0:00:00 > 0:00:01'Previously on Pan Am...'
0:00:01 > 0:00:04Bet you've got a few surprises under that hat.
0:00:04 > 0:00:07- That speech is Government property. - Not any more!
0:00:07 > 0:00:10Marry me! I can't say yes now.
0:00:10 > 0:00:13Teddy! Look at you!
0:00:14 > 0:00:18- I'm not going to let myself get hurt again.- This is for you.
0:00:18 > 0:00:21A Pan Am stewardess can travel the world without suspicion.
0:00:21 > 0:00:25- What if I refuse?- We make this your last mission and your last flight.
0:00:27 > 0:00:29GUNSHOT
0:00:34 > 0:00:37That was never supposed to happen.
0:00:37 > 0:00:40Now that it has, there's some protocols we have to follow.
0:00:40 > 0:00:45You'll need an alibi, in case anyone saw you follow him here tonight.
0:00:45 > 0:00:48Kate, I need you to focus. GLASS SMASHES
0:00:48 > 0:00:52Think. Did anyone see you follow him here tonight?
0:00:52 > 0:00:57- I don't know.- Scotland Yard will investigate. MI6 will want answers.
0:00:57 > 0:01:00Kate, look at me.
0:01:02 > 0:01:04Right now, you have to run.
0:01:09 > 0:01:12KNOCK ON DOOR
0:01:14 > 0:01:16KNOCKING
0:01:23 > 0:01:26- Bridget?- Kate. I'm back.
0:01:26 > 0:01:28Back from the dead.
0:01:30 > 0:01:33Where have you been? What are you doing here?
0:01:33 > 0:01:36I was hoping you could tell me that.
0:01:44 > 0:01:48According to my horoscope, I can expect a great opportunity.
0:01:48 > 0:01:52Let's hope Mike Ruskin is going to help me publish my article.
0:01:52 > 0:01:55I didn't know you wanted to be a journalist.
0:01:55 > 0:01:59I want the world to hate Congressman Christopher Rawlings
0:01:59 > 0:02:02and his nuclear death-monger agenda.
0:02:02 > 0:02:07If I happen to become a famous journalist, so be it.
0:02:07 > 0:02:12- He didn't seem like a death-monger. - Looks can be deceiving.- Stay there!
0:02:12 > 0:02:16The teacher said lighting is the key to revelatory photography.
0:02:16 > 0:02:19I'm forgetting why I volunteered.
0:02:19 > 0:02:22Because this week's assignment is portraits
0:02:22 > 0:02:25and I need somebody with a beautiful face.
0:02:25 > 0:02:27Ah. Now I remember.
0:02:29 > 0:02:33- Oh, fudge!- Light bulbs - kitchen, second drawer.
0:02:33 > 0:02:35KNOCK ON DOOR
0:02:35 > 0:02:41Ooh! Your horoscope says that you'll meet a tall, handsome man...
0:02:42 > 0:02:43Hi.
0:02:44 > 0:02:47Was that Congressman Rawlings?
0:02:47 > 0:02:49No. KNOCKING
0:02:49 > 0:02:52- Don't!- Maggie, you're acting crazy.
0:02:52 > 0:02:55- He might be here to arrest me. - Arrest you?- For what?
0:02:55 > 0:02:58I might have set his hotel room on fire.
0:02:58 > 0:03:01London. That was you?
0:03:01 > 0:03:05I can't actually arrest you. I'm not a law enforcement official.
0:03:05 > 0:03:10Plus, I forgot my handcuffs, but you might have your own set!
0:03:10 > 0:03:15I heard you can strangle Republicans with them so I invested in a pair.
0:03:15 > 0:03:17Nice hair(!)
0:03:20 > 0:03:25- Why are you here?- Specifically, I'd like to have lunch with you.
0:03:25 > 0:03:27More generally, you might be insane.
0:03:27 > 0:03:32- But you intrigue me.- Lunch? With you? I'd rather chew off my leg.
0:03:32 > 0:03:35Fair enough. Just one question.
0:03:35 > 0:03:39If you hate me, why do you care what you look like?
0:03:39 > 0:03:42- It's a good question.- Call me.
0:03:42 > 0:03:46I'm staying at the Ritz. Oh, and nice to see you again,
0:03:46 > 0:03:48Maggie's blonde stewardess friend.
0:03:48 > 0:03:51Oh, you too, Mr Congressman, sir.
0:03:54 > 0:03:56Sometimes, opposites attract.
0:03:56 > 0:04:00More like, "Out of sight, out of mind!"
0:04:00 > 0:04:03MAN: 'You'd make a perfect couple.'
0:04:03 > 0:04:08- Me and Charles Talkin?- Yes! - You can't be serious!
0:04:08 > 0:04:12- I'd have to fight that awful bulldog for attention.- He's very fancy.
0:04:12 > 0:04:18- Fancy is perfect for me? - What was the name of your horse? - Which one?- Exactly!
0:04:18 > 0:04:22OK, maybe I grew up fancy, but that's not what I'm looking for.
0:04:22 > 0:04:25Then what? Snooty? Stuffy?
0:04:25 > 0:04:30After four marvellous days in London and three in New York,
0:04:30 > 0:04:34I suspect all this time I was looking for you.
0:04:38 > 0:04:43- Teddy, it's getting late.- I haven't seen the inside of your place yet.
0:04:43 > 0:04:45The inside of my place
0:04:45 > 0:04:49is being diligently preserved for one very special man.
0:04:49 > 0:04:51That's me. I'm special.
0:04:51 > 0:04:55Not if you don't get some sleep. Big day tomorrow.
0:04:55 > 0:04:59Lunch with your father, the ever-imposing Mr Vanderway.
0:04:59 > 0:05:04- And the mood is killed!- Good night, Teddy.- Good night, Amanda.
0:05:08 > 0:05:14- What was his name? Bedford?- I doubt he's even that handsome off stage.
0:05:14 > 0:05:19- They wear make-up, you know! - Redford. Robert Redford.
0:05:19 > 0:05:22Even the name sounds like a prima donna.
0:05:22 > 0:05:26- Might be worth it to wake up to that face.- Oh!
0:05:26 > 0:05:31- "Take me to see Barefoot In The Park," she says. "It'll be romantic."- Ah!
0:05:31 > 0:05:35I'm teasing you. It was a wonderful night.
0:05:35 > 0:05:39And if I squint my eyes - yes! You DO look like him.
0:05:40 > 0:05:45The French don't have a sense of humour, they say. It'll be our little secret.
0:05:45 > 0:05:50- I thought you didn't like secrets. - Depends who's keeping it.
0:05:50 > 0:05:53- Then I might have one for you. - Really?
0:05:53 > 0:05:56- When we get to London. - Really? Is it animal? Vegetable?
0:05:56 > 0:06:00- Oh, I can't tell you! - Come on!- It's a secret.
0:06:00 > 0:06:02I have ways of making you talk.
0:06:03 > 0:06:06- Oh, yes?- Mm-hm.- How?
0:06:13 > 0:06:18Oh, I admit, it will be difficult to make it all the way to London
0:06:18 > 0:06:21without spilling this little secret of us.
0:06:23 > 0:06:27Who said that "us" has to be a secret?
0:06:29 > 0:06:34- Apparently, it all came to a head in London.- What did you hear?
0:06:36 > 0:06:40That there was a mission last week to swap a list of names.
0:06:40 > 0:06:43Compromised agents. Assets.
0:06:43 > 0:06:45And I was on it.
0:06:47 > 0:06:51But now with that list off the market I can come home.
0:06:51 > 0:06:53I can get my life back!
0:06:53 > 0:06:59It's wonderful, Bridget. What is the first thing you're going to do?
0:06:59 > 0:07:03Get my job back at Pan Am, of course. And Dean.
0:07:05 > 0:07:07I've come back for Dean.
0:07:20 > 0:07:24- I hear you have a house guest. - Yes. Thank you for the heads-up(!)
0:07:24 > 0:07:29I thought you could be useful in helping Bridget with her transition.
0:07:29 > 0:07:34Richard, I'm tired of being useful, at your beck and call. I want out.
0:07:34 > 0:07:38You've made your wishes known. It's all been arranged.
0:07:38 > 0:07:40You'll be debriefed by MI6.
0:07:40 > 0:07:44- Polygraph, then you're on your way. - Polygraph?
0:07:45 > 0:07:50- I have to take a lie detector test? - It's standard in cases like this.
0:07:50 > 0:07:54You're a witness to a shooting, after all.
0:07:54 > 0:07:59- Witness.- MI6 want to know all the Is are dotted and Ts are crossed.
0:07:59 > 0:08:02They have a dead body on their hands, Kate.
0:08:04 > 0:08:07- Yes. Of course.- No worries.
0:08:07 > 0:08:11Just tell the truth and you'll be free and clear.
0:08:11 > 0:08:15And you and I can bid each other adieu.
0:08:17 > 0:08:19You've done good, Kate.
0:08:24 > 0:08:26PHONE RINGS
0:08:27 > 0:08:30Really, Mike. I had you as tidy.
0:08:30 > 0:08:35Is there a secret password? Abracadabra, maybe? Open sesame?
0:08:35 > 0:08:40- Maggie, thanks for coming.- I was so excited to get your call. I'm ready.
0:08:40 > 0:08:45- Ready for what?- My meeting with your editor about my article.- Ah!
0:08:45 > 0:08:50N-no. I actually called you down here to, er, give you...
0:08:51 > 0:08:56- ..these.- I don't understand. What are these?
0:08:56 > 0:09:00- Political articles.- I should read them because?- They're well written.
0:09:00 > 0:09:03- And my article was...? - Not so well written.
0:09:04 > 0:09:08Wow! Mike! I don't know what to say about that.
0:09:08 > 0:09:13Maggie, you're passionate. That's a good thing. You're smart, even better.
0:09:13 > 0:09:16And you spell well, which is crucial to the whole process.
0:09:16 > 0:09:19So it's just the words you hated.
0:09:19 > 0:09:24YOU're hating, that's the problem. Your article was an angry diatribe.
0:09:24 > 0:09:28Folks who agree with you will get a kick out of it.
0:09:28 > 0:09:32So what? They already agree with you. You have to find an angle.
0:09:32 > 0:09:35Why does he believe what he believes?
0:09:35 > 0:09:41- You have to lead the reader in and convince them with the facts. - I thought I did that.
0:09:41 > 0:09:45You led the reader in and beat them with a baseball bat.
0:09:45 > 0:09:48Maggie, you're capable of it.
0:09:48 > 0:09:51- You've just got to dig deeper. - Ruskin! >
0:09:51 > 0:09:55I've got to run to an editorial meeting.
0:09:55 > 0:09:59- Do you want to do Chumley's next week?- Sure. Of course.
0:10:17 > 0:10:20The Ritz, please.
0:10:20 > 0:10:24Oh! Edward Vanderway, Lieutenant. US Navy...
0:10:24 > 0:10:29- Knock it off. I'm never going to figure out lighting.- Sure you will.
0:10:29 > 0:10:33- You're not going to get any good pictures with this.- I'm a beginner.
0:10:33 > 0:10:36- My sister gave it to me. - I'm just teasing!
0:10:36 > 0:10:43So, what's the assignment? "Men of great character"? "Most eligible bachelors?"
0:10:43 > 0:10:47I have to photograph one beautiful face and one unusual one.
0:10:47 > 0:10:50- Seriously? Who's your other subject? - Maggie.- Oh!
0:10:50 > 0:10:54OK! For a second there, I thought I was the weirdo face!
0:10:54 > 0:10:57- Yeah. OK, I think I've got it.- Good.
0:11:02 > 0:11:05Hey, can I ask you...something?
0:11:05 > 0:11:09Did you and...Craig, you know, er, do it?
0:11:10 > 0:11:15That is none of your business and, for the last time, my fiance's name was Greg.
0:11:15 > 0:11:17- Greg!- Right. Right.
0:11:17 > 0:11:22- Greg. So I'm guessing everything's still in the lock box?- Stop talking.
0:11:22 > 0:11:28Is there anything that Craig... Greg could have done, er, different,
0:11:28 > 0:11:31to er, you know, make things unlocked?
0:11:33 > 0:11:39If you think that I'm going to coach you on how to get into some poor girl's pants...
0:11:39 > 0:11:41Don't smile.
0:11:41 > 0:11:45She's a very rich girl who I spent the week with.
0:11:45 > 0:11:48Non-stop. Except for when things do stop abruptly
0:11:48 > 0:11:50because of her strict pants-on policy.
0:11:50 > 0:11:55- Amanda? From London?- Yeah! Turns out she's better than advertised.
0:11:55 > 0:11:58But I saw her come out of your room.
0:11:58 > 0:12:03- We were necking like a couple of puppy dogs with peanut butter, but that is it.- Huh!
0:12:03 > 0:12:08- What huh?- Ted Vanderway finds a girl he's willing to wait for!
0:12:08 > 0:12:11I'm not willing to wait. That's my point.
0:12:11 > 0:12:18Amanda is smart and beautiful, but what is the point of boiling water if you don't make the hot toddy?
0:12:18 > 0:12:21Well, I think falling in love may suit you.
0:12:21 > 0:12:26We're having lunch with my father. After that, I'll have to put the brakes on this one.
0:12:26 > 0:12:31- Ted?- Hm.- I want to respect you right now but you don't make it easy.
0:12:31 > 0:12:33And you look like a statue.
0:12:35 > 0:12:38I thought you'd respect me if I was honest.
0:12:38 > 0:12:44There are some girls who are saving themselves for marriage and I admire that.
0:12:44 > 0:12:47- I'm just not one of them.- What?
0:12:47 > 0:12:49SHUTTER CLICKS
0:12:52 > 0:12:58Did you see this? 2,000 screaming Beatles fans showed up at Heathrow.
0:12:58 > 0:13:03The Fab Four was returning from Sweden and word got out.
0:13:03 > 0:13:07- I hear they're very popular. - They have girl hair.
0:13:07 > 0:13:11It doesn't seem to bother their fans.
0:13:12 > 0:13:16Can I cash this cheque, please? British pounds.
0:13:16 > 0:13:18You can make that dollars. Sure.
0:13:18 > 0:13:22I need money for London. Pounds sterling.
0:13:22 > 0:13:25For what? Five-star dinner in Ballantyne?
0:13:25 > 0:13:29Tickets to the ballet? Darts and drinks at the Squid And Wiggle?
0:13:29 > 0:13:33We're doing all of that and you're not paying for anything.
0:13:36 > 0:13:39- Dean.- What? You don't like the ballet?
0:13:39 > 0:13:41Dean.
0:13:47 > 0:13:48Hello, Dean.
0:13:54 > 0:13:57Colette, may we have a moment?
0:13:58 > 0:14:00Of course.
0:14:01 > 0:14:04I'll be on the plane.
0:14:30 > 0:14:34I spent every night for months imagining our reunion
0:14:34 > 0:14:36and what I'd say to you.
0:14:38 > 0:14:42But I can't for the life of me remember what I said.
0:14:43 > 0:14:45- What did- I- say?
0:14:45 > 0:14:47When? Every night.
0:14:47 > 0:14:51Every night, when you imagined this moment, what did I say?
0:14:51 > 0:14:55That you're angry, betrayed, confused.
0:14:55 > 0:14:57The list was fairly extensive.
0:14:57 > 0:15:01You have the right to be all those things.
0:15:01 > 0:15:04Why are you even here, Bridget?
0:15:04 > 0:15:07I've been reinstated back at Pan Am.
0:15:07 > 0:15:13They're flying me to London on the two o'clock. You're a passenger on my flight?
0:15:13 > 0:15:19I was hoping that we could have dinner and I could explain what happened, where I've been.
0:15:19 > 0:15:24All those nights, you imagining what I would say in this moment
0:15:24 > 0:15:30and it never occurred to you that I might do exactly what you did.
0:15:33 > 0:15:34Leave.
0:15:39 > 0:15:42Let me help you. I got it.
0:15:43 > 0:15:45Colette, what's wrong?
0:15:45 > 0:15:47Bridget is back.
0:15:48 > 0:15:51I know. I saw her this morning.
0:15:56 > 0:16:00- Hey, Kate. Could you give us a minute?- Yes. Of course.
0:16:06 > 0:16:09- Hey. Are you OK? - I don't know.
0:16:10 > 0:16:12Are you?
0:16:13 > 0:16:15Yeah. Fine.
0:16:16 > 0:16:18We can talk about this later.
0:16:20 > 0:16:25There is nothing to talk about. OK? Nothing's changed.
0:16:25 > 0:16:28It is you and me, Colette. That's all that matters.
0:16:31 > 0:16:33You hear me?
0:16:34 > 0:16:36I hear you.
0:16:39 > 0:16:40OK.
0:16:45 > 0:16:48Something you want to tell me?
0:16:48 > 0:16:51I was waiting for the right moment.
0:16:51 > 0:16:53I guess I waited too long.
0:16:54 > 0:16:56BOTH: Welcome to Pan Am.
0:16:56 > 0:16:59- Welcome to Pan Am. - Welcome to Pan Am.
0:17:03 > 0:17:04Welcome!
0:17:04 > 0:17:07- Colette.- Welcome to Pan Am.
0:17:07 > 0:17:11I haven't had chance to say a proper hello.
0:17:15 > 0:17:17Is this where congressmen hang out?
0:17:17 > 0:17:21- Only if they love a good burger. Can I get some vinegar?- Vinegar?
0:17:21 > 0:17:25A nasty habit I picked up from the Brits. They keep a bottle here.
0:17:25 > 0:17:27You must come here a lot.
0:17:27 > 0:17:31I used to work here. It's how I put myself through law school.
0:17:31 > 0:17:35I have two older sisters. Dad was a long shoreman.
0:17:35 > 0:17:38I played trumpet in high school.
0:17:38 > 0:17:42And, um, I wet the bed till I was 11.
0:17:42 > 0:17:45LAUGHS Why are you telling me all this?
0:17:45 > 0:17:51In the hope that who I am as a person is more interesting to you than who I am as a politician.
0:17:51 > 0:17:54Oh! You're trying to distract me.
0:17:55 > 0:17:59I'm trying to tell you...I like you.
0:18:03 > 0:18:08- Scotch, please. Make it a quadruple. - Then pour half into a second glass.
0:18:08 > 0:18:12Add two cubes of ice to each and deliver them with water backs.
0:18:13 > 0:18:20- You want me to get through this? - I'm protecting you from yourself. It's what friends do.- Friends!
0:18:20 > 0:18:25- I don't need any more friends. - But only one girlfriend - I hope.
0:18:26 > 0:18:28Amanda, we need to talk...
0:18:28 > 0:18:32- Edward!- Hey, Pop. - Mr Vanderlay.- Amanda!
0:18:32 > 0:18:36I just finished the back nine at Winged Foot with your dad.
0:18:36 > 0:18:41Since when are you desperate enough to spend time with my son?
0:18:49 > 0:18:51Thank you.
0:18:53 > 0:18:55Colette.
0:18:55 > 0:18:57Do you have a moment?
0:18:58 > 0:19:00Of course.
0:19:02 > 0:19:07- It must be strange, me turning up like this.- It is a little odd.
0:19:09 > 0:19:11We heard you were married.
0:19:11 > 0:19:16What? No! Nothing could be further from the truth, Colette.
0:19:16 > 0:19:19Then what IS the truth, Bridget?
0:19:22 > 0:19:24I was sick.
0:19:24 > 0:19:26Very, very sick.
0:19:26 > 0:19:31I didn't want to burden anyone, most of all Dean.
0:19:31 > 0:19:33I'm so sorry.
0:19:33 > 0:19:35I never stopped loving him,
0:19:35 > 0:19:39I know he doesn't want to talk to me and I don't blame him.
0:19:39 > 0:19:45But we two are friends. Can you ask him to give me a chance?
0:19:46 > 0:19:49Just to explain myself.
0:19:50 > 0:19:52Please, Colette?
0:19:55 > 0:19:57Yes.
0:19:58 > 0:20:02Excuse me, miss. You got another Tom Collins, please?
0:20:08 > 0:20:14Scotland Yard is none too happy about the jeweller's murder. Nor are they convinced it was a robbery.
0:20:14 > 0:20:17You made it looked like a break-in? You took jewels?
0:20:17 > 0:20:19Not enough, it would seem.
0:20:19 > 0:20:22- It was a mission. He was selling...- A botched mission.
0:20:22 > 0:20:28The man may have been a traitor but, for various reasons, Scotland Yard can't know.
0:20:34 > 0:20:38- Richard thinks you pulled the trigger?- Of course he does.
0:20:38 > 0:20:41- That's what I told him.- Why?
0:20:41 > 0:20:46MI6 would love to give Scotland Yard somebody's head on a platter.
0:20:47 > 0:20:51Which is why I have sworn up and down that I was the shooter.
0:20:51 > 0:20:55You were merely an unfortunate witness.
0:20:55 > 0:20:57You lied to protect me.
0:20:58 > 0:21:03MI6 won't hand me to Scotland Yard but they might sacrifice you.
0:21:03 > 0:21:09Unfortunately, they don't entirely believe my story.
0:21:10 > 0:21:12Why not?
0:21:12 > 0:21:17That is irrelevant. The point is, you have to take that polygraph.
0:21:17 > 0:21:20And you have to lie, for both of our sakes.
0:21:20 > 0:21:23- How do I do that?- Don't worry.
0:21:23 > 0:21:25I'll teach you how.
0:21:30 > 0:21:35Little-known secret, when Edward was a boy, he refused to finger paint.
0:21:35 > 0:21:38- Really?- Not like we couldn't afford brushes.
0:21:38 > 0:21:44Alice sat next to his high chair with a towel because he wanted to be cleaned off when he touched food.
0:21:44 > 0:21:47Maybe we could talk about something else.
0:21:47 > 0:21:52- Edward never liked to get his hands dirty.- It's not like I got a back 40 to plough!
0:21:52 > 0:21:59Figure of speech! You don't apply yourself. If he did, he'd be Captain instead of just First Officer.
0:21:59 > 0:22:02- You know...- Speaking of little-known secrets, Mr Vanderway.
0:22:02 > 0:22:09Daddy told me that in your freshman year at Warwick, you were part of the theatre club's light opera.
0:22:09 > 0:22:13- I don't remember that. - No, no. I'm certain it was you.
0:22:13 > 0:22:19- Teddy, I bet you didn't know your father was an actor. - No. I didn't, Amanda.
0:22:19 > 0:22:24You were desperate to join but there weren't any male roles left.
0:22:24 > 0:22:28- So you volunteered to play one of the female roles.- You played a girl?
0:22:28 > 0:22:32It was The Mikado, if I remember correctly.
0:22:32 > 0:22:36The females were played by girls at Miss Fielding's school,
0:22:36 > 0:22:41- but when your father begged...! - It sounds like you applied yourself, Pop.
0:22:44 > 0:22:47I was a damn good Yum-Yum, if I do say so myself.
0:22:51 > 0:22:56# You'll never know how much I really love you
0:22:58 > 0:23:03# You'll never know how much I really care
0:23:05 > 0:23:07# Listen
0:23:07 > 0:23:10# Do you want to know a secret?
0:23:11 > 0:23:13# Do you promise not to tell?
0:23:13 > 0:23:15# Woah woah... #
0:23:17 > 0:23:21Hi, I didn't hear you come in. How long have you been here?
0:23:22 > 0:23:25- Long enough to know that I'm in trouble.- Oh!
0:23:25 > 0:23:28You're falling for the death monger!
0:23:28 > 0:23:31We spent the day together.
0:23:31 > 0:23:35It was... He was...amazing.
0:23:35 > 0:23:39Would it be the worst thing in the world, falling for the congressman?
0:23:39 > 0:23:42I mean, he's not a criminal, Maggie.
0:23:42 > 0:23:45Oh, no. That would be me - Maggie, the arsonist.
0:23:45 > 0:23:48PHONE RINGS
0:23:49 > 0:23:52Hello? ..Hi, Mike.
0:23:52 > 0:23:54What good news? ..No. NO!
0:23:54 > 0:23:57You can't... Stay there.
0:23:57 > 0:23:59I'll be right there.
0:23:59 > 0:24:01Maggie? What's the matter?
0:24:01 > 0:24:03Everything.
0:24:10 > 0:24:12I worked up an appetite.
0:24:12 > 0:24:15We've got those reservations at Ballantyne,
0:24:15 > 0:24:17then your mysterious secret.
0:24:17 > 0:24:21Dean, I was thinking, maybe you should hear what Bridget has to say.
0:24:21 > 0:24:23Why the hell would I do that?
0:24:23 > 0:24:28Because you, we, can't move forward until you put this behind you.
0:24:28 > 0:24:33- It is behind me.- But now it's in front of you, Dean. Again.
0:24:33 > 0:24:36- Colette...- This is a conversation you have to have.
0:24:36 > 0:24:39Better you do it now.
0:24:48 > 0:24:52So how sick were you? You couldn't even call?
0:24:52 > 0:24:56Prognosis wasn't good. I couldn't saddle you with an ailing bride.
0:24:56 > 0:25:01You were doing me a favour disappearing, not telling me where you were?
0:25:01 > 0:25:03Now... You're better?
0:25:03 > 0:25:05It's good news.
0:25:05 > 0:25:08GIRLS SCREAMING
0:25:13 > 0:25:15Are the Beatles really here?
0:25:15 > 0:25:21The screams of 10,000 Beatles fans makes more noise than a jet aircraft taking off.
0:25:21 > 0:25:23What all the fuss is, I don't know.
0:25:23 > 0:25:26Rumour is, they're staying in the hotel.
0:25:26 > 0:25:29That's all it is, a rumour. Give me Sinatra any day.
0:25:29 > 0:25:33- Times are changing. - Not for the better, if you ask me.
0:25:33 > 0:25:35Not for the better at all.
0:25:40 > 0:25:43Congratulations on your clean bill of health.
0:25:43 > 0:25:46Your husband must be thrilled(!) I'm not married.
0:25:46 > 0:25:48That was an atrocious lie. What about the other men?
0:25:48 > 0:25:51Are they all an atrocious lie? There were never...
0:25:51 > 0:25:55There were always other men. In bars, elevators, hotel lobbies.
0:25:55 > 0:26:00I saw the nods, the smiles. I just never let myself believe it.
0:26:00 > 0:26:05Dean... You cheated on me. You lied. You left. I'm done.
0:26:05 > 0:26:08Dean, I never wanted to lie to you.
0:26:10 > 0:26:15'The trick to a successful lie is to believe you're telling the truth.'
0:26:15 > 0:26:20If you know it is false how can you trick yourself into believing it isn't?
0:26:20 > 0:26:23Make the false answer another question's truth.
0:26:23 > 0:26:28If I ask you, "Did you shoot Mr Bolger?",
0:26:28 > 0:26:33you fashion in your mind a question for which the truthful answer is no.
0:26:33 > 0:26:37Something like, er, "Am I a secretary?"
0:26:37 > 0:26:39You simply speak the answer. "No."
0:26:39 > 0:26:41This is ridiculous.
0:26:41 > 0:26:44It is one lie, Kate.
0:26:44 > 0:26:47It is ONE lie.
0:26:47 > 0:26:51You can tell the truth about everything else that happened.
0:26:51 > 0:26:55You were pulled into the mission. How you ended up at the jeweller's.
0:26:55 > 0:26:57The race to get there.
0:26:57 > 0:27:02You need only lie about one thing and you're free of this for ever.
0:27:02 > 0:27:04Now, relax.
0:27:04 > 0:27:07Let's try this again.
0:27:07 > 0:27:10Shall we?
0:27:10 > 0:27:14On Saturday last, were you engaged by your superior?
0:27:16 > 0:27:23Block it out, Kate. Shut it down. If you need to make peace with what you've done, now is not the time...
0:27:23 > 0:27:26I don't want to shut it down. I have been trying to forget.
0:27:26 > 0:27:31Pretending like it didn't happen, like it was a bad dream,
0:27:31 > 0:27:33but it doesn't matter.
0:27:33 > 0:27:35I killed a man, Anderson.
0:27:49 > 0:27:53I've never seen Pop at a loss for words!
0:27:53 > 0:27:55I grew up with boys in the family.
0:27:55 > 0:27:58I couldn't beat them up so I learned to compensate.
0:27:58 > 0:28:04With charm, wit and a razor-sharp sense of how to bring a grown man to his knees.
0:28:04 > 0:28:08Which grown man are we referring to now?
0:28:16 > 0:28:18Good night.
0:28:18 > 0:28:22You're not begging to come upstairs?
0:28:23 > 0:28:26Let's just say some things are worth waiting for.
0:28:43 > 0:28:46What happened to, "It's not so well written"?
0:28:46 > 0:28:50We were short a column so I goosed yours and sent it to the presses.
0:28:50 > 0:28:56There weren't enough facts. It's a baseball bat. You said it wasn't ready yet.
0:28:56 > 0:28:59It wasn't but you can't run blank space.
0:28:59 > 0:29:04- You have to stop this, Mike.- Don't worry. I did some quick research.
0:29:04 > 0:29:11We won't win over the opposition but every liberal in Manhattan will know what a jackass Rawlings is.
0:29:11 > 0:29:15Congratulations, Mags. You're going to be published.
0:29:28 > 0:29:31Look like you could use the company.
0:29:31 > 0:29:33I'm guessing we both could.
0:29:34 > 0:29:36How did you handle it, Bridget?
0:29:36 > 0:29:39The lying? The deception?
0:29:39 > 0:29:41It was hard at first.
0:29:43 > 0:29:45I got caught up in the rush of it.
0:29:45 > 0:29:49Convinced myself it was for a good cause and...
0:29:49 > 0:29:51for a while that worked.
0:29:51 > 0:29:54Have you had to take a polygraph?
0:29:54 > 0:29:56A lie detector? No.
0:29:59 > 0:30:04Have you ever...done something in this job that's haunted you?
0:30:04 > 0:30:06Yes. And it still does.
0:30:07 > 0:30:10What's wrong, Kate?
0:30:11 > 0:30:13I'm sorry.
0:30:13 > 0:30:15I shouldn't have asked.
0:30:15 > 0:30:19I suppose this is what it's like being on the outside.
0:30:19 > 0:30:24Everything I thought I understood about this world,
0:30:24 > 0:30:26it's been turned upside down.
0:30:28 > 0:30:31If I don't pass this polygraph I lose everything.
0:30:32 > 0:30:36Whatever's happened, it's in the past.
0:30:36 > 0:30:39One thing I've learned about this nasty business
0:30:39 > 0:30:43is whatever it takes to save yourself, we do it.
0:30:43 > 0:30:47- Table for one.- Of course, sir.
0:30:50 > 0:30:54I know that this is none of my business,
0:30:54 > 0:30:57but you've been gone a long time.
0:30:57 > 0:31:00If Dean has started over, maybe you should, too.
0:31:12 > 0:31:15KNOCK ON DOOR
0:31:30 > 0:31:34I guess we're not going to make that dinner reservation.
0:31:34 > 0:31:36Sorry.
0:31:37 > 0:31:41I needed to walk. You know, clear my head.
0:31:41 > 0:31:43You're confused, as you should be.
0:31:43 > 0:31:47I'm not confused. I know exactly what I want.
0:31:47 > 0:31:52- You. - You can't force this decision, Dean.
0:31:52 > 0:31:55- There is no decision. - Of course there is.
0:31:57 > 0:32:01You told me to talk to her and now you hold that against me?
0:32:01 > 0:32:03I'm not holding anything against you.
0:32:03 > 0:32:08- I've been trying to tell myself nothing has changed.- Look at me.
0:32:09 > 0:32:14What has really changed since yesterday? Huh?
0:32:15 > 0:32:18I'm still not half as handsome as...
0:32:18 > 0:32:20Sir Bedford?
0:32:20 > 0:32:23It's Redford.
0:32:23 > 0:32:26Not half as popular as the Beatles.
0:32:28 > 0:32:30You were in love with her, Dean.
0:32:30 > 0:32:32She broke your heart.
0:32:32 > 0:32:36Now she's back. I can't be in the middle of that.
0:32:40 > 0:32:44- Colette.- Please don't make this any harder.
0:32:44 > 0:32:46Just go.
0:33:10 > 0:33:12Once you were upstairs,
0:33:12 > 0:33:17did you see Mr Anderson engage in a fight with Mr Sirus Bolger?
0:33:19 > 0:33:20Yes.
0:33:20 > 0:33:23Did Mr Anderson see you?
0:33:25 > 0:33:27I don't... I don't think so.
0:33:29 > 0:33:31No.
0:33:31 > 0:33:33Did Mr Bolger see you?
0:33:36 > 0:33:38No.
0:33:43 > 0:33:46Very good, Miss Cameron.
0:33:46 > 0:33:48Now...
0:33:48 > 0:33:52Miss Cameron, did Mr Anderson shoot Mr Bolger?
0:33:55 > 0:33:58Answer the question, Miss Cameron.
0:34:12 > 0:34:14I thought you'd be gone.
0:34:14 > 0:34:17By "thought", I mean "hoped".
0:34:18 > 0:34:21You were right earlier.
0:34:21 > 0:34:23I was lying.
0:34:24 > 0:34:28Gold star for me(!) But I never cheated on you.
0:34:28 > 0:34:31There were never any other men.
0:34:31 > 0:34:33I was not married.
0:34:33 > 0:34:38All I ever wanted was to be your wife, Dean. I love you.
0:34:38 > 0:34:39But I had to leave.
0:34:41 > 0:34:46OK, so give me one good reason why you would have to disappear.
0:34:46 > 0:34:51Without a call, without a trace, a note - anything.
0:34:51 > 0:34:52It was life or death.
0:34:52 > 0:34:58My life and the life of others around me. I was in real danger.
0:34:58 > 0:35:01Why the hell would anyone want to hurt YOU, Bridget?
0:35:06 > 0:35:10Because I worked for British Intelligence, MI6.
0:35:14 > 0:35:16I was a spy, Dean.
0:35:18 > 0:35:20I was a spy.
0:35:20 > 0:35:23Dean, you've got to believe me!
0:35:23 > 0:35:27Those other men were contacts, not lovers. Dean!
0:35:27 > 0:35:32They told me I had to disappear. I wanted to tell you but I couldn't.
0:35:32 > 0:35:34It was for your own safety and mine.
0:35:34 > 0:35:38What do you want me to do with this information? Say, "Gee, thanks"?
0:35:38 > 0:35:42The whole relationship has been a series of lies.
0:35:42 > 0:35:46For your country or for the hell of it makes no difference to me.
0:35:46 > 0:35:50I moved on. One thing I never lied about was you.
0:35:50 > 0:35:52I've always loved you.
0:35:52 > 0:35:56It's too late for that now. Dean, look at me.
0:35:56 > 0:35:58Tell me you don't have feelings for me.
0:35:58 > 0:36:01Tell me that you don't love me.
0:36:01 > 0:36:06If you can do that, I'll walk down that corridor and disappear.
0:36:33 > 0:36:35BANGING ON DOOR
0:36:35 > 0:36:39- Ted!- Hey.- What are you doing here?
0:36:39 > 0:36:43- I hope you don't mind me dropping by.- I was just leaving. - Oh. To your boyfriend's?
0:36:43 > 0:36:47Maggie is expecting...company.
0:36:47 > 0:36:51Kate's in London so I'm staying at her house. I don't have a boyfriend.
0:36:51 > 0:36:56Is that because you said, er, you lost your...lock box?
0:36:56 > 0:36:58- Good night, Ted.- Wait. Forget that.
0:36:58 > 0:37:01I, er... I have something for you.
0:37:02 > 0:37:08- Ted!- It's the real deal, all the bells and whistles and everything.
0:37:11 > 0:37:14It's...beautiful!
0:37:15 > 0:37:19- And expensive! Why?- Because you talked a lot of sense into me.
0:37:19 > 0:37:25- You bought me a professional camera because I talked a lot of sense? - You're an excellent photographer.
0:37:25 > 0:37:27Probably.
0:37:27 > 0:37:31You're a real talent. It'd be a shame for the world not to see that.
0:37:31 > 0:37:35- That's not all? - No. I need your help.
0:37:36 > 0:37:38Shopping for an engagement ring.
0:37:38 > 0:37:41I'm going to ask Amanda to marry me.
0:37:41 > 0:37:43LAUGHING: Yeah!
0:37:43 > 0:37:47- I'll call you a cab. I'll tell you all about it.- OK.
0:37:53 > 0:37:55SOFT MUSIC PLAYS IN APARTMENT
0:37:57 > 0:38:01I don't agree with any of your ideas. I'm never going to.
0:38:01 > 0:38:05Is that why you summoned me here? To tell me you disagree with me?
0:38:05 > 0:38:08I thought we covered that territory.
0:38:08 > 0:38:11No. I, er... I have to talk to you.
0:38:14 > 0:38:18Haven't you done enough talking for one day?
0:38:18 > 0:38:21- Chris, I need to tell you... - Can't it wait?
0:38:21 > 0:38:24Till the morning?
0:38:32 > 0:38:35- It can wait till the morning.- Good.
0:38:42 > 0:38:44Kate, you did well.
0:38:46 > 0:38:52- I did what you told me.- Did you ask yourself an internal question?
0:38:52 > 0:38:54Yes.
0:38:54 > 0:38:56Will I ever forgive myself?
0:38:56 > 0:38:58No.
0:38:59 > 0:39:01Goodbye, Anderson.
0:39:01 > 0:39:03You saved my life, Kate.
0:39:04 > 0:39:08You saved the lives of every agent on that list.
0:39:08 > 0:39:14Now you've passed a polygraph under conditions which would have made most good agents crumble.
0:39:14 > 0:39:17Despite your protestations,
0:39:17 > 0:39:20you're very good at this.
0:39:23 > 0:39:26You're free to go, as promised.
0:39:34 > 0:39:36Anderson, wait.
0:39:38 > 0:39:40Wait.
0:39:42 > 0:39:45# You'll never know how much I really love you
0:39:47 > 0:39:51# You'll never know how much I really care
0:39:52 > 0:39:54# Listen
0:39:54 > 0:39:57# Do you want to know a secret?
0:39:58 > 0:40:00# Do you promise not to tell?
0:40:00 > 0:40:02# Woah woah
0:40:02 > 0:40:03# Closer
0:40:04 > 0:40:07# Let me whisper in your ear
0:40:08 > 0:40:10# Say the words I long to hear
0:40:11 > 0:40:14# I'm in love with you
0:40:14 > 0:40:17# Oo-oo-ooh
0:40:17 > 0:40:20# Oo-oo-oo-ooh
0:40:20 > 0:40:26# Oo-oo-oo-ooh. #
0:40:26 > 0:40:29Subtitles by Red Bee Media Ltd
0:40:31 > 0:40:34E-mail subtitling@bbc.co.uk