0:00:01 > 0:00:04I'm your birth mother. Mrs S, she's not who she says she is.
0:00:04 > 0:00:06You know what to do.
0:00:06 > 0:00:08Kira!
0:00:08 > 0:00:11What the hell is going on? Did Rachel just take my family?
0:00:11 > 0:00:15We've come here to take you to Kira.
0:00:15 > 0:00:18Tonight there's a big event at the Dyad. Rachel will be there.
0:00:18 > 0:00:20How do you get next to Rachel with Daniel in the way?
0:00:20 > 0:00:24Rachel's a very busy woman, but if you tell me where you are, I'll bring you to her.
0:00:24 > 0:00:26- Who in the hell are you? - This is our mistake.
0:00:26 > 0:00:30I want my own lab. Thank you, Dr Leekie.
0:00:30 > 0:00:33- You're Sarah. - Yeah, nice to meet you too.
0:00:33 > 0:00:36I want my daughter. If you don't have her, you're dead!
0:00:36 > 0:00:38The Dyad people. Somebody else took Kira.
0:00:38 > 0:00:42I know. The cowboy who took the shotgun blast was a religious extremist.
0:00:42 > 0:00:45- A Prolethean.- Helena's people.
0:00:45 > 0:00:49This programme contains prolonged violent scenes.
0:00:50 > 0:00:52HEART MONITOR BEEPS
0:00:56 > 0:00:59OK, Eastern European accent, and... Scarification?
0:00:59 > 0:01:01Angel wings.
0:01:01 > 0:01:05No ID, but these are the contents of her pockets.
0:01:05 > 0:01:09Sugar packs, lollipops...
0:01:09 > 0:01:12Shot point blank in the chest and she walks in?
0:01:12 > 0:01:14How is she even alive?
0:01:14 > 0:01:15SHE GASPS
0:01:15 > 0:01:19It's OK. It'll be all right.
0:01:23 > 0:01:26- What do these Proletheans want with your daughter?- I don't know, Art.
0:01:26 > 0:01:29- Everybody's after us. - KNOCK ON THE DOOR
0:01:32 > 0:01:34- Hey. - We're going to find her.
0:01:34 > 0:01:36- OK. - OK?
0:01:36 > 0:01:38- Yeah. Thank you. - Good.
0:01:38 > 0:01:40Hello, Arthur.
0:01:42 > 0:01:45I can't believe you let a cop into the Clone Club.
0:01:45 > 0:01:47Yeah, well, I'm over it.
0:01:47 > 0:01:49Finally this whole shit-show is starting to make sense.
0:01:49 > 0:01:53So, if these religious freaks have Kira, how do we find them?
0:01:53 > 0:01:56MOBILE RINGS
0:01:56 > 0:02:00- It's out of town. - We've got a number of branches.
0:02:00 > 0:02:03- Hello?- We've just got to figure out which one.
0:02:03 > 0:02:05- Kira? Kira? - Give it!
0:02:05 > 0:02:06Yeah.
0:02:06 > 0:02:08Kira? Hello?
0:02:08 > 0:02:10Mommy, I'm not supposed to call.
0:02:10 > 0:02:13I'm so glad you did. Where are you, baby?
0:02:13 > 0:02:18I don't know. I'm scared. There's a weird man here.
0:02:18 > 0:02:21Kira? Kira?!
0:03:03 > 0:03:06It's a listed number. It's a motel in Bridgeleigh County.
0:03:06 > 0:03:09- Let's go, or they'll be gone. - Whoa. It could be a trap.
0:03:09 > 0:03:13- She's going with me. - Yeah, it could still be a trap.
0:03:13 > 0:03:16- Fee, stop. - Wait! Just a minute, please.
0:03:16 > 0:03:19New clone phones.
0:03:19 > 0:03:21I'll get these ones to Cosima and Alison.
0:03:21 > 0:03:24- Numbers are already stored in there. This one's for me.- Thank you.
0:03:24 > 0:03:27When we're back together, we're leaving, yeah?
0:03:27 > 0:03:30Yeah. Costa Rica. I've heard that one before.
0:03:30 > 0:03:33Look, I need you to keep telling me we can make it.
0:03:33 > 0:03:35We can.
0:03:40 > 0:03:43We remember Aynsley's warmth,
0:03:43 > 0:03:46her devotion to family, to community.
0:03:46 > 0:03:50We remember early mornings with the Bailey Downs Ice Queens,
0:03:50 > 0:03:53long evenings on stage rehearsing various
0:03:53 > 0:03:54theatre productions.
0:03:54 > 0:03:57And some of us remember book club,
0:03:57 > 0:04:01or as Aynsley called it, full-contact reading.
0:04:01 > 0:04:03She wanted us to...
0:04:03 > 0:04:05Self-reflect.
0:04:05 > 0:04:10And she would say almost daily,
0:04:10 > 0:04:12"Be true to who you are."
0:04:14 > 0:04:18She's got a lot of gall coming here after sleeping with Chad.
0:04:18 > 0:04:21THEY TALK IN HUSHED TONES
0:04:21 > 0:04:23If you wanted to have a glass right now,
0:04:23 > 0:04:24I wouldn't blame you one bit.
0:04:24 > 0:04:26No, thank you, Donnie.
0:04:26 > 0:04:30I think I'll stay clear-headed indefinitely.
0:04:30 > 0:04:32- Mom. - What? Where did you
0:04:32 > 0:04:33- get these flowers? - They're Aynsley's.
0:04:33 > 0:04:36What?! No, no, no, no!
0:04:36 > 0:04:38- You take those back. - I got it, I got it.
0:04:38 > 0:04:40- Then we can go home. - Yes, please.
0:04:40 > 0:04:43Here, hold my coat. Guys, what are you thinking? Come on.
0:04:43 > 0:04:45Sorry, Father.
0:04:45 > 0:04:47- Alison?- Mm.
0:04:47 > 0:04:49I'm so sorry.
0:04:49 > 0:04:52Oh. Oh, thank you, Sarah, really. I feel like the play is
0:04:52 > 0:04:55- saving my life right now. - You lost a friend,
0:04:55 > 0:04:58and they shouldn't be treating you like this.
0:04:58 > 0:05:00Thank you.
0:05:00 > 0:05:02Oh, that's OK.
0:05:02 > 0:05:03Oops.
0:05:10 > 0:05:12- See you at rehearsal. - OK.
0:05:12 > 0:05:13OK.
0:05:15 > 0:05:17MOBILE VIBRATES
0:05:34 > 0:05:36Margaret, hi.
0:05:42 > 0:05:44- Ali? - Mm-hmm?
0:05:44 > 0:05:47- Shall we? - Yep.
0:05:47 > 0:05:49OK. Gemma, here you go.
0:05:52 > 0:05:53Come on.
0:06:09 > 0:06:12You did well to save her, Mark.
0:06:12 > 0:06:15Helena is the twin sister of the mother, the one that got away.
0:06:15 > 0:06:18She almost didn't make it. Real close.
0:06:18 > 0:06:20Yeah. Here, steady her
0:06:20 > 0:06:23for me. Be gentle. She shouldn't baulk a bit.
0:06:29 > 0:06:31All right. Now, easy, girl.
0:06:31 > 0:06:33COW LOWS
0:06:33 > 0:06:37Hand me the AI gun.
0:06:37 > 0:06:39Now we just...
0:06:39 > 0:06:42Slide that in directly into the cervix.
0:06:42 > 0:06:44And...
0:06:49 > 0:06:51The rest is up to the Lord, just helped him along a little bit.
0:06:51 > 0:06:53Amen, Pastor.
0:06:53 > 0:06:56We'll need a little help too, Mark, getting that girl out
0:06:56 > 0:06:58- of the hospital.- Yeah, I imagine so. - Well, Henrik,
0:06:58 > 0:07:00am I making up another bed or not?
0:07:00 > 0:07:05That's entirely dependent on Mark here, Bonnie.
0:07:05 > 0:07:07I'll do my best.
0:07:07 > 0:07:12You know we love you like a son, right? You're the only one we trust with all this.
0:07:12 > 0:07:14Thank you.
0:07:14 > 0:07:16Well, what? You're accusing me of
0:07:16 > 0:07:20colluding with Sarah to... To, I'm sorry,
0:07:20 > 0:07:23shit-kick Rachel? I don't know... Why would I do that?
0:07:23 > 0:07:28Aldous, Sarah, she's a con artist. She fooled us too.
0:07:28 > 0:07:32- Did she? - She stole your pass card.
0:07:32 > 0:07:34- Really? - Mm-hmm.
0:07:36 > 0:07:39I'm sorry. None of us ever trusted her.
0:07:39 > 0:07:43Let me just say...
0:07:43 > 0:07:46Rachel takes insult very personally.
0:07:46 > 0:07:49If you want to help Sarah, you'd be uniquely positioned to do so
0:07:49 > 0:07:51here at the Dyad.
0:07:51 > 0:07:55I for one would like to avoid a war.
0:07:55 > 0:07:58And I just want to make crazy science with you
0:07:58 > 0:08:00in our new lab.
0:08:15 > 0:08:18- They're gone. - Shit!
0:08:18 > 0:08:20- When? How long? - About an hour ago.
0:08:20 > 0:08:22A young girl matching Kira's description
0:08:22 > 0:08:25- and some guy. Hey, come on. - Wait, Siobhan wasn't with them?
0:08:25 > 0:08:29- There was no woman at all? - No, just the guy.
0:08:35 > 0:08:37Hey.
0:08:43 > 0:08:46Art.
0:08:46 > 0:08:48- Find something? - Yeah.
0:08:48 > 0:08:51That's hers.
0:08:51 > 0:08:52Hold up.
0:08:55 > 0:08:57That's Daniel, Rachel's bloody Doberman.
0:08:57 > 0:08:59You stay put.
0:08:59 > 0:09:01I've been hoping to run into this guy again.
0:09:07 > 0:09:10Police officer. Put your hands on the car.
0:09:12 > 0:09:14I said get your hands on the car.
0:09:14 > 0:09:17Can I help you, Detective Bell?
0:09:17 > 0:09:20Hm? I have a permit for that.
0:09:29 > 0:09:32You're a private investigator this time.
0:09:32 > 0:09:36You're going to regret this, professionally speaking.
0:09:39 > 0:09:42- We know where you live. - Why do I doubt that?
0:09:42 > 0:09:43We know where you work.
0:09:43 > 0:09:45Keep your hands on the car.
0:09:45 > 0:09:48You're a very bright man, Detective.
0:09:48 > 0:09:51What are you doing here, huh? What are you doing here?
0:10:26 > 0:10:31If you want to see Kira, you better shut up and get in.
0:10:37 > 0:10:40This is your stop.
0:10:40 > 0:10:44If you don't get too stroppy, I'll help you out.
0:10:50 > 0:10:53- Where is my daughter? - Someone'll be along.
0:10:55 > 0:10:58- Ooh! - Where is she? You piece of shit!
0:10:58 > 0:10:59Ugh!
0:10:59 > 0:11:01Stop.
0:11:01 > 0:11:06What the bloody hell? Bloody hell!
0:11:06 > 0:11:09I'm sorry, Benjamin. You didn't sign up for that.
0:11:09 > 0:11:12No, I certainly did not.
0:11:12 > 0:11:15- What the hell is going on? - Relax. Kira's fine.
0:11:15 > 0:11:19- What, he's not a Prolethean? - No, chicken, you just passed through
0:11:19 > 0:11:22- an airlock.- A what?- An airlock. When Kira called you, I knew you'd come
0:11:22 > 0:11:24for her and bring your troubles with you.
0:11:24 > 0:11:27Here's her phone. It was ringing.
0:11:27 > 0:11:30- I took out the batteries. - Thanks, Ben. Safe home.
0:11:30 > 0:11:31You too, S.
0:11:34 > 0:11:36What happened with Amelia?
0:11:36 > 0:11:39I'm not telling you shite till I see Kira.
0:11:39 > 0:11:43Better get a move on, we've quite a hike.
0:11:46 > 0:11:48Whose side are you on, S?
0:11:50 > 0:11:53Yours, love. It's always been yours.
0:12:02 > 0:12:03Now, while it may lack some lustre,
0:12:03 > 0:12:07the old wing is where our most sensitive research takes place.
0:12:07 > 0:12:11Like when you were sterilizing lunatics in the '30s?
0:12:11 > 0:12:12Ah, before my time.
0:12:12 > 0:12:14She's... She's being cheeky again.
0:12:14 > 0:12:16She's knows the Dyad was built on vaccines.
0:12:16 > 0:12:19- Yes, polio, Spanish influenza... - Manufactured right here,
0:12:19 > 0:12:24shipped all over the world, and millions of lives saved.
0:12:24 > 0:12:25Oh, so this is where you keep the clones.
0:12:25 > 0:12:28Ah, obviously you're part of a high-security programme.
0:12:28 > 0:12:31Yeah, most restricted projects are entirely compartmentalized.
0:12:31 > 0:12:34Right, so smart people don't know what they're actually working on.
0:12:34 > 0:12:38Ah, but you will. You're working on yourself.
0:12:38 > 0:12:40Ah, do the honours?
0:12:49 > 0:12:52- I was right, it's clone jail. - It's not.
0:12:52 > 0:12:56You know, if I wanted an obsolete lab, I could just go to a community college.
0:12:56 > 0:12:58We're going to customise it.
0:12:58 > 0:13:00Here your opportunities will be endless.
0:13:00 > 0:13:03Just last month, I e-mailed a vaccine
0:13:03 > 0:13:05to a colleague in Delhi who then recreated it
0:13:05 > 0:13:08on a 3D biological printer!
0:13:08 > 0:13:11That's completely amazing.
0:13:11 > 0:13:13Think of what we could build in this room.
0:13:13 > 0:13:16Please, make a list.
0:13:16 > 0:13:18Equipment, personnel.
0:13:18 > 0:13:21Just... Blue sky a little.
0:13:21 > 0:13:22Together.
0:13:25 > 0:13:28Well, I know nobody likes to touch a dead body,
0:13:28 > 0:13:32but I was really hoping you'd help me clean up the blood.
0:13:35 > 0:13:38I'll help.
0:13:38 > 0:13:40We're blood buds till the end
0:13:40 > 0:13:42It is written in our hearts
0:13:42 > 0:13:45We will be together till the day
0:13:45 > 0:13:48That death takes us apart
0:13:48 > 0:13:52# Now weeeee
0:13:52 > 0:13:55# Must heed the call, clean the brains off the wall
0:13:55 > 0:13:59# The task may be unpleasant but it's ours
0:13:59 > 0:14:02# Try not to complain as you're scrubbing out the stain
0:14:02 > 0:14:05# This is dirty work, dirty work
0:14:05 > 0:14:09# Sing, sing, sing away the hours
0:14:09 > 0:14:12# shout till our throats are sore... #
0:14:12 > 0:14:16Sorry. She just takes left, right? Left, left. Right?
0:14:16 > 0:14:19- Let's do it again? - No. We're going to take five.
0:14:19 > 0:14:22And I mean five. Carter, no more sobbing.
0:14:22 > 0:14:24Alison, please.
0:14:24 > 0:14:26OK.
0:14:26 > 0:14:28Sorry.
0:14:28 > 0:14:30- It's OK. Right here. - Mm-hmm.
0:14:30 > 0:14:32OK, now, do you feel that?
0:14:32 > 0:14:35- Mm-hmm. - That is you
0:14:35 > 0:14:38- breathing very high. - Yes.
0:14:38 > 0:14:40- That's anxiety residue. - OK.
0:14:40 > 0:14:42What you want to do...
0:14:42 > 0:14:46Is you want to breathe... from here, from the sacrum.
0:14:46 > 0:14:49- I...- From the sacrum to the diaphragm and out.
0:14:49 > 0:14:51- Let's do it, OK? - I'm not sure that's my sacrum.
0:14:51 > 0:14:54Now right... feel it right here, and in.
0:14:54 > 0:14:58- And ouuuuuuuuuuut. - Ouuuuuuuuut.
0:14:58 > 0:15:01- Excuse me. - Ouuuu... Ah!
0:15:01 > 0:15:03Thank God. Sir.
0:15:03 > 0:15:05Everybody, this is Felix, my acting coach.
0:15:05 > 0:15:07Hello! You all look wonderful.
0:15:07 > 0:15:09Hi, I'm Alexander. I'm the director.
0:15:09 > 0:15:11Yes, I've seen where that hand's been.
0:15:11 > 0:15:15OK, let's just... We'll be right back. Thank you.
0:15:15 > 0:15:17Donnie is your husband, Aynsley is your monitor.
0:15:17 > 0:15:20- No, no! I was wrong. - Yes! No!
0:15:20 > 0:15:21I was wrong, Felix.
0:15:21 > 0:15:24Vague text messages, they didn't prove anything!
0:15:24 > 0:15:27You have a history of jumping to monitor conclusions.
0:15:27 > 0:15:28What have I done?
0:15:33 > 0:15:35Aynsley's dead.
0:15:35 > 0:15:38I'm sorry, what?
0:15:38 > 0:15:41There was an, uh, an accident with her garbage disposal.
0:15:41 > 0:15:45Her scarf got caught and...
0:15:45 > 0:15:47she choked to death.
0:15:47 > 0:15:50- Oh, my God. - And I was there.
0:15:50 > 0:15:53I watched it happen, Felix. I didn't do anything about it.
0:15:53 > 0:15:57Sh, OK, OK, OK. Look, are you joking?
0:15:57 > 0:15:59No! No, no. I thought it was her.
0:15:59 > 0:16:01We all did. We...
0:16:01 > 0:16:04- It was Donnie all along! - OK.
0:16:04 > 0:16:05I killed Aynsley.
0:16:05 > 0:16:08- No, no, darling. - Yes, I did!
0:16:08 > 0:16:11- Yes! - Well... I mean... not really,
0:16:11 > 0:16:15- you know, just like hardly.- Oh, God. You can't tell Sarah, please.
0:16:15 > 0:16:17- No. - You can't tell anybody.
0:16:17 > 0:16:21I... I can't... I can't go to jail. Oh, my God. I have two children.
0:16:21 > 0:16:23Nobody's going to jail, OK? No-one's going to jail.
0:16:23 > 0:16:27We just need to prove that Donnie's really your monitor.
0:16:27 > 0:16:29How? I mean,
0:16:29 > 0:16:32he's bamboozled me for all of these years.
0:16:32 > 0:16:35He's very good at being evil.
0:16:35 > 0:16:37Yes. Yes, he is, terribly.
0:16:37 > 0:16:39So here's what we do. We set a trap.
0:16:39 > 0:16:42Give him some monitor-ish information and see
0:16:42 > 0:16:44- if he reacts like a monitor. - Uh-huh.
0:16:44 > 0:16:47OK. Have you got any ideas, or do you just want to keep drinking?
0:16:47 > 0:16:51I think I need to keep drinking for a while and then I'll have an idea.
0:16:53 > 0:16:56I made things worse, Siobhan.
0:16:56 > 0:16:58- Why didn't you call me? - I couldn't trust the phones.
0:16:58 > 0:17:01There was more than one person watching the house. I knew someone was coming,
0:17:01 > 0:17:04so I tossed the place. I made it look like an abduction
0:17:04 > 0:17:06to confuse the issue. I put Kira first.
0:17:06 > 0:17:08You think I didn't?
0:17:14 > 0:17:18Hey, I know this place.
0:17:18 > 0:17:20This is where we landed when we left the UK.
0:17:35 > 0:17:37Hello, Sarah. Welcome back.
0:17:37 > 0:17:40Barry.
0:17:40 > 0:17:42The Birdwatchers.
0:17:42 > 0:17:46My old network. They helped us disappear once.
0:17:46 > 0:17:47They're helping again.
0:17:50 > 0:17:52Well, look at you.
0:17:52 > 0:17:56- Brenda.- Yeah? - Yeah.
0:17:56 > 0:18:01She remembers. Well done. Such a beauty, and all grown-up.
0:18:01 > 0:18:02I wouldn't say either.
0:18:02 > 0:18:04Ohhh.
0:18:04 > 0:18:07Mommy!
0:18:07 > 0:18:09Monkey! Come here.
0:18:11 > 0:18:14I was so worried about you. I didn't know where you were.
0:18:14 > 0:18:18- We came to the Birdwatchers. - I know.
0:18:18 > 0:18:22Are you all right?
0:18:22 > 0:18:24Are you sure?
0:18:26 > 0:18:28Come on inside.
0:18:28 > 0:18:31I know I could use a drink.
0:18:31 > 0:18:33You could have answered your phone.
0:18:33 > 0:18:35- What's the point? - I don't know,
0:18:35 > 0:18:38quash the wild rumours you're about to get suspended?
0:18:38 > 0:18:40My union rep's on it.
0:18:40 > 0:18:42No.
0:18:45 > 0:18:47So, what, I got to beat it out of ya?
0:18:47 > 0:18:49What the hell happened?
0:18:51 > 0:18:53You know that lawyer, the real connected one,
0:18:53 > 0:18:56pulled the rug out from under us during the Sarah Manning thing?
0:18:56 > 0:19:00Well, we crossed paths, and words were exchanged.
0:19:00 > 0:19:03He's the one trying to get you suspended?
0:19:03 > 0:19:06I got something that might help. You know Carp, the patrol guy?
0:19:06 > 0:19:09Mentions he's got the weirdest Jane Doe in hospital.
0:19:16 > 0:19:17- Holy shit.- Yeah.
0:19:17 > 0:19:20That's, what, like number five?
0:19:22 > 0:19:26Don't go there, Angie. Just drop it. Alison Hendricks,
0:19:26 > 0:19:30- just drop the whole thing.- But you're getting screwed, Art.
0:19:30 > 0:19:33- And what about justice for Beth? - Look, I'm serious.
0:19:33 > 0:19:36Leave it alone.
0:19:37 > 0:19:40- You're not going there. - I'm not going there.
0:19:40 > 0:19:43I'm here about the Jane Doe that came in last night,
0:19:43 > 0:19:45- the gunshot vic. - Sure, she's right down here.
0:19:52 > 0:19:53Where'd she go?
0:19:55 > 0:19:57You're kidding.
0:20:02 > 0:20:04Who are you?
0:20:04 > 0:20:06Family.
0:20:13 > 0:20:15Nervous, Gracie?
0:20:17 > 0:20:19It's not usual, is it?
0:20:19 > 0:20:24I'm sure we seem as strange to them as they do to us.
0:20:24 > 0:20:25Just do as your father says.
0:20:25 > 0:20:27I'm not sure.
0:20:40 > 0:20:42Mary! Come, come,
0:20:42 > 0:20:43come, girl.
0:20:49 > 0:20:50Hello, Gracie.
0:20:53 > 0:20:55Will it eat?
0:20:55 > 0:20:57Of course she will.
0:20:57 > 0:20:59Aw, Gracie, don't be scared.
0:20:59 > 0:21:02She needs our care, and we need her trust.
0:21:08 > 0:21:12REPEATED GRUNTING AND SLAPPING
0:21:22 > 0:21:24Forgive me.
0:21:24 > 0:21:26An old custom.
0:21:29 > 0:21:31Hello, Tomas.
0:21:31 > 0:21:34I am so grateful to your family for my rescue,
0:21:34 > 0:21:37and for hers. I found myself...
0:21:37 > 0:21:39praying for her soul.
0:21:39 > 0:21:43- Well, that's not so crazy, is it? - Abominations have no soul.
0:21:43 > 0:21:45Though one could easily mistake
0:21:45 > 0:21:48the bullet missing her heart for a miracle.
0:21:48 > 0:21:51It IS a miracle, my friend.
0:21:51 > 0:21:53Your charge...
0:21:53 > 0:21:56Is a genetic anomaly.
0:21:56 > 0:21:58She's a mirror.
0:21:58 > 0:22:04- See, her internal organs, all reversed.- What?
0:22:04 > 0:22:07It's a condition that, uh...
0:22:07 > 0:22:09That sometimes occurs with identical twins.
0:22:09 > 0:22:13Kind of a yin-yang sort of thing.
0:22:13 > 0:22:15One of them's right-handed,
0:22:15 > 0:22:19one of them's left-handed. Whew.
0:22:19 > 0:22:22One of them has her heart on the left side...
0:22:24 > 0:22:27And one of them has their heart...
0:22:27 > 0:22:29Her heart is on the wrong side.
0:22:29 > 0:22:31This is surely the mark of corruption.
0:22:31 > 0:22:34Yeah, well, that's where I disagree with you.
0:22:34 > 0:22:37You see, I steered my faith through science at MIT,
0:22:37 > 0:22:39and what I see here...
0:22:39 > 0:22:42What I see here is God opening a whole new door.
0:22:42 > 0:22:45Well, what you see is not who she is.
0:22:45 > 0:22:48Your "new order" should appreciate
0:22:48 > 0:22:51this wretch is not merely an affront,
0:22:51 > 0:22:54she is the war for the future of creation.
0:22:58 > 0:23:01I got not argument with you there.
0:23:01 > 0:23:03You're welcome here, Tomas, both of you,
0:23:03 > 0:23:06for as long as it takes her to recover.
0:23:12 > 0:23:16Hey, look, that's where Uncle Felix bashed his head open.
0:23:16 > 0:23:19Thanks to his foster sister, who was helping him down the stairs headfirst.
0:23:19 > 0:23:22- He asked for it. - We don't get many through
0:23:22 > 0:23:25these days, but we could still kit out an army if we had to.
0:23:25 > 0:23:27All sizes and shapes.
0:23:27 > 0:23:30Mrs S says I have your old bed.
0:23:30 > 0:23:32Yeah, I think you do.
0:23:32 > 0:23:36Look, that's me, and that's Uncle Felix.
0:23:46 > 0:23:48Oh, Marjorie, that's horrible.
0:23:48 > 0:23:51But I can't. I can't today. No.
0:23:51 > 0:23:52Absolutely not.
0:23:52 > 0:23:55Now make it sound all dire, you know.
0:23:55 > 0:23:57And, oh, mention Sarah.
0:23:57 > 0:24:01- They're all obsessed with Sarah. - No, not even an emergency.
0:24:01 > 0:24:03I can't talk to Sarah. I can't.
0:24:03 > 0:24:05I... I... That's not my business.
0:24:05 > 0:24:07Now set the hook.
0:24:07 > 0:24:10I absolutely cannot do it today. No, no.
0:24:10 > 0:24:12Fine.
0:24:14 > 0:24:17Looking good, Teddy. Do you need a stretch?
0:24:17 > 0:24:19I need to go out.
0:24:19 > 0:24:21It's... It's absolutely essential.
0:24:39 > 0:24:41I followed her to the cemetery. You said to call
0:24:41 > 0:24:44if she had contact with a Sarah someone, right?
0:24:44 > 0:24:48- Manning. Sarah Manning. - I don't know who that is.
0:24:48 > 0:24:50Oh... Here comes someone.
0:24:53 > 0:24:55Yep, someone's coming. Hang on.
0:24:55 > 0:24:58- Alison. - Sarah, hi.
0:24:58 > 0:25:01Oh, honey. Look at you. You're shaking.
0:25:01 > 0:25:03Oh.
0:25:03 > 0:25:05Really nice of you to come by on such short notice.
0:25:05 > 0:25:07Of course I came.
0:25:07 > 0:25:10It's a lot, eh?
0:25:10 > 0:25:14Aynsley passing, and taking over her role.
0:25:14 > 0:25:18OK, I'm back. It's Sarah Stubbs.
0:25:18 > 0:25:21- Who is that? - She's in the play with Alison.
0:25:26 > 0:25:28Wasn't that...?
0:25:28 > 0:25:30My husband.
0:25:30 > 0:25:34Uh, I don't know her very well, but she's probably early 30s.
0:25:34 > 0:25:37I guess you'd say plus-size.
0:25:37 > 0:25:39Donald... Stop talking.
0:25:39 > 0:25:41That's not the right Sarah.
0:25:41 > 0:25:44OK, well, then what do you want me to do now?
0:25:44 > 0:25:47Hang up, Donnie.
0:25:47 > 0:25:48Hello?
0:25:50 > 0:25:52Oh!
0:25:52 > 0:25:54Alison.
0:25:54 > 0:25:55Hello, Donnie.
0:25:55 > 0:25:59Ah, I guess you're wondering, um...
0:25:59 > 0:26:00Hmm?
0:26:00 > 0:26:03Honey...
0:26:03 > 0:26:05You haven't even cried yet.
0:26:05 > 0:26:08I knew you were coming here to see Aynsley. I was worried.
0:26:08 > 0:26:13Worried? That I might... do something drastic?
0:26:13 > 0:26:15To myself?
0:26:15 > 0:26:21- To you? - I was just worried.
0:26:21 > 0:26:24Would you like to join us?
0:26:28 > 0:26:31No. Um... You be with your friend.
0:26:31 > 0:26:33I'm sorry.
0:26:33 > 0:26:35I love you.
0:26:43 > 0:26:47She's not used to being cooped up.
0:26:47 > 0:26:49Yeah? Makes two of us. So, what
0:26:49 > 0:26:52were you planning to do with her? Before I showed up?
0:26:54 > 0:26:57I've organized drivers, booked two flights on the red-eye to London
0:26:57 > 0:27:01tonight. London is where this all started.
0:27:01 > 0:27:05Will you follow? You and Fee?
0:27:05 > 0:27:08They're for me and Kira, Sarah. You and Felix can stay here with Brenda.
0:27:08 > 0:27:11When it's safe, I'll organise to bring you.
0:27:11 > 0:27:14There are people in the UK I haven't seen in a long time,
0:27:14 > 0:27:16- people with answers. - She's MY daughter.
0:27:16 > 0:27:18And your next move is WHAT exactly?
0:27:18 > 0:27:21Because so far, you have done a piss-poor job of keeping her safe.
0:27:21 > 0:27:25Yeah, it's all my fault. Yeah?
0:27:25 > 0:27:29No. No, but... It IS your reality.
0:27:29 > 0:27:34And my care of Kira has always been bulletproof, has it not?
0:27:43 > 0:27:46What is this?
0:27:46 > 0:27:49Project LEDA?
0:27:49 > 0:27:52Well, you clearly know something I don't.
0:27:52 > 0:27:56- Amelia gave that to me.- Well, what does she say it is?
0:27:56 > 0:27:58She warned me about you
0:27:58 > 0:28:01as she died of a stab wound from Helena.
0:28:04 > 0:28:09- She put you with these people. - I'm sorry, Sarah.
0:28:11 > 0:28:12I'm very sorry, but...
0:28:12 > 0:28:15I swear to you, I don't know who they are.
0:28:19 > 0:28:21Brenda, you've outdone yourself.
0:28:21 > 0:28:24It's nice to feed a proper pack again.
0:28:26 > 0:28:30- To safe travels. - Mm-hmm.
0:28:33 > 0:28:35Brenda used to run strike kitchens on nothing more
0:28:35 > 0:28:38- than scrap meat and canned veg. - I tried to keep
0:28:38 > 0:28:39Siobhan in the kitchen,
0:28:39 > 0:28:44but she preferred scrubbing Kalashnikov's to pots and pans.
0:28:44 > 0:28:46What kind of strikers need machineguns?
0:28:46 > 0:28:49SHE SIGHS I was on... Guns for Funds.
0:28:49 > 0:28:52Running weapons to finance
0:28:52 > 0:28:54freedom. It made a lot of sense at the time.
0:28:54 > 0:28:58Not particularly effective, but good times.
0:28:58 > 0:29:00Then we lost Jamie.
0:29:03 > 0:29:04Who's Jamie?
0:29:04 > 0:29:08Jamie's my dad.
0:29:08 > 0:29:11There's always a high price to pay for righting wrongs.
0:29:15 > 0:29:19Does this extractor fan even work?
0:29:19 > 0:29:23- No.- That's OK. We'll get it fixed. - Right.
0:29:23 > 0:29:26You're making, like, a shopping list for me?
0:29:26 > 0:29:28I am.
0:29:30 > 0:29:36OK. Chill zone up here, with, like, a Persian rug.
0:29:36 > 0:29:40And a really nice leather couch.
0:29:40 > 0:29:45Hang on. Does a GeneChip system make a two-channel array moot?
0:29:45 > 0:29:47Moot?
0:29:47 > 0:29:48Aw.
0:29:50 > 0:29:52You're so cute.
0:29:58 > 0:30:00DOOR LOCK BEEPS
0:30:00 > 0:30:03Well, so much for security.
0:30:07 > 0:30:09Hello.
0:30:09 > 0:30:10Rachel Duncan.
0:30:10 > 0:30:15You sure are. Um...
0:30:15 > 0:30:19I'm Cosima, the real Cosima, not the one who...
0:30:19 > 0:30:21kicked your ass or whatever.
0:30:21 > 0:30:23Got to love concealer.
0:30:23 > 0:30:27- I hear you're very clever.- Yeah, I was clever when I was like six.
0:30:27 > 0:30:29Doctor Cormier, now that we've met, you'll need to sign a new
0:30:29 > 0:30:32confidentiality agreement. Would you leave us, please?
0:30:32 > 0:30:34Yes, of course.
0:30:43 > 0:30:44So...
0:30:44 > 0:30:46You're gay.
0:30:46 > 0:30:51My sexuality is not the most interesting thing about me.
0:30:53 > 0:30:55How are you feeling?
0:30:56 > 0:30:59These are the results of your last medical tests.
0:30:59 > 0:31:01What tests?
0:31:01 > 0:31:07You visited your university GP two weeks ago. Blood tests.
0:31:07 > 0:31:12You have a high lymphocyte count along with high CRP and ESR.
0:31:12 > 0:31:15You were aware of Katja Obinger's undiagnosed condition, yes?
0:31:15 > 0:31:17Yeah.
0:31:17 > 0:31:21Here's her data, redacted to the pertinent.
0:31:21 > 0:31:23It's in our best interest to eliminate
0:31:23 > 0:31:24genetic predisposition.
0:31:24 > 0:31:28Um, then you should let me examine the original genome.
0:31:28 > 0:31:30Oh, that's not possible.
0:31:30 > 0:31:33- Why not? - I assure you,
0:31:33 > 0:31:35the original DNA was robust.
0:31:35 > 0:31:38We believe our issues stem from the cloning procedure.
0:31:38 > 0:31:43Dr Cormier will schedule you an MRI. And here's
0:31:43 > 0:31:46something else I'd like you to engage with.
0:31:46 > 0:31:49Here's what little we know of Sarah Manning's upbringing
0:31:49 > 0:31:55and environment. And here's her sequenced genome.
0:31:55 > 0:31:58I want you to tell me why she's different than we are.
0:31:58 > 0:32:03You mean, why she of all of us can have a child?
0:32:06 > 0:32:08Do make yourself at home.
0:32:16 > 0:32:19MOBILE RINGS
0:32:19 > 0:32:23- Our next driver, confirming. - Take it outside, please, Barry.
0:32:23 > 0:32:26- Hold on a minute.- Why does he need to take it outside?
0:32:26 > 0:32:30- So none of us know the details. - It's just the way it's done, love.
0:32:33 > 0:32:36Aw, monkey.
0:32:36 > 0:32:40Hey. You sleepy, monkey?
0:32:40 > 0:32:42You want to take a kip before we leave?
0:32:42 > 0:32:47That's a good idea. We've got a really big trip ahead.
0:32:52 > 0:32:55- Any goodbyes are just for now, OK? - Yeah.
0:33:13 > 0:33:16OK, come on. Come on.
0:33:16 > 0:33:22- Should I put my pyjamas on? - Depends what you have to tell me.
0:33:25 > 0:33:28What's wrong?
0:33:28 > 0:33:30What did you show Mrs S outside?
0:33:33 > 0:33:36That. Why?
0:33:36 > 0:33:38That's Amelia's.
0:33:38 > 0:33:42I saw it when she was snooping in her stuff.
0:33:46 > 0:33:48Why was Mrs S snooping in her stuff?
0:33:53 > 0:33:56I bet Mrs S has loads of secrets.
0:33:56 > 0:33:58Some of them are good, yeah?
0:33:58 > 0:34:01Maybe, but I don't think so.
0:34:03 > 0:34:06- We should go. - Yeah.
0:34:10 > 0:34:11We're on hold.
0:34:11 > 0:34:14If there's trouble, I need to know.
0:34:14 > 0:34:17Barry? Is there trouble?
0:34:17 > 0:34:21I'm to make a call in an hour.
0:34:21 > 0:34:22Usual delays.
0:34:55 > 0:34:57Barry, I'd like to talk to the driver myself.
0:34:57 > 0:35:00- You can't. I'm the contact. - If we delay,
0:35:00 > 0:35:03we'll be in daylight on the route with the most cameras.
0:35:03 > 0:35:06- Well, we'll change the route. - Barry, I'll call and
0:35:06 > 0:35:07get it sorted out.
0:35:07 > 0:35:09I think I'd like to review it personally, Brenda.
0:35:11 > 0:35:12ENGINE SPLUTTERS
0:35:17 > 0:35:19Stop! Hands!
0:35:26 > 0:35:28Sarah!
0:35:28 > 0:35:30- Mommy!- Get down!
0:35:30 > 0:35:32What the hell are you doing? For God's sake, she's
0:35:32 > 0:35:37- just a little girl. - We were all little girls once.
0:35:37 > 0:35:41- Not like this one. - Meaning what... Exactly?
0:35:41 > 0:35:43It means...
0:35:43 > 0:35:45Ah!
0:35:45 > 0:35:47Ah! Ah! Ah!
0:35:47 > 0:35:50Ah! Ah! Ah! Ah! Ah!
0:35:50 > 0:35:52Ah! Ah! Ah! Ah!
0:35:52 > 0:35:54Get out!
0:35:54 > 0:35:57Get out of the truck or Kira will get hurt!
0:35:59 > 0:36:01Open the door! Sarah!
0:36:01 > 0:36:03I can't let you go!
0:36:07 > 0:36:10Ah! You bitch!
0:36:10 > 0:36:13Ah!
0:36:17 > 0:36:20- Mommy? - Stay down! Stay down!
0:36:55 > 0:36:58SHE GRUNTS AND WINCES
0:37:03 > 0:37:07Not my boy. Not my boy.
0:37:07 > 0:37:09SHE GASPS
0:37:11 > 0:37:13Could you just tell me why?
0:37:13 > 0:37:18After all we have been through together. Why?
0:37:18 > 0:37:22A lifetime of bluster
0:37:22 > 0:37:25about change and justice
0:37:25 > 0:37:28while we starve for our troubles.
0:37:28 > 0:37:30Who got to you?
0:37:30 > 0:37:33- SHE GASPS - I found God.
0:37:33 > 0:37:35It turns out...
0:37:35 > 0:37:39The Lord has deep pockets.
0:37:39 > 0:37:43You sold us to the Proletheans.
0:37:43 > 0:37:45Now, you tell me,
0:37:45 > 0:37:49who are these cursed children you brought into our lives?
0:37:49 > 0:37:53They're Project LEDA.
0:37:53 > 0:37:57- I don't know what that is. - Good.
0:38:00 > 0:38:02GUNSHOT
0:38:13 > 0:38:15PHONE RINGS Bollocks.
0:38:15 > 0:38:17Alison?
0:38:17 > 0:38:20It's him. Donnie took the Sarah bait.
0:38:20 > 0:38:24- What? - My husband is my monitor.
0:38:24 > 0:38:25Um...
0:38:25 > 0:38:28I need you to get me out of here before I snap.
0:38:28 > 0:38:30Oh, God, Alison, I'm so sorry. I...
0:38:30 > 0:38:33I can't. I'm leaving town for a while.
0:38:33 > 0:38:35Leaving? Where?
0:38:35 > 0:38:37I'm going. I'm going with Kira and Sarah.
0:38:37 > 0:38:41We... Look, I wanted to tell you, but it's not safe to know.
0:38:41 > 0:38:43- Even my own clones think I'm useless.- Oh, no,
0:38:43 > 0:38:46darling, no! You... You have a musical
0:38:46 > 0:38:49- to focus on. - I killed Aynsley, Felix.
0:38:49 > 0:38:52Aynsley wore a scarf in the kitchen. Hang on just one second.
0:38:52 > 0:38:55- Hi, uncle Felix. - Hey, monkey!
0:38:58 > 0:39:00All right, Alison, I'm REALLY sorry,
0:39:00 > 0:39:02- but I've got to go. - No...
0:39:02 > 0:39:04- I know, I... - Felix.
0:39:04 > 0:39:06Look, call Cosima. Don't tip him. She'll help you.
0:39:06 > 0:39:09And just play possum, OK? Don't... I'm sorry, Alison.
0:39:09 > 0:39:11I've got to go. I'm sorry.
0:39:15 > 0:39:18How is auntie Alison making out?
0:39:20 > 0:39:23You have got enough to worry about right now, OK?
0:39:23 > 0:39:25Are you excited for our big adventure, monkey?
0:39:25 > 0:39:28- I don't know.- Yeah, no, it's going to be brilliant.
0:39:28 > 0:39:32Absolutely. No question. I can't wait. Are we there yet?
0:39:38 > 0:39:411,400 acres supporting 40 souls.
0:39:41 > 0:39:43God smiles on you.
0:39:43 > 0:39:45Well, farmers pray more than most, but...
0:39:45 > 0:39:47it's not worth the breath without hard work
0:39:47 > 0:39:50and basic biology, agro-sciences.
0:39:52 > 0:39:55Helena's been with you for quite some time now, hasn't she?
0:39:55 > 0:39:57Since she was 12 years old.
0:39:57 > 0:40:01I wonder, Tomas, if you've ever considered the fact that,
0:40:01 > 0:40:04seeing as she's the twin of a fertile clone,
0:40:04 > 0:40:06well, maybe, uh...
0:40:06 > 0:40:10Maybe Helena can... Conceive as well.
0:40:10 > 0:40:13Impossible. She's defective and dangerous.
0:40:13 > 0:40:15Any child of hers would be a monster.
0:40:15 > 0:40:18Well, you know her best.
0:40:18 > 0:40:20You know a wise man once said
0:40:20 > 0:40:22science without religion
0:40:22 > 0:40:23is lame.
0:40:23 > 0:40:26Religion without science is blind.
0:40:26 > 0:40:28Einstein didn't believe in God.
0:40:46 > 0:40:48It's a brand-new day.
0:40:51 > 0:40:52Why am I here?
0:40:52 > 0:40:54My father says he wants you to join our family.
0:40:54 > 0:40:57- Who is that?- They asked me to keep this video journal.
0:40:57 > 0:41:00They found polyps on my lungs.
0:41:00 > 0:41:02Looking for a little girl in a custody case.
0:41:02 > 0:41:03They were here yesterday.
0:41:03 > 0:41:07- Do you live nearby?- Yeah, Black Oak Drive.- Oh, Hilldale Crescent.
0:41:07 > 0:41:08- I'm Angie.- Alison.