0:00:02 > 0:00:03Alison, help!
0:00:03 > 0:00:05I killed Aynsley, Felix.
0:00:05 > 0:00:08I thought it was her. My husband is my monitor.
0:00:08 > 0:00:10COUGHING I'm sick, Delphine.
0:00:10 > 0:00:13I'm willing to disregard Rachel and proceed
0:00:13 > 0:00:15- with the treatment. - They're not clone cells.
0:00:15 > 0:00:17They're from a totally different person. Whoever you cloned,
0:00:17 > 0:00:20do they have a niece or even a daughter?
0:00:20 > 0:00:22I didn't think your mom had any sisters.
0:00:22 > 0:00:24They all look the same,
0:00:24 > 0:00:26but I can tell them apart.
0:00:26 > 0:00:29- MOANING IN PAIN - He took my finger.
0:00:29 > 0:00:31This is piss-off money, OK? You don't get to know anything.
0:00:31 > 0:00:34- SCREAMING - You're the one that meets me the parking lot.
0:00:34 > 0:00:38I have to make these, uh, place settings for Family Day.
0:00:38 > 0:00:41- I could use some help.- I'll get you your dirt on Alison Hendrix.
0:00:41 > 0:00:43But my charges go when I'm done.
0:00:43 > 0:00:46Six scientists incinerated in a lab explosion.
0:00:46 > 0:00:49- Susan and Ethan Duncan... - They were Rachel's parents.
0:00:49 > 0:00:51If you think you're going to take Duncan back,
0:00:51 > 0:00:53then you'll have to kill us both.
0:00:53 > 0:00:57Leekie wouldn't let us raise her. He killed Rachel's mother.
0:01:01 > 0:01:04My neighbour Aynsley always thought she was better than me.
0:01:04 > 0:01:06Yeah, it's tough, the judgment.
0:01:06 > 0:01:09Yes! And it wasn't, you know, outright.
0:01:09 > 0:01:11It was just these little jabs and looks.
0:01:11 > 0:01:14- I hate people like that. - Mm-hmm. Yeah.
0:01:14 > 0:01:16I guess, you know, in that sense, she had it coming.
0:01:16 > 0:01:18Had what coming?
0:01:18 > 0:01:21TV PLAYING IN THE BACKGROUND
0:01:21 > 0:01:23Oh, just an incident.
0:01:23 > 0:01:25Come on, Ali. Unburden yourself.
0:01:25 > 0:01:28- That's why we're here. - No, I can't.
0:01:28 > 0:01:32Hey. Look at me.
0:01:33 > 0:01:37You can trust me. The stuff that I've done...
0:01:37 > 0:01:39No judgment.
0:01:39 > 0:01:42TV IN THE BACKGROUND
0:01:42 > 0:01:44I slept with her husband.
0:01:44 > 0:01:46In a parking lot.
0:01:46 > 0:01:48Do you think I'm awful?
0:01:48 > 0:01:50No, I think you're brave.
0:01:50 > 0:01:53Alison, you're brave for sharing.
0:01:54 > 0:01:58- Feels nice, feels good, no? - Yeah.
0:01:58 > 0:02:00You know, the next step is,
0:02:00 > 0:02:02- you have to learn to forgive... - Then I killed her.
0:02:04 > 0:02:07Well, she was choking and I didn't stop it.
0:02:07 > 0:02:09What, like on a piece of chicken?
0:02:09 > 0:02:13No. Not like on a piece of chicken.
0:02:13 > 0:02:16I could have saved her, and I didn't.
0:02:16 > 0:02:19WHISPERING She clawed at the countertop...
0:02:20 > 0:02:22..begging for her life.
0:02:23 > 0:02:25I stood there...
0:02:25 > 0:02:27until it was over.
0:02:29 > 0:02:31SIGHING
0:02:34 > 0:02:37It feels so good to say it out loud.
0:02:37 > 0:02:40- Yeah, I bet. - You have been so supportive.
0:02:40 > 0:02:42I made something.
0:02:46 > 0:02:48Oh, it's for me?
0:02:49 > 0:02:51Yeah. Who else?
0:02:54 > 0:02:55GASPING IN DISGUST
0:02:55 > 0:02:57BIRDSONG
0:03:00 > 0:03:03Oi! Mr Duncan.
0:03:03 > 0:03:05Is this it?
0:03:06 > 0:03:09No. No, I told you. Red box, no label.
0:03:09 > 0:03:12We simply cannot leave without it.
0:03:12 > 0:03:14- SIGHING - He's mad, Siobhan.
0:03:14 > 0:03:17He's afraid we'll side with Leekie.
0:03:17 > 0:03:19SIGHING
0:03:19 > 0:03:21Maybe we'll side with Rachel.
0:03:21 > 0:03:24After what she's done? Rachel is a creature of DYAD.
0:03:24 > 0:03:27She may know full well that Leekie killed her mother. She might even approve.
0:03:27 > 0:03:30- No, she had those videos of them. - That doesn't mean anything.
0:03:30 > 0:03:33I don't know how we use him yet, but...I say
0:03:33 > 0:03:36we divide and conquer.
0:03:36 > 0:03:38That's a good enough strategy, isn't it?
0:03:38 > 0:03:41- Might be. With more facts. - Aha!
0:03:41 > 0:03:44- Did you find it?- No. This.
0:03:44 > 0:03:46SIGHING IN RELIEF
0:03:52 > 0:03:54MOANING IN DISGUST
0:03:55 > 0:03:58MUMBLING TO HERSELF
0:04:01 > 0:04:03Oh.
0:04:03 > 0:04:05BACKGROUND CHATTER
0:04:08 > 0:04:10Yeah, Detective, it's me.
0:04:10 > 0:04:13I got, uh, I got something big for you.
0:04:13 > 0:04:15No, I'll tell you in person.
0:04:15 > 0:04:17Listen, DeAngelis, this is not a negotiation.
0:04:17 > 0:04:20You want Alison Hendrix, you show up tomorrow with my paperwork.
0:04:20 > 0:04:23After I see my charges have been dropped, then I'll talk.
0:04:23 > 0:04:26I don't give a shit what you think.
0:05:14 > 0:05:15SHE MOANS
0:05:23 > 0:05:25- Mommy...- Shh. Shh.
0:05:25 > 0:05:28It's OK, Kira.
0:05:31 > 0:05:33HE SIGHS
0:05:47 > 0:05:49Shit.
0:05:53 > 0:05:55BIRDSONG
0:05:58 > 0:06:00SHE SCREAMS IN DISGUST
0:06:00 > 0:06:03- You OK?- Yeah.
0:06:03 > 0:06:04Oh, bloody hell!
0:06:04 > 0:06:06Aha!
0:06:06 > 0:06:09- There it is.- What?
0:06:12 > 0:06:15That's just junk!
0:06:15 > 0:06:18What, is that it? That's what we've been looking for?
0:06:18 > 0:06:20Thank you!
0:06:21 > 0:06:24PHONE RINGING
0:06:24 > 0:06:28- Hey, is Kira all right? - Yeah, she's fine.
0:06:28 > 0:06:30- But they're on to me.- What?
0:06:30 > 0:06:32- 'How?'- Computer's been hacked.
0:06:32 > 0:06:35Which means they could have my location.
0:06:35 > 0:06:37But I'll throw 'em off the trail.
0:06:37 > 0:06:40Shit! I'm... I'm coming for her.
0:06:40 > 0:06:42No, no, I'm on the move.
0:06:42 > 0:06:45I'll call you at the meet-up spot.
0:06:50 > 0:06:54Are you going to tell me who your mystery sitter is?
0:06:54 > 0:06:56No.
0:06:56 > 0:06:58I'm not.
0:06:58 > 0:07:00I'll trust you know what's best for Kira,
0:07:00 > 0:07:02if you will trust me with him.
0:07:02 > 0:07:04I don't.
0:07:04 > 0:07:07- Not by a long shot. - He's still my responsibility.
0:07:07 > 0:07:10Just, let me get him to town, we'll take it from there.
0:07:12 > 0:07:13Hey.
0:07:13 > 0:07:16Watch your back with this one.
0:07:19 > 0:07:21Come on.
0:07:21 > 0:07:23We have to go.
0:07:36 > 0:07:38Can you feel that?
0:07:41 > 0:07:42Mm-hmm.
0:07:50 > 0:07:53- Feel that?- Kinda.
0:07:53 > 0:07:55Yeah?
0:07:59 > 0:08:02And that? MONITOR BEEPING
0:08:05 > 0:08:07The spinal's working.
0:08:07 > 0:08:09- We're going to begin.- OK.
0:08:09 > 0:08:11- Yeah?- Yeah.
0:08:13 > 0:08:17She's inserting into the uterus
0:08:17 > 0:08:20and she's going to inject directly into the muscles.
0:08:32 > 0:08:35This is the beginning of getting you well, Cosima.
0:08:37 > 0:08:39- OK?- Mm-hmm.
0:08:47 > 0:08:49PHONE RINGING Huh?
0:08:49 > 0:08:52God. Jesus Christ.
0:08:52 > 0:08:54What the f...
0:08:57 > 0:08:59Oh, wait.
0:09:01 > 0:09:03- What? - '(Felix, we have a problem.)'
0:09:03 > 0:09:05What? Why are you whispering?
0:09:05 > 0:09:10(Because I'm not supposed to be using the telephone. Vic is here.)
0:09:10 > 0:09:12- Vic is in rehab?- 'Yes.'
0:09:12 > 0:09:15And he's snitching to a cop called DeAngelis.
0:09:15 > 0:09:15'Wait, wait, wait, wait.'
0:09:15 > 0:09:18- Angela DeAngelis? - (I can't go to jail, Felix.
0:09:18 > 0:09:21(I don't have the temperament. In the shower if they touch me, I will cut them!)
0:09:21 > 0:09:23Alison. Alison!
0:09:24 > 0:09:27Look, I will be there first thing.
0:09:27 > 0:09:30- 'All right?'- OK.
0:09:40 > 0:09:42Hey, where's Kira?
0:09:42 > 0:09:44Uh, she's sleeping.
0:09:44 > 0:09:46Did anyone follow ya?
0:09:46 > 0:09:50No, I took the side streets and doubled back.
0:09:50 > 0:09:54All right, I'm so sorry about this. I don't know how they found me in the first place.
0:09:54 > 0:09:57I encrypted everything. I routed all my traffic through anonymous proxies.
0:09:57 > 0:09:59I mean, I'm untraceable.
0:09:59 > 0:10:01- It wasn't your fault. - They're trying hard.
0:10:01 > 0:10:04That tells me Kira's quite the prize for 'em.
0:10:04 > 0:10:06Listen, I have no idea
0:10:06 > 0:10:08who these "aunties" are,
0:10:08 > 0:10:11but they came with a weird story.
0:10:12 > 0:10:15She's just got an overactive imagination, Cal.
0:10:15 > 0:10:17- You sure?- Yes.
0:10:21 > 0:10:25- Well, hi.- Hi.
0:10:25 > 0:10:26- I'm Cal.- Sarah.
0:10:26 > 0:10:28Want to come in?
0:10:28 > 0:10:31- I'm not that kinda girl. - CAL LAUGHS
0:10:31 > 0:10:32Yes, you are.
0:10:41 > 0:10:43Sarah and Helena were separated.
0:10:43 > 0:10:45- How?- By a Prolethean.
0:10:45 > 0:10:47- Mark Rollins. Known to us. - And then?
0:10:47 > 0:10:50I followed Sarah, as instructed, and she came up empty.
0:10:50 > 0:10:53- No sign of the scientist?- None.
0:10:56 > 0:10:57You know what this is?
0:10:59 > 0:11:01Synthetic amniotic fluid.
0:11:01 > 0:11:03We're developing an artificial womb.
0:11:03 > 0:11:05A bit of a hobby of mine.
0:11:05 > 0:11:07I like pottery.
0:11:07 > 0:11:10What have you told Rachel?
0:11:10 > 0:11:12I came to you first. What should I tell her?
0:11:12 > 0:11:15- CHUCKLING - What you told me, Paul.
0:11:15 > 0:11:17The truth.
0:11:21 > 0:11:22Thank you.
0:11:29 > 0:11:31- BEEP - 'Yes, Dr Leekie?'
0:11:31 > 0:11:33I need to meet with Marian Bowles.
0:11:33 > 0:11:36It's an emergency.
0:11:36 > 0:11:38BIRDSONG
0:11:45 > 0:11:47We really must go now.
0:11:49 > 0:11:52- It's time.- Right, then.
0:11:55 > 0:11:58Y... your box.
0:11:58 > 0:12:00- Hmm?- Your mementos.
0:12:00 > 0:12:01Ah, yes.
0:12:04 > 0:12:06We really do have to go.
0:12:06 > 0:12:08Wh... what?
0:12:13 > 0:12:16What have we there?
0:12:16 > 0:12:19Everything, Ms Sadler.
0:12:19 > 0:12:20Absolutely everything.
0:12:26 > 0:12:28GULLS CRYING
0:12:46 > 0:12:48- Mommy.- Morning, monkey.
0:12:48 > 0:12:50Mommy.
0:12:54 > 0:12:56'We share a lab.'
0:12:56 > 0:12:58Why do we have to keep the source from her?
0:12:58 > 0:13:01Because you signed a confidentiality agreement.
0:13:01 > 0:13:04And I'm your boss. Is that clear?
0:13:08 > 0:13:10SCOTT SIGHING
0:13:10 > 0:13:13- Cosima... - What's going on, Scott?
0:13:13 > 0:13:15Um...
0:13:17 > 0:13:19You gave me Kira's stem cells?
0:13:19 > 0:13:22- Please, listen to me. Leekie set us up.- Us?
0:13:22 > 0:13:23- What? - Yes, remember the culture
0:13:23 > 0:13:25we stumbled upon? The match?
0:13:25 > 0:13:29- He planted it for us to find. - You knew it was Kira's!
0:13:29 > 0:13:31But only after I realised that it was working!
0:13:31 > 0:13:34The tests were positive and I had to keep going.
0:13:34 > 0:13:37Did you ever stop to think once that this is my decision and not yours?
0:13:37 > 0:13:40There is no decision, Cosima. You have one way forward and this is it.
0:13:42 > 0:13:43How did you harvest her?
0:13:43 > 0:13:48Kira lost a tooth in her accident
0:13:48 > 0:13:51and Leekie procured it from the hospital.
0:13:51 > 0:13:53It is a finite source.
0:13:53 > 0:13:56Unless you bring her in for more.
0:13:56 > 0:13:58Yeah.
0:13:59 > 0:14:01- Out.- You don't understand.
0:14:01 > 0:14:03This is my lab.
0:14:03 > 0:14:06My body! I'm the science. Get out!
0:14:09 > 0:14:13DOOR OPENS AND CLOSES
0:14:19 > 0:14:21HE EXHALES
0:14:26 > 0:14:28- Whoa. Hi.- Hi.
0:14:28 > 0:14:31- Could I talk to you for a second? - HE EXHALES
0:14:31 > 0:14:34- Yeah, sure. What's up? - Privately.
0:14:34 > 0:14:36Hey, Ali.
0:14:36 > 0:14:38- You ready for Family Day? - Absolutely.
0:14:38 > 0:14:39Mm-hmm.
0:14:42 > 0:14:44So, what's on your mind?
0:14:44 > 0:14:47You selfish, manure bag of a man!
0:14:47 > 0:14:50What's this?
0:14:50 > 0:14:52You were supposed to come to rehab to heal and to grow.
0:14:52 > 0:14:56- You're not supposed to come to get even sleazier.- I opened up to you,
0:14:56 > 0:14:58- Vic. I trusted you.- Alison.
0:14:58 > 0:15:01I'm honestly sorry. I got a past I'm trying to get out from under.
0:15:01 > 0:15:04I have to meet DeAngelis this afternoon.
0:15:04 > 0:15:07And what would your dealer friends say about Squeally Vic?
0:15:07 > 0:15:10I'm moving forward, and if you knew what was good for you, you'd do the same.
0:15:10 > 0:15:13Starting by removing the, uh, unsavoury elements from your life.
0:15:13 > 0:15:17- Sarah's not pleased. - DOOR SQUEAKS
0:15:19 > 0:15:22- Sarah?- Mm-hmm.
0:15:22 > 0:15:25- She here?- She's nearby.
0:15:36 > 0:15:39- Aldous.- Marian.
0:15:39 > 0:15:40MARIAN CHUCKLES
0:15:40 > 0:15:44Oh, please tell me your hands have not been soaking in
0:15:44 > 0:15:47some gruesomely fecund jelly. BOTH LAUGHING
0:15:47 > 0:15:51What I do with my free time is my business, Marian. Please.
0:16:00 > 0:16:01Ethan Duncan is alive.
0:16:03 > 0:16:05- How? - I don't know. But Sarah Manning
0:16:05 > 0:16:07tracked him down.
0:16:09 > 0:16:11Well...
0:16:11 > 0:16:15This is a thing.
0:16:15 > 0:16:18- It's a thing.- Well, you know Rachel better than anyone.
0:16:18 > 0:16:21How do you think she's react when she learns the truth?
0:16:21 > 0:16:23At one time, I'd have counted on her
0:16:23 > 0:16:25- to see the big picture. - And now?
0:16:26 > 0:16:28She's taking things personally.
0:16:29 > 0:16:32If Rachel has become too entangled...
0:16:33 > 0:16:35..we have to step in.
0:16:35 > 0:16:39- She will fight. - Then she will lose.
0:16:45 > 0:16:47You know, I was just thinking.
0:16:47 > 0:16:50Our paths rarely cross anymore.
0:16:50 > 0:16:53- My misfortune. - But when they do,
0:16:53 > 0:16:56it's almost always because of Sarah Manning.
0:16:57 > 0:17:01- We need to look at that. Done? - Mm-hmm.
0:17:12 > 0:17:14So, look, I've been...
0:17:14 > 0:17:17I've been working on something for the past few days.
0:17:17 > 0:17:19I think I might have the answer for us.
0:17:19 > 0:17:21- OK.- Reykjavik.
0:17:21 > 0:17:24- What was the question? - I'm serious.
0:17:24 > 0:17:26- I have people there.- Ay.
0:17:26 > 0:17:28Who's got people in Iceland?
0:17:28 > 0:17:30I can get the paperwork.
0:17:30 > 0:17:33I got money. Just say yes.
0:17:34 > 0:17:38- Cal, it's not that easy. - All right, right on cue!
0:17:38 > 0:17:40The vague warnings.
0:17:40 > 0:17:43Look, there are other people involved.
0:17:43 > 0:17:45You know I've tangled with corporate heavies before.
0:17:45 > 0:17:46Yeah, not like these.
0:17:46 > 0:17:49I know. Point is, I made some friends along the way.
0:17:49 > 0:17:52I got contacts, sources.
0:17:52 > 0:17:54Some of them are tinfoil-hat guys.
0:17:54 > 0:17:57But the chatter about the DYAD Group, it's...
0:17:58 > 0:18:00What? Hey.
0:18:00 > 0:18:03Listen. We're just going to do it.
0:18:03 > 0:18:06We're just going to say it out loud, OK? Your big secret.
0:18:06 > 0:18:10Sarah Manning, I know this may sound crazy, but I think you're a...
0:18:12 > 0:18:14..a Pisces.
0:18:14 > 0:18:16- Am I right?- You twat.
0:18:16 > 0:18:19- It makes so much sense to me. - Yeah, yeah.
0:18:19 > 0:18:21Whatever it is, I don't care.
0:18:22 > 0:18:25Let's just get outta here.
0:18:25 > 0:18:27PHONE RINGING
0:18:31 > 0:18:33- Yeah?- 'Hey, Sarah. Look.'
0:18:33 > 0:18:36We need your help with a little something at rehab.
0:18:36 > 0:18:37'What's Alison done?'
0:18:37 > 0:18:40- She hurled herself off the wagon? - No, she...
0:18:40 > 0:18:43I... I am sober as a judge, Sarah.
0:18:43 > 0:18:45It's you. Your people.
0:18:45 > 0:18:47Your finks and rats and snitches and fuzz.
0:18:47 > 0:18:51'Vic's here and he's going to give me up to the police unless you meet with him.'
0:18:51 > 0:18:54I need you to come here right now and clean up your doo-doo.
0:18:54 > 0:18:55SHE SIGHS
0:19:02 > 0:19:05# I feel it in my fingers
0:19:05 > 0:19:09# I feel it in my toes
0:19:11 > 0:19:14# Well, love is all around me
0:19:14 > 0:19:18# And so the feeling grows... #
0:19:18 > 0:19:20(Come on, come on!)
0:19:20 > 0:19:22- Oi.- Oi.
0:19:22 > 0:19:25Where is Alison?
0:19:25 > 0:19:26Welcoming her family.
0:19:26 > 0:19:30It's some kind of public flagellation day. Follow me.
0:19:30 > 0:19:34# So if you really love me
0:19:34 > 0:19:36# Come on and let it show... #
0:19:40 > 0:19:43- Hi.- Hi. I'm here. What?
0:19:43 > 0:19:45What do you want?
0:19:45 > 0:19:48Victor. You have the floor.
0:19:51 > 0:19:54VICTOR SIGHS
0:19:59 > 0:20:01I have to atone.
0:20:07 > 0:20:08"Dear Sarah...
0:20:10 > 0:20:14"You are a rock in my stream.
0:20:16 > 0:20:17"Blocking the flow."
0:20:19 > 0:20:21I'm not getting it, Vic.
0:20:24 > 0:20:25I have to apologise.
0:20:25 > 0:20:28- OK?- OK.
0:20:28 > 0:20:30Good! Yeah. Fine.
0:20:30 > 0:20:32- Accepted. - Wait, I haven't done it yet.
0:20:32 > 0:20:34Uh, I atone you, Vic.
0:20:34 > 0:20:36- You're atoned.- OK?
0:20:36 > 0:20:39- OK? We're done?- Cool. Thank you. - Wait a minute.
0:20:39 > 0:20:41Sarah, you don't have anything you want to say to me?
0:20:41 > 0:20:43After everything? Come on, the heartbreak,
0:20:43 > 0:20:46- the finger loss.- Pff!
0:20:46 > 0:20:49- Oh, you want me to apologise to you?- Which of the 12 Steps is that?
0:20:49 > 0:20:52Sarah, I want a conversation with you, back and forth.
0:20:52 > 0:20:54No. No, Vic. We had a deal.
0:20:54 > 0:20:56You get to say your bit to Sarah and then you stay
0:20:56 > 0:20:59buttoned up re Alison's little bouts of criminal negligence.
0:20:59 > 0:21:00That was not the deal.
0:21:01 > 0:21:04New deal.
0:21:04 > 0:21:06- Mom!- Babies!
0:21:06 > 0:21:08Hello! Hello!
0:21:10 > 0:21:13I missed you so much, my little babies!
0:21:13 > 0:21:17- Daddy says you're coming home soon. - Yes, I am.
0:21:18 > 0:21:20- Soon as Daddy deems me fit. - Hey, hey.
0:21:20 > 0:21:23Come on. Today's going to be good. All right?
0:21:23 > 0:21:25- Nothing to worry about. - Hey, let's go.
0:21:25 > 0:21:26Can you find your nametag on the table?
0:21:26 > 0:21:30- Oh!- Oh, look at that! - Where's my nametag?
0:21:30 > 0:21:32Look at that! That is exciting!
0:21:32 > 0:21:34- They did that for you. - Honey, can you pass my nametag?
0:21:34 > 0:21:36- You know who made them?- Honey, can you pass my nametag?- You.
0:21:36 > 0:21:39- Relax! - Sarah, you always do this!
0:21:39 > 0:21:41You always keep yourself at a distance. You never let me in.
0:21:41 > 0:21:43No wonder, with those giant banana hands of yours.
0:21:43 > 0:21:45For the love of Buddha, can you please stay
0:21:45 > 0:21:47- out of this? - Listen, listen. Hey, Vic!
0:21:47 > 0:21:50- Look, I apologise.- 'Kay.
0:21:50 > 0:21:52Really, truly. We were two colliding
0:21:52 > 0:21:53- train wrecks.- Yeah.
0:21:53 > 0:21:55- OK?- Sarah, I've been doing a lot of the work.
0:21:55 > 0:21:56Great. Yeah, that's good.
0:21:56 > 0:21:59- I'm getting a lot better. - Good for you.
0:21:59 > 0:22:01- Thank you. - Good luck.
0:22:01 > 0:22:03(I want you back.)
0:22:03 > 0:22:04- Oh, dear God.- Sarah. - This is all fake.
0:22:04 > 0:22:07Listen, I've changed. All right? Let me prove it to you.
0:22:07 > 0:22:09- Not happening, it's not happening. - What?
0:22:09 > 0:22:12Don't tell me that Nail Gun Ken is still in the picture.
0:22:12 > 0:22:14- No, but you should see the new one. - There's a new one?
0:22:14 > 0:22:16- Felix.- What?
0:22:16 > 0:22:20Those guys are not you. I am you.
0:22:20 > 0:22:21I stand for...
0:22:23 > 0:22:25Jesus Christ.
0:22:25 > 0:22:27OK. Look.
0:22:27 > 0:22:30What I'm trying to say is this.
0:22:32 > 0:22:34HE SIGHS
0:22:34 > 0:22:36Do you smell salt?
0:22:37 > 0:22:38Whoa!
0:22:42 > 0:22:44What the hell just happened?
0:22:44 > 0:22:47I may have spiked his tea.
0:22:59 > 0:23:02If you've done your homework, I shouldn't
0:23:02 > 0:23:04have to introduce myself.
0:23:04 > 0:23:05Siobhan Sadler.
0:23:05 > 0:23:07I have to say,
0:23:07 > 0:23:10- I'm pretty impressed you'd come here.- I have something you want.
0:23:10 > 0:23:13My favourite kind of visitor.
0:23:13 > 0:23:14Please.
0:23:19 > 0:23:20Have a seat.
0:23:22 > 0:23:25I have the early research of Professors Susan and Ethan Duncan.
0:23:25 > 0:23:29Key formulas. Methodology. Sequences.
0:23:29 > 0:23:32- A summary, on disc. - Where'd you get it?
0:23:34 > 0:23:36It's your missing science, Dr Leekie.
0:23:36 > 0:23:38What is it worth to you?
0:23:38 > 0:23:41Well, that depends.
0:23:41 > 0:23:44I'd need to authenticate it.
0:23:44 > 0:23:45With Duncan himself.
0:23:53 > 0:23:56I give you Duncan, you give up on Kira.
0:23:56 > 0:23:59And we disappear once and for all. You drop your hunt.
0:23:59 > 0:24:00What about Sarah?
0:24:00 > 0:24:03Sarah sadly insists on fending for herself.
0:24:03 > 0:24:05But the child deserves better.
0:24:07 > 0:24:10Ugh! It's like he was molested by elves.
0:24:10 > 0:24:12- What did you give him? - Benzodiazepine.
0:24:12 > 0:24:14In small doses,
0:24:14 > 0:24:16it's perfectly recreational.
0:24:16 > 0:24:18- It's true.- Sorry.
0:24:20 > 0:24:23God! He weighs a ton. PHONE RINGING
0:24:23 > 0:24:26S. What's wrong?
0:24:26 > 0:24:28Nothing, for once. I was fact-checking.
0:24:28 > 0:24:32Seems safe to assume Rachel doesn't know Leekie killed her mother.
0:24:32 > 0:24:35- What? How do you know that? - He told me, in not so many words.
0:24:35 > 0:24:38He does want Duncan silent and all the science to himself.
0:24:38 > 0:24:41What, you talked to Leekie?
0:24:41 > 0:24:43Divide and conquer, Sarah.
0:24:43 > 0:24:45But if we drop this bomb on Rachel,
0:24:45 > 0:24:47there's no telling which one of them will fall.
0:24:47 > 0:24:49I'm good with either one.
0:24:49 > 0:24:52- 'Let's blow up their shit.' - Then I'll set it up.
0:24:52 > 0:24:54KNOCKING
0:24:54 > 0:24:55- Alison?- Damn it to hell.
0:24:57 > 0:24:59I, uh... Yep.
0:24:59 > 0:25:01Mm-hmm.
0:25:01 > 0:25:05What' you doing ducking out? You volunteered.
0:25:05 > 0:25:08- Uh, I know. - OK, come on.
0:25:10 > 0:25:12Alison.
0:25:12 > 0:25:15Do I have to drag you out of there? Alison!
0:25:15 > 0:25:17Mm-hmm.
0:25:17 > 0:25:19Coming.
0:25:22 > 0:25:25Bollocks.
0:25:25 > 0:25:27Have you seen Victor?
0:25:27 > 0:25:29- Nope.- Great.
0:25:35 > 0:25:38- HE GROANS - Oh, my God.
0:25:38 > 0:25:41- What is this? Wh... - You're welcome.
0:25:41 > 0:25:44Thanks to me, he's going to miss his meeting with DeAngelis.
0:25:44 > 0:25:47No, no, no! He can't be here.
0:25:47 > 0:25:49There's family tours after the assembly.
0:25:49 > 0:25:51They're coming to this room!
0:25:51 > 0:25:54- No bodies.- Oh...
0:26:17 > 0:26:20So we're all going to be nice to Mommy, right? OK?
0:26:20 > 0:26:22Come on.
0:26:22 > 0:26:25Hello, everyone! OK!
0:26:25 > 0:26:28Well, hello. Please take your seats. We'll get started now.
0:26:28 > 0:26:31- Great to see all shining faces here today.- Oh, Alison. We have a seat in front.
0:26:31 > 0:26:33Front row. Come on.
0:26:33 > 0:26:35- Welcome to our Family Day. - Ali!
0:26:35 > 0:26:37As is the custom on Family Day,
0:26:37 > 0:26:40the group has chosen a resident to make some opening remarks.
0:26:40 > 0:26:44Ladies and gentlemen, Alison Hendrix!
0:26:51 > 0:26:53Oh, shit...
0:27:04 > 0:27:07- Hey, Mom! - Hello, kids. OK.
0:27:07 > 0:27:10Thank you all for coming today.
0:27:10 > 0:27:13Not that any of us really had any choice,
0:27:13 > 0:27:15I guess.
0:27:15 > 0:27:17So, um,
0:27:17 > 0:27:21we stand among you today, pill poppers
0:27:21 > 0:27:25and booze hounds, hop-heads, tweakers,
0:27:25 > 0:27:27- rummies...- Alison.
0:27:27 > 0:27:29Right.
0:27:38 > 0:27:40Where the bloody hell are we going?
0:27:40 > 0:27:42Come on. We need to get him downstairs.
0:27:42 > 0:27:44Trust me, I have a plan.
0:27:44 > 0:27:47Christ on a log! The man's made of cement.
0:27:48 > 0:27:52Hurry up, Felix. I need to make it to the assembly for the role-playing demonstration.
0:27:52 > 0:27:55- The what?!- Role-playing.
0:27:55 > 0:27:57- Let's begin.- OK.
0:28:01 > 0:28:03Hello, everyone.
0:28:03 > 0:28:06OK, he's being Alison.
0:28:06 > 0:28:09- That's right. - And I'm being Alison being Donnie?
0:28:09 > 0:28:12Uh, this teaches you to see things from your partner's point of view.
0:28:12 > 0:28:16So, Donnie, what's on your mind?
0:28:17 > 0:28:20Um, uh...
0:28:26 > 0:28:30Don't stammer, Donnie. And stand up straight.
0:28:30 > 0:28:33Or I'll withhold affection. CROWD LAUGHS
0:28:33 > 0:28:35Engage him, Alison.
0:28:35 > 0:28:36Make eye contact.
0:28:36 > 0:28:38- Donnie, look at me.- Yeah.
0:28:38 > 0:28:41Alison, I think you should come home to your family.
0:28:41 > 0:28:44No, Donnie, because I, Alison,
0:28:44 > 0:28:46need supervision.
0:28:46 > 0:28:47That sounds about right.
0:28:47 > 0:28:50Uh, I'm Donnie and I like to
0:28:50 > 0:28:53spy on my wife and monitor her every move.
0:28:53 > 0:28:56Now, wait a minute. You're just using my voice
0:28:56 > 0:28:57- for your words. - Well, maybe you should listen
0:28:57 > 0:29:00to Alison's words a little more often, Donnie.
0:29:00 > 0:29:03- OK, is she doing this right? - You do seem to be blocking, Alison.
0:29:03 > 0:29:06No, he's the one who's blocking...her. Her.
0:29:06 > 0:29:09Shhh... It's what you do.
0:29:09 > 0:29:13Now who are you being? CROWD WHISPERING
0:29:16 > 0:29:18I really have to tinkle.
0:29:22 > 0:29:25(Oh. Go back. Back.)
0:29:28 > 0:29:31PHONE RINGING
0:29:31 > 0:29:34Shit. It's her. Get his phone. Get his phone.
0:29:35 > 0:29:38- Vic? - PHONE RINGING IN BACKGROUND
0:29:42 > 0:29:44DOOR CLOSING
0:29:50 > 0:29:52BEE
0:29:53 > 0:29:56Pff. Quit screwing around, Vic.
0:30:14 > 0:30:17What were you thinking? How could you go in there?
0:30:17 > 0:30:20- Sweet Jesus, I'm done. - I didn't have a choice.
0:30:20 > 0:30:23- Did I? Where's Vic? - Sorted.
0:30:23 > 0:30:26- For now.- This is a disaster.
0:30:26 > 0:30:28- Give me that.- Ah. Piss off.
0:30:28 > 0:30:30Alison?
0:30:32 > 0:30:33Wha...
0:30:33 > 0:30:36Yes. Relax, Donnie.
0:30:36 > 0:30:40It's Sarah Manning. The runaway clone. So...
0:30:40 > 0:30:42I guess you'll be
0:30:42 > 0:30:44running off to call Dr Leekie, hmm?
0:30:44 > 0:30:46Clone?
0:30:48 > 0:30:50I don't think he knows, Alison.
0:30:50 > 0:30:53Of course he knows. He's a monitor.
0:30:53 > 0:30:57No, darling. I think Sarah's right. This kind of cluelessness can't be faked.
0:31:00 > 0:31:03Vic, I don't know what kind of game you're playing,
0:31:03 > 0:31:05but you better call me...now.
0:31:05 > 0:31:07'On-duty nurse, please come to the reception area.'
0:31:15 > 0:31:19- SIGHS - You can't be serious.
0:31:19 > 0:31:23Must have been the pressure of Family Day.
0:31:31 > 0:31:32Hello, Paul.
0:31:37 > 0:31:38Do come in.
0:31:41 > 0:31:44You have 15 minutes.
0:31:44 > 0:31:46Once you've gone, your father will remain here.
0:31:46 > 0:31:50If anybody moves against this house, I will put a bullet in his head.
0:31:50 > 0:31:53Are we clear?
0:32:20 > 0:32:23Rachel.
0:32:25 > 0:32:27My dear, dear Rachel...
0:32:29 > 0:32:31Hello, father.
0:32:39 > 0:32:43- I can hardly believe it's been 20 years.- So how is Dr Leekie?
0:32:45 > 0:32:47He's making his own moves, I'm sure.
0:32:47 > 0:32:49You don't know the truth about your mother, do you?
0:32:49 > 0:32:52What Rachel's going to learn is going to force both of their hands.
0:32:52 > 0:32:54I can see where Sarah gets it.
0:32:55 > 0:32:57Her knack for burning things down.
0:32:59 > 0:33:01RACHEL SNIFFLING
0:33:06 > 0:33:08It's OK.
0:33:08 > 0:33:11You have to believe me. I had no idea.
0:33:11 > 0:33:13What did you think you were doing?
0:33:13 > 0:33:16You remember Sociology 201?
0:33:16 > 0:33:18With that prof...
0:33:18 > 0:33:20What's his name? With the cleft palate.
0:33:20 > 0:33:23He recruited me into a study.
0:33:24 > 0:33:26A study?
0:33:26 > 0:33:27Long-term social metrics.
0:33:27 > 0:33:30They told me it was totally benign but...
0:33:30 > 0:33:33the subjects had to remain completely unaware.
0:33:33 > 0:33:37So when men came in vanloads at night with their gloves and their probes,
0:33:37 > 0:33:40- was that benign? - What? What... what men?
0:33:40 > 0:33:42You destroyed us, Donnie, with the spying
0:33:42 > 0:33:45and the lies.
0:33:45 > 0:33:48I loved you so much, and you ruined our family!
0:33:49 > 0:33:53And you're so stupid, you don't even know why!
0:34:22 > 0:34:26My father sends his regards.
0:34:29 > 0:34:32It's important you think
0:34:32 > 0:34:35very carefully about your next steps, Rachel.
0:34:35 > 0:34:37Or what?
0:34:37 > 0:34:39(I'll die in a fire?)
0:34:39 > 0:34:42Ethan and Susan Duncan left us no choice.
0:34:42 > 0:34:45Oh please. By salting your Petri dishes?
0:34:45 > 0:34:48Yes. They set the science back decades.
0:34:48 > 0:34:51When they tried to run away with you...
0:34:52 > 0:34:54I intervened.
0:34:57 > 0:35:00Your task now is to put it behind you.
0:35:00 > 0:35:03And do not fight.
0:35:03 > 0:35:04It won't end well for you.
0:35:04 > 0:35:08It's already over, Aldous.
0:35:11 > 0:35:13BEEP
0:35:13 > 0:35:16PHONE RINGING
0:35:19 > 0:35:22Rachel, is it done?
0:35:22 > 0:35:24It's in motion.
0:35:24 > 0:35:27'Not a happy task, I know.
0:35:27 > 0:35:29'He was your mentor.'
0:35:29 > 0:35:31- Yes, he was. - 'But he lost his way'
0:35:31 > 0:35:34with Sarah Manning. Serves us right,
0:35:34 > 0:35:37really, putting a lab coat in the big chair.
0:35:39 > 0:35:41Let me know when it's done, yep?
0:35:41 > 0:35:43BEEP
0:35:45 > 0:35:48- Rachel...- Go now.
0:35:48 > 0:35:52- No, Rachel.- Don't get in your car. Don't go home.
0:35:52 > 0:35:56- You might survive. - Thank you.
0:35:57 > 0:35:59It's foolish to spare you.
0:35:59 > 0:36:02But you raised me.
0:36:03 > 0:36:05Nurture prevails.
0:36:17 > 0:36:19LEEKIE SNIFFLING
0:36:45 > 0:36:47CAR ENGINE STARTS
0:36:59 > 0:37:02PHONE RINGING
0:37:04 > 0:37:06Hey.
0:37:06 > 0:37:08Hey, Sarah.
0:37:08 > 0:37:11Hey, Cos. What's... what's going on?
0:37:11 > 0:37:14I really hate to make this call.
0:37:15 > 0:37:17'But it's about all of us.'
0:37:17 > 0:37:20And it's about Kira.
0:37:22 > 0:37:24- But why did she need Kira's tooth? - Cal...
0:37:24 > 0:37:28- What the hell? - I don't know. She's sick, Cal.
0:37:28 > 0:37:29This is one of the "aunts" you
0:37:29 > 0:37:30- won't tell me about? - Yes, yes.
0:37:30 > 0:37:33We've been running from DYAD and now you want to take Kira in to have them what?
0:37:33 > 0:37:37- Harvest her?- I don't know, Cal! OK? She's sick.
0:37:37 > 0:37:39This might be her only chance.
0:37:39 > 0:37:41Don't do this to our kid.
0:37:43 > 0:37:45DOOR BANGING AND KIRA SCREAMING
0:37:46 > 0:37:48Kira?
0:37:49 > 0:37:51Will this help?
0:37:51 > 0:37:54- Oh God, monkey.- Shit.
0:37:56 > 0:37:58It was already loose.
0:37:58 > 0:38:01Whatever this is, it's going to swallow you both.
0:38:05 > 0:38:07Oh, Kira...
0:38:08 > 0:38:11It's not your decision. We have to go back.
0:38:11 > 0:38:13Let's get this...
0:38:13 > 0:38:16The number we practiced... You still remember it?
0:38:16 > 0:38:18- Yeah.- OK, good.
0:38:18 > 0:38:21You call it any time, OK? You need me, I'll be there.
0:38:21 > 0:38:23No matter what.
0:38:24 > 0:38:25OK.
0:38:34 > 0:38:36I'm sorry.
0:38:36 > 0:38:39- Don't worry. - OK, see ya. See ya.
0:38:58 > 0:39:01Taxi! Taxi! Hey! Hey!
0:39:01 > 0:39:04Come on! God...
0:39:19 > 0:39:21Dr Leekie, I need a word.
0:39:23 > 0:39:26- CHUCKLING - Another time, Donnie.
0:39:28 > 0:39:31HORN BEEPS Get in.
0:39:35 > 0:39:37Jesus...
0:39:43 > 0:39:45- You lied to me.- No.
0:39:45 > 0:39:48I offered you a chance to be part of something special.
0:39:48 > 0:39:52- Well, it's not right. All the secrets.- Donnie...
0:39:52 > 0:39:55- It's late. - You came into my house...
0:39:56 > 0:39:59- ..and probed my wife. - Listen to me,
0:39:59 > 0:40:01you turnip.
0:40:01 > 0:40:03In 100 years' time,
0:40:03 > 0:40:06no-one will care in any way about Donnie Hendrix except
0:40:06 > 0:40:08as a footnote in this experiment.
0:40:08 > 0:40:10You ruined my marriage.
0:40:10 > 0:40:13- My wife hates me. - I gave you your wife.
0:40:17 > 0:40:18Put the gun away and
0:40:18 > 0:40:20go home to bed, huh?
0:40:20 > 0:40:24I won't participate any more.
0:40:24 > 0:40:27- Thank you.- I quit! GUNSHOT
0:40:33 > 0:40:36# I feel it in my fingers... #
0:40:36 > 0:40:38Oh! Oh God.
0:40:38 > 0:40:41Oh God.
0:40:41 > 0:40:43THUNDER RUMBLING
0:40:43 > 0:40:45# Well, love is all around me
0:40:45 > 0:40:48# And so the feeling grows... #
0:40:51 > 0:40:54- Where is Aldous?- Aldous suffered a fatal heart attack
0:40:54 > 0:40:58- on one of our jets. - They want to make more of us?
0:40:58 > 0:41:00- They've tried and tried. - I'm leaving.
0:41:00 > 0:41:04Just picks up and abandons his kids in the middle of the night.
0:41:04 > 0:41:06We have to find Beth Childs.
0:41:06 > 0:41:07(You are running out of time.)
0:41:07 > 0:41:09Cosima!