Episode 4

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0:00:02 > 0:00:07This programme contains some violent scenes and strong language from the start.

0:00:07 > 0:00:10'Do they always have to do the stock-taking at night, Arthur?'

0:00:10 > 0:00:12- I'm going to have a baby! - SHE LAUGHS

0:00:12 > 0:00:15What business do you have with the Russians, Tommy?

0:00:15 > 0:00:17I've been to the factories

0:00:17 > 0:00:19and the armoured vehicles are in good condition...

0:00:19 > 0:00:21"A factory break-in," that's what you said.

0:00:21 > 0:00:25When you go home, be sure to check under your little boy's pillow.

0:00:26 > 0:00:27'We can reach anyone.

0:00:29 > 0:00:30'Anywhere.'

0:00:30 > 0:00:32'The priest is passing information about the robbery

0:00:32 > 0:00:35'to a Lloyd's underwriter called Monkland.'

0:00:35 > 0:00:37'Why would the priest pass information to our enemies?'

0:00:37 > 0:00:39'The complexities are your business.'

0:00:39 > 0:00:41Now get me permission...

0:00:42 > 0:00:44..to kill the priest.

0:00:49 > 0:00:53STAG SNORTS

0:00:58 > 0:01:00GUNSHOT

0:01:09 > 0:01:12# Take a little walk to the edge of town

0:01:12 > 0:01:14# And go across the tracks

0:01:16 > 0:01:21# Where the viaduct looms like a bird of doom

0:01:21 > 0:01:24# As it shifts...and cracks

0:01:24 > 0:01:29# Where secrets lie in the border fires

0:01:29 > 0:01:31# In the humming wires

0:01:31 > 0:01:34# Hey, man, you know you're never coming back

0:01:34 > 0:01:39# Past the square, past the bridge Past the mills, past the stacks

0:01:41 > 0:01:43# On a gathering storm

0:01:43 > 0:01:45# Comes a tall handsome man

0:01:45 > 0:01:48# In a dusty black coat

0:01:48 > 0:01:50# With a red right hand... #

0:01:54 > 0:01:57Watch out, John Boy! He's got a strong left...

0:01:57 > 0:01:59Arthur, John, Finn!

0:01:59 > 0:02:00Come here!

0:02:07 > 0:02:08All right, what is it?

0:02:14 > 0:02:16This letter...

0:02:16 > 0:02:18says that Dad's dead.

0:02:25 > 0:02:29He was in Boston in a bar called the Mickey Free.

0:02:29 > 0:02:31Two men waiting in an alley.

0:02:31 > 0:02:32He was shot twice.

0:02:34 > 0:02:36Who's Rosie Rice?

0:02:38 > 0:02:39Some fucking whore.

0:02:39 > 0:02:42She was a woman who took the trouble to write to us.

0:02:42 > 0:02:45She wanted us to know that during the night...

0:02:46 > 0:02:49..while he was dying, he asked for our forgiveness.

0:02:52 > 0:02:56The only thing he ever taught us was how to kill and cut a stag.

0:02:56 > 0:02:59- Finn, John, you won't remember. - I remember.

0:02:59 > 0:03:01Cannock Chase, he...

0:03:02 > 0:03:05..parked up at a pub called the Griffin.

0:03:05 > 0:03:07He got drunk and sang Silver Dagger about 100 times.

0:03:07 > 0:03:09Yeah, one weekend.

0:03:10 > 0:03:12One weekend he was like that.

0:03:14 > 0:03:16The stag is to remember him.

0:03:17 > 0:03:19We eat.

0:03:19 > 0:03:20And then we forget him.

0:03:21 > 0:03:23No need to forgive him. Agreed?

0:03:28 > 0:03:30John, I have to say this,

0:03:30 > 0:03:32you can name your new baby after him if you like.

0:03:32 > 0:03:34No.

0:03:35 > 0:03:37Arthur, I won't even ask.

0:03:40 > 0:03:42So, his name dies.

0:03:42 > 0:03:45It's been in the family for a long time, but now it's gone.

0:03:47 > 0:03:49Right. That's done. Fuck him!

0:03:52 > 0:03:54Before we cook and eat, there's some business.

0:03:54 > 0:03:56Boys!

0:04:06 > 0:04:08I wanted to say this out here,

0:04:08 > 0:04:11cos I don't trust the maids in the house.

0:04:13 > 0:04:15There's going to be a robbery.

0:04:25 > 0:04:26I wish to confess...!

0:04:26 > 0:04:28There's no confessional today.

0:04:28 > 0:04:30The name's Shelby.

0:04:44 > 0:04:46Bless me, Father, for I have sinned.

0:04:46 > 0:04:48Today's a Holy Day...

0:04:48 > 0:04:50Look, I came.

0:04:50 > 0:04:51I made myself.

0:04:52 > 0:04:54Have you been drinking?

0:04:55 > 0:04:56I couldn't sleep.

0:04:58 > 0:05:01I tried to get enough down me to get myself to sleep, but...

0:05:03 > 0:05:07I just do these night vigils by myself, thinking...

0:05:07 > 0:05:09How long since your last confession?

0:05:12 > 0:05:14I don't remember.

0:05:14 > 0:05:16Mrs Shelby,

0:05:16 > 0:05:18do you have something to confess?

0:05:18 > 0:05:20Do you know, it's actually Gray.

0:05:20 > 0:05:23My name is Elizabeth Gray.

0:05:24 > 0:05:27Do you think God calls me "Pol" or "Polly"?

0:05:29 > 0:05:31This voice calls me Pol.

0:05:33 > 0:05:35You hear a voice?

0:05:37 > 0:05:39Yeah. Like Bernadette heard a voice.

0:05:39 > 0:05:41And what does the voice say?

0:05:43 > 0:05:44"Murderer."

0:05:49 > 0:05:51It says this to you?

0:05:52 > 0:05:55It's in my head. Who else would it be talking to?

0:05:56 > 0:06:00And are you...a murderer?

0:06:00 > 0:06:02If you're talking about the law, then...

0:06:03 > 0:06:05FOOTSTEPS APPROACH

0:06:05 > 0:06:07- ..yes. - KNOCKING

0:06:07 > 0:06:09- I'll be out in a moment, Peter. - Yes, Father.

0:06:09 > 0:06:12FOOTSTEPS RETREAT

0:06:14 > 0:06:16Are you saying

0:06:16 > 0:06:19you want to confess to a murder?

0:06:20 > 0:06:21No.

0:06:23 > 0:06:26My confession is that I feel no regret.

0:06:26 > 0:06:28He was a policeman.

0:06:29 > 0:06:30He was a bad man,

0:06:30 > 0:06:32he hurt me.

0:06:35 > 0:06:39I do the things I do, so that my son doesn't have to do them.

0:06:41 > 0:06:44It's just the wiping away of the shit from under your feet.

0:06:44 > 0:06:47The taking of any human life is a mortal sin.

0:06:47 > 0:06:48No.

0:06:48 > 0:06:52The UNJUST taking of a human life is a mortal sin.

0:06:52 > 0:06:54Look it up. Look who did it.

0:06:54 > 0:06:55Moses. Samson.

0:06:55 > 0:06:57Lord Kitchener.

0:06:57 > 0:07:00Are you saying you took the life of a policeman?

0:07:00 > 0:07:02SHE SOBS

0:07:09 > 0:07:10Oh, Father...

0:07:13 > 0:07:15..now there is another life to be taken.

0:07:15 > 0:07:19If there is a voice telling you to take a life,

0:07:19 > 0:07:21you must ignore it.

0:07:21 > 0:07:24The voice doesn't tell me. The voice asks me...

0:07:24 > 0:07:27It says, "Pol...

0:07:27 > 0:07:30"does this way of excusing a murder still work

0:07:30 > 0:07:33"if the life that is going to be taken...

0:07:34 > 0:07:36"..is a consecrated man?"

0:07:38 > 0:07:40He's a man of the cloth.

0:07:40 > 0:07:42He's a holy man.

0:07:43 > 0:07:45What kind of holy man?

0:07:45 > 0:07:47SHE GASPS

0:07:50 > 0:07:53SHE SNIFFLES

0:07:55 > 0:07:57DOOR CLOSES

0:07:57 > 0:07:59FOOTSTEPS RETREAT

0:08:03 > 0:08:05HEAVY DOOR SLAMS

0:08:06 > 0:08:08It's not fair.

0:08:08 > 0:08:11They're off drinking and shooting rifles as we sit here

0:08:11 > 0:08:14and listen to the mugs swearing,

0:08:14 > 0:08:17spitting on the bloody floor for us to fucking wipe up!

0:08:18 > 0:08:22Without men here, they'll be like dogs pissing up the wall.

0:08:22 > 0:08:24I was just saying it's not fair.

0:08:26 > 0:08:27The men are down there like lords...

0:08:28 > 0:08:30Esme, just...

0:08:32 > 0:08:33..get on with it.

0:08:33 > 0:08:36I'm bloody five months gone!

0:08:36 > 0:08:38SHE SNORTS

0:08:40 > 0:08:43- SHE SIGHS - Forgot the combination.

0:08:43 > 0:08:4524-8-22.

0:08:45 > 0:08:47How do you know the paper cash combination?

0:08:47 > 0:08:49Tommy talks in his sleep.

0:08:49 > 0:08:50Shut up, Esme.

0:08:50 > 0:08:53SAFE CLUNKS

0:08:53 > 0:08:55SHE GROANS

0:08:55 > 0:08:57He's changed the combination.

0:09:00 > 0:09:02You've put it in wrong.

0:09:02 > 0:09:03No, I haven't.

0:09:05 > 0:09:07Your hands are shaking.

0:09:08 > 0:09:10LOCK CLICKS

0:09:10 > 0:09:12DOOR CLANKS

0:09:23 > 0:09:27And, actually, I am sleeping with Tommy, OK? Now and then.

0:09:27 > 0:09:29Because he wants to. Now and then. When the mood takes him.

0:09:29 > 0:09:32Except we don't sleep. It's hard to sleep bent over a desk, isn't it?

0:09:35 > 0:09:36Happy?

0:09:40 > 0:09:42None of it's fucking fair!

0:09:47 > 0:09:50It's two hours' work. Bit of grease on your cuffs, that's it.

0:09:50 > 0:09:52Tommy, should I really be here for this?

0:09:52 > 0:09:55I've cleared it with Polly, Michael. There's no way around it.

0:09:55 > 0:09:56We need you to know...

0:09:56 > 0:10:00Who the fuck wants to buy 27 stolen armoured cars?

0:10:00 > 0:10:03- A foolish man.- And how much is this "foolish man" paying?

0:10:03 > 0:10:05150,000 -

0:10:05 > 0:10:08cash, diamonds and sapphires.

0:10:08 > 0:10:11So, that's 20 for you, Charlie.

0:10:12 > 0:10:14Isiah, there's five to you.

0:10:14 > 0:10:17The rest we take to America to invest in legally acquired property.

0:10:17 > 0:10:20Assets bought with untraceable income resold

0:10:20 > 0:10:23and the profits reinvested to make sure it's clean.

0:10:23 > 0:10:26And after that, I suppose, the old business

0:10:26 > 0:10:30will be like that stag hanging up over there, right, Tom?

0:10:30 > 0:10:32Well, with profits on this scale we'll be in a position

0:10:32 > 0:10:35to stop the off-track business for good.

0:10:35 > 0:10:37Keep the pubs, stop the protection.

0:10:37 > 0:10:41Horses for the sport, race days for the lark.

0:10:42 > 0:10:45I made a promise to Charles's mother.

0:10:45 > 0:10:47I also made a promise...

0:10:47 > 0:10:49to Linda.

0:10:50 > 0:10:51I know.

0:10:51 > 0:10:54I can see it in your eyes, man.

0:10:54 > 0:10:56Part of the reason for doing this last job

0:10:56 > 0:10:59is so you'll be set up when you do decide to walk away.

0:11:00 > 0:11:02Look at you, Arthur.

0:11:03 > 0:11:06A man who wants to live a clean life,

0:11:06 > 0:11:09here you are signing up for the biggest robbery of all.

0:11:10 > 0:11:13I have to hand it to you, Tom, you're a smart man...

0:11:13 > 0:11:15Are you in or out, Charlie?

0:11:20 > 0:11:22Curly?

0:11:22 > 0:11:25- Shouldn't have killed the stag, Tommy.- Oh, shut up.

0:11:25 > 0:11:27- Bad luck...- Shut up.

0:11:27 > 0:11:29How do we know this foolish man will hand over the diamonds

0:11:29 > 0:11:31- when we're done?- We don't.

0:11:31 > 0:11:34But that's another business.

0:11:35 > 0:11:36Right...

0:11:36 > 0:11:38let's cook some meat.

0:11:42 > 0:11:44THUMPING ON DOOR

0:11:44 > 0:11:47Can't wait to part with their money, stupid bastards.

0:11:47 > 0:11:49It's all right, it's me!

0:11:54 > 0:11:56Arthur said you'd be short-staffed today

0:11:56 > 0:12:00- because they're on a works outing. - Piss-up actually.

0:12:00 > 0:12:04I brought sandwiches and lemonade I made myself.

0:12:04 > 0:12:08I'll make tea and empty ashtrays, but I won't handle money or slips.

0:12:09 > 0:12:13Arthur says what you do here is illegal but not immoral.

0:12:13 > 0:12:16Depends what time you get here, Linda.

0:12:16 > 0:12:18And, anyway, I thought I would offer you

0:12:18 > 0:12:21my physical and spiritual support for your time of need.

0:12:21 > 0:12:24Oh, Linda, if you want to be a help, run up to the shops

0:12:24 > 0:12:26and get me 20 Senior Service...

0:12:26 > 0:12:28- Lizzie'll give you the change. - No, I won't!

0:12:29 > 0:12:32Actually, I'll use my own money, Polly.

0:12:32 > 0:12:35And before you ladies decide to find me so amusing,

0:12:35 > 0:12:37- I have a message for you. - Oh, God, no, Linda.

0:12:37 > 0:12:39I've been to church already. Have you?

0:12:39 > 0:12:41It's not a message from God, Polly.

0:12:41 > 0:12:43It's from Jessie Eden.

0:12:43 > 0:12:45Who's Jessie Eden?

0:12:45 > 0:12:47She's the lady shop steward at the Lucas Factory in Sparkhill.

0:12:47 > 0:12:49"Lady shop steward"?

0:12:49 > 0:12:52She's bringing all the female workers in the spot-welding

0:12:52 > 0:12:54and wire-cutting shops out on strike for the day.

0:12:54 > 0:12:56At protest at being made to work on a Holy Day,

0:12:56 > 0:12:59poor conditions, lack of holidays,

0:12:59 > 0:13:02unsanitary lavatory provisions and lower pay for female workers.

0:13:02 > 0:13:06Apparently, all the female factory workers in the city

0:13:06 > 0:13:08are joining the protest in sympathy

0:13:08 > 0:13:10and will walk out of their places of work at 9am

0:13:10 > 0:13:13- to march on the Bull Ring. - POUNDING AT DOOR

0:13:13 > 0:13:16All oppressed female workers welcome.

0:13:16 > 0:13:18Them bastards down there shooting deer,

0:13:18 > 0:13:20me five-months-gone sat here like a pudding.

0:13:20 > 0:13:23- Only one outside lavatory between the lot of us.- Not consulted.

0:13:23 > 0:13:25- Bent over a fucking desk... - POUNDING ON DOOR CONTINUES

0:13:25 > 0:13:28Ladies, I honestly believe those who march on Good Friday

0:13:28 > 0:13:30will have God on their side.

0:13:30 > 0:13:33It's nine o'clock, ladies! Open the fucking door! >

0:13:36 > 0:13:37(Fuck it.)

0:13:37 > 0:13:39I'm not in the mood today.

0:13:43 > 0:13:47- Let's go to the Bull Ring. - Hallelujah!

0:13:54 > 0:13:56# Yeah, it's coming

0:13:58 > 0:14:00# Out of this world

0:14:03 > 0:14:06# Yeah, I'm lucky

0:14:07 > 0:14:10# The lucky girl

0:14:12 > 0:14:16# Hell...ain't...half...full... #

0:14:24 > 0:14:25The foolish man?

0:14:27 > 0:14:29Not quite.

0:14:29 > 0:14:31# ..What a monster

0:14:34 > 0:14:36# What a night

0:14:39 > 0:14:41# What a lover

0:14:43 > 0:14:46# What a fight... #

0:14:46 > 0:14:47DOOR SLAMS

0:14:47 > 0:14:49I'm sorry I came unannounced.

0:14:49 > 0:14:51What do you want?

0:14:51 > 0:14:53We need proof.

0:14:53 > 0:14:55Proof of what?

0:14:55 > 0:14:56HE CLEARS THROAT

0:14:56 > 0:14:58You said the priest is a traitor.

0:14:58 > 0:15:00- We need to know how you know... - LIGHTER CLICKS

0:15:00 > 0:15:02The proof is my word.

0:15:04 > 0:15:07If he's involved, I'm out. He needs to die.

0:15:07 > 0:15:09Are you always so violent?

0:15:12 > 0:15:14I killed a stag today

0:15:14 > 0:15:15and it hurt me to do it.

0:15:17 > 0:15:19But I treated it with respect

0:15:19 > 0:15:22and the spare meat will go to poor people.

0:15:23 > 0:15:27It will grieve me far less to put a bullet in the priest's face.

0:15:30 > 0:15:33Will you not sit when a duchess sits?

0:15:34 > 0:15:36I'm told you're part of the deal. Is that true?

0:15:37 > 0:15:42- The royal court in Tbilisi actually worked very efficiently.- Oh, I see.

0:15:42 > 0:15:44And it worked like this, eh?

0:15:44 > 0:15:48There were lots of corridors and small rooms.

0:15:48 > 0:15:50Attics. There were no rules there.

0:15:50 > 0:15:53Deals were done. Brothers gave sisters, aunts gave uncles,

0:15:53 > 0:15:56fathers gave daughters and servants.

0:15:58 > 0:16:00It was my aunt's idea that I came alone.

0:16:03 > 0:16:05She's in charge of this.

0:16:12 > 0:16:15When there are no rules, women take charge.

0:16:16 > 0:16:18They understand that the power they have

0:16:18 > 0:16:20come through silent agreements.

0:16:20 > 0:16:24I've promised I will do everything I can to make this plan work.

0:16:24 > 0:16:27My aunt assumed you would want me as part of the deal.

0:16:29 > 0:16:30I will tell her she's wrong.

0:16:30 > 0:16:33FOOTSTEPS, DOOR OPENS

0:16:34 > 0:16:36Tommy, you ain't gonna believe this, man.

0:16:36 > 0:16:39I've just phoned the Garrison, right. I just spoke to Billy,

0:16:39 > 0:16:41he says Polly, Esme and Lizzie...

0:16:41 > 0:16:43have gone on fucking strike(!)

0:16:43 > 0:16:44HE LAUGHS

0:16:44 > 0:16:46They what?

0:16:46 > 0:16:48They've gone on fucking strike!

0:16:48 > 0:16:49Half of Birmingham's out.

0:16:49 > 0:16:52The female half, they're all out, every single one of them.

0:16:52 > 0:16:54Quakers put 'em up to it.

0:16:55 > 0:16:56Who's watching the shop?

0:16:56 > 0:16:58Polly's locked it up.

0:16:58 > 0:17:02See, Good Friday is one of our best days for takings.

0:17:02 > 0:17:05All the men get drunk.

0:17:05 > 0:17:07The races are all fixed.

0:17:07 > 0:17:10It's like picking apples off the lowest branches, eh, John?

0:17:11 > 0:17:13Hmm, yes.

0:17:13 > 0:17:15Then your business is very easy.

0:17:17 > 0:17:18Was Linda with them?

0:17:18 > 0:17:22You know... Billy said that Polly jumped in the fucking Bull Ring,

0:17:22 > 0:17:25she's pissed out of her mind, started going on about revolution,

0:17:25 > 0:17:27screaming to the rooftops.

0:17:27 > 0:17:28Was Linda with them?

0:17:29 > 0:17:31Yeah.

0:17:32 > 0:17:34Then it was Linda's idea.

0:17:34 > 0:17:36Linda's a smart woman.

0:17:43 > 0:17:44John...

0:17:45 > 0:17:48..there's a Bentley on the drive outside.

0:17:48 > 0:17:50I want you to go out and put a nail in its tyre.

0:17:50 > 0:17:53It's Good Friday so there'll be no garages open.

0:17:53 > 0:17:54The lady will have to spend the night.

0:17:54 > 0:17:57Then I want you and the boys to all go home.

0:17:57 > 0:18:00You take Charlie and put him with Arthur and Linda for the night.

0:18:00 > 0:18:02They can use the practice.

0:18:05 > 0:18:07- You want me to put a nail...? - Yeah.

0:18:07 > 0:18:09- You heard me.- I hear you.

0:18:09 > 0:18:10All right.

0:18:10 > 0:18:12Nice to meet you.

0:18:16 > 0:18:18Why do you need to put a nail in the tyre?

0:18:18 > 0:18:22I want it so neither of us can change our minds.

0:18:28 > 0:18:31LOCK CLICKS

0:18:32 > 0:18:35DOOR CLANKS

0:18:46 > 0:18:47We came back early.

0:18:52 > 0:18:55Polly didn't finish the count yesterday.

0:18:55 > 0:18:59Hmm, so you thought you could take a tenner.

0:18:59 > 0:19:02I thought I'd finish the count.

0:19:06 > 0:19:08SCUFFLING, THEY GRUNT

0:19:10 > 0:19:13Esme, I've told you, stay off the snow till the baby's born.

0:19:13 > 0:19:16It does no harm, passes the time...

0:19:16 > 0:19:18Knocks down the walls!

0:19:18 > 0:19:20HE GROANS

0:19:20 > 0:19:21Listen...

0:19:21 > 0:19:23HE PANTS

0:19:23 > 0:19:24I know you miss the travelling.

0:19:26 > 0:19:28But it's going to be all right.

0:19:28 > 0:19:30It's like being a hen in a coop!

0:19:34 > 0:19:36Remember that house in Lichfield?

0:19:38 > 0:19:40Eh? The one the bailiff used to throw you out of?

0:19:40 > 0:19:42Throw you in the ditch.

0:19:43 > 0:19:45I'm going to buy that fucking house.

0:19:47 > 0:19:48Big as Tommy's with more land.

0:19:50 > 0:19:51If you feel cooped up...

0:19:52 > 0:19:54..we'll take a wagon...

0:19:55 > 0:19:57..and camp out by the ditch.

0:19:58 > 0:19:59How?

0:20:04 > 0:20:05It's all going to change, Esme.

0:20:10 > 0:20:12GRAMOPHONE PLAYS

0:20:12 > 0:20:13This is not your bedroom.

0:20:13 > 0:20:17This is not where you slept with your wife...

0:20:17 > 0:20:19Do you ride horses?

0:20:19 > 0:20:20No.

0:20:20 > 0:20:23I would need to open my legs in a public place

0:20:23 > 0:20:24and that is not allowed.

0:20:24 > 0:20:26Do you drink whiskey?

0:20:26 > 0:20:27No.

0:20:28 > 0:20:30It tastes like men.

0:20:30 > 0:20:32I prefer wine.

0:20:33 > 0:20:34Cars?

0:20:34 > 0:20:36No.

0:20:37 > 0:20:39So, diamonds are your only love, eh?

0:20:39 > 0:20:40Sapphires.

0:20:42 > 0:20:44They're just a currency.

0:20:45 > 0:20:49Well, you know, if it was me who had all them jewels...

0:20:51 > 0:20:54..I think I'd just sit with them...

0:20:55 > 0:20:56..look at them...

0:20:57 > 0:20:58..touch 'em.

0:20:58 > 0:21:00Izabella does that sometimes.

0:21:00 > 0:21:02Late at night.

0:21:04 > 0:21:07I swear she puts one of the biggest sapphires into her body for pleasure

0:21:07 > 0:21:10and walks up the stairs to breakfast with it still in place.

0:21:10 > 0:21:13SHE GIGGLES

0:21:13 > 0:21:15- And it stays in there all day?- Mm.

0:21:15 > 0:21:17Wow.

0:21:17 > 0:21:19What is your weakness?

0:21:21 > 0:21:24Talking about duchesses with sapphires inside of 'em...

0:21:26 > 0:21:28I think already know your weakness.

0:21:33 > 0:21:35I can get a fuck whenever I want, love.

0:21:35 > 0:21:36Yes.

0:21:38 > 0:21:39But I am a duchess.

0:21:41 > 0:21:43And I'm under you like a horse.

0:21:43 > 0:21:45- I'm like a telegram. - HE LAUGHS

0:21:47 > 0:21:50"A telegram"? I don't think your English is so good.

0:21:51 > 0:21:54Or maybe you should listen more carefully to what I have to say.

0:21:58 > 0:22:00I have a message for you, Mr Shelby.

0:22:01 > 0:22:03As a duchess,

0:22:03 > 0:22:06I can show you what is possible for a man like you.

0:22:08 > 0:22:11A man in a house like this.

0:22:11 > 0:22:13Right now, you hide inside it

0:22:13 > 0:22:15like a boy who's broken in through the window.

0:22:17 > 0:22:19Why do we come to a bedroom for this?

0:22:21 > 0:22:23In your own house?

0:22:28 > 0:22:29DOOR OPENS

0:22:31 > 0:22:33SHE CACKLES It's a loaded fucking weapon.

0:22:33 > 0:22:35We could fuck by the fire

0:22:35 > 0:22:37with the maids standing to attention and watching.

0:22:37 > 0:22:39- What can they do?- Give it here.

0:22:39 > 0:22:42Nothing. There are no rules for you.

0:22:42 > 0:22:44Give me the fucking gun.

0:22:44 > 0:22:46You have maids here. You can bring a maid into the room.

0:22:46 > 0:22:48What can I do about that? Nothing.

0:22:48 > 0:22:52- Give me the fucking gun, now. - You have power.

0:22:52 > 0:22:54Everyone does what you tell them to do.

0:22:54 > 0:22:57Your brothers, your soldiers.

0:22:57 > 0:23:00- No-one can stop you... - Don't point a fucking weapon at me.

0:23:00 > 0:23:02I can be an actress.

0:23:02 > 0:23:03Who do you want me to be?

0:23:04 > 0:23:07- Your dead wife?- That's enough! Give me the fucking gun!

0:23:07 > 0:23:10If you don't like something, you say stop and it stops.

0:23:10 > 0:23:11Hm?

0:23:11 > 0:23:13But you are afraid of it.

0:23:13 > 0:23:16You break the law, but you obey the rules. Why?

0:23:17 > 0:23:20Did you know that madness sets you free?

0:23:20 > 0:23:23Otherwise, we're just peasants obeying the law.

0:23:24 > 0:23:27There is madness inside your head, too. I can see that.

0:23:29 > 0:23:31Let a duchess show you something.

0:23:32 > 0:23:34RUNNING FOOTSTEPS

0:23:34 > 0:23:36DOOR OPENS

0:23:39 > 0:23:42CLICKING, BULLETS DROP

0:23:42 > 0:23:44BARREL WHIRS

0:23:44 > 0:23:46CHAMBER CLACKS

0:23:46 > 0:23:48I emptied the chamber except for one bullet.

0:23:48 > 0:23:49No!

0:23:49 > 0:23:52- This is the game we used to play. - No!

0:23:52 > 0:23:54Watch.

0:23:54 > 0:23:55Do not fucking do this...

0:23:55 > 0:23:56No...

0:23:56 > 0:23:57Look at me.

0:23:57 > 0:23:59Don't do this. TRIGGER CLICKS

0:23:59 > 0:24:00NO!

0:24:00 > 0:24:02Give me that fucking thing!

0:24:02 > 0:24:04SHE PANTS

0:24:04 > 0:24:06It brings you alive! You won't try it?

0:24:06 > 0:24:08No, I do not want to try!

0:24:08 > 0:24:11And I do not want your mad fucking Russian brains

0:24:11 > 0:24:13all over me fucking walls!

0:24:13 > 0:24:15I survive each time by the will of God!

0:24:15 > 0:24:16Get to fucking bed - NOW!

0:24:16 > 0:24:18I already called a maid.

0:24:18 > 0:24:19(Fucking...!)

0:24:32 > 0:24:34You see?

0:24:34 > 0:24:35You are afraid.

0:24:38 > 0:24:40Like a boy who's broken in through the window.

0:24:42 > 0:24:44I need to educate you in how to run a house like this.

0:24:44 > 0:24:46FOOTSTEPS APPROACH

0:24:46 > 0:24:48Yes! Come down.

0:24:48 > 0:24:49Pour us a drink.

0:24:49 > 0:24:51Mary, go back to bed, please.

0:24:51 > 0:24:54You go back to bed, please. This woman is drunk.

0:24:54 > 0:24:57- That's all right, sir. Should I pour whiskey?- Yes.- No.

0:24:57 > 0:24:59- He will have whiskey... - SCUFFLING

0:24:59 > 0:25:01He will have whiskey, and I will have wine!

0:25:02 > 0:25:04- Mary, go back to bed.- There. In an old house like this,

0:25:04 > 0:25:06- the servants expect it. - Stop fucking talking.

0:25:06 > 0:25:08Mary, go back to bed. Do as I say.

0:25:08 > 0:25:09If there is a call after midnight,

0:25:09 > 0:25:12the maid who comes in is the one in love with the master...

0:25:12 > 0:25:14This is NOT FUCKING RUSSIA!

0:25:15 > 0:25:18WHISPERING: Please, Mary... Go back to bed. Eh?

0:25:32 > 0:25:33I know your weakness, Tommy.

0:25:36 > 0:25:38It's freedom.

0:25:40 > 0:25:41Madness.

0:25:43 > 0:25:44Killing.

0:25:49 > 0:25:51I am the first one...

0:25:52 > 0:25:54..who understands you.

0:26:40 > 0:26:42I found her perfume.

0:26:44 > 0:26:45Put it on.

0:26:50 > 0:26:53What proof do you have that the priest is a spy?

0:26:53 > 0:26:56I told you, I give you my word.

0:27:14 > 0:27:16Then kill him.

0:27:18 > 0:27:22From now on, you must do everything that you want to do.

0:27:51 > 0:27:54There'll be two of us for breakfast this morning, Mary.

0:27:54 > 0:27:56She's gone for a walk by the river.

0:27:56 > 0:27:58The lady left, sir.

0:27:59 > 0:28:01Left? How?

0:28:01 > 0:28:02She took your car.

0:28:03 > 0:28:05She what?!

0:28:05 > 0:28:07She was in a terrible hurry.

0:28:07 > 0:28:08She said she had your permission.

0:28:08 > 0:28:12She told David to go to the garage to get a new tyre for the Bentley.

0:28:12 > 0:28:14She said you could use that.

0:28:15 > 0:28:17And why the hell would you listen to her, eh?

0:28:17 > 0:28:19The way she said it, sir.

0:28:54 > 0:28:56How was she, Tom?

0:28:56 > 0:28:57Talkative, yeah.

0:28:58 > 0:29:01- I was fucking working, all right? - Yeah.

0:29:03 > 0:29:06From what she said when she was out of her fucking mind,

0:29:06 > 0:29:08I'm pretty certain the treasury is underneath the house.

0:29:08 > 0:29:09What have you got?

0:29:09 > 0:29:13Our Ada got this from the British Library using her scholar's pass.

0:29:15 > 0:29:17She talked about her aunt coming up the stairs

0:29:17 > 0:29:20to have her breakfast in the morning which means

0:29:20 > 0:29:22it has to be in the building somewhere.

0:29:22 > 0:29:24Wine cellar. Septic.

0:29:24 > 0:29:26Kitchen cellar.

0:29:26 > 0:29:29- And a tunnel under the river.- They don't trust a soul in this country.

0:29:29 > 0:29:32So, my guess is they've turned one of the cellars into a strong room.

0:29:32 > 0:29:35- Did you find someone, Arthur? - Moss got me this.

0:29:35 > 0:29:38Stephan Radischevski.

0:29:38 > 0:29:41He's a kid from Greet, lives in Cheltenham. Dad's a Russian,

0:29:41 > 0:29:44he has dreams of owning a pub but he's got a record.

0:29:44 > 0:29:47- Breaking and entering. And he speaks Russian?- Yeah.

0:29:47 > 0:29:51Their butler drinks in a pub called the Mason's Arms.

0:29:51 > 0:29:53Get to him, tell him who we are, offer him some money

0:29:53 > 0:29:55if he gives the kid a job in the house...

0:29:55 > 0:29:57KNOCK AT DOOR Wait!

0:29:57 > 0:30:01Talk to the kid, offer him one of the pubs we took off the Italians

0:30:01 > 0:30:04if he works in the house for four weeks, keeps his ears open.

0:30:04 > 0:30:06All right? ..Come!

0:30:08 > 0:30:12The Executive Committee of the Union of Bookies and Allied Trades

0:30:12 > 0:30:13will see you now, sir.

0:30:26 > 0:30:29I heard you were giving speeches off the back of a wagon, Pol.

0:30:29 > 0:30:31SHE GROANS

0:30:31 > 0:30:33I can't remember a fucking thing...

0:30:33 > 0:30:35Well, Moss tells me you were threatening

0:30:35 > 0:30:37to burn down the Town Hall.

0:30:37 > 0:30:39Oh, Tommy, we were having a laugh.

0:30:40 > 0:30:42Actually, the crowd around me

0:30:42 > 0:30:45was bigger than the crowd around Jessie Eden.

0:30:45 > 0:30:46Who's Jessie Eden?

0:30:46 > 0:30:47She's too soft.

0:30:47 > 0:30:50You're not going to break the capitalist system

0:30:50 > 0:30:52talking about separate lavatories for women.

0:30:52 > 0:30:54Who's Jessie Eden?

0:30:54 > 0:30:55She's our new best friend.

0:30:55 > 0:30:57Shop steward at the Lucas Factory.

0:30:57 > 0:31:00A woman shop steward, I've heard of her.

0:31:00 > 0:31:02There's a leaflet here if you want to take a look, Tommy.

0:31:06 > 0:31:10So, a separate lavatory - is that it? Is that what you want?

0:31:10 > 0:31:11I don't know what you want.

0:31:11 > 0:31:14You have to tell me what it is that you want and then I'll know.

0:31:14 > 0:31:18Actually, we want to know about the robbery you're planning.

0:31:18 > 0:31:20Not the factory robbery.

0:31:20 > 0:31:21The other one.

0:31:21 > 0:31:24The one you're not telling the women about.

0:31:24 > 0:31:26John has a big mouth.

0:31:26 > 0:31:29No... Arthur's got a big mouth.

0:31:29 > 0:31:30Arthur told Linda,

0:31:30 > 0:31:32Linda told me.

0:31:33 > 0:31:35- Polly?- Read the leaflet, Tommy.

0:31:35 > 0:31:38Ladies, why don't I talk to Tommy privately,

0:31:38 > 0:31:40then I'll report back to you faithfully.

0:31:40 > 0:31:42You're not just going to take payment

0:31:42 > 0:31:44from the Russians, are you, Tommy?

0:31:44 > 0:31:46- You're going to clean them out, is that right?- Esme!

0:31:46 > 0:31:48So, what happens after?

0:31:48 > 0:31:50When they come for us?

0:31:50 > 0:31:51When I'm about to give birth?

0:31:51 > 0:31:53Get out,

0:31:53 > 0:31:55- get back to work.- Esme, come on.

0:31:57 > 0:32:01- Keep us posted, won't you, sister. - I will.

0:32:01 > 0:32:03DOOR CLOSES

0:32:05 > 0:32:07(Fucking hell!)

0:32:10 > 0:32:13So, Arthur tells Linda everything, eh?

0:32:13 > 0:32:17She's stolen his soul and taken it to a better place - the suburbs -

0:32:17 > 0:32:20where men are honest with their wives.

0:32:21 > 0:32:22We can trust Lizzie...

0:32:24 > 0:32:26Yeah, but I can't trust Esme.

0:32:26 > 0:32:28I can't trust the fucking Russians to pay me or the army

0:32:28 > 0:32:31and I can't trust my own brother to keep his fucking mouth shut.

0:32:31 > 0:32:34Did you make progress last night?

0:32:37 > 0:32:39Yes.

0:32:40 > 0:32:44John said the girl looks like Edna Purviance from the pictures.

0:32:45 > 0:32:47Be careful.

0:32:49 > 0:32:52She's an excellent source of information regarding the location

0:32:52 > 0:32:54- of the merchandise.- Here we go...

0:32:54 > 0:32:57You know, there's a general lack of discipline in this fucking company!

0:32:59 > 0:33:01She stayed the night.

0:33:02 > 0:33:04I'm working, Pol.

0:33:04 > 0:33:06I am working...for the good of the company.

0:33:08 > 0:33:10You're grieving.

0:33:11 > 0:33:13And when you grieve, you make bad choices.

0:33:13 > 0:33:15I know.

0:33:15 > 0:33:17I did it myself.

0:33:17 > 0:33:19Look, no more marches.

0:33:19 > 0:33:21No more fucking politics. They can kill us.

0:33:21 > 0:33:24All right? Joke or no joke.

0:33:24 > 0:33:27- Did you tell Arthur about the priest?- I only told you.

0:33:29 > 0:33:30Thanks for the burden.

0:33:32 > 0:33:35BELLS TOLL

0:33:41 > 0:33:44You were correct not to talk over the phone.

0:33:44 > 0:33:46What did she say?

0:33:48 > 0:33:51She said there was going to be a killing. A holy man.

0:33:53 > 0:33:55And she was with the Shelbys, was she?

0:33:55 > 0:33:57HE SCOFFS

0:34:14 > 0:34:15CAR APPROACHES

0:34:25 > 0:34:28I suppose you have something to say about yesterday.

0:34:28 > 0:34:30No.

0:34:30 > 0:34:32It's something else, actually.

0:34:35 > 0:34:39I believe Arthur has told you about some business we're planning, Linda.

0:34:40 > 0:34:42Oh, there's always business, Thomas.

0:34:42 > 0:34:45And Arthur believes, when this business is done,

0:34:45 > 0:34:46it'll all be over.

0:34:47 > 0:34:49Arthur believes you, but I don't.

0:34:52 > 0:34:55Linda, the people who have hired us to rob the factory

0:34:55 > 0:34:57are very bad people...

0:34:57 > 0:35:00They'll not pay us as they have promised.

0:35:00 > 0:35:03So, on the night of the robbery, we will take what's ours

0:35:03 > 0:35:06- from their treasury. - And a bit more on top for luck?

0:35:06 > 0:35:10If you're saying you're going to stop Arthur, I need to know.

0:35:10 > 0:35:12That'll be Arthur's decision.

0:35:12 > 0:35:15And your plan is still to reform him, eh?

0:35:15 > 0:35:18- To the absolute degree of redemption!- Mm-hm.

0:35:20 > 0:35:23Well, Arthur will walk away from this with £30,000.

0:35:23 > 0:35:26We made a deal. And afterwards...

0:35:26 > 0:35:29you and Arthur can begin your new life.

0:35:34 > 0:35:36Did you say 30,000?

0:35:37 > 0:35:40Arthur said the estimated total proceeds would be 150,000.

0:35:40 > 0:35:43- Estimated, yes. - A third of a 150 is 50.

0:35:43 > 0:35:45- Why a third?- For three brothers. Finn is not yet a man.

0:35:45 > 0:35:47- There are expenses. - 25,000, you said.

0:35:47 > 0:35:51As of last night, the expenses increased. We need to dig a hole.

0:35:51 > 0:35:54Arthur agreed to a plan with a figure of 25.

0:35:54 > 0:35:5725 from 150 is 125.

0:35:57 > 0:35:58A third of that is...

0:35:58 > 0:36:00£41,000

0:36:01 > 0:36:03HE LAUGHS

0:36:03 > 0:36:05Sugar?

0:36:05 > 0:36:07Yes.

0:36:12 > 0:36:13Thank you.

0:36:16 > 0:36:18HE CLEARS HIS THROAT

0:36:22 > 0:36:25So, you've worked this all out, I see?

0:36:25 > 0:36:26Only in my head.

0:36:26 > 0:36:28I haven't written it down.

0:36:29 > 0:36:32Linda, are you saying...

0:36:34 > 0:36:36..if it WERE £41,000...

0:36:36 > 0:36:40I've already told you, that'll be Arthur's decision.

0:36:41 > 0:36:44But I don't imagine he'll accept less than 41.

0:36:47 > 0:36:49- May I smoke?- No.

0:36:56 > 0:37:01So, I imagine you have some plans for your 41,000?

0:37:01 > 0:37:03Yes.

0:37:03 > 0:37:04California.

0:37:04 > 0:37:06For the child's health.

0:37:06 > 0:37:07Away from the smoke.

0:37:07 > 0:37:11We want to run a general store on an Indian mission.

0:37:11 > 0:37:14The Americans invites Quakers to do good work with the Indians.

0:37:15 > 0:37:18We've already sent our papers and have been accepted.

0:37:20 > 0:37:23HE SCOFFS Arthur Shelby as a missionary...

0:37:23 > 0:37:25No, Arthur will run the store.

0:37:25 > 0:37:28- Mm!- I will teach in the school next to it.

0:37:30 > 0:37:32Arthur will swim in the ocean.

0:37:32 > 0:37:33I will be on the beach with a towel.

0:37:33 > 0:37:35The open air and the sun will get rid of

0:37:35 > 0:37:37all the nonsense in his head from France.

0:37:41 > 0:37:43That's some plan.

0:37:43 > 0:37:45As you know yourself...

0:37:46 > 0:37:48..the arrival of a new life concentrates the mind

0:37:48 > 0:37:50on practical things.

0:37:50 > 0:37:51Amen to that.

0:37:54 > 0:37:56When is the child due?

0:37:56 > 0:37:58September.

0:37:58 > 0:38:00When is the robbery?

0:38:01 > 0:38:02June.

0:38:03 > 0:38:05Then the timing's perfect.

0:38:06 > 0:38:09We'll book our passage through the Panama Canal

0:38:09 > 0:38:12the day after the 41,000's paid to Arthur.

0:38:12 > 0:38:13HE COUGHS

0:38:15 > 0:38:17Did we agree 41,000, Linda?

0:38:18 > 0:38:20I heard nothing to the contrary.

0:38:22 > 0:38:24Word association. Right now.

0:38:24 > 0:38:27- Oh, God! I hate this game.- It's Freud. It's terribly fashionable.

0:38:27 > 0:38:30I'd rather you put on that music that I hate.

0:38:30 > 0:38:34- Are we going mad in here, do you think?- Yes.

0:38:34 > 0:38:37We shouldn't have drunk red wine with the cake.

0:38:37 > 0:38:39And I believe your vow never sleep with another man

0:38:39 > 0:38:41is a good one.

0:38:41 > 0:38:43Good for the painting.

0:38:44 > 0:38:45It's not a vow, it's just...

0:38:47 > 0:38:50I think when men want sex, they become hilarious.

0:38:51 > 0:38:54Like a dog when you pick up a lead

0:38:54 > 0:38:56and he knows he's going for a walk.

0:39:01 > 0:39:04May I respectfully point out

0:39:04 > 0:39:08that, so far, you haven't even picked up the bloody lead.

0:39:13 > 0:39:15There.

0:39:17 > 0:39:18That's the look.

0:39:19 > 0:39:21Imperious.

0:39:22 > 0:39:25No man is good enough.

0:39:43 > 0:39:45# Bad habits

0:39:48 > 0:39:50# Sick puppy... #

0:39:50 > 0:39:52HE ROARS, CHILDREN SQUEAL

0:39:53 > 0:39:55# ..Thigh high

0:39:58 > 0:40:00# Knee deep

0:40:04 > 0:40:07# Bad habits, yeah

0:40:07 > 0:40:10# Bad habits, ooh

0:40:10 > 0:40:13# Bad habits, yeah

0:40:13 > 0:40:14# Bad habits, yeah!

0:40:21 > 0:40:23# Deep trouble

0:40:26 > 0:40:28# Pale faces

0:40:29 > 0:40:31# All right

0:40:31 > 0:40:32# Ow! #

0:40:33 > 0:40:36WATER DRIPS

0:41:00 > 0:41:04SCUFFLING, GRUNTING

0:41:10 > 0:41:12TOMMY GROANS

0:41:12 > 0:41:15HE PANTS

0:41:15 > 0:41:17CRUNCHING BLOW

0:41:17 > 0:41:19HE MOANS

0:41:21 > 0:41:22CLANG!

0:41:22 > 0:41:23HE GROANS

0:41:31 > 0:41:33MAN YELLS

0:41:33 > 0:41:35HE YELLS

0:41:35 > 0:41:38HE SCREAMS IN PAIN

0:41:39 > 0:41:42LOUD CRUNCHING CRACK

0:41:42 > 0:41:43THUD

0:41:45 > 0:41:48ENGINE IDLES NEARBY

0:42:04 > 0:42:07HE GROANS

0:42:29 > 0:42:31You idiot, you nearly killed him!

0:42:31 > 0:42:34I told you we needed him fully conscious.

0:42:34 > 0:42:37We need to stop using soldiers who've been in India,

0:42:37 > 0:42:40- they hit too hard. - Not fucking hard enough!

0:42:40 > 0:42:42Hey, Mr Shelby! Hey!

0:42:42 > 0:42:45I heard about your plan to kill a holy man

0:42:45 > 0:42:47from a voice in a confession.

0:42:47 > 0:42:48Can you hear us?

0:42:50 > 0:42:51..Grace...?

0:42:51 > 0:42:52Shelby.

0:42:54 > 0:42:57Why were you attempting to kill Father Hughes?

0:42:58 > 0:43:01Maybe we should wait until he's fully conscious.

0:43:01 > 0:43:03I have a dinner appointment.

0:43:03 > 0:43:05Hey, Shelby...

0:43:05 > 0:43:06wake up.

0:43:06 > 0:43:09- Eyes front. - HE GROANS

0:43:09 > 0:43:11Mr Shelby, were you trying to kill me, were you?

0:43:14 > 0:43:15For passing information...

0:43:15 > 0:43:17Fuck. He knows.

0:43:22 > 0:43:24Where am I?

0:43:24 > 0:43:26You are among the Odd Fellows.

0:43:26 > 0:43:29Please count from ten to one.

0:43:29 > 0:43:30Ah, fuck you.

0:43:31 > 0:43:34THUD!

0:43:48 > 0:43:51DISTORTED CLICKING

0:43:53 > 0:43:57Whatever else you might have forgotten

0:43:57 > 0:44:00about last night, remember this...

0:44:01 > 0:44:04I am passing on information to the Soviet Embassy

0:44:04 > 0:44:07on the instruction of Section D.

0:44:07 > 0:44:10It's part of a bigger picture.

0:44:10 > 0:44:12You explain to the Russians

0:44:12 > 0:44:15that you were mistaken about me

0:44:15 > 0:44:17and you apologise to me in front of them.

0:44:20 > 0:44:24A threat to your sister was evidently not enough.

0:44:24 > 0:44:27You do as we say or we will take your son.

0:44:28 > 0:44:30Hear this.

0:44:30 > 0:44:32We will take your son.

0:44:32 > 0:44:34We can do it at any moment.

0:44:35 > 0:44:37We have people in your life.

0:44:42 > 0:44:45You will make your apology to me tomorrow night...

0:44:46 > 0:44:49..and you will repair the damage you've done.

0:44:50 > 0:44:52- DISTORTED:- Or you will never see your son again.

0:45:19 > 0:45:21Sir, I don't understand...

0:45:23 > 0:45:26I don't understand why, as a former soldier yourself,

0:45:26 > 0:45:29you have sacked all the former soldiers on the staff.

0:45:29 > 0:45:32It means there's only one man left in the household.

0:45:32 > 0:45:34Mary, I want it so that Charles is never left on his own.

0:45:34 > 0:45:36Understood?

0:45:37 > 0:45:38Sir, I should call a doctor.

0:45:38 > 0:45:41There will be some men coming down from Birmingham.

0:45:41 > 0:45:44And you put them up here in the house, you put them in the front

0:45:44 > 0:45:48- and back of the house and you feed them...- Why are they needed, sir?

0:45:48 > 0:45:51I bought a cursed sapphire into this house, Mary.

0:45:51 > 0:45:53And now I'm paying for it.

0:45:56 > 0:45:58And I don't know what to expect.

0:45:59 > 0:46:01But neither do my enemies.

0:46:02 > 0:46:04Tell David to bring the car round. I want to go to London.

0:46:04 > 0:46:07- Sir...- And...get me some tea, Mary.

0:46:10 > 0:46:11Yes, sir.

0:46:35 > 0:46:37- 'Hello?'- Yes, Arthur...

0:46:37 > 0:46:38'Tommy?'

0:46:40 > 0:46:43They want the robbery to be sabotaged.

0:46:43 > 0:46:45They don't give a fuck who gets hurt.

0:46:45 > 0:46:48- 'Are you OK, Tommy?' - It's a bigger picture now.

0:46:48 > 0:46:52- 'What?'- Did John make a list? - 'Speak clearer, Tom.'

0:46:52 > 0:46:55- I said, "Did John make a list?" - 'John Boy! John!'

0:46:55 > 0:46:57Right...

0:46:57 > 0:47:00'Gypsies and kin only. Yeah.'

0:47:00 > 0:47:02Good.

0:47:02 > 0:47:04'Tommy, can I ask you why?

0:47:04 > 0:47:06'Tommy?'

0:47:08 > 0:47:10TELEPHONE RINGS

0:47:10 > 0:47:13No, Karl. I told you. Go and play in there.

0:47:16 > 0:47:17Hello?

0:47:20 > 0:47:21Ada?

0:47:21 > 0:47:23It's me, it's Tommy.

0:47:24 > 0:47:26Ada, I need you to....

0:47:26 > 0:47:28I need you to speak to one of your comrades

0:47:28 > 0:47:32and get me a meeting with someone from the Soviet Embassy...Embassy...

0:47:33 > 0:47:36Tonight. Your place.

0:47:36 > 0:47:3710...10pm.

0:47:37 > 0:47:39HE GROANS

0:47:44 > 0:47:46HE RETCHES

0:47:46 > 0:47:50It seems that Mr Shelby was given bad information

0:47:50 > 0:47:55by an informant who was also in contact with the underwriter

0:47:55 > 0:47:59who, as we know, is in the pocket of the Soviets.

0:48:00 > 0:48:03- Wine, Tatiana?- A little.

0:48:05 > 0:48:07Bad girl.

0:48:07 > 0:48:09WINE POURS

0:48:11 > 0:48:12HE INHALES AND SNIFFS

0:48:12 > 0:48:14DOOR SLAMS

0:48:20 > 0:48:22HE THUDS ON DESK

0:48:28 > 0:48:30DOOR OPENS

0:48:33 > 0:48:35DOOR CLOSES

0:48:39 > 0:48:42Sorry I'm late, I, um...

0:48:44 > 0:48:46There was a body on the line.

0:48:47 > 0:48:49Drink, Mr Shelby?

0:48:49 > 0:48:51No, thank you.

0:48:51 > 0:48:53It was drink that caused half this trouble.

0:48:53 > 0:48:56I have come here to apologise.

0:48:58 > 0:49:01I have already explained that you now realise

0:49:01 > 0:49:05that your absurd allegation against me was false.

0:49:05 > 0:49:07Indeed.

0:49:07 > 0:49:10And that your base nature made you rash.

0:49:10 > 0:49:13HE SNIFFS

0:49:13 > 0:49:16And that now, once again, our plan is back on track.

0:49:18 > 0:49:21When a child in my care commits a sin...

0:49:22 > 0:49:25..first of all, he confesses, as you just did.

0:49:25 > 0:49:29And then, I instruct him to perform penance

0:49:29 > 0:49:30in a manner of my choosing.

0:49:31 > 0:49:34As a child, you went to church?

0:49:34 > 0:49:35Yes.

0:49:35 > 0:49:37You remember the Act of Contrition?

0:49:39 > 0:49:42Good. Do you remember the words of the Act of Contrition?

0:49:44 > 0:49:45Yes.

0:49:45 > 0:49:48HE BREATHES RAGGEDLY

0:49:48 > 0:49:51As your penance, I would like you to recite it now...

0:49:52 > 0:49:54..in the presence of our associates.

0:49:56 > 0:49:58DOOR OPENS

0:49:59 > 0:50:01Go away.

0:50:01 > 0:50:02HE GULPS

0:50:02 > 0:50:04TOMMY CLEARS HIS THROAT

0:50:04 > 0:50:06DOOR CLOSES

0:50:06 > 0:50:08Ah...

0:50:12 > 0:50:16Oh, my God, I am heartily sorry for having...

0:50:16 > 0:50:18Instead of "God", say my name.

0:50:19 > 0:50:22Since it was me you offended with your false allegation.

0:50:26 > 0:50:29Father Hughes, I am heartily sorry for having offended you...

0:50:32 > 0:50:34..because of your just punishment,

0:50:34 > 0:50:36but most of all because they offend you.

0:50:39 > 0:50:43Father Hughes, who is all good and deserving of my love...

0:50:45 > 0:50:47..I firmly resolve to...

0:50:49 > 0:50:52..with the help of your grace, to sin no more

0:50:52 > 0:50:55and to avoid all near occasions of sin.

0:51:00 > 0:51:01Very good.

0:51:01 > 0:51:02Thank you.

0:51:02 > 0:51:05- HE GROANS - Amen.

0:51:07 > 0:51:09HE TAKES DEEP BREATH

0:51:11 > 0:51:15And now that we are a united band once more,

0:51:15 > 0:51:18perhaps we could order some food?

0:51:18 > 0:51:22I'm sorry, I'm not feeling well. I have to go. Goodnight.

0:51:23 > 0:51:25Mr Shelby...

0:51:31 > 0:51:33HE SNIFFS AND GASPS

0:51:33 > 0:51:35My God, Tommy...

0:51:35 > 0:51:36- Are they here?- Yeah.

0:51:36 > 0:51:38- Do you have cocaine?- No.

0:51:38 > 0:51:39Tommy?

0:51:43 > 0:51:46Tommy, this is the Special Advisor to the Soviet Consul.

0:51:53 > 0:51:56Members of the British establishment..

0:51:57 > 0:52:00..and exiled White Russians are planning to rob armoured cars

0:52:00 > 0:52:02from a factory in Birmingham.

0:52:02 > 0:52:05We know about the robbery. We have an informant...

0:52:05 > 0:52:07Your informant is working for them.

0:52:07 > 0:52:09They want you to know about the robbery.

0:52:10 > 0:52:13HE TRANSLATES INTO RUSSIAN

0:52:16 > 0:52:19Your informant is working to their instruction.

0:52:20 > 0:52:23HE TRANSLATES INTO RUSSIAN

0:52:25 > 0:52:28- Why would they want us to know? - They want you to...

0:52:30 > 0:52:32They want you to stop the robbery.

0:52:32 > 0:52:35They want you to commit a violent act on British soil.

0:52:35 > 0:52:37- HE TRANSLATES INTO RUSSIAN - Tommy, do you want water?

0:52:37 > 0:52:39A violent act on British...

0:52:40 > 0:52:42HE TRANSLATES INTO RUSSIAN

0:52:45 > 0:52:49..to force the British Government to break off diplomatic relations.

0:52:49 > 0:52:52HE TRANSLATES INTO RUSSIAN

0:52:53 > 0:52:54That's the game.

0:52:56 > 0:52:58The robbery in Birmingham was just the bait.

0:52:58 > 0:53:01HE TRANSLATES INTO RUSSIAN

0:53:02 > 0:53:05Why are you telling us this?

0:53:05 > 0:53:08Because my family are the ones who will be sacrificed...

0:53:09 > 0:53:11..if you decide to blow up the train.

0:53:11 > 0:53:13HE TRANSLATES INTO RUSSIAN

0:53:17 > 0:53:20The Consul wants to know who you are.

0:53:21 > 0:53:23He's Tommy Shelby.

0:53:23 > 0:53:24You can take his word.

0:53:24 > 0:53:26- Ada...- Tommy...

0:53:26 > 0:53:29HE GROANS

0:53:29 > 0:53:33SHE STRAINS

0:53:34 > 0:53:36Stop... Stop...

0:53:36 > 0:53:38Ada, stop...

0:53:38 > 0:53:40- SHE GRUNTS - OK. OK...

0:53:43 > 0:53:45Drive me to a hospital, Ada.

0:53:46 > 0:53:48If I'm not conscious when I get there,

0:53:48 > 0:53:50tell them I have a fractured skull,

0:53:50 > 0:53:52concussion and internal bleeding.

0:53:52 > 0:53:54- I think I may have haemorrhaged. - Tommy!- Ada, go on.

0:53:54 > 0:53:58Be quick, cos I can't see. I can't fucking see...

0:53:59 > 0:54:01- VOICE BREAKING: - OK... OK...

0:54:01 > 0:54:05HE PANTS

0:54:09 > 0:54:11Except for you, Dad...

0:54:15 > 0:54:17I can see you.

0:54:51 > 0:54:53# On a gathering storm

0:54:53 > 0:54:55# Comes a tall handsome man

0:54:55 > 0:54:57# In a dusty black coat

0:54:57 > 0:55:00# With a red right hand. #