0:00:02 > 0:00:04'Previously...' A dealer in London got hold of a list of CIA assets.
0:00:04 > 0:00:06Who's on that list? Bridget Pierce.
0:00:06 > 0:00:09I've fallen in love with you and will do whatever it takes. Dean, I need to move on.
0:00:09 > 0:00:11See the Trevi Fountain with me.
0:00:11 > 0:00:13You don't know a thing about him.
0:00:13 > 0:00:15You're a prince?
0:00:15 > 0:00:18You're a smuggler? I need a partner, Maggie, someone to share in the rewards.
0:00:18 > 0:00:22I am more comfortable with women. I want to be married to you.
0:00:22 > 0:00:23How? It'll be perfect.
0:00:23 > 0:00:25You can see whoever you want.
0:00:25 > 0:00:27I can see who I want.
0:00:27 > 0:00:28You can even have Laura.
0:00:29 > 0:00:32ENGINES ROARING
0:00:32 > 0:00:34CHUCKLES: Oh! Please.
0:00:34 > 0:00:36Madam, now...
0:00:36 > 0:00:37Ooh. That feels nice. It's nice.
0:00:37 > 0:00:39How is your flight so far?
0:00:39 > 0:00:40Very good. Very good.
0:00:40 > 0:00:42I don't like too much sugar. Light sugar.
0:00:42 > 0:00:45Omar seems very down-to-earth. You know, for a future king.
0:00:45 > 0:00:47Mm. Despite buying out the entire first class
0:00:47 > 0:00:49for himself and his entourage.
0:00:49 > 0:00:51that wasn't his idea. It was his parents'.
0:00:51 > 0:00:52MAGGIE: I dated a prince once.
0:00:52 > 0:00:53You did?
0:00:53 > 0:00:55Johnny Esposito.
0:00:55 > 0:00:57His father was the muffler king of Clatsop County.
0:00:57 > 0:01:01Every time we pulled into a filling station, we were royalty.
0:01:01 > 0:01:04That's not exactly the stuff of fairy tales.
0:01:04 > 0:01:06I'm done with fairy tales. Who needs 'em?
0:01:06 > 0:01:08I do.
0:01:08 > 0:01:09SHE CHUCKLES
0:01:09 > 0:01:10Well, look who's beaming.
0:01:10 > 0:01:12I feel like I'm floating on air.
0:01:12 > 0:01:15We all are. We're at 30,000 feet.
0:01:15 > 0:01:20OK. Um... Where did I leave off?
0:01:20 > 0:01:21COLETTE AND LAURA CHUCKLE
0:01:21 > 0:01:24It seems strange, doesn't it, not calling it Idlewild any more?
0:01:24 > 0:01:27Airports are supposed to be named after places, not people.
0:01:27 > 0:01:29Yeah, but it's Jack Kennedy.
0:01:29 > 0:01:32What did Jackie say? "There will be other presidents,
0:01:32 > 0:01:33"but there will never be another time quite like that."
0:01:33 > 0:01:36Yeah, for "One brief, shining moment"...
0:01:36 > 0:01:38LOWERED VOICE: "Known as Camelot."
0:01:38 > 0:01:42Excuse me while I go jump out of this plane.
0:01:44 > 0:01:47And yet they had a very unconventional marriage.
0:01:47 > 0:01:48DOOR CLOSES
0:01:48 > 0:01:49How do you mean?
0:01:49 > 0:01:52CHUCKLES: Well, he was known to entertain a stewardess or two,
0:01:52 > 0:01:53and they still made it work.
0:01:53 > 0:01:56Oh...what, you're not thinking about messing around already?
0:01:56 > 0:01:58You're not even married yet.
0:01:58 > 0:02:00LOWERED VOICE: Amanda sort of gave me permission.
0:02:00 > 0:02:02Seriously?
0:02:02 > 0:02:04Well, she's a very modern girl.
0:02:05 > 0:02:06It could be a test.
0:02:06 > 0:02:08I definitely feel tested.
0:02:08 > 0:02:10Well, as your captain and your friend,
0:02:10 > 0:02:13I will just tell you to think about it before you do anything stupid.
0:02:13 > 0:02:16I didn't. Now the woman I want to be with is back there in first class
0:02:16 > 0:02:18getting fitted for a glass slipper.
0:02:18 > 0:02:20All I've been doing is thinking.
0:02:20 > 0:02:22I thought you said she was perfect.
0:02:22 > 0:02:25She is. She is. Well, almost. I mean, nobody's perfect, right?
0:02:25 > 0:02:29Yeah. For me... Colette comes close.
0:02:29 > 0:02:32I guess, if you really love someone, that makes 'em perfect,
0:02:32 > 0:02:35even if they don't necessarily feel the same way about you.
0:02:35 > 0:02:37Coffee, gentlemen? Yes, please.
0:02:39 > 0:02:40Thank you. Thanks.
0:02:40 > 0:02:42You're welcome.
0:02:48 > 0:02:52The lounge is reserved for first-class passengers only.
0:02:52 > 0:02:54Shut the curtain.
0:02:57 > 0:02:59CURTAIN RINGS SWOOSH
0:02:59 > 0:03:02LOWERED VOICE: I need you to walk something through customs.
0:03:02 > 0:03:05SIGHS: What is it this time?
0:03:05 > 0:03:07Antique jewellery. Berber pendants.
0:03:07 > 0:03:09More art than sparkle, but collectors pay top dollar.
0:03:09 > 0:03:12Smuggling jewellery into the United States
0:03:12 > 0:03:13is a little more serious
0:03:13 > 0:03:15than sneaking cigarettes into North Africa.
0:03:15 > 0:03:17Yeah, so is the money -
0:03:17 > 0:03:20money you're going to need for your future plans.
0:03:20 > 0:03:22My future died last month in Dallas.
0:03:22 > 0:03:24Well, I guess I'm your future now.
0:03:24 > 0:03:26SIGHS: How depressing.
0:03:26 > 0:03:29CHUCKLES: Yeah, but lucrative. SIGHS
0:03:32 > 0:03:34ENGINES ROARING MAN: 'Clipper Majestic,
0:03:34 > 0:03:36'welcome home to John F Kennedy international.'
0:03:38 > 0:03:41So New Year's Eve at my place. We'll help cook?
0:03:41 > 0:03:44Well, you can see Times Square from Ted's apartment.
0:03:44 > 0:03:45We could watch the ball drop without being trampled.
0:03:45 > 0:03:47I don't cook. I don't help cook. CHUCKLES
0:03:47 > 0:03:50We'll do everything and everyone can get to know Amanda better.
0:03:50 > 0:03:54And Omar. I can't remember being this excited about a new year.
0:03:54 > 0:03:57Oh. 1963 was pretty eventful.
0:03:57 > 0:04:001964 will be even better. Mm. We'll make it better.
0:04:02 > 0:04:04CHUCKLES
0:04:09 > 0:04:12What now? Juan Trippe offering you the moon route?
0:04:15 > 0:04:17What is it?
0:04:19 > 0:04:21Says I've been grounded.
0:04:21 > 0:04:23BAG THUDS For what?!
0:04:23 > 0:04:25"Pilot's license has been suspended
0:04:25 > 0:04:28"pending the outcome of a hearing."
0:04:28 > 0:04:31Well, that Haiti business was months ago. Why now?
0:04:31 > 0:04:33PAPER RUSTLING
0:04:33 > 0:04:35It doesn't say...
0:04:36 > 0:04:38But I think I got a pretty good idea.
0:04:42 > 0:04:43What took you so long?
0:04:43 > 0:04:45I always flirt with the customs agents.
0:04:45 > 0:04:47You wouldn't want me to change my routine now, would you?
0:04:47 > 0:04:48You know, you're getting to be a real pro at this.
0:04:48 > 0:04:51Oh, save the sweet talk. What's next?
0:04:51 > 0:04:52HIGH-PITCHED VOICE: Oh.
0:04:55 > 0:04:58So... I'm meeting the buyers tomorrow night.
0:04:58 > 0:05:00I'll make the deal. You'll get your cut after that.
0:05:00 > 0:05:03Unh-unh. Not so fast. I'm coming with you.
0:05:03 > 0:05:04That's going to be a problem.
0:05:04 > 0:05:07These guys aren't going to want to make a deal with a woman in the room.
0:05:07 > 0:05:09Well, it's almost 1964.
0:05:09 > 0:05:11They better get used to women with opinions.
0:05:11 > 0:05:13Maggie, let me handle this.
0:05:13 > 0:05:15You can't even handle me.
0:05:15 > 0:05:17Let me make this perfectly clear.
0:05:17 > 0:05:20Where the jewels go, I go.
0:05:21 > 0:05:23So I got no choice.
0:05:23 > 0:05:25You never did.
0:05:41 > 0:05:43Pop. Edward. I called your apartment.
0:05:43 > 0:05:44You didn't answer. I was out walking.
0:05:44 > 0:05:46Important lunch popped up.
0:05:46 > 0:05:49We gotta do ours next week. Oh, bring Amanda along.
0:05:49 > 0:05:51OK. Did she tell you?
0:05:51 > 0:05:53The governor has agreed to preside over your wedding.
0:05:53 > 0:05:56Amanda's father is one of his poker buddies.
0:05:56 > 0:05:58CHUCKLES: Your mother says this is shaping up to be
0:05:58 > 0:06:00the social event of the year,
0:06:00 > 0:06:02and guess who else is coming.
0:06:02 > 0:06:03Juan Trippe.
0:06:03 > 0:06:05Those captain wings are in the bag.
0:06:05 > 0:06:09I'd like to earn 'em on my own. Oh, nonsense.
0:06:09 > 0:06:11All this is damn exciting, if you ask me.
0:06:11 > 0:06:13What about asking me? Well, isn't it?
0:06:13 > 0:06:17Everything's moving kinda fast. Maybe we should slow it down.
0:06:17 > 0:06:20I'm afraid the women on both sides of the aisle won't stand for that.
0:06:20 > 0:06:22Hell, the Normandy invasion had less planning.
0:06:22 > 0:06:24CHUCKLES: I mean, er, e-everything's OK, right?
0:06:24 > 0:06:27Look, I-I don't want to make a mistake.
0:06:27 > 0:06:30Mm-hmm. Some of the best marriages are not about love.
0:06:30 > 0:06:32They're great partnerships.
0:06:32 > 0:06:36Yeah, so whatever you're going through, you know, you'll-
0:06:36 > 0:06:39you'll get through it, right?
0:06:39 > 0:06:41Attaboy. OK.
0:06:41 > 0:06:43I'm late, so I'll talk to you next week.
0:06:43 > 0:06:46SIGHS
0:06:53 > 0:06:56LOCK CLICKS
0:06:56 > 0:06:59Richard. What's wrong?
0:06:59 > 0:07:01I've been shot.
0:07:01 > 0:07:03PANTS
0:07:04 > 0:07:07SIGHS: This looks bad, Richard. You should go to a hospital. TAPE TEARING
0:07:07 > 0:07:10No. Hospital's the first place they'd look.
0:07:10 > 0:07:13"They"? You don't know who did this?
0:07:13 > 0:07:16It was dark. I was on my way back to CIA headquarters...
0:07:16 > 0:07:20INHALES DEEPLY: ..to deliver this microfilm.
0:07:20 > 0:07:21SHE SIGHS
0:07:21 > 0:07:23CLATTERS OK. We should call someone.
0:07:23 > 0:07:27Don't you understand? It was somebody on the inside.
0:07:27 > 0:07:28Nobody else knew about the drop.
0:07:28 > 0:07:30HE SIGHS
0:07:30 > 0:07:32SIGHS: A double agent.
0:07:32 > 0:07:33Listen to me, Kate.
0:07:33 > 0:07:36This has to be delivered to the CIA by noon tomorrow.
0:07:36 > 0:07:39You're going to have to take it in for me.
0:07:39 > 0:07:41SIGHS: OK.
0:07:41 > 0:07:42Nobody knows I'm missing,
0:07:42 > 0:07:46and if anybody from the agency contacts you,
0:07:46 > 0:07:49if they ask about me, that person is the double agent.
0:07:49 > 0:07:51Understand?
0:08:04 > 0:08:07This can't all be for us.
0:08:07 > 0:08:11No. For me, so I can learn all your favourite foods.
0:08:11 > 0:08:13I could have just told you.
0:08:13 > 0:08:15LAUGHS: What's the fun in that?
0:08:15 > 0:08:18Huh. I hope you don't mind.
0:08:18 > 0:08:21I flew in the chef from, er, that restaurant you like in Paris.
0:08:21 > 0:08:24Le Dome? Mm-hm.
0:08:24 > 0:08:26Omar, that's too much. CHUCKLES
0:08:26 > 0:08:30We could take the subway to Brooklyn for brick-oven pizza.
0:08:30 > 0:08:31Uh, no, no.
0:08:33 > 0:08:35This is wonderful.
0:08:35 > 0:08:36Please.
0:08:40 > 0:08:42Colette.
0:08:42 > 0:08:45May I have your permission to court you?
0:08:45 > 0:08:47Isn't this what you have been doing? For me, yes,
0:08:47 > 0:08:51but for my parents and the Royal Family rules, no.
0:08:53 > 0:08:55There are rules? I'm afraid so.
0:08:55 > 0:08:59A formal courtship is a minimum of six months.
0:08:59 > 0:09:01You'll have your own wing in the palace,
0:09:01 > 0:09:04your own staff, an unlimited clothing allowance.
0:09:04 > 0:09:07You want me to move to Wahran?
0:09:07 > 0:09:10So my family can get to know you as a real person
0:09:10 > 0:09:13and not the fantasy I've made you out to be.
0:09:13 > 0:09:15Our personal physician will make sure
0:09:15 > 0:09:17you are not made from fairy dust,
0:09:17 > 0:09:21and-and others will be, er, dispatched to investigate
0:09:21 > 0:09:23what magical land you are from.
0:09:25 > 0:09:27And what about my job with Pan Am?
0:09:27 > 0:09:30You could take a leave of absence,
0:09:30 > 0:09:34but only if you wanted to, of course.
0:09:34 > 0:09:36Please tell me you'll at least think about it.
0:09:39 > 0:09:42I'll think about it. CHUCKLES
0:09:43 > 0:09:46Another camera? We can't let the communists win.
0:09:46 > 0:09:50No, I can't. It's-it's too expensive.
0:09:50 > 0:09:52It's on Pan Am. I told 'em what happened in Moscow,
0:09:52 > 0:09:55and they sprang for a new one. That is very sweet.
0:09:55 > 0:09:58Thank you. PACKAGING RUSTLES
0:09:58 > 0:10:01I want to show you something.
0:10:01 > 0:10:03OK.
0:10:07 > 0:10:11CHUCKLES: Oh. That was after I told you that...
0:10:11 > 0:10:14Yeah. Right. I remember. I look like I'm sitting on the hot seat
0:10:14 > 0:10:16and the warden just pulled the switch.
0:10:16 > 0:10:18SIGHS
0:10:21 > 0:10:23Er... SIGHS
0:10:23 > 0:10:27When did you realise Greg wasn't the one?
0:10:27 > 0:10:31I mean, you almost married the guy, right?
0:10:33 > 0:10:35I think I always knew...
0:10:37 > 0:10:39But my parents loved him.
0:10:39 > 0:10:43Everyone said we were perfect together. Honestly, I...
0:10:43 > 0:10:46I couldn't think of a reason to say no.
0:10:46 > 0:10:48Except you wanted more.
0:10:48 > 0:10:50Not wanted.
0:10:50 > 0:10:51Needed.
0:10:51 > 0:10:53HE CHUCKLES
0:10:55 > 0:10:56PHOTOS RUSTLING
0:10:56 > 0:10:59This one was Andy Warhol's favourite.
0:10:59 > 0:11:02Uh, you showed me to Andy Warhol?
0:11:02 > 0:11:05Mm-hm. He said that you looked like you were being hunted by the FBI.
0:11:05 > 0:11:07Oh, what does he know? The guy paints soup cans. SHE LAUGHS
0:11:07 > 0:11:11I think he's a genius. Plus he said that you were a fascinating subject
0:11:11 > 0:11:14and that I had a very good eye for choosing you.
0:11:14 > 0:11:17Yeah? Maybe he is a genius after all. SHE CHUCKLES
0:11:17 > 0:11:20And this one is my favourite. Ohh.
0:11:20 > 0:11:23SIGHS: I look like a goofball. CHUCKLES
0:11:23 > 0:11:26I like the man in that picture.
0:11:26 > 0:11:29HE CHUCKLES
0:11:35 > 0:11:37Amanda's probably waiting.
0:11:39 > 0:11:41WHISPERS: Yeah, you're probably right.
0:11:54 > 0:11:57You must be lost, monsieur.
0:11:58 > 0:11:59I know. SIGHS
0:11:59 > 0:12:02I started walking.
0:12:04 > 0:12:07Guess my inner guidance system brought me here.
0:12:15 > 0:12:17So how's, er...
0:12:18 > 0:12:20How's Prince Charming treating you?
0:12:22 > 0:12:25He wants me to move to Wahran
0:12:25 > 0:12:28to begin a formal courtship.
0:12:28 > 0:12:30HE CHUCKLES
0:12:30 > 0:12:33You think it's a little, er...
0:12:33 > 0:12:35A little fast?
0:12:35 > 0:12:37The purpose of a courtship is time.
0:12:37 > 0:12:40Everything is moving so quickly, it will be nice to slow it down.
0:12:40 > 0:12:42You're in love with him?
0:12:45 > 0:12:48Love is not something I care to discuss with you.
0:12:48 > 0:12:52Look, I-I just...I-I don't want you to get swept up
0:12:52 > 0:12:54in some fantasy. SHE SIGHS
0:12:54 > 0:12:58Well, I'm beginning to believe that love is a fantasy...
0:12:59 > 0:13:01One day there...
0:13:02 > 0:13:04..and the next, gone.
0:13:07 > 0:13:11Look, Colette... Good luck with the hearing, Dean.
0:13:20 > 0:13:23The microfilm should be safe inside the lining,
0:13:23 > 0:13:24even if someone searches you.
0:13:24 > 0:13:26Walk straight into CIA headquarters.
0:13:26 > 0:13:29Alan O'Neill is on the 14th floor, last office on the left.
0:13:29 > 0:13:32Don't stop. Don't say anything except the password.
0:13:33 > 0:13:35"Albatross."
0:13:35 > 0:13:37Alan will know what to do.
0:13:45 > 0:13:47Oh! Kate.
0:13:47 > 0:13:49Ohh. Sorry. I frightened you.
0:13:49 > 0:13:52SIGHS: Anderson. What are you doing in new York?
0:13:52 > 0:13:54Little trouble with Richard, I'm afraid.
0:13:54 > 0:13:56You haven't heard from him, have you?
0:13:58 > 0:14:00Has Richard been in contact with you?
0:14:00 > 0:14:02No.
0:14:02 > 0:14:05Not since Rome. Why?
0:14:05 > 0:14:07Well, he's disappeared.
0:14:07 > 0:14:09No-one at MI6 or the CIA has heard from him.
0:14:09 > 0:14:11He has in his possession a very valuable microfilm.
0:14:11 > 0:14:13If it were to fall into the wrong hands,
0:14:13 > 0:14:16it would be devastating to both our countries.
0:14:16 > 0:14:18Well, do you think he's all right?
0:14:18 > 0:14:20Well, our fear is that he's gone rogue
0:14:20 > 0:14:23and is arranging a sale to the Russians.
0:14:23 > 0:14:26If you hear from him, call me immediately.
0:14:27 > 0:14:30Where? I'm staying at the Plaza Hotel.
0:14:30 > 0:14:33Either there or CIA headquarters.
0:14:34 > 0:14:37SIGHS
0:14:38 > 0:14:40PANTING, CLOSES DOOR
0:14:40 > 0:14:42Richard? KEYS JANGLE, PURSE CLATTERS
0:14:42 > 0:14:45I couldn't make it to the CIA.
0:14:45 > 0:14:47I got stopped by someone,
0:14:47 > 0:14:50just like you said.
0:14:53 > 0:14:54SIGHS
0:14:54 > 0:14:56PANTING
0:14:57 > 0:14:58THREADS TEAR
0:15:03 > 0:15:06TAPS CANISTER ON TABLE
0:15:08 > 0:15:09GASPS
0:15:11 > 0:15:13PANTING
0:15:21 > 0:15:22Teddy. CHUCKLES
0:15:22 > 0:15:26Hi, Amanda. Did you hear about the governor?
0:15:26 > 0:15:29CHUCKLES: Do you know how many people he's married?
0:15:29 > 0:15:31None. We're the first.
0:15:31 > 0:15:35Uh, Amanda, just, um... let me talk.
0:15:35 > 0:15:37This isn't easy to say.
0:15:37 > 0:15:39Then don't say it.
0:15:39 > 0:15:41CHUCKLES
0:15:41 > 0:15:44SIGHS: Come upstairs.
0:15:44 > 0:15:46I missed you.
0:15:46 > 0:15:48Uh...
0:15:48 > 0:15:50No.
0:15:52 > 0:15:55"No"? CHUCKLES
0:15:55 > 0:15:58I don't understand.
0:15:58 > 0:16:00I can't share my wife.
0:16:01 > 0:16:05I still want an old-fashioned marriage. Fine.
0:16:05 > 0:16:10Then I will be your devoted, faithful wife.
0:16:10 > 0:16:14But every morning you'll wake up wishing I was someone else.
0:16:16 > 0:16:18SIGHS: Isn't it the other way around?
0:16:20 > 0:16:22This is about Laura, isn't it?
0:16:22 > 0:16:24What? No.
0:16:24 > 0:16:25SIGHS
0:16:25 > 0:16:30Amanda, I'm sorry. I-I'm sorry. Look, Teddy, don't do this.
0:16:30 > 0:16:32I can't marry you.
0:16:38 > 0:16:39SIGHS
0:16:39 > 0:16:42Why are you taking your Pan Am bag?
0:16:42 > 0:16:45Oh. Gets me the best table in town. KNOCK ON DOOR
0:16:46 > 0:16:49Oh! Amanda.
0:16:49 > 0:16:50Maggie.
0:16:50 > 0:16:52SIGHS: Oh. Uh, darn. I was just on my way out.
0:16:52 > 0:16:54Uh, we'll have to catch up later.
0:16:54 > 0:16:57Actually, I wanted to talk to Laura.
0:16:57 > 0:16:58Oh!
0:17:00 > 0:17:03Amanda, hi. This is a nice surprise.
0:17:03 > 0:17:05DOOR CLOSES
0:17:05 > 0:17:07I made an investment in a friendship.
0:17:07 > 0:17:11I hope it's about to pay off in the form of a favour.
0:17:11 > 0:17:14Oh, yeah. Of course. Anything.
0:17:14 > 0:17:17I'd like you to be Ted's mistress.
0:17:17 > 0:17:20SHE LAUGHS
0:17:20 > 0:17:24LAUGHS: That's...the funniest thing I've ever heard. You...
0:17:24 > 0:17:25I'm serious.
0:17:25 > 0:17:28CHUCKLES: You can't be. That's-that's-
0:17:28 > 0:17:31I-I don't want to be anyone's mistress.
0:17:31 > 0:17:35I've noticed the way you two look at each other.
0:17:35 > 0:17:38There's definitely an attraction.
0:17:38 > 0:17:40No. No. Ted is in love with you.
0:17:40 > 0:17:42You're about to get married.
0:17:42 > 0:17:44Look, he's running away from our wedding.
0:17:44 > 0:17:48I think the main reason is you...
0:17:48 > 0:17:52SIGHS: So if it will get Ted to marry me...
0:17:53 > 0:17:55..I'm willing to share him.
0:17:55 > 0:17:57If Ted's getting cold feet,
0:17:57 > 0:18:00this is not the way to get him back.
0:18:00 > 0:18:03No, it'll be perfect. CHUCKLES
0:18:03 > 0:18:06While I'm home enjoying the things that you ran away from,
0:18:06 > 0:18:09you and Teddy can be off circling the globe together.
0:18:09 > 0:18:12Those things I ran away from I still want,
0:18:12 > 0:18:14just at the right time with the right guy.
0:18:14 > 0:18:17Well, it won't be with Teddy.
0:18:17 > 0:18:18Fine.
0:18:24 > 0:18:27DOOR OPENS
0:18:27 > 0:18:29DOOR CLOSES
0:18:29 > 0:18:30SHE SIGHS
0:18:32 > 0:18:35My parents' names were Oscar and Rachel Valois.
0:18:35 > 0:18:38They were in the French Resistance,
0:18:38 > 0:18:41killed while fighting the Nazis.
0:18:42 > 0:18:45And you were raised in an orphanage?
0:18:45 > 0:18:49By Ursuline nuns in Le Chambord.
0:18:49 > 0:18:52And you remained in Le Chambord until you were 23?
0:18:52 > 0:18:54Yes.
0:18:54 > 0:18:57Too long... CHUCKLES
0:18:57 > 0:19:00because the one thing I remembered was my mother saying,
0:19:00 > 0:19:05"If you are lost, stay where you are. We will find you."
0:19:05 > 0:19:09So I stayed, hoping one day I would cross the street
0:19:09 > 0:19:12and see my mother buying bread
0:19:12 > 0:19:15or pass a cafe where my father was reading the paper...
0:19:18 > 0:19:23Even though I was told they were dead and I no longer remembered
0:19:23 > 0:19:27what they looked like. SIGHS
0:19:27 > 0:19:30I think that's enough questions for today.
0:19:30 > 0:19:33SIGHS: Mmm.
0:19:38 > 0:19:41There's a bar around the corner.
0:19:41 > 0:19:44Maybe your girlfriend would be more comfortable waiting there.
0:19:44 > 0:19:46I'm fine right here.
0:19:46 > 0:19:49She gets emotional. You know how women are.
0:19:49 > 0:19:52Once they get their claws in, you're hooked for life.
0:19:57 > 0:19:59Onde eles estao?
0:19:59 > 0:20:01Fique tranquilo. Eles estao aqui.
0:20:01 > 0:20:05SPEAKS PORTUGUESE
0:20:05 > 0:20:08Deal's off. What the hell are you doing?
0:20:08 > 0:20:11Wait. Wait. We want to make an offer. Let's go. Now.
0:20:11 > 0:20:14Uh...I-I'm sorry. She's crazy. I'll be right back.
0:20:15 > 0:20:18What the hell are you doing? LOWERED VOICE: It's a rip-off.
0:20:18 > 0:20:20How the hell do you know that?
0:20:20 > 0:20:23They were speaking in Portuguese about stealing the jewels. That's ridiculous.
0:20:23 > 0:20:26DOOR CREAKS, GASPS, PANTING
0:20:38 > 0:20:39Nice people you deal with.
0:20:39 > 0:20:41I've never dealt with 'em before. It was set up through a friend.
0:20:41 > 0:20:43Now you tell me. I didn't want you to be nervous!
0:20:43 > 0:20:46You could've gotten us killed. It won't happen again, all right?
0:20:46 > 0:20:48Just give me the bag. I'll come up with another plan.
0:20:48 > 0:20:50You do that, but the jewels stay with me.
0:20:50 > 0:20:51SIGHS
0:20:55 > 0:20:56LOCK TURNING
0:20:56 > 0:20:58TELEPHONE CLATTERS
0:21:03 > 0:21:06Safety tip - don't leave a key lying around
0:21:06 > 0:21:09with a tag that says "spare key."
0:21:09 > 0:21:11KEY CLATTERS Where did you go?
0:21:11 > 0:21:14Let me sit first. The room is spinning.
0:21:14 > 0:21:15HE COUGHS
0:21:15 > 0:21:17I followed you to make sure you were safe.
0:21:17 > 0:21:20I needed to be sure Anderson didn't double back.
0:21:20 > 0:21:22Where's the microfilm, Richard?
0:21:22 > 0:21:25SIGHS: Right here. Sorry. I had to be sure.
0:21:25 > 0:21:27So you were testing me?
0:21:27 > 0:21:30That bottle in your hand says you don't completely trust me, either.
0:21:34 > 0:21:37So you knew about Anderson?
0:21:37 > 0:21:38Suspected.
0:21:38 > 0:21:42Ever since the two of you had that little escapade in London.
0:21:42 > 0:21:44He was after the list for himself.
0:21:44 > 0:21:48The Soviets put a premium on it. Anderson decided to cash in.
0:21:48 > 0:21:51Anderson told me that you're the double agent.
0:21:51 > 0:21:55Classic spycraft. Accuse your accuser.
0:21:55 > 0:21:59I came here because I wanted to trust you, Kate.
0:21:59 > 0:22:03Now you have to decide who you trust.
0:22:06 > 0:22:08What am I supposed to do with this?
0:22:08 > 0:22:09Do with what?
0:22:09 > 0:22:12Amanda and her ridiculous offer -
0:22:12 > 0:22:13marry her and get me in the bargain?
0:22:13 > 0:22:16I'm sorry. She's just used to getting her way,
0:22:16 > 0:22:17but d-do you really think I'd ever accept that
0:22:17 > 0:22:19or think for a second that you would?
0:22:19 > 0:22:21Why did you call off the wedding?
0:22:23 > 0:22:26To tell the truth, Amanda is great...
0:22:26 > 0:22:28on paper,
0:22:28 > 0:22:30a-and I've always...
0:22:30 > 0:22:33wanted someone like her, o-only not her.
0:22:35 > 0:22:36Why not?
0:22:36 > 0:22:39Well-well, to be perfectly honest, there's someone else.
0:22:41 > 0:22:44There is? Yeah.
0:22:44 > 0:22:46CHUCKLES: Yeah.
0:22:46 > 0:22:49Someone I've, er, come to know quite well,
0:22:49 > 0:22:52and I think I've fallen in love with her.
0:22:55 > 0:22:58VOICE BREAKS: And wh-when did this...happen?
0:22:58 > 0:23:00I-I don't really know.
0:23:00 > 0:23:03She just sorta grew on me...
0:23:05 > 0:23:08..holding a TV antenna out a window in Jakarta,
0:23:08 > 0:23:10watching Jack Kennedy speak in Berlin.
0:23:13 > 0:23:15It's always been you, Laura,
0:23:15 > 0:23:18ever since that first flight in London.
0:23:18 > 0:23:19Ted.
0:23:19 > 0:23:21CHUCKLES: I know.
0:23:21 > 0:23:24Do you? Don't I?
0:23:24 > 0:23:25CHUCKLES
0:23:29 > 0:23:32INHALES DEEPLY
0:23:39 > 0:23:41HORN HONKS
0:23:41 > 0:23:43During a medical emergency,
0:23:43 > 0:23:46I am required to land at the nearest airport.
0:23:46 > 0:23:48In a country hostile to Americans?
0:23:48 > 0:23:50Uh, this was a life-or-death situation.
0:23:50 > 0:23:52Not for long. The passenger died.
0:23:52 > 0:23:55Yeah, despite the heroic efforts of my crew to find a doctor.
0:23:55 > 0:23:58You were informed the airport was closed.
0:23:58 > 0:24:00Did they give you a reason?
0:24:01 > 0:24:03I landed without incident,
0:24:03 > 0:24:06and I got my passengers and my aircraft home safely.
0:24:06 > 0:24:10We have an affidavit from a Pan Am passenger, Miguel Ortiz.
0:24:10 > 0:24:12He claims you threatened him
0:24:12 > 0:24:16and that your decision to take the refugee was based
0:24:16 > 0:24:20on a personal relationship with one of your crew - Colette Valois.
0:24:25 > 0:24:30In the end, I made the decision that I felt was right.
0:24:34 > 0:24:38Sorry I didn't call first. I was trying to avoid another setup.
0:24:38 > 0:24:40What are you doing here?
0:24:40 > 0:24:42Where is Captain Broyles?
0:24:42 > 0:24:45Oh, he gets so emotional. You know how men are.
0:24:45 > 0:24:47Women are much more practical, don't you think?
0:24:47 > 0:24:50I'm willing to forgive and forget.
0:24:50 > 0:24:52What are you proposing?
0:24:52 > 0:24:55Well, you still want to buy the jewels, don't you?
0:24:55 > 0:24:56Very much.
0:24:56 > 0:24:59Vamos fazer negocios.
0:24:59 > 0:25:03TONY BENNETT: # What I couldn't do with plenty of money and you! #
0:25:03 > 0:25:05How?
0:25:05 > 0:25:07Surprise is a great negotiator.
0:25:07 > 0:25:09Isn't it beautiful?
0:25:09 > 0:25:11Even more so with you on top of it.
0:25:11 > 0:25:12SHE CHUCKLES
0:25:12 > 0:25:16# And it's the root of all evil Of strife and upheaval
0:25:16 > 0:25:19# But I'm certain, honey that life would be sunny
0:25:19 > 0:25:22# With plenty of money and you! #
0:25:31 > 0:25:34That painting is beautiful.
0:25:36 > 0:25:39The background investigation has revealed something.
0:25:39 > 0:25:41Am I an escaped murderer?
0:25:41 > 0:25:46Your name is not the same as your parents.
0:25:47 > 0:25:51How could that be? No, your investigators made a mistake.
0:25:51 > 0:25:53No mistake.
0:25:53 > 0:25:57The nuns changed your name to protect you and themselves.
0:25:57 > 0:25:59But why?
0:25:59 > 0:26:01Because they would have been killed
0:26:01 > 0:26:04for sheltering a child with the name Halevy.
0:26:06 > 0:26:07It is a Jewish name.
0:26:09 > 0:26:11My parents were Jewish?
0:26:11 > 0:26:13Yes.
0:26:13 > 0:26:15They weren't part of the resistance?
0:26:15 > 0:26:19Maybe. I don't know, but that is not how they died.
0:26:19 > 0:26:21How?
0:26:23 > 0:26:25Does it matter? How did they die?
0:26:28 > 0:26:29Dachau.
0:26:35 > 0:26:39I stayed awake all night wondering how I would tell you.
0:26:39 > 0:26:43All my life, I've only known lies...
0:26:43 > 0:26:45Even my own name.
0:26:47 > 0:26:49This doesn't change who you are now.
0:26:49 > 0:26:55No, but it changes us, doesn't it?
0:26:58 > 0:27:00SIGHS: Here.
0:27:00 > 0:27:02RUSTLES Look at this.
0:27:06 > 0:27:09Is this...? Your family.
0:27:09 > 0:27:13It was taken by the friends who gave you to the orphanage.
0:27:13 > 0:27:16But there's a baby.
0:27:16 > 0:27:18A boy.
0:27:18 > 0:27:22He was adopted from the orphanage a few days after you both arrived.
0:27:22 > 0:27:25We tried to locate him, but couldn't.
0:27:27 > 0:27:30I had a brother. SNIFFLES
0:27:30 > 0:27:33You still have a brother.
0:27:33 > 0:27:35As far as we know, he survived.
0:27:46 > 0:27:48One of the conditions to settle the lawsuit
0:27:48 > 0:27:52with Mr Belson's family is that you be terminated.
0:27:52 > 0:27:55Although you were acting under extreme circumstances... DOOR OPENS >
0:27:55 > 0:27:57Permission to speak.
0:27:57 > 0:28:00Of course, Captain Broyles.
0:28:00 > 0:28:02On the subject of Haiti,
0:28:02 > 0:28:05Captain Lowrey left that body behind to ensure the safety
0:28:05 > 0:28:07of his passengers, by the book.
0:28:07 > 0:28:10Not Pan Am's book. Then I suggest an addendum.
0:28:10 > 0:28:11But he took on a stowaway.
0:28:11 > 0:28:15Once on board, she was his passenger, too. It was his duty to protect her.
0:28:15 > 0:28:16And I talked to his navigator.
0:28:16 > 0:28:19That take-off out of Port-au-Prince was a thing of beauty.
0:28:19 > 0:28:20Instead of standing here being judged,
0:28:20 > 0:28:23Captain Lowrey ought to be showing other Pan Am pilots how it's done.
0:28:23 > 0:28:27At a party in Rome, didn't Captain Lowrey assault you?
0:28:27 > 0:28:30Justified. I would have hit me, too, and harder.
0:28:30 > 0:28:32That's all I have to say.
0:28:32 > 0:28:36Thank you, Captain Broyles, for your...testimony.
0:28:36 > 0:28:38If that's all... It's not.
0:28:39 > 0:28:42Addressed to you, from Juan Trippe.
0:28:44 > 0:28:47You may want to read that now.
0:28:47 > 0:28:51LOWERED VOICE: That's from Maggie, and I want a rematch.
0:28:51 > 0:28:52LOWERED VOICE: You're on.
0:28:55 > 0:28:58CLEARS THROAT
0:28:59 > 0:29:02Well, you're very fortunate, Captain Lowrey.
0:29:02 > 0:29:06It seems that Mr Trippe has made an investment in your future,
0:29:06 > 0:29:10and taking this and Captain Broyles' testimony into consideration,
0:29:10 > 0:29:13you will not be terminated at this time.
0:29:13 > 0:29:16Thank you. However, your flying privileges
0:29:16 > 0:29:18will be suspended for six months.
0:29:18 > 0:29:20< There'll be a plane waiting for you in June.
0:29:20 > 0:29:23Consider yourself very lucky, Captain.
0:29:25 > 0:29:26Thank you, gentlemen.
0:29:38 > 0:29:41Is everything OK? You pulled me out of a meeting! Yeah.
0:29:41 > 0:29:43SIGHS: I called off the wedding.
0:29:43 > 0:29:46Amanda wasn't the right woman, so it's over.
0:29:46 > 0:29:48What are you talking about? She's perfect for you.
0:29:48 > 0:29:52No, she's perfect for that plan you have for me, but I don't need that.
0:29:52 > 0:29:55I've got Laura. Who's-who's Laura?
0:29:55 > 0:29:56The woman I love,
0:29:56 > 0:29:59and it turns out she loves your huge disappointment of a son, too.
0:29:59 > 0:30:01I never said you were a disappointment.
0:30:01 > 0:30:03You didn't have to.
0:30:03 > 0:30:06Just wait. Think about it. I'll come by the house. Let's talk.
0:30:08 > 0:30:10Tell mom I'm sorry.
0:30:12 > 0:30:13Happy new year, pop.
0:30:15 > 0:30:18Edward, we're not done here.
0:30:18 > 0:30:19Edward.
0:30:20 > 0:30:23VARIOUS ANNOUNCEMENTS VIA TANNOY
0:30:36 > 0:30:38I talked to Richard.
0:30:38 > 0:30:42Where is he? My apartment, asleep on my couch.
0:30:42 > 0:30:46He trusts me. Good. All right. Stay here.
0:30:46 > 0:30:49I've got to get to him before he contacts the Soviets.
0:30:49 > 0:30:51Anderson, it doesn't matter if he does.
0:30:51 > 0:30:56I have the microfilm. I lifted it from his pocket.
0:30:56 > 0:30:58Good girl!
0:30:58 > 0:31:01I knew I could count on you. Give it to me. I'll keep it safe.
0:31:01 > 0:31:05Just one thing. The mission in London -
0:31:05 > 0:31:08why me and not a female MI6 agent?
0:31:08 > 0:31:12We can talk about that later. Just give me the microfilm.
0:31:12 > 0:31:15They're trained agents. I'm a stewardess.
0:31:15 > 0:31:17Don't undervalue your abilities.
0:31:17 > 0:31:19A worldwide intelligence agency
0:31:19 > 0:31:22is looking for that microfilm,
0:31:22 > 0:31:24and you were the one to retrieve it.
0:31:24 > 0:31:26Now I must insist that you give it to me.
0:31:28 > 0:31:31Let's take it to CIA headquarters...together.
0:31:31 > 0:31:34Kate, this is not a game. Are you sure?
0:31:34 > 0:31:36GUN COCKS
0:31:36 > 0:31:38PANTING: What are you going to do?
0:31:38 > 0:31:41Are you going to shoot me in front of all these people?
0:31:41 > 0:31:46It's easily explained. The Soviets turned you when you were in Moscow.
0:31:46 > 0:31:49You shot Richard. You stole the microfilm.
0:31:49 > 0:31:52I caught you. Unfortunately, you resisted.
0:32:00 > 0:32:05all right. Let's go. A little unfinished business.
0:32:08 > 0:32:09Get on the ground!
0:32:10 > 0:32:12I'm a special agent for MI6!
0:32:12 > 0:32:15I'm arresting that woman for espionage. She's a spy!
0:32:15 > 0:32:17GUNS COCK
0:32:18 > 0:32:20I hate to break it to you.
0:32:20 > 0:32:22We're all spies.
0:32:24 > 0:32:28LOWERED VOICE: This is how I always want to remember you, Anderson.
0:32:34 > 0:32:36Get up.
0:32:36 > 0:32:38MEN SPEAK INDISTINCTLY
0:32:43 > 0:32:45DOOR CLOSES
0:32:47 > 0:32:49KEYS JANGLE
0:32:49 > 0:32:51Amanda. KEYS CLATTER
0:32:52 > 0:32:54CRYING: You know, at my summer home...
0:32:54 > 0:32:56SNIFFLES AND SIGHS
0:32:56 > 0:33:00I used to push you off the dock just to see you cry.
0:33:02 > 0:33:04I'm a better swimmer now. CHUCKLES
0:33:06 > 0:33:10I'm the one being thrown in the deep end.
0:33:10 > 0:33:11Amanda.
0:33:11 > 0:33:13We talked about this.
0:33:13 > 0:33:16There's been a slight detour.
0:33:16 > 0:33:18SNIFFLES
0:33:18 > 0:33:22SIGHS: I've just come from the doctor.
0:33:24 > 0:33:27SIGHS: I'm pregnant, Teddy.
0:33:28 > 0:33:31Well, don't just stand there.
0:33:31 > 0:33:35You're-you're going to be a father. Hug me.
0:33:35 > 0:33:37Uh...
0:33:39 > 0:33:40SNIFFLES
0:33:40 > 0:33:43We'll get married right away. You'll see.
0:33:44 > 0:33:47This is the best thing that could have happened.
0:33:48 > 0:33:50CRYING
0:34:02 > 0:34:05What are you doing here? It's New Year's Eve.
0:34:05 > 0:34:09Don't you have a party to run off to?
0:34:09 > 0:34:11I do. SIGHS
0:34:11 > 0:34:14I couldn't leave you here all alone.
0:34:14 > 0:34:18Well, for people in our business, alone is our natural state.
0:34:23 > 0:34:26You have come a long way from the stewardess
0:34:26 > 0:34:29who didn't think she could switch a passport.
0:34:29 > 0:34:32That was a lifetime ago.
0:34:32 > 0:34:36My biggest problem was my sister on the cover of a magazine,
0:34:36 > 0:34:40my parents were the enemy...
0:34:40 > 0:34:43and this country was Camelot.
0:34:43 > 0:34:46The world has changed. It's getting more dangerous every day.
0:34:48 > 0:34:50That's why we need people like you.
0:34:50 > 0:34:53You have me.
0:34:53 > 0:34:55Right now, like most women who work for us,
0:34:55 > 0:34:59you're just an asset, but that is about to change.
0:34:59 > 0:35:02We want you to become a real agent, Kate.
0:35:03 > 0:35:05You'll have to go through training at Langley.
0:35:05 > 0:35:07A new class starts next month.
0:35:07 > 0:35:09What about Pan Am?
0:35:09 > 0:35:13Life is all about making choices.
0:35:19 > 0:35:21WHISPERS: Happy new year, Richard.
0:35:23 > 0:35:26TED: As we speak, little Teddy Jr Is growing inside of her.
0:35:26 > 0:35:29A guy has gotta do the right thing, right?
0:35:29 > 0:35:32Yeah, absolutely. Mm. Oh, man!
0:35:32 > 0:35:37What will I do in that right seat for six months without you in the left?
0:35:37 > 0:35:39IMITATES WHOOSH
0:35:39 > 0:35:41BOTTLES CLINK AND CLATTER
0:35:41 > 0:35:44What's your gut telling you? I've had too many of those.
0:35:44 > 0:35:46Yeah? Good. Have another.
0:35:46 > 0:35:48Oh, boy.
0:35:50 > 0:35:53HE SIGHS
0:35:55 > 0:35:58What does the gut know anyway?
0:35:58 > 0:36:00It keeps changing its mind. Until Colette.
0:36:02 > 0:36:04Yeah. Until Colette.
0:36:04 > 0:36:06You're going to get her back.
0:36:06 > 0:36:10No. She's going to be a princess. No. no, no, no, no, no, no.
0:36:10 > 0:36:13The royal courtship is kaput.
0:36:13 > 0:36:15It's what? It's over. When?
0:36:15 > 0:36:19Last night. Laura told me. The runway's clear, my friend.
0:36:19 > 0:36:22Yeah, but, see, she'd still have to forgive me.
0:36:22 > 0:36:24Right. That's highly doubtful.
0:36:24 > 0:36:27At least you have a chance.
0:36:27 > 0:36:29Huh?
0:36:29 > 0:36:33I'm going to be a father and lose Laura forever.
0:36:36 > 0:36:38Oh, hell. HE SIGHS
0:36:38 > 0:36:40It's New Year's Eve.
0:36:40 > 0:36:43CHUCKLES Tomorrow's a new year.
0:36:43 > 0:36:45Yeah.
0:36:45 > 0:36:48COLETTE: He's 21. He might in college.
0:36:48 > 0:36:50He might be married. I might be an aunt.
0:36:50 > 0:36:51ALL CHUCKLE
0:36:51 > 0:36:54You lose a prince. You gain a brother.
0:36:54 > 0:36:57Without knowing it, all my life I've been looking for him,
0:36:57 > 0:37:00but all I seemed to find were the men I shouldn't have.
0:37:00 > 0:37:03Oh, those kind are easier to find. Mm. Yes.
0:37:03 > 0:37:05Sometimes the right one's there and you just don't know it.
0:37:05 > 0:37:06Until he's gone.
0:37:06 > 0:37:08Or you wish they were. Mm-hm.
0:37:08 > 0:37:11Where's Ted and Dean. The ball's going to drop in a minute.
0:37:11 > 0:37:13Who needs more champagne? ALL: Me.
0:37:13 > 0:37:15LAUGHTER
0:37:16 > 0:37:19Maggie. Did you pilfer all those bottles from Pan Am?
0:37:19 > 0:37:22No! This is legitimate cargo.
0:37:22 > 0:37:26Really? I recently came into a little money.
0:37:26 > 0:37:27Thank you.
0:37:27 > 0:37:29Uh, a toast. Oh. Yeah, yeah.
0:37:29 > 0:37:32To Pan Am, for bringing us all together.
0:37:32 > 0:37:34ALL: Pan Am. GLASSES CLINK
0:37:34 > 0:37:36ALL LAUGH
0:37:36 > 0:37:40- Hey! Traffic was crazy. - Oh, they're here!
0:37:40 > 0:37:42Hi. DOOR CLOSES
0:37:42 > 0:37:44Hey. Mm.
0:37:44 > 0:37:45When did that happen?!
0:37:45 > 0:37:48Um...isn't he engaged to somebody else?
0:37:48 > 0:37:51To Amanda. She kissed me.
0:37:51 > 0:37:54BOTH: What? On the mouth. It wasn't half bad.
0:37:54 > 0:37:56Oh.
0:37:57 > 0:37:59Congratulations.
0:37:59 > 0:38:01I hear you're still a Pan Am pilot.
0:38:01 > 0:38:05Yeah... with a six-month suspension.
0:38:05 > 0:38:07Well, still better than being fired. Mm.
0:38:07 > 0:38:10Sorry about... you and the prince.
0:38:10 > 0:38:12Don't be. I'm not.
0:38:12 > 0:38:14CHUCKLES
0:38:15 > 0:38:16That's my family.
0:38:16 > 0:38:19That's me standing in front of my father.
0:38:21 > 0:38:25Well, who's, er, who's the boy? That's my brother.
0:38:27 > 0:38:29Tomorrow I start looking for him.
0:38:29 > 0:38:31Let me help you.
0:38:31 > 0:38:34Dean. WHISPERS: Oh, come on.
0:38:34 > 0:38:38NORMAL VOICE: Hey, it just so happens that I have six months off of work.
0:38:38 > 0:38:40WHISPERS: Come on. Please.
0:38:40 > 0:38:41CHUCKLES
0:38:41 > 0:38:43I missed you.
0:38:43 > 0:38:47Um, listen, er, Laura, I have to tell you something.
0:38:47 > 0:38:49MAGGIE: Hey, everybody! The countdown's about to begin.
0:38:49 > 0:38:52Tell me next year. Let's watch the ball drop. OK.
0:38:52 > 0:38:54CHEERS AND APPLAUSE
0:38:56 > 0:38:58NOISEMAKERS JINGLING
0:39:05 > 0:39:08Goodbye, 1963.
0:39:08 > 0:39:11It was the best of times. It was the worst of times.
0:39:11 > 0:39:13I loved every minute of it.
0:39:13 > 0:39:16I love us. And this. I love this.
0:39:16 > 0:39:19I hope that ball never lands. CROWD COUNTS DOWN
0:39:19 > 0:39:22..three, two, one!
0:39:22 > 0:39:25CROWD CHEERING Happy new year!
0:39:25 > 0:39:27Happy new year! ALL: Happy new year!
0:39:41 > 0:39:43INAUDIBLE SPEECH
0:39:43 > 0:39:46"Auld Lang Syne" PLAYS ON THE SOUNDTRACK