:53Just listen to me.
0:28:53 > 0:28:55I didn't want to fall for you.
0:28:55 > 0:28:57I wasn't supposed to.
0:28:58 > 0:29:00But I have.
0:29:00 > 0:29:03How can I possibly believe that, Delphine?
0:29:03 > 0:29:05Because you feel it!
0:29:05 > 0:29:06Ugh!
0:29:06 > 0:29:08This is not...it's not a lie.
0:29:08 > 0:29:10It's not possible.
0:29:10 > 0:29:13You know, I've never been with a woman before.
0:29:13 > 0:29:15Yeah, it showed.
0:29:24 > 0:29:27SHE SOBS
0:29:27 > 0:29:29The 23rd, right?
0:29:29 > 0:29:30Yeah, east platform, north end.
0:29:30 > 0:29:33I was on the other side, fixing a derailer.
0:29:33 > 0:29:35That's her.
0:29:38 > 0:29:39What a shame.
0:29:39 > 0:29:41That's Beth.
0:29:41 > 0:29:43And then this other lady walks up.
0:29:54 > 0:29:56- MAN:- That'd be your jumper.
0:29:59 > 0:30:01Wait, wait. Rewind that.
0:30:01 > 0:30:03Right...stop, right there.
0:30:03 > 0:30:04Shit.
0:30:04 > 0:30:06I never saw it from this angle.
0:30:28 > 0:30:31MOBILE PHONE RINGS
0:30:37 > 0:30:39- Helena.- 'Sarah!'
0:30:41 > 0:30:44You're the only one I can really turn to.
0:30:44 > 0:30:47HELENA BREATHES HEAVILY OVER PHONE
0:30:49 > 0:30:51How do you know it's not a trap?
0:30:51 > 0:30:54- She was convincing. - It is a trap.
0:30:54 > 0:30:56But now you know where she is, just give her to Leekie.
0:30:56 > 0:30:58I'd have to agree with him, at this point.
0:30:58 > 0:31:00And then what? Then we're partners with Leekie
0:31:00 > 0:31:02and then he's going to find out about Kira.
0:31:02 > 0:31:04- Tsk. Sarah...- I don't know how I'm going to play this,
0:31:04 > 0:31:07OK? Just...just give me a minute.
0:31:13 > 0:31:15Hey, you're awake.
0:31:15 > 0:31:17How do you feel?
0:31:17 > 0:31:18Tired.
0:31:18 > 0:31:19Yeah.
0:31:20 > 0:31:23You had a big crash,
0:31:23 > 0:31:26but you're going to be just fine.
0:31:26 > 0:31:30It wasn't Helena's fault.
0:31:30 > 0:31:31What?
0:31:31 > 0:31:33I went outside to play with her.
0:31:34 > 0:31:37She tell you to say this?
0:31:37 > 0:31:38No.
0:31:38 > 0:31:40She's dangerous.
0:31:40 > 0:31:43She's sick in the head and it makes her want to hurt us.
0:31:43 > 0:31:45She just needs your help.
0:31:45 > 0:31:47I'm sorry, Kira.
0:31:47 > 0:31:50I don't think anybody can help Helena now.
0:32:07 > 0:32:10- MEERA:- 'Alison,'
0:32:10 > 0:32:14I saw you in that van with Chad.
0:32:14 > 0:32:16My children saw you.
0:32:16 > 0:32:19- AYNSLEY:- I just wish you could understand how much damage you've caused.
0:32:19 > 0:32:22I mean, we all trusted you.
0:32:22 > 0:32:25Aynsley, you brought us here today, didn't you?
0:32:25 > 0:32:27I care about you, sweetie.
0:32:27 > 0:32:29You called all these people
0:32:29 > 0:32:31and told them everything.
0:32:31 > 0:32:33I'm doing this to help you.
0:32:33 > 0:32:35And I thank you...
0:32:37 > 0:32:40..for scrutinizing every detail of my life
0:32:40 > 0:32:42since the day I moved into this fishbowl.
0:32:42 > 0:32:46You have pried and snooped and gossiped about me
0:32:46 > 0:32:49like I was your own, personal laboratory subject.
0:32:49 > 0:32:50How would you like it
0:32:50 > 0:32:53if I turned your life inside out?
0:32:53 > 0:32:56If I told all these people that Chad,
0:32:56 > 0:32:58your husband, slept with the spin-class instructor,
0:32:58 > 0:33:00long before me.
0:33:00 > 0:33:01Well, maybe he acts that way
0:33:01 > 0:33:05because you BLEW the roofer at the cabin!
0:33:05 > 0:33:06Wow!
0:33:06 > 0:33:09OK, um... Alison, you see...
0:33:09 > 0:33:12No! No more words!
0:33:13 > 0:33:15She's right.
0:33:15 > 0:33:17This has gone far enough.
0:33:17 > 0:33:19Mom, everybody, out, now!
0:33:19 > 0:33:20Let's go.
0:33:28 > 0:33:32This was your olive branch and you torched it!
0:33:32 > 0:33:34Huge mistake.
0:33:38 > 0:33:39DOOR SLAMS
0:33:42 > 0:33:43That went very well.
0:33:43 > 0:33:44- I think it went well. - Yeah.
0:34:14 > 0:34:15SCRAPING AT DOOR
0:34:23 > 0:34:24You came.
0:34:26 > 0:34:28How is Kira?
0:34:30 > 0:34:33You're never going to see her again.
0:34:33 > 0:34:35I would never hurt her.
0:34:35 > 0:34:38I wish I could believe you.
0:34:49 > 0:34:51Do it.
0:34:58 > 0:35:00Shit!
0:35:01 > 0:35:03You care!
0:35:03 > 0:35:05No, I don't.
0:35:05 > 0:35:07Stay back!
0:35:07 > 0:35:08Don't try any shit!
0:35:26 > 0:35:28You are all I have now.
0:35:45 > 0:35:47I love you.
0:35:58 > 0:35:59You must be Sarah.
0:35:59 > 0:36:01You can't harm her kid!
0:36:01 > 0:36:02Harm her? No, never.
0:36:02 > 0:36:04The child is innocent.
0:36:04 > 0:36:07You are the light, Helena.
0:36:07 > 0:36:09You're the original. You know what that means?
0:36:09 > 0:36:12The child is rightfully your daughter.
0:36:12 > 0:36:14He's lying! Helena, Helena.
0:36:14 > 0:36:15There's no original.
0:36:15 > 0:36:17I told you...we're the same.
0:36:17 > 0:36:19Neither of us is the original.
0:36:19 > 0:36:20Put her down!
0:36:21 > 0:36:24We'll bring the child home to her real mother.
0:36:24 > 0:36:26Helena! Helena.
0:36:26 > 0:36:30Look, look... you know that connection you feel?
0:36:30 > 0:36:32I feel it too.
0:36:33 > 0:36:35It's us.
0:36:35 > 0:36:37She'll say anything to save herself.
0:36:37 > 0:36:39He locked you in a cage!
0:36:39 > 0:36:42He lied to you your entire life!
0:36:42 > 0:36:45He's going to do that to Kira.
0:36:45 > 0:36:47He's going to hurt Kira,
0:36:47 > 0:36:49like he hurt you.
0:37:01 > 0:37:03You made me this way.
0:37:03 > 0:37:05Helena.
0:37:16 > 0:37:18Agh! Aagghh!
0:37:20 > 0:37:22HE MOANS
0:37:26 > 0:37:28I know what you are.
0:37:28 > 0:37:31Yeah, I'm the one with the keys.
0:37:31 > 0:37:33Maybe I'll give 'em to Dr Leekie.
0:37:38 > 0:37:39Come on.
0:37:44 > 0:37:47POUNDING AND GRUNTING
0:37:47 > 0:37:48'Sarah! Sarah!'
0:37:48 > 0:37:51MOBILE PHONE RINGS
0:37:52 > 0:37:53S?
0:37:53 > 0:37:54Sarah, where are you?
0:37:54 > 0:37:56'I'm about to give Helena to Leekie.'
0:37:56 > 0:37:58He knows who I am. He's going to find out
0:37:58 > 0:38:00about Kira, sooner or later.
0:38:00 > 0:38:01You can't.
0:38:01 > 0:38:04You need to get back here, right away. With Helena.
0:38:04 > 0:38:06- POUNDING - What? Why?
0:38:06 > 0:38:08I'll explain when you get here.
0:38:11 > 0:38:15POUNDING
0:38:15 > 0:38:16'Sarah!'
0:38:41 > 0:38:42You wanted to see me?
0:38:42 > 0:38:44Yeah.
0:38:44 > 0:38:46It's about Beth Childs.
0:38:52 > 0:38:53I'm sorry.
0:38:53 > 0:38:55She said she'd be here.
0:39:01 > 0:39:03Yes.
0:39:03 > 0:39:05'They didn't show.'
0:39:05 > 0:39:08Blood is thicker than you think, Aldous.
0:39:11 > 0:39:12Jesus Christ!
0:39:12 > 0:39:14How long has Art been sitting on this?
0:39:14 > 0:39:16Just a couple of days, sir.
0:39:20 > 0:39:22Really, Angie?
0:39:22 > 0:39:24You said by the end of the day.
0:39:24 > 0:39:27We're getting an arrest warrant for Beth Childs.
0:39:27 > 0:39:30Lieutenant, Beth's dead.
0:39:30 > 0:39:33You need a warrant for Sarah Manning.
0:39:38 > 0:39:40Where's Helena?
0:39:40 > 0:39:41I tied her up in the trunk.
0:39:41 > 0:39:43What's going on?
0:39:47 > 0:39:51Sarah, this is Amelia.
0:39:51 > 0:39:53Hi.
0:39:53 > 0:39:55Look at you.
0:39:55 > 0:39:57Sarah.
0:40:00 > 0:40:02I'm your birth mother.
0:40:07 > 0:40:11Yeah, I'm not what you expected, I'm sure.
0:40:12 > 0:40:14I kind of gave up expecting.
0:40:14 > 0:40:16I'm sorry to arrive like this, but,
0:40:16 > 0:40:18when word came you were looking for me,
0:40:18 > 0:40:20I had to leave Cape Town in a hurry.
0:40:20 > 0:40:24I was being watched, you see.
0:40:24 > 0:40:26After all this time, they...
0:40:28 > 0:40:30..they found me again.
0:40:30 > 0:40:34I was only 22, in a new country.
0:40:34 > 0:40:38A wealthy couple asked me to be their in-vitro surrogate.
0:40:38 > 0:40:41They paid me, provided a flat in London,
0:40:41 > 0:40:42a legal arrangement.
0:40:42 > 0:40:45But...something was off.
0:40:45 > 0:40:49The medical tests were excessive and I overheard the couple
0:40:49 > 0:40:54talking with the doctors, about a child unfettered by tradition,
0:40:54 > 0:40:57an advanced...
0:40:57 > 0:40:59evolution, of some kind.
0:40:59 > 0:41:01Neolution?
0:41:01 > 0:41:04Yeah, but they weren't a couple at all.
0:41:04 > 0:41:05They were scientists.
0:41:05 > 0:41:09The child I carried wasn't meant for them.
0:41:09 > 0:41:13I realised the life inside of me was in danger,
0:41:13 > 0:41:15so I ran,
0:41:15 > 0:41:20I hid, and gave birth to the two of you in secret.
0:41:20 > 0:41:22The two of us?
0:41:22 > 0:41:26Yeah, I had twins.
0:41:26 > 0:41:28I knew I couldn't keep you,
0:41:28 > 0:41:30so I hid you away...
0:41:30 > 0:41:34one to the state and one to the church.
0:41:36 > 0:41:38Helena.
0:41:39 > 0:41:42Subtitles by Red Bee Media Ltd