0:00:02 > 0:00:05'Previously on Pan Am...' Why don't you come out of the fog, captain?
0:00:05 > 0:00:07- Do we have enough room here? - Yes, of course.
0:00:07 > 0:00:10- It's the vice president. - I don't plan on telling him.
0:00:10 > 0:00:12Wanna go for a ride? I think I've already been taken for one.
0:00:12 > 0:00:14There'll be a man on your next flight - Niko Lonza.
0:00:14 > 0:00:18We'll need fingerprints.
0:00:18 > 0:00:19- After you. - Pardon me?
0:00:19 > 0:00:20We'd all like to know what
0:00:20 > 0:00:21YOU'RE weighing in at these days.
0:00:21 > 0:00:23Miss Ryan and I can continue our conversation
0:00:23 > 0:00:25with her supervisor upon her return.
0:00:25 > 0:00:28You keep this up, you're not gonna be around much longer.
0:00:28 > 0:00:32MUSIC: Break It To Me Gently by Brenda Lee
0:00:41 > 0:00:44GINNY: So what do you say?
0:00:44 > 0:00:46Am I Pan Am material?
0:00:46 > 0:00:48CHUCKLES My shoes and socks, too?
0:00:48 > 0:00:50Remarkably comfortable, I must say.
0:00:50 > 0:00:52Well, I'll have to buy you a pair.
0:00:52 > 0:00:55Mm. Men's socks - the way to a woman's heart.
0:00:55 > 0:00:58Mmm.
0:00:58 > 0:01:01Promise not to have too much fun in Rio?
0:01:01 > 0:01:02What am I gonna wear?
0:01:02 > 0:01:03CHUCKLES
0:01:05 > 0:01:11What I did - it was stupid, Miss Havemeyer. I apologise.
0:01:11 > 0:01:14I was attempting a little levity, uh, stupidly.
0:01:14 > 0:01:16And at my expense.
0:01:16 > 0:01:19At the expense of Pan American World Airways.
0:01:19 > 0:01:20How did I hurt Pan Am?
0:01:20 > 0:01:22My ability to effectively...
0:01:22 > 0:01:25Never mind. You're right.
0:01:25 > 0:01:27I made a mistake. I will never do it again.
0:01:27 > 0:01:30As this is one of several infractions,
0:01:30 > 0:01:33your file will be sent to the base manager.
0:01:33 > 0:01:36Excuse me. Are you firing me?
0:01:36 > 0:01:38The matter is now under review...
0:01:38 > 0:01:41Please. I have worked my entire life to be here.
0:01:41 > 0:01:47And until an official decision is made, yes, you are grounded.
0:01:47 > 0:01:48But I have a flight to Brazil in two hours.
0:01:48 > 0:01:50We'll find a replacement.
0:01:50 > 0:01:53Who can speak Portuguese?
0:01:57 > 0:02:00KATE: Maggie.
0:02:00 > 0:02:01- Whoa, Maggie, watch out. - Oh.
0:02:01 > 0:02:02You almost stepped in it.
0:02:02 > 0:02:04Yeah. Nothing new.
0:02:04 > 0:02:06MAN: Hey. I tried you at home.
0:02:06 > 0:02:07You were pulled from the Rio flight.
0:02:07 > 0:02:10No, not yet. Mrs Olcott said that I could still...
0:02:10 > 0:02:12Not you, Maggie. Kate.
0:02:12 > 0:02:14Me? Uh, why?
0:02:14 > 0:02:17Headquarters can't find your smallpox vaccination.
0:02:17 > 0:02:20Uh, d-do you want to see the scar?
0:02:20 > 0:02:21They suspect it's their mistake,
0:02:21 > 0:02:23but they still can't let you fly until it's sorted out.
0:02:23 > 0:02:26Could be a good thing. Your landlord called.
0:02:26 > 0:02:28There's a busted pipe in your building.
0:02:28 > 0:02:30Uh, d-did he leave a name?
0:02:30 > 0:02:31CLICKING Richard something.
0:02:31 > 0:02:32Mm-hm.
0:02:32 > 0:02:34What's with the photographer?
0:02:34 > 0:02:35Life Magazine.
0:02:35 > 0:02:37They're doing a follow-up piece of their April profile -
0:02:37 > 0:02:39"Day in the life of Pan Am stewardesses."
0:02:39 > 0:02:40Really? Our crew?
0:02:40 > 0:02:42Uh, don't get too excited.
0:02:42 > 0:02:43He's specifically here for Laura.
0:02:43 > 0:02:46Sprung it on her ten minutes ago.
0:02:46 > 0:02:49Huh. The powers that be are just full of surprises this morning.
0:02:49 > 0:02:50And I'm off to deal with a plumber.
0:02:50 > 0:02:51Mm.
0:02:51 > 0:02:53Take care of my sister.
0:02:53 > 0:02:56Oh, don't worry. I won't leave her side.
0:03:05 > 0:03:07More ginger ale for you, Mrs Brous?
0:03:07 > 0:03:10Yes, but this time with a little bourbon.
0:03:10 > 0:03:11Two fingers.
0:03:11 > 0:03:14As soon as we're airborne.
0:03:16 > 0:03:18Sorry. A little Pan Am posterity.
0:03:20 > 0:03:22Best opening line I've had in months.
0:03:22 > 0:03:24A book?
0:03:24 > 0:03:26But not just any book. "The Feminine Mystique."
0:03:26 > 0:03:27You actually read the whole thing?
0:03:27 > 0:03:28Didn't skip to the answer key in the back?
0:03:28 > 0:03:31Half a million copies sold, and to whom?
0:03:31 > 0:03:34Women, and understanding women is the best way to get women.
0:03:34 > 0:03:36You understand women?
0:03:36 > 0:03:39Oh, less than ever, but at least now it sounds like I do.
0:03:39 > 0:03:41Mink. 12 o'clock.
0:03:44 > 0:03:47You're flying your paramour down to Rio?
0:03:52 > 0:03:54Good morning. Welcome aboard.
0:03:54 > 0:03:56Why, thank you.
0:03:56 > 0:03:57Hello, Miss Saddler.
0:03:57 > 0:04:01Captain Lowrey, you remembered me.
0:04:01 > 0:04:02I'm flattered.
0:04:02 > 0:04:06And I'm surprised to see you flying with us again so soon.
0:04:06 > 0:04:08It seems I can't get enough of your Pan Am service.
0:04:08 > 0:04:11Well, we'll try not to disappoint.
0:04:11 > 0:04:15I'm counting on it. Love the uniform.
0:04:19 > 0:04:21Colette, I need you to switch to economy.
0:04:21 > 0:04:23Laura's in first. I'll cover both.
0:04:23 > 0:04:26Covering both or covering the photographer?
0:04:26 > 0:04:30I'm in need of a little public relations.
0:04:30 > 0:04:32Is that what they call it these days?
0:04:32 > 0:04:35Management and I have a small difference of opinion.
0:04:35 > 0:04:37Anything serious?
0:04:37 > 0:04:40No, just my usual pickle.
0:04:40 > 0:04:42OK.
0:04:43 > 0:04:44MAN: Order up. BELL DINGS
0:04:46 > 0:04:48Not again with that book.
0:04:48 > 0:04:50Takes me out of this place.
0:04:50 > 0:04:52So does that door.
0:04:52 > 0:04:54Outside that door is a crazy father
0:04:54 > 0:04:56in a trailer with two flat tyres.
0:04:56 > 0:04:59In here, at least everyone's pretty,
0:04:59 > 0:05:00all their clothes are beautiful,
0:05:00 > 0:05:03and none of the parties serve beer.
0:05:03 > 0:05:04Books make me sleepy.
0:05:06 > 0:05:11Nao leia. Trabalhe! Voce e uma garconete terrivel.
0:05:11 > 0:05:14How about some English? I don't speak Portuguese.
0:05:14 > 0:05:15This is America.
0:05:15 > 0:05:18You bad waitress. You pick up.
0:05:18 > 0:05:21You mean boss. You hold horses.
0:05:27 > 0:05:29CLATTER
0:05:32 > 0:05:363 cents? 3 cents? I live off my tips.
0:05:36 > 0:05:38I grasp that.
0:05:38 > 0:05:42Really? You grasp that? What was wrong with my service?
0:05:42 > 0:05:43The service was adequate.
0:05:43 > 0:05:46Then why didn't you leave me an adequate tip?
0:05:46 > 0:05:48I didn't want to encourage you.
0:05:50 > 0:05:52I drove my first truck here right after the war,
0:05:52 > 0:05:56and, uh, Rose in there served me coffee, black.
0:05:56 > 0:05:59I was saving up to go to school on my GI Bill,
0:05:59 > 0:06:03but 14 years later, I'm still driving a truck.
0:06:03 > 0:06:06She's still pouring joe.
0:06:20 > 0:06:22Wait!
0:06:22 > 0:06:24Wait!
0:06:24 > 0:06:27Wait! Wait!
0:06:27 > 0:06:29Wait!
0:06:40 > 0:06:43August in New York.
0:06:43 > 0:06:46Even the flies are sweating.
0:06:46 > 0:06:48Smallpox? Really?
0:06:48 > 0:06:51I could have just told them your results were back,
0:06:51 > 0:06:54set their inquiring minds aquiver.
0:06:54 > 0:06:55Why did you pull me from my flight?
0:06:55 > 0:06:57Why haven't I heard from you?
0:06:57 > 0:07:00I haven't had anything since Monte Carlo.
0:07:00 > 0:07:03Haven't you? Your friend at the United Nations - Niko Lonza?
0:07:05 > 0:07:08I've seen him a few times. You said he wasn't the target.
0:07:08 > 0:07:09At the time he wasn't.
0:07:09 > 0:07:12Lonza works at the Yugoslavian consulate.
0:07:12 > 0:07:16Their president, Josip Tito, has been playing us off the Soviets.
0:07:16 > 0:07:19How does that involve Nik...Mr Lonza?
0:07:19 > 0:07:23Your Niko's leaving town this week, diplomatic business.
0:07:23 > 0:07:24We need the wheretos and whatfors
0:07:24 > 0:07:26and where he stands politically.
0:07:26 > 0:07:29We never talk politics.
0:07:29 > 0:07:30Here's your chance.
0:07:36 > 0:07:38Am amusement park?
0:07:38 > 0:07:41Go play some hooky with your Communist friend.
0:07:45 > 0:07:49'The weather in Rio de Janeiro is 20 degrees...'
0:07:51 > 0:07:53Again. Don't pose.
0:07:53 > 0:07:56I don't know how not to. Excuse me.
0:07:56 > 0:07:59You looked totally natural in that cover picture.
0:07:59 > 0:08:01Because I didn't know anyone was taking it.
0:08:01 > 0:08:03Hard to surprise you here. Where am I going to stand?
0:08:03 > 0:08:05They told me this wouldn't happen,
0:08:05 > 0:08:07if at all, until next month.
0:08:07 > 0:08:08What can I say?
0:08:08 > 0:08:10Your Pan Am brass suddenly wanted this in Rio.
0:08:10 > 0:08:12If I may, Mr, uh...
0:08:12 > 0:08:13Graham will do.
0:08:13 > 0:08:16Well, Graham, if you want to see more
0:08:16 > 0:08:20of the candid, spontaneous side of the Pan Am stewardess,
0:08:20 > 0:08:22you really need to see us out of uniform.
0:08:22 > 0:08:24Out of uniform?
0:08:24 > 0:08:29Oh, don't get ideas. I mean Rio. I've made a list.
0:08:29 > 0:08:31Shopping, the beaches of Ipanema,
0:08:31 > 0:08:35the botanical gardens, a night of samba, bossa nova.
0:08:35 > 0:08:36Ambitious list.
0:08:36 > 0:08:39You should see the one I sent Santa.
0:08:40 > 0:08:41Look, Laura's a little uncomfortable
0:08:41 > 0:08:45with too much attention, but she listens to me.
0:08:45 > 0:08:47I can make this easier for both of you,
0:08:47 > 0:08:49if you could do a girl a favour.
0:08:49 > 0:08:51I've worked with temperamental before.
0:08:51 > 0:08:53I meant me.
0:08:53 > 0:08:56Laura was three weeks out of training when that cover
0:08:56 > 0:08:59landed her a spot on this brand-new clipper.
0:08:59 > 0:09:02Maybe you could sprinkle some of that fairy dust my way
0:09:02 > 0:09:05and help me get out of a jam?
0:09:05 > 0:09:07Hey, I'm just a guy with a camera.
0:09:07 > 0:09:09Who decides where it's pointed.
0:09:11 > 0:09:13Nice manoeuvre,
0:09:13 > 0:09:16but you'll never give him the slip at 30,000 feet.
0:09:16 > 0:09:17I can't understand why they couldn't pick
0:09:17 > 0:09:19someone with more experience.
0:09:19 > 0:09:21Experience is overrated.
0:09:21 > 0:09:23Maggie, I need your help with a woman in 11C.
0:09:23 > 0:09:27She wants something but only speaks Portuguese.
0:09:27 > 0:09:29Whenever I have to do something I really don't want to,
0:09:29 > 0:09:33I pretend I'm playing a role, like an actress in a movie.
0:09:33 > 0:09:35Give him a little...
0:09:35 > 0:09:37Betty Boop?
0:09:37 > 0:09:39Brigitte Bardot?
0:09:39 > 0:09:40Bardot's a blonde.
0:09:40 > 0:09:41Not originally.
0:09:41 > 0:09:42Oh.
0:09:42 > 0:09:43Hello, ladies.
0:09:43 > 0:09:45I know that I shouldn't, but I'm just going to poke my head in.
0:09:45 > 0:09:48Do you want me to take anything in to the pilots?
0:09:48 > 0:09:52Uh...I-I don't think so.
0:09:52 > 0:09:53Roger that.
0:09:55 > 0:09:57Should I have stopped her?
0:09:57 > 0:09:59She is Mr Henson's secretary...
0:09:59 > 0:10:02and Mr Henson is a Pan Am vice president.
0:10:02 > 0:10:05If that woman is Henson's secretary,
0:10:05 > 0:10:06then I'm his dog walker.
0:10:08 > 0:10:0911C? Portuguese.
0:10:12 > 0:10:14"Movie. Fred and Ginger." 15 letters.
0:10:14 > 0:10:18Mm. Easy. "Flying down to Rio." Is that whole puzzle about Rio?
0:10:18 > 0:10:20OK, smarty-pants.
0:10:20 > 0:10:22"Hunchback in Portuguese." Nine letters.
0:10:22 > 0:10:25Sanjeev covers the hunchback stuff.
0:10:25 > 0:10:26Corcovado.
0:10:26 > 0:10:28Gold star, Captain Lowrey.
0:10:28 > 0:10:29Corco-what?
0:10:29 > 0:10:32Corcovado - that beautiful mountain right in the middle of the city.
0:10:32 > 0:10:34The one with the big Jesus?
0:10:34 > 0:10:36I'm always afraid we're going to fly right into him.
0:10:36 > 0:10:37I think big Jesus is where my boss wants
0:10:37 > 0:10:39to take some of the pictures.
0:10:41 > 0:10:43That would be Mr Henson, vice president?
0:10:43 > 0:10:44He's going to be in Rio?
0:10:44 > 0:10:47Oh, he's already there... preparing or something.
0:10:47 > 0:10:49Life Magazine photoshoot with one of the stewardesses.
0:10:49 > 0:10:51And that's why you're headed down.
0:10:51 > 0:10:53Well, you know these VPs. Can't blow their nose
0:10:53 > 0:10:57without a gal and a steno pad by their side, so here I am.
0:10:57 > 0:11:01Yes, here you are.
0:11:05 > 0:11:07Keeping that for yourself, are you?
0:11:07 > 0:11:09Maybe it's for a special girl back home.
0:11:09 > 0:11:12You say that because you know how competitive I am.
0:11:12 > 0:11:14It's for my niece, Magda.
0:11:14 > 0:11:16In Yugoslavia, we don't have bears.
0:11:16 > 0:11:18We have wolves.
0:11:18 > 0:11:19You're going home?
0:11:19 > 0:11:22Yeah, to Zagreb, just for one week.
0:11:22 > 0:11:24You will miss me?
0:11:24 > 0:11:25Is that a command or a question?
0:11:25 > 0:11:27Both.
0:11:27 > 0:11:30A fortune-teller. Let's get our palms read.
0:11:30 > 0:11:33I don't need to come all the way to America
0:11:33 > 0:11:34to be swindled.
0:11:34 > 0:11:36Well, that's too bad.
0:11:36 > 0:11:38A gypsy woman once told me I'd fall in love
0:11:38 > 0:11:41with a dark, handsome stranger.
0:11:41 > 0:11:42And instead you're stuck with me.
0:11:42 > 0:11:45See? Anyone can read a palm.
0:11:50 > 0:11:52Bad news?
0:11:52 > 0:11:53A secret.
0:11:53 > 0:11:55Which one?
0:11:55 > 0:11:56Any one you want to tell me.
0:11:56 > 0:11:59Here? You want to hear a secret?
0:11:59 > 0:12:01We could always leave it to the gypsy.
0:12:01 > 0:12:04Here is a secret.
0:12:05 > 0:12:07My mind is full of you.
0:12:07 > 0:12:12I go to sleep this way. I wake up this way.
0:12:12 > 0:12:15You follow me like a ghost...
0:12:15 > 0:12:17which is no good.
0:12:17 > 0:12:19No good?
0:12:19 > 0:12:21With a ghost, I can't do this.
0:12:32 > 0:12:36The bear is yours.
0:12:51 > 0:12:53You aren't following me, are you?
0:12:53 > 0:12:56I was about to ask you the same thing.
0:12:57 > 0:12:59Oh, no, no, no, no, no, no, no.
0:12:59 > 0:13:02Allow me.
0:13:09 > 0:13:14You didn't, by any chance, arrange this, did you?
0:13:14 > 0:13:17Right next door. I'm good, but I'm not that good.
0:13:17 > 0:13:20I hope you and Henson aren't the noisy type.
0:13:20 > 0:13:22Or that foolish.
0:13:22 > 0:13:25Well, you're certainly not that forthcoming.
0:13:25 > 0:13:27Nine hours ago, it's all garters and socks.
0:13:27 > 0:13:29There's no mention of Rio, no mention of Henson.
0:13:29 > 0:13:31And if I had?
0:13:32 > 0:13:35Then I might have discouraged you from flying Pan Am today.
0:13:35 > 0:13:39Well, then I guess I AM that good.
0:13:41 > 0:13:43Monte Carlo was a lark.
0:13:43 > 0:13:45It was wild, and by some miracle,
0:13:45 > 0:13:48we managed to swerve around the accident in the road,
0:13:48 > 0:13:52but Rio...Rio is the accident waiting to happen.
0:13:52 > 0:13:53Let's keep it in New York, Ginny.
0:13:53 > 0:13:58We can read the road signs. We can speak the language.
0:14:00 > 0:14:04Hit with common sense, the mighty warrior falls.
0:14:11 > 0:14:16LAURA: Kate specifically asked for an alligator bag.
0:14:16 > 0:14:17I think we got enough shopping.
0:14:17 > 0:14:19Now I'm wasting film.
0:14:19 > 0:14:21I haven't even bought anything yet.
0:14:21 > 0:14:23What was wrong with the clutch with the big buckles?
0:14:23 > 0:14:26Genuine alligator "style" - if "style" means plastic.
0:14:26 > 0:14:28Will Kate even know the difference?
0:14:28 > 0:14:31Meanwhile, somewhere people are dancing the bossa nova.
0:14:31 > 0:14:34I-I'm sorry. You two go ahead.
0:14:34 > 0:14:36Kate never asks me for anything,
0:14:36 > 0:14:38and I really want to do this for her.
0:14:38 > 0:14:40I thought we had a deal.
0:14:40 > 0:14:41I'll get her back on track.
0:14:41 > 0:14:44Meet us by that big red canoe we saw in 15 minutes.
0:14:44 > 0:14:46But not much longer. Life is waiting.
0:14:54 > 0:14:57Did we mention we're stewardesses?
0:14:57 > 0:14:59We can tell everybody on the plane
0:14:59 > 0:15:02how to find your shop or tell them to stay away.
0:15:02 > 0:15:03- Pan Am? - All day long.
0:15:03 > 0:15:08So we'd like the real thing but for the plastic prices.
0:15:08 > 0:15:10Tudo bem.
0:15:10 > 0:15:14Stick with me, kid. I know the lay of the land.
0:15:16 > 0:15:18Drop slips are red. Red folder.
0:15:18 > 0:15:21Add slips are blue. Blue folder.
0:15:21 > 0:15:23We usually hire a student for this job,
0:15:23 > 0:15:25but they can be so unreliable.
0:15:25 > 0:15:26What's this folder for?
0:15:26 > 0:15:28That's a request for transcripts.
0:15:28 > 0:15:30That gets walked down to Harvey in records.
0:15:30 > 0:15:31Now, he will probably offer you
0:15:31 > 0:15:33an official degree for your phone number.
0:15:33 > 0:15:34You'll want to avoid him.
0:15:34 > 0:15:38And where is he exactly, so I can avoid him?
0:15:38 > 0:15:40Main administration building.
0:15:40 > 0:15:41Oh.
0:15:44 > 0:15:48I need to drop a class. Roxanne Gibson.
0:15:48 > 0:15:51Oh, world literature. It's a shame.
0:15:51 > 0:15:54Oh, I know. Professor Kolker is supposed to be wonderful,
0:15:54 > 0:15:56but it interferes with my job.
0:15:56 > 0:15:57You're a stewardess?
0:15:57 > 0:16:00Yes. Pan Am. Guess it's a giveaway.
0:16:00 > 0:16:03Oh, it's more than that. The way you carry yourself.
0:16:03 > 0:16:05Pan Am training - confidence, leadership and diplomacy,
0:16:05 > 0:16:09all done with style and poise.
0:16:09 > 0:16:10Poise.
0:16:10 > 0:16:14Anyway, I work Friday flights so I can fit in classes here,
0:16:14 > 0:16:16but I have to sacrifice World Lit.
0:16:16 > 0:16:18Mm. Red slip.
0:16:18 > 0:16:20I'll take care of it.
0:16:29 > 0:16:31Ahem.
0:16:31 > 0:16:33Don't you have more important things you could be doing?
0:16:38 > 0:16:41PROF KOLKER: Welcome to World Literature.
0:16:41 > 0:16:45As I call your name, respond not with "here"
0:16:45 > 0:16:48but with the title of the one book that you would request
0:16:48 > 0:16:50if you were shipwrecked on a desert island.
0:16:50 > 0:16:56From that, I will extrapolate and perhaps judge you.
0:16:56 > 0:16:57Barnsdale.
0:16:57 > 0:16:58A Farewell To Arms.
0:16:58 > 0:17:00Cheer up, Barnsdale.
0:17:00 > 0:17:01STUDENTS CHUCKLE
0:17:01 > 0:17:02Lareau.
0:17:02 > 0:17:05Tropic Of Cancer.
0:17:05 > 0:17:07Well-played, Lareau. You're on a desert island, after all.
0:17:07 > 0:17:09Gibson.
0:17:10 > 0:17:12Roxanne Gibson.
0:17:12 > 0:17:13The Great Gatsby.
0:17:13 > 0:17:16Torn between the lunk who opens your coconuts
0:17:16 > 0:17:17and the man you left behind?
0:17:17 > 0:17:21Oh, I'm not Daisy, sir. I'm Gatsby.
0:17:21 > 0:17:23Ah. In love with what she can't have.
0:17:23 > 0:17:26You do realise you end up shot to death in your own pool?
0:17:26 > 0:17:28Not before I throw some truly fabulous parties
0:17:28 > 0:17:30at my tree house, sir.
0:17:31 > 0:17:34Damn the torpedoes. I like that.
0:17:34 > 0:17:36I can't believe the texture.
0:17:36 > 0:17:38You know genuine when you feel it.
0:17:38 > 0:17:39Come on. This way.
0:17:39 > 0:17:43And this? I never thought I could afford to replace Ted's.
0:17:43 > 0:17:46How can that man make a profit selling a Rolex so cheaply?
0:17:46 > 0:17:47I'd say he got the "fell off a truck" discount
0:17:47 > 0:17:50and passed it on to us. Hurry up. Graham's waiting.
0:17:50 > 0:17:51You mean they're damaged?
0:17:51 > 0:17:54You didn't notice that nothing in that stall
0:17:54 > 0:17:56was in its original box?
0:17:56 > 0:17:59Wait. They're stolen? I bought a stolen watch?
0:17:59 > 0:18:01You want me to give a stolen bag to my sister?
0:18:01 > 0:18:04- It's not like WE stole them. - Maggie!
0:18:04 > 0:18:07Well, if we hadn't bought them, someone else would have.
0:18:07 > 0:18:09SIREN WAILS
0:18:14 > 0:18:16Uh, so I-I figured, uh,
0:18:16 > 0:18:18right out of the gate at the airport, go for it.
0:18:18 > 0:18:19She worked for, um,
0:18:19 > 0:18:22A-Aerolinhas...Brasileiras or something.
0:18:22 > 0:18:25Isn't that a cargo carrier?
0:18:25 > 0:18:26That was my opening line.
0:18:26 > 0:18:27Oh, yeah. "Ola, senhorita.
0:18:27 > 0:18:30"I would like to show you my very heavy cargo."
0:18:30 > 0:18:32These Brazilian women - they don't understand me.
0:18:32 > 0:18:34It's pitiful. It's pitiful.
0:18:34 > 0:18:35GINNY: Captain Lowrey.
0:18:35 > 0:18:37HENSON: You're right, Ginny.
0:18:37 > 0:18:39It is the good captain and his merry crew.
0:18:39 > 0:18:43Miss Saddler. Mr Henson.
0:18:43 > 0:18:43Good evening.
0:18:43 > 0:18:46Mr Henson, good to see you, sir.
0:18:46 > 0:18:47Good to see you, too, Vanderwill.
0:18:47 > 0:18:49Vanderway. Or Ted. Whichever.
0:18:49 > 0:18:51We thought you all might like to join us for dinner.
0:18:51 > 0:18:54If you haven't eaten. We're all here, right?
0:18:54 > 0:18:57Well, I-I'm afraid you're going to have to make do
0:18:57 > 0:18:58with the good captain and Miss Valois. I have, uh...
0:18:58 > 0:19:00An assignation?
0:19:00 > 0:19:03You know these Brazilian girls.
0:19:03 > 0:19:04One strike left with the bases loaded.
0:19:04 > 0:19:06Well, swing away, by all means, Vanderwick.
0:19:06 > 0:19:09HE SIGHS AND MUTTERS
0:19:09 > 0:19:10Yeah.
0:19:13 > 0:19:16This is swell. Shall we?
0:19:23 > 0:19:25(What if they cut off our hands?)
0:19:25 > 0:19:28We're in Rio, not Saudi Arabia,
0:19:28 > 0:19:30and we didn't steal anything.
0:19:30 > 0:19:32Tell them that. Tell them anything.
0:19:32 > 0:19:34You haven't said a word in our defence.
0:19:34 > 0:19:36That's because there's nothing to defend.
0:19:36 > 0:19:38They don't know our purchases fell off a truck.
0:19:38 > 0:19:41Then why are we here?
0:19:41 > 0:19:43For whatever reason they come up with.
0:19:43 > 0:19:44Loitering, probably.
0:19:44 > 0:19:49Loitering? We were shopping. We need to call Pan Am.
0:19:49 > 0:19:51Pan Am?
0:19:51 > 0:19:54Yes. Yes. Pan Am. Hotel Intercontinental.
0:19:54 > 0:19:56Maggie, he obviously wants to clear things up.
0:19:56 > 0:19:59He obviously wants a bribe.
0:19:59 > 0:20:01Look, this happens.
0:20:01 > 0:20:03They pull two girls into the big, scary jail
0:20:03 > 0:20:06in the hopes of getting a payoff.
0:20:06 > 0:20:09Well, it worked. I'm scared, so let's pay them off.
0:20:09 > 0:20:10We don't have enough on us,
0:20:10 > 0:20:13and everybody we know is out for the evening,
0:20:13 > 0:20:15so if we just keep our mouths shut,
0:20:15 > 0:20:17they'll let us go, OK?
0:20:17 > 0:20:20I am supposed to meet the photographer and Mr Henson
0:20:20 > 0:20:21first thing in the morning.
0:20:21 > 0:20:23Go over there right now, find out how much they want
0:20:23 > 0:20:25and then tell them we need to make a long-distance call
0:20:25 > 0:20:26to New York.
0:20:26 > 0:20:27Kate can wire the money.
0:20:27 > 0:20:28I can't do that.
0:20:28 > 0:20:30Maggie, I don't want to spend the night in j...
0:20:30 > 0:20:33I mean, I actually can't do that.
0:20:33 > 0:20:36I don't speak Portuguese.
0:20:36 > 0:20:38But that's one of your languages.
0:20:38 > 0:20:39I've heard you speak it.
0:20:39 > 0:20:40A few words.
0:20:40 > 0:20:43I can tell Officer Roberto what a bad waitress he is,
0:20:43 > 0:20:46if you think that'll help.
0:20:47 > 0:20:49You're a fake.
0:20:49 > 0:20:51It was the best of semesters.
0:20:51 > 0:20:55It was the worst of semesters.
0:20:55 > 0:20:56Yes, these grades are final.
0:20:56 > 0:20:58No, you may not question them, nor may you grovel.
0:20:58 > 0:21:01No hysterics.
0:21:01 > 0:21:03How about dignified weeping?
0:21:03 > 0:21:04Jane Austen would not approve.
0:21:04 > 0:21:05But Jane Austen didn't have to pull
0:21:05 > 0:21:07three all-nighters before finals.
0:21:07 > 0:21:09I doubt Miss Austen would blanch
0:21:09 > 0:21:11at a little academic critique.
0:21:11 > 0:21:14Why then, I wonder, did she write under a pseudonym?
0:21:14 > 0:21:16Who in this class would understand her motives
0:21:16 > 0:21:19better than you, Roxanne?
0:21:27 > 0:21:30You would have gotten an "A" on the exam.
0:21:30 > 0:21:32In fact, you did well the whole term,
0:21:32 > 0:21:34or rather...
0:21:34 > 0:21:36somebody did well.
0:21:36 > 0:21:37It's my work.
0:21:37 > 0:21:42And you are whom? Roxanne? Susan? Marjorie?
0:21:42 > 0:21:44Did you really think you could keep this up,
0:21:44 > 0:21:48sitting in on classes, masquerading as other girls?
0:21:48 > 0:21:50I was working at the registrar's office.
0:21:50 > 0:21:53People kept dropping these wonderful classes.
0:21:53 > 0:21:55All I did was pick them up.
0:21:55 > 0:21:58You're not even enrolled.
0:21:58 > 0:22:00Do you have any idea how much trouble you're in?
0:22:01 > 0:22:03Gatsby, indeed.
0:22:06 > 0:22:08You're smart.
0:22:08 > 0:22:10You're a hard worker, well-possessed.
0:22:10 > 0:22:13Make someone see that.
0:22:13 > 0:22:17To Pan American World Airways.
0:22:17 > 0:22:18- Pan American. - Pan American.
0:22:18 > 0:22:20La meilleure compagnie aerienne de tous les temps.
0:22:20 > 0:22:22The best airline that ever will be.
0:22:22 > 0:22:24Mm. I didn't know you spoke French.
0:22:24 > 0:22:27Oh, gosh, no. What did I say?
0:22:27 > 0:22:29Almost exactly what I said.
0:22:31 > 0:22:34But you notice the difference, though?
0:22:34 > 0:22:35No accent.
0:22:36 > 0:22:38That's why you're a vice president.
0:22:39 > 0:22:43And you, captain, are an excellent pilot,
0:22:43 > 0:22:45and there is nothing wrong with that.
0:22:47 > 0:22:50To Captain Lowrey.
0:22:50 > 0:22:52No, no, no, no, no. To...to Air Force training.
0:22:52 > 0:22:56Oh. "Yes, sir! No, sir! Right away, sir!"
0:22:56 > 0:22:58All that authority crap. I would have put a gun in my mouth.
0:22:58 > 0:23:00And yet you are authority.
0:23:00 > 0:23:03Everywhere but in the cockpit.
0:23:03 > 0:23:07Ooh. I think I've waited almost too long.
0:23:07 > 0:23:09I'm going to the little girl's room.
0:23:09 > 0:23:10I'll go with you.
0:23:10 > 0:23:13First, where is that waiter?
0:23:13 > 0:23:16I'm going to get us some more eau-de-vie.
0:23:16 > 0:23:17That's French, right?
0:23:17 > 0:23:19Oui.
0:23:21 > 0:23:22Be right back.
0:23:22 > 0:23:23Yeah.
0:23:25 > 0:23:28I don't know how you handle the travel.
0:23:28 > 0:23:31Oh, you seem to travel quite a lot.
0:23:31 > 0:23:32I don't know how the hell I handle it.
0:23:32 > 0:23:35Well, you know what they say.
0:23:35 > 0:23:38Plenty of water.
0:23:38 > 0:23:41No.
0:23:41 > 0:23:43Plenty of Ginny.
0:23:45 > 0:23:47Oh, don't play confused on me now, captain.
0:23:47 > 0:23:49I think we both know Ginny's not my secretary.
0:23:49 > 0:23:52I don't...sir, what...what two people do on their own...
0:23:52 > 0:23:54No, no, no. Don't call me sir. Call me Henson.
0:23:54 > 0:23:56CLEARS THROAT
0:23:56 > 0:24:00Ginny is... over-the-rainbow wacky
0:24:00 > 0:24:02and intoxicating.
0:24:02 > 0:24:04I don't...I-I wouldn't, uh...
0:24:04 > 0:24:07She does have a way about her.
0:24:08 > 0:24:13Most men wouldn't understand why I...I love her,
0:24:13 > 0:24:16but you, captain,
0:24:16 > 0:24:20I'm guessing you are a man who does.
0:24:25 > 0:24:29With this faith, we will be able to transform
0:24:29 > 0:24:32the jangling discords of our nation
0:24:32 > 0:24:35into a beautiful symphony of brotherhood.
0:24:35 > 0:24:37With this faith, we will be able to work together,
0:24:37 > 0:24:38to pray tog...
0:24:38 > 0:24:41Excuse me. We were watching that.
0:24:42 > 0:24:44Brave man.
0:24:44 > 0:24:47Reminds me of my cousin.
0:24:47 > 0:24:50Men like that don't live too long in my country.
0:24:50 > 0:24:54It took a lot of years to make that speech possible,
0:24:54 > 0:24:55and even now...
0:24:55 > 0:24:58Yeah, but still, so many people came to listen.
0:24:58 > 0:25:01Here in...in America, there is...there is hope.
0:25:01 > 0:25:03You don't have hope for Yugoslavia?
0:25:04 > 0:25:07It...it is static...
0:25:08 > 0:25:11And worse, I'm static.
0:25:11 > 0:25:13I thought Tito was making changes.
0:25:13 > 0:25:17Oh, changes, yeah, but, uh, for the better?
0:25:19 > 0:25:21Where's the music? We need some music.
0:25:21 > 0:25:24You're choosing?
0:25:24 > 0:25:26Oh, I'm paying. You're choosing.
0:25:26 > 0:25:29Something new, for a new day.
0:25:29 > 0:25:34OK. Roy Orbison. The Beach Boys. The Chiffons.
0:25:34 > 0:25:36Chime in. You see anything you like?
0:25:36 > 0:25:38Walk Like A Man?
0:25:38 > 0:25:41Oh, yeah. Frankie Valli and The Four Seasons.
0:25:41 > 0:25:43- Any good? - It's really good.
0:25:43 > 0:25:46OK, before I invest my nickel, you tell me how it goes.
0:25:46 > 0:25:47I am not singing.
0:25:47 > 0:25:50Pay your money and take your chances.
0:25:54 > 0:25:56Should I take you home?
0:26:01 > 0:26:03It seems like something's bothering you.
0:26:06 > 0:26:08The people in that square...
0:26:08 > 0:26:13they face great risk for what is right.
0:26:13 > 0:26:15They walk like men.
0:26:16 > 0:26:18Niko, in my experience, you know,
0:26:18 > 0:26:22life changes every minute.
0:26:22 > 0:26:25If there's something you want to do,
0:26:25 > 0:26:26it's never too late.
0:26:33 > 0:26:35Dean.
0:26:36 > 0:26:38Dean, it's me.
0:26:43 > 0:26:48Dean, I'm so sorry. It was such a stupid idea.
0:26:51 > 0:26:52Dean.
0:27:07 > 0:27:10This isn't necessary.
0:27:10 > 0:27:14Necessary? You mean like how fluency in Portuguese
0:27:14 > 0:27:18is necessary for stewardesses who claim to speak it?
0:27:18 > 0:27:21You know, food must taste great from a silver spoon...
0:27:21 > 0:27:25Necessary, so you can, say, serve drinks, offer directions,
0:27:25 > 0:27:27or, I don't know, talk your way
0:27:27 > 0:27:30out of a police precinct in Rio de Janeiro?
0:27:30 > 0:27:32Atencao.
0:27:33 > 0:27:38Eu gostaria de telefonar para os estados unidos.
0:27:38 > 0:27:42Minha irma vierma la e tem o dinheiro.
0:27:42 > 0:27:43Dinheiro.
0:27:43 > 0:27:44Dinheiro.
0:27:44 > 0:27:46(Thank you.)
0:27:46 > 0:27:49Nos gastariamos de pagar e...
0:27:49 > 0:27:51Where's your photographer now?
0:27:51 > 0:27:52Ted!
0:27:52 > 0:27:54Oh, I'm just dying to know
0:27:54 > 0:27:57how you ladies pulled this one off.
0:28:00 > 0:28:03There we go.
0:28:03 > 0:28:06I never thought I'd be able to afford to replace yours.
0:28:06 > 0:28:08Oh, you didn't have to do that.
0:28:08 > 0:28:09You were so sweet to...
0:28:09 > 0:28:11OK, OK. Can you just get us out of here?
0:28:11 > 0:28:14Just be grateful I happened to be striking out
0:28:14 > 0:28:18at the hotel bar when these gentlemen called up
0:28:18 > 0:28:23asking to speak to the Pan Am boss.
0:28:24 > 0:28:26Suficiente?
0:28:44 > 0:28:46SHE PANTS
0:28:51 > 0:28:54Excuse me. Pan Am? There you are.
0:28:54 > 0:28:55I'm Maggie Ryan.
0:28:57 > 0:28:59I'm sorry, Miss Ryan.
0:28:59 > 0:29:00The interviews were from 3 to 6.
0:29:00 > 0:29:03Oh, please! I-I came all the way from Tacoma.
0:29:03 > 0:29:05I'm afraid we've found our girls.
0:29:05 > 0:29:07Well, I would have made it on time
0:29:07 > 0:29:09if it weren't for the accident.
0:29:09 > 0:29:11A logging truck - the bindings came loose,
0:29:11 > 0:29:13and timber was raining from the sky,
0:29:13 > 0:29:16and I had to stay until the ambulances came.
0:29:16 > 0:29:18You would be surprised how few people know how
0:29:18 > 0:29:20to staunch the flow of blood.
0:29:20 > 0:29:22Well, that's very impressive.
0:29:22 > 0:29:23But as I'm sure you're aware,
0:29:23 > 0:29:25the Pan Am stewardess is, above all things...
0:29:25 > 0:29:26Cultured.
0:29:26 > 0:29:29I've had my heart broken twice, Mr...
0:29:29 > 0:29:30Claymore.
0:29:30 > 0:29:32Once by a boy named Chip
0:29:32 > 0:29:36and once by a man named F Scott Fitzgerald.
0:29:36 > 0:29:39And I wasn't even an English major.
0:29:39 > 0:29:41World history - that's my passion.
0:29:41 > 0:29:44My transcript, hot off
0:29:44 > 0:29:47the presses of the Berkeley's registrar's office.
0:29:47 > 0:29:49I saw to it myself.
0:29:49 > 0:29:50Well, you've got gumption, Miss Ryan.
0:29:50 > 0:29:52And poise, Mr Claymore -
0:29:52 > 0:29:55that Pan Am poise.
0:29:55 > 0:30:00I did a stint modelling the latest fashions from Paris.
0:30:00 > 0:30:03But the thing that irks me about modelling -
0:30:03 > 0:30:06what really riles me -
0:30:06 > 0:30:08that it's all about the body
0:30:08 > 0:30:11and nothing at all to do with the brain.
0:30:11 > 0:30:14I think women should be acknowledged for their brain.
0:30:14 > 0:30:16- I-I see you took some Spanish. - Hmm.
0:30:16 > 0:30:19Unfortunately, we have a surplus of Spanish speakers.
0:30:19 > 0:30:23Limpar a bagunca na mesa nove?
0:30:23 > 0:30:25- Catalan? - Portuguese.
0:30:25 > 0:30:26You're fluent?
0:30:26 > 0:30:27Here's the thing.
0:30:27 > 0:30:30I've been training my whole life for this job.
0:30:30 > 0:30:34I know both elbow grease and elocution.
0:30:34 > 0:30:37But I think the most important thing for a Pan Am stewardess
0:30:37 > 0:30:39is that she be good company for the journey
0:30:39 > 0:30:42and a fast friend.
0:31:04 > 0:31:07SPEAKS CROATIAN
0:31:07 > 0:31:09RECEIVER SLAMS
0:31:10 > 0:31:12I'm sorry for that.
0:31:12 > 0:31:15No, I hate to see you this upset.
0:31:15 > 0:31:18My cousin has been put on a show trial.
0:31:18 > 0:31:20You know what that is?
0:31:20 > 0:31:22It's a favourite practice of Tito's regime.
0:31:22 > 0:31:25The defendant has little-to-no opportunity
0:31:25 > 0:31:26to justify himself.
0:31:26 > 0:31:30My cousin - he was forced to sign a statement under duress.
0:31:30 > 0:31:31He was tortured?
0:31:31 > 0:31:33He'll be found guilty.
0:31:33 > 0:31:35I must go to Belgrade and do what I can.
0:31:35 > 0:31:38But what about Zagreb and your family?
0:31:38 > 0:31:39It'll have to wait.
0:31:39 > 0:31:41Niko, are you in danger?
0:31:41 > 0:31:44Tito has put an entire nation in danger.
0:31:44 > 0:31:47"Chief Architect" of the "Second Yugoslavia",
0:31:47 > 0:31:50and yet his dreams are not for his people.
0:31:52 > 0:31:54I must go and try to help my cousin.
0:31:54 > 0:31:56This might be the last time I'll ever see him again.
0:31:56 > 0:31:58Niko...
0:32:02 > 0:32:05..my mind is full of you, too.
0:32:28 > 0:32:31Maggie, those cops were lucky there wasn't a fork around.
0:32:31 > 0:32:32Don't start in on me, OK?
0:32:32 > 0:32:35I know. You warned me before, and I didn't listen.
0:32:35 > 0:32:38Whoa. That was me saying hi.
0:32:38 > 0:32:40You girls did your time, paid your debt to society.
0:32:40 > 0:32:43Tell that to the base manager.
0:32:43 > 0:32:44I thought we kept him out of this.
0:32:44 > 0:32:46Not the one in Rio, Ted.
0:32:46 > 0:32:50You mean New York? You mean that base manager?
0:32:53 > 0:32:55Ted...
0:32:55 > 0:32:58I disagree with your politics, your attitude toward women,
0:32:58 > 0:33:02and, well... you as a person in general,
0:33:02 > 0:33:06but...you show up. You come through,
0:33:06 > 0:33:09and not everyone does that, so...
0:33:10 > 0:33:13..thank you.
0:33:13 > 0:33:15Maggie, what is going on?
0:33:15 > 0:33:18Maggie?
0:33:29 > 0:33:32Are you sure you don't need a few more plane photos?
0:33:32 > 0:33:34I have plenty.
0:33:34 > 0:33:37I didn't mean to abandon you at the beach, honest.
0:33:37 > 0:33:40Well, even Coco Chanel only stood me up for three hours.
0:33:40 > 0:33:42You shot Coco Chanel?
0:33:42 > 0:33:46Almost. She, uh, ran off with an alligator bag.
0:33:47 > 0:33:51I don't suppose I could make it up to you.
0:33:51 > 0:33:53I could make you a list.
0:33:53 > 0:33:56I'll get you a pen.
0:34:04 > 0:34:05- Oh. - Sorry.
0:34:15 > 0:34:18Mr Henson, can I offer you anything?
0:34:18 > 0:34:20No, thank you. I'm fine.
0:34:20 > 0:34:24Then maybe you can help me with something.
0:34:25 > 0:34:26If a girl was to find herself
0:34:26 > 0:34:29in a little bind with the airline,
0:34:29 > 0:34:34would you be in a position to perhaps put in a good word?
0:34:34 > 0:34:36I don't get involved in personal issues, if that's what you mean.
0:34:36 > 0:34:39It wasn't even a serious infraction.
0:34:39 > 0:34:42I can't help you. Sorry.
0:34:44 > 0:34:47Well...thank you anyway.
0:34:51 > 0:34:54Did Graham get all the shots he needed?
0:34:54 > 0:34:56I owe him some time in New York.
0:34:56 > 0:34:58Well, I'm sure it'll be fine.
0:34:58 > 0:35:00You'll be the model stewardess.
0:35:00 > 0:35:05Well, that's funny, coming from you.
0:35:05 > 0:35:07I already apologised.
0:35:07 > 0:35:11In what language? Portuguese?
0:35:11 > 0:35:15I didn't hear anything that sounded like an apology.
0:35:19 > 0:35:23No-one ever had any expectations of me.
0:35:23 > 0:35:25Never thought I could get anywhere -
0:35:25 > 0:35:28not my family, not my friends.
0:35:28 > 0:35:33But for some reason, I did.
0:35:33 > 0:35:36Even though I didn't know where "anywhere" was
0:35:36 > 0:35:38or how I would find it.
0:35:38 > 0:35:40Yet here I am.
0:35:40 > 0:35:43I made a new me.
0:35:43 > 0:35:44I took a lot of shortcuts,
0:35:44 > 0:35:47I told more than a few fibs.
0:35:47 > 0:35:50Every time I got caught, I moved on.
0:35:50 > 0:35:52Each close call was a stepping-stone
0:35:52 > 0:35:55to something better.
0:35:55 > 0:35:59But this time, there is nothing better.
0:35:59 > 0:36:01This is it.
0:36:01 > 0:36:04I can't lose Pan Am.
0:36:04 > 0:36:06Why would you lose it?
0:36:10 > 0:36:11The truth is,
0:36:11 > 0:36:15I admire you more than you know.
0:36:15 > 0:36:18And I'm sorry, Laura.
0:36:33 > 0:36:37He was flying to Zagreb, but he changed his plans.
0:36:37 > 0:36:38Belgrade.
0:36:38 > 0:36:41His cousin's on "show trial" there.
0:36:41 > 0:36:43Anything else?
0:36:45 > 0:36:46He's not a Communist.
0:36:46 > 0:36:50They don't all carry cards, you know.
0:36:50 > 0:36:52He hates Tito, admires Martin Luther King,
0:36:52 > 0:36:56and he even likes Frankie Valli and The Four Seasons.
0:36:56 > 0:36:58The part about Tito is interesting.
0:36:58 > 0:37:01He said that Tito's dreams were not for his people.
0:37:01 > 0:37:04Daring words for a diplomat.
0:37:04 > 0:37:05He must trust you.
0:37:05 > 0:37:08He shouldn't.
0:37:08 > 0:37:10Sounds like he's working for the wrong people.
0:37:13 > 0:37:17Is that what this is about? You want him to spy for you?
0:37:17 > 0:37:18For us.
0:37:18 > 0:37:20You'll have to tread lightly.
0:37:20 > 0:37:23Turning a target into an asset is about patience and control.
0:37:23 > 0:37:25For now, just keep building on that trust.
0:37:25 > 0:37:27You want me to turn him?
0:37:27 > 0:37:29Welcome to the big leagues.
0:37:29 > 0:37:32Richard, no.
0:37:32 > 0:37:35I'm a-a courier, remember? I... This is...
0:37:35 > 0:37:37I can't do this.
0:37:37 > 0:37:40With the way Niko feels about Tito,
0:37:40 > 0:37:42how long do you think he's going to last?
0:37:53 > 0:37:55Dean.
0:37:57 > 0:38:00Everett's inside. It's fine.
0:38:00 > 0:38:02Ginny, let's give this a few days.
0:38:06 > 0:38:11You were right. Rio was...
0:38:11 > 0:38:14I was the accident waiting to happen.
0:38:16 > 0:38:18And the dinner - I'm...
0:38:18 > 0:38:20I'm sorry that I put you through that.
0:38:20 > 0:38:22I know you are, but this is not the time
0:38:22 > 0:38:23to talk about it.
0:38:23 > 0:38:26I don't want to sneak around anymore.
0:38:26 > 0:38:28Neither do I.
0:38:28 > 0:38:29I don't want to pretend anymore.
0:38:29 > 0:38:31I can't pretend anymore, Dean.
0:38:33 > 0:38:36Not when I've fallen in love.
0:38:48 > 0:38:51Margaret.
0:38:51 > 0:38:52Margaret, before you go,
0:38:52 > 0:38:55the base manager's expecting you in his office.
0:38:55 > 0:38:57Already? Now?
0:38:57 > 0:38:58I'm sorry.
0:39:03 > 0:39:05Margaret?
0:39:05 > 0:39:07Now.
0:39:07 > 0:39:10OK, um, tell him I'll be there in a minute.
0:39:16 > 0:39:19Mr Henson, I hate to bother you again,
0:39:19 > 0:39:21but if you would reconsider helping me out...
0:39:21 > 0:39:24I already told you, I don't get involved in...
0:39:24 > 0:39:27What if I returned the favour?
0:39:27 > 0:39:29Saving your job is more than a favour.
0:39:29 > 0:39:31What if I could tell you something
0:39:31 > 0:39:33about someone you're very close to?
0:39:36 > 0:39:40# Just one more chance
0:39:41 > 0:39:48# To prove it's you alone I care for... #
0:39:48 > 0:39:50Miss Havemeyer.
0:39:50 > 0:39:52Miss Ryan, I heard you made a new friend
0:39:52 > 0:39:54on your flight home from Brazil.
0:39:54 > 0:39:56I try to make friends wherever I go.
0:39:56 > 0:39:59I can only imagine.
0:39:59 > 0:40:04# Just one more chance
0:40:04 > 0:40:10# But now I'm back to cry my heart out. #
0:40:10 > 0:40:13Bem-vindo. Como eu posso o ajudar?
0:40:13 > 0:40:15'Welcome. How can I help you?
0:40:15 > 0:40:18'Bem-vindo. Como eu posso o ajudar?'
0:40:18 > 0:40:22Bem-vindo. Como eu posso...
0:40:26 > 0:40:28'Welcome. How can I help you?
0:40:28 > 0:40:32'Bem-vindo. Como eu posso o ajudar?'