0:00:02 > 0:00:06This programme contains graphic violent scenes, strong language and some scenes of a sexual nature.
0:00:06 > 0:00:09I'll be in London one week, at this address. Finish your business here and join me.
0:00:10 > 0:00:12'Dear Grace...
0:00:14 > 0:00:18'Before the war, when I had an important decision to make,
0:00:18 > 0:00:20'I used to flip a coin.
0:00:21 > 0:00:24'Perhaps that is what I will do again.'
0:00:25 > 0:00:29# I've lain with the devil
0:00:29 > 0:00:34# Cursed God above
0:00:34 > 0:00:38# Forsaken heaven
0:00:38 > 0:00:41# To bring you my love
0:00:41 > 0:00:45# To bring you my love
0:00:45 > 0:00:50# To bring you my love
0:00:50 > 0:00:57# To bring you my love. #
0:01:38 > 0:01:41THEME: "Red Right Hand" by Nick Cave & The Bad Seeds
0:01:55 > 0:01:58# Take a little walk to the edge of town
0:01:58 > 0:02:00# And go across the tracks
0:02:02 > 0:02:06# Where the viaduct looms Like a bird of doom
0:02:06 > 0:02:10# As it shifts and cracks
0:02:11 > 0:02:15# Where secrets lie in the border fires
0:02:15 > 0:02:17# In the humming wires
0:02:17 > 0:02:20# Hey man, you know you're never coming back
0:02:20 > 0:02:22# Past the square Past the bridge
0:02:22 > 0:02:25# Past the mills Past the stacks
0:02:27 > 0:02:31# On a gathering storm comes a tall, handsome man
0:02:31 > 0:02:33# In a dusty black coat
0:02:33 > 0:02:36# With a red right hand. #
0:02:47 > 0:02:50..and give him peace. Amen.
0:02:50 > 0:02:51- ALL:- Amen.
0:02:58 > 0:03:02HE CLEARS HIS THROAT
0:03:02 > 0:03:06I promised my friend Freddie Thorne
0:03:06 > 0:03:08that I'd say a few words over his grave
0:03:08 > 0:03:10if he should pass before me.
0:03:12 > 0:03:17I made this promise before he became me brother-in-law -
0:03:17 > 0:03:20when we were in France, fighting for the King.
0:03:20 > 0:03:21Amen.
0:03:24 > 0:03:26And in the end it wasn't war that took Freddie.
0:03:26 > 0:03:30- BABY CRIES - Pestilence took him.
0:03:30 > 0:03:31Come here.
0:03:32 > 0:03:37But Freddie passed on his soul and his spirit to a new generation
0:03:37 > 0:03:39before he was cruelly taken.
0:03:48 > 0:03:50We thought, now Freddie's gone,
0:03:50 > 0:03:52you might come back to Birmingham.
0:03:55 > 0:03:57God, do you know how funny it is
0:03:57 > 0:03:59that you've got chauffeurs in uniform now?
0:03:59 > 0:04:02It's just for the occasion, Ada.
0:04:02 > 0:04:03Do you know how unfair it is
0:04:03 > 0:04:06that you've got four Bugattis when half the country's starving?
0:04:08 > 0:04:11So now they've made you ashamed of us, eh?
0:04:12 > 0:04:15Sometimes when I think how I used to be, it makes me embarrassed.
0:04:15 > 0:04:17Karl's with his cousins.
0:04:17 > 0:04:20I caught 'em trying to pinch flowers off a grave.
0:04:22 > 0:04:26Ada, are you coming home?
0:04:26 > 0:04:27I'm going home.
0:04:28 > 0:04:31It's all right, Poll. We make Ada embarrassed.
0:04:31 > 0:04:33That's not what I said.
0:04:35 > 0:04:38There's another reason we want you home.
0:04:38 > 0:04:40We're planning an expansion.
0:04:40 > 0:04:42I'm taking premises in London...
0:04:42 > 0:04:45- Tommy, it's a funeral, business can wait.- Polly,
0:04:45 > 0:04:47if Ada was weeping then I'd stop.
0:04:47 > 0:04:49But she's not.
0:04:49 > 0:04:51The expansion means it's going to be dangerous
0:04:51 > 0:04:53to be a Shelby in London for a while.
0:04:53 > 0:04:57Yeah, well, I'm not a Shelby anymore.
0:04:59 > 0:05:01And I'm not a Thorne now, either.
0:05:03 > 0:05:04I'm free.
0:05:08 > 0:05:09I've got to get Karl home.
0:05:17 > 0:05:21I told you. Let me do it.
0:05:21 > 0:05:22It's all right.
0:05:22 > 0:05:26I'll have some men watch her house till the danger passes.
0:05:31 > 0:05:33"Till the danger passes"?
0:05:36 > 0:05:38That'll be the bloody day.
0:05:47 > 0:05:49THE CHILDREN SHOUT
0:06:14 > 0:06:17It happened at exactly 7am.
0:06:17 > 0:06:21Nobody saw anything. Our patrols were not in the area.
0:06:23 > 0:06:26Mr Shelby, have you got any idea who might've done it?
0:06:29 > 0:06:32I'd say it was something to do with the gas.
0:06:34 > 0:06:35It's just been fitted.
0:06:38 > 0:06:41Madam, the structure's not yet declared safe.
0:06:41 > 0:06:44- DEBRIS CRUNCHES - Madam!
0:06:55 > 0:06:56This is all over the place.
0:07:01 > 0:07:03Confetti.
0:07:07 > 0:07:09You can go.
0:07:09 > 0:07:10Right.
0:07:16 > 0:07:17Who?
0:07:20 > 0:07:22Who did this to us?
0:07:40 > 0:07:43Whisky. Irish.
0:07:57 > 0:08:00I heard there was a bit of a bang in your part of town.
0:08:00 > 0:08:03Gas and electric don't mix.
0:08:03 > 0:08:05Who'd have thought they would, eh?
0:08:05 > 0:08:07How's business otherwise, Mr Shelby?
0:08:09 > 0:08:11You know something?
0:08:12 > 0:08:14In these times of hunger and hardship,
0:08:14 > 0:08:16business is surprisingly good.
0:08:20 > 0:08:22Which one of you is the Peaky Blinder devil?
0:08:29 > 0:08:30Gentlemen.
0:08:39 > 0:08:43# I drank some dirty water
0:08:43 > 0:08:46# Shook evil hands
0:08:47 > 0:08:49# I done some bad things
0:08:49 > 0:08:53# They get easier to do
0:08:53 > 0:08:57# And then I wrote a nasty letter
0:08:57 > 0:09:01# And I sent it to the Lord
0:09:01 > 0:09:07# I said, "Don't you dare come and bother me no more"
0:09:10 > 0:09:11# Oh
0:09:11 > 0:09:15# Oh, oh, oh
0:09:21 > 0:09:22# Oh
0:09:22 > 0:09:26# Oh, oh, oh... #
0:09:26 > 0:09:29INDISTINCT CHATTER
0:09:30 > 0:09:33MUSIC DROWNS SPEECH
0:09:40 > 0:09:41Finn! Get in here.
0:09:41 > 0:09:45Finn! Hold the phone. Come here.
0:09:45 > 0:09:47- Take the odds.- Yeah, sure.
0:09:50 > 0:09:53MUSIC DROWNS CHATTER
0:09:58 > 0:09:59Polly.
0:10:00 > 0:10:02Did he say who did it?
0:10:02 > 0:10:05He's gone to the Black Lion.
0:10:05 > 0:10:06On his own?
0:10:06 > 0:10:09Tommy does everything on his own.
0:10:09 > 0:10:12- Should I go to the Black Lion? - What?
0:10:12 > 0:10:15- Should I go there and see him?- No.
0:10:15 > 0:10:16Where the fuck is Arthur?
0:10:16 > 0:10:20Protecting the Garrison's whisky from the police.
0:10:20 > 0:10:21For fuck's sake!
0:10:26 > 0:10:31Polly, it feels a little bit to me like things are getting out of hand.
0:10:32 > 0:10:34So get 'em in hand.
0:10:36 > 0:10:38Do you know what Ada said to me this morning?
0:10:41 > 0:10:45She said we all look like we work in a factory under the ground.
0:10:47 > 0:10:49She said we look like ghosts.
0:10:50 > 0:10:51She'll be back.
0:10:52 > 0:10:54When?
0:10:54 > 0:10:55When she needs us.
0:10:57 > 0:11:01And anyway, who the fuck would blow up our pub?
0:11:01 > 0:11:04- Six.- Six what?
0:11:04 > 0:11:07Six questions since you walked through the door.
0:11:09 > 0:11:13Soon you're going to have to start being the man with the answers.
0:11:15 > 0:11:16Why?
0:11:18 > 0:11:19Seven.
0:11:21 > 0:11:25Because when London happens, you'll have to hold up your end
0:11:25 > 0:11:27or we'll find somebody else who can.
0:11:43 > 0:11:45- IRISH ACCENT:- Thomas Shelby.
0:11:47 > 0:11:48You blew up my pub.
0:11:50 > 0:11:52Anger defeats fear, good.
0:11:54 > 0:11:55You blew up my pub.
0:11:57 > 0:12:00Tommy has a reputation to uphold.
0:12:00 > 0:12:03A reputation for not being scared of anything.
0:12:03 > 0:12:07In all the world, violent men are the easiest to deal with.
0:12:10 > 0:12:13So tell me, which brand of rebel are you, eh?
0:12:14 > 0:12:16I read somewhere that you Paddies
0:12:16 > 0:12:19started fighting amongst yourselves, now.
0:12:20 > 0:12:24The King offers you a peace treaty and you start a war about it.
0:12:24 > 0:12:28That's funny, don't you think?
0:12:28 > 0:12:29A war about peace.
0:12:34 > 0:12:37So are you for the treaty or against the treaty?
0:12:37 > 0:12:39Forgive me, I get confused.
0:12:46 > 0:12:49You are one decision away from death, Mr Shelby.
0:12:50 > 0:12:52So stop fucking smiling.
0:12:55 > 0:12:57Your name is Irene O'Donnell.
0:12:57 > 0:13:01You have a son at the Cherry Wood Road School in Harborne.
0:13:01 > 0:13:04He has irons on his legs, his name is Sean,
0:13:04 > 0:13:08he comes last in every race, poor boy.
0:13:10 > 0:13:12Poor boy if the race was important.
0:13:12 > 0:13:16Do you know what I mean, Irene O'Donnell?
0:13:16 > 0:13:18There are other ways of carrying out this mission.
0:13:18 > 0:13:21Please allow me to put a bullet in this scum tinker's head.
0:13:28 > 0:13:29No.
0:13:30 > 0:13:33He researches his enemies,
0:13:33 > 0:13:35that's why he's been chosen.
0:13:37 > 0:13:38I am chosen?
0:13:41 > 0:13:42I'm chosen.
0:13:44 > 0:13:46Can the chosen one smoke?
0:14:00 > 0:14:04A vacancy has appeared and you're going to fill it.
0:14:08 > 0:14:09Chosen by whom?
0:14:11 > 0:14:13By an informed consensus.
0:14:15 > 0:14:16I have things to do.
0:14:18 > 0:14:20So perhaps you could tell the chosen one
0:14:20 > 0:14:22what he's been chosen for.
0:14:24 > 0:14:26From now on, Mr Shelby,
0:14:26 > 0:14:31you shut your fucking Gypsy mouth and listen to your instructions.
0:15:00 > 0:15:01Fuck!
0:16:13 > 0:16:16I need the area round the co-operative stables
0:16:16 > 0:16:20clear of coppers between midnight and four tonight.
0:16:20 > 0:16:22Right. Could I ask why?
0:16:25 > 0:16:29Well, whatever it is you're going to do, don't start any fires.
0:16:29 > 0:16:32The firemen go out on strike at midnight.
0:16:32 > 0:16:34That's all. You can go.
0:16:40 > 0:16:43I've got some information you might be interested in.
0:16:43 > 0:16:45No charge.
0:16:46 > 0:16:49There's an old friend of ours coming back to the city.
0:16:49 > 0:16:53Just passing through, he says.
0:16:53 > 0:16:55He's very grand these days.
0:16:55 > 0:16:57He's head of some secret department -
0:16:57 > 0:16:59the Irish Desk.
0:17:00 > 0:17:04So I doubt he'll be bothering with the likes of us, eh?
0:17:06 > 0:17:08I'll say good night, Tom.
0:17:16 > 0:17:19I want to speak to a representative!
0:17:21 > 0:17:25MAN CALLS OUT
0:17:29 > 0:17:31Father! Father!
0:17:31 > 0:17:34It was the Ulsterman, the man with the wolf head!
0:17:34 > 0:17:36Get the fuck off me!
0:17:36 > 0:17:39You must reconcile yourself with the fate that awaits.
0:17:39 > 0:17:42I demand to speak to a representative of His Majesty the King!
0:17:42 > 0:17:43Make your peace with God.
0:17:43 > 0:17:46A representative of His Majesty the King!
0:17:46 > 0:17:49- Father.- Come on.
0:17:49 > 0:17:50Where are you going?
0:17:52 > 0:17:55Does someone here have business with the King?
0:17:55 > 0:17:57Major Campbell.
0:17:57 > 0:17:59- SHOUTING CONTINUES - About time.
0:18:01 > 0:18:04I am a very busy man, Governor.
0:18:04 > 0:18:06In seven and a half minutes,
0:18:06 > 0:18:09the man in that cell is due to be hanged for murder.
0:18:09 > 0:18:12The murder of an Irish activist in Whitechapel.
0:18:12 > 0:18:15Does the case ring any bells, Major Campbell?
0:18:16 > 0:18:18No, Governor,
0:18:18 > 0:18:19I hear no bells.
0:18:21 > 0:18:23Since yesterday morning,
0:18:23 > 0:18:25he's been claiming that the murder was ordered
0:18:25 > 0:18:27by the British Secret Intelligence Service.
0:18:27 > 0:18:30It's a little late to be coming up with nonsense like that,
0:18:30 > 0:18:31don't you think?
0:18:31 > 0:18:34He was told if he kept his mouth shut
0:18:34 > 0:18:36there would be a last-minute pardon,
0:18:36 > 0:18:38which has not materialised.
0:18:39 > 0:18:42Forgive me, Governor,
0:18:42 > 0:18:44but what business is this of mine?
0:18:46 > 0:18:48He says the man who hired him
0:18:48 > 0:18:51was an Intelligence Service Chief of Staff,
0:18:51 > 0:18:52an Ulsterman.
0:18:53 > 0:18:55Carries a cane with a wolf-head handle,
0:18:55 > 0:18:58a bullet wound in his right leg.
0:18:58 > 0:19:00No...
0:19:01 > 0:19:03Still no bells. Governor...
0:19:05 > 0:19:09..you have a very clear remit.
0:19:09 > 0:19:13Part of that remit is to oversee the smooth completion
0:19:13 > 0:19:16of executions sanctioned by the Crown.
0:19:17 > 0:19:21And in the next four minutes it is your duty to escort that man...
0:19:22 > 0:19:24..to the gates of hell.
0:19:24 > 0:19:25Is that clear?
0:19:28 > 0:19:32And...if you should ever have the desire
0:19:32 > 0:19:34to discuss this matter with anyone else...
0:19:36 > 0:19:38..I know where you live.
0:19:52 > 0:19:56Arthur, Tommy's called a family meeting.
0:19:58 > 0:19:59Arthur!
0:19:59 > 0:20:01He just beat the shit out of an apprentice.
0:20:01 > 0:20:04I had to take half the kid away in buckets.
0:20:12 > 0:20:13Arthur!
0:20:18 > 0:20:192,000.
0:20:40 > 0:20:41Come on.
0:20:49 > 0:20:51Sit down, Finn.
0:21:04 > 0:21:07- Where the bloody hell is Tommy? - He's on his way.
0:21:08 > 0:21:10All right then, while we're waiting patiently...
0:21:13 > 0:21:18Whisky - left over from the explosion.
0:21:20 > 0:21:22It's good stuff, as well.
0:21:36 > 0:21:38Right...
0:21:38 > 0:21:40Before Tommy gets here,
0:21:40 > 0:21:42I think there's a few things we need to get straight
0:21:42 > 0:21:44between the rest of us.
0:21:44 > 0:21:45YOU think?
0:21:46 > 0:21:47Yeah.
0:21:49 > 0:21:50Yeah, I do. I want to know...
0:21:53 > 0:21:56..when did we all take a vote on this expansion south?
0:22:00 > 0:22:04If you have anything to say, you wait for Thomas.
0:22:04 > 0:22:05Polly's fucking right.
0:22:05 > 0:22:07I see all the books.
0:22:08 > 0:22:10Legal and off track.
0:22:12 > 0:22:14Sort of stuff you don't see.
0:22:16 > 0:22:18And in the past year
0:22:18 > 0:22:20the Shelby Company Limited
0:22:20 > 0:22:25has been making £150...
0:22:25 > 0:22:26a day.
0:22:28 > 0:22:30Right? A fucking day.
0:22:30 > 0:22:32Sometimes more.
0:22:32 > 0:22:35So what I want to know
0:22:35 > 0:22:39is why are we changing things?
0:22:39 > 0:22:41Polly, look what's happened already.
0:22:43 > 0:22:44We haven't even set foot in London yet
0:22:44 > 0:22:47and they've already blown up our fucking pub.
0:22:47 > 0:22:49- Who said anything about cockneys?- Who else?
0:22:49 > 0:22:51Do you know who did it, do you?
0:22:51 > 0:22:53No, she doesn't know who did it.
0:22:55 > 0:22:58I'm told only family are allowed to speak.
0:22:58 > 0:22:59Everyone's allowed to speak.
0:23:00 > 0:23:04On your feet, Esme, let's hear what you have to say.
0:23:07 > 0:23:08I speak for our household.
0:23:10 > 0:23:13- So...- John, this company is a modern enterprise
0:23:13 > 0:23:16and believes in equal rights for women.
0:23:16 > 0:23:17On your feet, Esme.
0:23:30 > 0:23:33I'm not a blood member of this family
0:23:33 > 0:23:36but perhaps, indeed, because I'm NOT a member
0:23:36 > 0:23:38I can see things in a different light.
0:23:39 > 0:23:41So I'll get to my point.
0:23:41 > 0:23:42That would be nice.
0:23:42 > 0:23:44As my husband said,
0:23:44 > 0:23:47Shelby Company Limited is now very successful.
0:23:47 > 0:23:49But London...
0:23:49 > 0:23:52I have kin in Shepherd's Bush and Portobello.
0:23:53 > 0:23:56It's more like wars between armies down there.
0:23:56 > 0:24:00And the coppers fight side-by-side with them.
0:24:00 > 0:24:03And there are foreigners of every description...
0:24:05 > 0:24:07..and the use of bombs is the least of it.
0:24:09 > 0:24:12I have a child,
0:24:12 > 0:24:14blessed with the Shelby family good looks.
0:24:16 > 0:24:18I want John to see him grow up.
0:24:20 > 0:24:24I want us to someday live somewhere with fresh air and trees
0:24:24 > 0:24:26and keep chickens or something.
0:24:27 > 0:24:31But London is just smoke and trouble, Thomas.
0:24:31 > 0:24:32"Thomas"?
0:24:36 > 0:24:38That's all I have to say.
0:24:40 > 0:24:44- ARTHUR:- That was a lot of words, a lot of words.
0:24:47 > 0:24:49Wash them down with a nice drink.
0:24:49 > 0:24:51Thank you, Esme.
0:24:53 > 0:24:57Firstly, the bang in the pub was nothing to do with London.
0:24:57 > 0:24:58Understood?
0:24:58 > 0:25:01The bang is something I'm dealing with on my own.
0:25:01 > 0:25:04Secondly, we've nothing to fear from the proposed business expansion
0:25:04 > 0:25:06so long as we stick together.
0:25:07 > 0:25:09And after the first few weeks,
0:25:09 > 0:25:12nine tenths of what we do in London will be legal.
0:25:12 > 0:25:15The other tenth is in good hands. Isn't that right, Arthur?
0:25:15 > 0:25:16That's right.
0:25:18 > 0:25:21Now, some of you in this room have expressed their reservations.
0:25:21 > 0:25:22Fair enough.
0:25:22 > 0:25:25Any of you who want no part in the future of this company,
0:25:25 > 0:25:27walk out the door...
0:25:31 > 0:25:32..right now.
0:25:34 > 0:25:36Go raise your chickens.
0:25:38 > 0:25:40For those of you with ambition...
0:25:41 > 0:25:44..the expansion process begins tomorrow.
0:25:56 > 0:25:59Tomorrow?
0:25:59 > 0:26:02I'm company treasurer, you should speak to me first.
0:26:03 > 0:26:07It's Newmarket tomorrow, third busiest day of the year.
0:26:07 > 0:26:08We have 18 staff.
0:26:08 > 0:26:11Who you trust with 200 quid takings?
0:26:11 > 0:26:13Oh, I changed the combination.
0:26:17 > 0:26:20So what's going on, Thomas?
0:26:21 > 0:26:23Who'd you meet at the Black Lion?
0:26:25 > 0:26:27Give me the combination, Polly.
0:26:33 > 0:26:36Polly, give me the combination!
0:26:43 > 0:26:46What happened to the pub is Irish business.
0:26:46 > 0:26:48We're in a situation where, for everyone's safety,
0:26:48 > 0:26:51it's best if some things remain undisclosed.
0:26:52 > 0:26:53So why tomorrow?
0:26:56 > 0:26:58Like you say, tomorrow's Newmarket.
0:26:58 > 0:27:01All the London bosses will be at the races.
0:27:01 > 0:27:03What, so you just roll up and take the city?
0:27:03 > 0:27:06No, we take the opportunity to show our hand.
0:27:09 > 0:27:11The Italian gangs and the Jewish gangs
0:27:11 > 0:27:13have been at war in London for six months.
0:27:13 > 0:27:15It's not our war.
0:27:15 > 0:27:17The Jews have been having the worst of it. They need allies.
0:27:17 > 0:27:20- Yeah, but we don't. - We need a foothold
0:27:20 > 0:27:22at the southern end of the Grand Union.
0:27:22 > 0:27:24The Jews control Camden Town.
0:27:32 > 0:27:34Your mother said,
0:27:34 > 0:27:36"It's his cleverness that'll kill him."
0:27:38 > 0:27:40No-one gets killed, Polly.
0:27:40 > 0:27:43We go down tomorrow when it's quiet and we leave our message.
0:27:43 > 0:27:47If Alfie Solomon and his Camden boys come to us,
0:27:47 > 0:27:49we'll negotiate the use of a secure bonded warehouse
0:27:49 > 0:27:52and then our legal activities in London can begin.
0:27:52 > 0:27:56Now please, open the fucking safe.
0:28:03 > 0:28:06Do you know, it was a fine speech you made in there...
0:28:07 > 0:28:10..about this company believing in equal rights for women.
0:28:11 > 0:28:13But when it comes to it,
0:28:13 > 0:28:15you don't listen to a word we say.
0:28:17 > 0:28:18Maybe you don't trust us.
0:28:21 > 0:28:23She was one woman, Thomas.
0:28:30 > 0:28:32Well, maybe it's time you forgot about her.
0:28:32 > 0:28:34Forgot about who?
0:28:34 > 0:28:37SHE SIGHS
0:28:37 > 0:28:40SHE UNLOCKS THE SAFE
0:28:48 > 0:28:51You and the boys, go and get yourselves killed.
0:29:03 > 0:29:06GRUNTING
0:29:27 > 0:29:29HE EXHALES
0:29:42 > 0:29:44Are you going to London now?
0:29:47 > 0:29:50No, there's something I have to do first.
0:29:51 > 0:29:54Oh, I've got a typewriter like that.
0:29:54 > 0:29:56I got it out of a catalogue.
0:29:56 > 0:29:58I'm doing a correspondence course.
0:30:02 > 0:30:04I'm learning to do it with my eyes shut.
0:30:04 > 0:30:05It's a test you have to do.
0:30:13 > 0:30:15Will you come back before you go?
0:30:19 > 0:30:21No.
0:30:38 > 0:30:41I wish, just once, you wouldn't pay me,
0:30:41 > 0:30:43as if we were ordinary people.
0:30:43 > 0:30:44Yeah.
0:31:48 > 0:31:50Let's begin.
0:31:50 > 0:31:52Hands on the table.
0:32:00 > 0:32:02Tonight we have two new pilgrims joining us.
0:32:02 > 0:32:04So, let's welcome them.
0:32:10 > 0:32:12Starting with you.
0:32:12 > 0:32:15Who is it that you're seeking to reach?
0:32:15 > 0:32:17My husband.
0:32:17 > 0:32:21He was taken six months ago by the influenza.
0:32:21 > 0:32:24I tried to reach him through Mrs Breach at Sparkhill
0:32:24 > 0:32:27but she kept getting his middle name wrong.
0:32:27 > 0:32:30Don't talk about Mrs Breach in this house.
0:32:31 > 0:32:34She's an un-sanctified charlatan.
0:32:39 > 0:32:40And you?
0:32:43 > 0:32:44Who do you seek?
0:32:46 > 0:32:48Well, the truth...
0:32:48 > 0:32:51Sorry, the truth is, I'm not even sure she's dead.
0:32:51 > 0:32:53So I came here to find out.
0:32:58 > 0:32:59Er...
0:33:01 > 0:33:04You see, my son and my daughter
0:33:04 > 0:33:07were taken from me when they were very small -
0:33:07 > 0:33:08taken by the parish authorities.
0:33:08 > 0:33:11And I never knew what happened to them.
0:33:11 > 0:33:15But lately...
0:33:17 > 0:33:18I've had a feeling.
0:33:20 > 0:33:21Like, a feeling...
0:33:26 > 0:33:27I can't put it into words.
0:33:29 > 0:33:31And I keep having a dream.
0:33:35 > 0:33:39I see a pretty girl,
0:33:39 > 0:33:40about 18 years old.
0:33:42 > 0:33:45And she's standing across the street...
0:33:47 > 0:33:51..and she tells me she's passed over.
0:33:51 > 0:33:55Now, my daughter would have been 18 this year.
0:33:56 > 0:33:58On May 15th.
0:34:04 > 0:34:07And this girl has dark eyes like mine.
0:34:12 > 0:34:16And she shouts...and shouts.
0:34:18 > 0:34:22And she tells me she wants to talk to me
0:34:22 > 0:34:23because I'm her mother.
0:34:28 > 0:34:33Now, I don't even know what name they gave her
0:34:33 > 0:34:34after they stole her from me.
0:34:38 > 0:34:40But if she does want to say goodbye...
0:34:41 > 0:34:43I thought this would be the place.
0:34:47 > 0:34:50You're wearing the Black Madonna.
0:34:50 > 0:34:51You're Gypsy?
0:34:53 > 0:34:55The part of me that dreams is Gypsy.
0:35:10 > 0:35:12My maiden name is Shelby.
0:35:22 > 0:35:23So...
0:35:25 > 0:35:27..perhaps you could do me first.
0:35:34 > 0:35:36No!
0:35:38 > 0:35:40SHE YELLS
0:35:40 > 0:35:42No!
0:35:44 > 0:35:45NO!
0:35:52 > 0:35:54SHE CRIES
0:35:57 > 0:35:59WHIMPERING: No...
0:36:01 > 0:36:03CLANGING
0:36:39 > 0:36:41# But if you come
0:36:41 > 0:36:45# And all the flowers are dying
0:36:47 > 0:36:49# And I am dead
0:36:49 > 0:36:53# As dead I well may be
0:36:56 > 0:36:59# You'll come and find
0:36:59 > 0:37:03# The place where I am lying
0:37:05 > 0:37:08# And kneel and say
0:37:08 > 0:37:13# An "Ave" there for me
0:37:15 > 0:37:18# And I will know
0:37:18 > 0:37:22# Though soft ye tread above me
0:37:24 > 0:37:26# And then my grave
0:37:26 > 0:37:30# Will richer, sweeter be
0:37:33 > 0:37:36# And you'll bend down
0:37:36 > 0:37:42# And tell me that you love me
0:37:44 > 0:37:47# And I will rest in peace
0:37:47 > 0:37:54# Until you come to me. #
0:37:54 > 0:37:55Eamonn Duggan?
0:38:19 > 0:38:21All right, Tommy's here.
0:38:21 > 0:38:23Hang on!
0:38:29 > 0:38:30John!
0:38:30 > 0:38:31I'm coming!
0:38:40 > 0:38:427 o'clock, 12 o'clock,
0:38:42 > 0:38:4410 if I'm still sober.
0:38:44 > 0:38:47I got it from the doctor -
0:38:47 > 0:38:49it keeps me nice and calm.
0:38:52 > 0:38:54Same thing they gave us in the trenches
0:38:54 > 0:38:56to stop us fucking wanking.
0:38:56 > 0:38:58Polly said it's good for me temper.
0:38:58 > 0:39:00- It slows me down, Tom.- Arthur...
0:39:00 > 0:39:03there are some things Polly doesn't understand.
0:39:03 > 0:39:07- I need you fast. Not slow, eh? - DOOR OPENS
0:39:07 > 0:39:09She wouldn't let go of my fucking leg.
0:39:09 > 0:39:11- I bet that's not all she wouldn't let go of!- Right.
0:39:11 > 0:39:14You know she's against this, Tom. She's got opinions.
0:39:14 > 0:39:16Nothing wrong with opinions, John.
0:39:16 > 0:39:18- Get in the fucking car.- Shut up!
0:39:23 > 0:39:24- ARTHUR SHOUTS:- Right!
0:39:24 > 0:39:27The Peaky Blinders are going on fucking holiday!
0:39:27 > 0:39:29Sit down, you mad bastard.
0:39:35 > 0:39:38DOOR CLOSES
0:39:54 > 0:39:57You're against this the same as me, aren't you?
0:39:59 > 0:40:02Look out for anyone putting big money on Divine Star
0:40:02 > 0:40:03in the 3:30 at Newmarket.
0:40:04 > 0:40:06She's one of ours.
0:40:06 > 0:40:09Anything over £1, tell me.
0:40:16 > 0:40:17Polly...
0:40:19 > 0:40:21I don't wish to pry into your business
0:40:21 > 0:40:24but you should know something.
0:40:24 > 0:40:27That woman is a trickster.
0:40:27 > 0:40:29What woman?
0:40:29 > 0:40:32Her sister was in the wash house early,
0:40:32 > 0:40:34boasting there'd been a Shelby at the table.
0:40:38 > 0:40:39What woman?
0:40:40 > 0:40:42Gypsies talk to each other.
0:40:44 > 0:40:46What woman?
0:40:49 > 0:40:51You went to see Mrs Price in the Patch last night.
0:40:57 > 0:40:59I'm sorry...
0:40:59 > 0:41:00So what do you know?
0:41:00 > 0:41:02I know they push the glass.
0:41:02 > 0:41:05The man, it's her cousin. He pushes the glass.
0:41:05 > 0:41:06It's a trick.
0:41:06 > 0:41:09They tell you what you already believe.
0:41:10 > 0:41:14She set up after the war because of all the widows.
0:41:14 > 0:41:18Polly, I just thought you should know.
0:41:18 > 0:41:20And in this fucking wash house,
0:41:20 > 0:41:21did they tell you why I went there?
0:41:28 > 0:41:32You tell a soul in this family,
0:41:32 > 0:41:36and I swear I will cut you.
0:41:38 > 0:41:42I don't need a knife to stop me telling secrets given in confidence.
0:41:43 > 0:41:45It is a matter of honour.
0:42:06 > 0:42:08Look at this! Look.
0:42:08 > 0:42:09I love it.
0:42:09 > 0:42:12Your Esme was right about one thing -
0:42:12 > 0:42:15you can't beat the countryside.
0:42:15 > 0:42:19You know, I think I want to live in the country one day...
0:42:20 > 0:42:21..and keep chickens.
0:42:21 > 0:42:24Yeah, we'll see you in London, Arthur.
0:42:29 > 0:42:31- Oh, for fuck's sake!- Take these.
0:42:34 > 0:42:36We need to bury him.
0:42:36 > 0:42:38Who the fuck is that?
0:42:38 > 0:42:39It's Irish business.
0:42:39 > 0:42:42I thought it best if I deal with it on my own.
0:42:42 > 0:42:45Come on, we did a thousand of these in France.
0:42:45 > 0:42:46John, grab his head.
0:42:46 > 0:42:49So, we're not really going to London?
0:42:49 > 0:42:51Once we bury him,
0:42:51 > 0:42:54then the holiday begins.
0:43:00 > 0:43:02GIGGLING
0:43:02 > 0:43:05CAR HORN TOOTS
0:43:19 > 0:43:20Much obliged.
0:43:23 > 0:43:25BAND PLAYS ENERGETICALLY
0:43:29 > 0:43:32It's a fucking freak show.
0:43:51 > 0:43:54What the fuck is that racket?
0:43:54 > 0:43:57- This is what they call music these days, brother.- Music?!
0:44:15 > 0:44:16Oi!
0:44:16 > 0:44:18Oi! Put it away.
0:44:18 > 0:44:20Fuck off!
0:44:25 > 0:44:27Fucking look at this spot, eh?
0:44:27 > 0:44:29It's all right, isn't it?
0:44:33 > 0:44:37Irish whisky - a bottle.
0:44:37 > 0:44:38And hurry up!
0:44:41 > 0:44:42MUSIC DROWNS SPEECH
0:44:42 > 0:44:44Fucking hell,
0:44:44 > 0:44:46I recognise a few of these lads.
0:44:49 > 0:44:51That's Sabini's cousin, over there.
0:44:51 > 0:44:54That's right, Arthur, it's Sabini's club.
0:44:54 > 0:44:57Jesus Christ, everybody in here's a fucking face.
0:44:57 > 0:45:01Just the lieutenants, John. No sign of the officers.
0:45:03 > 0:45:05Right, let's line them up.
0:45:07 > 0:45:08Holiday!
0:45:10 > 0:45:12Gentlemen, there's been a mistake.
0:45:12 > 0:45:14I'm afraid you're going to have to leave.
0:45:15 > 0:45:17We just bought a fucking bottle.
0:45:17 > 0:45:20Some of the men here recognise you from the racetracks in the north.
0:45:20 > 0:45:23Yeah, we get that a lot.
0:45:23 > 0:45:26They say you have no business coming south of the line
0:45:26 > 0:45:28without prior agreement.
0:45:28 > 0:45:30And what line would that be, my friend?
0:45:32 > 0:45:34They say this is provocation.
0:45:35 > 0:45:39Right, well, you tell them we're on holiday.
0:45:41 > 0:45:42You're breaking the rules.
0:45:44 > 0:45:47They say you are the Peaky Blinders...
0:45:47 > 0:45:49- MAN SHOUTS:- Peaky scum!
0:45:53 > 0:45:55BAND CONTINUES PLAYING
0:46:10 > 0:46:14- HE LAUGHS - Who the fuck's next?
0:46:17 > 0:46:19Come here!
0:46:25 > 0:46:27PEOPLE SHRIEK
0:46:27 > 0:46:29Put some ice on 'em!
0:46:33 > 0:46:35Get out.
0:46:38 > 0:46:40Yeah?
0:46:42 > 0:46:44Yeah?
0:46:44 > 0:46:45Are you going to use that?
0:46:50 > 0:46:51Didn't think so.
0:47:08 > 0:47:10We came here...
0:47:10 > 0:47:12not to make enemies...
0:47:14 > 0:47:15No!
0:47:16 > 0:47:19We came here to make new friends.
0:47:23 > 0:47:26Those of you who are last
0:47:26 > 0:47:28will soon be first.
0:47:32 > 0:47:35And those of you who are downtrodden
0:47:35 > 0:47:36will rise up.
0:47:38 > 0:47:39Yip.
0:47:41 > 0:47:42You know where to find us.
0:47:51 > 0:47:53I think I've lost a tooth.
0:47:53 > 0:47:55I'll have none left at this rate!
0:47:57 > 0:47:58Some fucking holiday this is.
0:47:58 > 0:48:02Yeah? You all right without your fucking medicine, Arthur?
0:48:02 > 0:48:04- Here, this'll fix you.- Give me that!
0:48:04 > 0:48:06You, John boy...eh? How are you?
0:48:06 > 0:48:09- Or should I ask your fucking wife? - Oh, give over!
0:48:09 > 0:48:11No more talk of chickens, do you hear me?
0:48:11 > 0:48:12Fuck the chickens.
0:48:12 > 0:48:14I've 50 quid in me pocket.
0:48:14 > 0:48:16Let's paint the town, eh?
0:48:16 > 0:48:18JOHN CHEERS
0:48:18 > 0:48:20- KNOCK ON DOOR - Come.
0:48:23 > 0:48:29- Oh, dear God!- Good Lord, I assumed it was Betty with tea.
0:48:29 > 0:48:32Forgive me, sir, but your secretary was not at the desk.
0:48:32 > 0:48:36No, because she takes lunch - like normal people.
0:48:36 > 0:48:37And you can turn around,
0:48:37 > 0:48:40this lady is a professional life model.
0:48:40 > 0:48:41She does this for a living.
0:48:43 > 0:48:46I'm more than happy to come back later, sir.
0:48:46 > 0:48:49No, no, no. Later on I'm in the house. Just, erm...
0:48:50 > 0:48:53..keep your back turned, if you must.
0:48:53 > 0:48:55MAJOR CAMPBELL MUMBLES
0:48:58 > 0:49:02I would guess you haven't been exposed to Bohemian society, Major?
0:49:04 > 0:49:07Well, I...I...play cards on occasion.
0:49:07 > 0:49:12You're a stranger to cocaine and exotic dancing, too, I imagine.
0:49:12 > 0:49:16I find the more obvious vices the easiest to resist.
0:49:16 > 0:49:20It's the sneaky little obscure ones that bring you to your knees, yes?
0:49:21 > 0:49:26So what business is so urgent it trumps lunch?
0:49:26 > 0:49:28Well, sir, our man in Birmingham
0:49:28 > 0:49:30has passed his first test with flying colours.
0:49:30 > 0:49:32Oh, I'm horrible at faces.
0:49:32 > 0:49:37So I think we can begin to prepare him for the bigger task.
0:49:37 > 0:49:41- Expressions elude me, I think too much.- Sir?
0:49:41 > 0:49:47I need your authority to proceed with all urgency
0:49:47 > 0:49:51in preparing the new man for the bigger task.
0:49:51 > 0:49:54You're talking about your bookmaker.
0:49:54 > 0:49:55Yes, sir.
0:49:55 > 0:49:58You have a history with this man. Why did you choose him?
0:50:00 > 0:50:04To apply pressure on a man for this type of work
0:50:04 > 0:50:05you have to know his weaknesses
0:50:05 > 0:50:09and I know this man's weaknesses intimately.
0:50:09 > 0:50:12And after "mission accomplished",
0:50:12 > 0:50:15do we trust him to keep his mouth shut?
0:50:15 > 0:50:16Absolutely not, sir.
0:50:18 > 0:50:20So when he's served his purpose,
0:50:20 > 0:50:22he will be consigned to history
0:50:22 > 0:50:24in exactly the same way as his predecessor.
0:50:24 > 0:50:28You mean at the end of a rope?
0:50:28 > 0:50:30Well, the end of the rope
0:50:30 > 0:50:34has been this man's destiny since the night he was born.
0:51:00 > 0:51:03DOOR OPENS
0:51:03 > 0:51:04You're early.
0:51:06 > 0:51:08Shut your eyes, Lizzie.
0:51:08 > 0:51:09What?
0:51:09 > 0:51:12Shut your eyes. Go on, shut your eyes.
0:51:14 > 0:51:15Good.
0:51:15 > 0:51:17Now, come with me.
0:51:17 > 0:51:18No, shut your eyes!
0:51:18 > 0:51:22- SHE LAUGHS - This way.- What are you doing, Tom?
0:51:22 > 0:51:24You've got to sit down here. Right...
0:51:25 > 0:51:29Sit down. Now, OK...
0:51:29 > 0:51:31- Type this.- Why?
0:51:31 > 0:51:33Lizzie, type this.
0:51:33 > 0:51:36"If wi..." Put your cigarette down.
0:51:36 > 0:51:38Right. "If winter comes..."
0:51:38 > 0:51:43- SHE STARTS TYPING - "..then can spring be far behind?"
0:51:43 > 0:51:46Why?! Did you say spring?
0:51:46 > 0:51:49Lizzie, what comes after winter?
0:51:52 > 0:51:54Let's see.
0:51:54 > 0:51:56That's a question. Where's the question mark?
0:51:56 > 0:51:59Put in the question mark.
0:51:59 > 0:52:00Now type this.
0:52:00 > 0:52:04"Wanted - secretary for expanding business."
0:52:04 > 0:52:05Slow down!
0:52:05 > 0:52:08"Must be able to take dictation and touch-type."
0:52:09 > 0:52:12"Five days a week.
0:52:12 > 0:52:15"Eight pounds and four shillings a month.
0:52:15 > 0:52:17"Must be able to start immediately."
0:52:18 > 0:52:20Are you serious?
0:52:23 > 0:52:26Things are starting to happen, Lizzie.
0:52:27 > 0:52:30I need someone who can look the other way sometimes.
0:52:38 > 0:52:40And you can stop the other work too, Lizzie.
0:52:42 > 0:52:44All of it this time.
0:52:46 > 0:52:47No exceptions.
0:52:53 > 0:52:56Eight o'clock, Monday morning, the upstairs office.
0:52:56 > 0:52:57Don't be late.
0:53:08 > 0:53:10DOOR OPENS
0:53:10 > 0:53:12Newmarket was profitable.
0:53:12 > 0:53:15Arthur told me how you left your message.
0:53:15 > 0:53:18And when I asked him where his medicine was,
0:53:18 > 0:53:20he said you poured it away.
0:53:20 > 0:53:23All I poured away was opium and bromide.
0:53:23 > 0:53:26Oh, that's how it works in London, isn't it?
0:53:26 > 0:53:28Every boss has to have a mad dog at his side.
0:53:28 > 0:53:32Yeah, somebody who can't be predicted, somebody mad in the head.
0:53:32 > 0:53:34But Thomas Shelby uses his own brother.
0:53:34 > 0:53:37- Stop fucking fighting me! - Somebody has to.
0:53:38 > 0:53:40That arrived an hour ago.
0:53:40 > 0:53:43There's no name on it but it comes from Camden Town.
0:53:43 > 0:53:45I was going to burn it.
0:53:45 > 0:53:46I should have.
0:53:46 > 0:53:50Well done, Tommy, you've picked a side.
0:53:50 > 0:53:51Now you're at war with Sabini.
0:54:31 > 0:54:34Ada, are you coming for a drink?
0:54:34 > 0:54:37No, the woman upstairs is looking after Karl.
0:54:37 > 0:54:38She goes mad if I'm late!
0:55:09 > 0:55:11Ada Shelby?
0:55:11 > 0:55:12No.
0:55:14 > 0:55:16THEY GRUNT
0:55:20 > 0:55:22Your brother broke the rules.
0:55:22 > 0:55:24I don't have a fucking brother.
0:55:24 > 0:55:26Me and my friends here need a bit of female company.
0:55:26 > 0:55:28- Let's go for a drive.- No!
0:55:28 > 0:55:30- Hold her steady, boys.- Get off!
0:55:36 > 0:55:38SHE YELLS
0:55:42 > 0:55:43Fucking hold him!
0:55:50 > 0:55:53TOMMY GROANS
0:56:13 > 0:56:17Tommy Shelby, I missed you at my club.
0:56:17 > 0:56:20I was at the races.
0:56:20 > 0:56:21Sabini.
0:56:24 > 0:56:25Don't say my name.
0:56:26 > 0:56:28Jesus!
0:56:28 > 0:56:32Franco, take my name out of his mouth.
0:56:34 > 0:56:37TOMMY GROANS AND GURGLES
0:56:41 > 0:56:44While you're in there, do a bit of digging for gold.
0:56:44 > 0:56:45Pay for the petrol.
0:56:45 > 0:56:48HE MOANS
0:56:52 > 0:56:55HE SPLUTTERS
0:57:01 > 0:57:03You see how much I know about you?
0:57:03 > 0:57:06I even know what's in your fucking mouth.
0:57:07 > 0:57:08Look at me.
0:57:08 > 0:57:10Look at me!
0:57:10 > 0:57:11Look at me.
0:57:13 > 0:57:15You take up with the Jews.
0:57:15 > 0:57:17Yeah, you think that's what London's all about.
0:57:17 > 0:57:20You can just come down, pick a side.
0:57:20 > 0:57:22You fucking clown!
0:57:22 > 0:57:24Now your life is over.
0:57:25 > 0:57:29My face is the last thing you'll ever see on earth.
0:57:29 > 0:57:31Your mistake.
0:57:31 > 0:57:33You remember that when you get to hell.
0:57:39 > 0:57:40Finish him off.
0:57:42 > 0:57:45GUNSHOTS AND SHOUTING
0:57:45 > 0:57:48WHISTLES BLOW
0:57:51 > 0:57:53CAR ENGINE STARTS
0:57:53 > 0:57:55FOOTSTEPS DRAW NEAR
0:58:08 > 0:58:12MAJOR CAMPBELL: I suppose we should see if the bastard's still alive.
0:58:37 > 0:58:42# On a gathering storm comes a tall, handsome man
0:58:42 > 0:58:44# In a dusty black coat
0:58:44 > 0:58:46# With a red right hand. #