0:00:02 > 0:00:03'This programme contains some scenes of a sexual nature.'
0:00:03 > 0:00:08Helena does have a soul, she does have a purpose, and she is part of our family now.
0:00:08 > 0:00:10Go back to hell, where you belong.
0:00:10 > 0:00:12Shit!
0:00:12 > 0:00:13Henrik!
0:00:13 > 0:00:15I'm sick, Delphine.
0:00:15 > 0:00:17Are you my dad?
0:00:17 > 0:00:18Where's my niece? You left her with Cal?
0:00:18 > 0:00:20Your mom has a lot going on right now.
0:00:20 > 0:00:24- "This organism is restricted intellectual property". - They patented us.
0:00:24 > 0:00:26Project LEDA. I mean, it's total military-speak.
0:00:26 > 0:00:29You know the mythology of Leda And The Swan?
0:00:29 > 0:00:31"Six scientists incinerated in lab explosion".
0:00:31 > 0:00:34- FELIX: These were Rachel's parents. COSIMA:- Susan and Ethan Duncan,
0:00:34 > 0:00:36- they were geneticists. - I love you, too.
0:00:36 > 0:00:38You're not really the smartest clone, are you?
0:00:38 > 0:00:40Smart enough to know you're shagging Rachel.
0:00:40 > 0:00:43I shot you! You were dead!
0:00:43 > 0:00:45You were dead!
0:00:45 > 0:00:46He took something from inside of me.
0:00:46 > 0:00:48And a new life begins.
0:00:58 > 0:01:00Rachel, you don't need to see this.
0:01:00 > 0:01:03I demanded to. Now, move.
0:01:19 > 0:01:21I'd like to see him, please.
0:01:38 > 0:01:40LEEKIE: I'm sorry, Rachel.
0:01:40 > 0:01:41Daniel was a very loyal man.
0:01:41 > 0:01:43To you.
0:01:43 > 0:01:45To us both.
0:01:45 > 0:01:47This wasn't Sarah.
0:01:47 > 0:01:49No.
0:01:50 > 0:01:52But I believe we all recognise the handiwork.
0:01:54 > 0:01:56Your white whale, Aldous.
0:01:56 > 0:01:58Seems we have a pair of them.
0:01:58 > 0:02:00Security footage shows her leaving with Sarah.
0:02:00 > 0:02:03The twins are back together.
0:02:03 > 0:02:06Fascinating, actually, if one can rise above it, Rachel.
0:02:06 > 0:02:08Animals.
0:02:08 > 0:02:09How was Taiwan, Paul?
0:02:09 > 0:02:10You two get along?
0:02:10 > 0:02:12He performed admirably.
0:02:12 > 0:02:13I did my job.
0:02:13 > 0:02:16- Huh. Personal security, was it? - That's right.
0:02:25 > 0:02:26She could've killed you, you know?
0:02:26 > 0:02:28Thank you for your concern.
0:02:28 > 0:02:31There is a kinder, gentler way, Rachel.
0:02:31 > 0:02:33This is all the result of your heavy handed tactics.
0:02:33 > 0:02:35Trust me, Aldous,
0:02:35 > 0:02:37I've only just begun.
0:03:19 > 0:03:22You do realise I'm going to have to paint this, to come to terms with it.
0:03:22 > 0:03:25- Please don't. - Yeah, you're right.
0:03:25 > 0:03:27I mean, you shot your evil twin sister dead,
0:03:27 > 0:03:29only to have her arise and gut Rachel's henchman.
0:03:29 > 0:03:32- How could I capture the nuance? - Yeah, believe me, you couldn't.
0:03:32 > 0:03:34You are now pitted between
0:03:34 > 0:03:37two psychopaths. Cut her loose.
0:03:37 > 0:03:39If she hadn't shown up, I'd be dead.
0:03:39 > 0:03:40She can't stay here, Sarah. She's not...
0:03:40 > 0:03:44Oi! Just... Just... Just get her something to wear. Please?
0:03:44 > 0:03:47Fine.
0:03:47 > 0:03:50I'm sure I've got a Ukrainian folk costume in here somewhere.
0:03:50 > 0:03:53- HISS Oh, God!- Hey!
0:03:53 > 0:03:56You treat him with respect. You got it?
0:03:56 > 0:03:57That's my brother.
0:03:57 > 0:04:00Which means he's one of our sisters, family.
0:04:00 > 0:04:01You get it, meat-head?
0:04:01 > 0:04:03Do not call me this.
0:04:03 > 0:04:05Do you understand, Helena?
0:04:07 > 0:04:08He is sestra?
0:04:08 > 0:04:11- Oh, God.- Exactly.
0:04:11 > 0:04:12So pick some clothes, wash up,
0:04:12 > 0:04:15and do everything he tells you to.
0:04:15 > 0:04:18SHE SNIFFS
0:04:18 > 0:04:20Thank you, Felix.
0:04:20 > 0:04:23Just don't kill my rubber ducky.
0:04:23 > 0:04:26Jesus.
0:04:26 > 0:04:28What did those fish-cult freaks do to her?
0:04:28 > 0:04:30I don't know.
0:04:30 > 0:04:32She wouldn't say.
0:04:32 > 0:04:34But I know somebody who can handle her. Maybe he can find out.
0:04:34 > 0:04:36I just need you to chaperone her.
0:04:36 > 0:04:37Oh, come on.
0:04:37 > 0:04:41If you would, while I get my shit together please.
0:04:41 > 0:04:43You are truly unbelievable.
0:04:45 > 0:04:47Take this.
0:04:47 > 0:04:50- Go talk to your daughter. - Thank you.
0:04:53 > 0:04:54These socks are wet.
0:04:54 > 0:04:56What?
0:04:56 > 0:04:57Agreed.
0:04:57 > 0:04:59Those are wet socks.
0:04:59 > 0:05:01Hey, you want to wear my socks?
0:05:01 > 0:05:02They're pretty cool, they're grey,
0:05:02 > 0:05:05and they'll be like knee-highs on you.
0:05:05 > 0:05:07No.
0:05:07 > 0:05:09You know what? Good call.
0:05:09 > 0:05:12You're going to need more than big socks this morning.
0:05:12 > 0:05:16I know this has been sort of confusing, Kira.
0:05:16 > 0:05:18I don't blame you for being put out.
0:05:18 > 0:05:21But, since we're stuck in this together,
0:05:21 > 0:05:24there's no reason why we shouldn't have a little fun.
0:05:24 > 0:05:28And there's no reason why we shouldn't have really awesome socks.
0:05:28 > 0:05:30Right?
0:05:30 > 0:05:32Sit, please, Paul.
0:05:35 > 0:05:38I'm in need of a new monitor.
0:05:38 > 0:05:40You have a monitor?
0:05:40 > 0:05:43She did. Daniel.
0:05:43 > 0:05:45I've been self-aware since I was a child.
0:05:45 > 0:05:47I'm not exempt from the programme.
0:05:47 > 0:05:50I simply enjoy a unique vantage,
0:05:50 > 0:05:52one with privilege.
0:05:52 > 0:05:53She needs full-time personal security.
0:05:53 > 0:05:55And you submit data to me
0:05:55 > 0:05:57on her health and well being,
0:05:57 > 0:05:59like any other subject.
0:05:59 > 0:06:01Are you asking me if I'm interested or reminding me I have no choice?
0:06:01 > 0:06:03It's a promotion, Paul.
0:06:03 > 0:06:05A very handsome one,
0:06:05 > 0:06:07if you have the starch for it.
0:06:09 > 0:06:13Where are you with the new stem-cell line, Aldous?
0:06:13 > 0:06:16My in vitro tests have been very promising.
0:06:16 > 0:06:19Promising enough to treat Cosima.
0:06:19 > 0:06:21Shut down the tests.
0:06:21 > 0:06:25Until Sarah comes to heel,
0:06:25 > 0:06:28Cosima will suffer.
0:06:28 > 0:06:31Back in the early '80s, genetics was like the wild west.
0:06:31 > 0:06:33No-one knew the science.
0:06:33 > 0:06:34The laws didn't exist, so they slapped
0:06:34 > 0:06:36provisional patents on everything.
0:06:36 > 0:06:37Like pissing on a fence post.
0:06:37 > 0:06:41Yeah, like leave it in legal limbo until the laws change
0:06:41 > 0:06:42or you can figure out if it's worth anything.
0:06:42 > 0:06:45They would still have to register them, though, right?
0:06:45 > 0:06:48Back then, anything as advanced as synthetic DNA would probably
0:06:48 > 0:06:49have fallen under the military, somehow.
0:06:49 > 0:06:51The DYAD was just a contractor.
0:06:51 > 0:06:53It could be a secret military patent.
0:06:53 > 0:06:55Hmm, that makes sense.
0:06:55 > 0:06:56Wait. How would I find that out?
0:06:56 > 0:07:00I guess you wait until a guy in aviators shows up and tells you
0:07:00 > 0:07:01you're in violation.
0:07:01 > 0:07:03Scott, you're supposed to be my expert
0:07:03 > 0:07:05on genetic patents here.
0:07:05 > 0:07:06I just blog about it.
0:07:06 > 0:07:09Why can't I come work for you on the super-sensitive shit?
0:07:09 > 0:07:11Delphine, why can't Scott come and work with us
0:07:11 > 0:07:12on the super-sensitive shit?
0:07:12 > 0:07:14Because we'd have to kill his family.
0:07:14 > 0:07:16You hear that?
0:07:16 > 0:07:18That's fine. I applied with a letter from the Dean.
0:07:18 > 0:07:22Hi, Scott. Bye, Scott.
0:07:22 > 0:07:23He's so cute.
0:07:23 > 0:07:26Did you get these?
0:07:26 > 0:07:27What?
0:07:27 > 0:07:29They're tissue test results from a stem-cell line,
0:07:29 > 0:07:32one that I've never seen before, and they are...
0:07:32 > 0:07:33What?
0:07:33 > 0:07:36Compatible, with you.
0:07:38 > 0:07:39Really?
0:07:39 > 0:07:41But they were sent to me by mistake.
0:07:41 > 0:07:42They were meant for Leekie.
0:07:45 > 0:07:47He's supposed to share all the science with us.
0:07:47 > 0:07:50Why don't we have these cultures?
0:07:50 > 0:07:52I don't know.
0:07:52 > 0:07:55Because they're experimental or proprietary.
0:07:55 > 0:07:56That doesn't matter. I'll try anything.
0:07:56 > 0:07:58So will I.
0:08:01 > 0:08:03Where are you?
0:08:03 > 0:08:06I'm in a place where bands play.
0:08:06 > 0:08:07What bands?
0:08:07 > 0:08:09I don't know. Bobby,
0:08:09 > 0:08:12- who's playing tonight? - The Shit Goblins.
0:08:13 > 0:08:15Sorry.
0:08:15 > 0:08:17Yeah.
0:08:17 > 0:08:20- I miss you, monkey. - I'm not a monkey any more.
0:08:20 > 0:08:23- You're not?- I'm a leopard. - Cool!
0:08:23 > 0:08:26Yeah, wow. I like the jacket, too.
0:08:26 > 0:08:28You can talk to Daddy now.
0:08:28 > 0:08:29Hey, Monkey.
0:08:29 > 0:08:32Kira.
0:08:33 > 0:08:34"Daddy".
0:08:34 > 0:08:37Sorry about that.
0:08:37 > 0:08:39I keep telling her it's Cal, but she daddy-ed me twice this morning.
0:08:39 > 0:08:42She can call you what she wants.
0:08:42 > 0:08:44- It's fine. - You sure you're OK?
0:08:44 > 0:08:46Mind if we don't get into it?
0:08:46 > 0:08:47A little.
0:08:47 > 0:08:50Right, well, this, then...
0:08:50 > 0:08:53That guy you crashed into.
0:08:53 > 0:08:55Yeah, the DYAD gentleman.
0:08:55 > 0:08:58Yeah, well, he didn't... He didn't die.
0:08:58 > 0:09:00Not by your hand.
0:09:00 > 0:09:01Ah, I'm relieved, you know.
0:09:01 > 0:09:03Ostensibly.
0:09:05 > 0:09:08- Where are you guys?- Close enough to grab you when you're ready.
0:09:08 > 0:09:11I look forward to that.
0:09:13 > 0:09:15All right, best behaviour,
0:09:15 > 0:09:17little sestra.
0:09:20 > 0:09:22Hello, again, Detective Bell.
0:09:22 > 0:09:24Inside.
0:09:30 > 0:09:31Hands on the table.
0:09:31 > 0:09:32I don't like to be touched.
0:09:32 > 0:09:35Yeah? Well, that's too bad.
0:09:35 > 0:09:37I just gave her new clothes.
0:09:37 > 0:09:40She didn't have any weapons, or anything like...
0:09:40 > 0:09:41That's my pen.
0:09:41 > 0:09:43I wanted to write letter.
0:09:43 > 0:09:46I haven't forgot that you took a shot at me.
0:09:47 > 0:09:49Give me your hands.
0:09:49 > 0:09:50Do as he says, meat-head.
0:09:50 > 0:09:53The windows are a 30-foot drop to concrete.
0:09:53 > 0:09:55All sharp objects have been locked away.
0:09:55 > 0:09:59The only way in and out of here is through me. So, in other words,
0:09:59 > 0:10:01you're safe here.
0:10:01 > 0:10:03Look, Helena,
0:10:03 > 0:10:05he wants to help you and Sarah.
0:10:05 > 0:10:08He lies down with pigs.
0:10:08 > 0:10:10SHE SNORTS
0:10:10 > 0:10:13And that's my cue to leave.
0:10:13 > 0:10:15I've got a hot date, too.
0:10:15 > 0:10:17Good luck
0:10:17 > 0:10:20with...that.
0:10:20 > 0:10:24Oh, um, try food.
0:10:26 > 0:10:29Gracie won't talk, and so she remains,
0:10:29 > 0:10:30until she admits the truth.
0:10:30 > 0:10:32- Sure she's lying? - We both know.
0:10:32 > 0:10:34If she won't open her heart to Helena,
0:10:34 > 0:10:35then she's clinging to the old ways.
0:10:35 > 0:10:37A punishment to fit the crime, Henrik.
0:10:37 > 0:10:40It's been 12 hours.
0:10:44 > 0:10:45Well...
0:10:51 > 0:10:53Gracie,
0:10:53 > 0:10:56you ready to tell us what really happened with Helena?
0:11:03 > 0:11:05She can rot.
0:11:18 > 0:11:22- ETHAN:- Well, I'm going to have to come after you and tickle you!
0:11:22 > 0:11:23Here I come, the tickle monster!
0:11:23 > 0:11:25Oh, no!
0:11:25 > 0:11:27Thanks, Mummy. I love you.
0:11:27 > 0:11:29What about poor Daddy?
0:11:29 > 0:11:30I love you, too, Daddy.
0:11:30 > 0:11:32Aw. Now, go get...
0:11:32 > 0:11:34Oh!
0:11:34 > 0:11:37Sarah's trying to learn everything about me, just as I am with her.
0:11:41 > 0:11:44I want this to be clear, Paul...
0:11:44 > 0:11:47As my monitor, you report my data to Aldous,
0:11:47 > 0:11:49but you work for me.
0:11:49 > 0:11:51Do you understand?
0:11:51 > 0:11:52Not exactly.
0:11:56 > 0:11:59I've known Leekie my entire life.
0:11:59 > 0:12:01When my adoptive parents died,
0:12:01 > 0:12:05he became something of a guardian to me.
0:12:05 > 0:12:08But, now, my position in the corporation
0:12:08 > 0:12:11essentially outranks his DYAD directorship.
0:12:11 > 0:12:16He can become too attached to his subjects, myself included.
0:12:16 > 0:12:20Sometimes he can't make the hard choices.
0:12:20 > 0:12:23Did you read the report on Cal Morrison?
0:12:23 > 0:12:26Made his money in micro optics. May have anti corporate leanings.
0:12:26 > 0:12:29- What is it you're looking for? - I want to know if he's the other side
0:12:29 > 0:12:31of Kira's biological equation.
0:12:31 > 0:12:34The timeline works. We can place him with Sarah eight years ago.
0:12:36 > 0:12:38Does that bother you?
0:12:38 > 0:12:41That Sarah's back with the father of her child.
0:12:41 > 0:12:43No.
0:12:48 > 0:12:50Up until now, your entanglements
0:12:50 > 0:12:52with Sarah have been your saving grace, Paul.
0:12:52 > 0:12:54I never asked her to cross my path.
0:12:54 > 0:12:57You didn't ask for me, either.
0:13:00 > 0:13:02Now, it's time to make a decision, Paul.
0:13:05 > 0:13:07This is Daniel...
0:13:07 > 0:13:08This was Daniel's gun.
0:13:08 > 0:13:12It can be tied to the murder of a police officer.
0:13:12 > 0:13:16There's no middle ground any more.
0:13:18 > 0:13:20What do you need me to do?
0:13:25 > 0:13:27- ART:- Hey.
0:13:27 > 0:13:30- HE SNAPS FINGERS - Hey!
0:13:30 > 0:13:33Maggie Chen.
0:13:33 > 0:13:35Also a prolethean.
0:13:35 > 0:13:36She was your spotter.
0:13:36 > 0:13:39She tracked down clones for you.
0:13:39 > 0:13:42- The two of you worked together. - SHE HUMS
0:13:42 > 0:13:44But, the thing is, last time I saw you, you were running away
0:13:44 > 0:13:47from Johanssen's followers in a wedding dress.
0:13:53 > 0:13:55You want to tell me what that was all about?
0:13:59 > 0:14:02What did they do to you?
0:14:03 > 0:14:06What did they do to you?
0:14:10 > 0:14:13How did Maggie find the clones?
0:14:13 > 0:14:15How did she communicate with you?
0:14:28 > 0:14:32I am a very patient man, Helena.
0:14:32 > 0:14:38So, I'ma just make me a grilled cheese sandwich
0:14:38 > 0:14:41while you think about it.
0:15:12 > 0:15:15Sorry I can't help you out of this.
0:15:15 > 0:15:18Your dad's sending me after Helena.
0:15:18 > 0:15:20She's got to carry the child, right?
0:15:20 > 0:15:23Gracie.
0:15:23 > 0:15:26I don't know if she's a miracle or not, but,
0:15:26 > 0:15:30if something happened, just confess. Confession heals all.
0:15:53 > 0:15:55It doesn't matter to me, what you did.
0:16:15 > 0:16:20When I was seven, the nuns said I had devils inside me.
0:16:22 > 0:16:24Sister Olga locked me in cellar.
0:16:26 > 0:16:28She gave me darkness.
0:16:28 > 0:16:30So,
0:16:30 > 0:16:34I gave her darkness.
0:16:34 > 0:16:36SHE MAKES POPPING SOUND
0:16:36 > 0:16:39Does Sarah know of Swan Man?
0:16:39 > 0:16:41I don't think so.
0:16:41 > 0:16:45Swan Man played God.
0:16:45 > 0:16:47How'd he do that?
0:16:49 > 0:16:51He's in her locker.
0:16:51 > 0:16:53Whose locker? Maggie's?
0:16:53 > 0:16:56Why does Rachel want Sarah?
0:16:56 > 0:16:58Is it for Kira, too?
0:16:58 > 0:17:01Does Maggie Chen have a locker?
0:17:01 > 0:17:04How does this help my sestra?
0:17:04 > 0:17:06Listen, Helena,
0:17:06 > 0:17:09this is really important.
0:17:09 > 0:17:11I want to tell you something.
0:17:13 > 0:17:14Yeah.
0:17:16 > 0:17:18These, I like.
0:17:32 > 0:17:37TEARS FOR FEARS: # I wanted to be with you alone
0:17:37 > 0:17:41# And talk about the weather
0:17:41 > 0:17:45# But traditions I can trace against the child in your face... #
0:17:45 > 0:17:46BANGING ON DOOR
0:17:46 > 0:17:50# Won't escape my attention
0:17:50 > 0:17:53# You keep your distance... #
0:17:53 > 0:17:56Hello, Felix.
0:17:56 > 0:17:58Colin. You're back.
0:17:58 > 0:18:00Provisionally. Is it safe to come in?
0:18:00 > 0:18:01Depends what you're scared of.
0:18:01 > 0:18:04I don't know, cops showing up at my desk, full of innuendo about you?
0:18:06 > 0:18:08All of that has blown over.
0:18:16 > 0:18:20# Something happens and I'm head over heels
0:18:20 > 0:18:26# I never find out till I'm head over heels
0:18:26 > 0:18:30# Something happens and I'm head over heels
0:18:30 > 0:18:34# Ah, don't take my heart don't break my heart, don't, don't
0:18:34 > 0:18:36# Don't throw it away. #
0:18:42 > 0:18:43BANGING ON DOOR
0:18:44 > 0:18:47Felix Dawkins?
0:18:47 > 0:18:49Search warrant.
0:18:49 > 0:18:53- Oh, shit, not again.- No, no, it's a misunderstanding, I'm sure.
0:18:53 > 0:18:58- How's it going, Morguey? Better hope we don't find anything incriminating in your friend's place.- You won't.
0:18:58 > 0:18:59Probably.
0:18:59 > 0:19:02Sorry, baby.
0:19:02 > 0:19:03Shit.
0:19:04 > 0:19:06RADIO CHATTER
0:19:14 > 0:19:18You're not going to find anything, other than a few roaches, all right?
0:19:18 > 0:19:21And aren't you supposed to show me some identification?
0:19:21 > 0:19:23Hello, Felix.
0:19:23 > 0:19:26Oh, you bloody pricks.
0:19:26 > 0:19:30Why can't you just leave my sister alone, hmm?!
0:19:32 > 0:19:34Playing with team Rachel now, yeah?
0:19:34 > 0:19:38Got the corrupt arm of the law in her clutch purse.
0:19:40 > 0:19:43WHEEZING LAUGH
0:19:43 > 0:19:47So what's this, you come to finish me off,
0:19:47 > 0:19:48big-dick Paul?
0:19:48 > 0:19:50You were at Cal Morrison's cabin.
0:19:50 > 0:19:52I don't know what you're talking about.
0:19:55 > 0:19:58What are you going to do with that?
0:19:58 > 0:20:00OK, put that down.
0:20:02 > 0:20:03Put it down.
0:20:07 > 0:20:08Paul?
0:20:10 > 0:20:13Paul! Paul, what are you doing?!
0:20:13 > 0:20:14Are you crazy?! What are you doing?!
0:20:14 > 0:20:18SOBBING I'm sorry! I'm sorry! I'm sorry!
0:20:18 > 0:20:20What are you doing?!
0:20:39 > 0:20:41PHONE RINGS
0:20:44 > 0:20:46Felix? What the hell is going on?
0:20:46 > 0:20:50- Hello, Sarah. - Where's my brother?
0:20:50 > 0:20:52Right here.
0:20:52 > 0:20:53I'm fine.
0:20:53 > 0:20:55Present company excepted.
0:20:58 > 0:21:00I have a murder weapon with Felix's prints on it.
0:21:00 > 0:21:05- What?!- And a detective waiting in the hallway to find it.
0:21:05 > 0:21:07Then, they'll find the gun was used to kill officer Tom Bowman
0:21:07 > 0:21:09at your friend Cal's place.
0:21:09 > 0:21:12You... You bloody gutless bastard!
0:21:12 > 0:21:17Felix will be charged with murder, unless Rachel gets what she wants.
0:21:17 > 0:21:20So your little trip to Taiwan really paid off.
0:21:20 > 0:21:22How many clone notches in your belt now, eh, Paul, three?
0:21:22 > 0:21:25She wants everything, Sarah...
0:21:25 > 0:21:27You, Helena, Kira.
0:21:27 > 0:21:30No more games.
0:21:30 > 0:21:32This was never a game, you stupid twat.
0:21:32 > 0:21:34The ball is in your court, Sarah.
0:21:34 > 0:21:36You have until morning.
0:21:40 > 0:21:43Whoa, whoa whoa whoa whoa, Sarah, Sarah, slow down.
0:21:43 > 0:21:46Art, you've got to help me with this. Rachel's ruthless.
0:21:46 > 0:21:49OK, I will call some people at the station and see if this is real
0:21:49 > 0:21:51or if Rachel's just bluffing.
0:21:51 > 0:21:54They've got a gun on him. Do you hear me?!
0:21:54 > 0:21:56OK, but it's not that easy to set someone up.
0:21:56 > 0:21:59- You've seen what they're capable of. - Don't do anything crazy, OK?
0:21:59 > 0:22:02Do you hear me? Just come to my place.
0:22:02 > 0:22:04Yes, well, what else am I going to do? I've got nowhere else to go.
0:22:15 > 0:22:17COCKS GUN
0:22:17 > 0:22:18Easy, easy.
0:22:18 > 0:22:20Going to hurt her.
0:22:25 > 0:22:28BONNIE: Well, Gracie?
0:22:28 > 0:22:31There you go.
0:22:31 > 0:22:34I was protecting us.
0:22:34 > 0:22:36Not taking a real life, like killing
0:22:36 > 0:22:39a coyote that wants to eat our chickens.
0:22:42 > 0:22:43I'm so sorry, Father.
0:22:43 > 0:22:48Just, uh, you help us get her back and all will be forgiven.
0:22:48 > 0:22:50And, if you don't...
0:22:53 > 0:22:55..then you will carry the child yourself.
0:23:04 > 0:23:07COSIMA: Are you sure this is a good idea?
0:23:07 > 0:23:09If he's withholding promising treatment from you, yes.
0:23:09 > 0:23:12He's going to ruin your career, destroy your reputation
0:23:12 > 0:23:14as a budding lesbian.
0:23:14 > 0:23:16No, I think he's probably culturing it himself,
0:23:16 > 0:23:18so I would check these fridges.
0:23:18 > 0:23:20For a beaker marked "culture"?
0:23:20 > 0:23:22THEY CHUCKLE
0:23:24 > 0:23:26Oh, shit. Shit!
0:23:26 > 0:23:28Oh, merde.
0:23:31 > 0:23:33Dr Cormier.
0:23:33 > 0:23:34My bad.
0:23:34 > 0:23:36I wanted to see the original genome.
0:23:36 > 0:23:38No! She didn't.
0:23:38 > 0:23:42Aldous, you held back a stem-cell line from us.
0:23:42 > 0:23:44In fact, I didn't.
0:23:44 > 0:23:46Remember I told you I was developing
0:23:46 > 0:23:50a pluripotent stem-cell line from baby teeth?
0:23:50 > 0:23:52Yeah.
0:23:52 > 0:23:54But Rachel is obstructing further testing.
0:23:54 > 0:23:56Why the hell would she do that?
0:23:56 > 0:23:58In a word? Sarah.
0:24:00 > 0:24:01You seen this before?
0:24:05 > 0:24:08- Who are they?- Two forefathers of the original experiment.
0:24:08 > 0:24:12This was in Sarah's possession.
0:24:12 > 0:24:16I'm going to tell you something that only a handful of people know.
0:24:16 > 0:24:2020 years ago, there was a fire in one of our labs.
0:24:20 > 0:24:24Several scientists died, reams of data lost,
0:24:24 > 0:24:26and the original genome was destroyed.
0:24:26 > 0:24:30So all of this secrecy around the original genome
0:24:30 > 0:24:31is because it doesn't exist?
0:24:31 > 0:24:33Yes.
0:24:33 > 0:24:37The entire project is essentially an orphan.
0:24:37 > 0:24:40We lost your prehistory, Cosima, and with it,
0:24:40 > 0:24:44all record of several synthetic sequences embedded in your DNA.
0:24:44 > 0:24:46What kind of synthetic sequences?
0:24:46 > 0:24:49The sequences that make you possible.
0:24:49 > 0:24:52That overcame the viability issues
0:24:52 > 0:24:56- that have haunted us ever since. - So you lost the map.
0:24:56 > 0:24:58So finding the sequence in the genome is like
0:24:58 > 0:25:00looking for hay in a haystack.
0:25:00 > 0:25:04So, you see, if Sarah has uncovered something,
0:25:04 > 0:25:05I need to know.
0:25:05 > 0:25:07I have no idea.
0:25:10 > 0:25:14Whether I believe that or not, as a gesture of good faith,
0:25:14 > 0:25:19I'm willing to disregard Rachel and proceed with the treatment.
0:25:26 > 0:25:28CAL: Dinner's almost ready.
0:25:28 > 0:25:30I hope you like burnt spaghetti.
0:25:30 > 0:25:32What are you drawing?
0:25:32 > 0:25:34A picture.
0:25:34 > 0:25:36I didn't think your mom had any sisters.
0:25:36 > 0:25:41They're new. They all look the same, but I can tell them apart.
0:25:41 > 0:25:43What do you mean by that?
0:25:43 > 0:25:45Someone's coming.
0:25:46 > 0:25:48You're right.
0:25:48 > 0:25:50BANGING ON DOOR
0:25:50 > 0:25:53- Who's there?! - Police officer.
0:25:53 > 0:25:55RADIO CHATTER
0:25:55 > 0:25:58- Evening.- Evening.
0:25:58 > 0:26:00Don't see many RVs this late in the year.
0:26:00 > 0:26:02Just thought I'd see how you were making out.
0:26:02 > 0:26:04Yeah, we're good. Thanks.
0:26:04 > 0:26:07I'm just camping with my daughter.
0:26:07 > 0:26:09Hmm. Mind if I see your ID and vehicle registration?
0:26:09 > 0:26:12Sure, no problem. It's here.
0:26:12 > 0:26:13Where are you from?
0:26:13 > 0:26:16Uh, Seattle.
0:26:16 > 0:26:18There you go.
0:26:18 > 0:26:19You're a long way from home.
0:26:19 > 0:26:22- Andrew Cooper.- Yep.
0:26:22 > 0:26:24You heading back out west?
0:26:24 > 0:26:26Yep, back home.
0:26:26 > 0:26:27Hmm.
0:26:27 > 0:26:31You don't mind if I take a look inside the RV?
0:26:31 > 0:26:33Trick-or-treat!
0:26:33 > 0:26:35Whoa!
0:26:35 > 0:26:36Halloween's over, kiddo.
0:26:36 > 0:26:39I know, but you're burning dinner again.
0:26:39 > 0:26:42Oh, right, but it gives the food a nice, smoky flavour.
0:26:42 > 0:26:44No, it doesn't.
0:26:44 > 0:26:46She, um,
0:26:46 > 0:26:48she went as some video game character.
0:26:50 > 0:26:53Ah, better let you guys have your supper.
0:26:53 > 0:26:56- Good night. - Good night.
0:27:00 > 0:27:02You're quick on your feet, aren't ya?
0:27:13 > 0:27:15Oh, shit! She escaped?
0:27:15 > 0:27:17Yeah. Can you pass me the goddamn keys?
0:27:17 > 0:27:19On the fish tank.
0:27:19 > 0:27:20Yeah.
0:27:20 > 0:27:22I'm sorry. I'm so sorry.
0:27:24 > 0:27:25Not this again.
0:27:25 > 0:27:27Yeah, more riddles from your sister.
0:27:27 > 0:27:30- Well, how does it work?- Last time, they were GPS coordinates.
0:27:30 > 0:27:34Three places we'd been, one we hadn't.
0:27:34 > 0:27:36Let's go.
0:27:36 > 0:27:37METAL CREAKING
0:27:52 > 0:27:54This matches the coordinates.
0:27:54 > 0:27:56What do you think?
0:27:56 > 0:27:59She said something about a locker.
0:28:09 > 0:28:11Helena!
0:28:11 > 0:28:16Don't jump out and scare us with an axe or some shit.
0:28:18 > 0:28:21- She likes bikes, right? - Yeah.
0:28:21 > 0:28:23I think she rode off on one.
0:28:23 > 0:28:25Why the hell did she send us here?
0:28:25 > 0:28:27What does she want?
0:28:27 > 0:28:30Eh.
0:28:34 > 0:28:36I think this is Maggie Chen's locker.
0:28:36 > 0:28:41She must've used it as a drop for information for Helena.
0:28:41 > 0:28:44She camped out here. What a sad life.
0:29:19 > 0:29:21- ART:- "Swan Man".
0:29:21 > 0:29:24- What?- Swan Man.
0:29:24 > 0:29:28Helena said that might mean something to you.
0:29:28 > 0:29:31Swan, Leda And The Swan.
0:29:31 > 0:29:33Project LEDA.
0:29:33 > 0:29:36She said he was playing God.
0:29:36 > 0:29:41Could that be the same man?
0:29:41 > 0:29:44- This photo's, like, 1977? - So he'd be, what,
0:29:44 > 0:29:45in his 70s now?
0:29:45 > 0:29:48Yeah. Yeah, it could be.
0:29:48 > 0:29:50Shit!
0:29:50 > 0:29:54That could mean that our creators... One of them,
0:29:54 > 0:29:57Rachel's dad, he could still be alive.
0:29:57 > 0:30:00He didn't die in the lab explosion.
0:30:00 > 0:30:01I need to call Cosima.
0:30:01 > 0:30:06This is something I can use, something I can trade for Felix.
0:30:09 > 0:30:10- Sarah.- What?
0:30:16 > 0:30:17Sniper rifle.
0:30:33 > 0:30:37She's going to kill Rachel.
0:30:37 > 0:30:39PIANO MUSIC PLAYS SOFTLY
0:30:46 > 0:30:47Paul.
0:30:52 > 0:30:57'63 Margaux, two glasses.
0:30:57 > 0:30:58SHE HUMS
0:31:04 > 0:31:08A little more off the back, Helena.
0:31:08 > 0:31:11Yes, Rachel, of course.
0:31:11 > 0:31:13So pretty, you are.
0:31:13 > 0:31:16So much money.
0:31:16 > 0:31:18So much money.
0:31:55 > 0:31:56Put it down.
0:32:10 > 0:32:11Take off your shirt.
0:32:13 > 0:32:14She's got about a 20-minute lead on us.
0:32:14 > 0:32:18- We're close to Rachel's. - I tell you, she's fast.
0:32:19 > 0:32:22SMOOCHING
0:32:25 > 0:32:26Don't move.
0:32:29 > 0:32:31Take off your pants.
0:33:19 > 0:33:22Daniel like that?
0:33:22 > 0:33:24Did Sarah?
0:33:24 > 0:33:26Hey, what's that?
0:33:26 > 0:33:28- What?- Hey, stop, stop.
0:33:28 > 0:33:31- TYRES SCREECH - Hey, hold up.
0:33:31 > 0:33:32That's her bike.
0:33:32 > 0:33:34And that's Rachel's building there.
0:33:34 > 0:33:37Wait, what side is Rachel's suite on?
0:33:37 > 0:33:38It faces this way.
0:33:38 > 0:33:42That's a clear line of sight for a sniper.
0:33:42 > 0:33:44Come on.
0:33:46 > 0:33:48Get that chair.
0:34:06 > 0:34:07Take those off.
0:34:18 > 0:34:20Sit down.
0:34:28 > 0:34:30Do you like my hair, Paul?
0:34:30 > 0:34:32Yeah, very pretty,
0:34:32 > 0:34:34dirty, sexy Rachel.
0:34:34 > 0:34:36Like my mother.
0:34:47 > 0:34:50- Hello, sestra. - Helena, stop!
0:34:50 > 0:34:52Helena! Put the gun down.
0:34:52 > 0:34:55Mind your weapon, Art, or I pull trigger.
0:34:55 > 0:34:57SHE EXHALES FORCEFULLY
0:34:58 > 0:35:01Come see, Sarah.
0:35:01 > 0:35:03OK.
0:35:09 > 0:35:11You can't do this.
0:35:11 > 0:35:12You can't.
0:35:12 > 0:35:15Rachel is problem. I fix problem.
0:35:15 > 0:35:16I wish you could.
0:35:16 > 0:35:18They've got Felix.
0:35:18 > 0:35:21Brother sestra.
0:35:21 > 0:35:26He's in jail. If you kill Rachel, they're going to keep him there.
0:35:26 > 0:35:28Look.
0:35:30 > 0:35:31Look, Sarah.
0:35:35 > 0:35:38PANTING
0:35:38 > 0:35:41Paul is unfaithful.
0:35:41 > 0:35:44I don't care about Paul.
0:35:44 > 0:35:47He doesn't matter any more.
0:35:47 > 0:35:49Then I kill him for you.
0:35:49 > 0:35:52- No! Helena! Stop!- Take your finger off the trigger, put down the gun.
0:35:52 > 0:35:54- No, just... - Pull, Art, see who's faster.
0:35:54 > 0:35:56- Please.- I can't let her shoot.
0:35:58 > 0:35:59Helena.
0:35:59 > 0:36:00Listen to me.
0:36:00 > 0:36:01There's another way.
0:36:01 > 0:36:04We can make a deal for Felix,
0:36:04 > 0:36:06but I need your help.
0:36:06 > 0:36:09Only you can help me find Swan Man.
0:36:09 > 0:36:12You only want to use me.
0:36:17 > 0:36:20No, that's not true.
0:36:20 > 0:36:23You saved my life.
0:36:23 > 0:36:25You're my sister.
0:36:25 > 0:36:29Helena, I thought... I thought I killed you.
0:36:31 > 0:36:34I couldn't tell anybody what I lost.
0:36:36 > 0:36:38You came back.
0:36:41 > 0:36:45Please, put down the gun.
0:36:45 > 0:36:47Please.
0:36:59 > 0:37:00That's good.
0:37:04 > 0:37:05Come down.
0:37:15 > 0:37:17Thank you.
0:37:17 > 0:37:19You make me cry, sestra.
0:37:19 > 0:37:21SHE CHUCKLES
0:37:21 > 0:37:23Come on, meat-head.
0:37:23 > 0:37:26Don't call me this.
0:37:26 > 0:37:28SHE CHUCKLES
0:38:09 > 0:38:10Here we go.
0:38:11 > 0:38:16Just an intradermal test to see how your body responds.
0:38:16 > 0:38:18Yes, if my arm falls off, then we know.
0:38:18 > 0:38:19LAUGHTER
0:38:19 > 0:38:23- Or if you grow another limb. - Yeah. Ew.
0:38:23 > 0:38:29Um... Oh, Dr Leekie, in light of what you shared with us earlier,
0:38:29 > 0:38:32- we have a proposition for you. - We do?
0:38:32 > 0:38:36No. No, not us.
0:38:36 > 0:38:38Us.
0:38:38 > 0:38:40I'm all ears.
0:38:40 > 0:38:43We want to know...
0:38:43 > 0:38:45You like to drink beer?
0:38:45 > 0:38:47Hmm?
0:38:47 > 0:38:49ROCK MUSIC PLAYS
0:38:52 > 0:38:53Dr Leekie.
0:38:57 > 0:39:00- Sarah.- So I hear I'm not the only data you lost.
0:39:00 > 0:39:01You have something for me?
0:39:05 > 0:39:09Professor Ethan Duncan,
0:39:09 > 0:39:10alive.
0:39:10 > 0:39:13Where?
0:39:13 > 0:39:15It's vital my brother goes free.
0:39:15 > 0:39:16All charges dropped.
0:39:19 > 0:39:23Find him, I can pull the levers to countermand Rachel and guarantee
0:39:23 > 0:39:26- Cosima will be able to continue the treatment.- What treatment?
0:39:26 > 0:39:30Ah, so you don't share everything.
0:39:30 > 0:39:32What?
0:39:32 > 0:39:34What, is she sick?
0:39:35 > 0:39:37Unfortunately, yes.
0:39:40 > 0:39:42With what? With what Katja had?
0:39:42 > 0:39:44I'll let her explain.
0:39:44 > 0:39:46But all the more reason to find Duncan.
0:39:48 > 0:39:49I can buy you three days.
0:39:49 > 0:39:53If anybody follows us, I'm going to sic Helena on all of you.
0:39:53 > 0:39:55Not an idle threat.
0:39:55 > 0:39:57No, it's not.
0:40:00 > 0:40:02Well, that looked interesting.
0:40:07 > 0:40:09Rachel had you follow me.
0:40:09 > 0:40:12She thought you might make a deal with Sarah behind her back.
0:40:12 > 0:40:14Well, Sarah's off on a trip down memory lane.
0:40:14 > 0:40:15Then so am I.
0:40:15 > 0:40:19What she finds there may be dangerous to us all, Paul.
0:40:19 > 0:40:20So I need you to come to me, first,
0:40:20 > 0:40:22before Rachel.
0:40:22 > 0:40:24I'll be in touch.
0:40:30 > 0:40:34Right, so how do we find Swan Man?
0:40:34 > 0:40:37This is nice truck.
0:40:37 > 0:40:39Much leg rooms.
0:40:39 > 0:40:40Helena, where are we going?
0:40:40 > 0:40:42Cold River.
0:40:42 > 0:40:44What's that, a town?
0:40:44 > 0:40:48The place of screams.
0:40:50 > 0:40:52You act like you've never been in a car before.
0:40:52 > 0:40:54I've never been on road trip.
0:40:54 > 0:40:56- We're clones.- I can't help but think that the godhead
0:40:56 > 0:40:58has put you here to test me.
0:40:58 > 0:41:04I'm wondering how a simple guy like me keeps a girl like you in a place like this.
0:41:04 > 0:41:07You knew all along. You're just one of them, aren't ya?
0:41:07 > 0:41:08Hello, Paul.