0:00:02 > 0:00:06This progamme contains violent scenes, strong and racial language,
0:00:06 > 0:00:08and scenes of a sexual nature.
0:00:08 > 0:00:10A vacancy has appeared and you're going to fill it.
0:00:10 > 0:00:12From now on, Mr Shelby, you shut your Gypsy mouth
0:00:12 > 0:00:14and listen to your instructions.
0:00:14 > 0:00:17I know it was you who carried out the murder of Mr Duggan.
0:00:17 > 0:00:19- GUNSHOT - You are on my hook, Mr Shelby.
0:00:19 > 0:00:21- Name?- Harold Hancox.
0:00:21 > 0:00:24- Have you ever been arrested?- No.
0:00:24 > 0:00:26Arthur, we can stand him up.
0:00:26 > 0:00:29'Last night, one of our men had his throat cut in Winson Green.'
0:00:29 > 0:00:30I'm not real!
0:00:30 > 0:00:35'Gentlemen, this is your cousin. Polly's son, Michael.'
0:00:35 > 0:00:37- I want to go with them. - Over my dead body.
0:00:37 > 0:00:40Do we hear 800 guineas? 850.
0:00:40 > 0:00:42'May Carleton. I breed racehorses and train them.'
0:00:42 > 0:00:45- So, will you consider me? - I will consider you.
0:00:45 > 0:00:47Thomas Shelby?
0:00:47 > 0:00:49GUNSHOT
0:00:50 > 0:00:52'Did they behave themselves?'
0:00:52 > 0:00:55They were really amazing.
0:01:26 > 0:01:30# Take a little walk to the edge of town
0:01:30 > 0:01:34# And go across the tracks
0:01:34 > 0:01:38# Where the viaduct looms, like a bird of doom
0:01:38 > 0:01:42# As it shifts and cracks
0:01:42 > 0:01:46# Where secrets lie in the border fires
0:01:46 > 0:01:49# In the humming wires
0:01:49 > 0:01:51# Hey, man, you know you're never coming back
0:01:51 > 0:01:57# Past the square, past the bridge, past the mills, past the stacks
0:01:59 > 0:02:03# On a gathering storm comes a tall handsome man
0:02:03 > 0:02:08# In a dusty black coat with a red right hand... #
0:02:19 > 0:02:23BELLS RING
0:02:45 > 0:02:49You might think this is a curious place for me to suggest a meeting,
0:02:49 > 0:02:51but...
0:02:51 > 0:02:54your surprises have only just begun.
0:03:04 > 0:03:08You look a little unsteady, Mr Shelby.
0:03:08 > 0:03:10Take a seat.
0:03:16 > 0:03:18You're working together.
0:03:19 > 0:03:22Blowing up the Garrison was your idea.
0:03:23 > 0:03:25You who chose me.
0:03:28 > 0:03:32It's funny, I thought the Fenians had a policy...
0:03:32 > 0:03:35- Enough.- ..of not mixing the personal with the political.
0:03:35 > 0:03:38- I said enough.- I think I will decide on what is enough.
0:03:38 > 0:03:40Who's in charge here then, eh? Who's in charge?
0:03:40 > 0:03:43Right, let me understand this.
0:03:43 > 0:03:46- You answer to an agent of the Crown. - Perhaps we can just...
0:03:46 > 0:03:49- Very interesting. - Perhaps we can stick to the agenda.
0:03:49 > 0:03:51- Whose agenda? - There is a form of words here.
0:03:51 > 0:03:53- Whose words?- Arrogant bastard.
0:03:55 > 0:03:58- I'm not accustomed to being spoken to like that.- Just come to order
0:03:58 > 0:04:00I am here to listen, but not to the fucking infantry.
0:04:00 > 0:04:02Enough! Jesus!
0:04:02 > 0:04:04Now...
0:04:06 > 0:04:10..some weeks ago, Mr Shelby carried out a military mission
0:04:10 > 0:04:14on behalf of pro-treaty Republicans here in Birmingham.
0:04:14 > 0:04:15You...
0:04:15 > 0:04:17working for the King.
0:04:17 > 0:04:20- There is a unique political situation.- Yeah? How does that feel?
0:04:20 > 0:04:23- Let us...- Tell me. How does that fucking feel?
0:04:23 > 0:04:24..stick to the form of words.
0:04:24 > 0:04:26- Temporarily, we have a shared interest.- Oh, I see.
0:04:26 > 0:04:30- Shall we just stop him laughing? - You want me to stop laughing?
0:04:30 > 0:04:34- Explain this, pal.- Following the success of your mission...
0:04:34 > 0:04:36- We're going to make you do it again. - Will you shut up?
0:04:36 > 0:04:39Can we just conduct ourselves here, please?
0:04:39 > 0:04:40- Conduct ourselves!- Please.
0:04:40 > 0:04:44No-one in this room wants to breathe the same air as anyone else.
0:04:47 > 0:04:50- Nevertheless...- Nevertheless the pro-treaty Paddies
0:04:50 > 0:04:52and the King want the same man dead.
0:04:53 > 0:04:55Am I right?
0:05:17 > 0:05:21- Why him? - Did you ask why in France?
0:05:21 > 0:05:25- Yeah.- So, it's the same answer - because.
0:05:32 > 0:05:35Why me?
0:05:35 > 0:05:37- Because.- Because.
0:05:40 > 0:05:42Because if anybody connects me to this,
0:05:42 > 0:05:44it will be assumed that it was a criminal act
0:05:44 > 0:05:46and not a political one.
0:05:46 > 0:05:50No, you need not fear being connected to the killing
0:05:50 > 0:05:54because I will see to it that no connection is ever made.
0:05:54 > 0:05:57You will have complete immunity after the fact.
0:05:57 > 0:06:02But, in the execution, you will get no help from agents of the Crown.
0:06:02 > 0:06:04And we can't be seen to be involved.
0:06:05 > 0:06:09You have been chosen, Mr Shelby,
0:06:09 > 0:06:11and there really is no choice.
0:06:11 > 0:06:13No equals bang,
0:06:13 > 0:06:16and your man here will shed no tears as he looks the other way.
0:06:22 > 0:06:24Nevertheless...
0:06:24 > 0:06:26I say no.
0:06:32 > 0:06:34Mr Shelby?
0:06:39 > 0:06:43What about your export licence, Mr Shelby?
0:06:43 > 0:06:45You had a deal with Mr Churchill.
0:06:50 > 0:06:54The one with the mouth, Donal Henry, he is a spy.
0:06:54 > 0:06:57He is working for the Irregulars against the pro-treaty Paddies.
0:06:57 > 0:06:59He reports every fucking word back to them.
0:06:59 > 0:07:00No, it's not possible.
0:07:00 > 0:07:03They've both been security vetted by my own department.
0:07:03 > 0:07:06I have men in places your men can't go.
0:07:06 > 0:07:09Donal Henry meets the anti-treaty Paddies in the back room
0:07:09 > 0:07:12of the Mother Red Cap in Saltley sometimes twice a week.
0:07:13 > 0:07:16These Irish enemies are fucking brothers and cousins.
0:07:16 > 0:07:19You are stepping into a world you don't understand.
0:07:22 > 0:07:26If what you're saying is true, he'll be dealt with.
0:07:26 > 0:07:31Bring me proof the spy is dead and we have a deal.
0:07:48 > 0:07:51- Mr Shelby.- Billy boy. - Watch it.
0:07:59 > 0:08:01Now on you go.
0:08:18 > 0:08:22SEARING STRINGS DROWN SOUND
0:08:53 > 0:08:56Right, boys, let's go!
0:08:59 > 0:09:02SCREAMING
0:09:10 > 0:09:12GLASS SMASHES
0:09:30 > 0:09:32Fuck you!
0:09:32 > 0:09:34Mario!
0:09:35 > 0:09:37Mario!
0:09:41 > 0:09:44WOMAN SCREAMS
0:09:44 > 0:09:46Mario!
0:09:46 > 0:09:48Come here.
0:09:52 > 0:09:55Sabini's day is done.
0:09:56 > 0:09:58I'll protect you now.
0:10:01 > 0:10:03Oh, shut up!
0:10:03 > 0:10:05Stop fucking whingeing.
0:10:07 > 0:10:10Due to my razor blade
0:10:10 > 0:10:13and a few complaints from the neighbours
0:10:13 > 0:10:16about the terrible fucking music...
0:10:21 > 0:10:24Do you want to tell them or should I?
0:10:24 > 0:10:28This place is under new management...
0:10:34 > 0:10:37..by order of the Peaky Blinders.
0:10:37 > 0:10:41LOUD ROCK MUSIC
0:10:47 > 0:10:52WOMEN GIGGLE
0:10:52 > 0:10:54HE LAUGHS
0:11:37 > 0:11:39HE CLEARS HIS THROAT
0:12:22 > 0:12:24KNOCKING ON DOOR
0:12:24 > 0:12:26Yes?
0:12:27 > 0:12:29Somebody to see you, Mr Shelby.
0:12:29 > 0:12:31He says he's come about the position of accounts clerk.
0:12:31 > 0:12:33Send him in.
0:12:36 > 0:12:39- Just through here, sir.- Thank you.
0:12:43 > 0:12:44Michael...
0:12:47 > 0:12:49..vacancy's been filled.
0:12:51 > 0:12:54Not according to this morning's paper.
0:13:02 > 0:13:04At school, I was top of the class in mathematics
0:13:04 > 0:13:09and I did a night-school course in accountancy at Worcester College.
0:13:09 > 0:13:11Mum says you've had six different accountant clerks
0:13:11 > 0:13:13in the last six months.
0:13:15 > 0:13:19When respectable men see the other things you do, they leave.
0:13:20 > 0:13:24But I, like Lizzie out there, already know what you do.
0:13:26 > 0:13:30Mum says you want to be 80% legal within two years.
0:13:30 > 0:13:34- Three. - I can help.
0:13:34 > 0:13:39I know both sides and you know you can trust me.
0:13:39 > 0:13:44I want to help you, Tommy, become legal.
0:13:45 > 0:13:47Do the right thing.
0:13:51 > 0:13:52I want to be proud of this family.
0:14:00 > 0:14:02Does Polly know you're here, Michael?
0:14:04 > 0:14:06I'm 18 on Friday - I go where I please.
0:14:22 > 0:14:24You phone your mother.
0:14:27 > 0:14:29Good luck.
0:14:35 > 0:14:37KNOCKING ON DOOR
0:14:37 > 0:14:40We're not open for winnings yet.
0:14:40 > 0:14:42I'm here to see Thomas Shelby.
0:14:47 > 0:14:49I have an appointment.
0:14:49 > 0:14:50Come in.
0:15:03 > 0:15:06- May Carleton.- Mr Shelby has his proper meetings
0:15:06 > 0:15:08in his other office.
0:15:10 > 0:15:12This was the address that he gave me.
0:15:12 > 0:15:16- He gave you THIS address? - He said it was a gambling den.
0:15:16 > 0:15:18I told him that I've wanted to see one
0:15:18 > 0:15:21since I'm always reading about them in the papers.
0:15:21 > 0:15:23Quite the big scandal in the Telegraph lately.
0:15:23 > 0:15:26Anyway, he said that I could come and have a look.
0:15:29 > 0:15:31And now I feel like a bit of an idiot
0:15:31 > 0:15:34because I'm early and he's late and I have no idea how to behave.
0:15:34 > 0:15:35In a gambling den?
0:15:37 > 0:15:40I'll wait in the car.
0:15:40 > 0:15:44If I open the door again, they'll all want to come in...
0:15:44 > 0:15:46like flies.
0:15:50 > 0:15:52So what are you?
0:15:53 > 0:15:54W-what am I?
0:15:54 > 0:15:56To Thomas?
0:15:58 > 0:16:01I'm going to train his racehorse...for Epsom.
0:16:02 > 0:16:04You know horses?
0:16:05 > 0:16:07Yes. You?
0:16:07 > 0:16:09Born riding.
0:16:10 > 0:16:13I slept in a manger when I was a baby.
0:16:15 > 0:16:17I was born riding, too.
0:16:17 > 0:16:19DOOR OPENS
0:16:20 > 0:16:23There's a fucking great Riley parked out there
0:16:23 > 0:16:24and nobody's watching it.
0:16:24 > 0:16:28John, this woman says she's training Thomas' horse.
0:16:32 > 0:16:33He's told us a lot about you.
0:16:36 > 0:16:37Don't know where he is, do you?
0:16:37 > 0:16:40DOOR OPENS
0:16:42 > 0:16:44Sorry I'm late. There was a family matter.
0:16:44 > 0:16:46Esme, keep it locked up for a minute.
0:16:46 > 0:16:48- Yes, Thomas. - I'll show you around.
0:16:56 > 0:16:59So...be my guest.
0:17:10 > 0:17:12That's my brother Arthur's office.
0:17:16 > 0:17:19Down there is my brother John's office -
0:17:19 > 0:17:21that's where we slate the runners and riders.
0:17:24 > 0:17:27It's so out in the open. What about the police?
0:17:28 > 0:17:30What about them?
0:17:32 > 0:17:33When I drove into Small Heath,
0:17:33 > 0:17:35I thought I was going to get murdered...
0:17:35 > 0:17:37then I mentioned your name.
0:17:39 > 0:17:41It was like being escorted to see a king.
0:17:44 > 0:17:47- You came here to get my girl, right? - Right.
0:18:03 > 0:18:04She looks in very good condition,
0:18:04 > 0:18:07considering she's not been out on the gallops.
0:18:07 > 0:18:09Curly's the best horseman in England.
0:18:09 > 0:18:11I have a man called Mickey who'd argue the point.
0:18:11 > 0:18:14Ah, but Curly here is half horse himself.
0:18:14 > 0:18:16She's blessed. Very blessed.
0:18:16 > 0:18:18Well, she's from the best stock.
0:18:18 > 0:18:21But I'd rather have a coloured pony. Mixed blood is stronger.
0:18:21 > 0:18:23Not to win the Derby, Curly.
0:18:23 > 0:18:25Don't like them racing, Tommy, not the way they beat them.
0:18:25 > 0:18:28- She's all yours. - Thank you.
0:18:32 > 0:18:34He gets sad when one leaves.
0:18:34 > 0:18:37- What time is your box van coming? - Midday.
0:18:37 > 0:18:40Maybe you've got time to take the lady to the Garrison,
0:18:40 > 0:18:43show her the spa and the tearooms.
0:18:45 > 0:18:47I'd like that, why not?
0:18:53 > 0:18:57I just had it done up. There was a fire.
0:18:57 > 0:18:58It's...
0:18:58 > 0:19:01Yeah.
0:19:01 > 0:19:02What do you drink?
0:19:03 > 0:19:05So early, but gin.
0:19:22 > 0:19:24Goodness. With something?
0:19:26 > 0:19:28Like what?
0:19:29 > 0:19:31Tonic water or...
0:19:33 > 0:19:37Erm...we have...cordial.
0:19:39 > 0:19:41There's not much room in there but...
0:19:52 > 0:19:54You want to fuck me, Mrs Carleton?
0:19:57 > 0:19:59Perhaps because I...
0:19:59 > 0:20:02Perhaps because I represent something to you?
0:20:04 > 0:20:07We should have this conversation before the booze
0:20:07 > 0:20:09starts talking for us.
0:20:12 > 0:20:13You have a horse.
0:20:15 > 0:20:18Yes, I have a horse.
0:20:18 > 0:20:22The horse is why I'm here...
0:20:22 > 0:20:24purely that.
0:20:24 > 0:20:27And because you're paying me a lot of money to train your horse,
0:20:27 > 0:20:29that's why I'm here,
0:20:29 > 0:20:30purely that.
0:20:34 > 0:20:36Good.
0:20:37 > 0:20:40Good. Well, a toast, then.
0:20:40 > 0:20:42To the horse, to the Derby.
0:20:46 > 0:20:47- Cheers.- Cheers.
0:20:52 > 0:20:55So is that what you say to women?
0:20:58 > 0:21:00Only if I don't know what they want.
0:21:00 > 0:21:02And what if they don't want to fuck?
0:21:04 > 0:21:06Then life is simpler.
0:21:06 > 0:21:07You want a simple life?
0:21:11 > 0:21:14Do I look like a man who wants a simple life, eh?
0:21:15 > 0:21:17So what do you want?
0:21:20 > 0:21:22For what I'm paying you, Mrs Carleton,
0:21:22 > 0:21:26I want a horse that'll pay out at Epsom on an each-way bet.
0:21:32 > 0:21:35Before I took your account,
0:21:35 > 0:21:37I did some credit checks on you.
0:21:39 > 0:21:42Apparently, you don't exist.
0:21:47 > 0:21:49My existence is questionable.
0:21:52 > 0:21:54Gypsies don't like registers.
0:21:55 > 0:21:59You see, I'm not a Gypsy like you mean.
0:21:59 > 0:22:01But you did register for France.
0:22:03 > 0:22:06I also sent your name to the War Office -
0:22:06 > 0:22:08I have friends there.
0:22:08 > 0:22:10You won two medals for gallantry.
0:22:13 > 0:22:16Does that really impress you, Mrs Carleton?
0:22:20 > 0:22:22Call me May.
0:22:29 > 0:22:32Charlie says the box van is here.
0:22:32 > 0:22:33Thank you, Finn.
0:22:37 > 0:22:40You know, I still don't know what you're going to call your horse.
0:22:41 > 0:22:45The horse will be called Grace's Secret.
0:22:48 > 0:22:49Grace's Secret.
0:22:55 > 0:22:58I told him he definitely can't take the job.
0:23:00 > 0:23:02He said "All right, I'll move to London, then."
0:23:02 > 0:23:06I said, "I won't give in to blackmail. No is no."
0:23:08 > 0:23:12Well...that settles it, then.
0:23:12 > 0:23:15I'll give the job to the other candidate.
0:23:15 > 0:23:17He's much better qualified anyway.
0:23:17 > 0:23:21Michael did City And Guilds - six months.
0:23:21 > 0:23:24Yeah, but he doesn't know racing, Poll.
0:23:24 > 0:23:27He knows horses, but he doesn't know racing.
0:23:27 > 0:23:30This other boy, he knows racing.
0:23:30 > 0:23:31He's good. He's a fast learner.
0:23:35 > 0:23:37What if Michael really leaves?
0:23:38 > 0:23:40You just got to let him go, Poll.
0:23:40 > 0:23:43He'll get a job in an office in London.
0:23:43 > 0:23:46I'm sure he'll write to you.
0:23:46 > 0:23:47He made a big speech
0:23:47 > 0:23:52about wanting to help you build up a respectable business.
0:23:52 > 0:23:54Oh, he's like his dad, he could make me cry.
0:23:54 > 0:23:57There are trains to London.
0:23:57 > 0:23:59So I just let him leave?
0:23:59 > 0:24:01Every month or so he'd be back...
0:24:02 > 0:24:04..unless of course he meets a girl.
0:24:04 > 0:24:06Then, who knows?
0:24:12 > 0:24:15Oh, my God.
0:24:15 > 0:24:17You want him to do this job.
0:24:17 > 0:24:20Polly, I want what you want.
0:24:21 > 0:24:25What about this other more qualified candidate?
0:24:25 > 0:24:28Mmm...
0:24:28 > 0:24:30Well, I lied, there isn't one.
0:24:34 > 0:24:36How much are you paying?
0:24:37 > 0:24:40- The advertised rate. - Like hell.
0:24:40 > 0:24:42- Three bob.- Like hell.
0:24:43 > 0:24:46- Three and six.- Four.
0:24:46 > 0:24:48Four it is.
0:24:54 > 0:24:56- I love him, Tom. - I know.
0:24:56 > 0:24:59That's why I'll keep him away from the old business,
0:24:59 > 0:25:02put him charge of the new. Agreed?
0:25:03 > 0:25:04Agreed.
0:25:14 > 0:25:17Well, Finn, you've got two choices - mild or mild.
0:25:17 > 0:25:20- Mild.- There you go.
0:25:20 > 0:25:22- DOOR OPENS - Here he is, look.
0:25:24 > 0:25:27CHEERING
0:25:27 > 0:25:28Happy birthday, Michael.
0:25:28 > 0:25:3118 years old. You're a man today.
0:25:31 > 0:25:34- Give him a drink, John Boy. - There you go, lad.- And after that,
0:25:34 > 0:25:36we'll go to find you a lady of the night.
0:25:36 > 0:25:37Arthur!
0:25:41 > 0:25:43Michael.
0:25:43 > 0:25:45What's that?
0:25:45 > 0:25:47So you're never late for work.
0:25:52 > 0:25:54Welcome to the business, Michael.
0:25:54 > 0:25:57- Welcome to the business.- Thank you.
0:25:57 > 0:25:59Right, come on, let's get him drunk. Come here, you.
0:25:59 > 0:26:01All right, whisky.
0:26:01 > 0:26:05No whisky, he's at work tomorrow. Give him only dark mild.
0:26:05 > 0:26:08- A toast.- Toast.- To Michael.
0:26:08 > 0:26:09ALL: To Michael.
0:26:21 > 0:26:23DOOR OPENS
0:26:27 > 0:26:28Are you all right?
0:26:37 > 0:26:39- What is it? Just us?- Just us.
0:26:39 > 0:26:41Are we celebrating?
0:26:42 > 0:26:44Just taste this.
0:26:59 > 0:27:00What do you think, Arthur?
0:27:00 > 0:27:04Yeah, it's good. Good stuff, really nice.
0:27:04 > 0:27:06Too good for the Garrison.
0:27:06 > 0:27:09I suppose we could shift it to the toffs at the Eden Club.
0:27:10 > 0:27:12Why? What is it?
0:27:12 > 0:27:14That is part of an export drive.
0:27:15 > 0:27:18We now have a secure warehouse in Camden Town
0:27:18 > 0:27:21and secure passage to the Poplar Docks.
0:27:21 > 0:27:23So, on Monday morning,
0:27:23 > 0:27:26we'll be sending out our first export crate.
0:27:26 > 0:27:30A crate of Riley car spares...
0:27:30 > 0:27:33bound for Halifax, Nova Scotia.
0:27:33 > 0:27:34Where there's prohibition.
0:27:36 > 0:27:39Where there is prohibition.
0:27:39 > 0:27:40All over Canada and America,
0:27:40 > 0:27:44people are making their own booze in bathtubs.
0:27:44 > 0:27:49But rich people in New York, in Toronto and Boston
0:27:49 > 0:27:52are still paying a lot of money for the real stuff.
0:27:52 > 0:27:56So, on Monday, the first Shelby company crate
0:27:56 > 0:27:59will contain a thousand Riley carburettors.
0:27:59 > 0:28:03But hidden in the packing will be 500 bottles
0:28:03 > 0:28:08of the finest quality single malt Scotch whisky.
0:28:11 > 0:28:13And we, Shelby's, have a licence
0:28:13 > 0:28:16granted by the Minister Of The Empire himself,
0:28:16 > 0:28:18which means our crates won't be searched.
0:28:18 > 0:28:21And, Polly, all of the whisky will be packed at the docks,
0:28:21 > 0:28:25so Michael can do the books without being involved.
0:28:25 > 0:28:29Like I've been telling you all for a year now...
0:28:29 > 0:28:30motor cars are the future.
0:28:34 > 0:28:37So, how is your life then, Tom?
0:28:37 > 0:28:40On the up, Johnny, on the up.
0:28:40 > 0:28:43But, Tom, really, come on, how is it?
0:28:43 > 0:28:47You know I hate to see you not even married yet.
0:28:47 > 0:28:50I have a fine looking cousin, she'll make your life hell.
0:28:50 > 0:28:52You deserve her!
0:28:52 > 0:28:54HE CHUCKLES
0:28:54 > 0:28:57We haven't had a good old wedding in a long time.
0:29:00 > 0:29:02Have you had a look inside these boxes, then, Johnny?
0:29:02 > 0:29:05What do I want to look at car parts, Tommy,
0:29:05 > 0:29:06when I haven't even got a car?
0:29:08 > 0:29:12Faith in family's a fine thing, eh?
0:29:12 > 0:29:15And I wouldn't even be counting.
0:29:15 > 0:29:1725 becomes 24, then 24 it is.
0:29:17 > 0:29:21Oh, you know I'm no good with numbers, Tom.
0:29:21 > 0:29:26And if 24 ever became 23...
0:29:26 > 0:29:28then that'd be tax.
0:29:28 > 0:29:30We don't pay tax.
0:29:30 > 0:29:32No, Tom.
0:29:34 > 0:29:35Good man.
0:29:45 > 0:29:47I put an iron door on,
0:29:47 > 0:29:50and we've put iron bars on the windows and across the skylights.
0:29:50 > 0:29:54- Good.- So what will you be keeping in here, Tommy?
0:29:54 > 0:29:56Temptation, Billy. Temptation.
0:30:08 > 0:30:10DOOR OPENS
0:30:10 > 0:30:12Morning, Arthur. I was just passing.
0:30:18 > 0:30:20I think I'm in fucking love.
0:30:20 > 0:30:22HE SNAPS HIS FINGERS Drink!
0:30:27 > 0:30:29She don't know where to look.
0:30:31 > 0:30:32Whisky, Tommy?
0:30:33 > 0:30:35No, I've got a long drive ahead.
0:30:35 > 0:30:37You off home?
0:30:37 > 0:30:40Mm-hmmm. Eventually.
0:30:40 > 0:30:42To Birmingham.
0:30:47 > 0:30:49What's this?
0:30:51 > 0:30:52Olives.
0:30:52 > 0:30:54Yes, it's miscellaneous.
0:30:55 > 0:30:57It's, erm, olives.
0:30:57 > 0:31:01Sticks, you know, with little bits of fucking onion and things.
0:31:03 > 0:31:05That's what that is.
0:31:07 > 0:31:09We've taken 600 pounds on olives.
0:31:10 > 0:31:12Yeah, with little bits of onion.
0:31:19 > 0:31:21I told you, Arthur...
0:31:24 > 0:31:27..the dealers sell the cocaine, we take a cut.
0:31:27 > 0:31:30We don't sell direct.
0:31:30 > 0:31:31The Home Secretary's cracking down
0:31:31 > 0:31:34- and I don't want this... - HE TAPS THE DESK
0:31:34 > 0:31:36..to fuck up everything else, you understand?
0:31:37 > 0:31:40I understand.
0:31:40 > 0:31:42How much of that 600 came out of your pocket?
0:31:50 > 0:31:52It's under control.
0:31:52 > 0:31:55I put you down here cos people are scared of you, Arthur.
0:31:57 > 0:32:01But if you don't straighten up, it'll be John's turn in London.
0:32:02 > 0:32:04No need.
0:32:04 > 0:32:05I can handle it.
0:32:07 > 0:32:08It's under control?
0:32:09 > 0:32:11It's under control.
0:32:21 > 0:32:23Fucking tidy profit, though, eh?
0:32:27 > 0:32:28It's happening, Tom.
0:32:31 > 0:32:32Good.
0:32:34 > 0:32:35Good.
0:32:40 > 0:32:42Straighten up, soldier.
0:32:54 > 0:32:56Yes, sir, Sergeant Major.
0:33:25 > 0:33:27What's your business?
0:33:28 > 0:33:31Sorry, I'm, er, I'm lost here.
0:33:32 > 0:33:35- Yeah, well, you can't stop here. Move on.- All right.
0:33:37 > 0:33:39ENGINE STARTS
0:33:45 > 0:33:4723 seconds.
0:33:56 > 0:33:59It's all right, Ada, it'll be Andrew for me.
0:34:03 > 0:34:04Oh.
0:34:05 > 0:34:07I'm looking for Ada.
0:34:07 > 0:34:08Who are you?
0:34:15 > 0:34:17Ada.
0:34:17 > 0:34:19I asked you a question.
0:34:19 > 0:34:21It's all right, James.
0:34:21 > 0:34:23This is my brother.
0:34:23 > 0:34:25Who's he?
0:34:25 > 0:34:26He rents a room.
0:34:26 > 0:34:28You need to rent out rooms?
0:34:28 > 0:34:30Actually, she doesn't charge rent.
0:34:30 > 0:34:33He's a writer, which means he's skint.
0:34:35 > 0:34:37You get up late these days, Ada.
0:34:37 > 0:34:39Mm. I go to bed late.
0:34:39 > 0:34:41Yeah? Where's Karl?
0:34:41 > 0:34:42What do you want, Tommy?
0:34:44 > 0:34:47Oh, God, before you start sizing him up for a wedding suit,
0:34:47 > 0:34:49he's not interested in me...
0:34:49 > 0:34:52- or in girls of any kind. - Ada!
0:34:52 > 0:34:53What? Tommy won't judge you.
0:34:53 > 0:34:55He sure as hell won't go to the police.
0:34:57 > 0:34:59Look, I'll go and get dressed.
0:34:59 > 0:35:01James...
0:35:01 > 0:35:02I'm Thomas.
0:35:02 > 0:35:04Pleased to meet you.
0:35:08 > 0:35:10Can I have a minute with my sister, please?
0:35:12 > 0:35:13Yes, of course.
0:35:21 > 0:35:24So, does your lodger know your name?
0:35:24 > 0:35:26Yeah. Thorne.
0:35:26 > 0:35:29You think I'd tell anybody anything else?
0:35:29 > 0:35:32Your Brummie boys are all over the papers.
0:35:32 > 0:35:35Just one last push, eh? Then you'll go legit?
0:35:35 > 0:35:38Just one more obstacle to get round then it'll all be straight?
0:35:38 > 0:35:40Actually, yes.
0:35:40 > 0:35:41SHE GIGGLES
0:35:41 > 0:35:43Personally, I find it quite amusing.
0:35:43 > 0:35:46Men like you are becoming very fashionable down here.
0:35:46 > 0:35:50No society party in London is complete without a gangster
0:35:50 > 0:35:51for the girls to go giddy for.
0:35:53 > 0:35:56Anyway, what is it that you want?
0:35:57 > 0:35:59I don't have any children, Ada...
0:36:01 > 0:36:04..so I have set up a trust fund.
0:36:06 > 0:36:09The beneficiaries will be John's kids and Karl.
0:36:11 > 0:36:15In order for Karl to benefit, I need your signature.
0:36:18 > 0:36:19I've...
0:36:19 > 0:36:21set up an account.
0:36:21 > 0:36:25Money will be transferred in the event of my death.
0:36:27 > 0:36:30It'll set them up for a new life.
0:36:37 > 0:36:39Are you sick?
0:36:39 > 0:36:41I'm just doing what any ordinary man would,
0:36:41 > 0:36:43putting my affairs in order.
0:37:13 > 0:37:15'Did you know they was going to take the Eden club?
0:37:15 > 0:37:18'I know about the Eden club, yes.'
0:37:18 > 0:37:21Did you know they were going to do it before they did it?
0:37:21 > 0:37:23Because that's the one who's in charge, isn't it?
0:37:23 > 0:37:26The one who knows before it happens.
0:37:26 > 0:37:28I know what I know, you know.
0:37:28 > 0:37:33If you don't know, then you don't fucking know, do you?
0:37:33 > 0:37:37Did you know they was going to take Wimbledon dogs?
0:37:37 > 0:37:39Harringay? The trotting tracks?
0:37:41 > 0:37:46Talk, all right? I genuinely want to hear you.
0:37:46 > 0:37:47You've lost control, Alfie.
0:37:47 > 0:37:49Have I?
0:37:49 > 0:37:50Everybody knows.
0:37:53 > 0:37:56- Talk to me, Alfie. - Talk to you?
0:37:57 > 0:38:00All right, I'll talk to you. I'll fucking tell you how it was, right?
0:38:00 > 0:38:02What happened was this.
0:38:03 > 0:38:07All the time you were talking about dirty fucking Jews.
0:38:07 > 0:38:10All the fucking time - dirty fucking Jews, dirty Kikes,
0:38:10 > 0:38:13- dirty dustbin lids...- Everyone makes jokes.- You want to talk about
0:38:13 > 0:38:16- not getting into places? - Everybody makes fucking jokes.
0:38:16 > 0:38:18I didn't know you had no sense of humour!
0:38:18 > 0:38:21And I ain't going to FUCKING mention, right,
0:38:21 > 0:38:26the great big fuck off elephant in the room.
0:38:27 > 0:38:29Look, Alfie...
0:38:29 > 0:38:32How many of my bookies worked Epsom this last May?
0:38:32 > 0:38:34None. None.
0:38:34 > 0:38:36Not one.
0:38:36 > 0:38:40So, for a few fucking jokes and Epsom,
0:38:40 > 0:38:43you fucking invite a tribe of savages into the city
0:38:43 > 0:38:46and just fucking unlock the fucking gates!
0:38:51 > 0:38:54I'm sorry, what are you saying, mate?
0:38:54 > 0:38:56I'm saying...
0:38:57 > 0:38:59I'm sorry about the Jew thing.
0:39:01 > 0:39:04- Are you saying you're sorry? - Yeah.
0:39:04 > 0:39:07- You're sorry about the Jew thing? - Yeah.
0:39:07 > 0:39:09- Really?- Yeah.
0:39:09 > 0:39:12I want that in writing. Write that down. He said, "I'm sorry".
0:39:14 > 0:39:16And also write down
0:39:16 > 0:39:19that all our bookies can go back to Epsom.
0:39:19 > 0:39:22- He didn't say that. - Who's asking you?- No.
0:39:23 > 0:39:25Write it down.
0:39:25 > 0:39:27It's all right. Come on.
0:39:27 > 0:39:29Alfie's an old friend.
0:39:31 > 0:39:33My friend.
0:39:35 > 0:39:36Now, admit it,
0:39:36 > 0:39:40the Peaky Blinders is out of control.
0:39:40 > 0:39:42Yeah, they're out of fucking control, mate.
0:39:42 > 0:39:46They come down the canal, they spread like the fucking clap.
0:39:47 > 0:39:49- Right. So now they're everybody's problem.- Yeah.
0:39:51 > 0:39:52- Alfie.- Mm.
0:39:52 > 0:39:56- You and me, we've been fighting since we was at school.- Yeah.
0:39:56 > 0:40:00- All right? Now, also, we've been friends.- Mm, yeah.
0:40:00 > 0:40:03You know, it goes backwards and forwards.
0:40:05 > 0:40:07How much better is it when we're friends?
0:40:07 > 0:40:08Oh, it's much better, mate, yeah.
0:40:08 > 0:40:10You write that down.
0:40:12 > 0:40:14So what we're doing here, right,
0:40:14 > 0:40:17is we're writing down some kind of a deal thing, right?
0:40:17 > 0:40:21- Yeah, a written deal. - Written deal, good.
0:40:21 > 0:40:25Well, why don't we discuss the border between the Italians
0:40:25 > 0:40:28and the Jews going back to Farringdon Road.
0:40:28 > 0:40:31- Farringdon Road... - Yeah, Farringdon Road.- Fuck!
0:40:31 > 0:40:32That's ancient history.
0:40:32 > 0:40:35- Write down Farringdon Road. - No, no, no, write down Camden Road.
0:40:35 > 0:40:37- Farringdon Road.- Camden Road.
0:40:37 > 0:40:39- Write down Farringdon.- Camden. - Farringdon.- Camden.
0:40:39 > 0:40:41Write down Camden Road.
0:40:42 > 0:40:44Just write down "peace".
0:40:44 > 0:40:46Just write down "peace", right,
0:40:46 > 0:40:50between the Jews and the Italians.
0:40:52 > 0:40:54And war...
0:40:54 > 0:40:56against the gypsies.
0:41:20 > 0:41:21Fuck.
0:41:26 > 0:41:28DOOR OPENS
0:41:28 > 0:41:30- WOMANS'S VOICE:- Mr Thomas Shelby, madam.
0:41:43 > 0:41:44Nice house.
0:41:49 > 0:41:51Would you like a whisky?
0:41:51 > 0:41:52Scotch or Irish?
0:41:52 > 0:41:54Irish.
0:41:54 > 0:41:56GLASSES CLINKING
0:42:01 > 0:42:02Sorry for the short notice.
0:42:02 > 0:42:04I was...passing.
0:42:05 > 0:42:08We're not quite on the Birmingham road.
0:42:08 > 0:42:09It was a small diversion.
0:42:09 > 0:42:1260 miles - I checked.
0:42:12 > 0:42:14That's a small diversion these days.
0:42:16 > 0:42:18So, I'm a small diversion.
0:42:18 > 0:42:20Good.
0:42:23 > 0:42:24Your horse is still out on the gallops,
0:42:24 > 0:42:26but I had Mickey prepare this report.
0:42:26 > 0:42:29You can read it now if you'd like, then we can go see her.
0:42:37 > 0:42:40Is there enough light for you to read?
0:42:40 > 0:42:41Yes, it's fine.
0:42:43 > 0:42:45It's getting quite late.
0:42:55 > 0:42:58Mickey says she has the lungs of an elephant.
0:42:58 > 0:43:00She's nimble in the heavy going,
0:43:00 > 0:43:02but bounces a little on the hard ground.
0:43:02 > 0:43:04Sorry, I'll let you read.
0:43:07 > 0:43:10So, he thinks she'll favour good to soft ground, eh?
0:43:10 > 0:43:13- A little juice in the grass.- Mm.
0:43:13 > 0:43:15Well, that's good for Epsom.
0:43:17 > 0:43:20Does he think she's not good enough for Epsom?
0:43:21 > 0:43:23She needs a lot of work.
0:43:23 > 0:43:25The race board will need convincing.
0:43:26 > 0:43:29- I imagine you have some influence. - Mm.
0:43:31 > 0:43:34That's the suggested programme for the next two months.
0:43:37 > 0:43:39Your glass is empty.
0:43:39 > 0:43:40It's fine.
0:43:42 > 0:43:44Are you hungry?
0:43:45 > 0:43:48Yes, a bit.
0:43:48 > 0:43:49I can prepare something.
0:43:51 > 0:43:52Do you have engine oil?
0:43:55 > 0:43:58Before I set off for Birmingham, the car needs oil.
0:44:00 > 0:44:02I'm sure my husband kept some in the garage.
0:44:02 > 0:44:04I can someone to do it.
0:44:04 > 0:44:06This evening or tomorrow?
0:44:10 > 0:44:13Well, we're so far from anywhere, people usually stay over.
0:44:15 > 0:44:17Especially before cars, when it was just carriages,
0:44:17 > 0:44:19people used to stay over all the time.
0:44:21 > 0:44:22But I have a car.
0:44:24 > 0:44:25Yes.
0:44:25 > 0:44:28And you have...
0:44:28 > 0:44:29engine oil.
0:44:30 > 0:44:32Probably.
0:44:35 > 0:44:36But it would be very usual.
0:44:38 > 0:44:40What would?
0:44:42 > 0:44:43For a guest to stay.
0:44:43 > 0:44:45We have a whole wing called the guest wing.
0:44:45 > 0:44:47Oh, you...
0:44:48 > 0:44:50You have a guest wing.
0:44:52 > 0:44:53Well...
0:45:01 > 0:45:02May.
0:45:12 > 0:45:14Have a smoke.
0:45:14 > 0:45:15Thank you.
0:45:23 > 0:45:25Ignore this. It's actually all right.
0:45:28 > 0:45:31I put all his photos in a drawer and locked it...
0:45:33 > 0:45:35..as if that was going to make a difference.
0:45:38 > 0:45:41I'm like a fucking lighthouse keeper...
0:45:44 > 0:45:46..out here on my own...
0:45:48 > 0:45:50..keeping his flame burning.
0:45:50 > 0:45:54But, of course, when anyone sees a lighthouse
0:45:54 > 0:45:56they stay clear, don't they?
0:46:08 > 0:46:09Now, do you have a map?
0:46:13 > 0:46:15Of the house. Do you have a map?
0:46:18 > 0:46:22Because I'm not going to be able to find my way in the dark.
0:46:26 > 0:46:29You see, at midnight,
0:46:29 > 0:46:32I'm going to leave my wing
0:46:32 > 0:46:34and I'm going to come find you.
0:46:36 > 0:46:39And I'm going to turn the handle of your bedroom door
0:46:39 > 0:46:41without making a sound
0:46:41 > 0:46:43and none of the maids will know.
0:46:44 > 0:46:46You don't know maids.
0:46:49 > 0:46:51They hear a pin drop?
0:46:51 > 0:46:55If there's a man in the house, they listen.
0:46:55 > 0:46:56They take turns.
0:46:57 > 0:46:59So, let them listen.
0:47:04 > 0:47:08Right. Day rate, seven shillings. Loading, unloading.
0:47:08 > 0:47:10Night rate, three. Total ten.
0:47:12 > 0:47:14Let's go and get a drink.
0:47:14 > 0:47:15No, I'm all right.
0:47:15 > 0:47:17Come on, it's payday.
0:47:17 > 0:47:18Everybody has a drink on payday.
0:47:18 > 0:47:20Not me.
0:47:20 > 0:47:23You think your mum don't have a drink on payday?
0:47:23 > 0:47:27You think the Lord Almighty don't have a drink on payday?
0:47:29 > 0:47:31Man, it's on fire out there,
0:47:31 > 0:47:34women from the BSA offices, honest.
0:47:34 > 0:47:37They go out on their own without their men these days,
0:47:37 > 0:47:38in twos and threes now.
0:47:39 > 0:47:43Mickey, they go out in twos and threes and buy their own drinks.
0:47:48 > 0:47:52The Marquis, that's where the BSA secretaries go.
0:47:56 > 0:48:01Look, they won't serve a black man without a Shelby by his side.
0:48:06 > 0:48:08So you're using me?
0:48:11 > 0:48:12Yeah.
0:48:12 > 0:48:14Come on.
0:48:18 > 0:48:20LAUGHTER AND CHATTER
0:48:21 > 0:48:25I told you, I fucking told you, this city's gone mad.
0:48:25 > 0:48:26Girls go out on their own now.
0:48:30 > 0:48:32Two pints of dark mild, please.
0:48:32 > 0:48:33Fuck that. We're Peaky boys.
0:48:33 > 0:48:35Two whiskies.
0:48:43 > 0:48:45You get used to it, then you can't stop.
0:48:49 > 0:48:51HE WHISTLES
0:48:52 > 0:48:54I don't drink with blacks.
0:48:54 > 0:48:56Here we fucking go.
0:48:56 > 0:48:58Paddy, they're OK.
0:48:58 > 0:49:00Not with me, they're not.
0:49:00 > 0:49:02I don't drink in pubs with blacks.
0:49:02 > 0:49:03So leave.
0:49:05 > 0:49:07Look, my dad is the preacher round here.
0:49:07 > 0:49:09He has connections, ask anybody.
0:49:09 > 0:49:12I couldn't give a fuck who he is.
0:49:12 > 0:49:14I'm telling you to leave it, Paddy.
0:49:14 > 0:49:16And I'm telling this darkie to get out of here.
0:49:16 > 0:49:18You know something? Fuck off.
0:49:18 > 0:49:20It's all right, Isaiah, come on, leave it.
0:49:20 > 0:49:22- We'll go to my cousin's pub. - I like it here.
0:49:24 > 0:49:25You fucking nigger.
0:49:27 > 0:49:30SHOUTING AND SCREAMING
0:49:48 > 0:49:50Paddy! The white kid's a Peaky Blinder!
0:49:50 > 0:49:52He's Polly Shelby's son!
0:49:53 > 0:49:57He's Polly Shelby's son! Are you fucking suicidal?!
0:49:57 > 0:49:59Sir...
0:49:59 > 0:50:01Sir, I'm sorry, I didn't know.
0:50:01 > 0:50:02Get out!
0:50:02 > 0:50:04Get out the fucking pub.
0:50:04 > 0:50:06I really didn't know.
0:50:06 > 0:50:08Fuck, let's go. Let's go!
0:50:10 > 0:50:12We ordered some drinks
0:50:12 > 0:50:14and we're going to drink them.
0:50:25 > 0:50:28His face, man. Did you see his fucking face?
0:50:28 > 0:50:29You punch like a fucking kangaroo.
0:50:29 > 0:50:32I seen one once in a circus, you punch like that.
0:50:34 > 0:50:36All right, anyway, I need a fucking drink.
0:50:36 > 0:50:38- It's on you. - It's on me? You just got paid.
0:50:38 > 0:50:40Yeah, from you.
0:50:48 > 0:50:51Fucking hell, it's packed in here, isn't it?
0:50:51 > 0:50:52So it's as easy as that?
0:50:52 > 0:50:56Easy as that, John boy. London, you wouldn't believe it.
0:50:56 > 0:50:58Finn, stick your head in a bucket.
0:50:58 > 0:50:59No.
0:50:59 > 0:51:02The women, John boy, the women...
0:51:02 > 0:51:04I've got this one, she's a dancer, right?
0:51:04 > 0:51:06She can do things with her...
0:51:10 > 0:51:13If Finn would just piss off I'd explain a little bit better.
0:51:13 > 0:51:15Well, if it's so good, why are you here?
0:51:15 > 0:51:17A decent pint.
0:51:17 > 0:51:19The cockney's can't get that right.
0:51:19 > 0:51:21He misses us, Finn, that's what it is.
0:51:23 > 0:51:26Here they are, look, junior Peaky boys.
0:51:29 > 0:51:32What's happened to you? You been scrapping?
0:51:32 > 0:51:34Some idiots at the Marquis of Lorne.
0:51:34 > 0:51:38Tried to stop me and Isaiah from drinking, but it's all right.
0:51:38 > 0:51:39We fought them off.
0:51:39 > 0:51:42Arthur, we had to stand our ground and we did.
0:51:42 > 0:51:45The Marquis, eh? Where's your dad?
0:51:46 > 0:51:48- Preaching.- Right.
0:51:51 > 0:51:53Don't nick any of me chips, Finn!
0:51:53 > 0:51:55- Where are you going? - We won't be long.
0:51:57 > 0:51:59Where are they going?
0:51:59 > 0:52:00The Marquis of Lorne.
0:52:02 > 0:52:03Shame.
0:52:03 > 0:52:05It was a nice pub.
0:52:05 > 0:52:09# Joseph
0:52:09 > 0:52:13# Walked on and on, The sunset
0:52:15 > 0:52:20# Went down and down, Coldness
0:52:21 > 0:52:26# Cooled their desire, And Dawn said
0:52:29 > 0:52:32# "Let's build a fire"
0:52:32 > 0:52:35# Is this desire
0:52:35 > 0:52:38# Enough, enough
0:52:38 > 0:52:42# To lift us higher
0:52:42 > 0:52:45# To lift above
0:52:58 > 0:53:00# Hour long
0:53:00 > 0:53:06# By hour, may we two stand, When we're dead
0:53:08 > 0:53:11# Between these lands, The sun set
0:53:15 > 0:53:19# Behind his eyes, And Joe said
0:53:22 > 0:53:24# "Is this desire?"
0:53:32 > 0:53:35# Is this desire
0:53:35 > 0:53:38# Enough, enough
0:53:38 > 0:53:41# To lift us higher
0:53:41 > 0:53:45# To lift above?
0:53:45 > 0:53:48# Is this desire
0:53:48 > 0:53:52# Enough, enough
0:53:52 > 0:53:55# Enough inside
0:53:55 > 0:53:58# Is this desire? #
0:53:59 > 0:54:00SHE MOANS
0:54:00 > 0:54:03Ey-up. Bet the big bastard got cut.
0:54:06 > 0:54:08You didn't have to do that for me.
0:54:08 > 0:54:09We didn't do it for you, Michael.
0:54:09 > 0:54:11We did it for the good name of the company.
0:54:12 > 0:54:15None of this happened, all right?
0:54:15 > 0:54:17Come on, let's go and get that drink.
0:54:27 > 0:54:28DOOR THUDS
0:54:28 > 0:54:30FOOTSTEPS APPROACHING
0:54:45 > 0:54:46The date has been set.
0:54:48 > 0:54:50Three weeks from today.
0:54:54 > 0:54:55You checked out his house?
0:54:57 > 0:54:59There's coppers all over it.
0:55:01 > 0:55:02You'll take care of them?
0:55:02 > 0:55:06No. That would arouse suspicion.
0:55:06 > 0:55:08You'll have to deal with them yourself.
0:55:11 > 0:55:12And if a copper gets killed?
0:55:15 > 0:55:19There will be no consequences for you, I have given you my word.
0:55:19 > 0:55:20Which I know to be worthless.
0:55:22 > 0:55:27That is why I have been settling my affairs in the event of my death.
0:55:30 > 0:55:33HE CHUCKLES: And making your peace with God, perhaps?
0:55:35 > 0:55:37Well, good luck with that.
0:55:42 > 0:55:46I have made arrangements with men I trust.
0:55:48 > 0:55:50If I should die,
0:55:50 > 0:55:52then you will die...
0:55:53 > 0:55:55..know that.
0:55:59 > 0:56:03FOOTSTEPS RECEDING
0:57:28 > 0:57:30Ritz Hotel.
0:57:30 > 0:57:32London, Piccadilly.
0:57:32 > 0:57:35PHONE RINGS
0:57:41 > 0:57:43Hello?
0:57:44 > 0:57:46'Hello?'
0:57:52 > 0:57:54- Who was that?- Call got cut.
0:57:54 > 0:57:57I guess the telephone lines in England are not so good, huh?
0:58:21 > 0:58:23# On the gathering storm
0:58:23 > 0:58:25# Comes a tall handsome man
0:58:25 > 0:58:27# In a dusty black coat
0:58:27 > 0:58:30# With a red right hand. #