0:00:02 > 0:00:04'Previously:' We'd like to move you up from courier to agent.
0:00:04 > 0:00:06I'm George Broyles. Who is that?
0:00:06 > 0:00:07Oh, that's a sky god.
0:00:07 > 0:00:09What are you doing with all this? Diplomatic relations.
0:00:09 > 0:00:11And you brought this all on our flight?
0:00:11 > 0:00:13I don't wanna lie to you.
0:00:13 > 0:00:15Then don't.
0:00:15 > 0:00:18I wanna feel how liberating anonymous can be.
0:00:18 > 0:00:20This is about self-expression.
0:00:22 > 0:00:23Will you marry me? Yes.
0:00:23 > 0:00:26I wish I could be more like you.
0:00:39 > 0:00:40Oh!
0:00:40 > 0:00:42I'm so sorry. My mistake.
0:00:42 > 0:00:45It certainly was.
0:00:45 > 0:00:49OK, let's try it again from the beginning.
0:00:49 > 0:00:50SIGHS: I'll get it.
0:00:50 > 0:00:53But you still haven't told me why I'm doing this, Richard.
0:00:53 > 0:00:55What is my mission? First things first.
0:00:55 > 0:00:56The key to pickpocketing for a woman
0:00:56 > 0:00:58is not to do it like a man.
0:00:58 > 0:01:00For a woman, it's all about distraction -
0:01:00 > 0:01:04touch, kiss, the foreplay before the lift.
0:01:04 > 0:01:07Make men fantasise so their minds are elsewhere.
0:01:07 > 0:01:09In other words, seduce them.
0:01:09 > 0:01:12In other words...
0:01:12 > 0:01:15Put a little Pan Am into it?
0:01:15 > 0:01:16You surprise me more every day.
0:01:16 > 0:01:18Mm.
0:01:18 > 0:01:20But you still need more practice.
0:01:20 > 0:01:24I'll get the practice in. What's my mission?
0:01:24 > 0:01:26You leave for Rome tomorrow.
0:01:26 > 0:01:28We've arranged entry for your Pan Am crew
0:01:28 > 0:01:30to a party following an international conference
0:01:30 > 0:01:32on the space race.
0:01:32 > 0:01:33Kennedy's goal to reach the moon first
0:01:33 > 0:01:36has everyone scrambling.
0:01:36 > 0:01:38Alessandro d'Arco.
0:01:38 > 0:01:41Used to work for SIOS - Italian intelligence.
0:01:41 > 0:01:43Now he's a freelance courier.
0:01:43 > 0:01:45He'll be carrying a microfilm case.
0:01:45 > 0:01:49Inside are stolen American rocket plans.
0:01:49 > 0:01:52And I have to pick them out of his pocket?
0:01:52 > 0:01:54Before he's able to pass them on to the Soviets that same night.
0:01:54 > 0:01:55EXHALES DEEPLY
0:01:55 > 0:01:57You won't be alone.
0:01:57 > 0:01:59There'll be SIOS Agents at the party.
0:01:59 > 0:02:01As backup? More like observers.
0:02:01 > 0:02:02The Italians have granted us access,
0:02:02 > 0:02:05but that's as far as they're willing to go.
0:02:05 > 0:02:07And what if I fail?
0:02:07 > 0:02:11At least you'll have a new career as a thief to fall back on.
0:02:11 > 0:02:14All right, let's try it again.
0:02:17 > 0:02:20KNOCK ON DOOR
0:02:26 > 0:02:28Amanda.
0:02:28 > 0:02:31Maggie. Do you have a minute?
0:02:31 > 0:02:34I was actually in the middle of something, but...
0:02:34 > 0:02:38Oh. The Kennedy campaign.
0:02:38 > 0:02:41Did you work on it? I was a volunteer,
0:02:41 > 0:02:43went from city to city, house to house.
0:02:43 > 0:02:46Changing the world one doorbell at a time.
0:02:46 > 0:02:48CHUCKLES
0:02:48 > 0:02:50Look, Amanda, I...
0:02:50 > 0:02:53No, Maggie, please.
0:02:53 > 0:02:55Let me explain.
0:02:55 > 0:02:58What happened the other night...
0:02:58 > 0:03:02I just...got caught up in all the evening's emotions,
0:03:02 > 0:03:06what with Teddy proposing and all the celebration.
0:03:06 > 0:03:09It just happened, OK?
0:03:09 > 0:03:11Honestly, it's no big deal.
0:03:11 > 0:03:12I didn't know, so...
0:03:12 > 0:03:14It's not even the first time that's happened to me.
0:03:14 > 0:03:17I must be sending out some kind of signal or something.
0:03:17 > 0:03:19A girl signal.
0:03:19 > 0:03:20LAUGHS: Must be it.
0:03:20 > 0:03:21Who knew?
0:03:21 > 0:03:24Look...
0:03:24 > 0:03:28I just wanna make sure, you know, Teddy doesn't...
0:03:28 > 0:03:32Oh, no, no. Your secret is safe with me.
0:03:32 > 0:03:34Thank you, Maggie.
0:03:34 > 0:03:36You're a true friend.
0:03:49 > 0:03:51Look all you want, you won't find it.
0:03:51 > 0:03:54My name. I'm sitting the next flight out.
0:03:54 > 0:03:56Turns out you can't just have a wedding.
0:03:56 > 0:03:58You gotta spend months planning the damn thing.
0:03:58 > 0:04:01Yeah, well, at least you two are still talking.
0:04:01 > 0:04:03More than I can say. CLEARS THROAT:
0:04:03 > 0:04:06TED: Oh, Colette.
0:04:06 > 0:04:08Won't return my calls. Won't even speak to me.
0:04:08 > 0:04:11Ouch. Bridget thing?
0:04:11 > 0:04:13She says I'm in love with two women.
0:04:13 > 0:04:14I don't even think that's possible.
0:04:14 > 0:04:16Well, technically it's possible to love three,
0:04:16 > 0:04:17but I'm not gonna go into specifics.
0:04:17 > 0:04:19The point is, it's the sex.
0:04:19 > 0:04:21It ruins everything. I mean, don't get me wrong.
0:04:21 > 0:04:23It makes certain relationships more fun,
0:04:23 > 0:04:26but the "fun" ones are not the ones you wanna marry.
0:04:26 > 0:04:27By the way, so you're telling me
0:04:27 > 0:04:29that you and Amanda, you haven't... We haven't.
0:04:29 > 0:04:31Oh, come on. We haven't.
0:04:31 > 0:04:34And I'm glad. It's made me take things more seriously.
0:04:34 > 0:04:38Painfully, painfully seriously.
0:04:38 > 0:04:39Look, if it's real, you know it,
0:04:39 > 0:04:41so just figure out a way to prove that to Colette
0:04:41 > 0:04:44and never, ever give up.
0:04:44 > 0:04:45See, now that's the only rational thing
0:04:45 > 0:04:46you've said all day. Good.
0:04:46 > 0:04:48Then I've met my quota.
0:04:51 > 0:04:54# I've got love Written all over my face
0:04:54 > 0:04:55CAMERA SHUTTER CLICKS
0:04:57 > 0:05:02# I got l-o-v-e written all over the place
0:05:04 > 0:05:06# I wobble around up on a cloud
0:05:06 > 0:05:08Hey, do I know you?
0:05:08 > 0:05:10I don't think so.
0:05:10 > 0:05:12Sorry.
0:05:12 > 0:05:14I know I've seen you somewhere.
0:05:15 > 0:05:18The photos, right?
0:05:18 > 0:05:19Oh, right, yes.
0:05:19 > 0:05:21You and everyone else, unfortunately.
0:05:21 > 0:05:23That's some ground-breaking stuff.
0:05:23 > 0:05:25It's really bold, electric.
0:05:25 > 0:05:28You're very far ahead of your time.
0:05:28 > 0:05:31All that from a magazine cover? Thank you.
0:05:31 > 0:05:33Magazine?
0:05:33 > 0:05:36Life Magazine. I'm the Pan Am stewardess on the cover.
0:05:36 > 0:05:39I don't think Life would ever publish those photos.
0:05:39 > 0:05:41Wait. What...what photos are you talking about?
0:05:41 > 0:05:43The nudes.
0:05:46 > 0:05:50Where did...where... where did you see them?
0:05:50 > 0:05:52Gallery in the Village.
0:05:52 > 0:05:53Uh, Van something.
0:05:53 > 0:05:54I need to know the name.
0:05:54 > 0:05:56Van Amberg gallery, I think.
0:05:56 > 0:05:57Excuse me.
0:06:01 > 0:06:03Hey, Maggie.
0:06:03 > 0:06:05I've been meaning to ask you if you liked Amanda.
0:06:05 > 0:06:07I did, and I think she liked me.
0:06:07 > 0:06:09Oh, I figured you two would hit it off.
0:06:09 > 0:06:10She's been bringing up your name a lot.
0:06:10 > 0:06:12Oh. Has she now? Uh-huh.
0:06:12 > 0:06:13You know, you two should get together,
0:06:13 > 0:06:16once we get through all this wedding stuff.
0:06:16 > 0:06:17Oh, I don't know, Ted.
0:06:17 > 0:06:20The first few months of married life,
0:06:20 > 0:06:22the lovebirds should really feather the nest alone.
0:06:22 > 0:06:24Don't you think?
0:06:24 > 0:06:26We're feathering the nest, not building a cage.
0:06:26 > 0:06:27Yeah.
0:06:27 > 0:06:29What's going on with you? Nothing.
0:06:29 > 0:06:32I just think the two of you should...
0:06:32 > 0:06:36really, really get to know each other.
0:06:36 > 0:06:39Wait. Maggie... SIGHS
0:06:39 > 0:06:41Are you jealous?
0:06:41 > 0:06:42What?! No.
0:06:42 > 0:06:44I mean, I get it. You're at the age
0:06:44 > 0:06:46where you probably wanna feather your own nest,
0:06:46 > 0:06:47and hearing about us...
0:06:47 > 0:06:49Ted, stop talking.
0:06:49 > 0:06:54I just don't want you to make a mistake.
0:06:54 > 0:06:55What the hell is that supposed to mean?
0:06:55 > 0:06:58SIGHS
0:06:58 > 0:07:02At the fund-raiser, er, Amanda and I were alone,
0:07:02 > 0:07:06and...well, she was trying to make me feel better,
0:07:06 > 0:07:09and, er... she might have kissed me.
0:07:09 > 0:07:11And... Wait. What?
0:07:11 > 0:07:12It wasn't a big deal,
0:07:12 > 0:07:15but I thought maybe you should know.
0:07:15 > 0:07:18LAUGHS You're joking, right?
0:07:18 > 0:07:20I mean, this is ridiculous.
0:07:20 > 0:07:23This is the woman I'm about to marry,
0:07:23 > 0:07:24and you're trying to... what are you trying to do?
0:07:24 > 0:07:25No, no, I'm not trying to do anything. I just...
0:07:25 > 0:07:27Just because I can see my future and you've never been able
0:07:27 > 0:07:30to get a grip on your own doesn't mean you can start a rumour. You...you know what?
0:07:30 > 0:07:33You're right. I'm joking.
0:07:33 > 0:07:34It never happened.
0:07:34 > 0:07:41And I hope you have a long and happy married life.
0:07:41 > 0:07:44And we will never discuss this again.
0:08:03 > 0:08:05What are you doing in my cubby?
0:08:05 > 0:08:08Learning more about my favourite stewardess.
0:08:08 > 0:08:09Why do they call 'em "cubbies" anyway?
0:08:09 > 0:08:11Makes you seem like a bunch of kindergartners.
0:08:11 > 0:08:13Funny. I thought you were the kindergartner.
0:08:13 > 0:08:15All right, all right, cool your jets.
0:08:15 > 0:08:17Let me make it up to you. Lunch?
0:08:17 > 0:08:18Nice try,
0:08:18 > 0:08:20but last I checked, I'm on a flight to Rome,
0:08:20 > 0:08:21and you are not.
0:08:21 > 0:08:22Check again.
0:08:22 > 0:08:25I know this little place on the Via di Monte.
0:08:25 > 0:08:28It's Jack Kennedy's favourite restaurant in Rome.
0:08:28 > 0:08:31I'm really not interested in dating you.
0:08:31 > 0:08:33I'm not interested in dating you either.
0:08:33 > 0:08:34Then why?
0:08:34 > 0:08:38Come to lunch and find out.
0:08:40 > 0:08:41SHOES CLATTER
0:08:41 > 0:08:43Ooh. Ooh. I'm so sorry.
0:08:43 > 0:08:46That man is infuriating.
0:08:46 > 0:08:48Did you do something to your hair?
0:08:48 > 0:08:51What?
0:08:51 > 0:08:53I like it.
0:08:53 > 0:08:55It's so soft.
0:08:55 > 0:08:57It's the signal.
0:08:57 > 0:09:01I'm giving off the... the girl signal?
0:09:01 > 0:09:02Hmm?
0:09:03 > 0:09:05Oh. Look at that.
0:09:05 > 0:09:07CHUCKLES NERVOUSLY Your wallet.
0:09:07 > 0:09:09Is it my posture?
0:09:20 > 0:09:21So...
0:09:21 > 0:09:25Do you have any, er, plans when we get to Rome?
0:09:27 > 0:09:29Cos I was hoping for a public flogging
0:09:29 > 0:09:30in the Colosseum.
0:09:33 > 0:09:35Colette, we're never gonna talk about this
0:09:35 > 0:09:36if you just keep avoiding me.
0:09:36 > 0:09:39We can't talk about this because there is nothing left to say.
0:09:39 > 0:09:40Actually, I have plenty to say.
0:09:40 > 0:09:41I know.
0:09:41 > 0:09:43I know you still care about me.
0:09:43 > 0:09:46I know you wish you could change the past. OK, but you...you're...
0:09:46 > 0:09:48you're forgetting the most important part.
0:09:48 > 0:09:50It's the part where I tell you that I have...
0:09:50 > 0:09:53I've fallen in love with you and I will do whatever it takes
0:09:53 > 0:09:54to prove that to you.
0:09:54 > 0:09:57But you can't. Dean, I need to move on.
0:09:57 > 0:10:00Just give me a chance.
0:10:00 > 0:10:03I put in for a transfer to the hong Kong base.
0:10:05 > 0:10:08Hold on. We have a last-minute passenger addition.
0:10:08 > 0:10:11They found him wandering around the cargo area.
0:10:14 > 0:10:17FOREIGN ACCENT: I'm afraid I made a wrong turn.
0:10:17 > 0:10:20Luckily, they found me, or I would be riding on the wing.
0:10:20 > 0:10:22Well, we stopped boarding ten minutes ago,
0:10:22 > 0:10:23so you almost missed your flight.
0:10:23 > 0:10:25Must be my lucky day.
0:10:25 > 0:10:28Did they manage to check your luggage, Mister...
0:10:28 > 0:10:31No luggage. Friends call me Omar.
0:10:31 > 0:10:32Omar it is, then.
0:10:32 > 0:10:37How about we find a seat for, er, Omar, shall we?
0:10:44 > 0:10:46SIGHS
0:10:46 > 0:10:47When registering for housewares,
0:10:47 > 0:10:50sometimes it's better to bring gimbels to your actual house.
0:10:50 > 0:10:52Mm.
0:10:54 > 0:10:56SIGHS What do you think, Teddy?
0:10:56 > 0:10:58Ivory lace or Dover fog?
0:10:58 > 0:11:01Mm, the white one.
0:11:01 > 0:11:02Neither of them is white.
0:11:02 > 0:11:04LAUGHS They look the same to me.
0:11:04 > 0:11:07Indulge me, Teddy. I am a woman of eclectic tastes.
0:11:07 > 0:11:10Eclectic tastes.
0:11:10 > 0:11:13Yeah,I've been wondering about something. CLATTER
0:11:13 > 0:11:16We're gonna spend a long life together, right?
0:11:16 > 0:11:19You forgot "rewarding." A long, rewarding life?
0:11:19 > 0:11:21Oh, right. Which glass?
0:11:21 > 0:11:23Uh, whichever one holds more booze.
0:11:23 > 0:11:27CHUCKLES Er, but for a life to be rewarding, um...
0:11:27 > 0:11:30it needs to be built on honesty, don't you think?
0:11:30 > 0:11:32Hold that thought.
0:11:32 > 0:11:34OK.
0:11:39 > 0:11:41Now...
0:11:41 > 0:11:43what were you gonna ask me?
0:11:43 > 0:11:46Nothing.
0:11:46 > 0:11:49ENGINE ROARING
0:11:49 > 0:11:51Is everything OK?
0:11:51 > 0:11:54I've often wondered where these come from.
0:11:54 > 0:11:56Perhaps a tiny bartender.
0:11:56 > 0:11:58But you only get a tiny hangover.
0:11:58 > 0:12:00BOTH CHUCKLE
0:12:00 > 0:12:01Have you been to Rome?
0:12:01 > 0:12:03Yes, but, er,
0:12:03 > 0:12:05I have to confess I haven't done much sightseeing.
0:12:05 > 0:12:08Only from the backseat of a car.
0:12:08 > 0:12:09Well, then you haven't really seen anything.
0:12:09 > 0:12:13You have to stroll down the Spanish Steps,
0:12:13 > 0:12:15visit Trevi Fountain at sunset.
0:12:15 > 0:12:16Sounds lovely. Mm-hmm.
0:12:16 > 0:12:19And better if you have someone to share it with.
0:12:19 > 0:12:22But you are travelling alone, no?
0:12:22 > 0:12:24No companions. No luggage.
0:12:24 > 0:12:28Awoke this morning and booked a flight to Rome.
0:12:28 > 0:12:29Sometimes we need a change in pace
0:12:29 > 0:12:32to see life as it really is.
0:12:32 > 0:12:35I couldn't agree more, Omar.
0:12:35 > 0:12:39You know my name, but I don't know yours.
0:12:41 > 0:12:43My name is Colette.
0:12:43 > 0:12:45Pleased to make your acquaintance, Colette.
0:12:45 > 0:12:48The pleasure is all mine, Omar.
0:13:21 > 0:13:23No. Oh, no.
0:13:23 > 0:13:24Hey, hey, what are you doing?
0:13:24 > 0:13:26I want them down.
0:13:26 > 0:13:27Oh, you're her... the model.
0:13:27 > 0:13:29These photos need to come down right now.
0:13:29 > 0:13:32Stop. I can't. I have a contract.
0:13:32 > 0:13:34Look, I don't understand.
0:13:34 > 0:13:35OK. You must have willingly posed for Graham.
0:13:35 > 0:13:37He never said he would sell them.
0:13:37 > 0:13:39They're supposed to be private,
0:13:39 > 0:13:43not on display for the world to see.
0:13:43 > 0:13:46He sold them to me along with the negatives.
0:13:46 > 0:13:48I had no idea.
0:13:48 > 0:13:50All I knew was this was the most beautiful model
0:13:50 > 0:13:51I'd ever seen.
0:13:51 > 0:13:55I am through being that person...
0:13:55 > 0:13:57just a woman on the cover of a magazine,
0:13:57 > 0:14:00being judged by how she looks.
0:14:00 > 0:14:03I don't judge a photograph - a good one, anyway -
0:14:03 > 0:14:04on how the model looks.
0:14:04 > 0:14:08It's, you know, it's how the picture makes you feel.
0:14:08 > 0:14:10I only know how they make me feel,
0:14:10 > 0:14:13and I just want them down, please.
0:14:13 > 0:14:15Look, I have an important buyer
0:14:15 > 0:14:16who's willing to take them from me
0:14:16 > 0:14:19for quite a bit of money.
0:14:19 > 0:14:21But...
0:14:21 > 0:14:23I'll sell them to you for my cost
0:14:23 > 0:14:25if you can get me the money by closing today.
0:14:25 > 0:14:26Really?
0:14:26 > 0:14:28Oh, thank you. Thank you so much.
0:14:28 > 0:14:31How much do you need? I will get it to you.
0:14:31 > 0:14:32500 and they're yours.
0:14:32 > 0:14:34500?
0:14:44 > 0:14:46I thought maybe you were thirsty.
0:14:46 > 0:14:49Unfortunately, I spent my last dollar on the ticket.
0:14:49 > 0:14:51You are going to Rome with no money?
0:14:51 > 0:14:54Ah, I guess I'm not one for planning.
0:14:54 > 0:14:57Hmm. Well, lucky for you,
0:14:57 > 0:15:00refreshments are courtesy of Pan Am.
0:15:00 > 0:15:03I cannot say Rome will feel the same way.
0:15:03 > 0:15:06Then I'll have to think of something before we land.
0:15:06 > 0:15:09What do you suggest? Stealing?
0:15:09 > 0:15:10Begging.
0:15:10 > 0:15:13OK. We'll try it your way.
0:15:13 > 0:15:15I beg you to see the Trevi Fountain with me
0:15:15 > 0:15:16at sunset.
0:15:16 > 0:15:19Between you and me, it's not really the fountain
0:15:19 > 0:15:21I'm interested in.
0:15:21 > 0:15:25Well, I'm not much interested in dating these days.
0:15:26 > 0:15:28But good company
0:15:28 > 0:15:30is always worth the time.
0:15:30 > 0:15:32There. You see?
0:15:32 > 0:15:33Begging works.
0:15:39 > 0:15:41SPEAKING INAUDIBLY
0:15:41 > 0:15:45Hey, Kate.
0:15:45 > 0:15:48Is it just me, or is there something off about this guy?
0:15:48 > 0:15:50Dean, she's just doing her job.
0:15:50 > 0:15:53Yeah, but does she have to do it so well?
0:15:53 > 0:15:56Here.
0:15:56 > 0:16:00Do you think she's serious about this transfer?
0:16:00 > 0:16:02What transfer?
0:16:02 > 0:16:05She said she put in for Hong Kong.
0:16:06 > 0:16:08Is this my wallet?
0:16:08 > 0:16:11CHUCKLES Well...
0:16:11 > 0:16:13Here you go.
0:16:25 > 0:16:27What's all this?
0:16:27 > 0:16:30I was hoping you could tell me, Capitano.
0:16:30 > 0:16:34This, er, is your signature.
0:16:37 > 0:16:39This is my name. I didn't sign this.
0:16:39 > 0:16:43Well, this is the cargo manifest you filed with Italian customs.
0:16:43 > 0:16:45Are you aware of the 400,000 lire worth
0:16:45 > 0:16:48of American cigarettes hidden in your cargo hold?
0:16:48 > 0:16:53The captain of any vessel has an ultimate responsibility for...
0:16:53 > 0:16:54For any cargo he's carrying. I-I understand that.
0:16:54 > 0:16:55And can lose his licence
0:16:55 > 0:16:58and face criminal charges for smuggling.
0:16:58 > 0:17:00I don't know anything about this,
0:17:00 > 0:17:03but I swear to you we'll get to the bottom of it.
0:17:03 > 0:17:06Any suspicious passengers onboard?
0:17:06 > 0:17:10Often they travel alone, no luggage,
0:17:10 > 0:17:12pay for everything in cash.
0:17:12 > 0:17:16I-I think I might know someone who fits that description.
0:17:16 > 0:17:18KNOCK ON DOOR
0:17:18 > 0:17:21Laura. You OK?
0:17:21 > 0:17:22SIGHS I don't know. I don't know.
0:17:22 > 0:17:27I...oh. I'm so sorry.
0:17:27 > 0:17:29I didn't mean to interrupt. That's OK.
0:17:29 > 0:17:31We could use a woman's opinion.
0:17:31 > 0:17:32TELEPHONE RINGING
0:17:32 > 0:17:34Um... It's all right.
0:17:34 > 0:17:37I-I'm sorry. I'll just be a second.
0:17:37 > 0:17:39RING
0:17:39 > 0:17:41SIGHS
0:17:41 > 0:17:44The thing men don't understand...
0:17:44 > 0:17:46is that the patterns you choose
0:17:46 > 0:17:50announce to everyone who you are.
0:17:50 > 0:17:53Colourful or monochromatic?
0:17:53 > 0:17:56Timid or bold?
0:17:56 > 0:17:59Teddy tells me you were engaged once?
0:17:59 > 0:18:01Afraid so, yes.
0:18:01 > 0:18:04It was a case of... Traditional and modern.
0:18:04 > 0:18:07CHUCKLES And which one were you?
0:18:07 > 0:18:09I would like to think I'm a modern girl.
0:18:09 > 0:18:14Me, too, Laura. Me, too.
0:18:14 > 0:18:17But I'm betting that's not why you're here.
0:18:17 > 0:18:21No. I, um...
0:18:21 > 0:18:24I need to borrow some money, and...
0:18:24 > 0:18:29I really don't wanna ask Ted, but...it's a lot of money.
0:18:29 > 0:18:31Well, how much do you need?
0:18:31 > 0:18:33Oh, no.
0:18:33 > 0:18:35No, not you. I... I couldn't.
0:18:35 > 0:18:37But I could.
0:18:37 > 0:18:39Us modern girls have to stick together.
0:18:42 > 0:18:45How much?
0:18:45 > 0:18:48500.
0:18:48 > 0:18:51On one condition.
0:18:51 > 0:18:53CHEQUE TEARS
0:18:53 > 0:18:55This is not a loan.
0:18:55 > 0:18:59It's...an investment in friendship.
0:19:01 > 0:19:02Um, OK.
0:19:05 > 0:19:07Thank you.
0:19:07 > 0:19:09Thank you.
0:19:09 > 0:19:11SIGHS
0:19:19 > 0:19:22WOMAN SINGING IN ITALIAN
0:19:36 > 0:19:37What finally convinced you?
0:19:37 > 0:19:40Was it the invite or my charming personality?
0:19:40 > 0:19:42Neither. I wanna tell Jack Kennedy one day
0:19:42 > 0:19:45that I dined at his favourite restaurant in Rome.
0:19:45 > 0:19:46Right, after you two become best friends
0:19:46 > 0:19:48and your kids start playing backyard football
0:19:48 > 0:19:49in Hyannis Port.
0:19:49 > 0:19:52You act like that isn't going to happen.
0:19:52 > 0:19:55In politics, everyone knows everyone.
0:19:55 > 0:19:59Hey, ciao, ragazzo, molto tempo. Ciao.
0:19:59 > 0:20:01So is that your plan, then - long-term politics?
0:20:01 > 0:20:04Cos you and I both know what the odds are for that.
0:20:04 > 0:20:06I don't remember asking for your opinion.
0:20:06 > 0:20:09Oh, which is why you should value it. It's unsolicited.
0:20:09 > 0:20:11I made a mistake coming here.
0:20:11 > 0:20:14The truth is, you're a Pan Am stewardess.
0:20:14 > 0:20:16And for some women, that would be the ultimate accomplishment.
0:20:16 > 0:20:19But sooner or later, you turn 32,
0:20:19 > 0:20:21they turn you out,
0:20:21 > 0:20:23retire you.
0:20:23 > 0:20:25Of course, I've read your personnel file.
0:20:25 > 0:20:27You won't make it that far.
0:20:27 > 0:20:30You know how many women serve in Congress?
0:20:30 > 0:20:3120.
0:20:31 > 0:20:33Which translates to around 3%.
0:20:33 > 0:20:35All of them got into politics at an earlier age than you
0:20:35 > 0:20:38or married into it or got a college degree for it.
0:20:38 > 0:20:39I have a degree.
0:20:39 > 0:20:42A real one. Not a fake one.
0:20:49 > 0:20:51Do you know what it is that I do?
0:20:51 > 0:20:54Besides treat every airplane like your personal limousine
0:20:54 > 0:20:56and every stewardess like your personal...
0:20:56 > 0:20:58I don't treat planes like limousines, Maggie.
0:20:58 > 0:21:02I treat them like trucks - specifically, cargo trucks.
0:21:02 > 0:21:04I use them to transport goods from people who don't need them
0:21:04 > 0:21:05to people who do.
0:21:05 > 0:21:08You're a smuggler?
0:21:08 > 0:21:09I'm a provider.
0:21:09 > 0:21:12Now sometimes that means providing food to the hungry,
0:21:12 > 0:21:14clothing to the impoverished, medicine to the sick.
0:21:14 > 0:21:16Cigarettes to the needy,
0:21:16 > 0:21:18vodka to the thirsty.
0:21:18 > 0:21:20I won't deny that there's a profit to be made,
0:21:20 > 0:21:23but... SIGHS it's getting harder.
0:21:23 > 0:21:25I need someone inside
0:21:25 > 0:21:28to help me with, er, with routes, restrictions,
0:21:28 > 0:21:30cargo manifests.
0:21:30 > 0:21:32And who better to get through customs,
0:21:32 > 0:21:34no questions asked, than a stewardess?
0:21:34 > 0:21:36Oh, not just any stewardess.
0:21:36 > 0:21:38You made it to purser.
0:21:38 > 0:21:40You have more access and experience
0:21:40 > 0:21:43on a flight crew than just about anybody else.
0:21:43 > 0:21:46What are you asking me?
0:21:46 > 0:21:50I need a partner, Maggie...
0:21:50 > 0:21:53someone to share in the risks and rewards,
0:21:53 > 0:21:57and I think that someone... is you.
0:22:06 > 0:22:08Oh, and I thought I was a fast driver.
0:22:08 > 0:22:13CHUCKLES It's not every day I get to ride on one of these.
0:22:13 > 0:22:16Speaking of, what do you do every day?
0:22:16 > 0:22:18I am in the service industry.
0:22:18 > 0:22:20I, er, smile,
0:22:20 > 0:22:23greet people, make them feel welcome.
0:22:23 > 0:22:25So you're a Pan Am stewardess.
0:22:25 > 0:22:27LAUGHS
0:22:27 > 0:22:30Perhaps I have found my true calling. CHUCKLES
0:22:30 > 0:22:33Thank you.
0:22:35 > 0:22:36If I tried more begging,
0:22:36 > 0:22:38would you join me for dinner tonight?
0:22:38 > 0:22:42Other plans?
0:22:42 > 0:22:45We have an official Pan Am appearance at a party tonight -
0:22:45 > 0:22:47an ambassador's residence. Which you're gonna be late for
0:22:47 > 0:22:49if you don't hurry up and get a move on.
0:22:49 > 0:22:53Dean, this is Omar. He was a passenger on our flight.
0:22:53 > 0:22:55Oh, yeah, the man with no luggage.
0:22:55 > 0:22:56I remember. How are you finding Rome?
0:22:56 > 0:22:59The sights are quite beautiful.
0:22:59 > 0:23:01I'm sure no more beautiful than wherever it is you're from.
0:23:01 > 0:23:02Where are you from?
0:23:02 > 0:23:04Dean. What, Colette?
0:23:04 > 0:23:05You don't know a thing about this guy.
0:23:05 > 0:23:07Don't you wanna find out a little more
0:23:07 > 0:23:08about your friend?
0:23:08 > 0:23:10You like cigarettes?
0:23:10 > 0:23:11What is this? I'll tell you about it
0:23:11 > 0:23:14on the way to the party. I'm not going to the party with you, Dean.
0:23:14 > 0:23:16I believe the lady wants you to leave her alone.
0:23:16 > 0:23:18I don't think this is any of your business.
0:23:18 > 0:23:19Oh, yes, it is,
0:23:19 > 0:23:22because he's coming to the party with me tonight.
0:23:26 > 0:23:28Meet me here at seven?
0:23:28 > 0:23:30I'd be delighted.
0:23:30 > 0:23:31Great.
0:23:38 > 0:23:41STRING QUARTET PLAYING WALTZ
0:23:43 > 0:23:46INDISTINCT CONVERSATIONS
0:23:53 > 0:23:57Could you get me a Negroni at the bar?
0:23:57 > 0:24:00I'll let him get that for you.
0:24:09 > 0:24:10SHOES CLATTER
0:24:10 > 0:24:12Ohh. Ohh!
0:24:12 > 0:24:14Ahh. Hello.
0:24:14 > 0:24:15You saved me.
0:24:15 > 0:24:17SPEAKS ITALIAN
0:24:17 > 0:24:19You come to Rome, you get a pair of shoes,
0:24:19 > 0:24:21and...look what happens.
0:24:21 > 0:24:24You wind up in the arms of a stranger.
0:24:24 > 0:24:27I am Alessandro d'Arco. I'm at your service now.
0:24:27 > 0:24:28Let me get you a drink.
0:24:28 > 0:24:30Yeah, I might take you up on that a little bit later,
0:24:30 > 0:24:33but first I'm... just off to the powder room.
0:24:33 > 0:24:35Oh, please.
0:24:40 > 0:24:43INHALES AND EXHALES DEEPLY
0:24:43 > 0:24:44Shoot.
0:24:44 > 0:24:46CLICKS
0:24:51 > 0:24:52CHUCKLES
0:24:52 > 0:24:55Scusi.
0:24:55 > 0:24:58Thirsty? I'm told they have an excellent Bellini here.
0:24:58 > 0:24:59You just don't give up, do you?
0:24:59 > 0:25:01Well, you still haven't given me an answer.
0:25:01 > 0:25:03I said I'd have to think about it.
0:25:03 > 0:25:06There are two Maggie Ryans - one who thinks about herself
0:25:06 > 0:25:07and one who thinks about others.
0:25:07 > 0:25:09You're having a problem with the second one.
0:25:09 > 0:25:11I'm pretty sure neither Maggie
0:25:11 > 0:25:13wants to profit off the misery of others.
0:25:13 > 0:25:15Well, you'd be turning that misery into happiness,
0:25:15 > 0:25:17making a profit at the same time.
0:25:17 > 0:25:19Come on, Maggie. Don't let me down.
0:25:19 > 0:25:22I've had my eye on you since that incident with Dean.
0:25:22 > 0:25:24What incident?
0:25:24 > 0:25:25Don't play dumb.
0:25:25 > 0:25:28You saved your job by exposing his fling
0:25:28 > 0:25:30with a certain Pan Am VP's mistress.
0:25:30 > 0:25:31That showed moxie.
0:25:31 > 0:25:33I was afraid I'd have to threaten to tell Dean,
0:25:33 > 0:25:36but... I'm pretty sure I know what your answer's gonna be.
0:25:36 > 0:25:39And how do you know that?
0:25:39 > 0:25:43Because, Maggie, you and I - we're the same.
0:25:45 > 0:25:47Care for that Bellini now?
0:25:51 > 0:25:54The modern kitchen is a fully automated kitchen.
0:25:54 > 0:25:55Don't you think?
0:25:55 > 0:25:56Teddy?
0:25:56 > 0:25:58Hmm?
0:25:58 > 0:25:59What's wrong?
0:25:59 > 0:26:03You've been so... distracted.
0:26:03 > 0:26:05Well, I don't care about China or highball glasses
0:26:05 > 0:26:07or...or toast. I care about you.
0:26:07 > 0:26:08Here...here you are, getting to know my friends.
0:26:08 > 0:26:11I've never met any of yours.
0:26:11 > 0:26:14I hardly know anything about ya.
0:26:14 > 0:26:18SIGHS OK, Teddy.
0:26:18 > 0:26:19Ask away.
0:26:19 > 0:26:20Anything you want.
0:26:20 > 0:26:23OK. OK, good.
0:26:23 > 0:26:25Um... CHUCKLES
0:26:25 > 0:26:28Let's catch up on the last 15 years.
0:26:28 > 0:26:29Are there, um,
0:26:29 > 0:26:32any old boyfriends I need to worry about?
0:26:32 > 0:26:33No-one who compares to you.
0:26:33 > 0:26:36I'm beginning to believe that's actually true.
0:26:36 > 0:26:39What is that supposed to mean?
0:26:39 > 0:26:41Um...
0:26:41 > 0:26:44When I saw you today... with Laura,
0:26:44 > 0:26:47you looked happier with her than you've ever been with me.
0:26:47 > 0:26:50No. I am happier with you
0:26:50 > 0:26:54than I have ever been in my life.
0:27:00 > 0:27:01Come with me.
0:27:06 > 0:27:08What are you doing?
0:27:08 > 0:27:10SIGHS
0:27:10 > 0:27:12I can't wait any longer.
0:27:13 > 0:27:14GLASS CLATTERS
0:27:22 > 0:27:25Where did you learn to dance like this?
0:27:25 > 0:27:28Here and there. Oh.
0:27:28 > 0:27:30I am well trained.
0:27:30 > 0:27:31Clearly.
0:27:31 > 0:27:35I ask you questions. You dance around them.
0:27:35 > 0:27:37Your friend, the captain,
0:27:37 > 0:27:41has made you more curious about me.
0:27:41 > 0:27:43He was right.
0:27:43 > 0:27:44We've spent the day together,
0:27:44 > 0:27:47but I know next to nothing about you.
0:27:47 > 0:27:52I am a man who cannot enjoy the same freedom as you.
0:27:52 > 0:27:53And yet you woke up this morning,
0:27:53 > 0:27:58hopped on a plane to Rome with no luggage or money,
0:27:58 > 0:28:01and you are now wearing an expensive new suit.
0:28:01 > 0:28:04I am not without friends in Rome. CHUCKLES
0:28:04 > 0:28:08Dancing again.
0:28:08 > 0:28:11OMAR: Today has been a fantasy for me.
0:28:11 > 0:28:16I suppose I wanted to enjoy it for a little while longer.
0:28:16 > 0:28:21And just like that, our dance must come to an end.
0:28:21 > 0:28:23Right. That's him.
0:28:23 > 0:28:24Dean, what are you doing?
0:28:24 > 0:28:25He's a smuggler, Colette.
0:28:25 > 0:28:27No, he's not. That's not possible.
0:28:27 > 0:28:28Oh, then let's let the carabinieri decide
0:28:28 > 0:28:30whether or not he's a wanted man.
0:28:30 > 0:28:32Oh, he's most definitely a wanted man.
0:28:32 > 0:28:35Your family's been very worried about you, Your Highness.
0:28:37 > 0:28:39"Your Highness"?
0:28:39 > 0:28:44This is Prince Omar III of the Kingdom of Wahran.
0:28:44 > 0:28:48You're a prince?
0:28:48 > 0:28:51A prince?
0:28:51 > 0:28:53You're absolutely certain?
0:28:53 > 0:28:56Interpol has been circulating his photo for days.
0:28:56 > 0:28:59Dean, could you give us a minute?
0:29:07 > 0:29:10I apologise for my deception.
0:29:10 > 0:29:13I needed to escape my life...
0:29:13 > 0:29:15Obligations.
0:29:15 > 0:29:19You smile, greet people,
0:29:19 > 0:29:21make them feel welcome?
0:29:21 > 0:29:22There. You see?
0:29:22 > 0:29:24My life is not so different than yours.
0:29:24 > 0:29:28Well, there is the Royal Palace.
0:29:28 > 0:29:31A palace can be a prison as well.
0:29:31 > 0:29:34Omar, why didn't you say...
0:29:34 > 0:29:35Tell you sooner?
0:29:35 > 0:29:39Would you have treated me the same if I had?
0:29:39 > 0:29:41Your Highness,
0:29:41 > 0:29:45we have a police escort waiting to take you to the airport.
0:29:50 > 0:29:54What are you doing a week from this Friday?
0:29:54 > 0:29:55I am to dine at the White House,
0:29:55 > 0:29:58and it occurs to me I have no-one to bring.
0:29:58 > 0:30:01You won't make me beg, will you?
0:30:01 > 0:30:03No more begging.
0:30:04 > 0:30:06I would love to.
0:30:16 > 0:30:17You again.
0:30:17 > 0:30:20You're following me, Alessandro?
0:30:20 > 0:30:22Martini. Due olive.
0:30:22 > 0:30:25Well, I suppose I cannot help myself.
0:30:25 > 0:30:26How are those new shoes?
0:30:26 > 0:30:29Oh, it's nothing a martini can't fix.
0:30:29 > 0:30:31You're a friend of the ambassador?
0:30:31 > 0:30:35I'm a Pan Am stewardess. We're friends to the world.
0:30:35 > 0:30:38That must include me, then.
0:30:38 > 0:30:40Well...
0:30:40 > 0:30:44A few more drinks, and...
0:30:44 > 0:30:47Maybe you'll find out.
0:30:49 > 0:30:51Grazie.
0:30:59 > 0:31:01Shoot!
0:31:01 > 0:31:02SIGHS
0:31:14 > 0:31:16SIGHS
0:31:16 > 0:31:18It's my fault.
0:31:18 > 0:31:22No. Teddy, it was...nice.
0:31:22 > 0:31:23It'll...it'll get better.
0:31:23 > 0:31:25Of course it will.
0:31:25 > 0:31:27My first time was with Theresa Miller
0:31:27 > 0:31:28in our boathouse, in a rowboat, no less,
0:31:28 > 0:31:30which is much more difficult than it sounds.
0:31:30 > 0:31:33There were oars everywhere...
0:31:34 > 0:31:38My point is, is everybody has a story
0:31:38 > 0:31:41about their first time, and this will be ours.
0:31:41 > 0:31:45I really should go.
0:31:45 > 0:31:46Why?
0:31:46 > 0:31:49Well, we're not married yet. People will talk.
0:31:49 > 0:31:50Who cares what people say?
0:31:50 > 0:31:53I do, Ted.
0:31:56 > 0:31:57Can you...
0:31:57 > 0:31:58turn around?
0:32:01 > 0:32:02Yeah.
0:32:08 > 0:32:10INDISTINCT CONVERSATIONS
0:32:13 > 0:32:15Oh, wow. It's you.
0:32:15 > 0:32:16You're the model.
0:32:16 > 0:32:18No, no, you must have the wrong person.
0:32:18 > 0:32:21No, it's...it's you. How cool.
0:32:21 > 0:32:24You must be so proud. I could never be this brave.
0:32:24 > 0:32:27It was nothing, really.
0:32:27 > 0:32:29Nothing? These are empowering.
0:32:31 > 0:32:33Thank you.
0:32:33 > 0:32:35You know, the art critic from the Village Voice
0:32:35 > 0:32:38said these photos are transcendent.
0:32:38 > 0:32:40Really. Are you sure?
0:32:40 > 0:32:41Very sure.
0:32:41 > 0:32:43That critic was me.
0:32:43 > 0:32:46How does it feel to be a pioneer?
0:32:46 > 0:32:48Uh...
0:32:48 > 0:32:50When the buyer heard that you wanted the prints back,
0:32:50 > 0:32:52he asked to meet you.
0:32:52 > 0:32:53Who's the buyer?
0:32:53 > 0:32:56Local artist. Maybe you've heard of him.
0:32:56 > 0:32:57Andy Warhol.
0:33:07 > 0:33:09So I figure we start in Vienna.
0:33:09 > 0:33:11Work our way east.
0:33:11 > 0:33:13The Soviet Bloc - they're crazy for American whiskey.
0:33:13 > 0:33:15Broyles... We trade for Beluga caviar and vodka.
0:33:15 > 0:33:17We make a profit coming and going.
0:33:17 > 0:33:19Then we can open up a new South American route.
0:33:19 > 0:33:21I can't do this.
0:33:21 > 0:33:23Go ahead and tell Dean. Tell him everything.
0:33:23 > 0:33:25Maggie, let's not get crazy.
0:33:25 > 0:33:26What's the worst that can happen?
0:33:26 > 0:33:29You lose Pan Am. You lose everything.
0:33:29 > 0:33:31I'll take that risk.
0:33:31 > 0:33:32And why would you do that?
0:33:32 > 0:33:33Because you got the wrong Maggie.
0:33:33 > 0:33:36Because I can always go back to changing the world,
0:33:36 > 0:33:37one doorbell at a time,
0:33:37 > 0:33:42and because most of all, I'm nothing like you.
0:33:52 > 0:33:55You're leaving so soon?
0:33:55 > 0:33:57I was having such a good time.
0:33:57 > 0:33:59I almost forgot I have an early flight.
0:33:59 > 0:34:01Let me at least walk you out.
0:34:03 > 0:34:04Where is that ticket?
0:34:08 > 0:34:12Oh, er, is this... is this yours?
0:34:12 > 0:34:15Oh, yes, 47. It's mine.
0:34:15 > 0:34:16Are you sure it's yours?
0:34:16 > 0:34:19You wouldn't be trying to swipe some poor stranger's jacket.
0:34:19 > 0:34:22I would never do that.
0:34:22 > 0:34:23Oh, here.
0:34:23 > 0:34:24Please, allow me to help?
0:34:24 > 0:34:28Oh.
0:34:28 > 0:34:32Are all American women this accommodating?
0:34:32 > 0:34:35Oh, well, you'll have to come to America to find out.
0:34:35 > 0:34:38Oh, I'm sorry. Where is your coat?
0:34:38 > 0:34:41You know, I think I left my ticket in the powder room.
0:34:41 > 0:34:43I guess this is goodbye.
0:34:45 > 0:34:50In Rome, we never say goodbye. Arrivederci.
0:34:50 > 0:34:52Until we meet again.
0:35:12 > 0:35:14The guy was a prince.
0:35:14 > 0:35:17SIGHS That's just my luck.
0:35:17 > 0:35:19He fit a profile.
0:35:19 > 0:35:23Now it's back to me.
0:35:23 > 0:35:24You fit another profile.
0:35:24 > 0:35:28Many of these smugglers work from the inside.
0:35:28 > 0:35:32Who has better access to the cargo hold than a pilot?
0:35:32 > 0:35:35If you really want to catch this guy,
0:35:35 > 0:35:37I would look within your company.
0:35:41 > 0:35:44Excuse me.
0:35:48 > 0:35:51Ah, Captain Lowrey, just the man I'm looking for.
0:35:51 > 0:35:52Uhh!
0:35:52 > 0:35:53GUESTS GASP
0:35:53 > 0:35:56Find another ride home.
0:36:11 > 0:36:13Colette.
0:36:13 > 0:36:15Hey, could you hear me out?
0:36:15 > 0:36:16I don't want another discussion.
0:36:16 > 0:36:19I was wrong. OK?
0:36:19 > 0:36:20I was wrong about Omar,
0:36:20 > 0:36:23and I've been wrong about a lot of things, and I'm sorry.
0:36:23 > 0:36:25I thought that I could protect you,
0:36:25 > 0:36:29but I understand that I can't do that anymore, so...
0:36:29 > 0:36:35I'm gonna respect your wishes, and I'll leave you alone.
0:36:50 > 0:36:53I'm sorry. These are already spoken for.
0:36:53 > 0:36:56I can see why. She looks so brave.
0:36:56 > 0:36:58A pioneer.
0:36:58 > 0:36:59I think she has a pretty bright future.
0:36:59 > 0:37:02Can I take your coat? Thank you.
0:37:02 > 0:37:04So are you ready to meet Andy?
0:37:04 > 0:37:06Yes. Yes, I am.
0:37:06 > 0:37:08Good, good, cos word on the street
0:37:08 > 0:37:09is he's looking for a new model...
0:37:09 > 0:37:13someone brave, you know, a pioneer.
0:37:13 > 0:37:15He wants me?
0:37:15 > 0:37:18We'll see. He'll be here in a minute.
0:37:25 > 0:37:27AMANDA: Hi. TED: Hi.
0:37:29 > 0:37:31Do you wanna sit down? Sure.
0:37:34 > 0:37:36BOTH SIGH
0:37:36 > 0:37:37Teddy,I've been thinking about last night.
0:37:37 > 0:37:39So have I.
0:37:39 > 0:37:41And I think you were right.
0:37:41 > 0:37:43It gets better.
0:37:43 > 0:37:45And that's marriage, right?
0:37:45 > 0:37:48You start with something,
0:37:48 > 0:37:51and you build on it, grow it.
0:37:51 > 0:37:53No, that's not marriage.
0:37:53 > 0:37:57You can't...build on something if there's no honesty.
0:38:00 > 0:38:03SIGHS
0:38:03 > 0:38:06OK.
0:38:06 > 0:38:07You want honesty.
0:38:07 > 0:38:09Yeah.
0:38:09 > 0:38:13Yes.
0:38:13 > 0:38:18I am...more comfortable with women than men.
0:38:18 > 0:38:21And I don't know why...
0:38:21 > 0:38:25or how it happened.
0:38:25 > 0:38:27It's something I always felt.
0:38:27 > 0:38:30But what I do know,
0:38:30 > 0:38:32Teddy...
0:38:32 > 0:38:34is that I love you,
0:38:34 > 0:38:37and I want to be married to you.
0:38:37 > 0:38:39How?
0:38:39 > 0:38:42Don't you see?
0:38:42 > 0:38:44It'll be perfect.
0:38:44 > 0:38:48You can... see whoever you want,
0:38:48 > 0:38:52and...I can see who I want.
0:38:52 > 0:38:54But we'll still have us...
0:38:54 > 0:38:59our life, our family,
0:38:59 > 0:39:01the house and the white picket fence.
0:39:01 > 0:39:04We can still have everything.
0:39:04 > 0:39:06You can even have Laura.
0:39:06 > 0:39:08Laura?
0:39:08 > 0:39:12I see the way you look at each other.
0:39:12 > 0:39:14A woman knows.
0:39:14 > 0:39:16WOMAN: Oh, my God! WOMAN: What is it?
0:39:16 > 0:39:18MAN: It can't be.
0:39:18 > 0:39:19TELEPHONE RINGING: What's going on?
0:39:19 > 0:39:22MULTIPLE TELEPHONES RINGING
0:39:22 > 0:39:23What's wrong?
0:39:23 > 0:39:27I don't know.
0:39:27 > 0:39:30NEWS PROGRAMME: We interrupt this programme
0:39:30 > 0:39:32for a CBS News emergency bulletin.
0:39:32 > 0:39:35This is Walter Cronkite in our newsroom.
0:39:35 > 0:39:37There has been an attempt, as perhaps you know now,
0:39:37 > 0:39:38on the life of President Kennedy.
0:39:38 > 0:39:40He was wounded in an automobile
0:39:40 > 0:39:43driving from Dallas airport into downtown Dallas,
0:39:43 > 0:39:45along with Governor Connally of Texas.
0:39:45 > 0:39:47They've been taken to Parkland Hospital there,
0:39:47 > 0:39:50where their condition is as yet unknown.
0:39:50 > 0:39:52He was cut down by bullets
0:39:52 > 0:39:55as his motorcade approached downtown Dallas.
0:39:55 > 0:39:59He is now in the emergency room of Parkland Hospital.
0:39:59 > 0:40:00He is remaining in the emergency room
0:40:00 > 0:40:03because, er, Secret Service aides
0:40:03 > 0:40:05say that the facilities there are as good as elsewhere.
0:40:05 > 0:40:08As of ten minutes ago, a White House aide
0:40:08 > 0:40:11says that the President was still alive.
0:40:11 > 0:40:13The extent of his injury,
0:40:13 > 0:40:15whether it is indeed critical or not,
0:40:15 > 0:40:18is not...has not been officially confirmed by...
0:40:18 > 0:40:22He'll be fine. He has to be fine.