0:00:02 > 0:00:03Previously:
0:00:03 > 0:00:04You smell like whiskey and cigarettes.
0:00:04 > 0:00:06You smell like...Paris.
0:00:06 > 0:00:08I don't wanna worry about you
0:00:08 > 0:00:10and I don't wanna take care of you.
0:00:10 > 0:00:11Who's asking you to?
0:00:11 > 0:00:14Well, it ain't much, but it's home. Welcome aboard.
0:00:16 > 0:00:20My mind is full of you. You follow me like a ghost.
0:00:20 > 0:00:21Are you in danger?
0:00:21 > 0:00:23Tito has put an entire nation in danger.
0:00:23 > 0:00:25You want him to spy for you? For us.
0:00:25 > 0:00:27You want me to turn him?
0:00:27 > 0:00:28Welcome to the big leagues.
0:00:30 > 0:00:32INDISTINCT CONVERSATIONS AND LAUGHTER
0:00:41 > 0:00:43I am a jelly doughnut!
0:00:43 > 0:00:46CHEERING AND LAUGHTER
0:00:46 > 0:00:49# He makes me laugh He makes me cry. #
0:00:49 > 0:00:53Berlin, right? "The Village Voice."
0:00:53 > 0:00:54You remember.
0:00:54 > 0:00:57I hear you have... amazing credentials. Ow.
0:00:57 > 0:00:59CHUCKLES: You'll have to excuse her.
0:00:59 > 0:01:01She's been drinking sloe gin fizzes.
0:01:01 > 0:01:03There is a lot of alcohol in it, but they just taste so good.
0:01:03 > 0:01:05It's an enticing combination.
0:01:05 > 0:01:07Here. Take mine.
0:01:07 > 0:01:09CHUCKLING
0:01:09 > 0:01:11She triples the sugar.
0:01:12 > 0:01:14Great song.
0:01:14 > 0:01:18Listen, earlier on the plane...
0:01:18 > 0:01:20Joe, this is Maggie's friend Sam.
0:01:20 > 0:01:23Sam is, um, he's into s-philosophy.
0:01:23 > 0:01:25Nice to meet you.
0:01:25 > 0:01:28"We have all been in this white doghouse too long."
0:01:28 > 0:01:30Excuse me? Malcolm X.
0:01:30 > 0:01:33Right. (CHUCKLES)
0:01:33 > 0:01:36You two have fun.
0:01:38 > 0:01:40THUNDER RUMBLING
0:01:40 > 0:01:42DOOR CREAKS
0:01:42 > 0:01:44Hello, miss.
0:01:44 > 0:01:47I seem to have left my lighter at your establishment.
0:01:47 > 0:01:49I'd like to return it to you, Mr Lonza,
0:01:49 > 0:01:52but you'll have to describe it first,
0:01:52 > 0:01:55make sure it's yours.
0:01:55 > 0:01:56UMBRELLA CLATTERS
0:01:56 > 0:01:57Smooth...
0:01:57 > 0:02:01cool to the touch, hot flame.
0:02:01 > 0:02:03Why, that describes any old lighter.
0:02:03 > 0:02:07Well, then I guess, um...
0:02:07 > 0:02:09I'll have to inspect it.
0:02:19 > 0:02:21It's definitely yours.
0:02:21 > 0:02:22When you called in the middle of the night
0:02:22 > 0:02:25and said, "come over to my place," this isn't exactly what I expected.
0:02:25 > 0:02:28Oh. What did you expect?
0:02:28 > 0:02:29Something that involves a few less people.
0:02:29 > 0:02:31Well, as far as I'm concerned, Michael,
0:02:31 > 0:02:33you're the only one in the room.
0:02:33 > 0:02:35Mmm!
0:02:36 > 0:02:37BOTH LAUGH
0:02:37 > 0:02:38LAURA: No.
0:02:38 > 0:02:39KATE: God. Four times.
0:02:39 > 0:02:42In a row?
0:02:42 > 0:02:44Mike Ruskin of "The Village Voice"?
0:02:44 > 0:02:47Has very impressive credentials.
0:02:47 > 0:02:49WOMEN LAUGHING
0:02:49 > 0:02:52Colette, truth or dare?
0:02:52 > 0:02:54Dare.
0:02:54 > 0:02:55Of course.
0:02:55 > 0:02:56Mm-hmm. Mm.
0:02:56 > 0:02:59Something Colette would never do. Mm. OK, OK.
0:02:59 > 0:03:02Got it. Fly the plane. Don't be ridiculous. It has to be something
0:03:02 > 0:03:03she can actually accomplish.
0:03:03 > 0:03:05A girl on the Clipper Horizon made it happen.
0:03:05 > 0:03:06Really?
0:03:06 > 0:03:08Yes, and six months later...
0:03:08 > 0:03:10she was married to her captain.
0:03:10 > 0:03:13Mm. Well, Dean does seem awfully fond of you.
0:03:13 > 0:03:15Oh, I doubt he's that fond.
0:03:15 > 0:03:17LAURA AND MAGGIE CHUCKLE
0:03:17 > 0:03:21Fine. Tie a knot in the stem.
0:03:21 > 0:03:22Hmm. No hands.
0:03:22 > 0:03:23Ohh. Ooh.
0:03:23 > 0:03:25LAURA AND MAGGIE CHUCKLE
0:03:25 > 0:03:27Now Laura.
0:03:27 > 0:03:29OK. Truth.
0:03:29 > 0:03:32I took nude photos.
0:03:34 > 0:03:37I was supposed to wait for the question, wasn't I?
0:03:37 > 0:03:38MAGGIE AND COLETTE LAUGH
0:03:38 > 0:03:41The Life magazine photographer?
0:03:41 > 0:03:43No. What were you thinking?
0:03:43 > 0:03:45I was thinking that I wanted
0:03:45 > 0:03:47to embrace my sexuality on my terms.
0:03:47 > 0:03:49Most girls do that with a bottle of a red
0:03:49 > 0:03:51and a roomy backseat.
0:03:51 > 0:03:52Maggie! I didn't do that.
0:03:52 > 0:03:55I didn't do that. No, it was...
0:03:55 > 0:03:56It was about self-expression...
0:03:56 > 0:04:00COLETTE CHUCKLES: And he wasn't the right guy for sex.
0:04:00 > 0:04:03He was the right guy for nude photos.
0:04:03 > 0:04:04What, there's a right guy for that?
0:04:04 > 0:04:06WOMEN LAUGH
0:04:06 > 0:04:07Sorry to interrupt, ladies.
0:04:07 > 0:04:10I know you girls thought this flight was a freebie,
0:04:10 > 0:04:13but Pan Am's doing a little favour for Uncle Sam.
0:04:13 > 0:04:15Shuttling sailors, to be precise,
0:04:15 > 0:04:17sailors who spent the last six months underwater,
0:04:17 > 0:04:20so let's clean up the girlie business.
0:04:20 > 0:04:21Mm.
0:04:23 > 0:04:26Is there... Is there something wrong with your mouth?
0:04:26 > 0:04:28SNICKERS
0:04:30 > 0:04:32Ah.
0:04:32 > 0:04:33Oh, impressive. Mm.
0:04:33 > 0:04:35OK. I think we're done here, ladies.
0:04:35 > 0:04:38GIGGLING
0:04:38 > 0:04:40Help me up. Ohh. That's not funny.
0:04:40 > 0:04:41Oh, my gosh.
0:04:44 > 0:04:45Where's my girdle? Where's my jacket?
0:04:45 > 0:04:47CHUCKLES
0:04:47 > 0:04:48Welcome to Pan Am.
0:04:48 > 0:04:51Please take a seat in our first class.
0:04:51 > 0:04:52Hi. Welcome.
0:04:52 > 0:04:54Thank you, ma'am. Welcome aboard, sir.
0:04:54 > 0:04:56Joe. Name's Joe.
0:04:58 > 0:05:00Welcome to Pan Am.
0:05:07 > 0:05:09Here you go. Stay dry.
0:05:09 > 0:05:11Thanks. Best debriefing of the month.
0:05:11 > 0:05:13BOTH CHUCKLE
0:05:13 > 0:05:15Ciao. Ciao.
0:05:15 > 0:05:16Bye. You're leaving?
0:05:16 > 0:05:19Well...sharing a room only works most of the time.
0:05:19 > 0:05:22Right. I'll see you tomorrow.
0:05:22 > 0:05:24Have a good night.
0:05:32 > 0:05:33Joe.
0:05:35 > 0:05:37I...thought you left already.
0:05:37 > 0:05:39I hit the head.
0:05:40 > 0:05:44Listen, you better keep this joint a secret,
0:05:44 > 0:05:46or every bluejacket and boatswain in the navy
0:05:46 > 0:05:51is gonna show up in your living room. I'm glad you had fun.
0:05:54 > 0:05:56Well, um...
0:05:57 > 0:05:59Goodbye.
0:05:59 > 0:06:01I thought I was staying the night.
0:06:03 > 0:06:06Maggie told me I could have the couch...
0:06:07 > 0:06:09But if that's a problem...
0:06:09 > 0:06:11N-no. No problem at all.
0:06:15 > 0:06:17THUNDER RUMBLING
0:06:20 > 0:06:22Ugh.
0:06:26 > 0:06:29Ohh.
0:06:29 > 0:06:32SIGHS
0:06:32 > 0:06:33COIN CLINKS, BELL DINGS
0:06:33 > 0:06:35DIALLING
0:06:35 > 0:06:39TELEPHONE RINGS
0:06:39 > 0:06:40CLICK
0:06:40 > 0:06:42RICHARD: "Hello."
0:06:42 > 0:06:44Richard, he's leaving Thursday.
0:06:44 > 0:06:45"Kate?"
0:06:45 > 0:06:49They're recalling him back to Yugoslavia...for good.
0:06:49 > 0:06:50You have to do something.
0:06:50 > 0:06:52Hello?
0:06:53 > 0:06:54Hello, Richard?
0:06:54 > 0:06:58"You're with Lonza now?" He's in my apartment.
0:06:58 > 0:07:02I told him I was going out for champagne.
0:07:02 > 0:07:04"You'd better get back. Sit tight."
0:07:04 > 0:07:05"We'll figure something out."
0:07:05 > 0:07:08LINE DISCONNECTS
0:07:13 > 0:07:15RECEIVER CLATTERS
0:07:26 > 0:07:28Mind if I leave this open?
0:07:28 > 0:07:29I kinda miss the taste of fresh air.
0:07:29 > 0:07:32Of course not. Uh, it might get chilly.
0:07:32 > 0:07:33Here's hopin'!
0:07:33 > 0:07:36No such thing as chilly on a submarine.
0:07:36 > 0:07:39At least let me get you another blanket. This...
0:07:39 > 0:07:41Oh, no. This will do fine.
0:07:41 > 0:07:44If I start freezing to death, I'll come find you.
0:07:44 > 0:07:46For...another blanket.
0:07:46 > 0:07:49Right. Yes. Please do.
0:07:49 > 0:07:50If you're freezing to death.
0:07:51 > 0:07:55Laura, thank you for letting me stay.
0:07:55 > 0:07:56I'm grateful.
0:07:57 > 0:08:00Good night.
0:08:14 > 0:08:16CLICKS
0:08:20 > 0:08:21CLICK
0:08:42 > 0:08:43Your drink.
0:08:45 > 0:08:48I can't believe you made it back here in one piece.
0:08:48 > 0:08:49Everything all right?
0:08:49 > 0:08:51How do you mean?
0:08:51 > 0:08:53You've got a pretty healthy grip on that armrest.
0:08:55 > 0:08:58Flying makes me a little queasy.
0:08:58 > 0:09:00I'm not sure rum is the remedy for that.
0:09:00 > 0:09:04I'm in the navy, ma'am. Rum is the remedy to everything.
0:09:04 > 0:09:05BOTH CHUCKLE
0:09:05 > 0:09:07You don't have to call me "ma'am."
0:09:07 > 0:09:09My name is Laura.
0:09:09 > 0:09:13Can't you just close your eyes and pretend this is a submarine?
0:09:13 > 0:09:16That's what I do when I get nervous.
0:09:16 > 0:09:18You pretend you're in a submarine?
0:09:18 > 0:09:21I pretend I'm somewhere else,
0:09:21 > 0:09:23somewhere I feel safe.
0:09:23 > 0:09:27Can I ask you somethin'... private?
0:09:27 > 0:09:29Sure.
0:09:29 > 0:09:31Say you and I were close,
0:09:31 > 0:09:33and I did somethin' to make you mad at me,
0:09:33 > 0:09:36and we didn't talk for a long time.
0:09:36 > 0:09:40You think maybe this would make it go easier
0:09:40 > 0:09:41when I saw you again?
0:09:47 > 0:09:50It's beautiful.
0:09:50 > 0:09:52Yeah, but is it enough?
0:09:55 > 0:09:59In this scenario, am I your girlfriend?
0:09:59 > 0:10:03Uh, no, sorry. You're my mama.
0:10:03 > 0:10:05I'm your mama?
0:10:05 > 0:10:08See, we've always been close - real close,
0:10:08 > 0:10:11but when I decided to join the navy, she didn't understand,
0:10:11 > 0:10:13took it personal, thought my leavin' was sayin',
0:10:13 > 0:10:16Redwater, Mississippi, wasn't good enough,
0:10:16 > 0:10:19SHE wasn't good enough, only that wasn't it.
0:10:19 > 0:10:21You just wanted to see the world.
0:10:21 > 0:10:23Yeah. Seemed like too big a place
0:10:23 > 0:10:27not to go wanderin' in it, but she ain't spoke to me since.
0:10:27 > 0:10:31I send her postcards, but...nothin'.
0:10:32 > 0:10:35I think the hummingbird is beautiful,
0:10:35 > 0:10:38but I'll bet what she really wants
0:10:38 > 0:10:41is to know that wherever you go,
0:10:41 > 0:10:44you still need her, just like before.
0:10:44 > 0:10:45You don't know my mama.
0:10:45 > 0:10:46Oh, I think I do.
0:10:46 > 0:10:48That so? I'm pretty sure
0:10:48 > 0:10:51my mother could give your mama a run for her money.
0:10:51 > 0:10:52Er, my mama don't run nowhere.
0:10:52 > 0:10:55She just commands from right where she is.
0:10:55 > 0:10:57LAURA AND JOE LAUGHING
0:10:57 > 0:10:58My mother ambushed me...
0:10:58 > 0:10:59BOTH: Ooh.
0:10:59 > 0:11:00Uh... Mm.
0:11:00 > 0:11:01Can I help you?
0:11:01 > 0:11:03I got a little top secret business to discuss.
0:11:03 > 0:11:05Here. Now?
0:11:05 > 0:11:07Yeah, we don't have much time. We got a friend over there
0:11:07 > 0:11:09who is about to surrender himself to the enemy.
0:11:09 > 0:11:10A defector?
0:11:10 > 0:11:11In a manner of speaking.
0:11:11 > 0:11:13Listen, this is our last chance to give him
0:11:13 > 0:11:14the send-off he deserves, and, er...
0:11:14 > 0:11:17WOLF WHISTLES: Boy, does he love the redheads.
0:11:17 > 0:11:19Wait. What?
0:11:19 > 0:11:21I ain't askin' for the full Gypsy Rose Lee.
0:11:21 > 0:11:23Just toss the hat, drop the jacket,
0:11:23 > 0:11:25do a little shimmy. Uh, come on.
0:11:25 > 0:11:27I got a sailor over there who's getting married.
0:11:27 > 0:11:28He needs a stag party.
0:11:28 > 0:11:31You want a stripper so badly, you can do it yourself.
0:11:31 > 0:11:33And we're out there every day protecting you
0:11:33 > 0:11:35from the dirty communists, and we...
0:11:35 > 0:11:37You're not a dirty communist lover, are ya?
0:11:37 > 0:11:39FOOTSTEPS RETREAT
0:11:39 > 0:11:42MUSIC: "Break It To Me Gently" by Brenda Lee
0:11:42 > 0:11:43RAIN FALLING
0:11:43 > 0:11:45Snow.
0:11:45 > 0:11:48Well, definitely snow. What's Christmas without snow?
0:11:48 > 0:11:50And a Douglas fir.
0:11:50 > 0:11:53Or, um, how do you call it...spruce?
0:11:55 > 0:11:59Very well, a spruce, but with coloured lights.
0:11:59 > 0:12:01Or maybe only white.
0:12:01 > 0:12:03Hey, I'm giving in on the spruce.
0:12:03 > 0:12:08Yeah, six or seven feet tall, which I will cut down myself.
0:12:08 > 0:12:12From the forest behind the house?
0:12:12 > 0:12:14Mm-hmm.
0:12:14 > 0:12:15KNOCK ON DOOR
0:12:15 > 0:12:16Are you expecting someone?
0:12:16 > 0:12:17SWITCH CLICKS
0:12:17 > 0:12:19At one in the morning?
0:12:19 > 0:12:21Ohh. It could be the neighbours.
0:12:21 > 0:12:23The wife kicks him out a lot.
0:12:23 > 0:12:24Kate, get on your fire escape.
0:12:24 > 0:12:27What? We don't even know who it is.
0:12:27 > 0:12:27Exactly.
0:12:27 > 0:12:29Niko, it's raining outside.
0:12:29 > 0:12:30KNOCK
0:12:30 > 0:12:31OK, before I get drenched,
0:12:31 > 0:12:33can I at least check the peephole?
0:12:33 > 0:12:36SIGHS
0:12:41 > 0:12:42Mrs Luckovich?
0:12:42 > 0:12:45I saw your light on, or I wouldn't bother you.
0:12:45 > 0:12:47Is something wrong?
0:12:47 > 0:12:48You have a hot water bottle I can borrow?
0:12:48 > 0:12:50My arthritis is acting up.
0:12:50 > 0:12:51Of course. Come in.
0:12:53 > 0:12:56WHISPERS: It's my nosy neighbour.
0:12:56 > 0:12:57Do you still want me out the window?
0:12:57 > 0:13:00There's a first time for everything.
0:13:03 > 0:13:05It's all right. No.
0:13:05 > 0:13:06No! We're here to pick up your package.
0:13:06 > 0:13:08Is he armed? No, you don't need to.
0:13:08 > 0:13:09NIKO: Kate!
0:13:11 > 0:13:12Hello, Mr Lonza.
0:13:12 > 0:13:13Kate, do you know these men?
0:13:13 > 0:13:15No.
0:13:15 > 0:13:17Not exactly.
0:13:17 > 0:13:19I think it's time you made some new friends.
0:13:19 > 0:13:20I have all the friends I need.
0:13:20 > 0:13:24You never know. Let's take a ride,
0:13:24 > 0:13:25get acquainted.
0:13:25 > 0:13:28I don't like to go out in rain.
0:13:28 > 0:13:30Well, you're gonna have to get over that.
0:13:30 > 0:13:32Hey. Hey! KATE: Wait.
0:13:32 > 0:13:35No. No, wait! Let me... No!
0:13:35 > 0:13:37No, wait!
0:13:37 > 0:13:39Trust me. We're your only way out.
0:13:39 > 0:13:40Get off me!
0:13:40 > 0:13:42Niko, please. Go with them.
0:13:42 > 0:13:44They want to help.
0:13:46 > 0:13:47Who are you?
0:13:49 > 0:13:52Who are you?!
0:13:52 > 0:13:53No!
0:14:06 > 0:14:07Morning.
0:14:07 > 0:14:09You cleaned up.
0:14:09 > 0:14:10And you put a roof over my head.
0:14:12 > 0:14:14Hangover?
0:14:14 > 0:14:16Got just the thing. You like eggs?
0:14:16 > 0:14:18EGGSHELL CRACKS Hot sauce?
0:14:18 > 0:14:21Orange juice. Molasses?
0:14:21 > 0:14:23Sounds delicious.
0:14:23 > 0:14:24I call it the Redwater special.
0:14:24 > 0:14:26After your hometown.
0:14:26 > 0:14:28No, cos it looks like red water.
0:14:28 > 0:14:32Straight from the mighty banks of the Mississippi to cure what ails you.
0:14:33 > 0:14:35Down the hatch?
0:14:35 > 0:14:36KNOCK ON DOOR
0:14:36 > 0:14:38I should get that.
0:14:44 > 0:14:46Where's Maggie Ryan?
0:14:46 > 0:14:49Depends. can I help you?
0:14:49 > 0:14:52I'm the super. You responsible for last night's little shindig?
0:14:52 > 0:14:54That also depends.
0:14:54 > 0:14:55On what?
0:14:55 > 0:14:57On how mad you are about it.
0:15:03 > 0:15:05You living here?
0:15:05 > 0:15:07No. Yes. No. Well, temporarily.
0:15:07 > 0:15:09Uh, at least it was temporary,
0:15:09 > 0:15:11but it's actually been working out very well, so...
0:15:11 > 0:15:12And who's he?
0:15:14 > 0:15:16Joe. Um, he's a guest.
0:15:16 > 0:15:17Your guest?
0:15:17 > 0:15:19Sort of.
0:15:19 > 0:15:21Kick him out.
0:15:21 > 0:15:22Excuse me?
0:15:22 > 0:15:24You're not on the lease, and I don't like your guest.
0:15:24 > 0:15:25Kick him out,
0:15:25 > 0:15:29or I kick you out, and no more parties.
0:15:29 > 0:15:32You understand?
0:15:35 > 0:15:36I'll ask him to leave.
0:15:45 > 0:15:47You're not gonna drink that, are you?
0:15:47 > 0:15:49I'm not that hungry.
0:15:49 > 0:15:50CHUCKLES
0:15:50 > 0:15:53What time is your train?
0:15:53 > 0:15:54Not until 6.00.
0:15:54 > 0:15:56What do you say we go buy your ticket
0:15:56 > 0:15:58and then wander the city a little?
0:15:58 > 0:16:01Oh, you don't need to do that for me.
0:16:01 > 0:16:04Listen, I know you were trying to avoid me last night...
0:16:04 > 0:16:05Avoid? No.
0:16:05 > 0:16:10And I deserve it for what I did on the plane.
0:16:10 > 0:16:11I was a little drunk...
0:16:13 > 0:16:14..and I forgot,
0:16:14 > 0:16:17for a moment,
0:16:17 > 0:16:19how things are.
0:16:22 > 0:16:24Joe, I would...
0:16:24 > 0:16:28I would really like to spend the day with you.
0:16:29 > 0:16:32I'd like that, too.
0:16:39 > 0:16:42Coffee, please. Thank you so much. You're welcome.
0:16:44 > 0:16:46I've been here 45 minutes.
0:16:46 > 0:16:48I've had a busy morning.
0:16:48 > 0:16:50I can't drop everything when you call.
0:16:50 > 0:16:52You rustled a lynch mob last night when I called.
0:16:52 > 0:16:54He's safe. You did your job. What's the emergency?
0:16:54 > 0:16:57Why didn't you tell me you were pulling him out of my apartment?
0:16:57 > 0:16:59Have you forgotten the concept of "need to know"?
0:16:59 > 0:17:02I could have talked him into a meeting.
0:17:02 > 0:17:05Turning a diplomat is a delicate procedure.
0:17:05 > 0:17:07Yes, you were real delicate last night(!)
0:17:07 > 0:17:10The last thing I need is your personal attachment complicating matters.
0:17:10 > 0:17:12My personal attachment?
0:17:12 > 0:17:15The only shot you have at this is my personal attachment.
0:17:15 > 0:17:18No. We have more than that.
0:17:18 > 0:17:20What?
0:17:20 > 0:17:22Don't you have an around-the-world flight coming up?
0:17:22 > 0:17:25Go. Enjoy yourself.
0:17:25 > 0:17:27Richard, I want to see him.
0:17:27 > 0:17:30You've done your part. Forget about Niko Lonza.
0:17:30 > 0:17:31We've got it from here.
0:17:31 > 0:17:33Richard, no. No, no. Take me with you.
0:17:33 > 0:17:36I need to explain my side of things.
0:17:36 > 0:17:38No, you don't. Please. I can help.
0:17:38 > 0:17:40Richard, I need to talk to him!
0:17:40 > 0:17:43LAURA GASPS: "Under the yum yum tree."
0:17:43 > 0:17:44No.
0:17:44 > 0:17:45You don't even know what it's about.
0:17:45 > 0:17:47I know what it's called.
0:17:47 > 0:17:50Well, are you sure you want to see a movie?
0:17:50 > 0:17:52We could go to Central Park, the Statue of Liberty.
0:17:52 > 0:17:54My mama would call you happy as a dead pig in the sun.
0:17:54 > 0:17:56That's not nice. It means you don't know any better
0:17:56 > 0:17:58than to smile. It's a good thing.
0:17:58 > 0:18:00I tell you what. Why don't you wait here?
0:18:00 > 0:18:03I'll go grab my ticket, and then we'll see the tasty tree movie.
0:18:03 > 0:18:05"Yum yum." Don't remind me.
0:18:17 > 0:18:19You're beautiful, you know that?
0:18:19 > 0:18:21Thank you.
0:18:21 > 0:18:2319, sir.
0:18:24 > 0:18:27What do you say I buy you lunch?
0:18:27 > 0:18:31PA: A local train to Montauk will be making a stop...
0:18:31 > 0:18:32Um, I'm fine. Thank you.
0:18:34 > 0:18:36I'm a nice guy.
0:18:36 > 0:18:38Laura, let's go.
0:18:38 > 0:18:42Now what makes you think you can order a lady around like that?
0:18:42 > 0:18:45Oh, he wasn't ordering me. It's OK, Laura.
0:18:45 > 0:18:47No, it's not OK. This...
0:18:49 > 0:18:51This is not OK at all.
0:18:51 > 0:18:52Come on.
0:18:54 > 0:18:56Joe. Joe! Joe. Joe!
0:18:56 > 0:18:59Yes, Crown Heights. I got it.
0:18:59 > 0:19:01SIGHS: Richard, is he all right?
0:19:01 > 0:19:02LINE DISCONNECTS
0:19:09 > 0:19:10Oh, thank goodness you're home.
0:19:10 > 0:19:13Oh, my God. I... We were a few blocks away,
0:19:13 > 0:19:15and I didn't know where else to go.
0:19:15 > 0:19:16What happened? For the record,
0:19:16 > 0:19:18a couple of them look worse than me.
0:19:18 > 0:19:22Them? You got in a fight with multiple people?
0:19:22 > 0:19:23It's all my fault.
0:19:23 > 0:19:26Stop that. It's only mostly your fault.
0:19:26 > 0:19:27SIGHS
0:19:27 > 0:19:28Kate.
0:19:28 > 0:19:31I don't have any bandages or tincture of iodine.
0:19:31 > 0:19:33Can you run to the drugstore?
0:19:33 > 0:19:36No. Laura, I have to go.
0:19:36 > 0:19:36Go where?
0:19:36 > 0:19:39I'm sorry.
0:19:39 > 0:19:42I'm sorry. I'll explain later.
0:19:44 > 0:19:46DOOR CLOSES
0:19:46 > 0:19:48MEN CHEERING AND WHISTLING
0:19:48 > 0:19:49BURLESQUE MUSIC PLAYING
0:19:49 > 0:19:52MEN: Ohh!
0:19:52 > 0:19:53MAN WOLF-WHISTLES
0:19:53 > 0:19:55MEN HOOTING
0:19:55 > 0:19:57LAUGHING
0:19:57 > 0:19:59Unh. Right there. Unh. Lookin' at you.
0:19:59 > 0:20:01Where is he?
0:20:01 > 0:20:02Ohh. Ohh.
0:20:02 > 0:20:03Oh, yeah, baby.
0:20:03 > 0:20:06Mr married man over here...
0:20:06 > 0:20:08MEN CHEERING
0:20:08 > 0:20:10What the hell is going on out there?
0:20:10 > 0:20:11I don't even want to know.
0:20:11 > 0:20:13Oh, it is nothing.
0:20:13 > 0:20:16Kate's taking off her clothes to entertain the men.
0:20:16 > 0:20:18And why would she do that?
0:20:18 > 0:20:20Feeling patriotic, I guess.
0:20:20 > 0:20:22What does a guy gotta do
0:20:22 > 0:20:24to get a decent cup of coffee around here?
0:20:24 > 0:20:27Oh, but it's just... Oh, don't bother, Colette.
0:20:27 > 0:20:29I'll get my own. OK.
0:20:29 > 0:20:30I like coffee, too.
0:20:30 > 0:20:31Mm.
0:20:31 > 0:20:33LAUGHTER AND HOLLERING
0:20:33 > 0:20:34Sure. Yeah. Run along, boys.
0:20:34 > 0:20:38I'll stay, fly the plane.
0:20:38 > 0:20:39Oh, no need to be jealous.
0:20:39 > 0:20:42I said Kate was taking her clothes off,
0:20:42 > 0:20:43but I didn't say who was putting them on.
0:20:43 > 0:20:46Ohh. SIGHS: Sailors.
0:20:46 > 0:20:48Uh, if you want a quick look, I'd be happy to take over.
0:20:48 > 0:20:51No, thank you. I'm- I'm happy right where I am.
0:20:51 > 0:20:56Too bad. It's always been a dream of mine to fly.
0:21:03 > 0:21:05LAUGHTER IN DISTANCE
0:21:05 > 0:21:08Excuse me, first officer Valois,
0:21:08 > 0:21:10could you please take your seat?
0:21:10 > 0:21:11GIGGLES
0:21:16 > 0:21:21You know, there's actually some grey area here.
0:21:21 > 0:21:23Uh, the-the singing guardians of democracy back there
0:21:23 > 0:21:26are not technically paying passengers...
0:21:26 > 0:21:28CHUCKLES: And they're sworn to protect
0:21:28 > 0:21:30your right to the pursuit of happiness.
0:21:30 > 0:21:33Oh, this would make me very happy.
0:21:33 > 0:21:34Yeah?
0:21:34 > 0:21:35Yeah.
0:21:38 > 0:21:41SIGHS: Uh, both hands on the yoke.
0:21:41 > 0:21:43The yoke?
0:21:43 > 0:21:45Yeah, the steering wheel.
0:21:45 > 0:21:49Roger that, captain.
0:21:53 > 0:21:55CLICKS AND BEEPS
0:22:00 > 0:22:01I'm flying?
0:22:01 > 0:22:05LAUGHS: And a dream comes true.
0:22:08 > 0:22:12I'm flying. CHUCKLES
0:22:12 > 0:22:15ENGINES ROARING
0:22:15 > 0:22:17Guys, guys. Hey. LAUGHTER
0:22:17 > 0:22:18Oh. LAUGHTER STOPS
0:22:18 > 0:22:23Ensign Will Finely is gonna get himself married.
0:22:23 > 0:22:25CHEERS AND LAUGHTER
0:22:25 > 0:22:26To Will!
0:22:26 > 0:22:29My mama always says, you carry your first impression
0:22:29 > 0:22:31of a person for the rest of your days.
0:22:31 > 0:22:34It becomes a part of you, like...
0:22:34 > 0:22:36A photograph in your pocket...
0:22:37 > 0:22:39Which is why I deeply regret,
0:22:39 > 0:22:43the first time I met Will Finely, he had dysentery.
0:22:43 > 0:22:44ALL LAUGHING
0:22:44 > 0:22:47MAN: Aw, Will!
0:22:47 > 0:22:48Now that's a hell of a photograph
0:22:48 > 0:22:50to be stuck with forever.
0:22:50 > 0:22:53MEN CHUCKLE
0:22:53 > 0:22:55To Will. Yeah.
0:22:55 > 0:22:56MEN: To Will.
0:22:56 > 0:23:00CRUNCHING (Men speaking indistinctly in distance)
0:23:00 > 0:23:02You're missing a pretty good speech.
0:23:02 > 0:23:04Uh, you could use a lecture.
0:23:04 > 0:23:07Oh, you're a lifesaver. I am starving.
0:23:07 > 0:23:11CRUNCHES: What?
0:23:11 > 0:23:13Nude photographs?
0:23:14 > 0:23:15LOWERED VOICE: I don't plan on showing anyone.
0:23:15 > 0:23:18LOWERED VOICE: Doesn't matter. They exist.
0:23:18 > 0:23:19Do you have the negatives?
0:23:19 > 0:23:21I thought you, of all people, would understand.
0:23:21 > 0:23:23Have you not read the Pan Am code of ethics?
0:23:23 > 0:23:24And every practical reason aside,
0:23:24 > 0:23:26you're not the kind of girl who does that.
0:23:26 > 0:23:27Well, I must be, because I did,
0:23:27 > 0:23:29and I'm not going to apologise for it.
0:23:29 > 0:23:31LOWERED VOICE: And quite frankly,
0:23:31 > 0:23:34that sounds like something mother would say.
0:23:35 > 0:23:37SIGHS: Nude photos it is.
0:23:38 > 0:23:40What's going on, Kate?
0:23:40 > 0:23:42For a while you seemed so happy,
0:23:42 > 0:23:45but lately you're...
0:23:45 > 0:23:48On edge.
0:23:48 > 0:23:50It's boy trouble.
0:23:50 > 0:23:52Since when have you had a boy?
0:23:52 > 0:23:54SIGHS
0:23:54 > 0:23:56LOWERED VOICE: Since Monte Carlo.
0:23:56 > 0:23:57No. No.
0:23:57 > 0:23:58LOWERED VOICE: The one you stole from Maggie?
0:23:58 > 0:23:59CLICKS TONGUE AND SIGHS: Please.
0:23:59 > 0:24:00Maggie never stood a chance.
0:24:00 > 0:24:03LAUGHS Wh-what's he like?
0:24:03 > 0:24:09SIGHS: He's sweet and funny, kind and...
0:24:09 > 0:24:10WHISPERS: He's noble.
0:24:10 > 0:24:13Oh...my...God. You're in love.
0:24:13 > 0:24:18SIGHS: I'm in over my head is what I am.
0:24:18 > 0:24:19SIGHS
0:24:19 > 0:24:21WHISPERING: My boyfriend's a Yugoslavian communist.
0:24:21 > 0:24:22WHISPERS: He's a communist?
0:24:22 > 0:24:26Now who sounds like mother? You're right. SNIFFLES
0:24:26 > 0:24:27Who cares?
0:24:27 > 0:24:28The free world.
0:24:28 > 0:24:30But you're in love.
0:24:30 > 0:24:33Nothing else matters.
0:24:33 > 0:24:35Hey, don't let that go.
0:24:36 > 0:24:38It's complicated.
0:24:38 > 0:24:39No, it's simple.
0:24:39 > 0:24:43It's a dime, a phone booth, and a handful of words.
0:24:43 > 0:24:45Call him as soon as we touch down,
0:24:45 > 0:24:48and tell him that love trumps everything.
0:24:48 > 0:24:49I-I can't. No arguing.
0:24:49 > 0:24:52Laura. Kate, no arguing.
0:25:01 > 0:25:02Apparently your personal attachment
0:25:02 > 0:25:04is stronger than we thought.
0:25:06 > 0:25:09He won't talk any more until he sees you.
0:25:09 > 0:25:10You have him here?
0:25:10 > 0:25:11We use an insurance office as a front.
0:25:11 > 0:25:13It actually turns a profit.
0:25:13 > 0:25:15Be careful. It's not going well.
0:25:15 > 0:25:17What a surprise.
0:25:18 > 0:25:20He's through here.
0:25:27 > 0:25:30SIGHS
0:25:30 > 0:25:31DOOR CLOSES
0:25:31 > 0:25:34INHALES AND EXHALES DEEPLY
0:25:35 > 0:25:38I don't suppose you could offer me any privacy?
0:25:38 > 0:25:42I can offer you this- he's angry, you're angry,
0:25:42 > 0:25:44but what he wants for his country
0:25:44 > 0:25:48and what we want from him do, indeed, run parallel.
0:25:48 > 0:25:50You need to make him believe that.
0:25:50 > 0:25:52SIGHS
0:25:53 > 0:25:55Kate.
0:25:55 > 0:25:57I've misled you.
0:25:57 > 0:26:01I've withheld from you, but I haven't lied to you.
0:26:03 > 0:26:07INHALES DEEPLY
0:26:15 > 0:26:17SIGHS
0:26:17 > 0:26:20Is Kate your real name?
0:26:24 > 0:26:25Yes.
0:26:25 > 0:26:27Is anything else about you real?
0:26:28 > 0:26:30I started as a courier.
0:26:32 > 0:26:34This is beyond anything that I ever thought
0:26:34 > 0:26:35that I would be doing for them.
0:26:35 > 0:26:37Oh, clearly they can spot talent.
0:26:37 > 0:26:38You had me convinced.
0:26:38 > 0:26:40Niko, you and I...
0:26:40 > 0:26:42That part was real.
0:26:44 > 0:26:45CLICKS
0:26:45 > 0:26:48KATE: Niko, are you in danger?
0:26:48 > 0:26:51NIKO: Tito has put an entire nation in danger.
0:26:51 > 0:26:53"Chief architect of the second Yugoslavia,"
0:26:53 > 0:26:56and yet his dreams are not for his people.
0:26:56 > 0:26:59SIGHS
0:26:59 > 0:27:01I was going to try to help my cousin.
0:27:01 > 0:27:03This might be the last time I'll ever see him again.
0:27:03 > 0:27:05Niko?
0:27:08 > 0:27:11SIGHS My mind is full Of you, too.
0:27:11 > 0:27:13CLICK
0:27:16 > 0:27:17Very convincing.
0:27:17 > 0:27:20INHALES AND EXHALES DEEPLY
0:27:20 > 0:27:21VOICE BREAKS: I meant it.
0:27:21 > 0:27:22But it wasn't just between us.
0:27:22 > 0:27:24I didn't know. Did you record everything?
0:27:24 > 0:27:26I didn't know.
0:27:26 > 0:27:29Congratulations. You are now a professional.
0:27:31 > 0:27:33Don't be cruel.
0:27:33 > 0:27:38My new friends here - they have a terrific proposition.
0:27:38 > 0:27:41I return back to Yugoslavia as a double agent
0:27:41 > 0:27:44or explain this tape,
0:27:44 > 0:27:46made in the bed of an American agent,
0:27:46 > 0:27:49to our secret police.
0:27:52 > 0:27:54WHISPERS: But I thought...
0:27:55 > 0:27:59I thought when they told me that they wanted you to help us
0:27:59 > 0:28:04that that meant that you would stay in New York...
0:28:04 > 0:28:06VOICE BREAKS: At your current job.
0:28:06 > 0:28:10WHISPERS: Doing what?! Passing information, but here,
0:28:10 > 0:28:12where you could be protected!
0:28:12 > 0:28:15No, sweetheart, it means being sent back to spy
0:28:15 > 0:28:18on a government that-that is already suspicious of me.
0:28:18 > 0:28:21WHISPERING: I'm so sorry.
0:28:21 > 0:28:23SNIFFLES: I thought I was helping.
0:28:23 > 0:28:25This is helping?
0:28:25 > 0:28:27I thought you meant the things that you said on that tape,
0:28:27 > 0:28:31that you wished your country had the same freedoms as America.
0:28:31 > 0:28:33Well, it's still my country!
0:28:33 > 0:28:36And it needs to change. You believe that!
0:28:36 > 0:28:37EXHALES DEEPLY
0:28:37 > 0:28:41If you could work... SIGHS
0:28:41 > 0:28:44CRYING: If you could work with us...
0:28:46 > 0:28:48SCOFFS
0:28:48 > 0:28:53This is not "working with." This is a death sentence.
0:28:53 > 0:28:55WHIMPERS
0:28:57 > 0:29:01SOBBING
0:29:01 > 0:29:02Niko.
0:29:02 > 0:29:06Niko, please.
0:29:06 > 0:29:08Hear them out.
0:29:10 > 0:29:13I do not like what they've done,
0:29:13 > 0:29:17but I believe that you want the same...
0:29:17 > 0:29:19WHISPERS: things.
0:29:22 > 0:29:24I-I honestly can't tell.
0:29:24 > 0:29:28Are you-are you just a silly, naive girl or...
0:29:28 > 0:29:32Or-or a master liar? CHUCKLES
0:29:33 > 0:29:36Both.
0:29:39 > 0:29:40I'm both...
0:29:43 > 0:29:47WHISPERS: But I am also yours.
0:29:50 > 0:29:52MEN SHOUTING INDISTINCTLY
0:29:52 > 0:29:54RATTLES
0:29:54 > 0:29:55This is getting out of hand.
0:29:55 > 0:29:57It's like feeding time at the zoo.
0:29:57 > 0:29:59Can you imagine being trapped underwater with them
0:29:59 > 0:30:00for six months?
0:30:00 > 0:30:03I'd load myself into a torpedo tube and launch.
0:30:03 > 0:30:05That bad?
0:30:05 > 0:30:07My kingdom for a sedative.
0:30:07 > 0:30:08How snockered are they?
0:30:08 > 0:30:10What are you thinking?
0:30:10 > 0:30:12Nifty little pilot trick. I'm gonna decrease the cabin pressure
0:30:12 > 0:30:14by manually raising the cabin altitude.
0:30:14 > 0:30:17I love Greek. Beautiful language.
0:30:17 > 0:30:20It makes boozy passengers fall asleep.
0:30:20 > 0:30:21You're kidding. Oh.
0:30:21 > 0:30:23No. That's why test pilots don't drink on game day.
0:30:23 > 0:30:25Pilots and their secrets.
0:30:25 > 0:30:29KATE: Well, what are you waiting for?
0:30:29 > 0:30:31Joe, we're asking everybody to return to their seats.
0:30:31 > 0:30:33SNIFFLES: Is it OK if I stay back here?
0:30:33 > 0:30:36Sure, as long as you buckle up.
0:30:37 > 0:30:38Still unsettled?
0:30:38 > 0:30:40You could say that.
0:30:40 > 0:30:43I liked your toast. CHUCKLES: Where's the wedding?
0:30:43 > 0:30:44Alabama.
0:30:44 > 0:30:47Oh, that's convenient. Right on the way home.
0:30:47 > 0:30:48Yes, it is. SIGHS
0:30:48 > 0:30:50Is it a church wedding?
0:30:50 > 0:30:52It's a...country club.
0:30:52 > 0:30:53Well, that will be nice.
0:30:53 > 0:30:56Exclusive country club.
0:30:56 > 0:30:58Oh.
0:30:58 > 0:31:01But thanks to you, I've got a secret weapon.
0:31:01 > 0:31:05Gonna close my eyes and pretend my ass right into the front row.
0:31:05 > 0:31:07BOTH CHUCKLE
0:31:07 > 0:31:09Upset all those old ladies.
0:31:09 > 0:31:10BOTH CHUCKLE
0:31:10 > 0:31:11Get those fans going.
0:31:11 > 0:31:13BOTH LAUGH
0:31:13 > 0:31:15I, um... CHUCKLES: I should probably take
0:31:15 > 0:31:17the bottle before Maggie catches you.
0:31:17 > 0:31:19CHUCKLES: It's against the rules.
0:31:28 > 0:31:31I need to, er, prepare for landing.
0:31:43 > 0:31:44Does it hurt?
0:31:44 > 0:31:48SIGHS: You want the truth Or the tough guy answer?
0:31:51 > 0:31:53SIGHS
0:31:55 > 0:31:58VOICE BREAKING: I am so sorry.
0:31:58 > 0:32:01Hey. It was hardly a tussle.
0:32:01 > 0:32:03I knew hittin' the town with you would draw some eyes.
0:32:03 > 0:32:04That's on me.
0:32:06 > 0:32:09I'm sorry because...
0:32:09 > 0:32:11Because it isn't right.
0:32:13 > 0:32:16It isn't right that...
0:32:16 > 0:32:19When you tried to kiss me,
0:32:19 > 0:32:22I cared what other people would think.
0:32:23 > 0:32:27It isn't right that when I went to bed last night,
0:32:27 > 0:32:30I locked my door.
0:32:30 > 0:32:32It isn't right that when the super told me
0:32:32 > 0:32:36to kick you out, I did it.
0:32:46 > 0:32:48You took my hand in front of those men
0:32:48 > 0:32:50at the train station...
0:32:51 > 0:32:55And you brought me back here to take care of me.
0:32:55 > 0:32:57That counts for something.
0:32:59 > 0:33:02That mean old man really told you to kick me out?
0:33:02 > 0:33:05Don't worry. I plan on flooding the bathtub.
0:33:05 > 0:33:06Isn't it Maggie's apartment?
0:33:06 > 0:33:08BOTH CHUCKLE
0:33:08 > 0:33:10Where I work, we call that a command decision.
0:33:14 > 0:33:17Why are you being nice to me?
0:33:17 > 0:33:20Same reason I tried to kiss you.
0:33:20 > 0:33:22CHUCKLES: Same reason I told Maggie I had
0:33:22 > 0:33:24nowhere else to stay last night.
0:33:24 > 0:33:25That was a lie?
0:33:25 > 0:33:27That was a desperate attempt to keep your company
0:33:27 > 0:33:29a little longer.
0:33:29 > 0:33:30Why?
0:33:30 > 0:33:32You ever been on a submarine?
0:33:35 > 0:33:37There's a lot of grey.
0:33:38 > 0:33:41Grey pumps,
0:33:41 > 0:33:43grey engines,
0:33:43 > 0:33:45grey gauges,
0:33:45 > 0:33:47grey steel...
0:33:49 > 0:33:54A big grey ocean tryin' to crush you like a tin can...
0:33:56 > 0:33:58CHUCKLES: So you can imagine What it's like to come up
0:33:58 > 0:34:01from all that grey and see...
0:34:02 > 0:34:04..You.
0:34:16 > 0:34:19WHISPERS: Laura, what are you doing?
0:34:21 > 0:34:24Making another command decision.
0:34:41 > 0:34:43CHUCKLES
0:34:43 > 0:34:45WHISPERS: Is something funny?
0:34:45 > 0:34:47CHUCKLES
0:34:48 > 0:34:50You're the guy...
0:34:53 > 0:34:59And the next time I have to close my eyes to feel safe...
0:35:00 > 0:35:03I'm gonna pretend I'm right here.
0:35:15 > 0:35:18ENGINES ROARING
0:35:18 > 0:35:21I remember my first trip around the world.
0:35:21 > 0:35:23I took a little spoonful of dirt
0:35:23 > 0:35:26from every place we landed as a souvenir.
0:35:26 > 0:35:27You must be excited.
0:35:27 > 0:35:29Beyond.
0:35:29 > 0:35:32Oh, I have bills to mail. I'll be right down.
0:35:32 > 0:35:34OK, make it snappy. It's time to board.
0:35:34 > 0:35:36INDISTINCT CONVERSATIONS
0:35:36 > 0:35:39Kate. Where on earth have you been?
0:35:39 > 0:35:40I know. I haven't returned your calls.
0:35:40 > 0:35:42Is everything all right?
0:35:42 > 0:35:43The way you ran out on Joe and I-
0:35:43 > 0:35:44Kate Cameron. Phone call.
0:35:47 > 0:35:49I need to mail these...
0:35:49 > 0:35:51Kate speaking.
0:35:51 > 0:35:54(Woman over PA) ...Aboard flight 387...
0:35:54 > 0:35:55SPEAKS INDISTINCTLY
0:35:55 > 0:35:58Boarding will begin in exactly five minutes.
0:35:58 > 0:36:01INDISTINCT CONVERSATIONS
0:36:03 > 0:36:04RECEIVER CLATTERS
0:36:04 > 0:36:06Kate. Kate, what is it?
0:36:06 > 0:36:10WOMAN: Flight 116 to...
0:36:10 > 0:36:12WOMAN: Yes, I... SPEAKS INDISTINCTLY
0:36:12 > 0:36:15SIGHS
0:36:24 > 0:36:26Excuse me. Are you lost?
0:36:26 > 0:36:30I, er, seem to have found my way.
0:36:33 > 0:36:35Which flight is yours?
0:36:35 > 0:36:37Pan Am 2.
0:36:37 > 0:36:39Around the world.
0:36:39 > 0:36:42Around the world. I'd like to do that.
0:36:45 > 0:36:48Mine is leaving in, um, two hours.
0:36:48 > 0:36:49Flight 22.
0:36:49 > 0:36:51London.
0:36:51 > 0:36:53And then on to Yugoslavia.
0:36:57 > 0:36:58I was supposed to be leaving, er, two days ago,
0:36:58 > 0:37:00but then I got delayed.
0:37:00 > 0:37:03Job interview.
0:37:05 > 0:37:07I thought you weren't interested in a new job.
0:37:07 > 0:37:10I didn't care for the interview.
0:37:12 > 0:37:17But then we, er... Resolved our differences.
0:37:17 > 0:37:21There are people... Who need me in Yugoslavia,
0:37:21 > 0:37:23and it's time.
0:37:23 > 0:37:26So this is your choice.
0:37:26 > 0:37:30Things rarely happen the way we expect.
0:37:30 > 0:37:32I'm beginning to understand that.
0:37:36 > 0:37:40So you'll...let me know when you book a return?
0:37:40 > 0:37:44It's likely to be a long trip.
0:37:47 > 0:37:50Well, the only thing left to do is, um,
0:37:50 > 0:37:52to say goodbye to my American girlfriend.
0:37:54 > 0:37:55She'll be devastated.
0:37:55 > 0:37:57At first. Maybe.
0:37:57 > 0:38:00But then she'll understand that I'm doing what I must...
0:38:02 > 0:38:06That I'm, er, I'm "Walking like a man."
0:38:08 > 0:38:10I hope she'll be proud of me.
0:38:10 > 0:38:13She already is.
0:38:13 > 0:38:16LAUGHTER
0:38:16 > 0:38:22WOMAN: Flight 498 Is now preboarding at...
0:38:22 > 0:38:23Laura?
0:38:23 > 0:38:27Um, you go.
0:38:29 > 0:38:31Goodbye, Kate.
0:38:33 > 0:38:36SNIFFLES: Your layover in London -
0:38:36 > 0:38:38there's...a great pub in Cadogan Square.
0:38:40 > 0:38:43Oh, it's a-it's a good spot for billiards.
0:38:43 > 0:38:48I'll... I'll try to remember that.
0:38:48 > 0:38:51EXHALING DEEPLY
0:38:51 > 0:38:53Hey, Kate.
0:38:55 > 0:38:57SNIFFLES
0:38:59 > 0:39:02Me, too. SIGHS
0:39:16 > 0:39:19BRENDA LEE: # Break it
0:39:19 > 0:39:22# To me gently. #
0:39:22 > 0:39:23DOOR OPENS
0:39:23 > 0:39:26# Let me down
0:39:26 > 0:39:31# The easy way
0:39:32 > 0:39:34# Make me feel
0:39:34 > 0:39:38# That you still love me
0:39:38 > 0:39:40# If it's just
0:39:40 > 0:39:44# If it's just for one more day
0:39:46 > 0:39:49# Break it
0:39:49 > 0:39:53# To me gently... #
0:39:53 > 0:39:56MAGGIE: No plants, no animals, no men.
0:39:56 > 0:39:58If I'm gonna be circling the globe for three weeks,
0:39:58 > 0:40:01the last thing I need to worry about is home maintenance.
0:40:01 > 0:40:04COLETTE: Who wants economy with me on the first leg?
0:40:04 > 0:40:06Somebody's got to do it.
0:40:06 > 0:40:08I'll do it.
0:40:08 > 0:40:09# Cos I'll never... #
0:40:09 > 0:40:10Just smile through it, dear.
0:40:10 > 0:40:11BOTH CHUCKLE
0:40:11 > 0:40:14# Love again... #
0:40:14 > 0:40:17Oh. Here they come. Are you ready, Kate?
0:40:17 > 0:40:18Mm-hmm. LATCH CLICKS
0:40:18 > 0:40:22# Love... #
0:40:22 > 0:40:24Welcome to Pan Am.
0:40:24 > 0:40:27Hello. Good morning.
0:40:27 > 0:40:28BOTH: Good morning. Good morning.
0:40:28 > 0:40:29Welcome to Pan Am.