0:00:02 > 0:00:05- I saw a girl kill herself.- Ew!- Yeah, and she looked exactly like me.
0:00:05 > 0:00:09We're clones. We're like lab rats in an illegal experiment.
0:00:09 > 0:00:11If it were my experiment, I would put an observer
0:00:11 > 0:00:14close to the subject to keep tabs and accumulate data.
0:00:14 > 0:00:17- Where is Beth?- She killed herself. I took her identity.
0:00:17 > 0:00:19You're her monitor, aren't you?
0:00:19 > 0:00:22Doctors came and medically examined her in her sleep.
0:00:22 > 0:00:27I know exactly who you are. You're a...a sleazy watcher spy!
0:00:30 > 0:00:32Aynsley?
0:00:32 > 0:00:34The German was sick. Should I be worried about that?
0:00:34 > 0:00:36I'm sick, Delphine.
0:00:36 > 0:00:39Art, you gotta see this. It's a match on the Jane Doe print.
0:00:39 > 0:00:41Why the hell does she look like Beth?
0:00:41 > 0:00:45Sarah Manning! Put your hands on your head! You're under arrest.
0:00:45 > 0:00:48- I didn't kill her, Art! - Do you know who did?
0:00:48 > 0:00:49Detective, this interview is over.
0:00:49 > 0:00:52- This is Amelia. - I'm your birth mother.
0:00:52 > 0:00:55I had twins. One to the state, and one to the judge.
0:00:55 > 0:00:59- Helena.- I grew up pure in a convent in Ukraine.
0:00:59 > 0:01:02You killed someone I've been dreaming about my whole life.
0:01:02 > 0:01:05Sarah Manning.
0:01:05 > 0:01:08My name is Rachel Duncan, and we are going to come to terms.
0:01:08 > 0:01:10Sarah? You can't make a deal.
0:01:10 > 0:01:12Any freedom they promise is bullshit.
0:01:12 > 0:01:15- They've patented us. - Sarah, they could claim Kira.
0:01:15 > 0:01:18Kira!
0:01:20 > 0:01:28This programme contains some violent scenes
0:01:36 > 0:01:38'Pick up, pick up. Leave it for Felix.'
0:01:38 > 0:01:40Fee! Shit.
0:01:40 > 0:01:42Fee, where are you? They took 'em.
0:01:42 > 0:01:45They took Kira and Mrs S.
0:01:57 > 0:02:01You look like you could use a coffee.
0:02:01 > 0:02:02Yeah, I'll take tea.
0:02:02 > 0:02:04Tea it is.
0:02:15 > 0:02:19'The number you have reached is not in service at this time.'
0:02:23 > 0:02:26'The number you have reached is not in service at this time.'
0:02:39 > 0:02:42'Hi, you've reached Paul Dierden. Please leave a message.
0:02:42 > 0:02:45Paul, what the hell is going on?
0:02:45 > 0:02:48Did Rachel just take my family? I need you to call me now.
0:02:56 > 0:02:58Nah, first one's on the house.
0:02:58 > 0:03:00Thanks. I appreciate that.
0:03:15 > 0:03:17PHONE RINGING
0:03:20 > 0:03:23- Paul?- 'Hello, Sarah.'
0:03:23 > 0:03:25There is a painless way
0:03:25 > 0:03:29to reunite with Siobhan and Kira.
0:03:29 > 0:03:30Simply surrender yourself.
0:03:32 > 0:03:36Rachel, you bitch. Me and Kira are not your bloody subjects.
0:03:36 > 0:03:38Neither is Siobhan.
0:03:38 > 0:03:42The terms of my offer still stand. We'll pretend you didn't run.
0:03:42 > 0:03:47Rachel, if you touch one hair on my daughter's head, I will...
0:03:47 > 0:03:50Evenin'.
0:03:50 > 0:03:53Evenin', fellas. What can I get ya?
0:03:53 > 0:03:55Are your eggs the domesticated type?
0:03:55 > 0:03:57What do you mean?
0:03:57 > 0:03:59I believe my friend is asking for free-range eggs.
0:03:59 > 0:04:02Undomesticated.
0:04:02 > 0:04:06No free-range, no free run. Just normal eggs.
0:04:06 > 0:04:08Then they're not normal.
0:04:08 > 0:04:10Your chickens have been interfered with.
0:04:10 > 0:04:13They're not my chickens, they're just my eggs.
0:04:27 > 0:04:30I bet you ordered up a whole mess of eggs.
0:04:30 > 0:04:32Who are you?
0:04:32 > 0:04:34- She's got the lilt.- Yeah.
0:04:37 > 0:04:38This is the one.
0:04:38 > 0:04:42Uh-uh-uh.
0:04:51 > 0:04:53After you.
0:04:54 > 0:04:57I think we'll let the lady leave on her own.
0:04:58 > 0:05:00Ease on out now.
0:05:02 > 0:05:04Are you sure, Sarah?
0:05:04 > 0:05:08We've come here to take you to Kira.
0:05:09 > 0:05:11Where is she?
0:05:21 > 0:05:23Sarah!
0:05:32 > 0:05:36Sarah! There's nowhere to run!
0:05:39 > 0:05:42- Sarah!- Shit.
0:05:49 > 0:05:51We're your best option.
0:06:16 > 0:06:18Ah!
0:06:59 > 0:07:00LOUD MUSIC
0:07:21 > 0:07:24- So, tonight you should be extra sweet to me.- Fee!
0:07:24 > 0:07:27- Holy shit! Hi!- Where have you been? - Bloody hell, what?
0:07:27 > 0:07:31What are you doing? Is this why you haven't answered your phone?
0:07:31 > 0:07:33Yeah, cos I'm in the midst of a five way.
0:07:33 > 0:07:36We have an emergency, and you're high. You're kidding me!
0:07:36 > 0:07:38What are you wearing?
0:07:38 > 0:07:43- What? Sarah, what?- They took Kira!
0:07:43 > 0:07:47Mrs S's truck was still there; her purse. The place was trashed
0:07:47 > 0:07:49- like they'd been dragged out... - OK, wait.
0:07:49 > 0:07:52- Can we just, can we back up a sec, OK?- No, we need to go, Fee!
0:07:52 > 0:07:55How do we know that this isn't Helena again, Sarah?
0:07:55 > 0:07:57- No, she's gone.- She's gone where?
0:07:57 > 0:07:59Just gone, OK?
0:07:59 > 0:08:00PHONE RINGING
0:08:00 > 0:08:04Shit! OK. Wait. You said all their other phones have been disconnected.
0:08:04 > 0:08:05Well, why isn't yours disconnected?
0:08:05 > 0:08:09- Probably because they're tracking that stupid pink burner.- Yeah.
0:08:11 > 0:08:15- Hello? Hello?- 'It's Paul, Sarah.'
0:08:15 > 0:08:18- Who else is listening? - You know my situation.
0:08:18 > 0:08:20Tell 'em I want to talk to Mrs S.
0:08:22 > 0:08:24You're going to have to come in for that.
0:08:24 > 0:08:27- I don't see a better choice, Sarah. - 'I'll meet you alone.'
0:08:27 > 0:08:29Wait for my call.
0:08:31 > 0:08:33She's smarter than you think.
0:08:33 > 0:08:36Do one more thing to help her
0:08:36 > 0:08:38so I can put a bullet in your head.
0:08:40 > 0:08:43No, no. You can't meet Paul. No.
0:08:43 > 0:08:47- No, not in person, no.- What...? Hey, ow! Shit. Sorry,
0:08:47 > 0:08:49Sorry.
0:08:49 > 0:08:51OK.
0:08:51 > 0:08:54Come on, get your shit together, you silly tit.
0:08:54 > 0:08:57I need you to make a side trip for me, yeah?
0:09:03 > 0:09:06Please just...come to the Dyad event.
0:09:06 > 0:09:09Hey, think what you're asking me to do.
0:09:09 > 0:09:15We can negotiate your position, but you need to start talking to Leekie.
0:09:15 > 0:09:18- We need the Dyad now.- We?
0:09:18 > 0:09:21You. If you are sick.
0:09:28 > 0:09:33And our relationship can be whatever we want. We have leverage.
0:09:33 > 0:09:35You still work for Leekie.
0:09:35 > 0:09:37On your behalf, to protect you.
0:09:41 > 0:09:43These samples aren't gonna go to Dyad,
0:09:43 > 0:09:46and you can't tell them that we know about the patent either.
0:09:46 > 0:09:50I'd do my own research first.
0:09:50 > 0:09:53This is my biology, it's my decision. OK?
0:09:53 > 0:09:55OK.
0:09:57 > 0:09:59You're right.
0:10:07 > 0:10:09KNOCKING ON DOOR
0:10:13 > 0:10:14KNOCKING CONTINUES
0:10:17 > 0:10:19What the dickens?
0:10:24 > 0:10:27Rachel took Kira? She can't do that. We agreed to a code of conduct.
0:10:27 > 0:10:32- Yeah, well, Sarah didn't sign a deal, did she?- Shh,- shh. Sorry.
0:10:32 > 0:10:37I was supposed to ask you something, but I... Oh, can we borrow a gun?
0:10:37 > 0:10:41you need a gun. Apparently I'm the go to girl for guns, right?
0:10:41 > 0:10:44OK, Alison, come here. We...
0:10:44 > 0:10:46Holy shit.
0:10:46 > 0:10:49What is with the balls of your thumbs? They're so bouncy.
0:10:49 > 0:10:51Felix, are you high?
0:10:51 > 0:10:54Well, I didn't know there was gonna be a huge emergency, did I?
0:10:54 > 0:10:56Be quiet. My children are sleeping.
0:10:56 > 0:10:58Look, I do not keep guns in my house any more.
0:10:58 > 0:11:01They're at the range in my locker.
0:11:01 > 0:11:05- Could you maybe just go and fetch us one, please?- Sarah can't...
0:11:05 > 0:11:10just go around shooting people with my guns, they're registered to me.
0:11:10 > 0:11:12I'm trying to get my family life back in order.
0:11:12 > 0:11:15I'm not drinking any more, no more...
0:11:15 > 0:11:19little helpers. I'm doing a musical.
0:11:19 > 0:11:21Oh, my God, not Cats.
0:11:21 > 0:11:24- KNOCKING ON DOOR - Alison?
0:11:24 > 0:11:26Oh, my God.
0:11:31 > 0:11:34Hello, Donnie.
0:11:34 > 0:11:37- Who are you talking to? - Um... I'm...
0:11:37 > 0:11:41I'm running lines for the play, obviously.
0:11:41 > 0:11:43At 4AM?
0:11:43 > 0:11:45I'm not in control of the muse.
0:11:45 > 0:11:47- The muse?- Mm hmm.
0:11:47 > 0:11:50- You wouldn't understand. - No, I don't think so.
0:11:50 > 0:11:52Just go to bed.
0:11:52 > 0:11:55Fine. Don't be long.
0:11:55 > 0:11:57OK.
0:11:57 > 0:11:58Ahh, ahh!
0:12:00 > 0:12:01What are you wearing?
0:12:01 > 0:12:04- Oh, yeah!- No, no, no, no.
0:12:04 > 0:12:08Look, I might be able to help with a firearm...unregistered.
0:12:08 > 0:12:11- Seriously?- Yes. I have a friend.
0:12:11 > 0:12:15Let's call him Ramon.
0:12:15 > 0:12:17You know a gun dealer named Ramon?
0:12:17 > 0:12:20He's a gun enthusiast.
0:12:20 > 0:12:23He has many jobs, he's very hardworking.
0:12:23 > 0:12:28- OK.- Tell Sarah to meet me at Glendale Community Theatre, 4PM.
0:12:30 > 0:12:33Ja, die meisten der Patente wurden direkt
0:12:33 > 0:12:37nach der Entscheidung des Supreme Court eingereicht werden.
0:12:37 > 0:12:39Ja, sicher.
0:12:39 > 0:12:41Vielen Dank, Herr Schlessinger.
0:12:41 > 0:12:43PHONE RINGING
0:12:43 > 0:12:45Paul here.
0:12:45 > 0:12:47'Here's how this is gonna work.'
0:13:04 > 0:13:05You Paul?
0:13:05 > 0:13:07Yeah.
0:13:07 > 0:13:0920 bucks.
0:13:11 > 0:13:13PHONE RINGING
0:13:17 > 0:13:19Can't trust anyone these days.
0:13:19 > 0:13:21I knew they'd be all over you.
0:13:21 > 0:13:23'Yeah, you got about 30 seconds.'
0:13:23 > 0:13:26OK, well, now that nobody's listening, where exactly are they?
0:13:26 > 0:13:28'All they gave me is a message from Rachel.'
0:13:28 > 0:13:32Tomorrow morning, she's getting on a private plane, with Kira.
0:13:32 > 0:13:34You could be on that plane with them or not.
0:13:34 > 0:13:37What? She's just a child, Paul. How can they use her as leverage?
0:13:37 > 0:13:39Sarah, I can't tell you what to do,
0:13:39 > 0:13:44but tonight there's a big event at the Dyad. Rachel will be there.
0:13:44 > 0:13:49- OK, what else?- She's, uh, insulated. Daniel rarely leaves her side.
0:13:49 > 0:13:53But now he's tasked with bringing you back. He's coming after you.
0:14:16 > 0:14:18She says, "Up yours."
0:14:44 > 0:14:46Hey, can I borrow your phone?
0:14:46 > 0:14:48Can I touch your boob?
0:14:49 > 0:14:51Cheeky.
0:14:53 > 0:14:55It's like a glitzy corporate event, Sarah.
0:14:55 > 0:14:58I don't see what good a gun is gonna do.
0:14:58 > 0:15:01- She's planning on gate crashing. - 'I don't have a plan yet.'
0:15:01 > 0:15:05- Cosima, where's Delphine? - At the Dyad, getting ready.
0:15:05 > 0:15:07She wants me to go to this thing.
0:15:07 > 0:15:09Maybe I should.
0:15:09 > 0:15:12I smell lesbians in my bed last night.
0:15:12 > 0:15:14Look, I'm not gonna apologise for my heart, OK?
0:15:14 > 0:15:17But I promise both of you guys that I'm not gonna get fooled again.
0:15:17 > 0:15:19Why don't I talk to them, Sarah?
0:15:19 > 0:15:22No, no, no, no. Just sit tight, OK?
0:15:22 > 0:15:24I'll feel better when I have a gun.
0:15:24 > 0:15:27This is totally crazy.
0:15:37 > 0:15:38Oh.
0:15:45 > 0:15:49- Morning, Mrs Hendrix. - Hello, Ramon.
0:15:49 > 0:15:51Did I catch you on a break?
0:15:51 > 0:15:54Oh, customer service never takes a break at Econo-mart.
0:15:56 > 0:15:57So, uh...
0:15:57 > 0:16:00Avomax? Zaraphen?
0:16:00 > 0:16:02Something between A and Z?
0:16:02 > 0:16:05No, thank you. I'm actually taking a break.
0:16:05 > 0:16:07Oh. Mmm.
0:16:09 > 0:16:11- Kickin' it natural? - Uh, no. No, no, no.
0:16:11 > 0:16:13Not interested in natural either. I have a...
0:16:13 > 0:16:16I have a friend who needs a piece...
0:16:16 > 0:16:18maker.
0:16:18 > 0:16:20Mrs Hendrix!
0:16:23 > 0:16:26I have a nice selection. All clean,
0:16:26 > 0:16:30numbers filed. If you like a revolver, this 45 is a, uh...
0:16:30 > 0:16:32pretty badass.
0:16:32 > 0:16:34Matte black.
0:16:35 > 0:16:38Is that a...lady grip?
0:16:38 > 0:16:40Hot.
0:16:40 > 0:16:42- Practical.- Mmm.
0:16:42 > 0:16:44Thank you, Ramon.
0:16:46 > 0:16:49So, how's your mother?
0:16:52 > 0:16:55Hey, um, one subject is showing fresh symptoms.
0:16:55 > 0:16:59Do you think you could take a closer look at their profile for me?
0:16:59 > 0:17:02'The one with some kind of synthetic sequence you refuse to explain?'
0:17:02 > 0:17:03Yeah, that one.
0:17:03 > 0:17:07No, I can't, because you told me to erase the data.
0:17:07 > 0:17:11I'm sending you a new blood sample.
0:17:11 > 0:17:12Dr Cormier.
0:17:12 > 0:17:16Dr Leekie asked me to escort you upstairs as soon as you arrived.
0:17:16 > 0:17:17Of course.
0:17:32 > 0:17:35Is there something going on I should know about?
0:17:36 > 0:17:38Where is Cosima, Delphine?
0:17:38 > 0:17:41Exactly where you want her -
0:17:41 > 0:17:45here in town, considering your employment offer.
0:17:45 > 0:17:48Be careful playing for the other team, Delphine.
0:17:48 > 0:17:51Cosima is scared of us. She's seen how you've persecuted Sarah.
0:17:51 > 0:17:55Sarah is not your subject.
0:17:58 > 0:18:00You're a eugenicist, Dr Cormier.
0:18:00 > 0:18:04- Is that a dirty word for you as a scientist?- No.
0:18:06 > 0:18:10- I want Cosima here, full-time, starting tonight.- So do I.
0:18:12 > 0:18:16324B21 is showing the same respiratory symptoms as the other two.
0:18:19 > 0:18:23Congratulations. I'm invested, which I'm sure is what you wanted.
0:18:37 > 0:18:40OK, people, listen up.
0:18:40 > 0:18:42Let's gather. Everyone, let's gather.
0:18:42 > 0:18:44Circle, please. Hands.
0:18:44 > 0:18:49Troupe, in three days, we move to the main stage for dress rehearsal.
0:18:49 > 0:18:51In four days, we open.
0:18:53 > 0:18:55Losing Aynsley is...
0:18:56 > 0:18:58..heartbreaking.
0:19:00 > 0:19:02But we are not civilians.
0:19:02 > 0:19:04This is the theatre,
0:19:04 > 0:19:08and we all know that the show must go on.
0:19:10 > 0:19:15So... Kelsey is going to be stepping out of the wings
0:19:15 > 0:19:17to play Laura.
0:19:17 > 0:19:19Um... Excuse me.
0:19:19 > 0:19:21I'm your Laura.
0:19:23 > 0:19:24No, Ali.
0:19:27 > 0:19:30We all know how close you are to this.
0:19:30 > 0:19:33But you have rehearsed with Aynsley,
0:19:33 > 0:19:35you know the part.
0:19:35 > 0:19:37We want you to play Sheila.
0:19:39 > 0:19:41You want me to be the lead?
0:19:41 > 0:19:42Yes.
0:19:44 > 0:19:45Give it up.
0:19:50 > 0:19:52- You can do this.- OK.
0:19:52 > 0:19:55Show them, hmm? Shine.
0:19:55 > 0:19:57OK, people, let's all shine onstage.
0:19:57 > 0:19:59Let's pick it up from the point
0:19:59 > 0:20:04where everyone helps Sheila clean up after the unfortunate death.
0:20:04 > 0:20:06All right? Mop.
0:20:06 > 0:20:08- Mop.- Lovely.
0:20:08 > 0:20:11Stop crying, Carter. Deep breath.
0:20:11 > 0:20:14One, two, three, four.
0:20:14 > 0:20:18# And we will sing sing, sing away the hours
0:20:18 > 0:20:21# Shout till our throats are sore
0:20:21 > 0:20:25# And we will raise our voices to the heavens
0:20:25 > 0:20:28# God himself will hear our mighty roar
0:20:28 > 0:20:32# And we will wipe, wipe, wipe away the plasma
0:20:32 > 0:20:35# Scrub off every stain
0:20:35 > 0:20:38# Since I cannot control my asthma
0:20:38 > 0:20:41# I'll stand by to entertain. #
0:20:43 > 0:20:44Yes.
0:20:44 > 0:20:46Brava! Bravissima!
0:20:58 > 0:21:00Alison Hendrix is in a musical.
0:21:01 > 0:21:04What? What musical?
0:21:04 > 0:21:06It ain't Cats.
0:21:06 > 0:21:09- I think she's playing the lead. - Beth's dead, German's dead,
0:21:09 > 0:21:12Sarah Manning gets sprung on the cusp of confessing,
0:21:12 > 0:21:16- and we're left with Alison Hendrix, model citizen and thespian.- Yeah.
0:21:21 > 0:21:24- You're kidding me. - It's her.- Oh, shit.
0:21:24 > 0:21:27We're not supposed to be on this thing, Angie.
0:21:29 > 0:21:31Damn it.
0:21:31 > 0:21:34Hey, long time no see.
0:21:34 > 0:21:37- Sarah... Don't run.- Come on.
0:21:53 > 0:21:55What do you want with Alison Hendrix?
0:21:55 > 0:21:58I just told you. They killed a man right in front of me, Art.
0:21:58 > 0:22:01Hey, I'm talking to you. Tell me what you are to each other, to Beth.
0:22:01 > 0:22:03We don't know. That's the whole point.
0:22:03 > 0:22:07The diner, sounds like the two bodies Grigson and Diaz caught this morning.
0:22:07 > 0:22:09I know. She probably does too.
0:22:09 > 0:22:12Those are the people behind it. The same ones that got me out of jail.
0:22:12 > 0:22:14She's making this stuff up.
0:22:14 > 0:22:17Then arrest me. You can't, can you? Huh?
0:22:17 > 0:22:20Just come on. Come on.
0:22:23 > 0:22:24Let's go check her story out.
0:22:29 > 0:22:31SPEAKING QUIETLY
0:22:34 > 0:22:37It's a fortunate position you find yourself in, Paul.
0:22:37 > 0:22:39How is that, Miss Duncan?
0:22:39 > 0:22:44You're the only one who seems to know what makes Sarah tick.
0:22:51 > 0:22:53I need your office this evening.
0:22:53 > 0:22:55It's the Koreas.
0:22:55 > 0:22:57- Both of them.- Ah.
0:22:57 > 0:23:00Well, good. Congratulations.
0:23:02 > 0:23:06Paul, have you ever been to Taiwan?
0:23:06 > 0:23:10- Taiwan, no. - I don't suppose you speak Mandarin?
0:23:11 > 0:23:16- No.- Hm, pity. Pack a bag. We leave Tuesday.
0:23:16 > 0:23:19Good luck, Paul.
0:23:26 > 0:23:28Keeping him up close and personal?
0:23:28 > 0:23:31Of course.
0:23:31 > 0:23:34Rachel, did you seriously kidnap Sarah's people?
0:23:37 > 0:23:40The less you know about it, the better.
0:23:40 > 0:23:44The child may be a biological gold mine, but so is her mother.
0:23:44 > 0:23:46Daniel will recover Sarah.
0:23:46 > 0:23:49- Is that really necessary?- Yes.
0:23:50 > 0:23:53And not your concern.
0:23:53 > 0:23:56We have a big evening. You need to be on point.
0:24:01 > 0:24:05To combine is to create...
0:24:07 > 0:24:10..to engineer, divine.
0:24:10 > 0:24:12You'll do wonderfully, Aldous.
0:24:20 > 0:24:21Come on, just go check it out.
0:24:21 > 0:24:23She probably dropped those bodies herself.
0:24:29 > 0:24:31They have my daughter, Art.
0:24:35 > 0:24:38- Hey. So, what's up?- Oh, best shooting we caught in two years,
0:24:38 > 0:24:41and the federals walked in. Check it out.
0:24:48 > 0:24:50- How you doin', Ange? - So, what happened?
0:24:50 > 0:24:52George Hudson, line cook.
0:24:52 > 0:24:5445 to the sixth chakra.
0:24:54 > 0:24:57Cowboy was still waiting, but shotgun to the midsection.
0:24:57 > 0:25:00- What chakra is that?- Uh, somewhere between the third and the fourth.
0:25:00 > 0:25:01There's a possible eyewitness.
0:25:01 > 0:25:05- A tea drinker.- A tea drinker?
0:25:05 > 0:25:07Yeah, digs out a wall, escapes out the back.
0:25:09 > 0:25:11OK. Thanks, man.
0:25:11 > 0:25:14Sarah, if your daughter's missing, we'll put out an amber alert.
0:25:14 > 0:25:17These people are powerful. They got me out of jail.
0:25:17 > 0:25:19You can't do anything.
0:25:19 > 0:25:21Just let me go, please.
0:25:21 > 0:25:26Just before the lawyer showed up, you were about to tell me everything,
0:25:26 > 0:25:29- what this really is.- You don't want to know everything, Art.
0:25:32 > 0:25:34You don't want Angie to know anything.
0:25:39 > 0:25:42Feds took over the scene from Grigson and Diaz.
0:25:42 > 0:25:45- Which feds?- I didn't get an acronym.
0:25:52 > 0:25:53Seriously?
0:25:53 > 0:25:57We're off the case. It doesn't exist, Angie.
0:25:57 > 0:26:00You want to walk her in there and hand her over, you go right ahead.
0:26:03 > 0:26:04Come on, you.
0:26:08 > 0:26:10Thank you.
0:26:10 > 0:26:14Thank you? You miss us? You miss Beth's life, you little grifter?
0:26:20 > 0:26:22She almost trusts me, Angie.
0:26:25 > 0:26:28No, I'm not letting you turn yourself over to neolutionists.
0:26:28 > 0:26:31What am I meant to do, Fee? Hey?
0:26:31 > 0:26:34If Rachel's got Kira on a plane, I have to be with her.
0:26:34 > 0:26:36Look, look, Sarah, Delphine put me on the list
0:26:36 > 0:26:37for the Dyad tonight, OK?
0:26:37 > 0:26:41I can go in there and, like, demand that Rachel let them go.
0:26:41 > 0:26:43Rachel doesn't take demands, Cosima.
0:26:43 > 0:26:45That's why I needed the bloody gun.
0:26:45 > 0:26:47KNOCKING ON DOOR
0:26:47 > 0:26:50Anybody in the house?
0:26:50 > 0:26:52It's Ramon.
0:26:52 > 0:26:54Ramon?
0:26:54 > 0:26:56Delivery from Mrs Hendrix.
0:26:56 > 0:26:58Well, those are so Alison.
0:26:58 > 0:27:00It's what inside that counts.
0:27:00 > 0:27:03Huh? Am I wrong, sailor?
0:27:06 > 0:27:08Whoa.
0:27:14 > 0:27:19Ah. Seriously, Sarah? What good is that gonna do?
0:27:19 > 0:27:23- Alison, you know some very strange people.- 'Oh, they look nice.
0:27:23 > 0:27:26'Sorry I couldn't bring them in person.
0:27:26 > 0:27:28'I have scads of costumes to alter.'
0:27:28 > 0:27:30- Hey, thanks for the card too. - 'Are you making fun of me?'
0:27:30 > 0:27:33- I made that! - 'No, no, no, no.'
0:27:33 > 0:27:38- It's good to see you, Alison. - We love you, Alison.
0:27:38 > 0:27:40Well, normally I'd say don't do anything rash,
0:27:40 > 0:27:44'but rash seems to be a genetic trait, so...
0:27:44 > 0:27:46'Go get Kira.'
0:27:46 > 0:27:50Believe me, right now is the time to resist our predisposition
0:27:50 > 0:27:53to impulsive behaviour. We need a plan.
0:27:53 > 0:27:54'You don't have a plan?'
0:27:54 > 0:27:56No, the plan's a bit of an issue.
0:27:56 > 0:27:59Hey, I know where Rachel is. That's enough.
0:27:59 > 0:28:01Sarah, what are you gonna do?
0:28:01 > 0:28:05- Walk into the Dyad with a gun and just start shooting people?- Yeah.
0:28:05 > 0:28:08'Uh, tut tut tut tut. I don't want to know anything.
0:28:08 > 0:28:10'Leave me out of it.'
0:28:10 > 0:28:12Plausible deniability.
0:28:12 > 0:28:15- Yeah, sure. - I have to be at Sara Stubbs at 9PM
0:28:15 > 0:28:19to do a fitting and run lines, so...
0:28:19 > 0:28:22- break a leg, Sarah. - 'Thanks again.'
0:28:22 > 0:28:25This thing at the Dyad, it's, like, a big deal, yeah?
0:28:25 > 0:28:29Yeah, big pharma, big agro, VIPs, security.
0:28:29 > 0:28:33That's good, that's good. That will be helpful. They'll be busy.
0:28:33 > 0:28:35OK, what are you on to?
0:28:36 > 0:28:38Plausible deniability.
0:28:38 > 0:28:44- Oh, no.- No, it's easiest just to give Rachel what she wants, yeah?
0:28:44 > 0:28:46Me. Just not how she's expecting it.
0:28:46 > 0:28:49OK, even if I agree with what I think you're thinking,
0:28:49 > 0:28:52how do you next to Rachel with Daniel in the way?
0:28:54 > 0:28:55Alison's not gonna like it.
0:29:00 > 0:29:02PHONE VIBRATING
0:29:04 > 0:29:06Paul Dierden.
0:29:06 > 0:29:08'Paul, it's Sarah. Let me speak to her.'
0:29:11 > 0:29:12She wants Rachel.
0:29:17 > 0:29:20Hi, Sarah. This is Daniel. I speak for Rachel.
0:29:20 > 0:29:22'I'm ready to make a deal, face to face.'
0:29:22 > 0:29:25Well, Rachel's a very busy woman,
0:29:25 > 0:29:28but if you tell me where you are, I'll bring you to her.
0:29:28 > 0:29:33'All right. I'll meet you at 9PM. I'll be driving the red minivan.'
0:29:47 > 0:29:49Ah! Oh, my God. Oh, my God!
0:29:49 > 0:29:51Let go! Ugh!
0:29:52 > 0:29:54Ugh!
0:29:58 > 0:30:00BLOWS WHISTLE
0:30:14 > 0:30:16Ah! Ah!
0:30:16 > 0:30:19Who in the hell are you?
0:30:19 > 0:30:22This is unacceptable. I need to talk to Dr Leekie right away.
0:30:22 > 0:30:25That won't be necessary, ma'am. This is our mistake.
0:30:25 > 0:30:27It won't happen again.
0:30:40 > 0:30:41Thank you.
0:30:43 > 0:30:44Elise!
0:30:56 > 0:30:58Shite.
0:31:38 > 0:31:41- Cosima.- Hey.- You came.
0:31:46 > 0:31:48You won't regret this. I promise.
0:31:48 > 0:31:51Aldous! Look who it is.
0:31:51 > 0:31:53- Uh, no, no. - No, no, no, come, come, come.
0:31:53 > 0:31:58Mon adversaire. I wasn't as sure as Delphine that you'd come.
0:31:58 > 0:32:02Here I am. Um, doesn't mean I'm gonna sign your contract, though.
0:32:02 > 0:32:04A starting point.
0:32:04 > 0:32:07We're in uncharted waters. Really, it's all up to you.
0:32:09 > 0:32:11OK. Then I want my own lab.
0:32:11 > 0:32:13ANNOUNCEMENT: In a moment,
0:32:13 > 0:32:17Dr Leekie will be welcoming you to the Dyad Institute. Please stand by.
0:32:17 > 0:32:19That's my cue. Cosima...
0:32:21 > 0:32:24..you have a bright future ahead of you.
0:32:26 > 0:32:28This is the best place you could be right now.
0:32:29 > 0:32:31Thank you, Dr Leekie.
0:32:39 > 0:32:40- Enjoy yourself.- Mm.
0:32:44 > 0:32:46You're Sarah.
0:32:46 > 0:32:48Yeah, nice to meet you too.
0:32:48 > 0:32:52- Does Cosima know you're doing this? - Depends if I get caught.
0:32:53 > 0:32:55Now, where are Kira and Siobhan?
0:32:57 > 0:32:58- What?- Don't play stupid.
0:32:58 > 0:33:01Rachel kidnapped my family. Where are they?
0:33:01 > 0:33:04- How would I know? I've never even seen Rachel.- I've seen her.
0:33:04 > 0:33:08And if you want to keep Cosima out of this,
0:33:08 > 0:33:11you're gonna tell me where she is. OK?
0:33:11 > 0:33:15There is serious business going on right now behind the scenes,
0:33:15 > 0:33:19and so my guess is that she's using Leekie's wing.
0:33:19 > 0:33:22- Where is that?- Down there.
0:33:22 > 0:33:24It's impossible to get down there.
0:33:24 > 0:33:27- You need a specific swipe card for the 10th floor.- Like this?
0:33:27 > 0:33:29You're going to get yourself killed.
0:33:29 > 0:33:32Miss Cormier?
0:33:32 > 0:33:34< Please welcome Dr Leekie.
0:33:34 > 0:33:36APPLAUSE
0:33:38 > 0:33:40Thank you, everyone.
0:33:40 > 0:33:43I am Dr Aldous Leekie,
0:33:43 > 0:33:45director of the Dyad Institute,
0:33:45 > 0:33:49and it is my great pleasure to welcome you here
0:33:49 > 0:33:54on behalf of the entire Dyad group of companies.
0:33:54 > 0:34:01The keystone...of the original Dyad Institute was set here in 1918.
0:34:04 > 0:34:10Today, worldwide, the overwhelming majority of bio tech research
0:34:10 > 0:34:13is funded by private capital,
0:34:13 > 0:34:16and today, the Dyad Group spans the globe.
0:34:16 > 0:34:19We employ 27,000 souls
0:34:19 > 0:34:22in 134 countries,
0:34:22 > 0:34:25including Vatican City.
0:34:29 > 0:34:32The age of biotechnology is upon us.
0:34:32 > 0:34:37It is the moral responsibility of visionaries like us
0:34:37 > 0:34:43to continue healing, feeding, and fuelling
0:34:43 > 0:34:46the future of humanity.
0:34:49 > 0:34:51The recent supreme court decision...
0:34:51 > 0:34:53SPEECH IS TRANSLATED INTO KOREAN
0:34:53 > 0:34:56..characterising the legal status
0:34:56 > 0:34:58of natural versus synthetic DNA
0:34:58 > 0:35:01was the successful result
0:35:01 > 0:35:03of our lobbying strategies.
0:35:06 > 0:35:12We are proceeding with the next tranche of patent claims.
0:35:47 > 0:35:49Good, you made it.
0:35:50 > 0:35:52- I want my daughter.- Of
0:35:54 > 0:35:58course, and we want you to be together,
0:35:58 > 0:36:01but my people found your foster mother's house overturned.
0:36:01 > 0:36:03They were gone when we got there.
0:36:03 > 0:36:07- You're lying.- I lied to get you here. But we don't have them.
0:36:10 > 0:36:14Kira's here, and I want to see her now.
0:36:15 > 0:36:17You're not going to shoot me, Sarah.
0:36:19 > 0:36:21If you don't have her, you're dead!
0:36:21 > 0:36:24There are other forces vying for our fate, Sarah.
0:36:24 > 0:36:27We'll get Kira back together.
0:36:31 > 0:36:34Nobody lays hands on me.
0:36:34 > 0:36:35You don't own us.
0:36:40 > 0:36:42Sarah, put it down.
0:36:55 > 0:36:57- Where is Kira? - They don't have her.
0:36:57 > 0:37:00They were playing me too. Now lower the gun.
0:37:00 > 0:37:03And what are you, her bodyguard now?
0:37:03 > 0:37:05It's you they want. It is over, Sarah.
0:37:07 > 0:37:09Turn around.
0:37:23 > 0:37:24In the face.
0:37:24 > 0:37:26Sorry.
0:37:30 > 0:37:33Go. I'll figure out something to tell 'em.
0:37:56 > 0:37:58Hey, it's me.
0:37:58 > 0:38:00Jesus Christ. You are like a bad smell.
0:38:00 > 0:38:02Look, I didn't know where else to go.
0:38:20 > 0:38:21Maggie Chen?
0:38:31 > 0:38:33What, you're not having one?
0:38:33 > 0:38:34I want it straight up.
0:38:39 > 0:38:43It wasn't them, Art, the Dyad people. Somebody else took Kira.
0:38:45 > 0:38:46I know.
0:38:50 > 0:38:51What?
0:38:51 > 0:38:54The feds are calling the diner thing domestic terrorism.
0:38:54 > 0:38:58The cowboy that took the shotgun blast was a religious extremist,
0:38:58 > 0:38:59like Maggie Chen,
0:38:59 > 0:39:01a prolethean.
0:39:03 > 0:39:04Helena's people.
0:39:06 > 0:39:08Why don't we start with that?
0:39:13 > 0:39:15Who is Helena?
0:39:18 > 0:39:21Are you sure you want to know what this is all about?
0:39:23 > 0:39:25I guess we'll find out.
0:39:47 > 0:39:49Excuse me.
0:39:49 > 0:39:51My sister shot me.
0:39:53 > 0:39:55I need some help here! Trauma team!
0:39:55 > 0:39:58OK, no, we need a nurse here right now.
0:39:58 > 0:40:00Gunshot wound. Call it in, call it in!
0:40:00 > 0:40:03Pressure! Gunshot through the back.
0:40:03 > 0:40:07Get her up. Ready? Now.
0:40:10 > 0:40:13We need to get her in... Move it!
0:40:34 > 0:40:36Look at the camera.
0:40:39 > 0:40:42Shot point blank in the chest and she walks in?
0:40:42 > 0:40:44- How is she even alive? - We remember Aynsley's warmth.
0:40:44 > 0:40:47- I killed Aynsley!- I watched it happen, Felix.
0:40:47 > 0:40:50They didn't do anything about it.
0:40:50 > 0:40:53The old wing is where our most sensitive research takes place.
0:40:53 > 0:40:55This is where you keep the clones.
0:40:55 > 0:40:58Rachel takes insult very personally.
0:40:58 > 0:41:00- Would you leave us, please? - Yes, of course.
0:41:00 > 0:41:02Kira? Hello?
0:41:02 > 0:41:04They're gone. Young girl matching Kira's description with some guy.
0:41:04 > 0:41:08- Get your hands on the car. - You're gonna regret this.