0:00:02 > 0:00:04This place is under new management...
0:00:04 > 0:00:06by order of the Peaky Blinders.
0:00:06 > 0:00:13Just write down, "Peace between the Jews and the Italians."
0:00:13 > 0:00:14And war...
0:00:15 > 0:00:17..against the Gypsies.
0:00:17 > 0:00:19'I love him, Tom.
0:00:19 > 0:00:20'I know.'
0:00:20 > 0:00:23That's why I'll keep him away from the old business
0:00:23 > 0:00:25and put him charge of the new.
0:00:25 > 0:00:27Some idiots at The Marquis Of Lorne.
0:00:27 > 0:00:30They tried to stop me and Isaiah from drinking, but it's all right.
0:00:30 > 0:00:31We fought them off.
0:00:31 > 0:00:32The Marquis, eh?
0:00:32 > 0:00:36This programme contains strong language and scenes of sexual violence, which some viewers may find upsetting
0:00:37 > 0:00:39What do we want with a 1,000 guinea horse?
0:00:39 > 0:00:41When we make our move on Sabini's racing pitches
0:00:41 > 0:00:44a good racehorse is a passport to the owners' enclosure.
0:00:44 > 0:00:47May Carleton. I breed racehorses and train them.
0:00:53 > 0:00:57'I have made arrangements with men I trust.'
0:00:57 > 0:00:59If I should die...
0:00:59 > 0:01:00then you will die.
0:01:05 > 0:01:07GOAT BLEATS
0:01:15 > 0:01:18MURMUR OF VOICES
0:01:18 > 0:01:22# Take a little walk to the edge of town
0:01:22 > 0:01:25# And go across the tracks
0:01:26 > 0:01:31# Where the viaduct looms like a bird of doom
0:01:31 > 0:01:33# As it shifts and cracks... #
0:01:35 > 0:01:37WOMAN MOANS ECSTATICALLY
0:01:37 > 0:01:39# ..Where secrets lie in the border fires
0:01:39 > 0:01:42# In the humming wires Hey, man, you know you're never... #
0:01:42 > 0:01:44Would you stop the noise?!
0:01:44 > 0:01:49# ..Past the square, past the bridge past the mills, past the stacks
0:01:51 > 0:01:56# On a gathering storm comes a tall handsome man
0:01:56 > 0:02:00# In a dusty black coat with a red right hand... #
0:02:05 > 0:02:08HE SNIFFS
0:02:09 > 0:02:11You're working tonight?
0:02:12 > 0:02:14Not so much work as pleasure.
0:02:14 > 0:02:17Others are doing my work for me tonight.
0:02:18 > 0:02:21Gentlemen, welcome, welcome.
0:02:21 > 0:02:22Mr Solomon.
0:02:22 > 0:02:24You must be Arthur.
0:02:24 > 0:02:27- That is right.- Arthur, Arthur!
0:02:27 > 0:02:30- It is a pleasure to meet you, sir. - I have heard so much about you.
0:02:30 > 0:02:33Shalom. Let me just say...
0:02:33 > 0:02:35Shalom.
0:02:37 > 0:02:39CROCKERY SMASHES
0:02:39 > 0:02:40For luck.
0:02:41 > 0:02:45# ..They're a-whispering his name through this disappearing land
0:02:45 > 0:02:50# But hidden in his coat is a red right hand... #
0:02:58 > 0:03:01You understand I am the commanding officer on this operation
0:03:01 > 0:03:04and you are here purely as an observer?
0:03:06 > 0:03:08Just do your duty!
0:03:10 > 0:03:14Dear Lord, for what we are about to receive,
0:03:14 > 0:03:16may the Lord make us truly grateful.
0:03:16 > 0:03:17Amen.
0:03:21 > 0:03:23Amen!
0:03:24 > 0:03:25Amen.
0:03:28 > 0:03:32The Passover started off way out there in the Far East -
0:03:32 > 0:03:34out in the sand, out in the desert,
0:03:34 > 0:03:35where my forefathers come from -
0:03:35 > 0:03:37the Jews, the brews, whatever you want to call them.
0:03:37 > 0:03:41- DOOR RUMBLES SHUT - It started out as a little speck on the horizon...
0:03:41 > 0:03:42Arthur, this ain't right!
0:03:42 > 0:03:45Billy, don't worry, mate. If you want, you can leave.
0:03:45 > 0:03:47If you need to go to the little boy's room, you can leave.
0:03:47 > 0:03:50- We're going to open them in a minute anyway.- He's all right. Billy Boy.
0:03:50 > 0:03:52- Do you want to leave? - No, you are all right.
0:03:52 > 0:03:55- You want to stay?- I'll stay.
0:03:55 > 0:03:57You stay there, then, treacle. OK.
0:03:57 > 0:04:00So, the Pharaoh, have you heard of him?
0:04:00 > 0:04:04He kept my people, the Jewish people, in slavery
0:04:04 > 0:04:07for thousands and thousands of years.
0:04:07 > 0:04:08Persecuted race.
0:04:08 > 0:04:14He did, he persecuted my race. The killing of the innocent, right?
0:04:14 > 0:04:17Seder, this feast what we is having here, right?
0:04:17 > 0:04:23Seder is basically the day when the Jewish angels decided, you know,
0:04:23 > 0:04:27that the evil fucking Egyptians had pushed their fucking luck.
0:04:27 > 0:04:32- Right.- It's part of our tradition, to do with Seder, right,
0:04:32 > 0:04:36that in order to make it good with God to kill a king...
0:04:38 > 0:04:42..we have to carry out the Korban Pesach.
0:04:42 > 0:04:49- Right.- That is the ritual sacrifice of the Passover goat.
0:04:49 > 0:04:51GOAT BLEATS
0:04:53 > 0:04:58- It's a goat!- Yeah, and we are going to sacrifice it.
0:04:58 > 0:04:59Tonight.
0:04:59 > 0:05:03That is part of the reason why we have to shut the doors as well.
0:05:03 > 0:05:07But this year we thought we'd give the fucking goat a name.
0:05:07 > 0:05:10- You've named it? - We fucking did. Yeah.
0:05:10 > 0:05:11They named the fucking goat.
0:05:11 > 0:05:14After the evil fucking Egyptian pharaoh.
0:05:14 > 0:05:15The fucking enemy!
0:05:15 > 0:05:17That's right! You know what we called him?
0:05:17 > 0:05:18What did you call him?
0:05:18 > 0:05:19Tommy Shelby.
0:05:20 > 0:05:22GUNSHOT
0:05:22 > 0:05:24SHOUTING AND COMMOTION
0:05:37 > 0:05:38Police! Stay where you are.
0:05:38 > 0:05:40SHOUTING AND COMMOTION
0:05:42 > 0:05:44GUNSHOT
0:05:44 > 0:05:45You're all fired.
0:05:45 > 0:05:47Fuck you!
0:05:47 > 0:05:49That's right, let's take the load off.
0:05:52 > 0:05:57So, then the evil Egyptian scum
0:05:57 > 0:06:01was finally cleansed
0:06:01 > 0:06:03by the blood of the Passover goat.
0:06:10 > 0:06:12That's from Sabini.
0:06:14 > 0:06:16You tell your Gypsy king...
0:06:16 > 0:06:17HE SCREAMS
0:06:17 > 0:06:19..that whoever comes down south
0:06:19 > 0:06:23shall return north in many fucking pieces.
0:06:26 > 0:06:28KNIFE SLASHES FLESH, HE SCREAMS
0:06:38 > 0:06:40The fucking animal. He come in here, right,
0:06:40 > 0:06:44with a fucking gun and a razor, he shot him in the face.
0:06:44 > 0:06:47My lads, they restrained him. Look at him. He is dead.
0:06:47 > 0:06:48Is he dead?
0:06:48 > 0:06:50He is fucking dead!
0:06:50 > 0:06:53He wants arresting or some thing, right? Surely.
0:07:00 > 0:07:03Not again! Michael! No, you can't take him away again!
0:07:03 > 0:07:04You can't take my son away!
0:07:04 > 0:07:06- Give me the boy.- Come back here.
0:07:06 > 0:07:10Listen, we are arresting him for taking part in a fight...
0:07:10 > 0:07:11Ow, you...!
0:07:11 > 0:07:15Don't you fucking touch him! Get off him!
0:07:15 > 0:07:18Don't say anything. Tommy will get you out.
0:07:18 > 0:07:19I'll be all right...
0:07:24 > 0:07:29You should know that, as of this night, Tommy Shelby is finished.
0:07:43 > 0:07:47Mick, this is Thomas Shelby. He's come to check up on his filly.
0:07:48 > 0:07:50Yes. I've heard about him.
0:07:51 > 0:07:54Micky is the best horseman in England.
0:07:54 > 0:07:58He likes to waste money, I know that.
0:07:58 > 0:08:00According to the reports I've been given
0:08:00 > 0:08:02you're spending £2 a month on worming powder.
0:08:02 > 0:08:04What? You want a horse with worms?
0:08:04 > 0:08:06Horses get worms from the water trough.
0:08:06 > 0:08:08If you put goldfish in them, they eat the worm eggs.
0:08:08 > 0:08:10Goldfish?
0:08:11 > 0:08:13That'll be a Gypsy thing, is it?
0:08:13 > 0:08:15No, it's an accounting thing.
0:08:15 > 0:08:17Goldfish cost a penny each.
0:08:17 > 0:08:19Or you can win them at the fair.
0:08:23 > 0:08:25If you want, I'll dispense with the vet altogether.
0:08:25 > 0:08:27Excuse me.
0:08:30 > 0:08:32Did you ever consider a career in diplomacy?
0:08:37 > 0:08:40Hello, hello. How are you, eh?
0:08:40 > 0:08:41Goldfish? Seriously?
0:08:41 > 0:08:45Yep. You people have a lot to learn.
0:09:03 > 0:09:06They asked me if I wanted a fire in the guest bedroom.
0:09:08 > 0:09:10I said no.
0:09:12 > 0:09:14Just one fire tonight.
0:09:16 > 0:09:17Bold and fearless, eh?
0:09:17 > 0:09:19Yes.
0:09:20 > 0:09:22Though I'm not really fearless.
0:09:31 > 0:09:33- Drink?- Why not?
0:09:48 > 0:09:49Madam, there is a telephone call.
0:09:49 > 0:09:51I'll take it in the drawing room.
0:09:51 > 0:09:52It's for Mr Shelby.
0:09:57 > 0:09:58We had a deal.
0:09:59 > 0:10:01Hey?
0:10:01 > 0:10:02We had a fucking deal!
0:10:04 > 0:10:08I would thank you to moderate your language in a place of worship.
0:10:08 > 0:10:10We had a fucking deal.
0:10:14 > 0:10:15Mr Shelby.
0:10:18 > 0:10:22If you read the papers, you might have seen that the Home Secretary
0:10:22 > 0:10:28has got himself into a bit of a fizz about certain moral issues.
0:10:28 > 0:10:30Prostitution, protection,
0:10:30 > 0:10:32racketeering, drinking,
0:10:32 > 0:10:34cocaine and, of course...
0:10:34 > 0:10:35gambling.
0:10:37 > 0:10:39He has demanded results.
0:10:39 > 0:10:44You offered me protection. You promised me protection.
0:10:44 > 0:10:48Well, no, you see it was Mr Churchill that made you that promise.
0:10:49 > 0:10:53And the Home Secretary outranks him, so...
0:10:55 > 0:10:57And I can hardly be blamed if your demented brother
0:10:57 > 0:11:01decides to go on some sort of blood orgy during dinner.
0:11:01 > 0:11:02Don't fucking lie to me!
0:11:02 > 0:11:05- SHOUTS:- Do not sit here in your fucking church and lie to me!
0:11:08 > 0:11:10You will need to contain your emotions
0:11:10 > 0:11:12or this meeting is at an end.
0:11:21 > 0:11:23Good.
0:11:24 > 0:11:26That's better.
0:11:28 > 0:11:29So...
0:11:30 > 0:11:34..let us review the new situation.
0:11:34 > 0:11:36I have your brother in a prison cell
0:11:36 > 0:11:39charged with the murder of Billy Kitchen.
0:11:39 > 0:11:42The case against him is strong
0:11:42 > 0:11:46and I have no doubt that his destiny is to hang.
0:11:47 > 0:11:50And then there is Polly's son, Michael.
0:11:50 > 0:11:54He has already admitted to helping Arthur burn down the Marquis pub.
0:11:56 > 0:12:00He was a tough nut to crack, that boy, but crack he did.
0:12:00 > 0:12:03So I have your brother facing the noose,
0:12:03 > 0:12:06I have your cousin facing five years for arson.
0:12:06 > 0:12:11And I have your entire organisation in disarray
0:12:11 > 0:12:12in Birmingham and in London.
0:12:12 > 0:12:13What do you want?
0:12:15 > 0:12:16What do I want?!
0:12:17 > 0:12:19I don't understand.
0:12:21 > 0:12:24I have already agreed to do your fucking killing for you.
0:12:25 > 0:12:28Now, what is it you want from me?
0:12:30 > 0:12:32There you go, you see.
0:12:34 > 0:12:39An agreement is not the same thing as an assurance, now, is it?
0:12:41 > 0:12:47You see, I found... I wasn't sleeping so well.
0:12:47 > 0:12:52It wasn't just the smell and the noise in that room, no.
0:12:52 > 0:12:56It was the nagging doubt. The knowledge...
0:12:57 > 0:12:58The knowledge that...
0:13:00 > 0:13:03..Tommy Shelby is not afraid to die.
0:13:05 > 0:13:06Therefore...
0:13:07 > 0:13:11..the threat to your own life might not be enough
0:13:11 > 0:13:15to make it certain that you will obey me on the given day.
0:13:18 > 0:13:23I needed also the power of life and death over your family.
0:13:23 > 0:13:25And that I now have.
0:13:25 > 0:13:26Your brother.
0:13:26 > 0:13:28Your cousin.
0:13:28 > 0:13:29And your sister.
0:13:31 > 0:13:37I have known her address in Primrose Hill since the day she moved in.
0:13:37 > 0:13:41She is safe only as long as I want her to be.
0:13:41 > 0:13:43I have been ahead of you...
0:13:45 > 0:13:46..every step of the way.
0:13:47 > 0:13:50And, as my father used to say...
0:13:51 > 0:13:53..to make sure your dog obeys you,
0:13:53 > 0:13:56you have to show it the stick once in a while.
0:14:04 > 0:14:05PHONE RINGS
0:14:05 > 0:14:07Tommy, Arthur is in solitary confinement.
0:14:07 > 0:14:09Michael is in the remand wing of...
0:14:09 > 0:14:11I already know. Get out, shut the doors.
0:14:13 > 0:14:15PHONE CONTINUES TO RING
0:14:26 > 0:14:27'Tommy?
0:14:28 > 0:14:30'It's me.'
0:14:33 > 0:14:34Tommy, can you hear me?
0:14:36 > 0:14:38Yes, er, Grace.
0:14:38 > 0:14:41I think you called. I...haven't slept.
0:14:44 > 0:14:46Grace, this is not a good time.
0:14:46 > 0:14:48I can call you back.
0:14:48 > 0:14:51- No, it's fine. It's all right. - Can we meet?
0:14:52 > 0:14:54Yes. We'll meet.
0:14:54 > 0:14:56When?
0:15:00 > 0:15:02Grace, there are some things I have to do first.
0:15:12 > 0:15:13John?
0:15:14 > 0:15:17The coppers have lifted ten of our men in Camden Town,
0:15:17 > 0:15:19the rest of them are on the run.
0:15:19 > 0:15:21- They've taken Michael. - Business first.
0:15:21 > 0:15:23- They took Michael last night. - I said business first.
0:15:23 > 0:15:25- They picked him up... - Polly, business first!
0:15:25 > 0:15:26John?
0:15:26 > 0:15:29They took all our whisky,
0:15:29 > 0:15:31so no doubt they'll be supping that for Christmas.
0:15:31 > 0:15:36They've impounded all our vans, put their own locks on the warehouse.
0:15:37 > 0:15:42The Eden Club and all our pubs have been raided by the coppers
0:15:42 > 0:15:44and handed back to Sabini and Solomons.
0:15:46 > 0:15:49The Black Country boys think it was Arthur killed Billy
0:15:49 > 0:15:51because that's what the coppers told them.
0:15:51 > 0:15:54So there'll be no more free passes for our whisky boats.
0:15:54 > 0:15:56I don't give a fuck about whisky.
0:15:56 > 0:15:58I don't give a fuck about Billy Kitchen.
0:15:58 > 0:16:01I want my son out of prison. Now.
0:16:01 > 0:16:02Thomas, I spoke to Johnny Dogs.
0:16:02 > 0:16:04This meeting should just be family.
0:16:04 > 0:16:07- I can help.- It's family only, she is not blood, Tommy!- Let her speak.
0:16:07 > 0:16:10- Or is this a business...? Have you forgotten...?- ENOUGH!
0:16:12 > 0:16:13Enough, Polly.
0:16:13 > 0:16:14Esme?
0:16:16 > 0:16:18I spoke to Johnny Dogs. The Lees are kin.
0:16:18 > 0:16:20- The bloody Lees! - They can give us men!
0:16:20 > 0:16:22We don't need more fucking men!
0:16:22 > 0:16:25It's men that have done the damage!
0:16:25 > 0:16:28It... It is men fighting like cockerels
0:16:28 > 0:16:30that have put us here in the first place.
0:16:32 > 0:16:34Esme, I'll take up their offer. We need men.
0:16:42 > 0:16:46If Michael ever gets out of prison,
0:16:46 > 0:16:48I am taking him away from this family.
0:16:48 > 0:16:50For good.
0:16:52 > 0:16:54This life is bad.
0:16:58 > 0:17:01This life is all bad.
0:17:01 > 0:17:03- Aunt Pol, what are you doing? - Shut up and walk.
0:17:08 > 0:17:10DOOR CLOSES
0:17:12 > 0:17:13Thomas?
0:17:15 > 0:17:18Should I go and speak to Queen Mary Lee at the Black Patch?
0:17:24 > 0:17:25Yes.
0:17:25 > 0:17:27She can give us soldiers for a few nights.
0:17:27 > 0:17:28Mm, good.
0:17:32 > 0:17:35John, go and bring up the car.
0:17:54 > 0:17:55DOOR CLOSES
0:17:55 > 0:17:58Imagine riding away, Thomas.
0:17:58 > 0:18:01Living the real life, you know?
0:18:01 > 0:18:03Your Gypsy half is the stronger.
0:18:05 > 0:18:07You just want to ride away.
0:18:10 > 0:18:13France is the new place for us, they say.
0:18:13 > 0:18:15Lot of metal lying around still.
0:18:17 > 0:18:19Guns and trucks and spent shells and things.
0:18:20 > 0:18:22Then you go south.
0:18:23 > 0:18:29Saintes-Maries, where the Black Madonna is.
0:18:29 > 0:18:31My brothers go sometimes for the fair.
0:18:33 > 0:18:34It's like a home for us.
0:18:38 > 0:18:40They still let you get lost there.
0:18:53 > 0:18:54I've been to France, Esme.
0:18:56 > 0:18:58So has John.
0:19:00 > 0:19:02Now get your coat
0:19:02 > 0:19:04and go with your husband.
0:19:13 > 0:19:16And if you ever talk about getting lost again,
0:19:16 > 0:19:17I will cut you...
0:19:18 > 0:19:19..from this family.
0:19:30 > 0:19:31What family?
0:19:46 > 0:19:49KEYS CLANK IN LOCK
0:19:50 > 0:19:52KNOCK AT DOOR Come in.
0:19:52 > 0:19:54DOOR OPENS
0:19:54 > 0:19:57MALE VOICES IN BACKGROUND
0:19:57 > 0:19:59Ah, Polly.
0:20:01 > 0:20:03Come to see my son.
0:20:04 > 0:20:06Close the door.
0:20:10 > 0:20:12I've just been conducting...
0:20:12 > 0:20:15an interrogation.
0:20:15 > 0:20:18It can be awfully hard on the hands.
0:20:18 > 0:20:21My son, Michael, where is he?
0:20:21 > 0:20:22Do you think I need a shave?
0:20:24 > 0:20:27It's been a long day.
0:20:27 > 0:20:29I need to shave, don't you think?
0:20:31 > 0:20:34Well, maybe it can wait till later.
0:20:37 > 0:20:41Your son has been having a hard time of it, I am told.
0:20:41 > 0:20:44And that is why I thought that you and I, together,
0:20:44 > 0:20:47we should do whatever we can to get him freed.
0:20:48 > 0:20:52I...I have a form here, a release form,
0:20:52 > 0:20:58and with my signature he can be freed by tomorrow morning at dawn.
0:21:15 > 0:21:16So sign it.
0:21:19 > 0:21:20He didn't do anything.
0:21:20 > 0:21:25"Sign it, Mr Campbell, please, sir."
0:21:25 > 0:21:29Something like that, that'd be a way to say it, wouldn't it?
0:21:30 > 0:21:32Now...
0:21:33 > 0:21:36..what would prompt me to do you such a favour, hmm?
0:21:39 > 0:21:41What do you want?
0:21:44 > 0:21:45Information?
0:21:45 > 0:21:50You mean inside information about Tommy Shelby's criminal empire?
0:21:52 > 0:21:54With respect,
0:21:54 > 0:21:57I would say that I know more about Tommy's dealings than you do.
0:21:57 > 0:22:00He doesn't trouble the family with Irish business, for instance,
0:22:00 > 0:22:03does he? No.
0:22:03 > 0:22:06So, no...
0:22:06 > 0:22:07it's not information I need.
0:22:15 > 0:22:17What else could you give me...
0:22:19 > 0:22:21..in return for my signature?
0:22:23 > 0:22:25I'm talking about a simple transaction here.
0:22:28 > 0:22:30I have a great curiosity.
0:22:31 > 0:22:34Like a magpie...sees something...
0:22:36 > 0:22:38..something shining in the mud.
0:22:41 > 0:22:44Oh, he has no need for the silver, but...
0:22:45 > 0:22:47..but he takes it anyway.
0:23:13 > 0:23:15Sign the form.
0:23:15 > 0:23:17"Please, sir..."
0:23:17 > 0:23:19Please, sir...
0:23:21 > 0:23:26I will sign that form with this hand...
0:23:26 > 0:23:28..when I am finished.
0:23:28 > 0:23:30It's a deal?
0:23:30 > 0:23:32It's a deal.
0:23:35 > 0:23:38You don't cry?
0:23:38 > 0:23:40- Oh, I can cry. - So...
0:23:41 > 0:23:43..that is what I want.
0:23:44 > 0:23:46I need you to cry.
0:23:48 > 0:23:49I will try.
0:23:52 > 0:23:58"I need a favour, Mr Campbell, sir. And I will do anything...
0:23:58 > 0:24:00"Anything in return."
0:24:00 > 0:24:02That's what you might have said, hmm?
0:24:05 > 0:24:07I felt something when...
0:24:09 > 0:24:13..when I had you up against that car and you felt it, too.
0:24:13 > 0:24:16(Don't tell me you didn't, Polly.)
0:24:16 > 0:24:18Because...
0:24:18 > 0:24:21Oh, and now you think you're...
0:24:22 > 0:24:24..sort of respectable...
0:24:24 > 0:24:27with your son and your house
0:24:27 > 0:24:30and your maid, but I know what you are,
0:24:30 > 0:24:32you Gypsy Fenian slut.
0:24:33 > 0:24:37Do you want it on the floor or on the desk, Mr Campbell?
0:24:47 > 0:24:50Now you cry.
0:24:50 > 0:24:52You cry!
0:24:59 > 0:25:01Get out. Get out.
0:25:03 > 0:25:05Get out!
0:25:05 > 0:25:07No. No!
0:25:07 > 0:25:09I want him free.
0:25:09 > 0:25:11I will get him free.
0:25:15 > 0:25:17You don't need to shave.
0:25:19 > 0:25:20You don't need to do anything.
0:25:23 > 0:25:27Victory's just doing nothing, as well.
0:25:27 > 0:25:29Doing it soft and gentle.
0:25:38 > 0:25:40Should I talk or not talk?
0:25:43 > 0:25:46Should it be like I am weak and small, yes?
0:25:50 > 0:25:51Do you want me to talk or not talk?
0:25:54 > 0:25:56Talk.
0:25:56 > 0:25:58You're small and weak.
0:25:59 > 0:26:02Then that is what I am -
0:26:02 > 0:26:04small and weak.
0:26:05 > 0:26:07Look.
0:26:09 > 0:26:10Feel.
0:26:12 > 0:26:14You made me cry.
0:26:19 > 0:26:21No!
0:26:21 > 0:26:24We had an agreement, right?
0:26:24 > 0:26:25Yes. Yes!
0:26:28 > 0:26:30DOOR OPENS
0:26:34 > 0:26:37Where've you been?
0:26:37 > 0:26:42I went to the Spotted Dog in Digbeth for a glass or two of rum.
0:26:44 > 0:26:47Was it one glass or two?
0:26:47 > 0:26:49It was three.
0:26:49 > 0:26:52Where's the baby?
0:26:52 > 0:26:53Sleeping.
0:26:55 > 0:26:56More like five.
0:27:01 > 0:27:02It was more like six.
0:27:05 > 0:27:08Did you meet the maid?
0:27:08 > 0:27:11I talked politics with her and she got bored and went to bed.
0:27:15 > 0:27:17I phoned James.
0:27:17 > 0:27:20He talked to the lawyer anyway.
0:27:20 > 0:27:23He said he'd take Arthur's case for free, so we don't need Tommy.
0:27:27 > 0:27:30Pol?
0:27:30 > 0:27:32We'll get Michael free, as well, I promise.
0:27:32 > 0:27:35There's no need, they're letting him out in the morning.
0:27:39 > 0:27:44If the baby wants anything at night, ring the bell by the bed.
0:27:44 > 0:27:47She gets paid to work 24 hours, that girl, she's getting lazy.
0:27:49 > 0:27:51Well...
0:27:52 > 0:27:55..take advantage if you're nice.
0:28:05 > 0:28:10# Forgive me, Hera I cannot stay
0:28:10 > 0:28:15# He cut out my tongue There is nothing to say
0:28:17 > 0:28:21# Love me, oh Lord He threw me away
0:28:23 > 0:28:27# He laughed at my sins In his arms I must stay
0:28:31 > 0:28:38# He wrote, "I'm broke, Please send for me."
0:28:41 > 0:28:46# Her skin is white And I'm light as the sun
0:28:46 > 0:28:51# So holy light shines on the things you have done
0:28:53 > 0:28:57# So I asked him How he became this man?
0:28:58 > 0:29:02# How did he learn to hold fruit in his hands?
0:29:02 > 0:29:07# And where is the lamb that gave you your name?
0:29:07 > 0:29:11# He had to leave Though I begged him to stay
0:29:13 > 0:29:18# We speak when spoken to
0:29:18 > 0:29:20# And that suits us well
0:29:24 > 0:29:27# That suits us well
0:29:29 > 0:29:32# That suits me well. #
0:29:34 > 0:29:37You need cream on them cuts or they'll go bad.
0:29:44 > 0:29:46The screws told me why I've been freed.
0:29:51 > 0:29:53They told me what you did.
0:30:00 > 0:30:02They thought it was funny.
0:30:09 > 0:30:10Maybe it is.
0:30:36 > 0:30:37What are you doing, Tommy?
0:30:38 > 0:30:41Shovelling shit, Curly. Just like you.
0:30:48 > 0:30:50And why are you doing that, Tommy?
0:30:50 > 0:30:54To remind myself of what I'd be if I wasn't who I am.
0:31:26 > 0:31:28Tommy?
0:31:28 > 0:31:29What's going on?
0:31:29 > 0:31:31I think Tommy's lost his mind, Charlie!
0:31:33 > 0:31:38Well, it's honest work, Curly...
0:31:38 > 0:31:41but I don't want to get used to it,
0:31:41 > 0:31:44so I'll need six cans of petrol.
0:31:44 > 0:31:48Bring them to the garage, put them in the back of the car.
0:31:49 > 0:31:51Six cans?
0:31:52 > 0:31:55Tommy, if you ever want a job, I'll get you your own shovel.
0:31:58 > 0:32:00Petrol, yeah. Yeah.
0:32:18 > 0:32:22# Climbed over mountains
0:32:22 > 0:32:26# Travelled the sea
0:32:26 > 0:32:30# Cast down off heaven
0:32:30 > 0:32:33# Cast down on my knees
0:32:35 > 0:32:37# I've lain with the devil
0:32:39 > 0:32:41# Cursed God above
0:32:43 > 0:32:46# Forsaken heaven
0:32:46 > 0:32:50# To bring you my love... #
0:32:52 > 0:32:55Far too gorgeous for some half-blind auntie.
0:32:55 > 0:32:58She's my harshest critic. I have to be perfect.
0:33:00 > 0:33:03She's not half-blind, she's half-deaf.
0:33:03 > 0:33:06So what time will you be back?
0:33:06 > 0:33:07Before midnight.
0:33:09 > 0:33:11I'll be awake.
0:34:06 > 0:34:08Is this your house?
0:34:08 > 0:34:10Yes. Have a seat.
0:34:22 > 0:34:24Do I not get a drink?
0:34:24 > 0:34:25Please.
0:34:29 > 0:34:32- You want one?- Yes.
0:34:32 > 0:34:33Still whisky?
0:34:34 > 0:34:36Yes.
0:34:36 > 0:34:38But other things have changed.
0:34:38 > 0:34:40I saw vans with your name on at the docks.
0:34:40 > 0:34:42Yes, some things have changed.
0:34:59 > 0:35:02Tommy, I really wasn't sure about coming tonight...
0:35:02 > 0:35:04I lit a fire in the bedroom upstairs.
0:35:06 > 0:35:10My plan was that we sit here for a while and...
0:35:10 > 0:35:12talk about old times,
0:35:12 > 0:35:14drink some whisky.
0:35:16 > 0:35:19And I was going to tell you
0:35:19 > 0:35:22I hadn't spent a day without thinking about you.
0:35:22 > 0:35:24And then we were going to go upstairs
0:35:24 > 0:35:25and sleep together.
0:35:27 > 0:35:31But just now, on the way to opening the door,
0:35:31 > 0:35:32I changed my mind.
0:35:35 > 0:35:37So just have one drink,
0:35:37 > 0:35:40tell me how happy you are in New York and then you can go.
0:35:40 > 0:35:42You "changed your mind"?
0:35:42 > 0:35:44Mmm. So you can go.
0:35:49 > 0:35:52As a matter of fact, I am happy in New York.
0:35:52 > 0:35:55- And I am married. - Oh, yeah, he's rich, I know.
0:35:55 > 0:35:58And he's sweet and he's kind to me,
0:35:58 > 0:36:02so what makes you think that I would have gone to bed with you
0:36:02 > 0:36:04after one whisky and some conversation?
0:36:04 > 0:36:07- I was accounting for three whiskies. - How dare you?
0:36:07 > 0:36:09Doesn't matter now, because I've changed my mind.
0:36:09 > 0:36:12I came here because you asked me.
0:36:12 > 0:36:14Even though he's sweet and he's kind to you?
0:36:14 > 0:36:17- And now I feel like an idiot. - Well, then go.
0:36:17 > 0:36:18(Jesus.)
0:36:30 > 0:36:32But you're still here.
0:36:35 > 0:36:37Are you so certain?
0:36:37 > 0:36:39That you're still in love with me?
0:36:41 > 0:36:44I was, but I'm not any more.
0:36:49 > 0:36:51You're not armed, Grace, are you?
0:36:51 > 0:36:53No, I'm not armed.
0:36:53 > 0:36:57I don't carry guns. I don't have to.
0:37:03 > 0:37:05You don't have a sense of humour any more, either.
0:37:05 > 0:37:07What are you talking about?
0:37:17 > 0:37:20Thing is, I hate reunions.
0:37:20 > 0:37:23I didn't want to sit here for hours talking about nothing
0:37:23 > 0:37:26and dancing around what we really want to say.
0:37:27 > 0:37:29So now...
0:37:29 > 0:37:32I know you're happy in New York. I know your husband's rich
0:37:32 > 0:37:35and sweet and kind to you. I know you're unarmed
0:37:35 > 0:37:40and you didn't come here for sex, because you don't love me any more.
0:37:40 > 0:37:44And it's only three minutes past.
0:37:44 > 0:37:46Another drink?
0:37:49 > 0:37:52I'll take that as a yes.
0:37:55 > 0:37:56It's good to see you, Grace.
0:37:58 > 0:38:00So you didn't light the fire?
0:38:04 > 0:38:07You see, my real plan...
0:38:09 > 0:38:10..was that we go out.
0:38:12 > 0:38:14I want to impress you.
0:38:14 > 0:38:16Now...
0:38:18 > 0:38:19..do you like Charlie Chaplin?
0:38:22 > 0:38:24Yes, I like Charlie Chaplin.
0:38:24 > 0:38:26Good.
0:38:26 > 0:38:29But I bet you've never heard Charlie Chaplin speak.
0:38:31 > 0:38:33I thought you were taking me to see Charlie Chaplin.
0:38:33 > 0:38:36- I am. - This isn't a picture house.
0:38:36 > 0:38:38No, it's not a picture house.
0:38:38 > 0:38:40So how will I see Charlie Chaplin?
0:38:40 > 0:38:44You will see him and you will hear him, just like I promised.
0:38:44 > 0:38:48- There you go, there's Chaplin. - Oh, my God, that's him.- Mm-hm.
0:38:48 > 0:38:50- That's really Charlie Chaplin in person.- Yep.
0:38:50 > 0:38:53He's in England, promoting his film.
0:38:53 > 0:38:55- And how the hell do you know Charlie Chaplin?- I don't,
0:38:55 > 0:38:58I know his bodyguard, Wag MacDonald.
0:38:58 > 0:38:59It's that chap there.
0:38:59 > 0:39:03I was a bookie in Birmingham, then he went to Los Angeles.
0:39:03 > 0:39:06You see, Wag is also a Romany Gypsy, as is Chaplin.
0:39:06 > 0:39:08But he keeps it a secret.
0:39:08 > 0:39:12Chaplin was born on the Black Patch, a Gypsy camp in Birmingham.
0:39:12 > 0:39:15That's why he gave Wag the job, even though Wag was on the run.
0:39:15 > 0:39:16Thank you.
0:39:18 > 0:39:20Thank you.
0:39:20 > 0:39:22See, we've all got secrets, Grace.
0:39:22 > 0:39:24Come on, I'll introduce you.
0:39:28 > 0:39:31Hello, Wag. Mr Chaplin, this is Grace.
0:39:31 > 0:39:32Hello, Mr Chaplin.
0:39:35 > 0:39:39PHONE RINGS
0:39:41 > 0:39:43- Hello.- Hello, Mr Campbell.
0:39:43 > 0:39:47You said you knew my sister's address in Primrose Hill.
0:39:47 > 0:39:49So I expect you have men watching the house,
0:39:49 > 0:39:52to see who comes and goes.
0:39:52 > 0:39:54Well, tonight, your men will see me return to the house
0:39:54 > 0:39:56with a very beautiful woman.
0:39:56 > 0:39:59She will stay until just before midnight.
0:39:59 > 0:40:01Course, I'll close the curtains.
0:40:03 > 0:40:05Can you guess who the woman is?
0:40:08 > 0:40:09Liar!
0:40:09 > 0:40:11Sleep well, Mr Campbell.
0:40:21 > 0:40:22Tommy.
0:40:24 > 0:40:26Tommy, do you have someone?
0:40:34 > 0:40:37(It's too late, Tommy.)
0:40:37 > 0:40:39(It's 11, Grace.)
0:40:39 > 0:40:40I mean, it's too late.
0:40:43 > 0:40:46If you'd come with me to New York...
0:40:46 > 0:40:48I had things to do.
0:40:50 > 0:40:53You mean the coin landed the wrong way?
0:40:53 > 0:40:55It couldn't have worked.
0:40:58 > 0:40:59That was a question.
0:41:12 > 0:41:14(Tommy, do you have someone?)
0:41:17 > 0:41:19(I have a race horse.)
0:41:21 > 0:41:22She's going to win the Derby.
0:41:22 > 0:41:24MUSIC: Catherine by PJ Harvey
0:41:26 > 0:41:29# Till the light that shines on me
0:41:29 > 0:41:33# I damn to hell every second you breathe
0:41:37 > 0:41:41# I envy the road the ground you tread under
0:41:41 > 0:41:45# I envy the wind your hair riding over
0:41:45 > 0:41:48# I envy the pillow your head rests and slumbers
0:41:48 > 0:41:53# I envy to murderous envy your lover
0:41:53 > 0:41:56# Till the light shines on me
0:41:56 > 0:41:59# I damn to hell every second you breathe
0:42:01 > 0:42:04# Till the light shines on me
0:42:04 > 0:42:09# I damn to hell every second you breathe
0:42:09 > 0:42:14# Till the light shines on me... #
0:42:17 > 0:42:19- I'll drive you. - HE CLEARS THROAT
0:42:23 > 0:42:25When do you sail back?
0:42:28 > 0:42:29We don't know yet.
0:42:31 > 0:42:33You don't have a return ticket?
0:42:34 > 0:42:35This wasn't right, Tommy.
0:42:37 > 0:42:38When do you go back, Grace?
0:42:44 > 0:42:46They're doing tests on us.
0:42:46 > 0:42:48I don't know when they'll be finished.
0:42:53 > 0:42:54We're having treatment.
0:42:55 > 0:42:57A doctor in Harley Street.
0:42:58 > 0:43:00Some new thing. A breakthrough.
0:43:03 > 0:43:05We're trying for a baby.
0:43:30 > 0:43:31Why did you come here tonight?
0:43:38 > 0:43:41The doctor believes it's surely me who's at fault.
0:43:49 > 0:43:52- I am sorry. It is no-one's fault. - I'm tired of that.
0:44:04 > 0:44:05Can I see you again?
0:44:10 > 0:44:11Grace?
0:44:16 > 0:44:18You're used to working under cover, eh?
0:44:21 > 0:44:23I've never lied to him once.
0:44:26 > 0:44:27So tell him the truth.
0:44:47 > 0:44:48Put your arms up.
0:44:57 > 0:44:59What have we got here then?
0:45:03 > 0:45:05Take your fucking hands off me!
0:45:07 > 0:45:10Here he is. The King of London Town.
0:45:20 > 0:45:22You been enjoying yourself?
0:45:22 > 0:45:24Oh, yes, fucking great.
0:45:24 > 0:45:26Surrounded by Sabini's men.
0:45:26 > 0:45:28Rats everywhere.
0:45:29 > 0:45:30Fucking cockneys.
0:45:31 > 0:45:34Well, at least you're going to get what you've always wanted.
0:45:34 > 0:45:37- And what's that? - You've tried to hang yourself twice.
0:45:37 > 0:45:39Now the King's going to do it for you.
0:45:44 > 0:45:46- I've been a fucking idiot.- Yeah.
0:45:47 > 0:45:49I haven't appreciated nothing, John.
0:45:49 > 0:45:51Are you fucking repenting or something?
0:45:51 > 0:45:52Drawing.
0:45:53 > 0:45:55I used to be good at drawing.
0:45:55 > 0:45:57Arthur, please. For God's sake. I don't need this.
0:45:57 > 0:45:59I should have listened more in class...
0:45:59 > 0:46:01What fucking class? You were never there!
0:46:03 > 0:46:04I used to draw horses.
0:46:04 > 0:46:06Arthur...
0:46:06 > 0:46:09Stallions. Great big ones. They looked real.
0:46:09 > 0:46:11Arthur. Not stallions, not now.
0:46:12 > 0:46:16I should have done more with my life, John. Good things.
0:46:16 > 0:46:19- Arthur, for God's sake... - Even Ada said it wasn't my fault.
0:46:19 > 0:46:21- Arthur, will you listen? - They are going to hang me, John.
0:46:21 > 0:46:23They're not going to hang you.
0:46:23 > 0:46:24Says who?
0:46:26 > 0:46:27Tommy.
0:46:30 > 0:46:34And how is Houdini going to get me out of this?
0:46:34 > 0:46:36- Well... - Don't tell me. He's got a plan.
0:46:37 > 0:46:40- But you don't know what that plan is, do you, John?- I do...
0:46:40 > 0:46:43Because we just, we can't be trusted.
0:46:43 > 0:46:47All right. If he's so fucking clever, why am I in here?
0:46:47 > 0:46:51- Well...- Why is all our men and half our whisky being lifted?
0:46:51 > 0:46:53Hmm?
0:46:53 > 0:46:55The Jew and the cockney have run rings round him.
0:46:55 > 0:46:57- Will you shut up?- Look at you. Look.
0:46:57 > 0:46:59A big fucking man...
0:46:59 > 0:47:00Fucking shut up!
0:47:03 > 0:47:05He's already told me what I've got to do.
0:47:23 > 0:47:25What business have you got here?
0:47:25 > 0:47:29I just pulled over. I never smoke and drive, you know.
0:47:29 > 0:47:30Where are you from?
0:47:30 > 0:47:32I'm from Ireland.
0:47:32 > 0:47:34The beautiful north, where the rocks sing in the wind.
0:47:34 > 0:47:36Where in the beautiful north?
0:47:36 > 0:47:38You know, I just pulled over for a fag.
0:47:38 > 0:47:40I want to see some identification.
0:47:40 > 0:47:41Hey!
0:48:00 > 0:48:02# Come home
0:48:02 > 0:48:04# Like me
0:48:06 > 0:48:09# You're home now
0:48:09 > 0:48:11# Here with me
0:48:11 > 0:48:14# Come home
0:48:14 > 0:48:17# With your son
0:48:17 > 0:48:21# Tomorrow might never come... #
0:48:21 > 0:48:22May!
0:48:22 > 0:48:24Tommy!
0:48:33 > 0:48:36Does it really stop the horses from getting worms?
0:48:38 > 0:48:39Yep. It really does.
0:48:44 > 0:48:47Anyway, I thought it would make you smile.
0:48:49 > 0:48:51I'm sorry that you had to drive through the night.
0:48:51 > 0:48:53Must be exhausted. You can go and sleep if you want.
0:48:55 > 0:48:56May?
0:48:58 > 0:49:00We have to stop.
0:49:01 > 0:49:02This.
0:49:03 > 0:49:05I came here to tell you we have to stop.
0:49:08 > 0:49:09Why?
0:49:10 > 0:49:13Because I'm me and you're you? That old thing?
0:49:14 > 0:49:15There's someone.
0:49:18 > 0:49:19For a long time.
0:49:24 > 0:49:27And I didn't want you to think anything about how it's going to be
0:49:27 > 0:49:28after the race.
0:49:30 > 0:49:31HE CLEARS THROAT
0:49:34 > 0:49:36Not many of your people know about me
0:49:36 > 0:49:38so I haven't done the damage that would come.
0:49:38 > 0:49:39"My people"?
0:49:42 > 0:49:46- But the damage isn't done, is what I mean.- Right.
0:49:50 > 0:49:53And even if it's like this, I want the horse to stay here.
0:49:53 > 0:49:55To stay. Yes, of course.
0:49:55 > 0:49:56Epsom is close.
0:49:56 > 0:49:58I haven't got my outfit yet, so it's all right.
0:49:59 > 0:50:01You can still be with me in the enclosure.
0:50:01 > 0:50:03Very gracious of you, Sir(!)
0:50:03 > 0:50:05You can wear something...
0:50:05 > 0:50:06It's funny, isn't it,
0:50:06 > 0:50:10because you'll be up there and I'll be down in the ring.
0:50:10 > 0:50:12Sort of upside down, isn't it?
0:50:13 > 0:50:16You can still be with me after and you can still wear something.
0:50:16 > 0:50:18I will be covered in mud, from the ring.
0:50:21 > 0:50:22May, forget about men like me.
0:50:22 > 0:50:25I was going to tell you how much she's improved.
0:50:31 > 0:50:32There are other men who...
0:50:32 > 0:50:34I think she stands a chance of placing. So...
0:50:34 > 0:50:36So the silly part of our business is done.
0:50:36 > 0:50:39Are you going to drive straight off to Birmingham, or...?
0:50:45 > 0:50:49What if I said, er, "All right, I'll stay"?
0:50:49 > 0:50:50After what I just said.
0:50:56 > 0:50:58Then that would be all right.
0:51:03 > 0:51:06You talk about "damage". The damage not yet done.
0:51:06 > 0:51:08You don't think half of London already thinks
0:51:08 > 0:51:10that I am fucking a racketeer?
0:51:11 > 0:51:14Laughing about it. Laying bets on when you'll steal the silver.
0:51:17 > 0:51:19You think your people are ruthless? Try mine.
0:51:23 > 0:51:26So that is why you carry on, eh?
0:51:26 > 0:51:28Because you can't back down.
0:51:30 > 0:51:33Amongst many other illogical reasons.
0:51:37 > 0:51:39So will you drive straight off, or?
0:51:39 > 0:51:41I haven't got any petrol in the garage.
0:51:46 > 0:51:47I have some cans of petrol in the car.
0:51:47 > 0:51:49Good. So you can go.
0:52:19 > 0:52:20They look happy in there, eh?
0:52:22 > 0:52:23And why wouldn't they be?
0:52:37 > 0:52:38Who is she?
0:52:40 > 0:52:42Someone who's sailing away.
0:52:52 > 0:52:53So let her sail.
0:52:56 > 0:52:58You've told me about her. Like a gentleman.
0:52:58 > 0:53:00Now kindly behave like a gangster again.
0:53:05 > 0:53:07Feel sorry for me. It's fine.
0:53:18 > 0:53:20Because your horse will come fifth or sixth.
0:53:22 > 0:53:24But I will win you.
0:53:32 > 0:53:34Mr Shelby is just parking his car.
0:53:34 > 0:53:36He said for you to wait in here.
0:53:41 > 0:53:43Isn't this is impressive?
0:53:44 > 0:53:46And what is it you exactly do here?
0:53:48 > 0:53:52I exactly am a secretary to Mr Shelby.
0:53:52 > 0:53:55A secretary! My, my, my!
0:53:55 > 0:53:57All that paperwork.
0:53:59 > 0:54:01Do you want tea?
0:54:01 > 0:54:02No.
0:54:48 > 0:54:52I keep everything locked up, Mr Campbell. Everything of value.
0:55:00 > 0:55:02Take a seat.
0:55:02 > 0:55:03HE CLEARS THROAT
0:55:07 > 0:55:09How is your company treasurer, Polly?
0:55:11 > 0:55:13Why do you ask?
0:55:13 > 0:55:15Oh. Just give her my regards.
0:55:19 > 0:55:20Ah!
0:55:26 > 0:55:30You like to play with fire, don't you, Mr Shelby?
0:55:33 > 0:55:34Yesterday,
0:55:34 > 0:55:36in Belgravia,
0:55:36 > 0:55:39Field Marshall Russell's house was burnt out.
0:55:39 > 0:55:42An incendiary device was put through his letter box.
0:55:42 > 0:55:44Which means
0:55:45 > 0:55:47that he will have to find somewhere else to live
0:55:47 > 0:55:49for at least the next three months.
0:55:52 > 0:55:56Which also means that your plan for me to break in and shoot him
0:55:56 > 0:55:59in his bed is no longer an operational possibility.
0:55:59 > 0:56:04Indeed, but if you think a wee burn frees you from your obligations,
0:56:04 > 0:56:05think again...
0:56:05 > 0:56:08I will keep my side of the bargain.
0:56:08 > 0:56:09Oh, by God, you will.
0:56:09 > 0:56:10I will shoot your Field Marshal.
0:56:10 > 0:56:13But I will do it in a way that serves my purpose.
0:56:13 > 0:56:15The only purpose is MY purpose.
0:56:15 > 0:56:18I will carry out the assassination at a place of my choosing.
0:56:20 > 0:56:21Listen to me.
0:56:22 > 0:56:25All operational detail must be mutually agreed.
0:56:25 > 0:56:29I am a soldier of experience and I will determine where and when...
0:56:29 > 0:56:32Now, that man has 24-hour armed police protection.
0:56:32 > 0:56:34Your plan was full of holes, Mr Campbell.
0:56:34 > 0:56:35My plan was mutually agreed!
0:56:35 > 0:56:38And now your plan is up in smoke!
0:56:38 > 0:56:40And I have formulated the only viable alternative.
0:56:40 > 0:56:43For God's sake. What do you mean?
0:56:44 > 0:56:46How would you get to him?
0:56:48 > 0:56:50I won't.
0:56:50 > 0:56:51He'll come to me.
0:56:55 > 0:56:57Now listen to me, Mr Shelby.
0:56:57 > 0:56:59When this meeting is concluded
0:56:59 > 0:57:04I must report directly to Mr Winston Churchill.
0:57:04 > 0:57:08Your relationship with Mr Churchill is not my concern.
0:57:08 > 0:57:13And Mr Winston Churchill will need to hear details.
0:57:13 > 0:57:15Well, you tell him he'll have to trust me.
0:57:20 > 0:57:23Look, Mr Campbell, I will carry out my mission.
0:57:26 > 0:57:30- Good. Good.- But I will do it in a place where it will be impossible
0:57:30 > 0:57:33for you or your men to have me shot afterwards.
0:57:35 > 0:57:39Because that was your plan, eh?
0:57:39 > 0:57:41Coppers front and back. No way out.
0:57:41 > 0:57:44Me shot dead, dumped in the Thames.
0:57:44 > 0:57:46I will do the killing,
0:57:46 > 0:57:48but in a place where that will not be an option.
0:57:51 > 0:57:54I have recently become a racehorse owner, Mr Campbell.
0:57:59 > 0:58:00It's, er...
0:58:02 > 0:58:05Well, perhaps you can guess which one is my horse.
0:58:05 > 0:58:06HE COUGHS
0:58:23 > 0:58:25Where and when?
0:58:27 > 0:58:28Epsom.
0:58:29 > 0:58:30Derby day.
0:58:32 > 0:58:35MUSIC: Red Right Hand by Nick Cave and the Bad Seeds
0:58:48 > 0:58:52# On a gathering storm comes a tall handsome man
0:58:52 > 0:58:57# In a dusty black coat with a red right hand... #