0:00:02 > 0:00:08This programme contains some violent scenes and some strong language
0:00:08 > 0:00:10- No fraternising with foreigners. - My son will walk with any woman.
0:00:10 > 0:00:13Your son can't walk anywhere with a bullet in each knee.
0:00:13 > 0:00:16- You said you wanted peace at home. - Now we go on the offensive.
0:00:17 > 0:00:19You are a woman of substance and class.
0:00:19 > 0:00:22I've painted many women. There'll be no charge.
0:00:22 > 0:00:24The name I heard was Section D.
0:00:24 > 0:00:27MPs. Army officers.
0:00:27 > 0:00:30All we're trying to do is save the country from revolution.
0:00:30 > 0:00:32This is for the killing of the spy.
0:00:32 > 0:00:34And a down payment on future services.
0:00:34 > 0:00:36Does your wife know that the sapphire
0:00:36 > 0:00:38she's wearing has been cursed?
0:00:38 > 0:00:40Nothing on Earth would make me wear it.
0:00:40 > 0:00:41For Angel!
0:00:52 > 0:00:55MUSIC: Red Right Hand by PJ Harvey
0:00:55 > 0:00:57# Take a little walk to the edge of town
0:00:57 > 0:01:01# And go across the tracks
0:01:01 > 0:01:05# Where the viaduct looms, like a bird of doom
0:01:05 > 0:01:09# As it shifts and cracks
0:01:09 > 0:01:13# Where secrets lie in the border fires
0:01:13 > 0:01:15# In the humming wires
0:01:15 > 0:01:20# Hey, man, you know you're never coming back
0:01:25 > 0:01:30# On a gathering storm comes a tall handsome man
0:01:30 > 0:01:35# In a dusty black coat with a red right hand... #
0:02:10 > 0:02:11He's back.
0:02:13 > 0:02:15Was he out there all night?
0:02:15 > 0:02:17Every night since the funeral.
0:02:17 > 0:02:20He comes back in the morning to see Charles and feed the horses.
0:02:20 > 0:02:24And when it gets dark he goes off again.
0:02:24 > 0:02:27He used to sleep out when he was a kid.
0:02:27 > 0:02:29Curly'd find him in the pasture...
0:02:31 > 0:02:32How's the baby?
0:02:34 > 0:02:36He asks for his mum at night.
0:02:39 > 0:02:41Tommy made a list. He wants to see you two first.
0:02:41 > 0:02:43What about John and Arthur?
0:02:43 > 0:02:44DOOR SLAMS
0:03:04 > 0:03:05How are the books?
0:03:09 > 0:03:11Unaffected.
0:03:11 > 0:03:12Up slightly.
0:03:15 > 0:03:17There's also been a three-fold increase in donations
0:03:17 > 0:03:21to the Shelby Foundation charity.
0:03:21 > 0:03:23The council have suggested naming the new school
0:03:23 > 0:03:25the Grace Shelby Institute.
0:03:32 > 0:03:34Tell the council the name Grace Shelby Institute
0:03:34 > 0:03:35is acceptable to us.
0:03:41 > 0:03:44This is a list of the other things I want doing.
0:03:45 > 0:03:46That's all.
0:03:53 > 0:03:56- Tommy...- That's all, Pol.
0:04:06 > 0:04:07And well done, both of you.
0:04:17 > 0:04:19Right, let's go.
0:04:19 > 0:04:21Erm, we've already seen him.
0:04:25 > 0:04:28He wanted to see people in a particular order.
0:04:31 > 0:04:34I can normally read him, but he's difficult to read.
0:04:34 > 0:04:35So, be careful...
0:04:36 > 0:04:39- I thought it was a fucking family meeting.- Yeah.
0:04:39 > 0:04:41All of us together, I thought.
0:04:41 > 0:04:42John, he's grieving.
0:04:42 > 0:04:45To see everyone together would be too much.
0:04:45 > 0:04:47Yeah, well. Come on, John.
0:04:50 > 0:04:53Arthur, we need him back.
0:04:53 > 0:04:57Sabini and Solomons have already sent condolences and flowers.
0:04:57 > 0:05:00So, it won't be long before they come trotting up the A1 like wolves.
0:05:00 > 0:05:02Go on. There's a timetable.
0:05:05 > 0:05:07Only good news.
0:05:07 > 0:05:10There is only good news, Polly.
0:05:10 > 0:05:12(Here we fucking go...)
0:05:13 > 0:05:15There. There he is.
0:05:18 > 0:05:20All right, Tom?
0:05:20 > 0:05:21All right, boys?
0:05:21 > 0:05:22We, erm...
0:05:23 > 0:05:27We didn't get a chance to see you after the funeral.
0:05:27 > 0:05:29Well, you disappeared on us, but, erm...
0:05:30 > 0:05:32Well, me and John, we just wanted to say...
0:05:32 > 0:05:34- Arthur. Shut up.- All right.
0:05:35 > 0:05:37All right. Now, talk to me.
0:05:37 > 0:05:40We got to Angel at the hospital.
0:05:40 > 0:05:44Where he laid, cut his throat. He's dead.
0:05:45 > 0:05:47We cleared out the rest of the Italians
0:05:47 > 0:05:48out of the south of the city...
0:05:48 > 0:05:50They mostly went to the Black Country,
0:05:50 > 0:05:52but we told Betty Kitchen to keep 'em moving.
0:05:52 > 0:05:55- And Betty sends her condolences... - What about the old man?
0:05:55 > 0:05:57We interrogated his boys.
0:05:57 > 0:05:58Yeah, he went to Liverpool.
0:05:58 > 0:06:01- He's waiting for an immigrant ship to New York.- When?
0:06:01 > 0:06:03First ship sails Saturday.
0:06:04 > 0:06:06All right.
0:06:06 > 0:06:10I have contacts, people in Cunard at Liverpool.
0:06:10 > 0:06:11They'll have passenger lists.
0:06:11 > 0:06:13They can get you into the point of departure.
0:06:13 > 0:06:15You pick him up and bring him to me.
0:06:15 > 0:06:18Who's he got travelling with him?
0:06:18 > 0:06:20His wife.
0:06:20 > 0:06:21What?
0:06:21 > 0:06:22His wife.
0:06:22 > 0:06:24So, shoot her and bring him to me.
0:06:29 > 0:06:33Tommy? Mrs Changretta was a teacher at our school.
0:06:33 > 0:06:36She's a good woman, Tom. A good woman.
0:06:41 > 0:06:45Well, if she's a good woman, then she'll go to Heaven, eh, Arthur?
0:06:47 > 0:06:50Just do what's on the list. Nothing else. Then burn it.
0:06:50 > 0:06:54And don't speak on the phones. The fucking secret service is listening.
0:06:57 > 0:06:59And I want the old man alive.
0:06:59 > 0:07:00I want to do it myself.
0:07:08 > 0:07:10Right, that is it. You can go.
0:07:14 > 0:07:16Come, John.
0:07:16 > 0:07:18Tommy, if you ain't going to be here,
0:07:18 > 0:07:21you're going to have to tell us something.
0:07:21 > 0:07:24Ask Polly.
0:07:24 > 0:07:26Not Michael?
0:07:26 > 0:07:27What?
0:07:27 > 0:07:28Not Michael, no?
0:07:28 > 0:07:30No, not Michael, no.
0:07:30 > 0:07:33Cos Michael deals with legitimate business.
0:07:33 > 0:07:34You saw him before us.
0:07:34 > 0:07:37John, not now.
0:07:37 > 0:07:38Wait, what did you say?
0:07:39 > 0:07:41You saw Michael before us.
0:07:41 > 0:07:43For fuck's sake, John.
0:07:45 > 0:07:48Because legitimate business, John, is the priority.
0:07:50 > 0:07:52- Legitimate business...- Since when?
0:07:52 > 0:07:57Since my fucking wife took a bullet meant for me.
0:08:02 > 0:08:07Oh, yeah. OK. It's all secret service. Secret fucking service.
0:08:07 > 0:08:10Blah-blah-blah. But you don't tell us shit.
0:08:10 > 0:08:13We are a couple of fucking toy soldiers. Do this, John.
0:08:13 > 0:08:17Do that, John. Kill your fucking teacher, John.
0:08:26 > 0:08:28Is this how it is going to be?
0:08:30 > 0:08:32All right, listen to me.
0:08:32 > 0:08:34There's going to be a little war,
0:08:34 > 0:08:37in a little place that no-one gives a fuck about
0:08:37 > 0:08:40and the side that is going to lose needs a little bit of help.
0:08:40 > 0:08:42And they're willing to pay.
0:08:42 > 0:08:48When that business is done, legitimate business is the priority.
0:08:48 > 0:08:50Now, do what's on the list and fuck off.
0:09:05 > 0:09:08And when are you coming back? Hmm?
0:09:08 > 0:09:09I'm back, Arthur.
0:09:23 > 0:09:25The thing is, we all naturally came in here.
0:09:25 > 0:09:27Where the servants eat.
0:09:27 > 0:09:29It's nothing to do with politics, Ada.
0:09:29 > 0:09:31It's fucking freezing in the big room.
0:09:31 > 0:09:33John, mind your language in front of Karl.
0:09:33 > 0:09:35Ada, we're in the servants' quarters,
0:09:35 > 0:09:38because it's where the fucking booze is kept.
0:09:38 > 0:09:40Arthur, find better words.
0:09:40 > 0:09:42Hey, Pol, does swearing in Gypsy count?
0:09:42 > 0:09:43There is no reason for us
0:09:43 > 0:09:45to be speaking Rocka or Shelta in any case.
0:09:45 > 0:09:47THEY CHEER
0:09:47 > 0:09:49Hey, I'm just saying there is no need.
0:09:49 > 0:09:52When she's drunk, my wife can't speak fucking English.
0:09:52 > 0:09:53- John!- Fucking right.
0:09:57 > 0:09:59You dealt with it?
0:09:59 > 0:10:01Incentives, no threats.
0:10:01 > 0:10:04Implied consequences without specific reference
0:10:04 > 0:10:05to physical harm...
0:10:05 > 0:10:09That's why young Michael is the boss.
0:10:09 > 0:10:11He knows better words, right, Pol?
0:10:11 > 0:10:13Since when was I your boss, Arthur?
0:10:13 > 0:10:16First the boss' meeting, then the workers' meeting, eh?
0:10:16 > 0:10:19When did either of you two do a day's work?
0:10:19 > 0:10:21In the old days, Finn,
0:10:21 > 0:10:24family meetings used to be all of us...
0:10:24 > 0:10:26- ..together.- Arthur, shut up.
0:10:31 > 0:10:33Now, me and John...
0:10:35 > 0:10:37..we're just fucking binmen...
0:10:38 > 0:10:40..whose duty it is to obey.
0:10:42 > 0:10:43Hm?
0:10:48 > 0:10:49Mrs Changretta.
0:10:52 > 0:10:53Arthur.
0:10:55 > 0:10:56Shut up.
0:10:56 > 0:10:59Finn. Go and get his cigars.
0:10:59 > 0:11:01So, what are we going to do all night, eh?
0:11:01 > 0:11:03Climb fucking trees?
0:11:03 > 0:11:05John, stop swearing in front of the kids.
0:11:05 > 0:11:07Yeah, and who said you're staying the night?
0:11:07 > 0:11:09I know what we can do.
0:11:09 > 0:11:11We get the guns out, John.
0:11:11 > 0:11:14We go outside and we shoot some fucking pheasants.
0:11:16 > 0:11:18That's what the bosses do, innit?
0:11:18 > 0:11:20Fuck off, Arthur...
0:11:22 > 0:11:24The fuck did you just say to me?
0:11:25 > 0:11:28I didn't ask for separate meetings today, all right?
0:11:31 > 0:11:33What the fuck did you just say?
0:11:33 > 0:11:35Cos I just didn't hear you right.
0:11:37 > 0:11:42I didn't ask for separate meetings today. All right?
0:11:42 > 0:11:44Fucking pheasant.
0:11:44 > 0:11:49- Karl, you can't say things like that.- Now look what you've done.
0:11:49 > 0:11:52JOHN SNIGGERS
0:11:52 > 0:11:56All right, brothers, it's just the fucking whiskey talking.
0:11:56 > 0:11:58I don't ask to be protected, all right?
0:11:58 > 0:12:01Right, shut up, the pair of you.
0:12:01 > 0:12:02Sit down.
0:12:03 > 0:12:05Sit down.
0:12:05 > 0:12:06Yeah, yeah, yeah...
0:12:06 > 0:12:08Look around you.
0:12:08 > 0:12:11Look at this house.
0:12:11 > 0:12:13Look where we are.
0:12:13 > 0:12:15Look how far we've come.
0:12:15 > 0:12:17I think it is time we all started acting
0:12:17 > 0:12:20in a way more appropriate to our station.
0:12:22 > 0:12:24We're none of us binmen any more, Arthur...
0:12:26 > 0:12:27Tommy needs us all together.
0:12:29 > 0:12:31I'd like to propose a toast.
0:12:34 > 0:12:35SHE WHISPERS
0:12:39 > 0:12:43It's a family united that shall never be defeated.
0:12:45 > 0:12:49Tommy's gone, I swear to God, he is in a wagon with Johnny Dogs!
0:12:51 > 0:12:53Shit!
0:12:53 > 0:12:55This is what he does now.
0:13:03 > 0:13:04Tommy! Wait!
0:13:04 > 0:13:06- Arthur!- Tommy!
0:13:06 > 0:13:08Arthur, let him go.
0:13:08 > 0:13:12- Tommy!- Tommy!- Tommy!
0:13:17 > 0:13:19Walk on. Walk on.
0:13:20 > 0:13:23- Tommy?- Walk on.
0:13:23 > 0:13:25They're coming out on the drive.
0:13:25 > 0:13:28- Are you not going to tell them? - Tell them what?
0:13:28 > 0:13:30That we're going to Wales.
0:13:30 > 0:13:31I left a note.
0:13:32 > 0:13:35- Did you tell them why we're going to Wales?- No.
0:13:35 > 0:13:38At some point, are you going to tell me why we're going to Wales?
0:13:38 > 0:13:40Yeah, when we get there.
0:13:40 > 0:13:41Walk on.
0:13:41 > 0:13:43Should've brought at least one woman, Tommy.
0:13:43 > 0:13:46Johnny, it's a woman we're going to see.
0:13:46 > 0:13:48- There, boy. Walk on.- Right.
0:13:48 > 0:13:49Walk on.
0:13:52 > 0:13:57He says he'll be back in Birmingham in three days.
0:13:57 > 0:13:58Let him go.
0:13:59 > 0:14:01The important thing is if he says he'll be back,
0:14:01 > 0:14:02he'll be back.
0:14:02 > 0:14:06Come on, let's go light a fire in the big room.
0:14:06 > 0:14:09Let's go drink whiskey.
0:14:09 > 0:14:10With water.
0:14:21 > 0:14:22Go see to the horses, Johnny.
0:14:22 > 0:14:23Right, Tom.
0:14:39 > 0:14:43So, we'll go out through Meriden and into the Black Mountains.
0:14:45 > 0:14:47Yeah.
0:14:47 > 0:14:50Here, give me some. Good boy.
0:14:53 > 0:14:54Here you go.
0:14:58 > 0:15:02Now, remember last night when you asked after Mama?
0:15:04 > 0:15:06She's gone, Charlie, and there's a few things
0:15:06 > 0:15:08we need to get this straight.
0:15:08 > 0:15:12There's her photographs, there's her clothes.
0:15:15 > 0:15:18We will keep things the way they are in the room.
0:15:21 > 0:15:24Just...keep things the way they are.
0:15:30 > 0:15:32There you go.
0:15:33 > 0:15:35There, here you go.
0:15:37 > 0:15:38I'm not much good, Charlie.
0:15:41 > 0:15:43And they'll find that out soon enough.
0:15:45 > 0:15:49But she's not going to be coming back, so it's just you and me.
0:15:51 > 0:15:54But she'll be with us in our hearts.
0:15:54 > 0:15:56Cos we love her.
0:15:56 > 0:15:57- Tommy?- Yeah?
0:15:57 > 0:16:00- This fucking horse of yours won't come to me.- All right.- Huh? Come on.
0:16:00 > 0:16:03All right! I'll be there. All right.
0:16:03 > 0:16:06That was her favourite horse, Charlie.
0:16:06 > 0:16:10And he's been all over the place since she's gone.
0:16:10 > 0:16:12- Tom?- Yeah, you watch him.
0:16:12 > 0:16:15I will, yeah. Huh?
0:16:26 > 0:16:27Right.
0:16:27 > 0:16:29Now, cock it with your thumb.
0:16:33 > 0:16:34LAUGHTER
0:16:36 > 0:16:38There you go.
0:16:38 > 0:16:40Now, she's been cocked.
0:16:40 > 0:16:42- JOHN HOWLS - She's alive in your hand.
0:16:42 > 0:16:45It's like waking up a girl when you cock that trigger.
0:16:45 > 0:16:46Oh, yeah.
0:16:46 > 0:16:52She rolls over all sleepy-eyed and she goes, "Michael...Michael..."
0:16:54 > 0:16:57"What you going to make me do, Michael?"
0:16:57 > 0:16:59You boys are fucking crazy men.
0:17:00 > 0:17:04Yeah. But you feel it though, right?
0:17:04 > 0:17:05You feel it.
0:17:05 > 0:17:08Yeah. You can feel the power.
0:17:08 > 0:17:10Now...
0:17:10 > 0:17:11squeeze it.
0:17:16 > 0:17:18Ah, fuck...
0:17:18 > 0:17:20Fucking useless.
0:17:20 > 0:17:21Piss off, John.
0:17:21 > 0:17:26Michael, why does a pen pusher who sits on his arse all day
0:17:26 > 0:17:30want to fire a gun? Hm? Eh?
0:17:31 > 0:17:32Cock it again.
0:17:34 > 0:17:35Cock it again!
0:17:35 > 0:17:37Cock it again. Round two.
0:17:39 > 0:17:42Oh.
0:17:42 > 0:17:45Look at that fucking face, John Boy.
0:17:45 > 0:17:48Look at that face.
0:17:48 > 0:17:49Now he feels it.
0:17:50 > 0:17:53But you won't feel nothing
0:17:53 > 0:17:57until you point that thing at a man.
0:17:59 > 0:18:02So, do it.
0:18:09 > 0:18:12There you go, young boss.
0:18:13 > 0:18:17There you go. Now you feel it.
0:18:17 > 0:18:19Now you feel what we feel.
0:18:19 > 0:18:22This is what it's like.
0:18:23 > 0:18:27Michael, that is a Webley.
0:18:27 > 0:18:29It jumps on the hammer.
0:18:29 > 0:18:31How does it feel, Michael, huh?
0:18:33 > 0:18:35Better than having a pen in your hand, innit?
0:18:35 > 0:18:41More like having your cock in your hand. Yeah.
0:18:41 > 0:18:42Yeah, it is.
0:18:42 > 0:18:44Yeah.
0:18:44 > 0:18:46One squeeze...
0:18:49 > 0:18:50..I'm gone.
0:18:51 > 0:18:53I'm fucking meat.
0:18:53 > 0:18:57Michael, you fucking watch that Webley don't jump you know that.
0:18:57 > 0:19:01When you've pulled that fucking trigger
0:19:01 > 0:19:06and the body of the man you've shot wraps itself around your ankles.
0:19:07 > 0:19:08They pile up.
0:19:11 > 0:19:15It gets to the point where you can't walk in a room
0:19:15 > 0:19:17without bringing a load of them with you.
0:19:23 > 0:19:24What's going on?
0:19:32 > 0:19:34What's going on?
0:19:34 > 0:19:41Polly, we're just educating the boss here on our side of the business.
0:19:43 > 0:19:47Michael, get in the house...
0:20:04 > 0:20:06I'm not a fucking kid any more.
0:20:06 > 0:20:09MUSIC: Burn The Witch by Queens Of The Stone Age
0:20:24 > 0:20:25# Holding hands
0:20:25 > 0:20:28# Skipping like a stone
0:20:28 > 0:20:32# On our way to see what we have done
0:20:32 > 0:20:35# The first to speak is the first to lie
0:20:35 > 0:20:40# The children cross their hearts and hope to die
0:20:40 > 0:20:44# Bite your tongue
0:20:44 > 0:20:50# Swear to keep your mouth shut
0:21:04 > 0:21:08# Burn the witch Burn to ash and bone
0:21:08 > 0:21:12# Burn the witch Burn to ash and bone
0:21:12 > 0:21:15# Burn the witch Burn to ash and bone... #
0:21:34 > 0:21:36- You've come to tell me it's cancelled.- No. Why would it be?
0:21:36 > 0:21:39- I read the papers.- This is business.
0:21:39 > 0:21:41It won't work.
0:21:41 > 0:21:42I told your brother.
0:21:42 > 0:21:44This whole fucking plan won't work.
0:21:44 > 0:21:46And if Tommy wants to keep this secret,
0:21:46 > 0:21:48tell him there was a woman in a fur coat walking through here
0:21:48 > 0:21:50in broad daylight like the Queen Of fucking Sheba
0:21:50 > 0:21:52asking about armoured cars.
0:21:52 > 0:21:56During a period of grieving some things were allowed to slip.
0:21:56 > 0:22:00We know the woman. We're dealing with it.
0:22:00 > 0:22:02Now, take a look at this list.
0:22:02 > 0:22:05These are all the men who work the night shift
0:22:05 > 0:22:08who are members of the South Birmingham Communist Party.
0:22:08 > 0:22:10You've got six weeks.
0:22:10 > 0:22:11Sack them all.
0:22:22 > 0:22:24Are you fucking mad?
0:22:24 > 0:22:27He is.
0:22:27 > 0:22:28Yeah.
0:22:28 > 0:22:30Every factory in the city will come out on strike...
0:22:30 > 0:22:32So?
0:22:32 > 0:22:33You find reasons.
0:22:35 > 0:22:36You set them up.
0:22:37 > 0:22:39You sack them.
0:22:39 > 0:22:40Look at the list again.
0:22:40 > 0:22:43Are there any communists on your shift who aren't on the list?
0:22:46 > 0:22:47No.
0:22:48 > 0:22:50Please, don't fucking lie to us.
0:22:50 > 0:22:52Who's missing?
0:22:52 > 0:22:53I don't know.
0:22:57 > 0:22:58Emmanuel Hunter.
0:23:00 > 0:23:01Hm?
0:23:02 > 0:23:03Convener.
0:23:05 > 0:23:08Deputy treasurer of the Sparkhill Communist Party.
0:23:08 > 0:23:10Lathe operator to you.
0:23:11 > 0:23:13I didn't know he was a communist.
0:23:13 > 0:23:17We left that name off the list on purpose
0:23:17 > 0:23:18to see if you could be trusted.
0:23:20 > 0:23:23And you can't be trusted.
0:23:23 > 0:23:24Look, I'm just a working man.
0:23:24 > 0:23:26We're going to be watching you.
0:23:27 > 0:23:30- Watching your fucking house. - I've got kids.
0:23:30 > 0:23:31Mm.
0:23:33 > 0:23:34Edna and John.
0:23:38 > 0:23:40Just get them sacked.
0:23:42 > 0:23:43As they appear on the list.
0:23:43 > 0:23:45Two a week.
0:23:45 > 0:23:48The last one before the clocks go forward.
0:23:50 > 0:23:51Is that a yes or a no?
0:23:54 > 0:23:55- Yes.- Thank you.
0:24:12 > 0:24:14Good. Good.
0:24:28 > 0:24:30Do you think he'll return?
0:24:30 > 0:24:31Tommy?
0:24:35 > 0:24:36He will always come back.
0:24:38 > 0:24:41- You speak differently when you talk...- Yeah, I prefer to talk
0:24:41 > 0:24:42about other things.
0:24:42 > 0:24:45Let me see.
0:24:45 > 0:24:49What books do you like?
0:24:49 > 0:24:52Riding? Flower arranging? Embroidery?
0:24:52 > 0:24:54You'd be surprised at the things I know.
0:24:57 > 0:25:01But you'd also be surprised at the things I don't know.
0:25:01 > 0:25:04What can you possibly not know?
0:25:04 > 0:25:05I wasn't educated...
0:25:11 > 0:25:13..at all.
0:25:13 > 0:25:15What is there to learn after all?
0:25:23 > 0:25:24Goodness.
0:25:26 > 0:25:29I'm sorry. You must need a rest.
0:25:40 > 0:25:43Do you tell your friends you're painting a gangster?
0:25:46 > 0:25:48Is that the fun in all of this?
0:25:48 > 0:25:50In truth, I don't have any friends.
0:25:52 > 0:25:54I knew everyone through my wife.
0:25:56 > 0:25:57When she died...
0:26:01 > 0:26:03Well...
0:26:06 > 0:26:12Look, Polly, my motivation for doing this is twofold.
0:26:13 > 0:26:19Firstly, you have a face full of contradictions
0:26:19 > 0:26:22and it's a challenge to capture them in one expression.
0:26:22 > 0:26:24That's the sales pitch.
0:26:26 > 0:26:28The second motivation is that
0:26:28 > 0:26:33I am planning to seduce you eventually
0:26:33 > 0:26:35and please, God, sleep with you.
0:26:35 > 0:26:38How will that please God?
0:26:38 > 0:26:39Please me.
0:27:17 > 0:27:18And stop.
0:27:23 > 0:27:25And he didn't say what he wants?
0:27:25 > 0:27:28When he was drunk he said, "Absolution."
0:27:28 > 0:27:30Other than that, nothing.
0:27:50 > 0:27:53Thank you for your time, Madam Boswell.
0:27:54 > 0:27:56I heard someone shot your wife.
0:28:00 > 0:28:03If you're looking for soldiers, our men are all up at Appleby.
0:28:03 > 0:28:08I have no need of soldiers. That's not why I came here.
0:28:20 > 0:28:22What do you think?
0:28:22 > 0:28:23You're selling?
0:28:23 > 0:28:24Giving.
0:28:26 > 0:28:28- Why?- Would you take it?
0:28:29 > 0:28:30I'd take it.
0:28:31 > 0:28:34- Would you wear it?- Why would I not?
0:28:34 > 0:28:35That's my question.
0:28:42 > 0:28:45My wife was wearing it the night she was shot.
0:28:48 > 0:28:50And...
0:28:50 > 0:28:51I lie awake at night.
0:28:52 > 0:28:55At four in the fucking morning and I blame myself for her death.
0:28:57 > 0:28:59I pushed some people too far.
0:29:01 > 0:29:03You want me to tell you this jewel is cursed.
0:29:06 > 0:29:08And then her death won't all be your fault.
0:29:16 > 0:29:19If I believed in priests,
0:29:19 > 0:29:22I would confess and ask for forgiveness.
0:29:22 > 0:29:25But all I have is you, Madame Boswell.
0:29:27 > 0:29:28I have a son.
0:29:31 > 0:29:33I have a business.
0:29:33 > 0:29:34I need to get some sleep.
0:29:38 > 0:29:39It is cursed.
0:29:42 > 0:29:44I feel its curse burning through my hand.
0:29:52 > 0:29:54Bless you, Tommy Shelby.
0:29:55 > 0:29:57You'll have good fortune from now on.
0:29:57 > 0:30:00- The business is done?- It's done.
0:30:00 > 0:30:04Are you not going to give me one fucking clue what that was about?
0:30:04 > 0:30:08All religion is a foolish answer to a foolish question.
0:30:08 > 0:30:09What does that mean?
0:30:09 > 0:30:11We will go and get Charlie from the camp.
0:30:11 > 0:30:13He'll have learned enough bad habits by now.
0:30:13 > 0:30:16Then you can drop us at the train station.
0:30:16 > 0:30:22And, Johnny boy, if I were you, tonight I'd come back here tonight.
0:30:22 > 0:30:24Because later on...
0:30:26 > 0:30:29..there's going to be one hell of a big fucking party.
0:30:32 > 0:30:36Check the day and date on your ticket.
0:30:36 > 0:30:40If you can't read, find someone who can.
0:30:40 > 0:30:44Tickets for sailings other than today's will be destroyed.
0:30:44 > 0:30:46He has people all over the docks.
0:30:46 > 0:30:48If it's going to happen, it will happen now.
0:30:48 > 0:30:50We'll be all right.
0:30:50 > 0:30:53Why don't these Irish fill in their papers in advance?
0:30:53 > 0:30:55Think about Mott Street.
0:30:55 > 0:30:57The cafe. The smell of the coffee.
0:31:45 > 0:31:47Police! Help! Police!
0:31:51 > 0:31:54Officer, there are some men. They mean us harm.
0:31:54 > 0:31:57We are in danger here. Can you escort us to the dock?
0:31:59 > 0:32:00Please.
0:32:00 > 0:32:01Come with me...
0:32:03 > 0:32:06Excuse me, brother, have you got a light?
0:32:55 > 0:32:58Thank you, Officer, that will be all.
0:32:58 > 0:33:00John Shelby.
0:33:00 > 0:33:03Is that the lad I used to teach?
0:33:03 > 0:33:05John Shelby, I smacked your arse.
0:33:06 > 0:33:07Let him go.
0:33:08 > 0:33:10Please... Please, let her go.
0:33:10 > 0:33:14Arthur, how many times I looked the other way
0:33:14 > 0:33:16because of your sweet smile.
0:33:16 > 0:33:18I said let him go, he's coming with us.
0:33:20 > 0:33:22Not until I know my wife is safe.
0:33:23 > 0:33:25She's safe.
0:33:25 > 0:33:27We're not going to harm her.
0:33:27 > 0:33:28Just get a move on.
0:33:28 > 0:33:32Look, we are disobeying Tommy's orders just by talking to you.
0:33:33 > 0:33:35Don't push it.
0:33:35 > 0:33:38Please, come with us. Let him go.
0:33:38 > 0:33:42Let him go, too. Say it's done.
0:33:42 > 0:33:43Say he's in the harbour.
0:33:43 > 0:33:45He can do you no harm from New York.
0:33:45 > 0:33:48I can't do that, Mrs Changretta.
0:33:48 > 0:33:51- I can't do that, sorry. - OK. It's OK. Audrey, listen.
0:33:51 > 0:33:52- No!- Listen to me!
0:33:53 > 0:33:55Go to the cafe in Mott Street.
0:33:55 > 0:33:58Benito will take care of you.
0:33:58 > 0:34:01Let him go, too! He's an old man!
0:34:01 > 0:34:03I gave you sweets and cakes.
0:34:03 > 0:34:06Mrs Changretta. There are rules.
0:34:06 > 0:34:07Your husband knows the rules.
0:34:08 > 0:34:11- Come on, old man.- No!
0:34:12 > 0:34:13Sorry.
0:34:15 > 0:34:18We're disobeying orders here!
0:34:18 > 0:34:20LET HIM FUCKING GO!
0:34:22 > 0:34:26You have ten seconds, or Tommy's orders stand.
0:34:26 > 0:34:27They stand.
0:34:27 > 0:34:30One, two...
0:34:30 > 0:34:31Please!
0:34:33 > 0:34:34..three...
0:34:39 > 0:34:40I love you...forever!
0:34:40 > 0:34:41..four...
0:34:51 > 0:34:54No! No! No!
0:34:54 > 0:34:58America. A new life.
0:34:58 > 0:35:01No. No. No.
0:35:01 > 0:35:02A new life.
0:35:02 > 0:35:05MUSIC: Tupelo by Nick Cave And The Bad Seeds
0:35:05 > 0:35:06# Look yonder
0:35:08 > 0:35:12# Look yonder A big, black cloud come
0:35:14 > 0:35:15# A big, black cloud come
0:35:17 > 0:35:20# Here come to Tupelo.
0:35:20 > 0:35:22# Come to Tupelo
0:35:24 > 0:35:28# Yonder on the horizon Yonder on the horizon
0:35:28 > 0:35:30# Stopped at the mighty river
0:35:30 > 0:35:33# And sucked the damn thing dry
0:35:33 > 0:35:37# Distant thunder rumble Distant thunder rumble
0:35:37 > 0:35:39# Rumble hungry like the Beast
0:35:39 > 0:35:43# The Beast, it cometh, cometh down # The Beast, it cometh, cometh down
0:35:43 > 0:35:46# The Beast, it cometh, cometh down
0:35:46 > 0:35:52- # Oh, Tupelo bound - Tupelo
0:35:52 > 0:35:57# Yeah, the black rain come down The black rain come down
0:35:57 > 0:35:59# Water, water everywhere
0:35:59 > 0:36:01# Where no bird can fly no fish can swim
0:36:01 > 0:36:03# No fish can swim
0:36:03 > 0:36:05# Until the king is born Until the king is born
0:36:05 > 0:36:10# Tupelo! #
0:36:17 > 0:36:20VICENTE MUTTERS IN ITALIAN
0:36:35 > 0:36:37Do you know what time it is, old man?
0:36:41 > 0:36:42I'll tell you.
0:36:47 > 0:36:49It's after seven in the evening.
0:36:52 > 0:36:56And I am going to keep you alive until it gets light.
0:37:02 > 0:37:04I'll not to deliver the final cut
0:37:05 > 0:37:09until we can both hear the blackbirds singing outside.
0:37:15 > 0:37:16It's a beautiful sound.
0:37:20 > 0:37:23Which my wife will never hear again.
0:37:23 > 0:37:25VICENTE MUTTERS AGAIN
0:37:37 > 0:37:44Now, I am going to have to choose carefully which part of you
0:37:44 > 0:37:46I cut away first.
0:37:50 > 0:37:51Open your eyes.
0:37:53 > 0:37:57Open your eyes, or I will cut away your fucking eyelids.
0:38:01 > 0:38:04Now, look at me.
0:38:04 > 0:38:05Look at me.
0:38:07 > 0:38:09This is the end.
0:38:11 > 0:38:12This is the end.
0:38:19 > 0:38:22It was your tongue that gave the order.
0:38:25 > 0:38:27I'll take your tongue first.
0:38:30 > 0:38:32Then I'll take your ears.
0:38:34 > 0:38:38Then I'll take your fingers,
0:38:38 > 0:38:39and your fucking toes.
0:38:41 > 0:38:44See, I take your balls first, you drain too fast.
0:38:44 > 0:38:45Like you fuckers do.
0:38:49 > 0:38:50I think tongue first.
0:38:52 > 0:38:55VICENTE MOANS
0:38:56 > 0:38:58Tongue first.
0:39:04 > 0:39:09If I take your tongue, you won't be able to explain.
0:39:09 > 0:39:12And I want you to explain.
0:39:12 > 0:39:13I want you to fucking explain.
0:39:34 > 0:39:39VICENTE MUTTERS IN ITALIAN
0:39:46 > 0:39:48Come on, Tommy.
0:39:50 > 0:39:52I forget who I am.
0:39:53 > 0:39:55I forget who I am.
0:39:55 > 0:39:57I'm a Blinder.
0:39:57 > 0:39:59I'll take your FUCKING EYES FIRST!
0:39:59 > 0:40:00GUNSHOT, WET SQUELCHING
0:40:05 > 0:40:07I heard the blackbird sing.
0:40:21 > 0:40:25And we let his wife board the immigrant ship to New York.
0:40:25 > 0:40:27We didn't kill Mrs Changretta.
0:40:29 > 0:40:31Tonight.
0:40:34 > 0:40:35We're not those kind of men.
0:40:43 > 0:40:47MUSIC: Soldier's Things by Tom Waits
0:40:47 > 0:40:52# Oh, and this one is for bravery
0:40:54 > 0:40:56# When this one is for me
0:41:00 > 0:41:07# And everything's a dollar in this box... #
0:41:07 > 0:41:08You get rid of the body, John.
0:41:10 > 0:41:12And get rid of those.
0:41:13 > 0:41:14For good.
0:41:14 > 0:41:16# ..Cuff links and hub caps
0:41:18 > 0:41:22# And trophies and paperbacks
0:41:24 > 0:41:30# It's good transportation but the brakes aren't so hot
0:41:34 > 0:41:37# Neckties and boxing gloves
0:41:38 > 0:41:40# This jackknife is rusted
0:41:43 > 0:41:47# You can pound that dent out on the hood
0:41:52 > 0:41:55# A tinker, a tailor
0:41:57 > 0:41:59# A soldier's things
0:42:02 > 0:42:09# His rifle, his boots full of rocks
0:42:09 > 0:42:15# Oh, and this one is for bravery
0:42:15 > 0:42:19# Oh, and this one is for me
0:42:22 > 0:42:28# And everything's a dollar in this box... #
0:42:53 > 0:42:55Did you do what was on your list, Ada?
0:42:55 > 0:42:58You and your fucking lists.
0:42:58 > 0:42:59Did you?
0:43:02 > 0:43:04I spoke to an old friend of Freddie's.
0:43:04 > 0:43:07He's a Communist-Party candidate for Balsall Heath.
0:43:07 > 0:43:09I asked him about the Birmingham branch
0:43:09 > 0:43:12of the National Vigilance Committee.
0:43:12 > 0:43:14He said he'd heard the Soviet Embassy
0:43:14 > 0:43:17was getting information from the inside.
0:43:17 > 0:43:19And...did you get a name?
0:43:21 > 0:43:22Yes.
0:43:25 > 0:43:27But just promise me no-one will get killed.
0:43:27 > 0:43:31Ada, it will be me, or John, or Arthur who gets killed
0:43:31 > 0:43:34if you don't give me the fucking name.
0:43:34 > 0:43:37There's someone ahead of us and I need to know why.
0:43:39 > 0:43:40James Monkland.
0:43:41 > 0:43:45He's a Lloyd's underwriter. He's got an office on Curzon Street.
0:43:45 > 0:43:48Tommy, for fuck's sake, who is it that's ahead of you?
0:43:48 > 0:43:50I knew I could count on you, Ada.
0:43:50 > 0:43:53No, you can't. And I just asked you a fucking question.
0:43:58 > 0:44:01And I notice you started wearing lipstick again.
0:44:03 > 0:44:05So what?
0:44:08 > 0:44:10I got bored...
0:44:10 > 0:44:14You can change what you do, but you can't change what you want.
0:44:15 > 0:44:17And what is it that I want?
0:44:24 > 0:44:30There's going to be a vacancy coming up in Shelby Company Limited.
0:44:33 > 0:44:35Boston office.
0:44:35 > 0:44:37Boston, America?
0:44:39 > 0:44:41Lipstick, clothes from Paris,
0:44:43 > 0:44:44no revolvers, all legal.
0:44:46 > 0:44:48Just turn a few heads. Do the transit deals.
0:44:48 > 0:44:51MUSIC: Don't Sit Down Cos I've Moved Your Chair by Arctic Monkeys
0:44:51 > 0:44:57# Break a mirror Roll the dice
0:44:57 > 0:44:59# Run with scissors Through a chip pan fire fight... #
0:44:59 > 0:45:00James Monkland, right?
0:45:04 > 0:45:05Goodnight, our Ada.
0:45:05 > 0:45:10# ..Go into business with a grizzly bear
0:45:12 > 0:45:17# But just don't sit down cos I've moved your chair... #
0:45:17 > 0:45:21- James Monkland.- Yours, sir.
0:45:47 > 0:45:49Who the hell are you?
0:45:49 > 0:45:51What do you want with me?
0:45:51 > 0:45:53You have been passing information about a robbery
0:45:53 > 0:45:56at the Lanchester Factory in Sparkbrook.
0:45:56 > 0:45:59Are you...
0:45:59 > 0:46:01Tommy Shelby?
0:46:01 > 0:46:03I need to know the name of the person in the organisation
0:46:03 > 0:46:05who's giving you information.
0:46:08 > 0:46:09What organisation?
0:46:10 > 0:46:14The Economic League, the Vigilance Committee, the Odd Fellows.
0:46:14 > 0:46:15Section D.
0:46:15 > 0:46:17They have many fucking names.
0:46:17 > 0:46:18Shit, shit shit...
0:46:19 > 0:46:21Give me the name of the informant.
0:46:28 > 0:46:29Mr Shelby.
0:46:32 > 0:46:34They are very, very, dangerous people.
0:46:34 > 0:46:36Oh. Oh...
0:46:39 > 0:46:42Well, unfortunately, so are we.
0:46:44 > 0:46:46You have to choose who you're more afraid of.
0:46:46 > 0:46:49The Peaky Blinders at exactly 11.43,
0:46:49 > 0:46:54or Section D at some point in the future.
0:46:58 > 0:47:01If you make the wrong choice you won't see 11.44.
0:47:02 > 0:47:06Do they always have to do the stocktaking at night, Arthur?
0:47:06 > 0:47:10- Only cos you know it slows down production.- Mm.
0:47:10 > 0:47:11Thank you.
0:47:14 > 0:47:15Thank you.
0:47:29 > 0:47:31Night work will have to end.
0:47:31 > 0:47:33It will. It will.
0:47:33 > 0:47:35You'll have things to do at night.
0:47:42 > 0:47:43Yeah.
0:47:44 > 0:47:46Yeah, I know.
0:47:47 > 0:47:49We've spoken about it.
0:47:49 > 0:47:52I was going to wait until you had a strong cup of tea in your hand.
0:47:52 > 0:47:53Come on then.
0:47:53 > 0:47:56But, erm... I'm going to have a baby, Arthur.
0:48:11 > 0:48:13Pregnant?
0:48:13 > 0:48:14Yeah.
0:48:18 > 0:48:20You said you spent the night taking stock.
0:48:20 > 0:48:21Well, so did I.
0:48:22 > 0:48:25This working at night will have to stop.
0:48:33 > 0:48:35We're going to have a baby?
0:48:35 > 0:48:36Yes.
0:48:47 > 0:48:50Oh, it's great news.
0:48:54 > 0:48:59Right then, let's have a cup of tea.
0:49:00 > 0:49:01Come on.
0:49:10 > 0:49:11Come on. Let's have that tea.
0:49:18 > 0:49:20Arthur, for fuck's sake. What is it?
0:49:20 > 0:49:23No. We wait for Tommy.
0:49:25 > 0:49:28I've got a stolen statue back there with its dick hanging out
0:49:28 > 0:49:30waiting to be melted down.
0:49:30 > 0:49:31Tell us. Tell Tommy later...
0:49:31 > 0:49:35Yeah. Look he's not here. He's not here, I'm going.
0:49:35 > 0:49:38- Hold your horses. - Right, Curly. Come on.
0:49:38 > 0:49:39- There he is.- All right, what is it?
0:49:39 > 0:49:41He's fucking given us all this shit.
0:49:41 > 0:49:42- Come on. Come on.- Right!
0:49:46 > 0:49:48Arthur, you've got wire on the fucking cork. Give it here.
0:49:48 > 0:49:49Bastard!
0:49:49 > 0:49:51Right, gentlemen.
0:49:58 > 0:49:59Linda...
0:50:00 > 0:50:03..is up the Swannee, I am going to become a fucking dad.
0:50:03 > 0:50:04Fuck off!
0:50:04 > 0:50:06LAUGHTER
0:50:06 > 0:50:08Yes, Guy.
0:50:09 > 0:50:11Arthur, I knew you had it in you.
0:50:13 > 0:50:15I knew he had it in him.
0:50:15 > 0:50:18September, she reckons. Her tits feel different already.
0:50:18 > 0:50:21That's not the only thing that's going to be different, Brother.
0:50:21 > 0:50:23You're fucked now, man.
0:50:23 > 0:50:25Fucked. Absolutely fucked.
0:50:25 > 0:50:27No. Nothing's going to change, John.
0:50:28 > 0:50:29Goodbye, Arthur.
0:50:31 > 0:50:34I've a meeting I have to go to.
0:50:34 > 0:50:37Yeah. Yeah. Course you do.
0:50:41 > 0:50:42Yeah. You, erm...
0:50:44 > 0:50:45You go to your meeting.
0:50:47 > 0:50:49Congratulations.
0:50:49 > 0:50:51- I'm going to be a dad. - Proud of you.
0:51:30 > 0:51:32Your Highness, Mr Thomas Shelby.
0:51:36 > 0:51:41Welcome, Mr Shelby, I believe you've met everyone
0:51:41 > 0:51:43apart from my wife.
0:51:44 > 0:51:46Grand Duchess Izabella Petrovna.
0:51:47 > 0:51:48Please, take a seat.
0:51:54 > 0:51:58Before we begin, Mr Shelby, we must offer you our sincere
0:51:58 > 0:52:00condolences on your recent loss...
0:52:01 > 0:52:03..which some of us witnessed.
0:52:08 > 0:52:09- Did you drive, Mr Shelby?- Yes.
0:52:16 > 0:52:19- They say you are an expert on cars.- Yes, I am.
0:52:19 > 0:52:23- I am curious. What was your father's profession?- Well, he, erm...
0:52:23 > 0:52:25He told fortunes and stole horses.
0:52:25 > 0:52:28Often he would tell a man that his horse would be stolen
0:52:28 > 0:52:32and they would marvel at his powers when it was.
0:52:37 > 0:52:40Before we eat, should we say grace?
0:52:45 > 0:52:47For what we are about to receive
0:52:47 > 0:52:51may the Lord make us truly thankful.
0:52:51 > 0:52:56- Amen.- I'm not here to eat, I'm here to do business.
0:52:56 > 0:52:59What I have to say can be said before the main course.
0:52:59 > 0:53:01Then I will leave you all to your evening.
0:53:01 > 0:53:06Grand Duchess, I must apologise for the bad manners of my compatriot.
0:53:06 > 0:53:09This is a report on the mission's progress so far.
0:53:09 > 0:53:12I've made only one copy for security.
0:53:14 > 0:53:16Who should I give it to?
0:53:16 > 0:53:19My husband is in charge of this operation.
0:53:19 > 0:53:23But since there will no doubt be vodka later,
0:53:23 > 0:53:26perhaps you should give it to me for safekeeping.
0:53:29 > 0:53:31Speak, Mr Shelby, while we eat.
0:53:36 > 0:53:39Five factory foremen on our payroll have begun a campaign
0:53:39 > 0:53:41of victimisation against communist workers in five factories
0:53:41 > 0:53:44across Birmingham.
0:53:44 > 0:53:47Anger amongst the workers will grow, but we will control it.
0:53:47 > 0:53:51On the night of June 21st, a general strike will be called
0:53:51 > 0:53:52across the city.
0:53:52 > 0:53:55Protests will develop into riots.
0:53:55 > 0:53:59And all police who are not already under our control will be busy.
0:53:59 > 0:54:03- The city will be paralysed. - So, how will you move the train?
0:54:03 > 0:54:06We have two locomotive drivers who have been allocated to drive
0:54:06 > 0:54:08the midnight-goods train to London.
0:54:08 > 0:54:10The armoured vehicles will be waiting on flat beds.
0:54:10 > 0:54:12- And the ammunition? - The ammunition...
0:54:12 > 0:54:15I have to say that this soup is exceptional.
0:54:19 > 0:54:21Absolutely delicious.
0:54:21 > 0:54:24Ammunition, incendiaries, will already have been packed up
0:54:24 > 0:54:27and crated for transport to Istanbul.
0:54:27 > 0:54:29And how long to London?
0:54:29 > 0:54:31The train won't reach London.
0:54:31 > 0:54:33All the goods will be unloaded at a coal yard
0:54:33 > 0:54:37in St Albans and put onto Shelby-Company trucks.
0:54:37 > 0:54:39From there, they will go directly to the Poplar Docks.
0:54:39 > 0:54:42Your Highness, if you're having difficulty understanding
0:54:42 > 0:54:46his accent then I can go through the plan with you at a later date.
0:54:46 > 0:54:48If there is no ship waiting for my men,
0:54:48 > 0:54:51all goods will be dumped into the sea before first light.
0:54:51 > 0:54:54And what happens when they discover the armoured cars are missing?
0:54:54 > 0:54:58During the rioting the Lanchester Factory will be firebombed.
0:54:58 > 0:55:00A scrap-metal dealer of my acquaintance
0:55:00 > 0:55:03will declare that all the armoured vehicles are in the wreckage
0:55:03 > 0:55:05and should be written off as salvage.
0:55:05 > 0:55:07No-one will know that they are in your possession.
0:55:07 > 0:55:10We formulated this plan when we met at Birmingham.
0:55:12 > 0:55:15I'm certain that nothing has been overlooked.
0:55:17 > 0:55:19This, erm...
0:55:19 > 0:55:22is the amount of extra expense
0:55:22 > 0:55:24I believe I will incur
0:55:24 > 0:55:25for trucks and fuels.
0:55:26 > 0:55:28I trust you will respond in kind.
0:55:30 > 0:55:32But of course, Mr Shelby.
0:55:35 > 0:55:40Before I go, I would like it known that
0:55:40 > 0:55:44I am unable to swallow food in the same room as this priest.
0:55:49 > 0:55:50Enjoy your evening.
0:55:59 > 0:56:03Tatiana? See Mr Shelby to his car.
0:56:03 > 0:56:04Yes.
0:56:32 > 0:56:33Walk with me.
0:56:57 > 0:56:59The priest is passing information about the robbery
0:56:59 > 0:57:01to a Lloyd's underwriter called Monkland.
0:57:01 > 0:57:05He, in turn, is passing information to the Soviet Embassy.
0:57:05 > 0:57:08If you want him dead, I will kill him. No charge.
0:57:09 > 0:57:12Why would the priest pass information to our enemies?
0:57:18 > 0:57:23I'm being paid to act and to observe, like a soldier.
0:57:23 > 0:57:26The complexities are your business.
0:57:26 > 0:57:28Go and speak to Izabella. I trust her to decide.
0:57:32 > 0:57:34You are able to continue your business dealings
0:57:34 > 0:57:36even after what happened.
0:57:38 > 0:57:40Perhaps you didn't love her.
0:57:47 > 0:57:48She's here.
0:57:50 > 0:57:51By my side.
0:57:53 > 0:57:55And she says, "Don't trust these people."
0:58:00 > 0:58:04Now, get me permission to kill the priest.
0:58:28 > 0:58:30# On a gathering storm
0:58:30 > 0:58:32# Comes a tall handsome man
0:58:32 > 0:58:34# In a dusty black coat
0:58:34 > 0:58:37# With a red right hand. #