0:00:02 > 0:00:03"Six scientists in lab explosion".
0:00:03 > 0:00:05Your father will remain here.
0:00:05 > 0:00:07If anybody moves against this house,
0:00:07 > 0:00:09I will put a bullet in his head.
0:00:09 > 0:00:11- Rachel.- Hello, Father.
0:00:11 > 0:00:14- What have we there?- Everything, Mrs Sadler. Absolutely everything.
0:00:14 > 0:00:16You gave me Kira's stem cells?
0:00:16 > 0:00:18This is my decision and not yours!
0:00:18 > 0:00:20There is no decision. You have one way forward, this is it.
0:00:20 > 0:00:22Get out!
0:00:22 > 0:00:24Kira might be her only chance.
0:00:24 > 0:00:25Will this help? My tooth.
0:00:25 > 0:00:29I give you Duncan, you give up on Kira, we disappear once and for all.
0:00:29 > 0:00:31Alison? C...Clone?
0:00:31 > 0:00:32I don't think he knows.
0:00:32 > 0:00:34You destroyed us...
0:00:34 > 0:00:36with the spying and the lies.
0:00:36 > 0:00:38- Rachel, is it done?- It's in motion.
0:00:38 > 0:00:40- Rachel.- Go, now.
0:00:40 > 0:00:41Dr Leekie. Get in!
0:00:41 > 0:00:45You ruined my marriage. I quit!
0:01:11 > 0:01:14- The hell are you doing, huh? You all right?- I'm fine.
0:01:14 > 0:01:15Shit!
0:01:15 > 0:01:18Just give me a hand. We got to switch cars.
0:01:18 > 0:01:20I thought you said you had that place cased, man.
0:01:20 > 0:01:23That was a frickin' ambush. Who were those guys, huh?
0:01:23 > 0:01:24Not cops.
0:01:24 > 0:01:25Not feds, either, in 400 shoes.
0:01:25 > 0:01:27I told you to stay with the whip.
0:01:27 > 0:01:29Yeah? If I'd stayed there, you'd be in the morgue now.
0:01:29 > 0:01:31Let's get the car and get outta here.
0:01:31 > 0:01:33Aah! Aah!
0:01:33 > 0:01:34- Aah!- Shit!
0:01:34 > 0:01:35- Aaah!- Come on.
0:01:35 > 0:01:37Ahh! Oh, shit!
0:01:37 > 0:01:38Oh, shit.
0:01:38 > 0:01:39Aah...
0:01:39 > 0:01:41Oh...shit.
0:01:43 > 0:01:45Tony, get outta here.
0:01:45 > 0:01:47Just forget it, man. You gotta go.
0:01:47 > 0:01:49Ohh! Just go. I should've...
0:01:49 > 0:01:52I should've told you months ago. I was set up.
0:01:52 > 0:01:54What? Who set you up?
0:01:54 > 0:01:55You remember that cop that called?
0:01:55 > 0:01:58She called out of the blue. I didn't tell her nothing.
0:01:58 > 0:02:01- I know. She wanted you because you're...- What?
0:02:03 > 0:02:05Hey. Hey, you're all right, OK?
0:02:05 > 0:02:08- Yeah?- You gotta make me a promise.
0:02:08 > 0:02:10You gotta pass on a...a message.
0:02:10 > 0:02:13All right, well, wh-what message, huh?
0:02:13 > 0:02:15You gotta find that cop. You have to find Beth Childs.
0:02:54 > 0:02:56DOOR OPENS
0:02:59 > 0:03:01Where's Kira?
0:03:01 > 0:03:03They're not coming by until I know it's safe.
0:03:03 > 0:03:04Hello, Sarah.
0:03:04 > 0:03:06- Hi.- Benjamin has four men on watch.
0:03:06 > 0:03:09Rachel's been warned. If she tries anything,
0:03:09 > 0:03:11I will pop her papa in the brain pan.
0:03:11 > 0:03:13I like to think she's bluffing.
0:03:13 > 0:03:14I'm not, Andrew.
0:03:14 > 0:03:17Please call me "Ethan". If I'm to be your pawn,
0:03:17 > 0:03:19I'd like to reclaim my given name.
0:03:19 > 0:03:21At any rate,
0:03:21 > 0:03:23we hold all the cards. Ethan here,
0:03:23 > 0:03:25his information, and Kira.
0:03:25 > 0:03:27Kira's not part of any deal, S.
0:03:27 > 0:03:31I bloody know that! But Rachel's reunion with her father was real.
0:03:31 > 0:03:34Let's just see how it all lands at Dyad.
0:03:34 > 0:03:36Confirmed all clear, S.
0:03:36 > 0:03:37Come!
0:03:37 > 0:03:40- They were in the alley.- Mrs S!
0:03:40 > 0:03:41Hello, darling!
0:03:41 > 0:03:43Let's wait outside.
0:03:43 > 0:03:45Thank you, Benjamin.
0:03:45 > 0:03:46Safe enough, yet?
0:03:46 > 0:03:49You are a sight for sore eyes.
0:03:49 > 0:03:52- What about me?- Come here, you.
0:03:52 > 0:03:54- Mmmm!- It's good to see you.
0:04:10 > 0:04:12Cosima.
0:04:12 > 0:04:13Cosima!
0:04:13 > 0:04:15Hold on to your hat.
0:04:15 > 0:04:19- Hey, my passcard is not working. - Yeah, I locked you out.
0:04:21 > 0:04:22Is that for me?
0:04:22 > 0:04:24Yeah, a package from Sarah.
0:04:24 > 0:04:25Seriously?
0:04:25 > 0:04:27I can override this lock anytime.
0:04:27 > 0:04:29Go for it.
0:04:29 > 0:04:31I just really don't want you here.
0:04:35 > 0:04:39- Cosima!- Wow, girl fights are mean.
0:04:46 > 0:04:49So, the donor's a child?
0:04:55 > 0:04:57You are aware a far more effective
0:04:57 > 0:04:59and obvious treatment
0:04:59 > 0:05:02for 324B21 would be the kid's bone marrow?
0:05:04 > 0:05:06Yeah, Scott, we are aware of that.
0:05:14 > 0:05:17Donnie! Donnie?
0:05:19 > 0:05:20HE CLEARS THROAT
0:05:20 > 0:05:23Why didn't you come pick me up, hmm?
0:05:23 > 0:05:25The kids are truant.
0:05:25 > 0:05:28There's cleaning product all over the laundry room. What's going on here?
0:05:28 > 0:05:31Just stop, OK? I don't feel very well.
0:05:31 > 0:05:34OK. I know.
0:05:34 > 0:05:37It's a lot to take in, isn't it?
0:05:37 > 0:05:39Your wife's a clone.
0:05:39 > 0:05:41See? I use the C-word, too.
0:05:41 > 0:05:43- Ugh...- It's OK.
0:05:43 > 0:05:44We'll deal with it together, OK?
0:05:45 > 0:05:47Hmm?
0:05:50 > 0:05:51What's that smell?
0:05:51 > 0:05:53Um, no...
0:05:53 > 0:05:55No. Stop. What are you doing?!
0:05:55 > 0:05:57What are you doing?! Don't!
0:05:57 > 0:05:59- BOTTLES CLINK - Ugh...
0:05:59 > 0:06:00Oh, my God.
0:06:00 > 0:06:02Oh, my God, you're drinking?!
0:06:02 > 0:06:06God! Drinking alcohol the day I get back from rehab?!
0:06:06 > 0:06:07Are you insane?!
0:06:07 > 0:06:09I know all your little hiding spots!
0:06:09 > 0:06:12- Do you want that, hmm?! - I know about the pills
0:06:12 > 0:06:13you keep in your bean pots!
0:06:13 > 0:06:16Your minibar in the tub labelled "buttons".
0:06:16 > 0:06:19You give me that. Give me that! You're supposed to be supporting me!
0:06:19 > 0:06:21- Aagh!- Does that hurt? Does that hurt yet?
0:06:23 > 0:06:25No.
0:06:25 > 0:06:27OK! It's time to get ready for school.
0:06:27 > 0:06:29Tonight, we're going to stay at Grandma's house,
0:06:29 > 0:06:31until Daddy feels better, OK?
0:06:31 > 0:06:33Let's go out the door.
0:06:33 > 0:06:34Good.
0:06:34 > 0:06:36You take today to think.
0:07:12 > 0:07:13Who the hell are you?
0:07:13 > 0:07:14You're Tony?
0:07:14 > 0:07:18No, I'm Harry frickin' Potter.
0:07:18 > 0:07:20Where's Beth?
0:07:25 > 0:07:26You're leaving already?
0:07:26 > 0:07:29- Oh, yeah.- Kira's in the bath.
0:07:29 > 0:07:30I thought we could hang.
0:07:30 > 0:07:32My work as child smuggler is done for the day.
0:07:32 > 0:07:35What's your daughter's name, again?
0:07:35 > 0:07:36Kira.
0:07:36 > 0:07:38And she's how old?
0:07:38 > 0:07:40She's none of your concern.
0:07:41 > 0:07:43Hey. Is there something up?
0:07:43 > 0:07:48Um, Arthur needs my help with something cloney, all right?
0:07:48 > 0:07:52But no... no, we've got it, OK?
0:07:52 > 0:07:54You just need to stay here with Kira.
0:07:54 > 0:07:56I'll call if I need to.
0:07:56 > 0:07:59- Thank you.- You're welcome. Bye.- Bye.
0:08:01 > 0:08:05My daughter was about Kira's age when she was taken.
0:08:05 > 0:08:06You mean Rachel, by Leekie.
0:08:08 > 0:08:10Let's hope you can end this war, Ethan.
0:08:10 > 0:08:12That's how you make amends.
0:08:16 > 0:08:18I'm afraid Dr Leekie's unavailable.
0:08:18 > 0:08:20Would you hold?
0:08:21 > 0:08:22You must be Dr Cormier.
0:08:22 > 0:08:24Uh, yes.
0:08:24 > 0:08:28Paul, your absence is inconvenient
0:08:28 > 0:08:30and your silence is irksome.
0:08:32 > 0:08:34Please, you know I hate to worry.
0:08:37 > 0:08:39Good afternoon, Dr Cormier.
0:08:39 > 0:08:41Could I get you tea, coffee?
0:08:41 > 0:08:43No, thank you.
0:08:43 > 0:08:46Where is Aldous?
0:08:46 > 0:08:47SHE SIGHS
0:08:50 > 0:08:52Tea, please, Martin.
0:08:52 > 0:08:54And could you send a man round for Paul?
0:08:58 > 0:09:00Aldous suffered a fatal heart attack
0:09:00 > 0:09:04on one of our jets bound for Langley last night.
0:09:04 > 0:09:05Excuse me?
0:09:05 > 0:09:07I'm sorry.
0:09:07 > 0:09:09I know you were close.
0:09:09 > 0:09:11For now, you will report to me.
0:09:11 > 0:09:15- That's, um...- Difficult.
0:09:15 > 0:09:17For us both.
0:09:17 > 0:09:20But, despite this tragedy,
0:09:21 > 0:09:24it's come to light that Aldous buried crucial information
0:09:24 > 0:09:26about the origins of the experiment.
0:09:26 > 0:09:29A line of communication is now open with Sarah.
0:09:29 > 0:09:31Delphine,
0:09:31 > 0:09:35we may have a breakthrough for Cosima.
0:09:35 > 0:09:36Yes.
0:09:36 > 0:09:38For us all.
0:09:45 > 0:09:48Art, I didn't give you permission to break into my flat.
0:09:48 > 0:09:50What the hell's with you?
0:09:51 > 0:09:54Felix, Tony.
0:10:01 > 0:10:03What, Beth's not coming now? Oh, right. Yeah, great.
0:10:03 > 0:10:06What the hell was I thinking, trusting a friggin' cop?
0:10:06 > 0:10:08Take it easy, all right?
0:10:08 > 0:10:09- It's complicated.- Yeah.
0:10:09 > 0:10:12- Yeah? Then I'm out.- No, no, you want to stay. You want to stay.
0:10:12 > 0:10:15Oh, yeah? Who are you, hmm?
0:10:15 > 0:10:16Hardy boy?
0:10:16 > 0:10:18Felix.
0:10:19 > 0:10:21I'm a friend of Beth's.
0:10:21 > 0:10:23We're both friends of Beth's, all right? We're safe friends.
0:10:23 > 0:10:25Art's a cop.
0:10:25 > 0:10:26He's suspended.
0:10:26 > 0:10:28Which is the only kind of cop I like.
0:10:30 > 0:10:33Just make yourself at home. Sit down.
0:10:33 > 0:10:36I just need 30 seconds with him out in the hall, all right?
0:10:36 > 0:10:39And then we'll explain everything. OK?
0:10:39 > 0:10:4230 seconds. Fifi.
0:10:42 > 0:10:45You call me that again, we don't tell you a thing.
0:10:45 > 0:10:46Whoo!
0:10:48 > 0:10:51Holy Tilda Swinton!
0:10:51 > 0:10:53Where in the hell did he come from?
0:10:53 > 0:10:57I kept Beth's cell phone active, hoping it might ring someday, but,
0:10:57 > 0:10:59can you clarify what's going on, here?
0:10:59 > 0:11:02- That would be a single chromosome. - So I got it right...
0:11:02 > 0:11:03she's a trans clone.
0:11:03 > 0:11:05He's trans.
0:11:05 > 0:11:08He's, yeah, just another variation in my sister's skin.
0:11:08 > 0:11:10Look, he said that Beth contacted him,
0:11:10 > 0:11:13that a friend of his was just whacked by suits
0:11:13 > 0:11:15and now, he'll only talk to Beth.
0:11:15 > 0:11:17OK. Right.
0:11:17 > 0:11:19Does Tony know that he's a clone?
0:11:19 > 0:11:22I don't know. He's sketchy as hell. I didn't want to tell him anything.
0:11:22 > 0:11:25Good. We can't. Follow my lead.
0:11:25 > 0:11:27What lead? Oh, shit.
0:11:35 > 0:11:37Just one. I'm a few.
0:11:37 > 0:11:39No family, too. Who am I?
0:11:39 > 0:11:42Pretty gay, by the looks of this place.
0:11:47 > 0:11:48Tony, Beth's dead.
0:11:50 > 0:11:52Then I got no business here.
0:11:52 > 0:11:54You do, Tony. Yeah, you do.
0:11:55 > 0:11:57What did Beth tell you, exactly?
0:11:57 > 0:12:00She said we might be related and then, she said she was a cop,
0:12:00 > 0:12:02so I hung up.
0:12:02 > 0:12:04Now, Sammy's got a message for her and she's dead.
0:12:05 > 0:12:07What's the message?
0:12:07 > 0:12:08No way.
0:12:08 > 0:12:10I want to know what's going on here.
0:12:10 > 0:12:13All right, yeah.
0:12:13 > 0:12:16But here it is, Tony. We know things.
0:12:16 > 0:12:17We don't know you.
0:12:17 > 0:12:19So how about I go check your story out?
0:12:19 > 0:12:21You stay here with Felix.
0:12:31 > 0:12:32Look at this.
0:12:32 > 0:12:35We need Auntie Alison, stat.
0:12:36 > 0:12:38You like that?
0:12:38 > 0:12:40Should we put more angels on it?
0:12:40 > 0:12:43- They remind me of Helena. - Yeah? Me too.
0:12:44 > 0:12:47Is she OK?
0:12:47 > 0:12:49Yeah, she's fine.
0:12:51 > 0:12:54I sort of had to leave her to her own devices,
0:12:54 > 0:12:57but she asks about you all the time.
0:12:57 > 0:12:59KNOCKING, DOOR OPENS
0:12:59 > 0:13:01Should we hide?
0:13:08 > 0:13:09- IN OTHER ROOM:- Out to the car...
0:13:15 > 0:13:17Has something happened to Cosima?
0:13:17 > 0:13:19Um, no.
0:13:19 > 0:13:22Actually, I'm... I'm here on Rachel's request.
0:13:22 > 0:13:24Hmm. To, what,
0:13:24 > 0:13:26leverage your girlfriend's life for my daughter's stem cells?
0:13:26 > 0:13:30No. Sh-she has a new proposal.
0:13:30 > 0:13:32Leekie is dead.
0:13:35 > 0:13:36She says it was a heart attack.
0:13:36 > 0:13:39- SHE SCOFFS - I bet she does.
0:13:39 > 0:13:40What you wanted, isn't it?
0:13:40 > 0:13:43I believe Aldous was the lesser of two evils. But it's too late, now.
0:13:43 > 0:13:46- This is now about Professor Duncan. - Go on.
0:13:46 > 0:13:47The key to a gene-therapy cure
0:13:47 > 0:13:50which does not require Kira's stem cells
0:13:50 > 0:13:52lies in Duncan's synthetic sequences,
0:13:52 > 0:13:54but we need him to come to the Dyad and begin immediately.
0:13:54 > 0:13:55No.
0:13:55 > 0:13:58But Kira stays with you, where she belongs.
0:13:58 > 0:14:00Do you think I could trust Rachel?
0:14:00 > 0:14:02Or you, Delphine.
0:14:02 > 0:14:06We didn't bring Duncan all this way not to use him.
0:14:06 > 0:14:09Please, tell Rachel that we will consider her proposal.
0:14:09 > 0:14:10OK.
0:14:16 > 0:14:20It looks like you are out of here. You need to take that Pegasus!
0:14:20 > 0:14:22Whoa! Whoa, whoa, whoa!
0:14:22 > 0:14:25Uh...jeez, I thought you went home for the night.
0:14:25 > 0:14:27We were going to play in the cafeteria, but...
0:14:27 > 0:14:29sorry.
0:14:29 > 0:14:33Are you minding the dental pulp in the incubators?
0:14:33 > 0:14:35- Yeah, absolutely.- Cool.
0:14:35 > 0:14:37Then I don't care if you're making bathtub acid.
0:14:37 > 0:14:42Cosima, the Dyad room wars club, my sworn enemies.
0:14:42 > 0:14:44Doomsday, Painmaker, Uwish97.
0:14:44 > 0:14:45Cool.
0:14:48 > 0:14:50Play on, hail fellows.
0:14:50 > 0:14:51SHE CLEARS HER THROAT
0:14:54 > 0:14:56OK. Get those junkyard moves out of my game.
0:14:56 > 0:14:58We don't need those here.
0:14:58 > 0:15:01All right, read them and weep, gentlemen. You know. You know.
0:15:01 > 0:15:03Ha! Missed.
0:15:03 > 0:15:05My great worm uses its plague breath
0:15:05 > 0:15:07and your lame force guardian takes two damage.
0:15:07 > 0:15:10And...
0:15:10 > 0:15:12Boom! Hello, special.
0:15:12 > 0:15:15Goodbye, force guardian. I win the battle.
0:15:17 > 0:15:19Whoa! Dream on.
0:15:19 > 0:15:21Your worm can't use a special ability twice.
0:15:21 > 0:15:24And Mad Kathos slays before you ever plague-breath.
0:15:24 > 0:15:25Mnh, mnh-mnh, sorry.
0:15:25 > 0:15:29Mad Kathos's abilities only work in battles he's in.
0:15:29 > 0:15:31Scott gets the damage. He doesn't draw again.
0:15:31 > 0:15:35But who cares? Because the guardian is toast
0:15:35 > 0:15:37and these beastmen go here.
0:15:42 > 0:15:44Do you, like, want to play?
0:15:47 > 0:15:48I don't know if you're ready for that.
0:15:48 > 0:15:51Boom, boom.
0:15:51 > 0:15:53Don't even think about it.
0:15:53 > 0:15:55Teleport card.
0:15:55 > 0:15:57So all your Ratabians are dead,
0:15:57 > 0:15:59I've got the city and dragon room,
0:15:59 > 0:16:01and...
0:16:01 > 0:16:03- Pillage!- Ohh!
0:16:03 > 0:16:04What?!
0:16:04 > 0:16:07That's great.
0:16:07 > 0:16:08SHE COUGHS
0:16:13 > 0:16:15Cosima. Are you OK?
0:16:21 > 0:16:23We need to talk.
0:16:26 > 0:16:27COSIMA CLEARS HER THROAT
0:16:27 > 0:16:28Play on.
0:16:33 > 0:16:36Cosima, things are moving too fast to be this way.
0:16:36 > 0:16:38I think they killed Aldous.
0:16:38 > 0:16:40What?!
0:16:40 > 0:16:41Rachel is at his desk
0:16:41 > 0:16:44and she's selling it as a heart attack
0:16:44 > 0:16:47on the private jet. Listen to me.
0:16:47 > 0:16:48I think you are running out of time.
0:16:48 > 0:16:52And Kira's tooth was a band-aid,
0:16:52 > 0:16:56but Duncan, he may hold the key to an actual cure.
0:16:56 > 0:16:58I'm trying to help.
0:16:58 > 0:17:01Tell me what you want.
0:17:02 > 0:17:04So you're done. Just get outta here.
0:17:04 > 0:17:10Hey, battle bitches, can you pick up your beastmen and beat it?
0:17:11 > 0:17:15I'm going to keep the promise that I made to you when we first met.
0:17:16 > 0:17:19That, one day, I'd get you completely baked.
0:17:22 > 0:17:24SHE LAUGHS
0:17:24 > 0:17:26Orphan? Huh.
0:17:26 > 0:17:30At least you didn't know your real parents were assholes.
0:17:31 > 0:17:33You know, mine were so full of shit...
0:17:34 > 0:17:37..it made sense when Beth said we were related.
0:17:39 > 0:17:43How long did you, uh.. how long did you know Sammy?
0:17:45 > 0:17:47Long enough.
0:17:47 > 0:17:50How come you're so interested in Sammy?
0:17:50 > 0:17:52I'll tell you, if you give me the message he had for her.
0:17:52 > 0:17:54You got to work smarter than that, buddy.
0:17:56 > 0:17:57Can I borrow some clothes?
0:17:57 > 0:17:59No.
0:17:59 > 0:18:01Come on, I've been driving for two days.
0:18:01 > 0:18:05Got to bathe the boys, you know what I mean?
0:18:06 > 0:18:08I know your game, Tony.
0:18:08 > 0:18:10- Oh, yeah?- Mm-hmm.
0:18:10 > 0:18:12What is that?
0:18:12 > 0:18:13Pushing buttons.
0:18:13 > 0:18:15Testing boundaries.
0:18:15 > 0:18:17Deep, like an artist, or something.
0:18:17 > 0:18:18Oh!
0:18:18 > 0:18:21So just how does Tony the trans bandit go over
0:18:21 > 0:18:23with the hoodlum set, hmm?
0:18:23 > 0:18:25Jesus Christ.
0:18:25 > 0:18:28When did you come out, Tuesday?
0:18:28 > 0:18:31Yeah. Tony, what you're doing here
0:18:31 > 0:18:33is more complicated than sex or gender.
0:18:33 > 0:18:35Oh, yeah?
0:18:40 > 0:18:43Just shut up and run me a bath.
0:18:45 > 0:18:47Run it yourself, bitch.
0:18:47 > 0:18:51Ouch! He's meaner than he looks.
0:18:51 > 0:18:52You are so much like my sister.
0:19:08 > 0:19:10What are you doing?
0:19:10 > 0:19:11Ali, uh...
0:19:13 > 0:19:15I'm leaving.
0:19:16 > 0:19:18No.
0:19:18 > 0:19:20We are not there yet.
0:19:20 > 0:19:22No! We have a whole mountain to climb.
0:19:22 > 0:19:25- We aren't even at base camp yet! - I'm sorry.
0:19:25 > 0:19:28I'm sorry. I've already hurt you so badly.
0:19:28 > 0:19:31- You're better off without me.- So is this the real Donnie Hendrix, then?
0:19:31 > 0:19:35Just picks up and abandons his kids in the middle of the night.
0:19:36 > 0:19:38Don't you love me anymore?
0:19:40 > 0:19:42Did you ever love me?
0:19:46 > 0:19:49I'm sorry. I'm so sorry. I'm sorry.
0:19:49 > 0:19:52I'm sorry about the porn and...
0:19:52 > 0:19:54I'm sorry about putting you in rehab
0:19:54 > 0:19:57- and I'm sorry for hating your mother and...- Everybody hates my mother.
0:19:59 > 0:20:00Oh, God.
0:20:00 > 0:20:03I have made such terrible mistakes, Donnie.
0:20:03 > 0:20:05No, no, Ali.
0:20:09 > 0:20:11Not like this one.
0:20:11 > 0:20:12Try me.
0:20:12 > 0:20:16Finding a cure means handing Dyad the keys to the kingdom.
0:20:16 > 0:20:19Synthetically speaking.
0:20:19 > 0:20:21Can you really cure Cosima?
0:20:21 > 0:20:23Yes.
0:20:23 > 0:20:25Though it's immodest to boast.
0:20:25 > 0:20:26Then there's no question.
0:20:28 > 0:20:30Arrange to take him to Dyad.
0:20:31 > 0:20:34I guess we'll see if he's still one of them.
0:20:43 > 0:20:45This is kind of nice, you know?
0:20:45 > 0:20:48Kicking it in a limey boy's tub, all Bohemian and shit.
0:20:48 > 0:20:50You got any more smokes?
0:20:50 > 0:20:52- Tony.- Yeah?
0:20:52 > 0:20:53I can't stand you sober,
0:20:53 > 0:20:56so I'm going downstairs for some booze.
0:20:56 > 0:20:58All right, sounds like a plan.
0:20:58 > 0:21:00Maybe we can hit the town later.
0:21:13 > 0:21:14- All right.- OK.
0:21:14 > 0:21:15What have we got?
0:21:15 > 0:21:18- Tony, formerly Antoinette Sawicki...- Sawicki?
0:21:18 > 0:21:21Yeah, and Sammy Weldeen, both convicted thieves.
0:21:21 > 0:21:22Seems Sammy got himself shot
0:21:22 > 0:21:24in the middle of a job day before yesterday.
0:21:24 > 0:21:26Assailants? Unknown.
0:21:26 > 0:21:28His body turned up in a Cincinnati garage.
0:21:28 > 0:21:29No. No, no.
0:21:29 > 0:21:32I smell Monitor all over dead Sammy.
0:21:34 > 0:21:36Why, why would he know Beth?
0:21:36 > 0:21:39They met. Her phone records show a dozen long calls to Cincinnati
0:21:39 > 0:21:42and she flew there twice. Did you get the message out of him?
0:21:42 > 0:21:44No, he keeps getting up in my kitchen
0:21:44 > 0:21:46at the same time I'm getting up in his.
0:21:46 > 0:21:49- Well, did you tell him he's a clone? - What the hell?!
0:21:49 > 0:21:51Do I have to take responsibility for that too?
0:21:51 > 0:21:54Shit, look, let's just see what he says
0:21:54 > 0:21:56after I get five or six of these into him.
0:21:56 > 0:21:58I'll see where the search for him's at,
0:21:58 > 0:22:01but I'm telling you, whoever shot Sammy will come looking for him.
0:22:01 > 0:22:03- Dyad?- I don't know. But if I were you,
0:22:03 > 0:22:06I would call Sarah and get it over with.
0:22:06 > 0:22:08No, um, let me just take one more run at him
0:22:08 > 0:22:10before I bring in the big guns, yeah?
0:22:10 > 0:22:11All right.
0:22:21 > 0:22:23Hmm. Bloody hell.
0:22:28 > 0:22:29What do we have here?
0:22:29 > 0:22:32You want a hit?
0:22:32 > 0:22:34Warm, fuzzy rush of big T.
0:22:34 > 0:22:36Testosterone.
0:22:36 > 0:22:38No, thanks.
0:22:38 > 0:22:41Once a week, come hell or high water.
0:22:43 > 0:22:45Or my buddy getting killed.
0:22:47 > 0:22:48Or Beth.
0:22:50 > 0:22:52Or you, lookin' so good.
0:22:52 > 0:22:54You're too kind, Tony.
0:22:56 > 0:22:59- Tell me something, yeah?- Yeah.
0:22:59 > 0:23:03Beth contacts you, and then Sammy sends a message to Beth,
0:23:03 > 0:23:06so it seems to me that they knew each other.
0:23:06 > 0:23:08You think?
0:23:08 > 0:23:11How about you tell me how you knew Beth?
0:23:11 > 0:23:13Same old story.
0:23:13 > 0:23:16Rent boy meets police officer. Intrigue ensues.
0:23:16 > 0:23:18Right.
0:23:18 > 0:23:20Hey, you sure you don't want a hit?
0:23:20 > 0:23:22It'll put some hair on your chest.
0:23:22 > 0:23:24I get to shave mine.
0:23:25 > 0:23:27- Quick, aren't ya?- Mm-hmm.
0:23:29 > 0:23:33Well, you've got absolutely nothing I haven't seen before.
0:23:33 > 0:23:35Let's drink to that.
0:23:39 > 0:23:42"You cannot imagine the strange,
0:23:42 > 0:23:44"colourless delight
0:23:44 > 0:23:47"of these intellectual desires.
0:23:47 > 0:23:49"The thing standing before you
0:23:49 > 0:23:52"is no longer an animal, a fellow-creature,
0:23:52 > 0:23:53"but a problem!"
0:23:53 > 0:23:56Hey. Do you seriously think that's appropriate?
0:23:56 > 0:23:58KNOCKING
0:24:05 > 0:24:06We're ready.
0:24:06 > 0:24:08Benjamin.
0:24:08 > 0:24:10It's time, Ethan.
0:24:22 > 0:24:24Don't worry, hmm?
0:24:24 > 0:24:26I'm nobody's pawn.
0:24:28 > 0:24:29PHONE RINGS
0:24:31 > 0:24:33Hello, Felix?
0:24:33 > 0:24:35'Hey, Sarah. Oh, God.'
0:24:35 > 0:24:36What?!
0:24:36 > 0:24:39It's another naive clone.
0:24:39 > 0:24:41'Shit! Who is she?'
0:24:41 > 0:24:43ROCK MUSIC BLARES
0:24:43 > 0:24:45That's the thing.
0:24:45 > 0:24:47She's a he.
0:24:47 > 0:24:49What? A boy clone?
0:24:49 > 0:24:51'From a whole new batch, then.'
0:24:51 > 0:24:53No.
0:24:53 > 0:24:54No, it's definitely your batch.
0:24:54 > 0:24:57Can you just get here as fast as you can, all right?
0:24:57 > 0:24:59OK, great, thanks.
0:25:00 > 0:25:02Who was that?
0:25:02 > 0:25:04It was my sister.
0:25:04 > 0:25:06Foster sister?
0:25:06 > 0:25:07Yeah, it was my foster sister.
0:25:23 > 0:25:25Tasty Tony.
0:25:25 > 0:25:28Fluidity doesn't shock me either, Tony.
0:25:28 > 0:25:30Something did.
0:25:32 > 0:25:33HE MOANS SOFTLY
0:25:36 > 0:25:38Mnh-mnh.
0:25:50 > 0:25:52Who's this over here?
0:25:52 > 0:25:54Hmm?
0:25:54 > 0:25:57- Is this Beth Childs?- No.
0:25:57 > 0:25:59Is Beth Childs your sister?
0:25:59 > 0:26:02- No, that's my sister. - You want me to punch you in the head?
0:26:05 > 0:26:08What's with her dick, huh?
0:26:08 > 0:26:09Creative licence, nothing more.
0:26:11 > 0:26:13You going to tell me what the hell's going on here, Felix?
0:26:13 > 0:26:16Depends, Tony. Are you going to tell me what Beth's message is?
0:26:19 > 0:26:21LAUGHTER
0:26:29 > 0:26:32I am h-helium and I'm way funnier
0:26:32 > 0:26:35than polonium. SHE LAUGHS HYSTERICALLY
0:26:35 > 0:26:37Ow, my... Ow!
0:26:37 > 0:26:40Helium is way funnier than polonium.
0:26:40 > 0:26:42Oh, my God!
0:26:42 > 0:26:44Aah!
0:26:51 > 0:26:53Is the helium voice gone now?
0:26:53 > 0:26:54Ohh...yes.
0:26:54 > 0:26:56It is.
0:26:56 > 0:26:57Good.
0:26:57 > 0:27:01Because there is something important I want to tell you.
0:27:04 > 0:27:05Je t'aime.
0:27:07 > 0:27:10Is that why you didn't tell me
0:27:10 > 0:27:11that they were Kira's stem cells?
0:27:13 > 0:27:17- Yes.- Is that why, even before I got here,
0:27:17 > 0:27:19you gave Dr Leekie my blood samples,
0:27:19 > 0:27:22- even though I told you not to? - Cosima...
0:27:24 > 0:27:26It's your life.
0:27:26 > 0:27:28It's not just that.
0:27:30 > 0:27:31It's all of us.
0:27:31 > 0:27:34You have to love all of us.
0:27:35 > 0:27:36Then I love all of you.
0:27:39 > 0:27:41Good.
0:27:42 > 0:27:44Because if you betray us again,
0:27:44 > 0:27:47I have enough dirt on you to destroy your career.
0:27:54 > 0:27:56And I love you, too.
0:28:02 > 0:28:05I don't know. I don't know. I feel like someone
0:28:05 > 0:28:06pulled the planet out from under me.
0:28:06 > 0:28:10Yeah, that's good. Keep going.
0:28:10 > 0:28:12I thought I was doing something worthwhile,
0:28:12 > 0:28:15a sociological study.
0:28:15 > 0:28:18- I feel so stupid.- Mm-hmm.
0:28:18 > 0:28:22Goddamn Leekie,
0:28:22 > 0:28:25with his big, stupid face,
0:28:25 > 0:28:28sneaking doctors in here, examining you!
0:28:30 > 0:28:32My own, sweet wife!
0:28:32 > 0:28:33I understand furious,
0:28:33 > 0:28:38darling, being humiliated by...
0:28:38 > 0:28:41unspoken things.
0:28:44 > 0:28:48I have to confess something about Aynsley's accident.
0:28:56 > 0:28:58INAUDIBLE
0:29:05 > 0:29:07Please don't think I'm horrible.
0:29:15 > 0:29:18I killed Dr Leekie.
0:29:20 > 0:29:22You're killing me, man.
0:29:22 > 0:29:25How come you have a friggin' painting with my face on it, eh?
0:29:25 > 0:29:27I want to tell you. It's not my place.
0:29:27 > 0:29:29Right. Right.
0:29:29 > 0:29:31You know, my buddy Sammy,
0:29:31 > 0:29:35he didn't give a shit what was going on between my legs.
0:29:35 > 0:29:37He just saw me, all right?
0:29:37 > 0:29:39And he sends me here with some frickin' message
0:29:39 > 0:29:42and you're not going to explain to me why?
0:29:42 > 0:29:45Just 30 minutes, all right?
0:29:45 > 0:29:48I've given you all frickin' night, man.
0:29:48 > 0:29:51I will tell you everything, if you just wait.
0:29:51 > 0:29:54- Bullshit.- Stop!
0:29:54 > 0:29:55You wouldn't believe me, even if I told you.
0:29:55 > 0:29:57- Out of my way.- Tony!
0:29:57 > 0:29:59Tony...
0:30:04 > 0:30:07- Whoa...- Shite! - Tony, this is Sarah.
0:30:07 > 0:30:09Your sister.
0:30:14 > 0:30:17Never had to do this with one of our own before.
0:30:17 > 0:30:19Cosima sort of jumped me into the whole clone thing.
0:30:19 > 0:30:22- Sarah.- Yeah?
0:30:22 > 0:30:24Shut your yap for a second.
0:30:24 > 0:30:25Sure.
0:30:28 > 0:30:30Jesus Christ.
0:30:32 > 0:30:35My mom always said that they made a mistake
0:30:35 > 0:30:39down at the IVF clinic, but, shit.
0:30:39 > 0:30:40You all right, mate?
0:30:40 > 0:30:42It's a lot to take in.
0:30:42 > 0:30:44Yeah, yeah.
0:30:44 > 0:30:46Look at us. We're hot.
0:30:48 > 0:30:50Damn, girl.
0:30:50 > 0:30:54Not our usual identity crisis.
0:30:54 > 0:30:57I did all that work a long time ago.
0:30:57 > 0:31:01There's only one Tony and you're not me, sucker.
0:31:01 > 0:31:03I guess this is the new guy.
0:31:03 > 0:31:05- Mm.- Damn right.
0:31:05 > 0:31:08Let's cut the shit, all right?
0:31:08 > 0:31:11I got a message and I want to know who they were.
0:31:11 > 0:31:13"They"?
0:31:13 > 0:31:16Them, all right? The suits who ambushed me and Sammy.
0:31:16 > 0:31:18Sammy was ex-military,
0:31:18 > 0:31:22so a lot of our jobs came from his old army contacts.
0:31:22 > 0:31:23What's the message?
0:31:26 > 0:31:28Sammy's exact words?
0:31:29 > 0:31:32"Tell Beth keep the faith.
0:31:32 > 0:31:35"Paul's like me. He's on it.
0:31:35 > 0:31:37"He's a ghost."
0:31:37 > 0:31:39A ghost? That's it?
0:31:39 > 0:31:41Yeah. Then he died.
0:31:44 > 0:31:46Sorry.
0:31:48 > 0:31:50Paul.
0:31:53 > 0:31:55No trace? No travel alerts,
0:31:55 > 0:31:58no digital trail, Paul's disappeared?
0:31:58 > 0:32:00Keep looking.
0:32:04 > 0:32:06Professor Duncan.
0:32:06 > 0:32:08Hello again, Rachel.
0:32:08 > 0:32:11I'm so relieved we could arrange this.
0:32:11 > 0:32:13Would you like some tea?
0:32:13 > 0:32:15Oh, yes, please, my dear.
0:32:15 > 0:32:16With lemon.
0:32:20 > 0:32:22I feel I must apologise
0:32:22 > 0:32:25for our last meeting.
0:32:25 > 0:32:26I was overly emotional.
0:32:26 > 0:32:29Well, we both were, my dear.
0:32:29 > 0:32:31It was a day I'd dreamt of for 20 years.
0:32:31 > 0:32:33Well, I have not.
0:32:33 > 0:32:36Our relationship must remain...
0:32:36 > 0:32:38professional,
0:32:38 > 0:32:41for all concerned.
0:32:41 > 0:32:46Do you remember I used to read you The Island of Dr Moreau?
0:32:48 > 0:32:49Yes.
0:32:49 > 0:32:51How does it go? Um...
0:32:51 > 0:32:52the bit about
0:32:52 > 0:32:56how he'd be forgiven for hate,
0:32:56 > 0:32:59but not for irresponsibility.
0:33:01 > 0:33:03I don't recall.
0:33:03 > 0:33:04Why?
0:33:04 > 0:33:06I hope you can forgive me
0:33:06 > 0:33:09for being glad that Aldous Leekie is dead.
0:33:13 > 0:33:14Of course.
0:33:17 > 0:33:20OK. Oh, oh! Um...
0:33:20 > 0:33:23I'm pretty sure he crapped himself.
0:33:23 > 0:33:25Ohh, Dinah.
0:33:25 > 0:33:26I'm sorry.
0:33:26 > 0:33:28I was going to take him with me.
0:33:31 > 0:33:35That's the director of the Dyad Institute.
0:33:35 > 0:33:40He just got in and I whacked him.
0:33:40 > 0:33:41I didn't even mean to.
0:33:41 > 0:33:44- Oh, God...- OK, just relax, Donnie.
0:33:44 > 0:33:46He is not at all well-wrapped.
0:33:46 > 0:33:49You're worried about the trunk?
0:33:49 > 0:33:51Yes! I'm going to make a new liner.
0:33:51 > 0:33:54And I hope that you threw the weapon in the lake.
0:33:54 > 0:33:57I put it back in your gun locker.
0:33:57 > 0:34:00- You used my gun?!- Uh...
0:34:00 > 0:34:03This message... It's like
0:34:03 > 0:34:07Sammy's trying to reassure Beth about Paul.
0:34:07 > 0:34:09- They're both military. What the hell does that mean?- I don't know.
0:34:09 > 0:34:12Leekie's gone. Paul's AWOL. Enjoy it.
0:34:12 > 0:34:15- Are you going to be all right? - Yeah.
0:34:15 > 0:34:19He's got some of your worst qualities.
0:34:23 > 0:34:25You're the very best of us.
0:34:25 > 0:34:27I know. Hmm.
0:34:29 > 0:34:30Bye.
0:34:30 > 0:34:33Bye. Be safe.
0:34:38 > 0:34:41Do you want another whiskey?
0:34:41 > 0:34:43I got sisters.
0:34:43 > 0:34:45That you do, Tony.
0:34:45 > 0:34:46That you do.
0:34:48 > 0:34:52You know what? I think I'd get along with dreadlocks, over there, but...
0:34:52 > 0:34:54that one with the soccer ball
0:34:54 > 0:34:56looks like a douche.
0:34:56 > 0:34:58She's a functional alcoholic.
0:34:58 > 0:34:59But she's not that bad.
0:34:59 > 0:35:04Lucky for you, I'm going to keep you away from all of this.
0:35:06 > 0:35:07For now.
0:35:13 > 0:35:18These are items I need to begin unlocking the synthetic sequences.
0:35:21 > 0:35:22A floppy-disk drive?
0:35:22 > 0:35:26Well, I only claim the road map, coordinates, entirely low-tech.
0:35:26 > 0:35:28Once you've located them,
0:35:28 > 0:35:30Cosima has unlimited resources.
0:35:30 > 0:35:32Ah.
0:35:32 > 0:35:35But the child is still the prize, isn't she?
0:35:35 > 0:35:36Little Kira.
0:35:38 > 0:35:39Answer me this, Professor.
0:35:42 > 0:35:44Why Sarah?
0:35:44 > 0:35:46Of all of us,
0:35:46 > 0:35:50how is it the unmonitored tramp was successful?
0:35:50 > 0:35:51In her fertility?
0:35:51 > 0:35:54Ha! Rachel,
0:35:54 > 0:35:56she's a failure, not a success.
0:35:56 > 0:35:58You are all barren by design.
0:36:04 > 0:36:05Agh!
0:36:07 > 0:36:09I suppose you couldn't have created
0:36:09 > 0:36:13a reproducing prototype, could you?
0:36:13 > 0:36:16Aaaah!
0:36:16 > 0:36:18That would be irresponsible.
0:36:19 > 0:36:21Which is unforgivable.
0:36:26 > 0:36:30Ahem, Dr Cormier will introduce you to Cosima.
0:36:30 > 0:36:34- Enchante.- It's time we begin fixing your mistakes.
0:36:45 > 0:36:47Did you get all your stuff?
0:36:47 > 0:36:51- Mm-hmm.- Hey. The cops found your stolen car, Tony.
0:36:51 > 0:36:53Which means the Dyad's not going to be far behind.
0:36:53 > 0:36:55We do get it, Arthur, OK?
0:36:55 > 0:36:57Can you give us like two minutes, please?
0:36:57 > 0:37:00Yeah. Yeah, I'll be downstairs.
0:37:00 > 0:37:02But he needs to be on a bus.
0:37:02 > 0:37:04Now.
0:37:04 > 0:37:06Hmm.
0:37:06 > 0:37:08Tell me something...
0:37:08 > 0:37:10why is it that I'm not worried about you?
0:37:10 > 0:37:13Cos this is how I roll.
0:37:13 > 0:37:15Can't fence this shit in.
0:37:16 > 0:37:18All right, there, Tennessee Waterfall.
0:37:21 > 0:37:25Take this. There's three numbers in there, yeah?
0:37:25 > 0:37:26Me, Art, and Sarah.
0:37:26 > 0:37:29You call it if anything goes wrong.
0:37:32 > 0:37:34You little...
0:37:35 > 0:37:37Later, sister-kisser.
0:37:37 > 0:37:38HE CHUCKLES
0:37:46 > 0:37:49OK, come on, Scott, they're almost here.
0:37:49 > 0:37:51Ohh! Give me a break.
0:37:51 > 0:37:52What are you doing?
0:37:52 > 0:37:54- No.- No?
0:37:57 > 0:37:59All right.
0:37:59 > 0:38:02Wow, the original geneticist.
0:38:02 > 0:38:05- Yeah.- I assume he's here to help us with 324B21.
0:38:05 > 0:38:06Cos, otherwise...
0:38:06 > 0:38:08Scott.
0:38:08 > 0:38:10It's me.
0:38:10 > 0:38:12I'm 324B21.
0:38:16 > 0:38:18You?
0:38:18 > 0:38:21Do you need me to beam you up, Scotty?
0:38:29 > 0:38:32It's an honour, Cosima.
0:38:34 > 0:38:38An honour to be working with you.
0:38:41 > 0:38:42OK.
0:38:43 > 0:38:45Cosima.
0:38:48 > 0:38:49This is...
0:38:49 > 0:38:51Professor Duncan. Hi. My maker.
0:38:51 > 0:38:54Oh, please, don't call me that.
0:38:54 > 0:38:55It's "Ethan".
0:38:55 > 0:38:57It's not every day you get to meet your, uh,
0:38:57 > 0:38:58Ethan.
0:39:00 > 0:39:02No, I suppose not.
0:39:02 > 0:39:04We're ready to work.
0:39:04 > 0:39:06We're very optimistic.
0:39:06 > 0:39:08Mm-hmm. Mm-hmm.
0:39:08 > 0:39:11This is Scott.
0:39:11 > 0:39:12Um...
0:39:12 > 0:39:16He's new to the whole thing, but...
0:39:16 > 0:39:19but, um, indispensable.
0:39:19 > 0:39:21SHE COUGHS
0:39:23 > 0:39:24Cosima?
0:39:26 > 0:39:28- God!- Cosima!
0:39:28 > 0:39:31Wait, wait. Give her some space. Ethan, get some help, now.
0:39:31 > 0:39:33VOICES FADE AWAY
0:39:33 > 0:39:35- Now!- I'll be right back!
0:39:42 > 0:39:45Cosima, can you hear me?
0:39:45 > 0:39:47We need some help!
0:39:47 > 0:39:49Cosima!
0:40:48 > 0:40:51What's up with your garage?
0:40:51 > 0:40:52- Oil change.- Renovating.
0:40:52 > 0:40:54- Now for the embryos. - Those are my babies?
0:40:54 > 0:40:56Feel free to spend as much time here as you wish.
0:40:56 > 0:40:58You're part of our family now.
0:40:58 > 0:41:00I'd like you to take over as interim director.
0:41:00 > 0:41:01The disease is spreading too rapidly.
0:41:01 > 0:41:06- But if we can reboot her immune system...- With my kid's bone marrow!
0:41:06 > 0:41:08- Will Auntie Cosima die?- She might.