0:00:02 > 0:00:06This programme contains some violent scenes from the start and strong language.
0:00:10 > 0:00:14I want you to see this as me introducing myself to you.
0:00:14 > 0:00:16He said Mr Churchill sent him to Birmingham.
0:00:16 > 0:00:19Something about a robbery.
0:00:19 > 0:00:22Thomas, you are a bookmaker, not a fool...
0:00:22 > 0:00:24You sell those guns to anyone who has use for them,
0:00:24 > 0:00:26you will hang.
0:00:26 > 0:00:28I am just a poor communist frog with a big mouth.
0:00:28 > 0:00:32I'm with you cos you're the only man round here not scared of them.
0:00:32 > 0:00:35The only difference between you and me, Freddie, is that
0:00:35 > 0:00:38sometimes my horses stand a chance of winning.
0:00:38 > 0:00:40Tommy!
0:00:40 > 0:00:41You fixing races now?
0:00:42 > 0:00:44I'm here about the job as barmaid.
0:00:47 > 0:00:48Are you in position?
0:00:49 > 0:00:50I am, sir.
0:01:10 > 0:01:13MUSIC: "Red Right Hand" by Nick Cave and the Bad Seeds
0:01:25 > 0:01:29# Take a little walk to the edge of town
0:01:29 > 0:01:31# And go across the tracks
0:01:33 > 0:01:35# Where the viaduct looms
0:01:35 > 0:01:37# Like a bird of doom
0:01:37 > 0:01:41# As it shifts and cracks
0:01:41 > 0:01:45# Where secrets lie in the border fires
0:01:45 > 0:01:48# In the humming wires... #
0:01:48 > 0:01:50I thought you said we were going to the fair.
0:01:51 > 0:01:54We have business first. Come on.
0:01:54 > 0:01:55Bring your wits.
0:01:55 > 0:01:57- What business? - That's the Lee family.
0:01:58 > 0:02:00Tommy!
0:02:00 > 0:02:01Johnny Dogs.
0:02:01 > 0:02:03Tommy, how the hell are you?
0:02:03 > 0:02:05All the better for getting the city smoke out of me lungs.
0:02:05 > 0:02:08I thought you became a bit too grand for us.
0:02:08 > 0:02:09I've been busy.
0:02:09 > 0:02:11I'm riding with the Lee family now.
0:02:11 > 0:02:13I heard.
0:02:13 > 0:02:15Myself, I'd rather live among pigs.
0:02:15 > 0:02:18Come on, Tommy. No disputing.
0:02:18 > 0:02:20So, your first fair since France...?
0:02:20 > 0:02:23What do you know about France, you war-shy Gypsy bastard?
0:02:25 > 0:02:26So this is the horse.
0:02:26 > 0:02:28And that's the car.
0:02:29 > 0:02:33# But there won't be a single thing that you can do
0:02:33 > 0:02:35# He's a ghost, he's a god
0:02:35 > 0:02:38# He's a man, he's a guru
0:02:40 > 0:02:42# You're one microscopic cog in his... #
0:02:42 > 0:02:45Hang on a minute.
0:02:45 > 0:02:48You are not swapping the family car for a bloody horse.
0:02:48 > 0:02:50Of course we're not swapping it.
0:02:50 > 0:02:51Huh?
0:02:51 > 0:02:52That would be mad.
0:02:52 > 0:02:54We're going to play two-up.
0:03:14 > 0:03:15Here you are.
0:03:15 > 0:03:17I knew it. I knew it.
0:03:17 > 0:03:19Tommy, you bloody idiot.
0:03:19 > 0:03:21Shut up, Arthur, I won.
0:03:21 > 0:03:25I promised Johnny I'd let him have a spin in the car if he lost.
0:03:25 > 0:03:26All right.
0:03:26 > 0:03:27MEN LAUGH
0:03:31 > 0:03:33Are you Lee boys laughing at my brother?
0:03:36 > 0:03:37Are you?
0:03:38 > 0:03:40- Eh?- Tommy...
0:03:40 > 0:03:42- Tommy. - I asked you a question!
0:03:42 > 0:03:44Tommy, come on, it's just the craic...
0:03:44 > 0:03:46Get your family out of here and go and enjoy yourselves at the fair
0:03:46 > 0:03:48before they start a war. Huh?
0:03:57 > 0:03:59Yeah, but his mother was a Didicoy whore.
0:04:07 > 0:04:08SOUND MUTED
0:05:04 > 0:05:05DISTANT CHURCH BELLS
0:05:26 > 0:05:30We will take them before last night's beer turns to piss
0:05:30 > 0:05:33and wakes the devils up.
0:05:33 > 0:05:35We will leave no stone unturned.
0:05:35 > 0:05:39Every gun, every bullet will be brought to me for inspection.
0:05:39 > 0:05:41Now...
0:05:41 > 0:05:42take your positions.
0:06:04 > 0:06:06YELLING AND WHISTLE BLOWING
0:06:11 > 0:06:13WOMAN: Don't hit me! Get off me!
0:06:20 > 0:06:21WOMAN: Freddie!
0:06:22 > 0:06:24HEAVY KNOCKS ON DOOR
0:06:26 > 0:06:28You're sure your brothers are at the fair?
0:06:28 > 0:06:30If it was them they wouldn't knock.
0:06:30 > 0:06:31- OUTSIDE:- Mr Thorne...
0:06:32 > 0:06:34What is it?
0:06:34 > 0:06:35The police are rounding up the communists.
0:06:37 > 0:06:40Come on, Ada, if the cops find me we are screwed.
0:06:40 > 0:06:41Fuck...
0:06:41 > 0:06:42SCREAMING
0:06:42 > 0:06:45- Freddie Thorne, open up! - (Ada...)
0:07:03 > 0:07:06You have to jump, Ada. I'll catch you.
0:07:06 > 0:07:07Come on.
0:07:15 > 0:07:16Look at this.
0:07:16 > 0:07:18A prescription for iron tablets...
0:07:18 > 0:07:20for Ada fucking Shelby.
0:07:22 > 0:07:24KNOCKS ON DOOR
0:07:24 > 0:07:27Mrs Donovan, I need that favour.
0:07:27 > 0:07:29- Come in and be quick. - I'm not coming in. She is.
0:07:29 > 0:07:30Holy Jesus, it's the Shelby girl.
0:07:30 > 0:07:32You have not seen her with me, Mrs Donovan.
0:07:32 > 0:07:35Give her a cup of tea and let her stay until the police have gone.
0:07:35 > 0:07:38She's the sister of those Peaky Blinder devils...
0:07:38 > 0:07:40And yet she is an angel.
0:07:40 > 0:07:41Come on, Ada.
0:07:41 > 0:07:43What are you going to do, Freddie?
0:07:43 > 0:07:45Me? I'm going to have to leave town for a bit.
0:07:45 > 0:07:46SHE SIGHS
0:07:46 > 0:07:48DOGS BARK IN DISTANCE
0:07:48 > 0:07:50WOMEN CRY AND SHOUT
0:07:56 > 0:07:58DOOR OPENS
0:07:58 > 0:07:59DOOR CLOSES
0:07:59 > 0:08:01FOOTSTEPS APPROACH
0:08:03 > 0:08:04A gentleman would take off his hat...
0:08:07 > 0:08:08..and put out his pipe.
0:08:12 > 0:08:13TAPS LOUDLY ON PEW
0:08:17 > 0:08:19I see you Specials only dare to come here
0:08:19 > 0:08:20when you know the boys are away at the fair.
0:08:22 > 0:08:23You mean your nephews...
0:08:24 > 0:08:26..with their guns and their razors?
0:08:26 > 0:08:28Is it them you're lighting candles for?
0:08:29 > 0:08:31No.
0:08:31 > 0:08:34I am lighting candles for the boys from the Garrison who
0:08:34 > 0:08:35lost their lives in France.
0:08:37 > 0:08:38There's a list there.
0:08:40 > 0:08:41Look...
0:08:47 > 0:08:50I hear you didn't make it to France, Inspector Campbell.
0:08:54 > 0:08:55You've heard of me.
0:08:57 > 0:08:58I've heard of you.
0:09:02 > 0:09:04Is it the Holy Grail you're looking for...?
0:09:04 > 0:09:06As a matter of fact...
0:09:06 > 0:09:09it is the Holy Grail I'm looking for.
0:09:09 > 0:09:12Something precious. Something stolen.
0:09:12 > 0:09:14Perhaps you know what I'm talking about.
0:09:18 > 0:09:20Sorry, I misunderstood your intention
0:09:20 > 0:09:22when you pushed me to the wall.
0:09:24 > 0:09:25SHOUTING CONTINUES OUTSIDE
0:09:35 > 0:09:37Turn the place upside down.
0:09:40 > 0:09:43Arthur Shelby said you people would help us.
0:09:43 > 0:09:45If we don't know what you've lost, how can we help you find it?
0:09:45 > 0:09:48But I've found out subsequently that I was speaking to the wrong man.
0:09:48 > 0:09:51Next time I want to talk to the boss.
0:09:52 > 0:09:56The Lickey Tea Rooms. Friday. Ten o'clock.
0:09:56 > 0:09:59And when I say the boss, I mean Thomas.
0:10:04 > 0:10:05Come on.
0:10:19 > 0:10:21The scum of the Earth...
0:10:32 > 0:10:34Now what the bloody hell's been going on here?
0:10:34 > 0:10:37SHOUTING AND MURMURING IN STREET
0:10:37 > 0:10:38Jesus Christ.
0:10:38 > 0:10:40The coppers told everyone Arthur had agreed to it
0:10:40 > 0:10:42when he was arrested.
0:10:42 > 0:10:43They said the Peaky Blinders had
0:10:43 > 0:10:46cleared out to the fair to let them do it.
0:10:46 > 0:10:50I never said nothing to that copper about smashing up bloody houses...
0:10:50 > 0:10:52All right...which pubs did they do?
0:10:52 > 0:10:55The Guns, the Chain, the Marquis.
0:10:55 > 0:10:56All the ones that pay you to protect them.
0:10:56 > 0:10:58The only one they didn't touch was the Garrison.
0:11:00 > 0:11:02Make sure people think we were in on it.
0:11:03 > 0:11:05He's smart, this copper.
0:11:06 > 0:11:08So, go on.
0:11:08 > 0:11:10Drink your beers, get out.
0:11:10 > 0:11:12You'd better show people you're still the cocks of the walk.
0:11:12 > 0:11:15Hand out some cash to the landlords of the pubs.
0:11:15 > 0:11:17Pay some veterans to fix the places up.
0:11:17 > 0:11:19Oi, Nipper. Give us the bag.
0:11:19 > 0:11:21So, what about you, Tommy?
0:11:21 > 0:11:24I have to go to Charlie's to stable the horse.
0:11:24 > 0:11:25She looked foot-sore in the box.
0:11:27 > 0:11:28DOOR CLOSES
0:11:29 > 0:11:31Let them see your faces.
0:11:40 > 0:11:42So we both know what they were looking for.
0:11:48 > 0:11:50You don't read the papers.
0:11:50 > 0:11:52Racing papers.
0:11:52 > 0:11:54So let me tell you the odds.
0:11:54 > 0:11:57I reckon it's three to one there'll be a revolution.
0:11:57 > 0:11:59I wouldn't bet on that.
0:11:59 > 0:12:01That copper's betting on it.
0:12:01 > 0:12:03He's not going to let it rest till he gets those guns back.
0:12:10 > 0:12:12HE SIGHS
0:12:12 > 0:12:13Did he talk to you, Pol?
0:12:15 > 0:12:16In the church.
0:12:17 > 0:12:19Did he try to find our Ada?
0:12:20 > 0:12:22She was sleeping.
0:12:22 > 0:12:23HE SNORTS
0:12:25 > 0:12:27Where was she sleeping, Pol?
0:12:29 > 0:12:31I thought you didn't care for women's business.
0:12:37 > 0:12:39He knows you're the boss.
0:12:39 > 0:12:40He wants to meet you.
0:12:47 > 0:12:49Will you talk to him?
0:12:49 > 0:12:50No...
0:12:51 > 0:12:53..you don't parley when you're on the back foot.
0:12:56 > 0:12:58We'll strike a blow back first.
0:13:14 > 0:13:16Finn, lad? What are you doing?
0:13:16 > 0:13:18We're having a fire.
0:13:20 > 0:13:22Two bob for your picture of the King.
0:13:22 > 0:13:23What?
0:13:23 > 0:13:24Bring it to Watery Lane.
0:13:24 > 0:13:25COINS HIT FLOOR
0:13:25 > 0:13:27- All right, Finn, lad. - All right, Scud.
0:13:27 > 0:13:29We are blocking the entrance, mate.
0:13:29 > 0:13:30THEY LAUGH
0:13:30 > 0:13:33Come on, keep making your way through. Come on.
0:13:33 > 0:13:35Come on, gentlemen.
0:13:35 > 0:13:37Now come on...
0:13:37 > 0:13:38CHEERING
0:13:46 > 0:13:48Chuck them on, boys.
0:13:48 > 0:13:50CHEERING AND LAUGHTER
0:13:53 > 0:13:55Well, I hope to God you know what you're doing.
0:13:57 > 0:13:58CHEERING
0:14:16 > 0:14:19I'm a reporter with the Birmingham Evening Despatch.
0:14:19 > 0:14:21I had a phone call.
0:14:22 > 0:14:24Someone called Thomas Shelby.
0:14:24 > 0:14:25Come with me.
0:14:28 > 0:14:30Come on, folks, give us a bit of room.
0:14:30 > 0:14:32Tommy.
0:14:32 > 0:14:35- Move back for us, please, folks. - You're Mr Shelby?
0:14:35 > 0:14:36- All the way back, please. - I am.
0:14:40 > 0:14:42You said I would be protected.
0:14:42 > 0:14:43You're protected.
0:14:44 > 0:14:46What's going on?
0:14:46 > 0:14:48There are some things I want you to write down.
0:14:50 > 0:14:52Now, first of all...
0:14:52 > 0:14:55it's not that people round here are disloyal to the King.
0:14:55 > 0:14:57It's the opposite.
0:14:57 > 0:14:59You see, we don't want our beloved King looking down
0:14:59 > 0:15:02and seeing the things that are being done to us.
0:15:02 > 0:15:04So we are taking down his pictures.
0:15:04 > 0:15:05But why are you burning them?
0:15:07 > 0:15:10We went through hell for our King.
0:15:10 > 0:15:13Walked through the flames of war. Write all this down...
0:15:13 > 0:15:15And now we're being attacked in our own homes.
0:15:16 > 0:15:20These new coppers over from Belfast, breaking into our homes
0:15:20 > 0:15:21and interfering with our women.
0:15:21 > 0:15:25We don't think our King would want to see that happening.
0:15:25 > 0:15:28So, we're lighting fires to raise the alarm.
0:15:28 > 0:15:32May I ask you, in what capacity do you speak?
0:15:32 > 0:15:33No capacity.
0:15:34 > 0:15:35I am an ordinary man.
0:15:35 > 0:15:38I won gallantry medals at the Somme.
0:15:39 > 0:15:41I want you to write in your paper what's going on here.
0:15:43 > 0:15:44Go on, go.
0:15:47 > 0:15:48CHATTERING
0:15:53 > 0:15:54KNOCKING ON DOOR
0:15:54 > 0:15:55Come in.
0:15:55 > 0:15:56DOOR OPENS
0:15:59 > 0:16:00Here, eh...
0:16:00 > 0:16:04there's a telephone call for you, sir, on the London line.
0:16:04 > 0:16:06There is? It's almost midnight.
0:16:06 > 0:16:09It's Mr Winston Churchill, sir.
0:16:15 > 0:16:17FOOTSTEPS FADE AND DOOR CLOSES
0:16:22 > 0:16:23Yes, sir?
0:16:23 > 0:16:24Inspector Campbell?
0:16:24 > 0:16:27I hear there has been a bonfire in your city.
0:16:27 > 0:16:31There was a small fire reported around nine o'clock on Watery Lane.
0:16:31 > 0:16:33But it was certainly nothing to trouble you about, sir.
0:16:33 > 0:16:36Ah, but I'm afraid it has troubled me.
0:16:36 > 0:16:40Half an hour ago I received a wire communication
0:16:40 > 0:16:43from the editor of the Birmingham Evening Despatch.
0:16:44 > 0:16:48It seems one of his reporters was invited to the fire
0:16:48 > 0:16:51and discovered that they were burning pictures of the King.
0:16:51 > 0:16:52Of the King?
0:16:53 > 0:16:57Any newspaper report which may cause embarrassment to His Majesty
0:16:57 > 0:16:59is always referred first
0:16:59 > 0:17:02and as a matter of routine to the Home Office.
0:17:02 > 0:17:05I will go down there immediately and arrest those involved.
0:17:05 > 0:17:09No, you most certainly will not make arrests.
0:17:09 > 0:17:11If there are arrests there will be trials,
0:17:11 > 0:17:15if there are trials there will be more newspaper reports,
0:17:15 > 0:17:19which will necessarily mention the burning of the King's likeness.
0:17:19 > 0:17:24I put you in Birmingham for one very specific reason.
0:17:24 > 0:17:28Are you any nearer to finding those stolen guns?
0:17:28 > 0:17:30We are making steady progress...
0:17:30 > 0:17:33- We need results. Good night, Mr Campbell.- Sir...
0:17:33 > 0:17:37Could I at least ask, does this report
0:17:37 > 0:17:39name any of those involved?
0:17:39 > 0:17:41It names a Mr Thomas Shelby.
0:17:41 > 0:17:44The report mentions he is a war hero.
0:17:44 > 0:17:46CHURCHILL HANGS UP
0:17:55 > 0:17:56Good of you to join us.
0:17:57 > 0:17:59- Where have you been all day? - In bed.
0:18:00 > 0:18:02I couldn't sleep.
0:18:02 > 0:18:04Then I couldn't wake up.
0:18:04 > 0:18:06Then I was cold and then I had to go for a wee.
0:18:08 > 0:18:11Then I was with this bear on a boat,
0:18:11 > 0:18:12but that was a dream.
0:18:12 > 0:18:13Then I was hungry.
0:18:15 > 0:18:16Why are you reading the paper?
0:18:18 > 0:18:19Why wouldn't I be?
0:18:19 > 0:18:21I've never seen you read the paper.
0:18:21 > 0:18:23I've only ever seen you light fires with them.
0:18:23 > 0:18:26The BSA are on strike.
0:18:26 > 0:18:28The miners are on strike.
0:18:28 > 0:18:30IRA are killing our boys ten a day.
0:18:35 > 0:18:36What?
0:18:36 > 0:18:38Stand up.
0:18:38 > 0:18:39Why?
0:18:39 > 0:18:40Just stand up.
0:18:47 > 0:18:48Side on.
0:18:50 > 0:18:52Hoi! What are you doing?
0:18:52 > 0:18:53Ada...
0:18:55 > 0:18:56..how late are you?
0:18:59 > 0:19:01One week.
0:19:03 > 0:19:04Five weeks.
0:19:05 > 0:19:08Seven if you count weekends. I think it's a lack of iron.
0:19:09 > 0:19:11I got some tablets.
0:19:11 > 0:19:13But they didn't work?
0:19:16 > 0:19:17No.
0:19:27 > 0:19:29You can get dressed now, love.
0:19:30 > 0:19:32So, am I or not?
0:19:38 > 0:19:41Keep bloody walking, Ada. If anybody sees us here they'll know.
0:19:41 > 0:19:43I'm not getting rid of it, Aunt Pol.
0:19:43 > 0:19:45Just come home and we'll talk about it.
0:19:45 > 0:19:47You get off me or I'll scream out, I swear.
0:19:51 > 0:19:54All right, if you want to do this on the street, let's do it.
0:19:54 > 0:19:56Whose is it?
0:19:56 > 0:19:59If I tell you, you'll tell them and they'll cut him to pieces.
0:19:59 > 0:20:01Not if he marries you they won't.
0:20:04 > 0:20:05Will he marry you?
0:20:07 > 0:20:09I don't know. I don't know where he is.
0:20:09 > 0:20:11- Jesus Christ, Ada.- He's gone away, but he said he'd come back.
0:20:11 > 0:20:13Yeah, but they all say they'll come back.
0:20:13 > 0:20:16He's not like that. He's a good man. He promised.
0:20:17 > 0:20:20He will come back, Aunt Pol, I know he will.
0:20:21 > 0:20:22SHE SOBS
0:20:28 > 0:20:30Get me down a Spanish saddle, Curly.
0:20:30 > 0:20:33Yes, Tom, a Spanish saddle.
0:20:33 > 0:20:36He's a beauty, Tom. Yeah, yeah, a beauty, Tom.
0:20:42 > 0:20:44A fine beast you got there, Thomas.
0:20:46 > 0:20:49But is he worth falling out with the Lee family over?
0:21:01 > 0:21:02Just passing it on...
0:21:04 > 0:21:07..a declaration of war - the whole Lee clan.
0:21:13 > 0:21:14The guns and now this.
0:21:17 > 0:21:19The guns are not spoken of.
0:21:21 > 0:21:22Right?
0:21:25 > 0:21:27Tommy...
0:21:27 > 0:21:28Tommy...
0:21:31 > 0:21:33(..you mind how you speak to me.)
0:21:33 > 0:21:34Forgive me, Uncle.
0:21:39 > 0:21:43It's Thomas Shelby against the whole bloody world, right?
0:22:08 > 0:22:09LOUD EXPLOSION
0:22:09 > 0:22:11Easy...
0:22:11 > 0:22:12HORSE WHINNIES
0:22:14 > 0:22:15Easy, easy.
0:22:16 > 0:22:18Whoa.
0:22:18 > 0:22:20Easy, boy.
0:22:20 > 0:22:21Shh, shh, shh, shh...
0:22:23 > 0:22:24Shh.
0:22:24 > 0:22:26In France we used to say... Shh...
0:22:26 > 0:22:30In France we used to say it's just the music hall band turning up.
0:22:30 > 0:22:33Shh. It's just trombones and tubas, that's all.
0:22:33 > 0:22:35It's just noise. Shh. Shh. Shh.
0:22:37 > 0:22:40It's just noise. Hey. It's just noise.
0:22:41 > 0:22:43You get used to it.
0:22:43 > 0:22:45It's just noise. Good boy.
0:22:45 > 0:22:47Good boy.
0:23:00 > 0:23:02You have some pain there, boy, hey?
0:23:07 > 0:23:08I'm so sorry, Mr Shelby.
0:23:11 > 0:23:13I'm Grace, by the way.
0:23:13 > 0:23:14I know who you are.
0:23:16 > 0:23:18What's his name?
0:23:18 > 0:23:19He doesn't have a name.
0:23:20 > 0:23:22Poor boy deserves a name.
0:23:23 > 0:23:25You have something to say to me?
0:23:28 > 0:23:31The other night you came into the pub and I was singing...
0:23:32 > 0:23:34You said singing wasn't allowed.
0:23:36 > 0:23:39I'd like there to be one night a week when there's singing.
0:23:41 > 0:23:44I think it would be good for everyone...
0:23:44 > 0:23:45Saturday nights.
0:23:47 > 0:23:49Harry was too afraid to ask you, so...
0:23:50 > 0:23:51But you're not.
0:23:55 > 0:23:56I am.
0:23:57 > 0:23:59But I love to sing.
0:24:02 > 0:24:04You sound like one of those rich girls who comes over
0:24:04 > 0:24:06from Dublin for the races.
0:24:07 > 0:24:08Do you like horses?
0:24:11 > 0:24:13How do you fancy earning some extra money?
0:24:13 > 0:24:14Doing what?
0:24:17 > 0:24:18Dig out a nice dress.
0:24:20 > 0:24:21I want to take you to the races.
0:24:31 > 0:24:32Monaghan Boy two to one.
0:24:32 > 0:24:34Get your bets in now before he goes evens.
0:24:34 > 0:24:38We've got a couple of changes coming in, John. Rock Ferry down to eight.
0:24:38 > 0:24:41- That's for you.- Thanks, mate.
0:24:41 > 0:24:43Get your bets in now.
0:24:43 > 0:24:4420-1.
0:24:44 > 0:24:47- There you go, take that to the twins, yeah?- Yeah.
0:24:47 > 0:24:49- Down to tens.- That's right.
0:24:49 > 0:24:51Doubles?
0:24:51 > 0:24:54- OK, friend, Monaghan Boy. - You want to push out, mate,
0:24:54 > 0:24:56cos it's going to go evens soon.
0:24:56 > 0:24:59Good one. Change of £35...
0:25:03 > 0:25:06- WOMAN TO KIDS:- I've told you... Sorry, Mr Shelby.
0:25:06 > 0:25:07Go on!
0:25:14 > 0:25:15BETTING CONTINUES IN BACKGROUND
0:25:15 > 0:25:17All right, Mr Shelby, how's it going?
0:25:17 > 0:25:19- Hello, Frank, how's the leg? - Not bad. Not bad.
0:25:19 > 0:25:22Good. Nice to see you, son.
0:25:23 > 0:25:26Morning, Charlie.
0:25:26 > 0:25:28All right, Scudboat, how are we looking?
0:25:28 > 0:25:30- Looking good, Tommy. - Grand stuff.
0:25:30 > 0:25:32Tommy, they are all here for Monaghan Boy.
0:25:32 > 0:25:34That's what I like to hear, Johnny Boy.
0:25:34 > 0:25:36And Aunt Pol wants to see you.
0:25:46 > 0:25:48INAUDIBLE CONVERSATION
0:26:02 > 0:26:04PIANO MUSIC PLAYS
0:26:26 > 0:26:27DOOR LOUDLY BURSTS OPEN
0:26:29 > 0:26:30SHE SIGHS
0:26:42 > 0:26:44Tell me the man's name, Ada.
0:26:45 > 0:26:47Rudolph Valentino.
0:27:03 > 0:27:04AUDIENCE SIGHS
0:27:07 > 0:27:10Get out! All of you!
0:27:10 > 0:27:12Go on! Now!
0:27:16 > 0:27:18I said, tell me his fucking name.
0:27:21 > 0:27:24Freddie fucking Thorne!
0:27:26 > 0:27:28Yeah.
0:27:28 > 0:27:29Your best mate since school!
0:27:29 > 0:27:32The man who saved your life in France!
0:27:32 > 0:27:34So go on!
0:27:34 > 0:27:35Go on, cut him!
0:27:35 > 0:27:37Cut him up and chuck him in the cut.
0:27:40 > 0:27:43Oi! I'm a Shelby too, you know.
0:27:43 > 0:27:45Put my fucking film back on!
0:28:11 > 0:28:13FOOTSTEPS APPROACH
0:28:18 > 0:28:21So Monaghan Boy finally lost.
0:28:23 > 0:28:24Third time unlucky.
0:28:26 > 0:28:28We took money from all over the city.
0:28:28 > 0:28:30Yeah, but you'll pay it back to people round here.
0:28:31 > 0:28:33Buy your popularity back.
0:28:33 > 0:28:35Already done.
0:28:35 > 0:28:36I taught you well.
0:28:38 > 0:28:41And you fixed this race without the permission of Billy Kimber.
0:28:42 > 0:28:45Obviously, I didn't teach you well enough.
0:28:45 > 0:28:47Rule one, you don't punch above your weight.
0:28:47 > 0:28:49Billy Kimber is there for the taking...
0:28:49 > 0:28:53Says who? Says Tommy and his parliament of one.
0:28:53 > 0:28:55I ran this business for five years...
0:28:55 > 0:28:58Yeah, while I was away fighting, remember,
0:28:58 > 0:29:00where I learnt some things, such as
0:29:00 > 0:29:02you strike when your enemy is weak.
0:29:04 > 0:29:06I thought you came here to talk family business.
0:29:07 > 0:29:09I'll deal with it.
0:29:09 > 0:29:12- You're too busy taking over the world...- Polly...
0:29:13 > 0:29:15If it's about Ada, I need to know.
0:29:23 > 0:29:25Ada wants you to give Freddie this letter.
0:29:26 > 0:29:29She wants Freddie to know she's having his baby.
0:29:29 > 0:29:31He deserves an opportunity to do the right thing.
0:29:32 > 0:29:33I say we give them a chance.
0:29:40 > 0:29:42For a woman who's had a hard life with men,
0:29:42 > 0:29:44you're still full of romance, eh?
0:29:46 > 0:29:48What do you think Freddie sees in our Ada?
0:29:48 > 0:29:50- That's Freddie's business... - No.
0:29:50 > 0:29:52No. I'll tell you what he sees.
0:29:52 > 0:29:56He sees machine guns, and rifles, and ammunition,
0:29:56 > 0:29:58and some glorious revolution.
0:29:58 > 0:30:00What is it you really don't like about Freddie?
0:30:00 > 0:30:02She'll have no life with a man on the run.
0:30:02 > 0:30:05If you can't see that, you can't see much.
0:30:10 > 0:30:12Damn them for what they did to you in France.
0:30:14 > 0:30:16HE SIGHS
0:30:16 > 0:30:18Tell Ada Freddie went to America.
0:30:19 > 0:30:21Or Russia.
0:30:21 > 0:30:23Polly, it would do no good for Ada
0:30:23 > 0:30:25to bring a baby into the world alone.
0:30:25 > 0:30:26Pol, listen.
0:30:26 > 0:30:28The truth is you would have hit me with that thing
0:30:28 > 0:30:31if it weren't for the fact that you know I'm right.
0:30:33 > 0:30:34CURTAINS OPEN
0:30:37 > 0:30:40I thought I heard someone knocking.
0:30:40 > 0:30:41Couldn't get back to sleep.
0:30:45 > 0:30:46The longer you leave it...
0:30:48 > 0:30:49..the worse it gets.
0:30:57 > 0:30:59Believe me...
0:30:59 > 0:31:00I know.
0:31:02 > 0:31:04I was 16.
0:31:07 > 0:31:08And I didn't dare tell anyone.
0:31:10 > 0:31:12Polly, Freddie will come back...
0:31:12 > 0:31:14In the end I did it myself.
0:31:16 > 0:31:19I did it to myself...
0:31:19 > 0:31:20and I almost died.
0:31:22 > 0:31:24And he didn't come back.
0:31:24 > 0:31:25They don't. Why should they?
0:31:27 > 0:31:29You know the words.
0:31:29 > 0:31:30You're a whore,
0:31:30 > 0:31:32the baby's a bastard...
0:31:32 > 0:31:34but there's no word for the man who doesn't come back.
0:31:38 > 0:31:40One day...
0:31:40 > 0:31:42on your wedding day...
0:31:43 > 0:31:45..you'll have a good man on your arm...
0:31:46 > 0:31:48..and you'll say, "Polly...
0:31:48 > 0:31:51"thank you for common sense."
0:32:00 > 0:32:01This woman is in Cardiff.
0:32:03 > 0:32:05We'll take the train tomorrow.
0:32:09 > 0:32:11Go to the castle afterwards for a treat.
0:33:05 > 0:33:10I chose this place because it is outside both our jurisdictions.
0:33:12 > 0:33:13Do you want tea?
0:33:15 > 0:33:17Inspector, I responded to your invitation
0:33:17 > 0:33:21because I want us to understand each other.
0:33:21 > 0:33:22I am a businessman.
0:33:23 > 0:33:26I want to make my business successful.
0:33:27 > 0:33:30And I want my city to run peacefully.
0:33:30 > 0:33:33Well, if the city is peaceful, business can thrive.
0:33:35 > 0:33:37So we are on the same side?
0:33:38 > 0:33:41I think perhaps we could be.
0:33:52 > 0:33:57How can we be on the same side when I see things like this?
0:33:58 > 0:34:05My men found this in the bedroom of a known communist.
0:34:05 > 0:34:08It has your sister's name on it.
0:34:10 > 0:34:14It was obvious she had been sleeping in his bed.
0:34:14 > 0:34:19Are you also in bed with the communists, Mr Shelby?
0:34:19 > 0:34:22I do not share their fantasy.
0:34:22 > 0:34:27And, as for my sister, I have already dealt with the situation.
0:34:27 > 0:34:30Freddie Thorne is at the very top of my list. So cross him off.
0:34:31 > 0:34:34He won't be returning to the city.
0:34:35 > 0:34:37I'll make him part of our deal.
0:34:39 > 0:34:41What "deal"?
0:34:45 > 0:34:49You and your Specials will leave my businesses alone from now on.
0:34:49 > 0:34:52No more raids into our territory, no more smashing up pubs
0:34:52 > 0:34:54and no more lifting my runners.
0:34:54 > 0:34:57You will turn a blind eye to all my gambling operations.
0:34:57 > 0:35:01Also, I am planning an expansion.
0:35:01 > 0:35:03Onto the racetracks.
0:35:03 > 0:35:06I intend to do business with Billy Kimber.
0:35:06 > 0:35:10He runs most of the legal track-side betting outside of London.
0:35:10 > 0:35:12He has policemen on his payroll.
0:35:12 > 0:35:16I want you to put in a word with the Chief Inspector at
0:35:16 > 0:35:21Gloucestershire that his men should leave me alone when I make my move.
0:35:23 > 0:35:25Forgive me.
0:35:25 > 0:35:26I don't seem to have a pen
0:35:26 > 0:35:29to write down this rather long list of demands.
0:35:33 > 0:35:35And what do I get in return?
0:35:37 > 0:35:39I have what you're looking for.
0:35:44 > 0:35:46I have the guns.
0:35:48 > 0:35:49What guns?
0:35:49 > 0:35:52- I'm not here to play games... - Wait, wait.
0:36:03 > 0:36:0525 Lewis machine guns,
0:36:05 > 0:36:0950 carbines, 10,000 rounds of ammunition -
0:36:09 > 0:36:11all in a crate bound for Libya,
0:36:11 > 0:36:14stolen from the BSA factory proofing bay.
0:36:15 > 0:36:19I'm guessing they sent you to Birmingham to get those guns back.
0:36:19 > 0:36:22Well, it's me that has them.
0:36:24 > 0:36:28I have left word with men I trust that if I am taken into police
0:36:28 > 0:36:32custody for whatever reason, those guns will be shipped to Liverpool.
0:36:32 > 0:36:34From there they will be sent directly to Belfast
0:36:34 > 0:36:39and sold to the Irish Republican Army.
0:36:39 > 0:36:41All your good work in Ireland would be undone.
0:36:41 > 0:36:44Each stolen weapon is numbered and marked.
0:36:44 > 0:36:46If I sell them to the IRA, it won't be long
0:36:46 > 0:36:48before Mr Churchill finds out.
0:36:48 > 0:36:50I imagine you got into enough trouble over
0:36:50 > 0:36:53the burning of the King's photographs.
0:36:53 > 0:36:55That was just a taster.
0:36:55 > 0:37:01If those guns reach Belfast, your life in the force is over.
0:37:02 > 0:37:05When I have achieved what I have set out to achieve,
0:37:05 > 0:37:08I will let you know where to find the guns.
0:37:08 > 0:37:12You'll be a hero. You'll probably get a medal.
0:37:14 > 0:37:16I'm a fair man.
0:37:16 > 0:37:18It's a fair offer.
0:37:20 > 0:37:21Do we have a deal?
0:37:30 > 0:37:32I need an answer.
0:37:32 > 0:37:33Right now.
0:37:38 > 0:37:40Very well.
0:37:42 > 0:37:45But I'd prefer if we don't shake hands on it.
0:37:58 > 0:38:02Now why would I shake the hand of a man who didn't even
0:38:02 > 0:38:04fight for his country?
0:38:09 > 0:38:13OPERA MUSIC FADES IN
0:38:43 > 0:38:44KNOCK AT DOOR
0:38:47 > 0:38:49Grace.
0:38:55 > 0:38:57I have new information.
0:39:00 > 0:39:04'Thomas Shelby is now the beginning, the middle'
0:39:04 > 0:39:06and the end of your mission.
0:39:08 > 0:39:10INHALES
0:39:18 > 0:39:19So what shall I do?
0:39:21 > 0:39:26It hurts me as much as it would a father sending his own
0:39:26 > 0:39:28daughter into a whorehouse but...
0:39:31 > 0:39:36..no matter how repugnant it may be, you must do everything
0:39:36 > 0:39:41you can to get close to him and...
0:39:41 > 0:39:44find out where the guns are hidden.
0:39:46 > 0:39:50Of course, when I say everything, I don't mean...
0:39:51 > 0:39:54You underestimate me in every way.
0:40:03 > 0:40:05Here.
0:40:15 > 0:40:19'You are now active in a military operation'
0:40:19 > 0:40:21on behalf of the Crown.
0:40:22 > 0:40:26I wish to God circumstance hadn't chosen you.
0:40:28 > 0:40:30It's what I'm trained for.
0:40:30 > 0:40:33I'm late for my shift.
0:40:37 > 0:40:38Grace...
0:40:40 > 0:40:42..my heart is with you.
0:41:33 > 0:41:37PANTING
0:41:41 > 0:41:43Tom. Tom!
0:41:43 > 0:41:48Tom, you better come quick. Tom!
0:42:15 > 0:42:16Curly, tell me.
0:42:16 > 0:42:18It's a curse, Tom.
0:42:21 > 0:42:22Curly, Curly, shh, shh.
0:42:22 > 0:42:24Curly, Curly.
0:42:24 > 0:42:26Tell me.
0:42:26 > 0:42:28Tell me, Curly, what's wrong with your horse?
0:42:28 > 0:42:31You bought her at the fair in bad feeling.
0:42:31 > 0:42:32The Lees put a bad seed in the hoof,
0:42:32 > 0:42:35got an old woman to put a spell...
0:42:39 > 0:42:42So those Lee bastards cursed her.
0:42:43 > 0:42:47Whatever it is, he says it's spread to the other feet.
0:42:47 > 0:42:50It's going to his heart by tomorrow, I'd say.
0:42:50 > 0:42:54Seen curses like this twice. Can't take them back, Tom. No.
0:42:55 > 0:42:57I told you, Tommy.
0:42:57 > 0:43:00Better enemies to have than black-blood Gypsies.
0:43:04 > 0:43:05Get out.
0:43:06 > 0:43:08Get out, Curly.
0:43:14 > 0:43:15I'm sorry.
0:43:27 > 0:43:29GUNSHOT ECHOES
0:43:41 > 0:43:43KNOCKING AT DOOR
0:43:45 > 0:43:47KNOCKING
0:43:54 > 0:43:56We're closed, Mr Shelby.
0:43:56 > 0:43:58Just get me a drink.
0:44:06 > 0:44:08HE COUGHS
0:44:12 > 0:44:14Should I leave you alone?
0:44:15 > 0:44:18I came here for company.
0:44:18 > 0:44:20Where's Harry?
0:44:20 > 0:44:21He took the night off.
0:44:24 > 0:44:26He went to the pictures.
0:44:33 > 0:44:34How's your beautiful horse?
0:44:44 > 0:44:46I just put a bullet in his head.
0:44:51 > 0:44:52Was he lame?
0:44:55 > 0:44:57He looked at me the wrong way.
0:44:59 > 0:45:02It's not a good idea to look at Tommy Shelby the wrong way.
0:45:07 > 0:45:09- What a waste.- Yeah.
0:45:09 > 0:45:12A waste is what it is.
0:45:18 > 0:45:20You know, in France...
0:45:24 > 0:45:27In France, I got used to seeing men die.
0:45:29 > 0:45:31I never got used to seeing horses die.
0:45:33 > 0:45:35They die badly.
0:45:41 > 0:45:44I dug out a dress like you asked.
0:45:44 > 0:45:46Thanks.
0:45:48 > 0:45:51Is it Cheltenham you're talking about?
0:45:58 > 0:46:00Cheltenham's a grand affair, is it not?
0:46:00 > 0:46:02The King will be there.
0:46:02 > 0:46:03King George?
0:46:03 > 0:46:04No.
0:46:06 > 0:46:07King Billy Kimber...
0:46:07 > 0:46:09and all his men.
0:46:11 > 0:46:13And what must I do?
0:46:13 > 0:46:16For two pounds, you'll do what I ask you to do.
0:46:17 > 0:46:19I want three.
0:46:21 > 0:46:24If I'm meeting a King, I won't be wearing a cheap dress.
0:46:27 > 0:46:30And I asked you to let me sing.
0:46:30 > 0:46:31That's part of the deal now too.
0:46:32 > 0:46:34Since when?
0:46:36 > 0:46:38Since you nearly smiled.
0:46:42 > 0:46:45Saturday nights, open and easy.
0:46:45 > 0:46:48Everyone gets to sing their song just like we did in Dublin.
0:46:48 > 0:46:50You never worked in Dublin...
0:46:50 > 0:46:52so don't lie to me.
0:46:52 > 0:46:56I asked around about that pub you said you used to work in.
0:46:56 > 0:46:59I have friends over there.
0:46:59 > 0:47:01No-one has heard of you.
0:47:07 > 0:47:09My guess is...
0:47:09 > 0:47:14you're a girl from a good family who got herself pregnant.
0:47:17 > 0:47:19It's not something I want known.
0:47:19 > 0:47:23And bringing a child into the world alone ruined your life.
0:47:23 > 0:47:25Right?
0:47:29 > 0:47:31So I'm right...
0:47:31 > 0:47:33and Polly is wrong.
0:47:33 > 0:47:36Right about what?
0:47:36 > 0:47:37It doesn't matter.
0:47:39 > 0:47:41It looks like it matters to you.
0:47:41 > 0:47:44Family business.
0:47:47 > 0:47:49You won't tell anyone my secret.
0:47:50 > 0:47:53Do you think I tell people things?
0:47:56 > 0:47:58So what do you sing?
0:48:00 > 0:48:02- Anything you want.- Right.
0:48:03 > 0:48:05Get up on a chair.
0:48:14 > 0:48:16Happy or sad?
0:48:19 > 0:48:20Sad.
0:48:22 > 0:48:23OK.
0:48:23 > 0:48:27But I warn you, I'll break your heart.
0:48:27 > 0:48:29Already broken.
0:48:34 > 0:48:40# In a neat little town they call Belfast
0:48:40 > 0:48:43# Apprentice to trade I was bound
0:48:44 > 0:48:50# Many an hour's sweet happiness
0:48:50 > 0:48:56# Had I spent in that neat little town
0:48:56 > 0:49:02# A sad misfortune came over me
0:49:02 > 0:49:06# Which caused me to stray from the land
0:49:08 > 0:49:15# Far away from my friends and relations
0:49:17 > 0:49:24# Betrayed by the black velvet band
0:49:24 > 0:49:29# Her eyes, they shone like diamonds
0:49:29 > 0:49:33# I thought her the queen of the land
0:49:35 > 0:49:41# And her hair, it hung over her shoulder
0:49:41 > 0:49:48# Tied up with a black velvet band. #
0:50:07 > 0:50:10- You OK?- Yeah, I'm fine.
0:50:10 > 0:50:14I think there are some carriages over there that are going to be empty but...
0:50:14 > 0:50:16Jesus.
0:50:17 > 0:50:19Freddie?
0:50:19 > 0:50:21You came back?
0:50:23 > 0:50:25I got a tip-off.
0:50:25 > 0:50:26Freddie, Tommy will kill you.
0:50:26 > 0:50:28It was Tommy who tipped me off.
0:50:28 > 0:50:32Maybe he's got half a heart after all.
0:50:32 > 0:50:34Tommy got a message to me.
0:50:34 > 0:50:39It said "Get out of town and take her with you."
0:50:39 > 0:50:40So...
0:50:43 > 0:50:45Ada Shelby...
0:50:48 > 0:50:49..will you marry me?
0:50:51 > 0:50:53Yes.
0:50:53 > 0:50:54Yes.
0:50:55 > 0:50:57Yes.
0:51:12 > 0:51:16Right, get on that bloody train and get out of here.
0:51:16 > 0:51:18- Come on, both of you. - Freddie, come on.
0:51:18 > 0:51:23Freddie, Cardiff's OK. Anywhere but here's OK.
0:51:23 > 0:51:25We're not going anywhere, Ada!
0:51:26 > 0:51:31We're going to stay here and we're going to marry here.
0:51:31 > 0:51:33I'm not afraid of Tommy Shelby!
0:51:42 > 0:51:46# Give me your smile
0:51:46 > 0:51:52# The love light in your eyes
0:51:52 > 0:51:55# Life could not hold... #
0:51:55 > 0:51:58- Shuffle these cards...- Terms of play, John boy, terms of play.
0:51:58 > 0:52:00Go and play snap with Finn.
0:52:00 > 0:52:01Did you want whiskey as well?
0:52:01 > 0:52:03No, just beer.
0:52:03 > 0:52:06Why no whiskey, Tommy? Are you expecting trouble?
0:52:06 > 0:52:09SINGING CONTINUES IN MAIN BAR
0:52:09 > 0:52:12Jesus Christ, Tommy, what the hell made you let them sing?
0:52:12 > 0:52:15They sound like they're strangling cats out there.
0:52:15 > 0:52:18All right, 20 to play. Come on.
0:52:18 > 0:52:22What did make you change your mind though, Tommy? Mmm?
0:52:22 > 0:52:25Yeah, I mean, it's about time, Tommy.
0:52:25 > 0:52:27Time for what?
0:52:27 > 0:52:30Time you took yourself a woman.
0:52:30 > 0:52:32Just play the bloody hands.
0:52:32 > 0:52:36You stay the way you are, Tommy. Remember what Dad used to say -
0:52:36 > 0:52:38"Fast women and slow horses...
0:52:38 > 0:52:41- BOTH:- "..will ruin your life."
0:52:41 > 0:52:43Coppers.
0:52:43 > 0:52:44No.
0:52:45 > 0:52:48CROWD IN PUB: # Come, Josephine, in my flying machine
0:52:48 > 0:52:51# Up she goes
0:52:51 > 0:52:52# Up she goes
0:52:52 > 0:52:54# Balance yourself like a bird... #
0:52:54 > 0:52:58SINGING FADES OUT
0:52:58 > 0:53:01HEARTBEAT FADES IN
0:53:01 > 0:53:04SINGING STOPS
0:53:06 > 0:53:08Holy shit.
0:53:08 > 0:53:10It's Billy Kimber.
0:53:19 > 0:53:22Is there any man here named Shelby?
0:53:27 > 0:53:28CROWD SHRIEK
0:53:28 > 0:53:33I said, is there any man here named Shelby?
0:53:39 > 0:53:41Harry, get these men a drink.
0:53:41 > 0:53:43Everyone else, go home.
0:53:56 > 0:53:57You, go home.
0:53:57 > 0:54:00- But Mr Fenton said... - I said go home.
0:54:03 > 0:54:06I've never approved of women in pubs but when they look like that...
0:54:06 > 0:54:11You said you wanted men called Shelby. You've got three of them.
0:54:11 > 0:54:14Right, I'd never heard of you, then I did hear of you,
0:54:14 > 0:54:18some little Didicoy razor gang. I thought to myself, so what?
0:54:19 > 0:54:21But then you fuck me over
0:54:21 > 0:54:24so now you have my undivided attention.
0:54:26 > 0:54:29By the way, which one am I talking to? Who's the boss?
0:54:29 > 0:54:31Well, I'm the oldest.
0:54:31 > 0:54:34Ha...clearly.
0:54:34 > 0:54:35Are you laughing at my brother?
0:54:38 > 0:54:41Right, he's the oldest, you're the thickest.
0:54:41 > 0:54:43I'm told the boss is called Tommy and I'm guessing that's you
0:54:43 > 0:54:46cos you're looking me up and down like I'm a fucking tart.
0:54:48 > 0:54:50I want to know what you want.
0:54:51 > 0:54:53There were suspicious betting patterns at Kempton Park.
0:54:53 > 0:54:56A horse called Monaghan Boy.
0:54:56 > 0:54:59He won by a length twice and then finished last
0:54:59 > 0:55:01with £3,000 bet on him.
0:55:01 > 0:55:03Which one am I talking to?
0:55:04 > 0:55:06Which one of you is the boss?
0:55:06 > 0:55:07I am Mr Kimber's advisor and accountant.
0:55:07 > 0:55:09And I'm the fucking boss, OK?
0:55:09 > 0:55:14Right, end of parley, you fixed a race without my permission.
0:55:14 > 0:55:19You fucking Gypsy scum what live off the war pensions of these
0:55:19 > 0:55:21poor old Garrison Lane widows!
0:55:21 > 0:55:22That's your level!
0:55:22 > 0:55:26I am Billy Kimber, I run the races
0:55:26 > 0:55:27and you fixed one of them
0:55:27 > 0:55:29so I'm going to have you shot against a post.
0:55:31 > 0:55:33- Mr Kimber. - GUN COCKS
0:55:37 > 0:55:38Look at it.
0:55:40 > 0:55:42That is my name on it.
0:55:42 > 0:55:44It's from the Lee family.
0:55:45 > 0:55:48You are also at war with the Lees, Mr Kimber, am I right?
0:55:52 > 0:55:55The Lees are attacking your bookies and taking your money.
0:55:55 > 0:55:57Your men can't control them.
0:55:57 > 0:55:59You need help.
0:56:00 > 0:56:04Perhaps we should listen to what Mr Shelby has to say.
0:56:04 > 0:56:06Before we make our decisions.
0:56:06 > 0:56:10Right, the Lees are doing a lot of talking at the fairs.
0:56:10 > 0:56:12They have a lot of kin.
0:56:12 > 0:56:14They're saying the racetracks are easy meat
0:56:14 > 0:56:16because the police are busy with strikes.
0:56:16 > 0:56:20Now, we have connections. We know how they operate.
0:56:20 > 0:56:23You have muscle.
0:56:23 > 0:56:26Together we can beat them. Divided, maybe not.
0:56:28 > 0:56:32Mr Kimber, perhaps we should take some time for reflection.
0:56:32 > 0:56:36Possibly make arrangements for a second meeting.
0:56:36 > 0:56:39I admire you, Mr Kimber.
0:56:39 > 0:56:44You started with nothing and built a legitimate business.
0:56:44 > 0:56:48It would be an honour to work with you, Mr Kimber.
0:56:50 > 0:56:52Nobody works with me.
0:56:52 > 0:56:54People work for me.
0:56:57 > 0:56:59COIN RATTLES ON GROUND
0:56:59 > 0:57:01Pick it up, pikey.
0:57:11 > 0:57:14Sit. Sit down.
0:57:21 > 0:57:23That's for your ceiling.
0:57:23 > 0:57:25Thank you, Mr Kimber.
0:57:29 > 0:57:31We will be at Cheltenham.
0:57:31 > 0:57:33As will I.
0:57:34 > 0:57:38MUSIC: "Little Room" by The White Stripes
0:57:40 > 0:57:43# Well, you're in your little room
0:57:43 > 0:57:46# And you're workin' on somethin' good
0:57:46 > 0:57:48# But if it's really good
0:57:48 > 0:57:51# You're gonna need a bigger room... #
0:57:54 > 0:57:56So you picked a fight with the Lees on purpose.
0:57:56 > 0:58:01Tommy, we can't mess with Billy fucking Kimber.
0:58:01 > 0:58:03Get yourself a decent haircut, man.
0:58:03 > 0:58:05We're going to the races.
0:58:10 > 0:58:13Subtitles by Red Bee Media Ltd