0:00:02 > 0:00:04This programme contains some violent scenes, strong language
0:00:04 > 0:00:06and some scenes of a sexual nature from the start
0:00:06 > 0:00:09- 'The Russians have made contact. - On your wedding night?'
0:00:09 > 0:00:11Whoever it is up there, he gave the wrong name.
0:00:11 > 0:00:13Can you do it? Can you kill?
0:00:13 > 0:00:16You know why he didn't come, don't you? My bloody man.
0:00:16 > 0:00:17'There was a fire at his restaurant.'
0:00:17 > 0:00:19No fraternising with the foreigners.
0:00:19 > 0:00:24He's a cavalry officer. In March we'll be engaged.
0:00:24 > 0:00:26'But you want to try things first.
0:00:26 > 0:00:28'Ruben Oliver. Portrait artist.'
0:00:28 > 0:00:30You have my card.
0:00:30 > 0:00:33What was in your heart was beautiful.
0:00:33 > 0:00:34GUNSHOT
0:00:35 > 0:00:38Just get this business done and get away from things like this.
0:00:38 > 0:00:39Promise me.
0:00:39 > 0:00:43I promise I will make us safe.
0:00:44 > 0:00:47MUSIC: Red Right Hand by Nick Cave and the Bad Seeds
0:01:01 > 0:01:05# Take a little walk to the edge of town
0:01:05 > 0:01:06# And go across the tracks
0:01:09 > 0:01:12# Where the viaduct looms like a bird of doom
0:01:12 > 0:01:17# As it shifts and cracks
0:01:17 > 0:01:21# Where secrets lie in the border fires
0:01:21 > 0:01:23# In the humming wires
0:01:23 > 0:01:26# Hey, man, you know you're never coming back
0:01:26 > 0:01:30# Past the square, past the bridge Past the mills, past the stacks
0:01:33 > 0:01:38# On a gathering storm comes a tall handsome man
0:01:38 > 0:01:42# In a dusty black coat with a red right hand... #
0:01:53 > 0:01:55Your brothers came to my house.
0:01:57 > 0:02:00They said the Peaky Blinders had business with me.
0:02:02 > 0:02:03You're not afraid of me?
0:02:12 > 0:02:17So, what is it you want from a simple working man?
0:02:17 > 0:02:18Fear.
0:02:23 > 0:02:25Poor Mr Nutley drank too much.
0:02:27 > 0:02:29He went for a piss on the train tracks
0:02:29 > 0:02:32that run behind the factory.
0:02:32 > 0:02:33Train came.
0:02:35 > 0:02:37They found his body in Saltley broken into bits.
0:02:37 > 0:02:42I know what you do. Tell me what you want.
0:02:47 > 0:02:49There.
0:02:49 > 0:02:53The lot, complete warehouse. Bays four, five and six.
0:02:53 > 0:02:55You have the keys?
0:02:55 > 0:02:56Yes, I have the keys.
0:02:58 > 0:02:59What's in bay four?
0:03:00 > 0:03:04Completed type 40s and type 21s waiting for the paint shop.
0:03:04 > 0:03:06Bay five?
0:03:06 > 0:03:08Paint shop and parts.
0:03:08 > 0:03:09Uh-uh.
0:03:09 > 0:03:11So, it's bay six.
0:03:11 > 0:03:12What is?
0:03:15 > 0:03:17Give me the keys to bay six.
0:03:18 > 0:03:21It's just old stock in storage.
0:03:21 > 0:03:23Give me the keys to bay six.
0:03:50 > 0:03:51For your trouble.
0:03:52 > 0:03:54Give it to your charity...
0:04:03 > 0:04:06I'm only doing this for the safety of my family.
0:05:32 > 0:05:34So, will it be just boys in your charitable institution
0:05:34 > 0:05:36or girls, as well?
0:05:38 > 0:05:39Both.
0:05:41 > 0:05:43You must divide them.
0:05:43 > 0:05:47You know how the little creatures can get.
0:05:47 > 0:05:50Where are your people? You said they'd be here by five.
0:05:51 > 0:05:53They're a law unto themselves.
0:05:53 > 0:05:56You can never quite grasp who they are.
0:05:56 > 0:05:58Like gripping wet soap.
0:06:00 > 0:06:01I've done my research.
0:06:05 > 0:06:09Perhaps you know them as the, er...Economic League.
0:06:09 > 0:06:13Only once did I get a letter from them headed the Vigilance Committee.
0:06:13 > 0:06:16Which tips the hand a little.
0:06:16 > 0:06:17Nope.
0:06:17 > 0:06:20The name I've heard is Section D.
0:06:21 > 0:06:24That's what Special Branch calls them.
0:06:24 > 0:06:28Businessmen, MPs, army officers.
0:06:32 > 0:06:35Yes, it will be fun to bring such men to a Gypsy scrapyard.
0:06:38 > 0:06:40You asked for privacy.
0:06:40 > 0:06:44Since the election, the Government has decided that we are the enemy.
0:06:45 > 0:06:49When all we're trying to do is save the country from revolution.
0:06:51 > 0:06:53Are you political, Mr Shelby?
0:06:55 > 0:06:58Because these odd fellows believe that the time is coming soon
0:06:58 > 0:07:00when everyone must choose a side.
0:07:02 > 0:07:05Are your people coming, or are they not coming?
0:07:05 > 0:07:08Mr Shelby, you will learn that these men are far too grand
0:07:08 > 0:07:10for the clock to govern them.
0:07:11 > 0:07:15You'll get used to meeting in the small hours of the morning.
0:07:15 > 0:07:17They're like monks.
0:07:20 > 0:07:23So, when is your charitable institute opening?
0:07:23 > 0:07:25When I fucking say.
0:07:27 > 0:07:30Well, I'll stop by from time to time.
0:07:30 > 0:07:32Hear confession from the little creatures.
0:07:34 > 0:07:37You will meet Mr Patrick Jarvis, MP.
0:07:37 > 0:07:40He'll probably want to become a trustee.
0:07:40 > 0:07:45It's just his thing, to drop by in the evenings after a few drinks.
0:07:45 > 0:07:46We'll make it a formal arrangement
0:07:46 > 0:07:49as part of the... bigger deal between us.
0:07:51 > 0:07:52I will have an office there.
0:07:52 > 0:07:55THOMAS CLEARS THROAT
0:08:03 > 0:08:06My God. Some devil gets into you, doesn't it, boy?
0:08:08 > 0:08:12Mr Shelby, if I want to play the squire
0:08:12 > 0:08:16in your place of false charity then I will.
0:08:16 > 0:08:20Ambition for respectability doesn't make you a saint.
0:08:20 > 0:08:21Am I wrong?
0:08:26 > 0:08:28Oh, Lord. That's six, is it?
0:08:30 > 0:08:34Well, I will wish you a good day.
0:08:34 > 0:08:35The fuck are you going?
0:08:35 > 0:08:38Did I not make it clear?
0:08:38 > 0:08:40They said if they weren't here by morning prayers
0:08:40 > 0:08:43then the meeting has been cancelled.
0:08:43 > 0:08:47Perhaps Mr Jarvis has been held up at the House of Commons.
0:08:48 > 0:08:52Perhaps Admiral Hall's been held up at the House of Lords.
0:08:52 > 0:08:54Am I impressing you?
0:08:54 > 0:08:57Or perhaps they've decided they don't care for doing business
0:08:57 > 0:09:00with Gypsies in scrap-metal yards.
0:09:00 > 0:09:02Which would be a poorer outcome for you.
0:09:02 > 0:09:05You give them a message from me, priest.
0:09:07 > 0:09:10You tell them I've been to the factories
0:09:10 > 0:09:12and the armoured vehicles are in good condition.
0:09:15 > 0:09:16How many?
0:09:19 > 0:09:2027.
0:09:20 > 0:09:22And the foreman is ours.
0:09:25 > 0:09:27This is someone you will meet,
0:09:27 > 0:09:30today, at the Ritz.
0:09:30 > 0:09:32I have meetings today.
0:09:32 > 0:09:33You have one meeting.
0:09:33 > 0:09:36This one. In London.
0:09:37 > 0:09:40So you'd best catch the milk train.
0:10:39 > 0:10:40Cold.
0:10:40 > 0:10:41My apologies, sir.
0:10:41 > 0:10:43And how many times I asked you to tell them
0:10:43 > 0:10:45about sending us the servants' crockery?
0:10:45 > 0:10:48I have no control over the choice of service, sir.
0:10:48 > 0:10:52Hmm. And what about the yesterday egg? And last year's fish?
0:10:52 > 0:10:54And last century's tea leaves in a cracked pot?
0:10:54 > 0:10:56Sir, I have a list of today's social engagements
0:10:56 > 0:10:59- if you'd like to hear them. - Oh, are we in a rush today?
0:10:59 > 0:11:02I have duties at the main house, sir.
0:11:02 > 0:11:05Luncheon at the Ritz with Duke Mikhail Mikhailovich.
0:11:06 > 0:11:08Cancelled.
0:11:08 > 0:11:10What reason?
0:11:10 > 0:11:12He says he's unwell, sir.
0:11:14 > 0:11:18You're due to have tea at three with Prince Vsevolod Ivanovich
0:11:18 > 0:11:20and Lady Mary Lewington, sir...
0:11:22 > 0:11:24Mm. Good.
0:11:24 > 0:11:27I miss out on the bore and meet the beauty.
0:11:27 > 0:11:29However, in the absence of the Duke,
0:11:29 > 0:11:32the Prince and the Lady too have cancelled,
0:11:32 > 0:11:33sir.
0:11:36 > 0:11:39Other than that your day is your own.
0:11:40 > 0:11:43You do have one business appointment
0:11:43 > 0:11:44to discuss automobiles.
0:11:44 > 0:11:47With a Mr Thomas Shelby, sir.
0:11:51 > 0:11:54MUSIC: DNA by the Kills
0:12:14 > 0:12:16You asked for a meeting out in the open.
0:12:17 > 0:12:20Fresh air and the fine aroma of shit.
0:12:22 > 0:12:24"Neutral ground," you said.
0:12:24 > 0:12:27This is hardly neutral ground.
0:12:27 > 0:12:30Well, it's what you've got.
0:12:30 > 0:12:35So, por favivo, sit down.
0:12:35 > 0:12:37- Where is Thomas? - He got called away.
0:12:37 > 0:12:39- He said he'd be here. - Yeah, he's busy.
0:12:39 > 0:12:42I just told you he got called away. What do you want?
0:12:48 > 0:12:53There has been a peace between the Peaky Blinders
0:12:53 > 0:12:56and the Changretta family for two years now...
0:12:56 > 0:12:58Do you want some tea or not?
0:12:58 > 0:13:02Here, Finn, pour the Italians some English tea. Go on.
0:13:02 > 0:13:05We don't want fucking tea!
0:13:09 > 0:13:11We want an explanation.
0:13:11 > 0:13:13Well, I'll have fucking tea.
0:13:13 > 0:13:16Explanation for what?
0:13:16 > 0:13:20The Little Venice restaurant in Forge Street was burnt down.
0:13:20 > 0:13:22No, no, couldn't have been us. We was at a wedding.
0:13:22 > 0:13:27You burnt it down to stop my son being at that same wedding.
0:13:27 > 0:13:29Yeah, he wasn't missed.
0:13:33 > 0:13:36You are such big boys now.
0:13:36 > 0:13:40Where once you borrowed clothes from us to look like men.
0:13:40 > 0:13:42How's the tea, Arthur? Is it...?
0:13:44 > 0:13:45It's cold.
0:13:49 > 0:13:54Please tell Tommy that we pay him whatever he asks us to pay.
0:13:54 > 0:13:57We stay out of the city and off the tracks.
0:13:57 > 0:14:01But you tell him from me
0:14:01 > 0:14:06that my son will walk with any woman in this city.
0:14:06 > 0:14:08Any woman he chooses.
0:14:08 > 0:14:12Even if that woman works for the Emperor, Thomas Shelby.
0:14:12 > 0:14:14My son is in love...
0:14:14 > 0:14:16JOHN SNIGGERS
0:14:16 > 0:14:18Sorry.
0:14:18 > 0:14:20Do excuse me.
0:14:20 > 0:14:21Carry on.
0:14:25 > 0:14:28And if he wishes,
0:14:28 > 0:14:30he will walk with the woman he loves.
0:14:30 > 0:14:31OK.
0:14:33 > 0:14:35Y'know...
0:14:35 > 0:14:38It'd be hard for your son to walk anywhere
0:14:38 > 0:14:41with a bullet in each knee, wouldn't it?
0:14:48 > 0:14:50Too much.
0:14:52 > 0:14:54You said too much, my friend.
0:14:55 > 0:14:59Sabini says, "Suck and swallow." But no. Too much.
0:15:01 > 0:15:03I spit.
0:15:09 > 0:15:11Oh, fucking... Bit strong.
0:15:17 > 0:15:19- JOHN LAUGHS - Fucking hell.
0:15:19 > 0:15:24Isiah. Put two extra men on our pubs in Nechells.
0:15:24 > 0:15:26What you talking about, Arthur?
0:15:26 > 0:15:28We're not scared of fucking eyeties any more.
0:15:28 > 0:15:32Don't tell Tommy about the chair and clean this fucking shit up.
0:15:33 > 0:15:36We're not scared of fucking wops!
0:15:36 > 0:15:38All right, John.
0:15:38 > 0:15:39Arthur!
0:15:44 > 0:15:45Hello, Ada.
0:15:49 > 0:15:50Tommy Shelby in a library.
0:15:50 > 0:15:53LOUDLY: I'm here to borrow a book about the Russian Revolution.
0:15:53 > 0:15:54Shh!
0:16:01 > 0:16:04Have you got a new wharf at Maida Vale now?
0:16:04 > 0:16:06I've got a new wharf everywhere now.
0:16:06 > 0:16:09I sometimes see our trucks driving past.
0:16:09 > 0:16:10"Our" trucks?
0:16:11 > 0:16:13Shelby trucks.
0:16:14 > 0:16:16Why the interest?
0:16:16 > 0:16:18I just want to broaden my mind.
0:16:18 > 0:16:21Well, this is a list of the bastards who ran away.
0:16:21 > 0:16:25And this is written from the point of view of the people's struggle.
0:16:25 > 0:16:26Uh-huh.
0:16:28 > 0:16:32There was a Russian at your wedding.
0:16:32 > 0:16:34He wouldn't tell me how come he got invited.
0:16:37 > 0:16:42Well, sometimes exiled Russian aristocrats
0:16:42 > 0:16:46get invited to social occasions to add a bit of class.
0:16:46 > 0:16:48Is that why he was there?
0:16:49 > 0:16:51Why do you want to know?
0:16:51 > 0:16:55He was nice. Maybe I'd like to see him again.
0:16:55 > 0:16:57Would that be possible?
0:16:57 > 0:16:58No. That would not be possible.
0:16:58 > 0:17:01What business do you have with Russians, Tommy?
0:17:03 > 0:17:05Can I rip this page out?
0:17:05 > 0:17:07No, you cannot rip that page out. Property of the people.
0:17:07 > 0:17:10Tommy, when Arthur took the Russian away he had his killing pistol
0:17:10 > 0:17:14under his jacket. And then Johnny lit a fire in the woods.
0:17:14 > 0:17:17You want all the details because you're bored, Ada.
0:17:20 > 0:17:23You used to chase rats with a revolver, Ada.
0:17:23 > 0:17:25Shh! For fuck's sake.
0:17:25 > 0:17:27I might just have a job for you after all.
0:17:55 > 0:17:57Did we run Kempton yesterday, or not?
0:17:57 > 0:17:59Danny Lee got drunk.
0:17:59 > 0:18:01Instead of injecting the horses with the cocaine,
0:18:01 > 0:18:04he decided to share it with his cousins.
0:18:05 > 0:18:06Jesus Christ.
0:18:06 > 0:18:08He's your brother-in-law.
0:18:08 > 0:18:10Tell Esme to speak to him about it.
0:18:10 > 0:18:13Look. Before I start...
0:18:16 > 0:18:18..I don't want you to do anything about this.
0:18:20 > 0:18:21About what?
0:18:23 > 0:18:25Vicente Changretta's son.
0:18:25 > 0:18:27The one Lizzie was stepping out with.
0:18:27 > 0:18:28What, Angel?
0:18:28 > 0:18:30He's no bigger than two pence worth of change.
0:18:30 > 0:18:33He heard you threatened him directly to shoot him in the knees.
0:18:33 > 0:18:35And now he's going around Nechells
0:18:35 > 0:18:37telling everyone he's going to kill you.
0:18:37 > 0:18:39This is Lizzie's fault to start with,
0:18:39 > 0:18:41Tommy's for leaving it up to you.
0:18:41 > 0:18:43What are you talking about?
0:18:43 > 0:18:45We run London.
0:18:45 > 0:18:47We run the North, run the whole fucking country.
0:18:47 > 0:18:50What do we care about some fucking Nechells Green eyeties?
0:18:50 > 0:18:53We don't need to be getting involved in all these little piss pots.
0:18:53 > 0:18:54What does Arthur say?
0:18:54 > 0:18:56That's why I'm here...
0:18:56 > 0:18:58and not him.
0:18:58 > 0:19:01If he said it, there'd be a fight.
0:19:01 > 0:19:04He says...
0:19:04 > 0:19:05apologise.
0:19:09 > 0:19:11He fucking said what?
0:19:11 > 0:19:13We own the city.
0:19:13 > 0:19:16But we don't need to rub everybody's noses in it.
0:19:16 > 0:19:18If the old man decides to make a stand,
0:19:18 > 0:19:20- he might get Sabini feeling sentimental...- Sabini's done.
0:19:24 > 0:19:26They're all done.
0:19:27 > 0:19:29And they all pay up.
0:19:30 > 0:19:34But we don't...want...rebellions.
0:19:37 > 0:19:39What does, erm... What does Tommy say?
0:19:39 > 0:19:42Tommy's busy. He left me in charge.
0:19:42 > 0:19:43What... What do you say?
0:19:48 > 0:19:49Compromise.
0:19:49 > 0:19:50Mm.
0:19:51 > 0:19:53I've asked Lizzie to do it for you.
0:19:53 > 0:19:56She's going to meet him, break up with him for good.
0:19:56 > 0:19:59Apologise for any inconvenience. Say it was all her fault.
0:19:59 > 0:20:01Fuck's sake!
0:20:01 > 0:20:03You know what all this is?
0:20:03 > 0:20:05This is Arthur's fucking missus.
0:20:05 > 0:20:08Turn the other fucking cheek.
0:20:08 > 0:20:10We'll be handing out Bibles in the fucking Bull Ring
0:20:10 > 0:20:13- with her cousins... - John, you don't have to do anything.
0:20:13 > 0:20:15- Ah, it's done. - Lizzie will do it for you.
0:20:15 > 0:20:18Then it'll all calm down and nobody will lose face.
0:20:18 > 0:20:20I'll take his fucking face, how about that?
0:20:20 > 0:20:22John, do nothing. Oh!
0:20:31 > 0:20:33I believe you have a reservation
0:20:33 > 0:20:36for a private room in the name of Mr Romanov.
0:20:39 > 0:20:42You work for Mr Romanov?
0:20:42 > 0:20:45- Yes.- For his household or his office?
0:20:45 > 0:20:47Is there a problem?
0:20:47 > 0:20:49I'm afraid without the presence of the Duke Mikhail Mikhailovich
0:20:49 > 0:20:55or Lady Lewington we shall have to ask for payment in advance.
0:20:55 > 0:20:57Can I ask why?
0:20:57 > 0:21:00Already Mr Romanov has four outstanding bills with us.
0:21:00 > 0:21:03One for accommodation and three for dining.
0:21:03 > 0:21:05And two banquets which we wrote off.
0:21:05 > 0:21:09We've been asked to be understanding of our Russian friends
0:21:09 > 0:21:11by His Majesty, but it has been some time now.
0:21:11 > 0:21:12And...
0:21:15 > 0:21:19- May I ask your name, sir? - Shelby. Thomas Shelby.
0:21:19 > 0:21:22And in the future I'll be dining here quite a bit.
0:21:22 > 0:21:26- Then I shall put you on our special list.- You do that.
0:21:26 > 0:21:28Here is a menu.
0:21:28 > 0:21:31I recommend the teal and the pork.
0:21:31 > 0:21:34Although your guest, I'm sure, will order the caviar.
0:21:34 > 0:21:37Myself, my wife and my niece travelled by train,
0:21:37 > 0:21:41then coach, then on foot through the Villa Ai-Todor in Crimea.
0:21:41 > 0:21:44On that journey I lost a toe.
0:21:44 > 0:21:48I don't know. I woke up one morning and it was gone.
0:21:48 > 0:21:51All of a sudden I saw a dog and it was eating it.
0:21:51 > 0:21:53They said the British had taken pity on us.
0:21:53 > 0:21:56And we were taken aboard HMS Marlborough.
0:21:56 > 0:21:59I immediately kissed the steel deck. My lips froze to it.
0:21:59 > 0:22:03And then of course, I thanked God and your King for saving us.
0:22:04 > 0:22:08Though since then he has done nothing but humiliate me...
0:22:08 > 0:22:11Who? God or the King?
0:22:11 > 0:22:12Sometimes both, Mr Shelby.
0:22:14 > 0:22:17Mm. So, you met my niece already.
0:22:19 > 0:22:20Tatiana.
0:22:22 > 0:22:24Are you in love with her yet? Hm?
0:22:25 > 0:22:29You would be wise not to love Russian woman, you know.
0:22:29 > 0:22:31Better not speak of Russian women.
0:22:31 > 0:22:34That's the worst thing about being here.
0:22:34 > 0:22:37Russian women, they know how to hold it
0:22:37 > 0:22:42and most important they know exactly when to let it go.
0:22:42 > 0:22:43Your cock, I mean.
0:22:45 > 0:22:47English women, they do not know so much, you know?
0:22:52 > 0:22:54Did he die well, the spy?
0:22:57 > 0:22:58He begged for his life.
0:23:01 > 0:23:03I heard you had your brother do it.
0:23:07 > 0:23:10So, you trust your family. Like me.
0:23:11 > 0:23:13Like us, Mr Shelby.
0:23:16 > 0:23:18Let's talk about trust, then, shall we?
0:23:20 > 0:23:23You are not a direct relation to the Romanovs.
0:23:23 > 0:23:25You are Georgian.
0:23:32 > 0:23:35And the palace where you live in Hampton Court
0:23:35 > 0:23:36is in fact a grace-and-favour house
0:23:36 > 0:23:40donated to you rent-free by the British Crown.
0:23:40 > 0:23:44The maitre d' here tells me that you are in some debt.
0:23:44 > 0:23:48Both here and other places, I imagine.
0:23:48 > 0:23:52See, I've been given ten... but I've been promised 40.
0:23:54 > 0:23:57Already I've had to have a man killed.
0:23:57 > 0:23:59That sort of work does not come cheap.
0:24:00 > 0:24:01Do you understand?
0:24:28 > 0:24:30Let me tell you something, Mr Shelby.
0:24:32 > 0:24:34Before we boarded the ship,
0:24:34 > 0:24:37my niece sewed 16 diamonds into her velvet dress.
0:24:37 > 0:24:43And also she had two sapphires in her intimate places.
0:24:43 > 0:24:47My wife managed two sapphires and five diamonds.
0:24:48 > 0:24:51This is already for the killing of the spy.
0:24:52 > 0:24:54And down payment on future services.
0:24:58 > 0:25:03Now tell me, where do you keep these things? In a...bank?
0:25:03 > 0:25:05How could we plead poverty around London society
0:25:05 > 0:25:07if we used banks, Mr Shelby?
0:25:10 > 0:25:16Well, you should know Hatton Gardens is not safe.
0:25:16 > 0:25:19That is why we have our own treasury.
0:25:22 > 0:25:26Very well. I shall have my people check its veracity...
0:25:31 > 0:25:36Before the revolution began, we were soft and weak.
0:25:36 > 0:25:37We made compromise.
0:25:39 > 0:25:40But let me tell you.
0:25:41 > 0:25:45We will never be soft and weak again.
0:25:45 > 0:25:46Do you understand?
0:25:50 > 0:25:51Good day, Mr Shelby.
0:26:12 > 0:26:15This way, Mr Changretta.
0:26:15 > 0:26:17HE SPEAKS OWN LANGUAGE
0:26:17 > 0:26:19Just there, sir. There.
0:26:55 > 0:26:57I hear you want to kill me.
0:26:57 > 0:27:01Get fucking up! Stay away from Lizzie.
0:27:10 > 0:27:12HE SCREAMS
0:27:12 > 0:27:16By order of the Peaky fucking Blinders.
0:27:31 > 0:27:34Going to introduce me, Michael?
0:27:34 > 0:27:37This is Charlotte Murray. Her father makes cars.
0:27:39 > 0:27:42I really enjoyed your wedding, Mr Shelby.
0:27:44 > 0:27:47Polly said you should call her. There's been some trouble.
0:27:47 > 0:27:48What trouble?
0:27:50 > 0:27:53I'm guessing the stuff she doesn't like to tell me about.
0:27:55 > 0:27:56Nice to meet you.
0:28:12 > 0:28:15All right, Finn, thanks for coming. Fuck off.
0:28:16 > 0:28:18Finn, you can stay.
0:28:21 > 0:28:24Sit down, John. Sit down.
0:28:31 > 0:28:33John, you cut Angel Changretta.
0:28:34 > 0:28:37Even though Arthur told you to apologise.
0:28:37 > 0:28:38Mm-hm.
0:28:38 > 0:28:41- Polly told you to compromise.- Mm-hm.
0:28:41 > 0:28:44You chose not to listen to Mr Apologise or Mrs Compromise.
0:28:46 > 0:28:49And now I've got an Italian walking around my back yard
0:28:49 > 0:28:51saying he's going to kill my brother.
0:28:53 > 0:28:55So, what do we do, John? Do we apologise, or do we compromise?
0:29:03 > 0:29:05Oh, it was just something John said as a joke.
0:29:07 > 0:29:09Yeah, but he's your brother as well, Arthur.
0:29:09 > 0:29:11Yeah.
0:29:11 > 0:29:14And I didn't want to start a war over something
0:29:14 > 0:29:15John said without meaning it.
0:29:19 > 0:29:23So, should he apologise in Italian...or in English?
0:29:26 > 0:29:30Or should we ask them which fucking language they'd prefer?
0:29:30 > 0:29:31I'm not clear.
0:29:34 > 0:29:37You said while this business was going on in London you wanted peace at home.
0:29:37 > 0:29:39And the only way to guarantee peace
0:29:39 > 0:29:42is by making the prospect of war seem hopeless.
0:29:42 > 0:29:46If you apologise once, you do it again and again and again.
0:29:46 > 0:29:49Like taking bricks out of the wall of your fucking house.
0:29:49 > 0:29:51- Do you want to bring the house down, Arthur?- Ah...
0:29:51 > 0:29:54If you're soft on rebellion, it'll grow.
0:29:54 > 0:29:56Bloody "soft on rebellion".
0:29:56 > 0:29:58You did the right thing, John.
0:29:58 > 0:29:59Now we go on the offensive.
0:29:59 > 0:30:02We take two of the Changretta pubs. We take 'em tonight. That's it.
0:30:02 > 0:30:04Oh, right. For Christ's sake, why?
0:30:04 > 0:30:08- Hey?!- Why?- Why? Because we fucking can.
0:30:08 > 0:30:11Because we fucking can, and if we can, we do.
0:30:11 > 0:30:16And if we lift our heel off their necks now, they'll just come at us.
0:30:17 > 0:30:21Remember, these are the bastards that wanted Danny Whizz-Bang dead.
0:30:27 > 0:30:29You're getting soft, brother.
0:30:29 > 0:30:30Soft and weak.
0:30:30 > 0:30:32Save the Bible for Sundays, eh?
0:30:37 > 0:30:41Finn, I need to get to Hockley, then home.
0:30:41 > 0:30:42It's been a long day.
0:30:47 > 0:30:51You take the Wrexham, you take the Five Bells.
0:30:51 > 0:30:53You get them signed over to us in the morning.
0:30:53 > 0:30:55You make sure the coppers stay away.
0:30:57 > 0:31:00Don't use the fucking phones, all right?
0:31:00 > 0:31:02There's someone listening.
0:31:10 > 0:31:11Well done.
0:31:17 > 0:31:20POLLY SLURPS HER TEA
0:33:08 > 0:33:09Not hungry, Mrs Shelby?
0:33:09 > 0:33:14Hungry? Oh, no. Sorry, Mary.
0:33:14 > 0:33:15You'll ruin your eyes.
0:33:19 > 0:33:20Tommy.
0:33:29 > 0:33:30Hello.
0:33:30 > 0:33:31Hello.
0:33:33 > 0:33:34Sit down.
0:33:40 > 0:33:42- Guess.- Guess what?
0:33:47 > 0:33:49- He said yes.- Who?
0:33:49 > 0:33:52The leader of Birmingham City Council
0:33:52 > 0:33:54is going to attend the dinner.
0:33:55 > 0:33:59Everyone has said yes. Everyone.
0:33:59 > 0:34:02I keep having to change the catering.
0:34:02 > 0:34:05And my writing hand is almost falling off.
0:34:05 > 0:34:07What are you writing for? I bought you a typewriter.
0:34:07 > 0:34:10You don't write letters of a social occasion on a typewriter.
0:34:10 > 0:34:12Oh. Forgive me.
0:34:15 > 0:34:18I have the drawings of what they plan to do
0:34:18 > 0:34:21with the grounds of the house.
0:34:21 > 0:34:25- There'll be an area for the children to play. Look.- Mm-hm.
0:34:25 > 0:34:27And the Birmingham Charity Commission have agreed to set aside
0:34:27 > 0:34:29the three rotten floorboards upstairs
0:34:29 > 0:34:32and grant us a licence within the month.
0:34:35 > 0:34:37- You're not listening to me. - Yes, I am.
0:34:38 > 0:34:41- I am.- Do you think I am becoming obsessed?
0:34:42 > 0:34:43Yes.
0:34:45 > 0:34:48Should I ask you how your day was, like a good wife?
0:34:48 > 0:34:49No.
0:34:52 > 0:34:56I'm guessing that means your day was not as successful as mine.
0:34:56 > 0:34:58Well, depends on how you measure success.
0:35:00 > 0:35:02See, personally,
0:35:03 > 0:35:05I measure it in sapphires.
0:35:05 > 0:35:07Oh...
0:35:07 > 0:35:09Sapphires? Mmm.
0:35:12 > 0:35:13Close your eyes.
0:35:17 > 0:35:18(Close your eyes.)
0:35:34 > 0:35:36All right, you can open them.
0:35:38 > 0:35:40Where the hell did you get that?
0:35:42 > 0:35:43It's beautiful.
0:35:47 > 0:35:49You can wear it to the foundation dinner.
0:35:51 > 0:35:54Don't you think it is a bit much for a charity dinner?
0:35:54 > 0:35:57Grace, this is fucking Birmingham.
0:35:59 > 0:36:02Good taste is for people who can't afford sapphires.
0:36:04 > 0:36:05Oh, Mr Shelby!
0:36:34 > 0:36:36Did you wind the clock, Arthur?
0:36:39 > 0:36:40We should go to bed.
0:36:47 > 0:36:49I need to...
0:36:49 > 0:36:50I need to go out.
0:36:53 > 0:36:54Some business I need to do.
0:37:01 > 0:37:02Business?
0:37:09 > 0:37:11But you only just got in.
0:37:11 > 0:37:12I won't be long.
0:37:12 > 0:37:15It's ten o'clock.
0:37:15 > 0:37:16It's pouring with rain.
0:37:18 > 0:37:21I'll go. I'll go and I'll come back.
0:37:23 > 0:37:24Arthur.
0:37:27 > 0:37:32Working in the dark is for the devil. We said.
0:37:33 > 0:37:36Start to do your work in the light.
0:37:36 > 0:37:39You have your own light.
0:37:39 > 0:37:40Inside your head.
0:37:44 > 0:37:45It's just paperwork.
0:37:56 > 0:37:59I need you to clear your men out of Nechells tonight.
0:38:03 > 0:38:10- I thought you boys were a bit grand for this sort of thing these days. - Moss.
0:38:10 > 0:38:14Mind you, I think Tom enjoys the sport.
0:38:17 > 0:38:19Something like that.
0:38:20 > 0:38:22- Goodnight, Arthur.- 'Night.
0:39:02 > 0:39:03Arthur, what are you doing?
0:39:08 > 0:39:09Arthur?
0:39:13 > 0:39:15We're going to the Garrison.
0:39:15 > 0:39:17No. I'm going home, John.
0:39:20 > 0:39:22Go fuck yourself, Arthur.
0:39:23 > 0:39:25Yeah. Fuck off!
0:39:30 > 0:39:32VIOLENT SCREAMS
0:40:14 > 0:40:16- Come here, Charlie.- Charlie.
0:40:18 > 0:40:21This big man and his brother are going to make us a lot of money.
0:40:21 > 0:40:23Or lose us a lot of money.
0:40:23 > 0:40:26Who cares when they're such beautiful beasts, eh?
0:40:54 > 0:40:56PASSIONATE MOANS
0:40:59 > 0:41:01You've got a house, John.
0:41:01 > 0:41:02Oh, fuck...
0:41:03 > 0:41:05Full of kids.
0:41:05 > 0:41:07Well, you've got a maid to look after the kids.
0:41:07 > 0:41:08Yeah, she listens.
0:41:11 > 0:41:14Have you even done the odds for tomorrow?
0:41:14 > 0:41:16Something urgent came up.
0:41:16 > 0:41:19They get worse when they're pregnant, Tom.
0:41:19 > 0:41:21John.
0:41:21 > 0:41:24Esme, I need you to leave now. Go out the back door.
0:41:24 > 0:41:25And lock it after you.
0:41:27 > 0:41:29When I left the office...
0:41:29 > 0:41:33There's two truckfuls of coppers out there, John.
0:41:33 > 0:41:35Where the fuck is Arthur?
0:41:35 > 0:41:37He goes home to the Madonna Of Moseley on the stroke of five.
0:41:37 > 0:41:39You need to talk to him, Tom.
0:41:39 > 0:41:42Esme, please go now. Please.
0:41:42 > 0:41:43This is very fucking unusual.
0:41:43 > 0:41:45So, call Moss.
0:41:45 > 0:41:46They're from out of town.
0:41:46 > 0:41:48London, by the looks of their boots.
0:41:48 > 0:41:51Since when are we scared of coppers, Tom?
0:41:51 > 0:41:52Since things changed.
0:41:52 > 0:41:53SCREAM
0:41:54 > 0:41:56Scotland Yard!
0:41:56 > 0:41:57Flying Squad.
0:42:00 > 0:42:03John, it's the Yard. It's the Yard. Put it down. Put it down.
0:42:03 > 0:42:04Down on your knees.
0:42:04 > 0:42:07Hands on your heads! Down on your knees!
0:42:07 > 0:42:11Let her fucking go! She's fucking pregnant.
0:42:11 > 0:42:13- Leave her alone! - What the fuck is happening, Tom?
0:42:13 > 0:42:16Let's go!
0:42:16 > 0:42:17Put me down!
0:42:17 > 0:42:20Tell Polly it's Russian business, John.
0:42:20 > 0:42:21All right.
0:42:21 > 0:42:23Peaky fucking Blinders, my arse.
0:42:26 > 0:42:28Is he afraid?
0:42:28 > 0:42:29No.
0:42:40 > 0:42:41Sit.
0:42:44 > 0:42:46I'm talking to you, Mr Shelby.
0:42:59 > 0:43:01So, the Oddfellows want you to know that
0:43:01 > 0:43:05any deviation from your instructions will have consequences.
0:43:05 > 0:43:07What's your dog's name?
0:43:09 > 0:43:10You visited your sister.
0:43:10 > 0:43:13Eh? What's your name, boy?
0:43:16 > 0:43:19Your sister is a potential security breach.
0:43:19 > 0:43:22She has connections with Bolsheviks in London
0:43:22 > 0:43:24who have connections with the Soviet Embassy.
0:43:24 > 0:43:26I think I'll just call your dog, "Boy".
0:43:28 > 0:43:30You love your Boy, don't you?
0:43:33 > 0:43:34Understand this.
0:43:36 > 0:43:39You have the local police in your pocket.
0:43:39 > 0:43:41We have Scotland Yard.
0:43:42 > 0:43:46They do what we tell them just as surely as this dog.
0:43:46 > 0:43:47Let him off the leash.
0:43:50 > 0:43:52Are you hearing me, Mr Shelby?
0:43:52 > 0:43:54I can charm dogs.
0:43:56 > 0:43:57Gypsy witchcraft.
0:43:58 > 0:44:01And those I can't charm I can kill with my own hands.
0:44:04 > 0:44:06You learn it when you have a dog on a boat.
0:44:06 > 0:44:10They go fucking mad in tunnels.
0:44:10 > 0:44:11I feel like I'm in a tunnel now.
0:44:14 > 0:44:17You know that feeling when you have to kill or be killed.
0:44:22 > 0:44:27Let the dog off the leash and give the order you give in Gaelic.
0:44:29 > 0:44:31Like I'm told you do when someone displeases you,
0:44:31 > 0:44:33when someone reports you.
0:44:34 > 0:44:38Visit your sister again and she will die crossing the road.
0:44:41 > 0:44:44Maraigh.
0:44:46 > 0:44:47Come on, you say it.
0:44:53 > 0:44:56If you wanted me dead, I'd be dead, wouldn't I?
0:44:59 > 0:45:00It's true.
0:45:02 > 0:45:03It's true, we do need you alive.
0:45:05 > 0:45:08But when you go home today, Mr Shelby,
0:45:08 > 0:45:12be sure to check under your little boy's pillow.
0:45:12 > 0:45:14The tooth fairy has been.
0:45:17 > 0:45:18We can reach anyone...
0:45:19 > 0:45:20..anywhere.
0:45:55 > 0:45:57CHILD CRIES
0:46:01 > 0:46:02Is everything all right?
0:46:02 > 0:46:04Yes.
0:46:04 > 0:46:06Everything's fine. Everything's fine.
0:46:06 > 0:46:08Yeah.
0:46:08 > 0:46:09You promised, Tommy.
0:46:11 > 0:46:12I trust you.
0:46:16 > 0:46:20- I trust you, Tommy. - Yes.
0:46:21 > 0:46:23He's fine. He's fine.
0:46:23 > 0:46:25CHILD CRIES
0:46:34 > 0:46:35Grace... Grace.
0:46:37 > 0:46:39Come on. Yeah.
0:46:52 > 0:46:54You're not one of those impressionists, are you?
0:46:54 > 0:46:57They are all terribly political, aren't they?
0:46:57 > 0:46:59- And you're not?- Goodness, no.
0:46:59 > 0:47:02The people I work for just want me to paint what's there.
0:47:02 > 0:47:06To me, politics is deliberately making things better for some people
0:47:06 > 0:47:08by deliberately making them worse for others.
0:47:16 > 0:47:18Well, I thought I might wear this.
0:47:21 > 0:47:23Oh, God. It's too much. I'll try something more simple.
0:47:23 > 0:47:24No. Don't.
0:47:27 > 0:47:30Suddenly I feel incompetent.
0:47:30 > 0:47:32I want the portrait to hang in the office,
0:47:32 > 0:47:33so I want it to look formal.
0:47:33 > 0:47:36It's not formal. It's beautiful.
0:47:39 > 0:47:41It's made in Paris.
0:47:41 > 0:47:43It was stolen in Birmingham.
0:47:43 > 0:47:47My mother stole it from a house she was cleaning, 1901...
0:47:47 > 0:47:50No, no. It's yours. It belongs on you.
0:47:51 > 0:47:53A woman of substance and class.
0:47:53 > 0:47:55Believe me, I've painted many women
0:47:55 > 0:47:57who don't belong in their expensive dresses.
0:47:59 > 0:48:01There'll be no charge.
0:48:01 > 0:48:05Your normal rate. I insist.
0:48:05 > 0:48:06Mm. There's a first.
0:48:08 > 0:48:10So, when shall we start?
0:48:10 > 0:48:12I've already started.
0:48:12 > 0:48:14Come to my studio this evening.
0:48:14 > 0:48:16I'm busy this evening.
0:48:16 > 0:48:17Polly, invite him.
0:48:17 > 0:48:19Invite me to what?
0:48:19 > 0:48:20Ada, this is a professional transaction.
0:48:20 > 0:48:22Invite me to what?
0:48:22 > 0:48:24Shelby Foundation dinner. Polly is going alone.
0:48:24 > 0:48:25- You're invited.- Ada!
0:48:29 > 0:48:31I'll come to your studio on Sunday.
0:48:32 > 0:48:34And then we shall begin.
0:48:43 > 0:48:46MUSIC: This Is Love by PJ Harvey
0:49:36 > 0:49:40A woman of substance...and class.
0:50:19 > 0:50:20Tommy?
0:50:22 > 0:50:24This is the leader of Birmingham City Council.
0:50:24 > 0:50:27- Hello, Tommy.- All right, Danny? - How's business?
0:50:27 > 0:50:30All right. Holding up, holding up. How are you?
0:50:30 > 0:50:31You know each other?
0:50:31 > 0:50:35I have interests in steelworks in Cradley Heath.
0:50:35 > 0:50:38Tommy helps me get my products to the carmakers.
0:50:38 > 0:50:41Congratulations, Mrs Shelby, on your wedding.
0:50:41 > 0:50:44Thank you. I'm surprised you weren't invited.
0:50:44 > 0:50:45Now, how would that look, eh?
0:50:47 > 0:50:50Ah, now the party has really started.
0:50:50 > 0:50:51Who are they?
0:50:51 > 0:50:55Father John Hughes from St Mary's Boys Reformatory.
0:50:55 > 0:50:59And with him is Patrick Jarvis MP.
0:50:59 > 0:51:04They are part of an organisation called the Economic League.
0:51:04 > 0:51:05Did you invite them, Grace?
0:51:05 > 0:51:07The names sound familiar.
0:51:08 > 0:51:10They were recommended by the Lord Mayor.
0:51:10 > 0:51:13Oh. On your "best people of the city" list, eh?
0:51:13 > 0:51:16- Do you know them? - I'll introduce you, Tommy.
0:51:16 > 0:51:19No, it's all right, Danny. I'll introduce myself.
0:51:33 > 0:51:36We appear to have taken you by surprise.
0:51:36 > 0:51:37I have adjusted.
0:51:39 > 0:51:42Since the socialists got into Downing Street,
0:51:42 > 0:51:43we are all being followed.
0:51:43 > 0:51:45We have to meet in places where we'd meet anyway.
0:51:45 > 0:51:47You should have stopped by Small Heath.
0:51:47 > 0:51:49I could have given you a more traditional welcome.
0:51:49 > 0:51:52- They want to know about ammunition. - And chains for the wheels.
0:51:52 > 0:51:55When the White Guard make their run for Tbilisi,
0:51:55 > 0:51:57it'll be over rough terrain.
0:51:57 > 0:52:00The chains are suitable for snow or wet ground.
0:52:00 > 0:52:02They're already stored on the vehicles.
0:52:02 > 0:52:04There's a batch of weapons set aside at the BSA
0:52:04 > 0:52:06which is bound for the Turkish Army.
0:52:06 > 0:52:09And how will you get it all aboard the London train?
0:52:09 > 0:52:12There will be a strike that night across the city.
0:52:12 > 0:52:15You will have to stop the train twice. How?
0:52:15 > 0:52:18Two drivers will join the strike at different points.
0:52:20 > 0:52:23Rather fun getting the communist unions
0:52:23 > 0:52:25to help get weapons to the Whites.
0:52:25 > 0:52:26Yes, rather fun, eh?
0:52:28 > 0:52:30I'm thinking ahead, thinking of every possibility,
0:52:30 > 0:52:32remembering everything that is happening.
0:52:35 > 0:52:37The Russians want to inspect the vehicles.
0:52:39 > 0:52:40I'll take photographs.
0:52:40 > 0:52:41Mm-mm.
0:52:41 > 0:52:45The Duke has sent his niece. She's here.
0:52:45 > 0:52:48Tomorrow, you will take her to the factory and show her.
0:52:48 > 0:52:49- No.- Mm.
0:52:49 > 0:52:52The union convenors are watching the factories.
0:52:53 > 0:52:54Not possible.
0:52:56 > 0:52:59Anything is possible, Mr Shelby.
0:52:59 > 0:53:00You will take her.
0:53:02 > 0:53:04You will pick her up from this hotel at ten.
0:53:05 > 0:53:07Now, look.
0:53:07 > 0:53:08A priest with an empty glass.
0:53:10 > 0:53:11Let's get back to the party.
0:53:14 > 0:53:16You know, gentlemen, there is hell...
0:53:16 > 0:53:19and there is another place below hell.
0:53:21 > 0:53:25I will remember everything... and forget nothing.
0:53:35 > 0:53:36Tommy...
0:53:36 > 0:53:38This is Duchess Tatiana Petrovna.
0:53:40 > 0:53:42Come on, Tommy, aren't you impressed to meet a real duchess?
0:53:42 > 0:53:44Well, I understand they charge a fee.
0:53:44 > 0:53:47Mr Shelby, you are very direct.
0:53:47 > 0:53:49Too direct.
0:53:49 > 0:53:53But it's true. I attend these things for the champagne.
0:53:53 > 0:53:56And for the chance to be treated like a duchess again.
0:53:56 > 0:53:58You should have kissed my hand, Mr Shelby.
0:54:01 > 0:54:02Forgive me.
0:54:05 > 0:54:06She was asking about my sapphire.
0:54:06 > 0:54:08I thought I'd recognised it.
0:54:08 > 0:54:09She says it was Russian.
0:54:09 > 0:54:12My husband has business in Russia. Perhaps you know about it, Tatiana.
0:54:12 > 0:54:14Well, tonight's not a night for business, eh?
0:54:14 > 0:54:17Is that why you were in the concert hall for ten minutes?
0:54:17 > 0:54:19I think people are ready for dinner now, Grace.
0:54:19 > 0:54:21No, no, I am not done pumping people for money.
0:54:21 > 0:54:23- What is "pump for money"? - It's what I do every day.
0:54:24 > 0:54:27You, er...? You know each other, do you?
0:54:27 > 0:54:29You see, I am in charge of compiling the list of guests,
0:54:29 > 0:54:31but it's my husband who seems to know all of them.
0:54:31 > 0:54:33I hear he's very well connected.
0:54:33 > 0:54:35And where does a duchess hear that?
0:54:35 > 0:54:36In certain circles.
0:54:36 > 0:54:38All right, enough, Ada.
0:54:38 > 0:54:40Grace, there's a lady dowager wants to speak to you
0:54:40 > 0:54:41about coffee mornings.
0:54:41 > 0:54:44She mentioned a £2,000 cash donation.
0:54:44 > 0:54:46Tatiana, you and I will speak later.
0:54:46 > 0:54:47I would like that.
0:54:50 > 0:54:52Going to the factory tomorrow is a mistake.
0:54:53 > 0:54:54Nevertheless, we will go.
0:54:56 > 0:54:59Also, my uncle ordered me to seduce you, to give us an advantage.
0:54:59 > 0:55:02But with a beautiful wife like that, it will be difficult, no?
0:55:02 > 0:55:04Tomorrow is a mistake.
0:55:04 > 0:55:06Have you not heard? We have no morals, we Russians.
0:55:06 > 0:55:08And no fucking sense.
0:55:08 > 0:55:10And no options.
0:55:10 > 0:55:12I would fuck you for the cause.
0:55:12 > 0:55:14What do you think of that?
0:55:14 > 0:55:16I think you should not drink vodka with champagne.
0:55:17 > 0:55:20Does your wife know that the sapphire she's wearing
0:55:20 > 0:55:22has been cursed by a gypsy?
0:55:26 > 0:55:27What did you say?
0:55:27 > 0:55:31Nothing on earth would make me wear it.
0:55:46 > 0:55:48Grace... Grace, come here. Look, I can explain...
0:55:48 > 0:55:49GONG STRIKES
0:55:49 > 0:55:52Ladies and gentlemen, the loyalty toast...
0:55:52 > 0:55:55- For once, you shouldn't have to explain.- ..to His Majesty the King.
0:55:55 > 0:55:57- ALL:- The King.
0:55:57 > 0:55:59Dinner is served.
0:55:59 > 0:56:00You look beautiful. You look beautiful.
0:56:00 > 0:56:02- You need to take this off.- Why?
0:56:02 > 0:56:04Because you think it would look better on her?
0:56:04 > 0:56:06Grace, look at me. Fuck these people. Fuck 'em.
0:56:06 > 0:56:09I need you to be all right.
0:56:09 > 0:56:10I need you, Grace.
0:56:11 > 0:56:12I need you.
0:56:20 > 0:56:21Damn you, Tommy Shelby.
0:56:35 > 0:56:36- Shall we go inside?- Yeah.
0:56:40 > 0:56:41For Angel!
0:56:44 > 0:56:46SCREAMING
0:56:54 > 0:56:58Get a fucking ambulance now!
0:57:56 > 0:58:00# On a gathering storm comes a tall handsome man
0:58:00 > 0:58:05# In a dusty black coat with a red right hand. #