0:00:02 > 0:00:04- Where do you keep these things? Bank?- We have our own treasury.
0:00:04 > 0:00:06- Wine cellar. - And a tunnel under the river.
0:00:06 > 0:00:09My guess is they've turned one of the cellars into a strong room.
0:00:09 > 0:00:10Did you find someone, Arthur?
0:00:10 > 0:00:12Stefan Radischevky.
0:00:12 > 0:00:14- And he speaks Russian?- Yeah.
0:00:14 > 0:00:17He works in the house for four weeks, keeps his ears open.
0:00:17 > 0:00:18All right?
0:00:18 > 0:00:21I have a bright future too...
0:00:21 > 0:00:22mapped out.
0:00:22 > 0:00:24But you want to try things first?
0:00:24 > 0:00:26Michael...
0:00:26 > 0:00:30why does a pen pusher who sits on his arse all day
0:00:30 > 0:00:32want to fire a gun?
0:00:32 > 0:00:36There's going to be a vacancy at Shelby Company Limited.
0:00:36 > 0:00:37No revolvers, all legal.
0:00:37 > 0:00:40Get me a meeting with someone from the Soviet embassy...
0:00:40 > 0:00:44This programme contains strong language
0:00:44 > 0:00:48This programme contains some scenes which some viewers may find upsetting
0:00:48 > 0:00:52This programme contains scenes of a sexual nature
0:00:52 > 0:00:57# Look up here, I'm in heaven
0:00:57 > 0:01:01# I've got scars that can't be seen
0:01:05 > 0:01:09# I've got drama, can't be stolen
0:01:12 > 0:01:16# Everybody knows me now. #
0:01:25 > 0:01:28He was in the war.
0:01:28 > 0:01:32He was in a tunnel collapse.
0:01:32 > 0:01:37He won medals.
0:01:37 > 0:01:39Take care of him.
0:01:49 > 0:01:53# Look up here, man, I'm in danger
0:01:57 > 0:02:00# I've got nothing left to lose
0:02:03 > 0:02:07# I'm so high it makes my brain whirl
0:02:11 > 0:02:15# Dropped my cellphone down below
0:02:31 > 0:02:32Here he is, Mr Shelby.
0:02:35 > 0:02:36Thank you, nurse.
0:02:39 > 0:02:41Tommy...
0:02:47 > 0:02:49I need to speak to you about the priest.
0:02:54 > 0:02:55I know things about him.
0:02:55 > 0:02:57Hmmm.
0:02:59 > 0:03:02From when I was a...from when I was a boy.
0:03:11 > 0:03:13I will shoot him myself, Tommy.
0:03:15 > 0:03:17Just teach me how to shoot.
0:03:19 > 0:03:21HE SCOFFS
0:03:21 > 0:03:23It's easy, Michael.
0:03:24 > 0:03:28Just point...pull the trigger.
0:04:57 > 0:05:00He asked for me today, Mary...
0:05:02 > 0:05:03..not his mother...
0:05:05 > 0:05:06..for the first time.
0:05:08 > 0:05:09He missed you.
0:05:10 > 0:05:12Where is he? Is he in the kitchen?
0:05:12 > 0:05:14Yes, he's with the girls and Johnny.
0:05:20 > 0:05:22Did you remember your medicine, sir?
0:05:24 > 0:05:26Do you ever read the Bible, Mary?
0:05:28 > 0:05:29Sometimes.
0:05:29 > 0:05:33Do you ever read it out loud while standing naked, next to my bed?
0:05:35 > 0:05:40Cos...when I take the morphine the doctor gave me, that's what you do.
0:05:40 > 0:05:45I'm wide awake but you are standing there naked, plain as day,
0:05:45 > 0:05:49reading from the Book Of Leviticus.
0:05:51 > 0:05:54Do you want to know what happens next?
0:05:56 > 0:05:58No...neither do I.
0:06:01 > 0:06:05That's why I pour the medicine away.
0:06:05 > 0:06:06Go and get Johnny, Mary.
0:06:41 > 0:06:44Without the firing pins, the guns won't work.
0:06:44 > 0:06:45And there are no replacements?
0:06:45 > 0:06:49They don't make these anymore, these are the end of the line.
0:06:49 > 0:06:52We had the foreman take out all the spares.
0:06:52 > 0:06:55Take the pins, they'll never fire a shot.
0:06:55 > 0:06:59Nobody will know until they unload the bloody things in Tbilisi.
0:06:59 > 0:07:02Or until they are facing our guns at Kutaisi.
0:07:02 > 0:07:04Take them all out and give them to me.
0:07:04 > 0:07:05Come on, boys, no fucking about.
0:07:05 > 0:07:08I will tell the Soviet Ambassador that there is no longer
0:07:08 > 0:07:09a need to blow up the train.
0:07:09 > 0:07:11I will tell Tommy, you accept his plan.
0:07:17 > 0:07:19You know, some mornings I wake up, I think I've died
0:07:19 > 0:07:22and this is heaven, Tom.
0:07:22 > 0:07:26I mean, the wives and the kids camped out by the valley,
0:07:26 > 0:07:27not being moved on.
0:07:27 > 0:07:33Sure, me, meself, I'm surrounded by maids and food and booze.
0:07:35 > 0:07:37See that line, there?
0:07:40 > 0:07:42No.
0:07:42 > 0:07:44That's the edge of heaven.
0:07:44 > 0:07:48The border between Birmingham and paradise.
0:07:50 > 0:07:54And today, my friend, you're going to step over that line,
0:07:55 > 0:07:57back into the world.
0:07:58 > 0:08:00You mean you have something for me to do, Tom?
0:08:02 > 0:08:05Have you ever heard of Hampton Court Palace, Johnny?
0:08:06 > 0:08:08No. I can't say I have.
0:08:08 > 0:08:11You and three families of the Lees are going to set up camp
0:08:11 > 0:08:14100 yards from the gates of the palace.
0:08:14 > 0:08:17You won't be moved on because I have just bought the land.
0:08:17 > 0:08:19You'll be joined by some old friends of mine
0:08:19 > 0:08:24who are going to open a hole underneath your tents and caravans.
0:08:24 > 0:08:26You see this blow to the head you took, Tom...
0:08:26 > 0:08:30And for allowing the hole to be dug, you will get £5,000.
0:08:30 > 0:08:33Which you will split between the three Lee families.
0:08:35 > 0:08:39I take a lot of this money is to do with not asking questions, Tommy?
0:08:41 > 0:08:42Dead right, Johnny.
0:08:42 > 0:08:46And when the hole is filled in again, you can go back to paradise.
0:08:51 > 0:08:53Mr Shelby, your brothers are here.
0:08:55 > 0:09:00And there's someone who described himself as, "the wandering Jew".
0:09:02 > 0:09:08Will you take the Jewish gentleman to the drawing room
0:09:08 > 0:09:12and take my brothers to the kitchen and give them tea and rum?
0:09:12 > 0:09:13Yes, sir.
0:09:24 > 0:09:25Good morning, Mr Solomons.
0:09:26 > 0:09:27Yeah, it is.
0:09:30 > 0:09:34Nice little place you've got here, Thomas.
0:09:34 > 0:09:35What is it?
0:09:35 > 0:09:39A foreclosure of a gambling debt from some poor young lord who
0:09:39 > 0:09:42you pumped full of opium in one of your casinos?
0:09:42 > 0:09:43Or is that just tittle-tattle?
0:09:43 > 0:09:46No. Drink?
0:09:46 > 0:09:47Nah, I don't touch it, mate.
0:09:47 > 0:09:52Your housekeeper said you're not allowed to drink. Eh?
0:09:53 > 0:09:58She said, you are suffering from so many ancient injuries
0:09:58 > 0:10:01from your sporting life that your head is like some
0:10:01 > 0:10:05sort of smashed vase what's been stuck back together by an horse.
0:10:08 > 0:10:13Now...word in London is that you can be found
0:10:13 > 0:10:17wandering the streets of Birmingham, stark naked, throwing away money.
0:10:17 > 0:10:19You talk to dead people.
0:10:19 > 0:10:26Also, that you believe that you are powerful enough to summon up
0:10:27 > 0:10:34Jews of a very particular standing up to the gentile wilderness
0:10:34 > 0:10:39wherein you live in order for them to do your fucking bidding, mate.
0:10:39 > 0:10:40And still, you came.
0:10:40 > 0:10:43Yeah, well, you know... I was passing, weren't I?
0:10:47 > 0:10:49Do you know something, Alfie?
0:10:49 > 0:10:55This morning, I tried to read the paper and I realised that the
0:10:55 > 0:11:00only consequence of my terrible accident is that I now need glasses.
0:11:04 > 0:11:05Right...
0:11:08 > 0:11:12Right, well, I know a man...
0:11:14 > 0:11:16..who can make you a pair of these,
0:11:16 > 0:11:19he is a magician, mate.
0:11:19 > 0:11:20He is a magician.
0:11:22 > 0:11:26So, not only will you be able to read your newspaper,
0:11:26 > 0:11:31but you will also be able to see into the future.
0:11:34 > 0:11:38Now, I know this, right, because he made this pair, here, for me.
0:11:40 > 0:11:42So, you don't have to worry about telling me
0:11:42 > 0:11:46what this is all about, do you? Because I have already seen it.
0:11:56 > 0:12:00You're fucking about with Russians, in't you? You silly boy.
0:12:00 > 0:12:02Right, you've got two choices, Michael.
0:12:02 > 0:12:05You fuck off to America with Arthur, join the Apaches,
0:12:05 > 0:12:07or you marry the girl.
0:12:07 > 0:12:08This isn't a joke.
0:12:08 > 0:12:11Arthur, are you really going to live with the Apaches?
0:12:11 > 0:12:14- Told her father yet?- No.
0:12:14 > 0:12:15He'll fucking shoot you, man.
0:12:15 > 0:12:17Are you sure the kid's yours?
0:12:17 > 0:12:19I wish I hadn't told you.
0:12:19 > 0:12:22Then think of marriage as a beautiful road...
0:12:22 > 0:12:24flowers all the way down it.
0:12:24 > 0:12:25Is he joking?
0:12:25 > 0:12:27It's hard to tell these days.
0:12:30 > 0:12:32Do you, er...
0:12:32 > 0:12:34Do you love the woman?
0:12:36 > 0:12:38Fucking what?
0:12:38 > 0:12:39Go and marry her, like the rest of us.
0:12:39 > 0:12:42She doesn't want her family to know.
0:12:42 > 0:12:43She doesn't want to have the baby.
0:12:43 > 0:12:45- We know a woman...- Shut up, John.
0:12:45 > 0:12:47Same woman who helped you out twice.
0:12:47 > 0:12:49They weren't my women.
0:12:49 > 0:12:51That's why you had them fixed, Arthur.
0:12:51 > 0:12:53Charlotte will want the best.
0:12:53 > 0:12:54- She is the best.- The best.
0:12:54 > 0:12:56Used to be a nurse.
0:12:56 > 0:12:5720 minutes, done.
0:12:57 > 0:13:00Don't have to go in, or wait outside.
0:13:00 > 0:13:04You go to the Garrison, drink whisky, have a laugh.
0:13:04 > 0:13:06Remember, John?
0:13:06 > 0:13:10Then this kid walks in, no shoes on, and says, "It's done".
0:13:10 > 0:13:12Second time we was in there...
0:13:12 > 0:13:16same kid, this time he's wearing shiny new shoes.
0:13:18 > 0:13:21And he shouts, "It's done, Arthur."
0:13:21 > 0:13:22And what?
0:13:25 > 0:13:27She bought new shoes...
0:13:29 > 0:13:30..with the money I gave her.
0:13:32 > 0:13:34It was for a good cause.
0:13:34 > 0:13:38Arthur... If you're going to get on like this with the Apaches,
0:13:38 > 0:13:40they'd fucking scalp you, boy.
0:13:40 > 0:13:42BELL RINGS
0:13:42 > 0:13:45Tommy said when that bell rings we've to all go to the big room.
0:13:51 > 0:13:53Come on. Tommy has a plan.
0:14:11 > 0:14:12Arthur.
0:14:12 > 0:14:13Arthur.
0:14:13 > 0:14:14Arthur, come here.
0:14:16 > 0:14:19Shalom!
0:14:19 > 0:14:20Arthur, shalom!
0:14:22 > 0:14:23Alfie.
0:14:23 > 0:14:26Shalom. Come here. Come on, listen...
0:14:26 > 0:14:28I owe you a little something, don't I?
0:14:28 > 0:14:31I do. Come on. Sit down.
0:14:31 > 0:14:33Come on, sit down here.
0:14:33 > 0:14:35There you go.
0:14:35 > 0:14:38Right...
0:14:38 > 0:14:39Listen...
0:14:39 > 0:14:40Arthur...
0:14:42 > 0:14:43I want you to know, right?
0:14:43 > 0:14:46That whatever happened between us, yeah?
0:14:46 > 0:14:49Back then...that was business.
0:14:49 > 0:14:51It was just business. All right?
0:14:52 > 0:14:57And I also want you to know that I have made my apologies
0:14:57 > 0:15:04via my own God for abusing a very holy day to get you clinked up
0:15:04 > 0:15:07and battered, which I did.
0:15:07 > 0:15:12And now, I would also like to extend my personal apologies unto you.
0:15:22 > 0:15:23All right?
0:15:25 > 0:15:30I hear that you have allowed Jesus to come into your life.
0:15:31 > 0:15:32You heard, then?
0:15:32 > 0:15:34Yeah, that's beautiful. That's wonderful.
0:15:34 > 0:15:38Now, that's lovely, isn't it? That's...that's lovely.
0:15:38 > 0:15:41But I was wondering, how does that work for you on a
0:15:41 > 0:15:44day-to-day, considering your line of work, mate?
0:15:48 > 0:15:50Your apology's accepted.
0:15:53 > 0:15:56Cos I hear you're a right fucking nuisance with it.
0:15:58 > 0:16:00Hello...
0:16:01 > 0:16:05You see, all I'm saying is that every man, he craves certainty.
0:16:05 > 0:16:07Don't he? He craves the certainty,
0:16:07 > 0:16:11even if that certainty of yours, right...?
0:16:11 > 0:16:16Well, I mean...it's fucking fanciful, mate, in't it?
0:16:18 > 0:16:19Eh?
0:16:31 > 0:16:35I'm Old Testament.
0:16:37 > 0:16:39Fucking hell. Look at that. Now, that...
0:16:41 > 0:16:44..that scares me more. Yeah.
0:16:46 > 0:16:47Congratulations, Tommy.
0:16:47 > 0:16:51You now have the finished article right there, don't you?
0:16:51 > 0:16:54See, that man, right, he will murder and maim for you
0:16:54 > 0:16:56with God on his side.
0:16:58 > 0:16:59Yeah.
0:17:02 > 0:17:04You don't want to let him go.
0:17:06 > 0:17:10If we're going to do business with this fucker, I demand to know why.
0:17:15 > 0:17:17Right...
0:17:17 > 0:17:21While I was in the hospital, I formulated a plan
0:17:24 > 0:17:27and this is how it's going to work...
0:17:27 > 0:17:31So, the Russians cannot be trusted to pay us.
0:17:31 > 0:17:33we are going to take what is ours.
0:17:34 > 0:17:36We need to see what's in their treasury.
0:17:37 > 0:17:41And that's why we need Mr Solomons.
0:18:02 > 0:18:08Right boys, just remember they are fucking insane...
0:18:08 > 0:18:10and dangerous.
0:18:10 > 0:18:13And drunk on stuff we've never heard of.
0:18:13 > 0:18:16And they're worse than us for spirits and ghosts.
0:18:19 > 0:18:21And today, they're going to test us.
0:18:24 > 0:18:25Fuck them.
0:18:32 > 0:18:36The Russians all turned and ran.
0:18:36 > 0:18:38The Cossacks didn't run, Arthur.
0:18:51 > 0:18:53Mr Shelby, welcome.
0:18:53 > 0:18:55How is my car?
0:18:55 > 0:18:57I think I'm in love with it.
0:18:57 > 0:19:01And I, yours. So, we should keep what we love, yes?
0:19:01 > 0:19:03Excuse the reception. Whenever we open the treasury,
0:19:03 > 0:19:05the Cossacks are on guard.
0:19:13 > 0:19:14'In Russia,
0:19:14 > 0:19:19'men on the other side of the law decorate their body in tattoos.'
0:19:19 > 0:19:20- Right.- Right.
0:19:20 > 0:19:25Now, some of these tattoos are proof of allegiance to underground
0:19:25 > 0:19:31organisations, which are the sworn enemies of the Royal household.
0:19:31 > 0:19:37So, it's customary in Russian Royal households to check for such
0:19:37 > 0:19:39tattoos before engaging a man in business.
0:19:39 > 0:19:42And as we approach the allotted day, these ladies here
0:19:42 > 0:19:46would like to make sure that you're not assassins or infiltrators...
0:19:46 > 0:19:47No, we're all good.
0:19:47 > 0:19:51So, they'd like to check your skin.
0:19:51 > 0:19:53They want to check our skin?
0:19:54 > 0:19:57Yeah. Now my body's already been checked.
0:19:57 > 0:20:00Although, at the time, I wasn't sure that was the reason.
0:20:00 > 0:20:03And now it's your turn.
0:20:03 > 0:20:05Come on, boys.
0:20:05 > 0:20:06Take your clothes off.
0:20:08 > 0:20:09Fuck off.
0:20:09 > 0:20:11No, no, no, no, no, no.
0:20:11 > 0:20:13Obey.
0:20:13 > 0:20:14That's it...
0:20:14 > 0:20:17Obey, Arthur.
0:20:17 > 0:20:20No, I won't be obeying nobody. Get out of my way, I'm leaving.
0:20:20 > 0:20:22Arthur, come here...
0:20:40 > 0:20:42Come on, Arthur.
0:20:42 > 0:20:44Shut up, John.
0:20:45 > 0:20:52I will have a maid gather the buttons and sew them back on.
0:21:05 > 0:21:08Right. Fuck it.
0:21:08 > 0:21:10There you go, ladies.
0:21:10 > 0:21:13Made in fucking Birmingham.
0:21:14 > 0:21:17All right, I think we've seen enough, eh?
0:21:18 > 0:21:20Tatiana...
0:21:23 > 0:21:25HE LAUGHS
0:21:25 > 0:21:28Your face, Arthur, is a fucking picture.
0:21:28 > 0:21:32Sometimes assassins hide their allegiances behind their balls.
0:21:37 > 0:21:43You pass the test, soldier, with flying colours.
0:21:55 > 0:21:59You see...
0:21:59 > 0:22:01He wants to be a good man.
0:22:09 > 0:22:12But there now.
0:22:12 > 0:22:13There.
0:22:16 > 0:22:19Inside every man, there is a devil.
0:22:33 > 0:22:37APPLAUSE
0:22:38 > 0:22:40The real diamonds, eh?
0:22:40 > 0:22:46It is traditional to seal the successful examination with
0:22:46 > 0:22:47vodka and music.
0:22:53 > 0:22:56Holy fuck, Tommo, what was that?
0:22:56 > 0:22:58Well done, boys. Eh?
0:22:59 > 0:23:00Well done, Arthur.
0:23:03 > 0:23:06Now you know what you have to do next. All right?
0:23:07 > 0:23:09One last job.
0:23:09 > 0:23:12Make contact and play nice.
0:23:23 > 0:23:24Five minutes.
0:23:27 > 0:23:31I brought Michael because as chief accountant, he has to be witness.
0:23:31 > 0:23:33Ada, can I...can I use your phone?
0:23:33 > 0:23:37Michael, business first.
0:23:54 > 0:23:57Michael, stop looking at your watch.
0:24:00 > 0:24:05Ada, whilst you're reading this, can I go and use your phone?
0:24:05 > 0:24:06Who's the lucky girl, Michael?
0:24:06 > 0:24:09Her name is Charlotte and Michael cannot breathe
0:24:09 > 0:24:12if he does not talk to her every two hours!
0:24:12 > 0:24:14Ada, please...
0:24:14 > 0:24:16Phone's in the hall. Dial nought for the line.
0:24:16 > 0:24:17Thank you.
0:24:17 > 0:24:19And keep it quick, I pay the bill.
0:24:19 > 0:24:20I will.
0:24:20 > 0:24:21Not for long!
0:24:40 > 0:24:43Think about it, Pol, together we can take control.
0:24:43 > 0:24:46With two of us in the company, we can straighten things out.
0:24:46 > 0:24:47What about the politics?
0:24:47 > 0:24:51You and me fighting together and winning, that is politics.
0:24:51 > 0:24:53That's a new kind of politics.
0:24:54 > 0:24:58It's just this way, I get paid and Karl gets a nice Christmas.
0:24:59 > 0:25:01Good. Welcome to the Bourgeoisie.
0:25:05 > 0:25:07My name is Smith.
0:25:09 > 0:25:11My girlfriend is...is pregnant.
0:25:12 > 0:25:16And, er...we'd like you to help us.
0:25:20 > 0:25:21We need to fix a date.
0:25:28 > 0:25:30Welcome to Shelby Company Limited.
0:25:31 > 0:25:33Shelby Company Limited.
0:25:33 > 0:25:37Limited and unarmed.
0:25:37 > 0:25:41Michael, would you like to welcome Ada, our new Head of Property
0:25:41 > 0:25:42and Acquisitions.
0:25:42 > 0:25:45Congratulations. Where do I sign?
0:25:51 > 0:25:55Ada, have you got...um...whisky?
0:25:55 > 0:25:57Yeah, Tommy.
0:26:01 > 0:26:03I've already told him.
0:26:03 > 0:26:05He's becoming too like his cousin.
0:26:05 > 0:26:06I thought that was the idea.
0:26:06 > 0:26:10Yeah, Tommy but with a bit more fucking charm and class.
0:26:10 > 0:26:12- Yeah.- Oh, that'll help(!)
0:26:12 > 0:26:14Yep. Where am I sleeping, Ada?
0:26:14 > 0:26:16- Michael... - In the room next to Karl's.
0:26:16 > 0:26:19- Michael...- Good night!
0:26:19 > 0:26:22Oh. Heartbroken, poor love.
0:26:23 > 0:26:25So how shall we celebrate?
0:26:25 > 0:26:28Well, with Michael in bed, I thought I might...
0:26:30 > 0:26:32..go for a little drive.
0:26:32 > 0:26:35A drive? Where are you going to drive?
0:26:35 > 0:26:36Polly?
0:26:36 > 0:26:39Things have begun to develop with the man who's painting my portrait.
0:26:39 > 0:26:40Polly?
0:26:42 > 0:26:45It's when you stand there in the dress...
0:26:47 > 0:26:50..you just find yourself talking about every little thing.
0:26:50 > 0:26:53- And have you...?- No.
0:26:53 > 0:26:55Not yet.
0:26:55 > 0:26:58But he called me two nights ago to say the portrait was finished and
0:26:58 > 0:27:01I said I'd go there in the morning
0:27:01 > 0:27:03but he said, no, he wanted me there tonight.
0:27:10 > 0:27:14Ada, you don't breathe a fucking word of this to the boys.
0:27:14 > 0:27:16- OK, but is he nice to you? - No. No. I mean it, Ada.
0:27:16 > 0:27:18Is he rich?
0:27:18 > 0:27:21His friends write the papers, Ada.
0:27:21 > 0:27:23Tommy would try and close him down.
0:27:23 > 0:27:25So go.
0:27:25 > 0:27:28He's like a tiny bird pecking at you...
0:27:31 > 0:27:33..and I think he's given up on me.
0:27:35 > 0:27:37So bloody go.
0:27:43 > 0:27:46Why should the boys have all the fun?
0:27:48 > 0:27:50MUSIC: Baby Did A Bad, Bad Thing by Queen Kwong
0:27:53 > 0:27:54# Baby did a bad, bad thing
0:27:56 > 0:27:58# Baby did a bad, bad thing
0:28:08 > 0:28:11# I feel like crying
0:28:12 > 0:28:15# I feel like dying... #
0:28:16 > 0:28:17More vodka.
0:28:17 > 0:28:19# Baby did a bad, bad thing. #
0:28:23 > 0:28:26WOMAN MOANS
0:28:31 > 0:28:34MEN SHOUT WOMAN MOANS
0:28:34 > 0:28:35FIDDLE PLAYS
0:28:37 > 0:28:39Don't move.
0:28:44 > 0:28:45Wait there.
0:28:50 > 0:28:52You're doing good, Stefan.
0:28:55 > 0:28:58- It's a fucking mad house. - Yeah, I know.
0:28:58 > 0:29:00The Prince wants me to suck his cock.
0:29:02 > 0:29:04And how much would you need to say yes?
0:29:04 > 0:29:07That's on top of the day rate for the arse slaps.
0:29:11 > 0:29:12When am I out of here?
0:29:12 > 0:29:14Soon.
0:29:14 > 0:29:15What you got?
0:29:19 > 0:29:21The strong room's not guarded at night, but
0:29:21 > 0:29:24they said they would kill the three brothers in the "uglya dvor" -
0:29:24 > 0:29:26coal yard.
0:29:26 > 0:29:29The Duke was talking about using a sword but the woman,
0:29:29 > 0:29:32she was talking about using machine guns.
0:29:38 > 0:29:39STEFAN WHIMPERS
0:29:43 > 0:29:44It's a fucking mad house, John.
0:29:46 > 0:29:50We're doing up your pub in Nechells.
0:29:50 > 0:29:51It looks a treat.
0:29:54 > 0:29:56Keep your fucking head up, Peaky boy, eh?
0:30:03 > 0:30:05Fucking mad house, man.
0:30:08 > 0:30:10We are almost there. This way.
0:30:16 > 0:30:19This treasury was built 200 years ago to protect
0:30:19 > 0:30:22the King's jewels in case of French invasion.
0:30:26 > 0:30:27LOCK OPENS
0:30:27 > 0:30:30We are now underneath the River Thames...
0:30:30 > 0:30:31GATE CREAKS
0:30:31 > 0:30:32DOG BARKS
0:30:34 > 0:30:36BARKING CONTINUES
0:30:37 > 0:30:39DOG GROWLS AND BARKS
0:30:42 > 0:30:43LOCK OPENS
0:30:56 > 0:30:58Your jeweller.
0:30:58 > 0:31:01I don't think they trust me, Tommy.
0:31:01 > 0:31:04Mr Solomons is the only jeweller I trust in London.
0:31:04 > 0:31:08Yes, trust. Yes. Might have to add that on the old invoice.
0:31:09 > 0:31:11Thank you. Thank you.
0:31:11 > 0:31:13As we agreed, your jeweller will now select items
0:31:13 > 0:31:16to a total value of £70,000.
0:31:16 > 0:31:18When you have selected your chosen items,
0:31:18 > 0:31:20they will be put into a box and stored.
0:31:20 > 0:31:22When you have fulfilled your part of the deal,
0:31:22 > 0:31:24the box will be delivered to you.
0:31:28 > 0:31:33May I just start, right, by saying that I may choose to stay here
0:31:33 > 0:31:36and just starve to death and choke on sapphires
0:31:36 > 0:31:39rather than ever go back to the fucking world again?
0:31:41 > 0:31:44Yeah, well, there is a good reason for that, you know, little man.
0:31:44 > 0:31:47Because my shop, right, is just above a rum house, so all the...
0:31:47 > 0:31:49- You speak Russian? - I do, yeah. I do.
0:31:49 > 0:31:53Cos of me mum. Yeah, my mother.
0:31:53 > 0:31:55You people, all right,
0:31:55 > 0:31:59you hunted my mum...
0:31:59 > 0:32:01with dogs...
0:32:01 > 0:32:02through the snow.
0:32:04 > 0:32:06Yeah.
0:32:07 > 0:32:12But today, right, is for forgiveness, ain't it?
0:32:12 > 0:32:14For selection.
0:32:15 > 0:32:17So, now...
0:32:18 > 0:32:20Hello...
0:32:20 > 0:32:24Right. I think it's fair to say, yeah, 1,500.
0:32:24 > 0:32:251,500?
0:32:25 > 0:32:28All right, I'll give you 1,800.
0:32:28 > 0:32:31I know the current market value. 18 it is.
0:32:31 > 0:32:33That's very gracious of you.
0:32:33 > 0:32:38Right, then. How about say we look at this.
0:32:38 > 0:32:40This is a nice little bit going on there, isn't it?
0:32:40 > 0:32:43Oh, but that was a gift from Tsar Nicholas.
0:32:43 > 0:32:46I ain't asking you, though, am I? I ain't asking you.
0:32:46 > 0:32:50All right. I come here to do business,
0:32:50 > 0:32:53offer my professional services. If you keep interrupting me,
0:32:53 > 0:32:55I won't be able to focus and do my job, you understand?
0:32:55 > 0:32:58Mr Romanov, let me remind you, we were told to come here
0:32:58 > 0:33:01and choose what we like...
0:33:01 > 0:33:02and now we have chosen.
0:33:02 > 0:33:05Tsar Nicholas give you that? I'll give you four.
0:33:05 > 0:33:08Five...with the royal provenance.
0:33:11 > 0:33:12Done.
0:33:12 > 0:33:15Right, Rumplestiltskin, let's go over here
0:33:15 > 0:33:18and have a look what's in these boxes.
0:33:18 > 0:33:22Two. That's much nicer. Ten.
0:33:22 > 0:33:25That there is definitely a five.
0:33:25 > 0:33:26Are you keeping score?
0:33:26 > 0:33:29- Yes, I am.- Another five.
0:33:29 > 0:33:32- Seven.- Six.- Let's call it six, eh?
0:33:32 > 0:33:34- Beauty. Look at that. - Beautiful, isn't it?
0:33:34 > 0:33:38- That is splendid.- Splendid, yes. - Beautiful, is it not?- It is.
0:33:38 > 0:33:42- It's a work of art. You recognise this work, do you?- Immediately.
0:33:42 > 0:33:45I'm guessing, right, that all the bad ideas around here, they're you.
0:33:45 > 0:33:49They are you, aren't they? Hmm?
0:33:49 > 0:33:50What do you mean?
0:33:50 > 0:33:54Yeah. Tommy, see this, right? It's got paste in it. That's paste.
0:33:54 > 0:33:56Let me tell you something, son.
0:33:56 > 0:33:59Somebody comes into my shop with some paste like this,
0:33:59 > 0:34:03usually what I make them do, right,
0:34:03 > 0:34:05is fucking swallow it.
0:34:05 > 0:34:07Eh? What game are you playing?
0:34:12 > 0:34:14- Eh?- Mr Solomons...
0:34:18 > 0:34:22- ..shall we, er... shall we clean it up?- Be careful.
0:34:22 > 0:34:23Eh?
0:34:25 > 0:34:26Mm?
0:34:26 > 0:34:29Yeah. Yeah.
0:34:29 > 0:34:31Right, what we got?
0:34:32 > 0:34:3437,600.
0:34:37 > 0:34:38Well...
0:34:44 > 0:34:46Do you have any eggs?
0:34:47 > 0:34:49I am simply asking...
0:34:49 > 0:34:51Faberge is not part of the deal.
0:34:51 > 0:34:53We would not offer you Faberge eggs.
0:34:53 > 0:34:56Mr Romanov, my jeweller here,
0:34:56 > 0:34:59he advises me to insist...
0:34:59 > 0:35:00on Faberge.
0:35:00 > 0:35:02It's a deal-breaker, Tommy.
0:35:20 > 0:35:21Oh...
0:35:23 > 0:35:26I brought that from Crimea myself.
0:35:26 > 0:35:27Fucking hell.
0:35:32 > 0:35:36With the provenance of that being laid by such a delicate beauty...
0:35:38 > 0:35:42..that does indeed bring the entire selection to £70,000.
0:35:43 > 0:35:44TOMMY SPITS
0:35:51 > 0:35:52MR ROMANOV SPITS
0:35:54 > 0:35:58- Good man.- And now, Mr Shelby, you will join your brothers and
0:35:58 > 0:35:59Mr Solomons will take his leave.
0:36:01 > 0:36:04I demand absolute honesty.
0:36:23 > 0:36:25- Oh, sorry. Can I...?- I insist.
0:36:35 > 0:36:36There.
0:36:37 > 0:36:40A woman of style and substance.
0:36:46 > 0:36:50I'm a student of silence. Is this good silence or bad silence?
0:36:51 > 0:36:52It's good.
0:36:56 > 0:36:57It's good.
0:37:03 > 0:37:05- It's very good.- No. It's still wet.
0:37:09 > 0:37:14I know it isn't saying much in the grand scheme of things but
0:37:14 > 0:37:16this is the best work I've ever done.
0:37:24 > 0:37:25I'll miss Sundays.
0:37:29 > 0:37:31There will be more Sundays.
0:38:02 > 0:38:04Sorry.
0:38:04 > 0:38:06Sorry, can you not do that, please?
0:38:08 > 0:38:09Can you just not do that, please?
0:38:09 > 0:38:12I'm sorry. I'm sorry. Sorry.
0:38:12 > 0:38:16- It's all right.- I'm sorry.- It's all right. No, honestly, it's all right.
0:38:33 > 0:38:35POLKA MUSIC PLAYS
0:38:56 > 0:38:57Vodka!
0:38:59 > 0:39:00I sewed your buttons back on.
0:39:02 > 0:39:04I wanted to see if I did a good job.
0:39:07 > 0:39:09Yeah, you did.
0:39:10 > 0:39:11You did a good job.
0:39:14 > 0:39:15Sir?
0:39:17 > 0:39:19No.
0:39:19 > 0:39:20I didn't.
0:39:37 > 0:39:39My aunt only employs the best whores.
0:39:44 > 0:39:46- How did you feel when- I- held him?
0:39:46 > 0:39:47You were jealous.
0:39:49 > 0:39:51You wanted to kill me.
0:39:51 > 0:39:52Or him.
0:39:52 > 0:39:53No?
0:39:58 > 0:40:00Why do you play games with people...
0:40:01 > 0:40:04..when there is no benefit to you?
0:40:07 > 0:40:08In Russia, because we were bored.
0:40:10 > 0:40:11In England, because...
0:40:13 > 0:40:15..we don't know how to stop.
0:40:16 > 0:40:18At least there are silly games and orgasms.
0:40:24 > 0:40:26So let's fuck.
0:40:26 > 0:40:27Here?
0:40:27 > 0:40:29No.
0:40:29 > 0:40:31No, in a darker place.
0:40:52 > 0:40:55MR ROMANOV SHOUTS
0:41:55 > 0:41:57You still love her, don't you?
0:42:03 > 0:42:04You want her?
0:42:04 > 0:42:07Why would you fucking say that?
0:42:07 > 0:42:08Why would you fucking say it?
0:42:08 > 0:42:11- Just tell me. You love her. - What are you fucking saying?
0:42:11 > 0:42:13You want her? You want her.
0:42:16 > 0:42:19Who the fuck are you? Eh?
0:42:21 > 0:42:22Hm?
0:42:27 > 0:42:29What are you fucking saying?
0:42:32 > 0:42:34HE MUTTERS
0:42:41 > 0:42:43HE PANTS
0:43:04 > 0:43:05You want her...
0:43:08 > 0:43:09..tonight?
0:43:13 > 0:43:14Watch...
0:43:24 > 0:43:27In the palace in Tbilisi, there was a priest...
0:43:27 > 0:43:30and he would put his hands here.
0:43:32 > 0:43:34And with that strangulation there was also ecstasy.
0:43:34 > 0:43:36It's called Khlysty, a Siberian prayer.
0:43:38 > 0:43:40You are almost hung over.
0:43:40 > 0:43:44You are almost dead, but in that moment...
0:43:44 > 0:43:46SHE MOANS
0:43:49 > 0:43:52Women who had lost men in the war would lay down
0:43:52 > 0:43:54and they would fuck...
0:43:54 > 0:43:56the ghost.
0:43:56 > 0:43:59You want her.
0:43:59 > 0:44:01You want her, don't you?
0:44:01 > 0:44:03You want her.
0:44:03 > 0:44:04HE GROANS
0:44:20 > 0:44:23MUSIC: You Want It Darker by Leonard Cohen
0:44:51 > 0:44:55# If you are the dealer let me out of the game
0:44:55 > 0:44:59# If you are the healer I'm broken and lame
0:44:59 > 0:45:03# If thine is the glory mine must be the shame
0:45:04 > 0:45:06# You want it darker
0:45:08 > 0:45:09# Kill the flame. #
0:45:11 > 0:45:12HE GASPS
0:45:12 > 0:45:14Now you should drink this.
0:45:14 > 0:45:16It's holy water.
0:45:16 > 0:45:19Keep that fucking away from me.
0:45:19 > 0:45:20There.
0:45:20 > 0:45:22I opened up another treasury for you.
0:45:35 > 0:45:37You should call this painting...
0:45:40 > 0:45:41..Fuck Them All.
0:45:41 > 0:45:43HE CHUCKLES
0:45:45 > 0:45:46I will.
0:45:49 > 0:45:50The parish...
0:45:52 > 0:45:54..the King...
0:45:56 > 0:45:57..the copper.
0:46:17 > 0:46:19Yeah, the copper in particular.
0:46:30 > 0:46:32Do you want to hear the wildest story of them all?
0:46:34 > 0:46:35Yes.
0:46:37 > 0:46:39I killed a policeman...
0:46:39 > 0:46:40in cold blood...
0:46:44 > 0:46:46- ..with a gun.- Really?
0:46:48 > 0:46:50She did it.
0:46:51 > 0:46:53MUSIC: Monkey 23 by The Kills
0:46:53 > 0:46:55# There's a monkey on my back
0:46:56 > 0:46:58# Makes me talk like that
0:47:00 > 0:47:02# There's a monkey on my back
0:47:04 > 0:47:06# Makes me talk like that
0:47:07 > 0:47:09# There's a monkey on my back
0:47:11 > 0:47:13# Makes me act like that
0:47:14 > 0:47:16# There's a monkey on my back
0:47:18 > 0:47:20# Makes me talk like that. #
0:47:47 > 0:47:48I tell you what...
0:47:49 > 0:47:52I tell you what, I swear at one point...
0:47:52 > 0:47:54at one point I looked down,
0:47:54 > 0:47:57I got the top of her head,
0:47:57 > 0:47:59and I thought she was going to pull me cock off in her hand
0:47:59 > 0:48:01and fucking throw it out of the window.
0:48:01 > 0:48:02Oh...
0:48:02 > 0:48:05She sucked me dry, I swear to God.
0:48:05 > 0:48:08Like fucking spud water at the end.
0:48:09 > 0:48:11We've had worse nights.
0:48:13 > 0:48:15You're quiet, Arthur, eh?
0:48:15 > 0:48:16Yeah, yeah, yeah. Fuck off.
0:48:16 > 0:48:17How was your night, brother?
0:48:17 > 0:48:20- You got all your buttons back, eh? - Yeah, all right. Fuck off.
0:48:20 > 0:48:22Yeah, what's God going to say about it, Arthur, eh?
0:48:22 > 0:48:23Fuck off, both of ya.
0:48:27 > 0:48:29He tells Linda everything.
0:48:31 > 0:48:32Every single thing.
0:48:32 > 0:48:35Yeah, well, we'll see.
0:48:41 > 0:48:44We're going to miss you when you're gone now, Arthur.
0:48:46 > 0:48:48Just drive the fucking car.
0:49:18 > 0:49:22Private Letso reporting for duty, Sergeant Major.
0:49:22 > 0:49:24At ease, Private.
0:49:27 > 0:49:28Good to see you.
0:49:32 > 0:49:34Seven left...
0:49:34 > 0:49:36out of 50.
0:49:36 > 0:49:38Should I get them tea?
0:49:38 > 0:49:39Get 'em beer, Curly.
0:49:39 > 0:49:42They used to run on it like cars on petrol.
0:49:42 > 0:49:44Give them the Black Country stuff.
0:49:44 > 0:49:46It's in a barrel with the tack.
0:49:46 > 0:49:49They're going to fucking clean me out.
0:49:49 > 0:49:52Whatever they take, they'll put back. They're good men.
0:49:52 > 0:49:54John, Arthur.
0:49:54 > 0:49:56You remember these boys?
0:49:57 > 0:50:02Well, if it ain't the Tipton fucking Clay-Kickers, eh?
0:50:02 > 0:50:03- Clay-Kickers.- Come here, you.
0:50:05 > 0:50:07THEY GREET EACH OTHER
0:50:11 > 0:50:15This is William Letso, from the South African Native Labour Corps.
0:50:15 > 0:50:18Sent to Flanders from the Bloemfontein diamond mines.
0:50:18 > 0:50:21The best tunneller I ever met.
0:50:21 > 0:50:23So there's three cellars underneath the house.
0:50:23 > 0:50:25Wine, kitchen, septic.
0:50:25 > 0:50:28There's a tunnel here that runs from the house underneath
0:50:28 > 0:50:31the river to an underground strong room.
0:50:31 > 0:50:33Now this used to be the Palace treasury.
0:50:33 > 0:50:37The tunnel runs directly west and it's separated from the house
0:50:37 > 0:50:39by three iron doors
0:50:39 > 0:50:41with locks we can't open.
0:50:41 > 0:50:45We need our tunnel to run from here and hit the strong room direct.
0:51:26 > 0:51:28Primrose Hill, 23. Ada Thorne.
0:51:31 > 0:51:32Ada?
0:51:32 > 0:51:34Is Michael still there?
0:51:38 > 0:51:41Right, would you tell him that I've taken the car?
0:51:41 > 0:51:43He can take the train.
0:51:43 > 0:51:46Try and find out why he's been so bloody sour lately.
0:52:14 > 0:52:16DISTANT DOOR OPENING
0:52:16 > 0:52:17DRAWER CLOSES
0:52:19 > 0:52:20FOOTSTEPS
0:52:43 > 0:52:44FOOTSTEPS RETREAT
0:53:27 > 0:53:31Shouldn't go looking through other people's private things.
0:53:31 > 0:53:32He's my son.
0:53:34 > 0:53:37The bullet was mine. I never got a chance to fire it.
0:53:37 > 0:53:40And the gypsy rules say it must be passed on.
0:53:40 > 0:53:42It's not about rules, Pol.
0:53:42 > 0:53:44It's about he asked me.
0:53:46 > 0:53:47It's about he told me
0:53:47 > 0:53:49why he wanted to do it.
0:53:50 > 0:53:52Now, if I tell you,
0:53:52 > 0:53:54I can't take the knowledge back.
0:53:57 > 0:53:58Better off without it.
0:54:03 > 0:54:05So this is when he was with the parish.
0:54:05 > 0:54:06Better off without it, Pol.
0:54:18 > 0:54:21This is when he was with the Fathers...
0:54:21 > 0:54:24This is when he was in the care of the Holy Fathers.
0:54:26 > 0:54:28Michael wants it so you don't know.
0:54:38 > 0:54:41- That priest...- That priest...
0:54:41 > 0:54:43who was there...
0:54:43 > 0:54:45when he was taken in...
0:54:45 > 0:54:48and who is still walking the fucking earth.
0:54:48 > 0:54:49Fuck.
0:54:58 > 0:54:59Fuck.
0:54:59 > 0:55:01He asked me, Pol...
0:55:01 > 0:55:02and I said yes.
0:55:07 > 0:55:09And I said,
0:55:09 > 0:55:13"You put a bullet in that fucker's brains...
0:55:15 > 0:55:17"..by order of the Peaky Blinders."
0:55:25 > 0:55:27SHE SIGHS
0:55:30 > 0:55:31No.
0:55:33 > 0:55:34Not my son.
0:55:38 > 0:55:40He'll still be as dead if Arthur does it.
0:55:40 > 0:55:42And part of him will always stay dead.
0:55:46 > 0:55:47I swear to God...
0:55:47 > 0:55:48In whose house it took place.
0:55:48 > 0:55:51..if my son pulls the trigger...
0:55:52 > 0:55:56..I will bring this whole fucking organisation down around your ears.
0:56:09 > 0:56:12MUSIC: Red Right Hand by Nick Cave And The Bad Seeds
0:56:25 > 0:56:29# On a gathering storm comes a tall, handsome man
0:56:29 > 0:56:34# In a dusty, black coat with a red right hand. #