0:00:03 > 0:00:05Oh, and there's a woman.
0:00:07 > 0:00:10Yeah. A woman.
0:00:13 > 0:00:14Who I love.
0:00:16 > 0:00:17And I got close.
0:00:19 > 0:00:26This programme contains strong language, some violent scenes and some scenes of a sexual nature.
0:00:29 > 0:00:30In the bleak midwinter...
0:00:36 > 0:00:38At some point in the near future
0:00:38 > 0:00:42Mr Churchill will want to speak to you in person, Mr Shelby.
0:00:43 > 0:00:45He has a job for you.
0:00:47 > 0:00:48We will be in touch.
0:01:11 > 0:01:13WEDDING BELLS CHIME
0:01:19 > 0:01:22I'm going to take him.
0:01:23 > 0:01:25Oh, thank you.
0:01:25 > 0:01:29# Take a little walk to the edge of town
0:01:29 > 0:01:31# And go across the tracks
0:01:33 > 0:01:37# Where the viaduct looms, like a bird of doom
0:01:37 > 0:01:41# As it shifts and cracks
0:01:42 > 0:01:46# Where secrets lie in the border fires
0:01:46 > 0:01:47# In the humming wires... #
0:01:47 > 0:01:49Some of us know the words.
0:01:51 > 0:01:55# Past the square, past the bridge, past the mills, past the stacks
0:01:58 > 0:02:02# On a gathering storm comes a tall handsome man
0:02:02 > 0:02:07# In a dusty black coat with a red right hand. #
0:02:18 > 0:02:19Trot on.
0:02:22 > 0:02:27# In the bleak midwinter
0:02:27 > 0:02:31# Frosty wind made moan
0:02:31 > 0:02:36# Earth stood hard as iron... #
0:02:36 > 0:02:37Trot on. Trot on.
0:02:37 > 0:02:41# Water like a stone
0:02:41 > 0:02:44# Snow had fallen
0:02:44 > 0:02:49# Snow on snow, snow on snow
0:02:51 > 0:02:56# In the bleak midwinter
0:02:56 > 0:03:01# Long ago. #
0:03:10 > 0:03:15MUSIC: Bridal Chorus by Richard Wagner
0:03:15 > 0:03:19Here come the fucking cavalry. Late as usual.
0:03:56 > 0:04:01MUSIC: Breathless by Nick Cave And The Bad Seeds
0:04:05 > 0:04:07Dearly beloved.
0:04:07 > 0:04:11We are gathered here today to join together in holy matrimony
0:04:11 > 0:04:15Thomas Michael Shelby and Grace Helen Burgess.
0:04:15 > 0:04:19# It's up in the morning It's on the downs
0:04:19 > 0:04:24# Little white clouds like gambolling lambs
0:04:24 > 0:04:27# And I am breathless over you
0:04:27 > 0:04:31# And the red-breasted robin beats his wings
0:04:31 > 0:04:34# His throat, it trembles when he sings... #
0:04:34 > 0:04:36Those flowers need to go there.
0:04:41 > 0:04:45Do you, Thomas Michael Shelby, take Grace Helen Burgess
0:04:45 > 0:04:47to be your lawful wedded wife?
0:04:48 > 0:04:49I do.
0:04:51 > 0:04:55Do you, Grace Helen Burgess, solemnly swear to love,
0:04:55 > 0:04:58honour and obey
0:04:58 > 0:05:00till death do you part?
0:05:00 > 0:05:02I do.
0:05:02 > 0:05:05I now pronounce you husband and wife.
0:05:08 > 0:05:09Go on, son!
0:05:09 > 0:05:11# Still your hands
0:05:11 > 0:05:12# And still your heart
0:05:12 > 0:05:16# For still your face comes shining through
0:05:16 > 0:05:20# And all the morning glows anew
0:05:20 > 0:05:22# Still your mind
0:05:22 > 0:05:24# Still your soul
0:05:24 > 0:05:28# For still the fire of love is true
0:05:28 > 0:05:32# And I am breathless without you... #
0:05:32 > 0:05:34Get out of it!
0:05:38 > 0:05:42- All right, Arthur, come on. - Wait for me! Wait for me good self!
0:05:42 > 0:05:44Go on, take the photograph!
0:06:00 > 0:06:02Go on, boy. Get them on the go.
0:06:08 > 0:06:09Tommy.
0:06:13 > 0:06:17- Get the bastards in the house. - I will. I will. John! John Boy!
0:06:17 > 0:06:20John Boy. Get them in the house, all of them.
0:06:21 > 0:06:24Go on, all of you! Back to the house. Come on!
0:06:24 > 0:06:26THEY CHEER
0:06:29 > 0:06:30# Still your hands
0:06:30 > 0:06:32# And still your heart
0:06:32 > 0:06:36# For still your face comes shining through
0:06:36 > 0:06:40# And all the morning glows anew
0:06:40 > 0:06:42# Still your soul
0:06:42 > 0:06:44# Still your mind
0:06:44 > 0:06:48# For still the fire of love is true
0:06:48 > 0:06:51# And I am breathless without you. #
0:06:51 > 0:06:54CHEERING
0:07:07 > 0:07:09ORCHESTRAL MUSIC PLAYS
0:07:29 > 0:07:33All right, Pol. Tell the Lee girls I've counted all the paintings.
0:07:33 > 0:07:36Oh, Pol. Some people here are not on the list.
0:07:38 > 0:07:42Curly, Charlie. Kitchen, five minutes.
0:07:42 > 0:07:47Actually, we were told on the train there'd be cocaine.
0:07:47 > 0:07:49Jeremiah, John Boy, kitchen, let's go.
0:07:49 > 0:07:52I swear to God, them fucking cavalry boys are asking for it.
0:07:52 > 0:07:55I was told to ask someone young. Will there be cocaine?
0:07:55 > 0:07:59Sweetheart, I am young, informed and very well equipped.
0:07:59 > 0:08:01You chose your man wisely.
0:08:01 > 0:08:03Come on, kitchen, now.
0:08:03 > 0:08:05Arthur, this lady wants to play in the snow.
0:08:05 > 0:08:07No. No snow today. No snow today.
0:08:10 > 0:08:12Kitchen, come on.
0:08:12 > 0:08:14INDISTINCT CHATTER
0:08:20 > 0:08:21I just wish Tommy was here.
0:08:39 > 0:08:41- Where are they?- I don't know, Tom.
0:08:41 > 0:08:42Arthur, John, where are they?
0:08:42 > 0:08:45- I don't know. - I am telling you now, we got lost.
0:08:45 > 0:08:46You really need to do a map.
0:08:46 > 0:08:47Tommy.
0:08:55 > 0:08:57Right, boys, you're all here.
0:09:00 > 0:09:03Today, this is my fucking wedding day.
0:09:03 > 0:09:05Yeah, and you said there'd be no bloody uniforms.
0:09:05 > 0:09:09Nevertheless. Nevertheless, John.
0:09:09 > 0:09:11Despite the bad blood,
0:09:11 > 0:09:13I'll have none of it on my carpet.
0:09:13 > 0:09:16Now, for Grace's sake, nothing will go wrong.
0:09:16 > 0:09:19Those bastards out there are her family.
0:09:19 > 0:09:25And if you fuckers do anything to embarrass her, your kin,
0:09:25 > 0:09:30your cousins, your horses, your fucking kids, you do anything...
0:09:30 > 0:09:31Tom?
0:09:31 > 0:09:33- ..to... What?- What about snow?
0:09:33 > 0:09:36Yeah, their women are sports, I'll say that.
0:09:36 > 0:09:37No. No. No.
0:09:38 > 0:09:39No cocaine.
0:09:41 > 0:09:42No cocaine.
0:09:42 > 0:09:44No sport. No telling fortunes.
0:09:44 > 0:09:49No racing. No fucking sucking petrol out of their fucking cars.
0:09:51 > 0:09:54And you, Charlie, stop spinning yarns about me, eh?
0:09:54 > 0:09:58I'm just trying to sell you to them, Tom.
0:09:58 > 0:10:02But the main thing is, you bunch of fuckers,
0:10:02 > 0:10:05despite the provocation from the cavalry,
0:10:05 > 0:10:07no fighting!
0:10:08 > 0:10:09Oi!
0:10:10 > 0:10:12No fighting.
0:10:12 > 0:10:14No fucking fighting.
0:10:14 > 0:10:15No fighting.
0:10:15 > 0:10:19NO FUCKING FIGHTING!
0:10:21 > 0:10:23Good.
0:10:23 > 0:10:25- Get the fuck off me! - GLASS SHATTERS
0:10:31 > 0:10:33You're needed downstairs.
0:10:33 > 0:10:35HE CLEARS HIS THROAT
0:10:37 > 0:10:41Grace, you're needed downstairs. People are hungry.
0:10:41 > 0:10:43I was putting Charles to sleep.
0:10:43 > 0:10:45I'll come down, but not with you like this.
0:10:45 > 0:10:47All right, fine.
0:10:48 > 0:10:50Tommy.
0:10:50 > 0:10:55I thought today was the reason for the way you've been acting lately.
0:10:55 > 0:10:57I know there's business on your mind.
0:10:58 > 0:11:00And I know there always will be.
0:11:00 > 0:11:03- Yeah.- Look. I am sorry they wore their uniforms.
0:11:03 > 0:11:06Yeah, they fucking did, eh? They fucking did.
0:11:06 > 0:11:08But I can tell it's more than that.
0:11:10 > 0:11:12You've been like this for weeks.
0:11:17 > 0:11:22I need you to tell me that it's business making you like this...
0:11:22 > 0:11:24and not regret over me.
0:11:25 > 0:11:27Say it out loud and I'll know if it's true.
0:11:32 > 0:11:33It's business, Grace.
0:11:36 > 0:11:38And bad, bad business it is, all round.
0:11:44 > 0:11:46HE SIGHS
0:11:46 > 0:11:47And I'm scared, Grace.
0:11:49 > 0:11:50I'm scared for you.
0:11:50 > 0:11:52I'm scared for the baby.
0:11:52 > 0:11:54And this is how I am when I'm scared.
0:11:54 > 0:11:57It is unfamiliar to you but not to me.
0:11:57 > 0:12:01I can fucking be scared and carry on.
0:12:05 > 0:12:08And it's not pleasant to look at and no joy to be around.
0:12:10 > 0:12:11All right?
0:12:14 > 0:12:15I'm sorry.
0:12:23 > 0:12:25We just made vows to share everything.
0:12:27 > 0:12:29Tell me what it is you're afraid of.
0:12:40 > 0:12:43INDISTINCT CHATTER
0:12:54 > 0:12:55Stand up. Stand up. Stand up.
0:12:58 > 0:12:59Arthur's speech.
0:13:01 > 0:13:04I'm scared of fucking Arthur's speech.
0:13:06 > 0:13:07All right?
0:13:09 > 0:13:10Me too.
0:13:14 > 0:13:16Tommy, what are you doing?
0:13:16 > 0:13:21Tommy, there's half the British Army waiting for us downstairs.
0:13:21 > 0:13:25They're King's Irish. We waited two weeks in the mud for them.
0:13:27 > 0:13:28Tommy.
0:13:28 > 0:13:31SHE GIGGLES
0:13:31 > 0:13:33There are things that if I take them off
0:13:33 > 0:13:35I won't be able to put back on.
0:13:35 > 0:13:36That's good.
0:13:44 > 0:13:47Hello, Mrs Shelby.
0:13:47 > 0:13:49I'm sorry for being busy in my head.
0:13:52 > 0:13:54Let us complete the ceremony.
0:13:56 > 0:13:58Hey, listen. Listen. Listen.
0:13:58 > 0:14:02What do you call an animal with a prick halfway up its back?
0:14:02 > 0:14:03A cavalry horse.
0:14:05 > 0:14:07He gets it.
0:14:09 > 0:14:11Fuck it. Fuck it.
0:14:11 > 0:14:13Where the bloody hell are they?
0:14:13 > 0:14:16You're best man, Arthur. Go and find them.
0:14:18 > 0:14:19Yeah.
0:14:20 > 0:14:22That's completely nonsense.
0:14:22 > 0:14:25You know, we're part of a serious political movement and organisation.
0:14:25 > 0:14:29They're not "secret little meetings", they're just meetings.
0:14:29 > 0:14:31We talk about the world, about the people in it,
0:14:31 > 0:14:33about our current political landscape and what's going on.
0:14:33 > 0:14:36You know, we really need to re-evaluate
0:14:36 > 0:14:37the way our government has...
0:14:39 > 0:14:42- Very strange indeed. - Polly, he's looking over.
0:14:42 > 0:14:44But, erm...
0:14:46 > 0:14:47He's coming. He bloody is.
0:14:50 > 0:14:52Fuck. It's the wrong one.
0:14:52 > 0:14:54What do you mean the wrong one? How many are there?
0:14:54 > 0:14:57There's two giving me the eye. I prefer the other one.
0:14:57 > 0:14:58He looked harmless.
0:15:00 > 0:15:02It must be that bloody lipstick
0:15:02 > 0:15:04Tommy brought you back from New York.
0:15:08 > 0:15:10I couldn't help noticing you are unaccompanied.
0:15:10 > 0:15:12I also am alone.
0:15:13 > 0:15:14May I join you?
0:15:22 > 0:15:24Tommy?
0:15:24 > 0:15:27Oh. Didn't see a thing.
0:15:27 > 0:15:30Not see a thing. Sorry, brother.
0:15:30 > 0:15:32I need you downstairs.
0:15:32 > 0:15:34That's all right, we're done. Are you good?
0:15:34 > 0:15:37- Yeah. Never been better.- Yeah.
0:15:37 > 0:15:39- Are you drunk?- No. No.
0:15:42 > 0:15:43Here.
0:15:46 > 0:15:49All right, just one drink, then.
0:15:49 > 0:15:51Linda's a good woman, Arthur.
0:15:55 > 0:15:56Good whisky.
0:15:58 > 0:16:01A good man needs to hold out sometimes, eh?
0:16:07 > 0:16:12I won't mention this in my speech, then, eh?
0:16:12 > 0:16:14Not unless you want to get cut, Arthur.
0:16:14 > 0:16:16Sorry, sister.
0:16:17 > 0:16:21Right. Look. Tell the maids to break out the champagne.
0:16:21 > 0:16:22I'll be down in a minute.
0:16:22 > 0:16:25Champagne, yeah. OK.
0:16:25 > 0:16:28- Got it right here.- Good. - I'm ready.- Good.
0:16:32 > 0:16:34Where are you from?
0:16:39 > 0:16:40I'm a refugee.
0:16:42 > 0:16:43From where?
0:16:49 > 0:16:50Russia.
0:16:52 > 0:16:54In the past few months Thomas has developed some
0:16:54 > 0:16:56business interests with Russia.
0:16:58 > 0:17:00I see he has confided in you.
0:17:02 > 0:17:04Hm.
0:17:04 > 0:17:06You need his permission to even speak to me.
0:17:10 > 0:17:13My senior position within the Shelby company means
0:17:13 > 0:17:18I don't often have to ask permission from anyone to do anything.
0:17:18 > 0:17:20So perhaps you'll just tell me
0:17:20 > 0:17:24why the fuck you're talking Russian business on Thomas's wedding day.
0:17:26 > 0:17:28Hold on, wait a second.
0:17:28 > 0:17:31- So you're saying I'm not allowed a man.- It's about your choice of man.
0:17:31 > 0:17:33I'm not allowed a man on my arm?
0:17:33 > 0:17:35Fucking bastard.
0:17:35 > 0:17:38Michael, speeches. Come on.
0:17:38 > 0:17:40Arthur. You know why he didn't come, don't you?
0:17:40 > 0:17:42Why who didn't come?
0:17:42 > 0:17:43My bloody man.
0:17:43 > 0:17:45Oh, you mean the wop?
0:17:45 > 0:17:48I just heard there was a fire at his restaurant.
0:17:48 > 0:17:49Midnight last night.
0:17:49 > 0:17:52And a smashed back window and a smell of petrol.
0:17:52 > 0:17:55Lizzie, we tried to talk some sense into you.
0:17:55 > 0:17:57We did checks on him.
0:17:57 > 0:17:59He's had five different names in the last six years
0:17:59 > 0:18:02- and he's got connections with the Naples boys.- Come on, Michael.
0:18:02 > 0:18:05What do you know about love, about when lightning strikes?
0:18:05 > 0:18:09So, it was lightning, hmm? Not petrol.
0:18:09 > 0:18:12- I thought you were off the whisky, Arthur.- Yeah, I am.
0:18:12 > 0:18:14I'm having a couple now and again
0:18:14 > 0:18:16to remind myself why I don't drink it.
0:18:16 > 0:18:19You set fire to his restaurant to stop him coming.
0:18:19 > 0:18:23You have no right to choose who I step out with in my own time!
0:18:33 > 0:18:38Lizzie, you now have an important position in this company.
0:18:39 > 0:18:42You got the order the same as us.
0:18:44 > 0:18:46You can do it.
0:18:51 > 0:18:54Until further notice...
0:18:54 > 0:18:56no fraternising with the foreigners.
0:19:00 > 0:19:02Yeah, well, you can tell Tommy from me
0:19:02 > 0:19:05all the girls in the office think he's losing his fucking mind.
0:19:10 > 0:19:12To the bride.
0:19:12 > 0:19:13- ALL:- The bride.
0:19:17 > 0:19:21And now, according to tradition,
0:19:21 > 0:19:24my best man will say a few words.
0:19:24 > 0:19:28Go on! Here he goes! Go on, Arthur!
0:19:33 > 0:19:36I'd like to, erm... I'm not one for speeches.
0:19:36 > 0:19:37Sing, then!
0:19:37 > 0:19:40I will later, John.
0:19:40 > 0:19:42But I do, erm...
0:19:44 > 0:19:46I do have some words written down here...
0:19:48 > 0:19:49..on this piece of paper.
0:19:51 > 0:19:56This doesn't include everything that I want to say...
0:19:56 > 0:19:59(Arthur, just read what we wrote down, eh?)
0:19:59 > 0:20:01I will.
0:20:01 > 0:20:03I will, mm-hmm.
0:20:03 > 0:20:06But first...
0:20:06 > 0:20:09First a few words from the heart.
0:20:13 > 0:20:14Erm...
0:20:16 > 0:20:19This man here, my brother, Tommy,
0:20:19 > 0:20:24helped me survive through some of the worst times.
0:20:24 > 0:20:26HE COUGHS
0:20:26 > 0:20:28It's a wedding, Arthur, tell a joke.
0:20:28 > 0:20:29Yeah. Tell a joke.
0:20:29 > 0:20:31What I am trying to say is this.
0:20:33 > 0:20:35My brother,
0:20:35 > 0:20:38and the love of a good woman...
0:20:39 > 0:20:41..pulled me through that time.
0:20:43 > 0:20:47Now Tommy also has the love of a good woman.
0:20:49 > 0:20:50Her name's Grace.
0:20:52 > 0:20:54Like the grace of the good Lord.
0:20:58 > 0:21:04And even though the circumstances of their union was tragic...
0:21:04 > 0:21:09Right, let's... Arthur, let's raise a toast, eh?
0:21:09 > 0:21:14To love, to peace, to marriage.
0:21:14 > 0:21:16And to marriage.
0:21:22 > 0:21:25Well done, Arthur. Beautiful speech.
0:21:25 > 0:21:26Really nice.
0:21:28 > 0:21:29Really, really nice.
0:21:37 > 0:21:38Where's he fucking going now?
0:21:43 > 0:21:45I think I messed it up.
0:21:45 > 0:21:47No, not a bit.
0:21:47 > 0:21:49You spoke with such truth.
0:21:49 > 0:21:51And God heard you.
0:21:54 > 0:21:57Can I have a word with my brother, please, Linda?
0:21:57 > 0:21:59What he was going to say was beautiful.
0:22:01 > 0:22:02Alone, please.
0:22:08 > 0:22:09All right. Come here.
0:22:11 > 0:22:12Come here.
0:22:17 > 0:22:18We talked about this, Arthur.
0:22:18 > 0:22:20That's why we wrote it all down.
0:22:22 > 0:22:25Most of Grace's side don't even know her husband killed himself.
0:22:25 > 0:22:27They think it was an accident.
0:22:27 > 0:22:30- I know.- You know.
0:22:30 > 0:22:31- Yeah.- Yeah.
0:22:31 > 0:22:33What do you think I am, hm?
0:22:34 > 0:22:37What do you think I am, Tommy, eh?
0:22:37 > 0:22:39You think I'm a fucking idiot...
0:22:39 > 0:22:41- All right, boys?- Yep. - Don't you?
0:22:41 > 0:22:42Come on. Having a good night.
0:22:42 > 0:22:45- You think I would say it? - That's it. Right.
0:22:45 > 0:22:47Yeah. Keep walking. You nosy bastards.
0:22:47 > 0:22:49- Hey, you stay away from me, Tommy. - Fucking hell.
0:22:49 > 0:22:51You stay away from me, I've had it.
0:22:54 > 0:22:56Ah, shit.
0:22:57 > 0:22:59- Yeah.- Argh!- Yeah.
0:23:01 > 0:23:02Argh.
0:23:04 > 0:23:05Argh!
0:23:08 > 0:23:09Ah, shit.
0:23:11 > 0:23:14Three shots I've had, that's it.
0:23:14 > 0:23:17- I know.- I drew the line.- I know.
0:23:17 > 0:23:19I know you've turned a corner.
0:23:19 > 0:23:21- Arthur.- Yeah.- I know.
0:23:21 > 0:23:24- Yeah. I'm your best man.- I know.
0:23:24 > 0:23:26I wasn't going to tell no-one.
0:23:26 > 0:23:28It's all right. It's done.
0:23:28 > 0:23:30Get up. Get up.
0:23:30 > 0:23:31Get up.
0:23:33 > 0:23:34Right...
0:23:35 > 0:23:38The Russians have made contact.
0:23:38 > 0:23:41We have to get used to how these bastards operate.
0:23:41 > 0:23:45For them, family is a weakness and they go after them.
0:23:45 > 0:23:49For me, family is my strength. And there's business to be done
0:23:49 > 0:23:50and I need you.
0:23:50 > 0:23:53Now, fuck speeches, fuck weddings.
0:23:53 > 0:23:55You're my best man every fucking day.
0:23:56 > 0:23:58OK.
0:23:58 > 0:23:59Yeah?
0:23:59 > 0:24:02Now go and get John, get him sobered up.
0:24:02 > 0:24:05Find Johnny Dogs. It's the Russians through the smoke tonight.
0:24:07 > 0:24:09- All right.- Good.
0:24:13 > 0:24:15Oh, and, Arthur...
0:24:17 > 0:24:21In future, it's not always right to listen to Linda.
0:24:21 > 0:24:22- Yeah?- Yeah.
0:24:31 > 0:24:33It's full of gypsies and blacks.
0:24:33 > 0:24:36Grace says he exports automobiles to the colonies.
0:24:40 > 0:24:41Pol, now.
0:24:46 > 0:24:48So, what does he say?
0:24:48 > 0:24:51He won't meet you unless you give us the name.
0:24:51 > 0:24:53What name?
0:24:53 > 0:24:56We were told to ask for a code name when contact was made.
0:24:59 > 0:25:00Constantine.
0:25:00 > 0:25:02The code is Constantine.
0:25:10 > 0:25:13Tommy said no racing, no gambling.
0:25:13 > 0:25:15Yeah, he's changed his mind. Right!
0:25:15 > 0:25:16Don't worry, Finn, OK?
0:25:16 > 0:25:19Cavalry boys ride like a sack of stones.
0:25:19 > 0:25:23John, there's an awful lot of King's shillings around here today.
0:25:23 > 0:25:25Now, out of loyalty to the regiment,
0:25:25 > 0:25:28they'll all be putting their money on this bad boy that I filled up
0:25:28 > 0:25:30with morphine and water.
0:25:30 > 0:25:33Here, Tommy's all right if I do the book, is he?
0:25:33 > 0:25:35He said betting's OK,
0:25:35 > 0:25:38but all proceeds go to the Shelby Foundation charity.
0:25:38 > 0:25:40This charity of his for real, then?
0:25:40 > 0:25:43He says he wants to be seen giving back to the poor of Birmingham.
0:25:43 > 0:25:47That'll be me, John. Myself, if I can't earn a shilling here tonight.
0:25:47 > 0:25:50- Huh?- They'll make him fucking Lord Mayor next.
0:25:50 > 0:25:54- That's the idea, Charlie boy. - Fucking hell.
0:25:54 > 0:25:58Right. All you lot make as much noise and fuss as you can.
0:25:58 > 0:25:59Especially fucking you.
0:25:59 > 0:26:02Ah. So, we're a fucking distraction, John, is it?
0:26:02 > 0:26:07Tommy's doing business on a night he should be just fucking.
0:26:07 > 0:26:11Right, place your bets with me. Your favourites. Your favourites.
0:26:11 > 0:26:13Come on, boys.
0:26:13 > 0:26:16Cos I hope my wife's friend doesn't fall off the fucking horse.
0:26:16 > 0:26:18Come on!
0:26:18 > 0:26:19For charity?!
0:26:19 > 0:26:21Shut up.
0:26:25 > 0:26:27Ah, you found it.
0:26:27 > 0:26:29We nearly gave up.
0:26:37 > 0:26:40Did he tell you what my business with him is?
0:26:45 > 0:26:49The same shit the Turks used to smoke.
0:26:49 > 0:26:53I wonder, why does he trust his aunt more than his brothers?
0:26:58 > 0:27:00Go and watch the race, boys.
0:27:02 > 0:27:03The Turk's clean.
0:27:06 > 0:27:10- I am Russian. - Same fucking thing.
0:27:31 > 0:27:34So you make contact on my wedding day.
0:27:34 > 0:27:36You now have very powerful enemies,
0:27:36 > 0:27:39at the Soviet Embassy and within your own government.
0:27:39 > 0:27:41You are being watched -
0:27:41 > 0:27:44at your house, your office,
0:27:44 > 0:27:47your clubs, your bars.
0:27:47 > 0:27:50You best be quick or I'll be missed. Where's the money?
0:27:50 > 0:27:52The Duke's niece is bringing it from London.
0:27:54 > 0:27:57I was told money on contact.
0:27:57 > 0:27:5810,000 in US dollars.
0:28:00 > 0:28:03My employer only trusts members of his family with cash.
0:28:03 > 0:28:06She will be at Snow Hill Station at ten o'clock.
0:28:09 > 0:28:15A woman alone in Birmingham with 10,000 in cash.
0:28:15 > 0:28:17She also has a revolver.
0:28:17 > 0:28:19- Oh, I see. - I thought you trusted women.
0:28:19 > 0:28:22I don't trust Birmingham. I'll have her picked up.
0:28:22 > 0:28:24- By who?- By the police, pal.
0:28:26 > 0:28:27This is our city.
0:28:48 > 0:28:50Fucking beautiful horse, Tom.
0:28:52 > 0:28:54Beautiful.
0:28:54 > 0:28:57- He's a natural, that boy. - Yeah. Good posture.
0:28:57 > 0:28:59- Rides like Dad. - Right, listen to me.
0:28:59 > 0:29:03Tell Johnny Dogs and his boys to light a fire in the woods.
0:29:03 > 0:29:05A big one, to take meat.
0:29:06 > 0:29:09Send Finn to watch the gates. Moss is bringing someone.
0:29:16 > 0:29:17You don't?
0:29:20 > 0:29:22I just needed to bring you somewhere nobody could see.
0:29:22 > 0:29:25But your friend gave this to me. He said you all did it.
0:29:26 > 0:29:29Not me. But it's all right.
0:29:29 > 0:29:30Go on.
0:29:37 > 0:29:38I see you don't either.
0:29:39 > 0:29:41Don't be silly. Everyone does.
0:29:41 > 0:29:45- So go on, then. Cut the snow. - We call it Tokyo.
0:29:45 > 0:29:47We call it whatever the customer calls it.
0:29:47 > 0:29:50In London we were told you were all gangsters.
0:29:52 > 0:29:56So that's why you got on the train to dirty old Birmingham.
0:29:56 > 0:29:58For a dirty old night.
0:30:01 > 0:30:04- You don't look like the others. - That's the idea.
0:30:05 > 0:30:08I put it all together but I don't partake.
0:30:09 > 0:30:12See, I've got a bright future, you see?
0:30:14 > 0:30:16Mapped out.
0:30:21 > 0:30:23But you want me to be like them, don't you?
0:30:30 > 0:30:32There's a cavalry officer stationed in Ceylon.
0:30:32 > 0:30:35When his tour of duty ends in March, we will be engaged.
0:30:37 > 0:30:42So I have a bright future too.
0:30:42 > 0:30:43Mapped out.
0:30:44 > 0:30:46But you want to try things first.
0:30:56 > 0:30:59SHE SNORTS
0:30:59 > 0:31:01HE CHUCKLES
0:31:01 > 0:31:03SHE LAUGHS
0:31:08 > 0:31:10No. Keep it.
0:31:11 > 0:31:12As if I were a whore.
0:31:17 > 0:31:19If that's the game you want to play...
0:31:41 > 0:31:43Polly.
0:31:43 > 0:31:45Hello, Grace.
0:31:47 > 0:31:49You look absolutely beautiful.
0:31:51 > 0:31:53Welcome to the family.
0:31:55 > 0:31:57Oh, I see. Tommy's orders.
0:31:58 > 0:32:00No upsets tonight.
0:32:00 > 0:32:03Your hair, everything. Beautiful.
0:32:05 > 0:32:07Do you know where he is?
0:32:07 > 0:32:09Yes.
0:32:09 > 0:32:11Yes, I do.
0:32:12 > 0:32:15You know, Tommy really wants to keep certain things a secret from me.
0:32:17 > 0:32:19But it's very hard when you're man and wife.
0:32:19 > 0:32:22We were late coming down because we were having sex.
0:32:22 > 0:32:24Afterwards he told me everything.
0:32:27 > 0:32:31Royalist Russians buying weapons to fight the Bolsheviks in Georgia.
0:32:34 > 0:32:36A lost cause, Tommy says.
0:32:37 > 0:32:41Churchill is the go-between but it's against government policy
0:32:41 > 0:32:43so everything must be kept a secret.
0:32:49 > 0:32:51You know it's begun.
0:32:54 > 0:32:56They started the business tonight.
0:33:02 > 0:33:03No.
0:33:05 > 0:33:06I didn't.
0:33:08 > 0:33:10But you just told me, so thank you.
0:33:14 > 0:33:17Let's not forget, I used to do this for a living.
0:33:19 > 0:33:21Oh, I haven't forgotten, sweetheart.
0:33:22 > 0:33:25It's only Thomas that's forgotten what you are.
0:33:25 > 0:33:28Ladies and gentlemen.
0:33:28 > 0:33:31The bride and the groom will now dance alone.
0:33:31 > 0:33:33CHEERING AND APPLAUSE
0:33:38 > 0:33:40SWING MUSIC
0:33:45 > 0:33:48Polly just told me there's business being done.
0:33:52 > 0:33:54I didn't ask them to come.
0:33:55 > 0:33:58Tommy, please don't let anything happen tonight.
0:34:02 > 0:34:07Just get this business done and get away from things like this.
0:34:09 > 0:34:12I'll run the foundation,
0:34:12 > 0:34:14you run the tracks and sell cars.
0:34:19 > 0:34:22Promise me. Hm?
0:34:24 > 0:34:25A wedding vow.
0:34:26 > 0:34:28I promise.
0:34:29 > 0:34:33No guns in the house and Charles will never see one.
0:34:36 > 0:34:37I love you, Thomas Shelby.
0:34:39 > 0:34:42You keep us safe.
0:34:42 > 0:34:44I love you.
0:34:44 > 0:34:47And I promise I will make us safe.
0:34:53 > 0:34:55Ladies and gentlemen, you may now join.
0:35:10 > 0:35:12Gatehouse. Come on.
0:35:25 > 0:35:30Tommy, Arthur, Collins,
0:35:30 > 0:35:35may I introduce you to the Grand Duchess Tatiana Petrovna...
0:35:36 > 0:35:38..from Tbilisi, Georgia?
0:35:39 > 0:35:44Grand Duchess, may I introduce you to the Shelby brothers?
0:35:44 > 0:35:46Small Heath, Birmingham.
0:35:49 > 0:35:52And, erm, good luck with this one, Tom.
0:35:57 > 0:35:58Give me the money.
0:36:00 > 0:36:03I was told to give it to Mr Kaledin.
0:36:03 > 0:36:06Whoever it is up there, he gave the wrong name.
0:36:07 > 0:36:11We asked him the name and he gave the wrong one.
0:36:11 > 0:36:13- What name did he give?- No.
0:36:15 > 0:36:17I don't trust any of you.
0:36:18 > 0:36:20Now you give me the money.
0:36:22 > 0:36:25I know Mr Kaledin by sight from Tbilisi. Is his hair dark?
0:36:25 > 0:36:29The instructions I was given was anyone using the wrong
0:36:29 > 0:36:32code name was an infiltrator for the Soviet Embassy.
0:36:33 > 0:36:35Just let me go to the house.
0:36:35 > 0:36:38I do not want this shit anywhere near my fucking house.
0:36:43 > 0:36:46All I know is no variations.
0:36:46 > 0:36:49That's from Churchill himself.
0:36:49 > 0:36:52Whoever is up at the house, he gave the wrong fucking name.
0:36:55 > 0:36:59And you do this to me on my fucking wedding day.
0:37:02 > 0:37:04The money is in the car, Mr Shelby.
0:37:05 > 0:37:07Fetch it out and count it.
0:37:09 > 0:37:11Good. Finn.
0:37:31 > 0:37:33Yeah. We're good.
0:37:35 > 0:37:37You can go. Moss.
0:37:37 > 0:37:39Can you do it?
0:37:41 > 0:37:43Can you kill?
0:37:47 > 0:37:53Moss, you take the Duchess back to Birmingham.
0:37:54 > 0:37:56Righto, Tom.
0:37:56 > 0:37:58Go on, love.
0:38:01 > 0:38:03That's right.
0:38:09 > 0:38:11You've got to tell me the reason,
0:38:11 > 0:38:13otherwise I'll never be able to trust you.
0:38:15 > 0:38:16The truth is...
0:38:18 > 0:38:22..that I slept with the wife of one of the colonels who sat for me.
0:38:22 > 0:38:24But that was 12 years ago...
0:38:26 > 0:38:29..and the aristocracy don't believe in forgiveness.
0:38:33 > 0:38:35Neither do the Shelbys.
0:38:52 > 0:38:54So we kill him?
0:38:54 > 0:38:56He's a Red.
0:38:58 > 0:39:01We're being paid by the Whites. It's part of the contract.
0:39:01 > 0:39:02Contract!
0:39:06 > 0:39:09We should never have got into this, Tom.
0:39:09 > 0:39:11There was no choice.
0:39:12 > 0:39:17A factory break-in, that's what you said.
0:39:17 > 0:39:19Yeah, that's what it is.
0:39:21 > 0:39:23There's some shit that goes with it.
0:39:30 > 0:39:33And who shovels it? Hm?
0:39:36 > 0:39:39Who fucking shovels it? Eh?
0:39:41 > 0:39:43- I fucking know.- Arthur.
0:39:43 > 0:39:45- I fucking know.- Arthur...
0:39:47 > 0:39:50There's ten times where that's coming from, ten times,
0:39:50 > 0:39:53for lifting vehicles off a fucking shop floor.
0:39:53 > 0:39:55Vehicles, Tommy. Fucking vehicles.
0:39:55 > 0:39:57Nothing about tanks.
0:39:57 > 0:40:00Arthur, you listen to me.
0:40:00 > 0:40:02You listen to me, all right?
0:40:02 > 0:40:04There are powerful people in this country
0:40:04 > 0:40:06who want to help these mad bastards,
0:40:06 > 0:40:09including the King, Churchill and half the fucking Tory party.
0:40:09 > 0:40:13And if we refuse, Arthur, if we fucking refuse,
0:40:13 > 0:40:17they will see to it that we hang for all of our many sins.
0:40:17 > 0:40:20Now, we've never earned money like this. Never.
0:40:20 > 0:40:24We'll use it to buy the wharf at Boston docks.
0:40:24 > 0:40:26That's why I've asked for dollars.
0:40:27 > 0:40:30And when it's done it's business as usual.
0:40:38 > 0:40:41Come on, brother. It's my wedding night.
0:40:48 > 0:40:52- Where's John? - Looking for Esme.- Right.
0:40:52 > 0:40:54Ruben Oliver. Portrait artist.
0:40:54 > 0:40:57I really enjoyed the depiction of you in the dining room.
0:41:09 > 0:41:11Nice to meet you, Mr Oliver.
0:41:17 > 0:41:20- Danny, ragtime. - ROCK MUSIC
0:42:19 > 0:42:21So, where were we?
0:42:21 > 0:42:25- Crimea. - I mean before I bored you with war.
0:42:25 > 0:42:28- SHE GIGGLES - Politics.- Yes.
0:42:30 > 0:42:34You are the only one in your family who is a communist.
0:42:34 > 0:42:37Some of them are, they just don't know it.
0:42:38 > 0:42:41And you are very close family, yes?
0:42:41 > 0:42:43Mm, always within punching distance.
0:42:44 > 0:42:46What does that mean?
0:42:46 > 0:42:49It means yeah, we're a close family.
0:42:53 > 0:42:55HE SIGHS
0:43:02 > 0:43:04Arthur?
0:43:05 > 0:43:07I do apologise for the interruption.
0:43:10 > 0:43:13There is a woman here to see you, Mr Kaledin.
0:43:13 > 0:43:15She just arrived.
0:43:37 > 0:43:41- So Tatiana made it from London safely?- Yes.
0:43:41 > 0:43:43- Where is she? - Out by the stables.
0:43:54 > 0:43:56Can I use the lavatory?
0:44:03 > 0:44:05You can piss outside...
0:44:07 > 0:44:09..by the stables.
0:44:22 > 0:44:24HEAVY BLOWS
0:44:24 > 0:44:28SHOUTS DROWN SPEECH
0:44:28 > 0:44:30HE GROANS
0:44:48 > 0:44:51Very sensible idea, Mr Shelby.
0:44:51 > 0:44:53Clear the air away from the ladies.
0:44:56 > 0:44:59We are rather like generals here, aren't we?
0:44:59 > 0:45:01Watching our men do battle.
0:45:01 > 0:45:04We are a bit too close to the fighting to be generals, surely.
0:45:15 > 0:45:17SCREAMING
0:45:21 > 0:45:23DISCORDANT MUSIC
0:45:23 > 0:45:25SHOUTS OF ENCOURAGEMENT
0:45:31 > 0:45:34You know, Mr Shelby, some of us only agreed to come today
0:45:34 > 0:45:38to bless this union because of your exemplary war record.
0:45:38 > 0:45:43But as Grace's uncle, and a kind of father to her for many years...
0:45:45 > 0:45:51..I am still deeply uneasy about the many stories of corruption
0:45:51 > 0:45:52and violence.
0:45:52 > 0:45:54CRUNCHING
0:45:54 > 0:45:56SHOUTS
0:45:59 > 0:46:02Drink the fucking wine and smile.
0:46:03 > 0:46:04That's what I'm doing.
0:46:10 > 0:46:12Oh, you got me good there.
0:46:12 > 0:46:14HE GROWLS
0:46:16 > 0:46:18Oh, you fucking bastard.
0:46:20 > 0:46:22THEY SHOUT
0:46:27 > 0:46:29DISCORDANT MUSIC
0:46:52 > 0:46:54- Don't shoot.- No!
0:46:54 > 0:46:57- For the love of God. Don't shoot. - No!
0:46:57 > 0:47:02- No!- For the love of God! - No! No! No! No! No!
0:47:02 > 0:47:05- No!- For the love of God! GUNSHOT
0:47:05 > 0:47:09- What was that? - Probably just a car backfiring.
0:47:19 > 0:47:22DISTORTED SHOUTS
0:47:48 > 0:47:50It wasn't the day I was expecting.
0:47:52 > 0:47:53Nor me.
0:47:57 > 0:47:58But it's over now.
0:48:00 > 0:48:02Tomorrow it'll be just us.
0:48:10 > 0:48:11Come here.
0:48:20 > 0:48:22RAISED VOICES IN DISTANCE
0:48:59 > 0:49:01The water froze in my car.
0:49:02 > 0:49:04They said I could stay.
0:49:05 > 0:49:08I know this is preposterous.
0:49:09 > 0:49:11Plenty of other rooms to stay in.
0:49:16 > 0:49:18- Goodnight, Mr Oliver. - You have my card.
0:49:19 > 0:49:23Any time you're in London we could have tea.
0:49:58 > 0:50:00I went looking for you.
0:50:03 > 0:50:04I thought you'd be in here.
0:50:05 > 0:50:07I knew it.
0:50:08 > 0:50:10I wanted to end with a bit of peace.
0:50:13 > 0:50:15Look what I found.
0:50:17 > 0:50:19It's beautiful. Thanks.
0:50:31 > 0:50:34Arthur, you mustn't worry about what happened with the speech.
0:50:39 > 0:50:42What was in your heart was beautiful.
0:50:48 > 0:50:51God hears all the speeches that don't get said.
0:50:54 > 0:50:58And isn't it nice to still be yourself at this time of night?
0:51:03 > 0:51:07Close your eyes, Arthur, and spend a minute thinking about that.
0:51:09 > 0:51:11# Come on
0:51:13 > 0:51:15# Come on... #
0:51:15 > 0:51:17There.
0:51:17 > 0:51:23# You think you drive me crazy well
0:51:24 > 0:51:26# Come on
0:51:27 > 0:51:31# Come on CHILD WAILS
0:51:31 > 0:51:36# You and whose army? HE MUTTERS
0:51:38 > 0:51:43# You and your cronies
0:51:45 > 0:51:49- # Come on... # - Shh.
0:51:49 > 0:51:52# Come on
0:51:52 > 0:51:57# Holy Roman Empire
0:51:59 > 0:52:03# Come on if you think
0:52:03 > 0:52:06# Come on if you think
0:52:06 > 0:52:14# You can take us all on
0:52:14 > 0:52:20# You can take us all on
0:52:28 > 0:52:32# You and whose army?
0:52:42 > 0:52:46# You and your cronies
0:52:52 > 0:52:58# You forget so easily
0:53:06 > 0:53:10# We ride tonight
0:53:12 > 0:53:17# We ride tonight
0:53:19 > 0:53:24# Ghost horses
0:53:26 > 0:53:32# Ghost horses
0:53:32 > 0:53:39# We ride tonight
0:53:39 > 0:53:44# Ghost horses
0:53:45 > 0:53:50# Ghost horses
0:53:52 > 0:53:58# We ride tonight MUSIC DROWNS SPEECH
0:53:59 > 0:54:04# We ride tonight
0:54:06 > 0:54:11# Ghost horses
0:54:12 > 0:54:18# Ghost horses
0:54:20 > 0:54:25# Ghost horses. #
0:54:34 > 0:54:40More money than all those fucking toffs put together, eh?
0:54:40 > 0:54:43And you're willing to gamble it all on one robbery.
0:54:45 > 0:54:47I'm a gambling man, Pol.
0:55:04 > 0:55:08# Take a little walk to the edge of town
0:55:08 > 0:55:10# And go across the tracks
0:55:12 > 0:55:16# Where the viaduct looms, like a bird of doom
0:55:16 > 0:55:19# As it shifts and cracks
0:55:21 > 0:55:25# On a gathering storm comes a tall handsome man
0:55:25 > 0:55:29# In a dusty black coat with a red right hand. #