0:00:02 > 0:00:04Let's keep it in New York. Monte Carlo was a lark.
0:00:04 > 0:00:06She does have a way about her.
0:00:06 > 0:00:07I love her.
0:00:07 > 0:00:09I've fallen in love.
0:00:09 > 0:00:11What if I could tell you something about someone you're very close to?
0:00:11 > 0:00:13SHUTTER CLICKS
0:00:13 > 0:00:14Don't pose.
0:00:14 > 0:00:16I don't suppose I could... make it up to you?
0:00:16 > 0:00:18Could make you a list.
0:00:18 > 0:00:19I'll get you a pen.
0:00:19 > 0:00:20My mind is full of you.
0:00:20 > 0:00:22Are you in danger?
0:00:22 > 0:00:25Tito has put an entire nation in danger.
0:00:25 > 0:00:26You want me to spy for you?
0:00:26 > 0:00:28For us. Welcome to the big leagues.
0:00:31 > 0:00:33I think I'm in love.
0:00:33 > 0:00:35And you, Beaute?
0:00:35 > 0:00:39Oh, yes. They're beautiful.
0:00:39 > 0:00:42JAZZ MUSIC PLAYS
0:00:54 > 0:00:55They're so...
0:00:55 > 0:00:56I was going for heavenly.
0:00:56 > 0:00:59A "female as the visible manifestation
0:00:59 > 0:01:02"of the deity's presence on earth" kind of thing.
0:01:02 > 0:01:06Graham, these portraits are remarkable.
0:01:06 > 0:01:09And you're an artist. A true artist.
0:01:09 > 0:01:10You've been holding out on me.
0:01:10 > 0:01:12Excuse me?
0:01:12 > 0:01:14You never mentioned you had an interest.
0:01:14 > 0:01:16In photographers? I mean...in photography?
0:01:16 > 0:01:20I'm just a beginner. I... Me and my instamatic.
0:01:20 > 0:01:23But these...these are...
0:01:23 > 0:01:26inspiring.
0:01:26 > 0:01:28I thought shooting girls serving appetizers on a plane
0:01:28 > 0:01:30was your specialty.
0:01:30 > 0:01:32Well, appetizers are in back.
0:01:32 > 0:01:34Well, now I see the problem - Laura was wearing far too many clothes.
0:01:34 > 0:01:37Maggie! I suffered through it.
0:01:37 > 0:01:40Well, it's a great show, Graham. Thanks for inviting us.
0:01:40 > 0:01:42Thanks for coming.
0:01:42 > 0:01:44Laura, um, can you take a cab home?
0:01:44 > 0:01:45Yes, sure.
0:01:46 > 0:01:49The girls that do this...
0:01:49 > 0:01:51who are they?
0:01:51 > 0:01:52Friends, models,
0:01:52 > 0:01:55and, uh, they're not girls. They're...women.
0:01:55 > 0:01:57Right.
0:01:57 > 0:01:59They're not embarrassed?
0:01:59 > 0:02:02No, they're liberated.
0:02:02 > 0:02:04But you can't see their faces.
0:02:04 > 0:02:06Anonymous can be liberating.
0:02:06 > 0:02:10For them, it's an experience of self-expression.
0:02:16 > 0:02:20I never thought I'd wish I wasn't going to Rome.
0:02:20 > 0:02:22Mm.
0:02:22 > 0:02:24This is all your fault.
0:02:24 > 0:02:27Rome? Not so special.
0:02:27 > 0:02:29Pantheon? Coliseum? Vatican?
0:02:29 > 0:02:32That's no big deal?
0:02:32 > 0:02:33Well, you haven't seen my country.
0:02:33 > 0:02:36Croatia is better than all of Europe combined.
0:02:36 > 0:02:38Mm-hmm. I'm really sad for them.
0:02:38 > 0:02:40Mm-hmm. You know? I pity their shame.
0:02:40 > 0:02:42I think you're jealous.
0:02:42 > 0:02:43Of Italy? Ha!
0:02:43 > 0:02:45SHE LAUGHS
0:02:45 > 0:02:47Or maybe you're just full of nationalistic pride
0:02:47 > 0:02:49like us Yanks.
0:02:49 > 0:02:52Well, yes and no.
0:02:53 > 0:02:57Niko, I've been afraid to ask, but I've wanted to...
0:02:59 > 0:03:04Have you ever thought about the... desirability of living here?
0:03:04 > 0:03:06You're trying to tempt me?
0:03:06 > 0:03:08No.
0:03:08 > 0:03:10Yes.
0:03:10 > 0:03:14We have freedom here, and...
0:03:14 > 0:03:15we have decency.
0:03:15 > 0:03:17Decency?
0:03:17 > 0:03:18Desirability?
0:03:18 > 0:03:19Mm-hmm.
0:03:19 > 0:03:22Sounds like you're describing yourself.
0:03:22 > 0:03:23SHE LAUGHS
0:03:23 > 0:03:25If you're going to Rome,
0:03:25 > 0:03:27you should practice your Italian.
0:03:27 > 0:03:30I'll test you. Translate this -
0:03:30 > 0:03:35"La Croazia e molto piu bella di Italia."
0:03:35 > 0:03:39"Croatia is much more beautiful than Italy."
0:03:39 > 0:03:41"E tu sei piu bella..."
0:03:41 > 0:03:44"And you are more beautiful..."
0:03:44 > 0:03:47"..di qualsiasi altra donna in qualsiasi posto."
0:03:47 > 0:03:52"..than any woman anywhere."
0:04:00 > 0:04:02I don't believe this.
0:04:02 > 0:04:04This, what you're doing, it makes no sense!
0:04:04 > 0:04:06Ginny, calm down.
0:04:06 > 0:04:08Oh, that's rich! You break up with me,
0:04:08 > 0:04:10and when I react with understandable astonishment,
0:04:10 > 0:04:11you tell me to "calm down"?
0:04:11 > 0:04:13I thought we'd have to be a couple to break up.
0:04:13 > 0:04:15So what? I was just a good time?
0:04:15 > 0:04:17Is that what you're telling me?
0:04:17 > 0:04:19Yes, Ginny, that's what we were having,
0:04:19 > 0:04:20a good time.
0:04:20 > 0:04:24And I'm pretty sure I was a piece on the side.
0:04:24 > 0:04:26Are you missing something?
0:04:26 > 0:04:28Was I unclear when I said "I love you"?
0:04:30 > 0:04:33I'm sorry. Perfect.
0:04:33 > 0:04:35How perfect! I tell you that I love you,
0:04:35 > 0:04:36and you tell me you're sorry. I-I am.
0:04:36 > 0:04:38Oh, you're sorry, all right.
0:04:38 > 0:04:40You are a sorry, sorry man! Shh.
0:04:40 > 0:04:42Would you keep your voice down?
0:04:42 > 0:04:45Aren't you and Everett just two peas in a pathetic pod?
0:04:45 > 0:04:47"Yes, no, come, go."
0:04:47 > 0:04:48Everett should have known better.
0:04:48 > 0:04:51About what? Oh, don't be dense.
0:04:51 > 0:04:54I brought champagne and I said the words,
0:04:54 > 0:04:57"I'm all yours."
0:04:57 > 0:04:59You left him?
0:04:59 > 0:05:03He had his chance and he blew it.
0:05:03 > 0:05:05I thought we had a future together, Dean.
0:05:05 > 0:05:08I thought this was what you wanted.
0:05:08 > 0:05:11You didn't leave him for me.
0:05:11 > 0:05:13And I never made you any promises.
0:05:13 > 0:05:15Oh, that's right. You just strung me along, didn't you?
0:05:15 > 0:05:17You did a fine job stringing yourself along
0:05:17 > 0:05:19without any help from me.
0:05:20 > 0:05:21Hey!
0:05:21 > 0:05:23What are you, crazy?!
0:05:34 > 0:05:36And I can't find a replacement.
0:05:36 > 0:05:38The boy can't fly unaccompanied.
0:05:38 > 0:05:40I liked this job.
0:05:40 > 0:05:42I'm on the Rome flight.
0:05:42 > 0:05:44Why don't I escort him? Is that allowed?
0:05:44 > 0:05:48It is now. I was hoping you'd say that.
0:05:48 > 0:05:49I know.
0:05:49 > 0:05:51I'm sure my fellow stewardesses
0:05:51 > 0:05:53would appreciate separate hotel rooms.
0:05:53 > 0:05:56It would make a nice change. Let me see what I can do.
0:05:56 > 0:05:58I was hoping you'd say that.
0:06:00 > 0:06:01Morning.
0:06:01 > 0:06:03Ah, bonjour. Thank you.
0:06:05 > 0:06:07Have you seen the flight manifest yet?
0:06:07 > 0:06:10Oh, she isn't on it. Neither is he.
0:06:10 > 0:06:12We do have a plane full of clergy
0:06:12 > 0:06:13for the second Vatican council.
0:06:13 > 0:06:17Chances are good the flight is serene.
0:06:20 > 0:06:22Are you two married?
0:06:22 > 0:06:24HE LAUGHS No.
0:06:24 > 0:06:26We're not married, no.
0:06:26 > 0:06:27Because I'm available.
0:06:27 > 0:06:29You must be Charlie.
0:06:29 > 0:06:32Oui. Bonjour, je m'appelle Charlie.
0:06:32 > 0:06:34Bonjour, Charlie. Je m'appelle Colette,
0:06:34 > 0:06:35et voici notre capitaine.
0:06:35 > 0:06:36How are you, Charlie?
0:06:36 > 0:06:39Morning, Captain. Pleasure to meet you.
0:06:39 > 0:06:41Careful there, sport. I gotta fly the plane in a few minutes.
0:06:41 > 0:06:43Sorry, sir. I'll take it easy on you next time.
0:06:43 > 0:06:45Right this way, monsieur.
0:06:45 > 0:06:47Please, allow me.
0:06:47 > 0:06:49Ooh-la-la! What a gentleman.
0:06:49 > 0:06:52Merci.
0:06:53 > 0:06:57Hey, hey, hey! Hold it right there!
0:06:57 > 0:06:59Got my watch?
0:07:09 > 0:07:12May I help you with something?
0:07:14 > 0:07:16Oh. Um...
0:07:17 > 0:07:20I will be right back.
0:07:20 > 0:07:22Why me?
0:07:22 > 0:07:24"Why you" what?
0:07:24 > 0:07:26Why do I always get stuck with the honeymooners?
0:07:26 > 0:07:29The future honeymooners? The pretend honeymooners?
0:07:29 > 0:07:30Do you need me to take care of something?
0:07:30 > 0:07:32No! I don't!
0:07:32 > 0:07:34Laura, what's wrong?
0:07:34 > 0:07:35Sex.
0:07:35 > 0:07:37Did you see them? What?
0:07:37 > 0:07:38The couple in row 9.
0:07:38 > 0:07:41They're almost having sex in their seats.
0:07:41 > 0:07:42Right next to a nun.
0:07:42 > 0:07:44They're still at it.
0:07:44 > 0:07:47Wow. They're getting kind of acrobatic.
0:07:47 > 0:07:49Well, at least they'll be able
0:07:49 > 0:07:51to confess their sins immediately.
0:07:51 > 0:07:52Sin? Where?
0:07:52 > 0:07:53Oh!
0:07:53 > 0:07:57How did... They should have spent their airfare on a hotel.
0:07:57 > 0:07:59Oh, they're so passionate.
0:07:59 > 0:08:01I'm envious.
0:08:01 > 0:08:02I... No.
0:08:02 > 0:08:05HE LAUGHS
0:08:11 > 0:08:14I want details. I can't wait any more.
0:08:14 > 0:08:17Do you feel different? Maggie, it's...private.
0:08:17 > 0:08:20That's what girlfriends are for.
0:08:26 > 0:08:28Grazie mille.
0:08:28 > 0:08:30A pickpocket and a linguist.
0:08:30 > 0:08:32You speak Italian also?
0:08:32 > 0:08:35Well, I'm not fluent yet, but I'd like to be.
0:08:35 > 0:08:37I'm partial to the romance languages.
0:08:37 > 0:08:38As am I.
0:08:38 > 0:08:41They are...poetic, no?
0:08:41 > 0:08:43Yes. And they make sense.
0:08:43 > 0:08:45Unlike English.
0:08:45 > 0:08:47I don't get it. Why isn't it dead like Latin?
0:08:47 > 0:08:49It's a mystery.
0:08:50 > 0:08:52How did you do this?
0:08:52 > 0:08:55It's a mystery.
0:08:55 > 0:08:58I like close-up magic. It's fun.
0:08:58 > 0:09:01Something to do when I'm on my own, which is a lot.
0:09:01 > 0:09:03I'm sorry to hear that.
0:09:03 > 0:09:04Then again,
0:09:04 > 0:09:07"transcontinental divorce" has a nice ring to it.
0:09:07 > 0:09:09I'm sorry to hear that too.
0:09:15 > 0:09:17Give it back.
0:09:24 > 0:09:26Keep an eye on this one.
0:09:26 > 0:09:29He's a scamp.
0:09:31 > 0:09:33KNOCKS ON DOOR Excuse me!
0:09:33 > 0:09:36Sister Mary Agnes really needs to use the lavatory.
0:09:36 > 0:09:39How long has it been? 17 minutes.
0:09:39 > 0:09:40There have been...
0:09:40 > 0:09:42noises.
0:09:42 > 0:09:43Oh, dear.
0:09:45 > 0:09:48I'm sorry. Could you please finish up?
0:09:48 > 0:09:49Is this beyond your station, child?
0:09:49 > 0:09:52Would you like me to speak to the pilot?
0:09:58 > 0:10:01I'll say one thing for her - she's got a pretty good arm.
0:10:01 > 0:10:03I got one word for you - jujubes.
0:10:03 > 0:10:05No, I know where you're headed. Skip it.
0:10:05 > 0:10:08- I'm not headed anywhere. I've said all I need to say. - No, you're dying to say it.
0:10:08 > 0:10:10That I told you so? I would never say that.
0:10:10 > 0:10:12You got nothing to be ashamed of.
0:10:12 > 0:10:14You went a respectable distance,
0:10:14 > 0:10:16considering the mink was off-the-charts crazy.
0:10:16 > 0:10:18Why are the crazy girls always the most fun?
0:10:18 > 0:10:20Ah. Let's get something straight.
0:10:20 > 0:10:21They are all crazy.
0:10:21 > 0:10:24All you can do is choose a degree on the crazy-o-meter.
0:10:24 > 0:10:26I need some turbulence.
0:10:26 > 0:10:28Why?
0:10:28 > 0:10:29RUMBLING
0:10:29 > 0:10:30DEAN OVER PA: Ladies and gentlemen,
0:10:30 > 0:10:33we're experiencing turbulence. Please take your seats.
0:10:33 > 0:10:36What's wrong with you? I'm worried.
0:10:36 > 0:10:37Everything.
0:10:37 > 0:10:39RUMBLING
0:10:43 > 0:10:46I...
0:10:46 > 0:10:49I spent some time with a man...
0:10:49 > 0:10:51last night.
0:10:51 > 0:10:54What exactly are you saying?
0:10:54 > 0:10:56Does that mean what I think it means?
0:10:56 > 0:10:58RUMBLING
0:11:06 > 0:11:10Laura, did you lose your virginity?
0:11:19 > 0:11:21Expensive piece of equipment.
0:11:21 > 0:11:24That happens to be an essential tool of the trade.
0:11:24 > 0:11:26That's how you get the film off the spool
0:11:26 > 0:11:29in total darkness.
0:11:29 > 0:11:32So you just feel your way around?
0:11:32 > 0:11:34Gotta know right where everything goes.
0:11:35 > 0:11:38That's the "soup". Not edible.
0:11:38 > 0:11:42Stop bath, fixer, rinse bath.
0:11:42 > 0:11:44We have to be very gentle.
0:11:44 > 0:11:47Coax the paper with a delicate touch.
0:11:47 > 0:11:50Timing is...everything.
0:11:50 > 0:11:54The temperature has to be...ideal.
0:12:01 > 0:12:03I'd, um...
0:12:03 > 0:12:04I'd like to try it someday.
0:12:04 > 0:12:06Developing.
0:12:06 > 0:12:08You should. I insist.
0:12:08 > 0:12:10Bring your film back from Rome. We'll develop it together.
0:12:10 > 0:12:11Really?
0:12:11 > 0:12:14There's a statue you shouldn't miss.
0:12:14 > 0:12:16Two lovers.
0:12:16 > 0:12:18Intimate, yet visceral.
0:12:18 > 0:12:22A romance and passion alive in stone.
0:12:22 > 0:12:24It'll change your life.
0:12:34 > 0:12:36WOMAN: Non se l'aspettava stasera.
0:12:36 > 0:12:39LAURA: He's only authorised to be released to his mother,
0:12:39 > 0:12:41not the housekeeper.
0:12:41 > 0:12:44His mother is away overnight.
0:12:44 > 0:12:47So tell her that the boy knows her.
0:12:47 > 0:12:50LAURA: Allora - lui la conosce, va bene?
0:12:51 > 0:12:53She isn't coming, is she?
0:12:53 > 0:12:54Your mother is not coming, no.
0:12:54 > 0:12:56But hopefully, they'll release you to your housekeeper.
0:12:56 > 0:12:58Parent trap again.
0:12:58 > 0:13:00Dad put me on an earlier flight.
0:13:00 > 0:13:02He probably didn't remember to tell my mom
0:13:02 > 0:13:03I was coming in so soon.
0:13:03 > 0:13:05It's not the first time.
0:13:05 > 0:13:08They don't talk much since they got divorced.
0:13:08 > 0:13:11You don't have to wait. I'll be fine.
0:13:11 > 0:13:12Oh, I didn't get to pick a card.
0:13:12 > 0:13:15Oh! Looks like trouble to me.
0:13:15 > 0:13:18Alzarzi. Possiamo andare ora?
0:13:18 > 0:13:20Vieni. Vieni.
0:13:20 > 0:13:22You can go with her. It's all right. Thanks, Laura.
0:13:22 > 0:13:24Affrettatevi!
0:13:24 > 0:13:26Bye. Uh, thanks for everything. I had a swell time.
0:13:26 > 0:13:28Bye.
0:13:35 > 0:13:38DEAN: Hey, Charlie...
0:13:41 > 0:13:43Would you care to have dinner with us this evening?
0:13:43 > 0:13:45We need a transcontinental tour guide
0:13:45 > 0:13:47to recommend the perfect place.
0:13:47 > 0:13:49Sure. I guess that'd be OK.
0:13:49 > 0:13:51We'll give you two a lift.
0:13:51 > 0:13:53We'll drive, yes?
0:13:53 > 0:13:55Ah, grazie.
0:13:55 > 0:13:56Mille grazie.
0:13:56 > 0:13:58(She doesn't understand.)
0:13:58 > 0:14:00It's like an amusement park ride out there
0:14:00 > 0:14:01without the amusement.
0:14:01 > 0:14:04Surprised we made it back in one piece.
0:14:04 > 0:14:06Rome traffic is notorious.
0:14:06 > 0:14:07Yeah, so is that housekeeper.
0:14:07 > 0:14:10Charlie is quite a character, no?
0:14:10 > 0:14:13Yeah, I like the little guy.
0:14:13 > 0:14:15I'm going to keep an eye on my wallet tonight, though.
0:14:15 > 0:14:16SHE LAUGHS
0:14:16 > 0:14:19Want to fill me in on the joke?
0:14:25 > 0:14:26Not here.
0:14:33 > 0:14:35Uno, due, tre.
0:14:35 > 0:14:36CAMERA CLICKS
0:14:36 > 0:14:38Don't you already have one from Rome?
0:14:38 > 0:14:42It's a gift. A friend of mine will find it very amusing.
0:14:42 > 0:14:44The Second Vatican Council.
0:14:44 > 0:14:46I feel like we're a part of history.
0:14:46 > 0:14:47Change is in the air.
0:14:47 > 0:14:50Yes and no. Women only get to watch.
0:14:50 > 0:14:52It'll be a miracle if there's a positive stance
0:14:52 > 0:14:54on birth control any time this century.
0:14:54 > 0:14:56You used precaution, didn't you?
0:14:56 > 0:14:58Damn it, Maggie!
0:14:58 > 0:14:59Sorry, sorry. Tick-a-lock.
0:15:01 > 0:15:04I'm going to grab a cappuccino.
0:15:04 > 0:15:07Maggie, what's your pleasure? I'll have an espresso.
0:15:07 > 0:15:09Uh, Laura, hot chocolate, right?
0:15:09 > 0:15:12No, I'll have an espresso too.
0:15:12 > 0:15:14Are you sure you don't want to start with a latte
0:15:14 > 0:15:15and work your way up?
0:15:15 > 0:15:17Espresso, please.
0:15:25 > 0:15:26Ugh.
0:15:28 > 0:15:31Break up with Niko Lonza.
0:15:38 > 0:15:41Who is that man, and how does he know me?
0:15:41 > 0:15:43'Not CIA.'
0:15:43 > 0:15:44Most likely Niko's people.
0:15:44 > 0:15:46'Niko's people? Why?'
0:15:46 > 0:15:48Betting they don't want him too tempted by the Western world.
0:15:48 > 0:15:50Meaning me?
0:15:50 > 0:15:51Especially after his little unauthorised escapade
0:15:51 > 0:15:52in Belgrade.
0:15:52 > 0:15:54Richard, am I in danger?
0:15:54 > 0:15:57They are trying to scare you, not hurt you.
0:15:57 > 0:15:58'That's not what I meant.'
0:15:58 > 0:16:01I meant... SHE BREATHES HEAVILY
0:16:01 > 0:16:04..is my cover blown?
0:16:04 > 0:16:06Am I going to end up like Bridget?
0:16:06 > 0:16:09BUZZING
0:16:09 > 0:16:11Richard?
0:16:11 > 0:16:13Richard, please, I can't disappear.
0:16:13 > 0:16:15WOMAN: 'Please insert 1,000 lire...'
0:16:15 > 0:16:17Richard, are you there?
0:16:17 > 0:16:20- '..for one more minute...' - Oh, God, Richard...
0:16:20 > 0:16:23COINS CLINK, BELL DINGS
0:16:23 > 0:16:25Shoot! Richard!
0:16:25 > 0:16:26I'm here.
0:16:26 > 0:16:29'Kate, listen to me.'
0:16:29 > 0:16:31It is unlikely your cover is blown.
0:16:31 > 0:16:32I will investigate on our end,
0:16:32 > 0:16:34but I'm fairly certain that as far as anyone knows,
0:16:34 > 0:16:36you're a stewardess.
0:16:36 > 0:16:38"Fairly certain"?
0:16:38 > 0:16:40I want to see you as soon as you return to New York.
0:16:44 > 0:16:47I don't know what else to say.
0:16:47 > 0:16:50I would never have told you to come all this way.
0:16:52 > 0:16:54Which is why you didn't ask.
0:16:59 > 0:17:00Ginny, sit down.
0:17:00 > 0:17:03Would you sit down?
0:17:03 > 0:17:06Ginny?
0:17:11 > 0:17:13Would you like something to drink?
0:17:18 > 0:17:21I'm sorry. I really am, but...
0:17:21 > 0:17:24it's still over between us.
0:17:32 > 0:17:34Hi.
0:17:34 > 0:17:36Thanks for being here.
0:17:36 > 0:17:39I'm feeling more calm now.
0:17:39 > 0:17:40Much better.
0:17:40 > 0:17:42I don't know what possessed me.
0:17:42 > 0:17:45I was... I don't know.
0:17:45 > 0:17:48It's humiliating.
0:17:48 > 0:17:50Talk about betting on a lame horse, huh?
0:17:50 > 0:17:53I'm sorry, sweetheart.
0:17:53 > 0:17:55I wasn't trying to prove a point.
0:17:55 > 0:17:57It just happened.
0:17:57 > 0:17:59I love you.
0:18:02 > 0:18:04I'm sorry.
0:18:09 > 0:18:11So you're still ending it?
0:18:13 > 0:18:16Nurse! Nurse!
0:18:16 > 0:18:19I just need a few minutes. Do you mind waiting outside?
0:18:19 > 0:18:23I need to send a cablegram, please.
0:18:23 > 0:18:24Do you have a fever?
0:18:24 > 0:18:26'No, not yet.'
0:18:26 > 0:18:28Just hope I'm not coming down with something crummy.
0:18:28 > 0:18:30You're smart to get some rest.
0:18:30 > 0:18:33Tell the little man I'm sorry.
0:18:33 > 0:18:34'I'll take care of it.'
0:18:34 > 0:18:36I'm sure Charlie will understand.
0:18:36 > 0:18:37'Thanks.'
0:18:37 > 0:18:38Feel better.
0:18:38 > 0:18:40Yeah.
0:18:45 > 0:18:48# Nel mio cuore c'e
0:18:48 > 0:18:50# Un amore per te... #
0:18:50 > 0:18:53Buona sera.
0:18:53 > 0:18:55Sei un fiore squisito.
0:18:55 > 0:18:57Grazie a voi.
0:18:57 > 0:18:58Che tipo di fiore?
0:18:58 > 0:19:01Una rosa.
0:19:01 > 0:19:02HE CLEARS THROAT
0:19:02 > 0:19:03Tu sei bella.
0:19:03 > 0:19:05Oh...
0:19:05 > 0:19:09E ti piace il...
0:19:09 > 0:19:10Attenzione.
0:19:17 > 0:19:20SHE BREATHES HEAVILY
0:19:24 > 0:19:26Wait.
0:19:26 > 0:19:29You're right. Let's go find the bedroom.
0:19:29 > 0:19:32Uh, um... I...
0:19:32 > 0:19:34I should go. Go?
0:19:34 > 0:19:37Did I cross the line or something? I mean, you seemed...
0:19:37 > 0:19:40I'm not ready. I'm...not ready.
0:19:40 > 0:19:41Oh.
0:19:41 > 0:19:43Uh, wow.
0:19:43 > 0:19:44I'm sorry.
0:19:44 > 0:19:46Me too. Anyway, I...
0:19:46 > 0:19:47I-I like, you. I...
0:19:47 > 0:19:49No need to explain.
0:19:49 > 0:19:51My mistake.
0:19:51 > 0:19:55I didn't realise you were so...young.
0:20:10 > 0:20:12Oh, I'm sorry.
0:20:12 > 0:20:14I was...I was trying to be quiet.
0:20:14 > 0:20:16Hey there, Cinderella.
0:20:16 > 0:20:18I'm guessing you had fun.
0:20:18 > 0:20:20You look appropriately dishevelled.
0:20:20 > 0:20:22I'm just going to take a quick shower.
0:20:22 > 0:20:24Oh. This is big news.
0:20:24 > 0:20:25Are you OK?
0:20:25 > 0:20:26Sure.
0:20:26 > 0:20:28Oh, come on, sweetie. Don't keep me in the dark.
0:20:28 > 0:20:31How was it? Or should I say, how was he?
0:20:31 > 0:20:33He was fine.
0:20:33 > 0:20:34I...I'm sorry.
0:20:34 > 0:20:36I just don't really want to talk about it right now.
0:20:36 > 0:20:38Oh, you don't really want to talk about it.
0:20:38 > 0:20:40I can respect that.
0:20:40 > 0:20:44I think you made the perfect choice for your first time.
0:20:44 > 0:20:46He's mature, handsome,
0:20:46 > 0:20:49probably good with his hands.
0:20:49 > 0:20:51Was he considerate? Was it torrid?
0:20:51 > 0:20:52Good night.
0:20:54 > 0:20:55"Filetto mignon".
0:20:55 > 0:20:57Sounds good in Italian too.
0:20:57 > 0:20:59You picked a lovely spot.
0:20:59 > 0:21:02I'm sure our captain will be sorry he missed this.
0:21:02 > 0:21:04Yeah, but it's OK.
0:21:04 > 0:21:07You're not too disappointed?
0:21:07 > 0:21:09Nah. Everyone knows three's a crowd.
0:21:09 > 0:21:13Besides, candlelight looks best on a beautiful girl.
0:21:13 > 0:21:15Buona sera, signora.
0:21:15 > 0:21:16Buona sera.
0:21:16 > 0:21:19Signor Charlie, your companion is molto bella.
0:21:19 > 0:21:22See? Luigi agrees with me.
0:21:22 > 0:21:23We'll have a bottle of the...
0:21:23 > 0:21:27um, old red wine that you decant at the table.
0:21:27 > 0:21:29Very good, sir. Uh, mi scusi.
0:21:29 > 0:21:32Perhaps I'll have a glass of chianti instead?
0:21:32 > 0:21:35And perhaps you can have a taste.
0:21:38 > 0:21:42I think you're the oldest 12-year-old I've ever met.
0:21:42 > 0:21:43I'm almost 13.
0:21:43 > 0:21:44Do you enjoy school?
0:21:44 > 0:21:46It's taking for ever.
0:21:46 > 0:21:48Wish I was done already.
0:21:48 > 0:21:49When you're a grown-up,
0:21:49 > 0:21:52no-one can tell you what to do or where to go.
0:21:52 > 0:21:56It's funny. I wouldn't have predicted it,
0:21:56 > 0:21:59but there are things I miss about being your age.
0:22:02 > 0:22:04Penny for your thoughts.
0:22:04 > 0:22:06It's just that when you're older,
0:22:06 > 0:22:10you'll wish you had less decisions to make.
0:22:10 > 0:22:11That's a good trick.
0:22:11 > 0:22:14I've got another one.
0:22:14 > 0:22:15Oh, yeah?
0:22:15 > 0:22:18HE CLEARS THROAT
0:22:18 > 0:22:20Close your eyes.
0:22:24 > 0:22:26Charlie, no.
0:22:36 > 0:22:38How'd you know I was here?
0:22:38 > 0:22:40I didn't. But I should have guessed.
0:22:40 > 0:22:43Ginny called me early this morning.
0:22:46 > 0:22:47Sorry.
0:22:47 > 0:22:50How was, uh... how was dinner last night?
0:22:50 > 0:22:51Unique. Growing pains.
0:22:51 > 0:22:53I'm not sure I handled it correctly.
0:22:53 > 0:22:57I'm not entirely convinced I did, either.
0:22:57 > 0:22:58Is she all right?
0:22:58 > 0:23:00Yeah.
0:23:00 > 0:23:02No.
0:23:02 > 0:23:05I don't... I'm not... I'm not sure what to do.
0:23:06 > 0:23:08Why does she want to see you?
0:23:08 > 0:23:10I'm about to find out.
0:23:14 > 0:23:16May I come in?
0:23:16 > 0:23:19If you want.
0:23:19 > 0:23:22I'm happy to see you look as well as you do.
0:23:22 > 0:23:24When you called, I was... Eight letters.
0:23:24 > 0:23:28Begins with B. Plural. Describes all men.
0:23:28 > 0:23:31"Buffoons". "Bastards".
0:23:31 > 0:23:33What to choose?
0:23:33 > 0:23:36I'm sure the nurse could find you something
0:23:36 > 0:23:37much better to read.
0:23:41 > 0:23:42You have an innocent face.
0:23:42 > 0:23:44Anyone ever told you that?
0:23:44 > 0:23:45Is that a compliment?
0:23:45 > 0:23:48I like you, Colette.
0:23:48 > 0:23:51So the question of the hour, of the minute...
0:23:51 > 0:23:53does Dean?
0:23:53 > 0:23:58Captain Lowrey and I are friends. Nothing more.
0:23:58 > 0:24:01Damn.
0:24:01 > 0:24:05I can't believe that I'm actually disappointed.
0:24:05 > 0:24:08I liked having a face on the crime.
0:24:11 > 0:24:14TWA! I had to fly TWA!
0:24:14 > 0:24:18Captain Lowrey, I'm so glad you're here.
0:24:18 > 0:24:19Mr Henson.
0:24:19 > 0:24:21How is she? I mean, what the hell happened?
0:24:21 > 0:24:24Wait, wait, wait, just let me... let me catch my breath.
0:24:24 > 0:24:26HE BREATHES DEEPLY
0:24:26 > 0:24:28That woman is going to be the death of me.
0:24:28 > 0:24:31The whims, the demands, the athletic assignations.
0:24:31 > 0:24:33You know, I'm not... I'm not so young any more.
0:24:33 > 0:24:37Still, the last part of her wire was cryptic...
0:24:37 > 0:24:39"Lost a fight with a window"?
0:24:39 > 0:24:41I mean, can you shed some light?
0:24:41 > 0:24:43LAUGHTER
0:24:43 > 0:24:47Must have killed him not to fly Pan Am.
0:24:47 > 0:24:49And what did you hope to gain by bringing him here?
0:24:49 > 0:24:52Pistols at dawn might be exciting.
0:24:52 > 0:24:54I want no part of this.
0:24:54 > 0:24:55I don't want to be alone.
0:24:59 > 0:25:02There. I said it.
0:25:02 > 0:25:04I can't be alone.
0:25:04 > 0:25:09I...I can't.
0:25:09 > 0:25:11I've been you, in your situation,
0:25:11 > 0:25:14more times than I care to count. You've been on this ride?
0:25:14 > 0:25:17Mm-hmm. Someone leads you on and then throws you away?
0:25:17 > 0:25:23I think I fell in love with the idea of love
0:25:23 > 0:25:26as much as anything else. It's easy to do.
0:25:26 > 0:25:28It helps you feel safe.
0:25:28 > 0:25:32But as much as we wish we could,
0:25:32 > 0:25:34you can't force someone to love you.
0:25:38 > 0:25:40We had a falling out two nights ago, she and I.
0:25:40 > 0:25:42But why come here? Why Rome?
0:25:42 > 0:25:46Because the truth is, sir...
0:25:46 > 0:25:48Ginny and I became involved.
0:25:48 > 0:25:50"Involved".
0:25:50 > 0:25:52Is that what the kids are calling it these days?
0:25:56 > 0:26:01She followed me to Rome after I broke things off.
0:26:01 > 0:26:03I-I regret my actions more than I can say.
0:26:03 > 0:26:05I bet you do, buddy boy.
0:26:05 > 0:26:07I bet you do.
0:26:07 > 0:26:12I bet you think that this information is surprising to me.
0:26:12 > 0:26:15Don't be an amateur, Captain Lowrey.
0:26:15 > 0:26:17Why do you think Ginny and I fought?
0:26:17 > 0:26:19Everett knows.
0:26:19 > 0:26:21I never said "boo".
0:26:21 > 0:26:24He found out on his own.
0:26:24 > 0:26:27Some little friend of yours, apparently.
0:26:27 > 0:26:29A stewardess?
0:26:29 > 0:26:30Who?
0:26:30 > 0:26:34He never said. Someone who needed a favour.
0:26:34 > 0:26:36Worked out just peachy for her.
0:26:36 > 0:26:39For me, not so much.
0:26:39 > 0:26:42After that, he tried to rein me in.
0:26:42 > 0:26:46HER VOICE BREAKS But why won't he leave his damn wife?
0:26:50 > 0:26:52He's here now.
0:26:54 > 0:26:56Seems to me nothing has changed...
0:26:56 > 0:26:58unless you want it to.
0:26:58 > 0:27:00'You're not her first dalliance, Captain,'
0:27:00 > 0:27:05and you won't be her last. But a pilot from my own company?
0:27:05 > 0:27:08That is an unusual and unwelcome departure -
0:27:08 > 0:27:10one that will soon be permanent.
0:27:10 > 0:27:12I'm sure there's another airline
0:27:12 > 0:27:14that'd be delighted to have you.
0:27:14 > 0:27:16And I'm sure having a wife and a mistress
0:27:16 > 0:27:20must be extremely complicated.
0:27:20 > 0:27:23I confided in you. I told you I loved her.
0:27:23 > 0:27:25Hey, that's perfect, because I don't.
0:27:25 > 0:27:29Look, I may be foolish, but I am not a fool.
0:27:29 > 0:27:31OK. Then I suggest that you stop playing me for one.
0:27:31 > 0:27:33Now, I'm... I'm done conversing.
0:27:33 > 0:27:36I said she's yours.
0:27:36 > 0:27:39Now, what's it going to be?
0:27:39 > 0:27:41Mr Henson?
0:27:41 > 0:27:43Second door on your right.
0:27:43 > 0:27:46Ginny is quite desperate to see you.
0:27:50 > 0:27:53Captain Lowrey, I hope your health improves.
0:27:58 > 0:28:02# Quando sei vicino a me... #
0:28:02 > 0:28:03Another bourbon, please.
0:28:03 > 0:28:08# Cosi timida e sola
0:28:09 > 0:28:14# Niente, non mi importa solo te... #
0:28:14 > 0:28:18Colette, je suis desole.
0:28:18 > 0:28:19I'm sorry, Colette.
0:28:19 > 0:28:22Je suis vraiment desole.
0:28:22 > 0:28:25# ..unica al mondo... #
0:28:46 > 0:28:49Charlie? You frightened me.
0:28:49 > 0:28:52Good. I'm glad you're scared.
0:28:52 > 0:28:54What are you doing here, Charlie?
0:28:54 > 0:28:56I came to tell you that you're a phoney.
0:28:56 > 0:28:59A big fake. Charlie...
0:28:59 > 0:29:00What? I'm leaving.
0:29:00 > 0:29:02We're through.
0:29:02 > 0:29:04Charlie, please sit down.
0:29:04 > 0:29:06Don't go yet.
0:29:06 > 0:29:09I'd like to talk to you. I like talking to you.
0:29:10 > 0:29:13Nobody ever does...
0:29:13 > 0:29:16unless I do those stupid magic tricks.
0:29:18 > 0:29:20Charlie...
0:29:20 > 0:29:23I'm sorry I embarrassed you at dinner.
0:29:23 > 0:29:26It wasn't my intention.
0:29:26 > 0:29:28Grown-ups don't really don't really know everything.
0:29:28 > 0:29:32You don't think I know that? HE SIGHS
0:29:32 > 0:29:34I wish I didn't have any parents.
0:29:34 > 0:29:35Charlie...
0:29:36 > 0:29:38Never wish that.
0:29:38 > 0:29:40They never want me around.
0:29:40 > 0:29:43If you only knew how much I wish
0:29:43 > 0:29:45I'd had parents to be mad at.
0:29:48 > 0:29:50Am I forgiven?
0:29:52 > 0:29:54OK.
0:29:54 > 0:29:55You know the trouble with magic tricks?
0:29:55 > 0:29:59There is no surprise for the magician.
0:29:59 > 0:30:01He knows how it ends.
0:30:03 > 0:30:04You don't want to be young
0:30:04 > 0:30:06because you don't like the way things are.
0:30:06 > 0:30:08I don't blame you.
0:30:08 > 0:30:14But one day, you'll wake up, and you'll be all grown up.
0:30:14 > 0:30:16It's inevitable.
0:30:16 > 0:30:19And all the rest...
0:30:19 > 0:30:21(It will be a surprise.)
0:30:23 > 0:30:25I have some magic.
0:30:25 > 0:30:27Do you want to see it?
0:30:27 > 0:30:29Please?
0:30:29 > 0:30:31OK, sit.
0:30:38 > 0:30:40Part of magic
0:30:40 > 0:30:43is suspense and expectation, right?
0:30:44 > 0:30:46What could it be?
0:30:49 > 0:30:51Voila.
0:30:52 > 0:30:54I didn't want to forget you.
0:30:54 > 0:30:57And I won't.
0:31:00 > 0:31:01That's a promise.
0:31:04 > 0:31:06I think it's this way.
0:31:06 > 0:31:09Is your knee OK? Do you want to go back?
0:31:09 > 0:31:12Oh, no, it's OK. I don't want to miss this beautiful day.
0:31:13 > 0:31:16Well, this is the place.
0:31:16 > 0:31:17That's it!
0:31:17 > 0:31:20That's the sculpture Graham told me to find.
0:31:20 > 0:31:23Have you ever felt like that?
0:31:23 > 0:31:24Yes.
0:31:27 > 0:31:28Oh.
0:31:30 > 0:31:32Here. Sit down.
0:31:32 > 0:31:33What?
0:31:33 > 0:31:35Hold still.
0:31:36 > 0:31:38Kate.
0:31:38 > 0:31:39Stop taking care of me.
0:31:42 > 0:31:44I didn't lose my virginity,
0:31:44 > 0:31:47and I'm sick to death of never knowing
0:31:47 > 0:31:49what to do or how to be.
0:31:49 > 0:31:51I had my chance to be a modern woman,
0:31:51 > 0:31:53and I just acted like a stupid little baby.
0:31:53 > 0:31:54Did I get it all?
0:31:54 > 0:31:56No, just...
0:31:56 > 0:31:58just... Yeah.
0:31:58 > 0:32:01Yeah. Yeah.
0:32:01 > 0:32:05SHE SNIFFLES I wanted my first time to be special,
0:32:05 > 0:32:09but Greg never pressured me, and now...
0:32:09 > 0:32:13now what? Will-will it turn out to be some man I barely know?
0:32:15 > 0:32:16Maybe I'm over-thinking it.
0:32:16 > 0:32:18Maybe I should just get it over with.
0:32:18 > 0:32:21There's something to be said for practicality,
0:32:21 > 0:32:25but being a modern woman isn't about losing your virginity.
0:32:25 > 0:32:28SHE SIGHS
0:32:28 > 0:32:31Do you remember that to-do list I had in high school?
0:32:31 > 0:32:34Well, that was on my list.
0:32:34 > 0:32:36Who?
0:32:36 > 0:32:39SHE INHALES SHARPLY Do you remember Clayton?
0:32:39 > 0:32:41From junior French club? Mm-hmm.
0:32:42 > 0:32:45I cornered him under the bleachers
0:32:45 > 0:32:47in a football field after a sock hop.
0:32:47 > 0:32:48You did not!
0:32:48 > 0:32:51Oh, we were hopeless. LAUGHS
0:32:51 > 0:32:53Tangled in my crinolines,
0:32:53 > 0:32:55and his boutonniere kept stabbing me. No!
0:32:55 > 0:32:57No!
0:32:57 > 0:32:59You know, gave it the old college try.
0:32:59 > 0:33:00Stop, stop.
0:33:00 > 0:33:02That's probably what I should have said.
0:33:02 > 0:33:04SHE SIGHS
0:33:06 > 0:33:08Oh, Laura.
0:33:08 > 0:33:11Just follow your instincts.
0:33:11 > 0:33:14You'll know when it's right.
0:33:33 > 0:33:35HE SIGHS
0:33:35 > 0:33:36I-I don't need to know
0:33:36 > 0:33:39what happened in that room with Ginny. Good.
0:33:39 > 0:33:44But I'm...pretty sure that I should be saying thank you.
0:33:44 > 0:33:46No, not really.
0:33:47 > 0:33:49Well, they're together now.
0:33:49 > 0:33:51They always were.
0:33:51 > 0:33:55Some people can play at love like it's a sport...
0:33:55 > 0:33:59a game. It's not.
0:33:59 > 0:34:01Well, regardless,
0:34:01 > 0:34:04the thank you stands, all right?
0:34:04 > 0:34:06I'll see ya. See you.
0:34:06 > 0:34:105 loose cups on the floor, row 10.
0:34:10 > 0:34:12The hot chocolate twins.
0:34:12 > 0:34:14And three empty vodka bottles - their mother.
0:34:15 > 0:34:18I meant to say this before, but congratulations.
0:34:18 > 0:34:19For?
0:34:19 > 0:34:22Your job - you saved it. Oh.
0:34:22 > 0:34:24I thought all was lost.
0:34:24 > 0:34:27Oh. They just needed a little persuading.
0:34:27 > 0:34:29I didn't think anyone could persuade the base manager.
0:34:29 > 0:34:32Did you secure all the stemware?
0:34:32 > 0:34:35I know how much this job means to you.
0:34:35 > 0:34:37You must have been so frightened.
0:34:37 > 0:34:40Desperate, even.
0:34:40 > 0:34:41What did you say to him?
0:34:41 > 0:34:46Oh, not much. The usual - smoke and mirrors.
0:34:46 > 0:34:48Ah, I should've guessed
0:34:48 > 0:34:50you would have a trick up your sleeve.
0:34:50 > 0:34:54SHE CHUCKLES A little something extra.
0:34:54 > 0:34:57What do you mean, something extra?
0:34:57 > 0:34:58Oh, the usual -
0:34:58 > 0:35:01Maggie's magic.
0:35:01 > 0:35:03Who knows what any one of us
0:35:03 > 0:35:06would have done in your situation?
0:35:08 > 0:35:12All looks good. I'm off.
0:35:18 > 0:35:21"I'm terrified, Niko. It was awful.
0:35:21 > 0:35:24"What do you think it means?"
0:35:27 > 0:35:29Try it again.
0:35:30 > 0:35:32Kate, can you do this? When you say it,
0:35:32 > 0:35:33believe it. I believe it.
0:35:33 > 0:35:36And so will he. I know him. He will be upset.
0:35:36 > 0:35:38Niko's people want him to toe the line.
0:35:38 > 0:35:40And you want him to be upset with his people. It'll help him.
0:35:40 > 0:35:42It'll help you, is what you mean.
0:35:42 > 0:35:45Us. And in this case, it is the same thing.
0:35:45 > 0:35:47So I deliver their not-so-cryptic message,
0:35:47 > 0:35:49and then what happens?
0:35:49 > 0:35:51Wouldn't an ordinary girl run from all this?
0:35:53 > 0:35:55You want me to break up with him?
0:35:55 > 0:35:58I want you to tell him what a frightened girl would tell him -
0:35:58 > 0:36:00that you need some time to collect yourself.
0:36:00 > 0:36:02How much time?
0:36:02 > 0:36:05Depends. We'll see.
0:36:05 > 0:36:07You might be back on the job before you know it.
0:36:10 > 0:36:13SHE BREATHES HEAVILY
0:36:20 > 0:36:21DOOR UNLOCKS
0:36:23 > 0:36:25Kate?
0:36:25 > 0:36:27What is it? Are you OK?
0:36:27 > 0:36:29SHE SOBS
0:36:32 > 0:36:34You sure I didn't wake you?
0:36:34 > 0:36:38It's only, uh, seven o'clock.
0:36:38 > 0:36:41Uh... I always look like this when I've been in the darkroom.
0:36:41 > 0:36:43Come out like a bear who's been hibernating.
0:36:43 > 0:36:45Thin and hungry.
0:36:45 > 0:36:47Fur all matted, disoriented.
0:36:47 > 0:36:49I brought you something.
0:36:49 > 0:36:52Yes. Rome.
0:36:52 > 0:36:55Did you, uh, find that sculpture?
0:36:55 > 0:36:57I did.
0:36:57 > 0:36:59And?
0:36:59 > 0:37:00Is your camera handy?
0:37:00 > 0:37:02It's always handy. Why?
0:37:08 > 0:37:12I want to feel how liberating anonymous can be.
0:37:12 > 0:37:14Are you sure?
0:37:14 > 0:37:18No. But I'm going do it anyway...
0:37:18 > 0:37:21if you're fine with it.
0:37:21 > 0:37:23Is it warm enough for you?
0:37:28 > 0:37:31No, I've got it.
0:37:31 > 0:37:34This is about self-expression.
0:37:34 > 0:37:36Understood.
0:37:36 > 0:37:40# ..Mood
0:37:40 > 0:37:43# I'm within a world
0:37:43 > 0:37:47# So heavenly
0:37:47 > 0:37:51# For I never dreamt that you'd
0:37:51 > 0:37:58# Be loving sentimental
0:37:58 > 0:38:03# Sentimental
0:38:03 > 0:38:10# Sentimental
0:38:10 > 0:38:19# Me-e-e. #