0:00:02 > 0:00:04Factory break-in, you said. We should never have got into this.
0:00:04 > 0:00:07On the night of June 21st, a general strike will be called
0:00:07 > 0:00:08across the city.
0:00:08 > 0:00:11How do we know this foolish man will hand over the diamonds
0:00:11 > 0:00:14- when we're done?- We don't, but that's another business.
0:00:14 > 0:00:16When this business is done, it will all be over...
0:00:16 > 0:00:19And afterwards you and Arthur can begin your new life.
0:00:19 > 0:00:21So there's three cellars underneath the house.
0:00:21 > 0:00:24There's a tunnel here that runs from the house underneath
0:00:24 > 0:00:26the river to an underground strong room.
0:00:26 > 0:00:29We need our tunnel to run from here and hit the strong room direct.
0:00:29 > 0:00:32I need to speak to you about the priest.
0:00:32 > 0:00:35CHILDREN SCREAM AND LAUGH
0:00:35 > 0:00:36GUNSHOTS
0:00:36 > 0:00:39I will shoot him myself, Tommy.
0:00:39 > 0:00:42I swear to God if my son pulls the trigger...
0:00:43 > 0:00:46I will bring this whole organisation down around your ears.
0:00:49 > 0:01:01This programme contains violent scenes and strong language
0:01:35 > 0:01:39Welcome to the opening of the Grace Shelby Institute
0:01:39 > 0:01:42for non-insured children of the poor.
0:01:43 > 0:01:48I would very much like you to join me in thanking the man
0:01:48 > 0:01:51that made the founding of this establishment actually possible.
0:01:51 > 0:01:53Ladies and Gentlemen...
0:01:54 > 0:01:56Mr Thomas Shelby.
0:01:56 > 0:02:00APPLAUSE
0:02:02 > 0:02:03AUDIENCE: SPEECH!
0:02:03 > 0:02:05Come on! Speech!
0:02:08 > 0:02:09CHEERING AND APPLAUSE
0:02:13 > 0:02:15Say it, Tom!
0:02:15 > 0:02:16Say it, Tom!
0:02:26 > 0:02:29I didn't come here today to make a speech, but I will say this,
0:02:29 > 0:02:32these children are now safe.
0:02:32 > 0:02:35In our care, they will be safe
0:02:35 > 0:02:39because we are from the same cold streets as they are.
0:02:39 > 0:02:43And, in our care, they won't be shipped away to the colonies,
0:02:43 > 0:02:47or separated from kin,
0:02:47 > 0:02:50or made to work for men in their various ways.
0:02:51 > 0:02:54They will grow up here, at home,
0:02:54 > 0:02:55loved.
0:02:57 > 0:02:59In Birmingham.
0:03:01 > 0:03:03Because this is our city.
0:03:03 > 0:03:05By order of the Peaky Blinders!
0:03:08 > 0:03:12AUDIENCE APPLAUDS
0:03:24 > 0:03:28Now let us sing Immortal Invisible.
0:03:35 > 0:03:37FAINT SINGING
0:03:41 > 0:03:43You hear that, Grace?
0:03:46 > 0:03:48DOOR OPENS
0:03:48 > 0:03:50The absence of my invitation for this event
0:03:50 > 0:03:53was obviously an oversight on your part, Mr Shelby.
0:03:55 > 0:03:57But look, I have the keys.
0:03:57 > 0:04:00I have allocated myself an office.
0:04:00 > 0:04:02Just there, two doors in from the street.
0:04:02 > 0:04:04It's the one that already has the stove
0:04:04 > 0:04:06and the crucifixion on the window.
0:04:07 > 0:04:08Mr Shelby?
0:04:10 > 0:04:12It is the one that has the crucifixion on the window
0:04:12 > 0:04:14in orange and red. That will be my office.
0:04:15 > 0:04:18And I will take them to St Aloysius for confession.
0:04:20 > 0:04:22You do understand that these keys
0:04:22 > 0:04:24are part of our broader arrangement?
0:04:32 > 0:04:36In the next 24 hours you will do exactly as you have been instructed.
0:04:37 > 0:04:39You'll not deviate. You'll not fail.
0:04:49 > 0:04:51Come on, little fellas!
0:04:52 > 0:04:53Slow down.
0:04:58 > 0:05:00CHILDREN LAUGH AND CHATTER
0:05:06 > 0:05:08The, er...
0:05:08 > 0:05:10The Lord Mayor would like you to come and eat cake
0:05:10 > 0:05:11and drink some tea.
0:05:25 > 0:05:26HE SIGHS
0:05:29 > 0:05:30DOOR CLOSES
0:05:36 > 0:05:38Tommy says mingle and smile.
0:05:40 > 0:05:43- It must be the trains. - No Ruben?
0:05:43 > 0:05:46Do you know any other guests from London not turned up?
0:05:46 > 0:05:48Some, I think, yeah.
0:05:48 > 0:05:51Pol, I'm paid by the company now so I have to talk to other people.
0:05:51 > 0:05:55So you have moved from horses to automobiles in just four years!
0:05:55 > 0:05:58When you ship to New York, you paying a higher dock duty.
0:05:58 > 0:06:00You should consider coming with us through Boston.
0:06:00 > 0:06:03I just spoke to Johnny Dogs. He said the tunnel's hit heavy clay.
0:06:03 > 0:06:05- It's slowing him down.- How long?
0:06:05 > 0:06:06Two days before they hit the wall.
0:06:06 > 0:06:08Tell him to dig a sink hole to drain the clay.
0:06:08 > 0:06:11He asked if you could go down and have a look yourself, Tom.
0:06:11 > 0:06:14- I told him wild horses wouldn't get you down.- Mm.
0:06:14 > 0:06:18Mr Shelby, I would just like to say that I wish I'd met your dear wife
0:06:18 > 0:06:21before she was taken from us and I would like to allocate an hour a day
0:06:21 > 0:06:25of each of my lady's time to make winter clothes for the little ones.
0:06:25 > 0:06:27Speak to my secretary, Miss Stark, in the grey hat.
0:06:27 > 0:06:29She knows my diary.
0:06:29 > 0:06:31Fuck me, Tom, I don't know how you do it. Incoming!
0:06:31 > 0:06:32- Mr Shelby?- Yes!
0:06:32 > 0:06:35Oh! Your little boy looks so much like you.
0:06:35 > 0:06:37Yes. He's a little rascal, isn't he?!
0:06:37 > 0:06:41Mr Shelby, would it be too inconvenient to steal you for a moment?
0:06:41 > 0:06:43No. No. No inconvenience at all.
0:06:43 > 0:06:45Tommy, I'm sorry. He wants you.
0:06:45 > 0:06:49Aw! Come here, Charlie. Oh, little boy!
0:06:49 > 0:06:54So lovely to see a man willing to hold his child in public.
0:06:54 > 0:06:58From the members of Moseley War Widows' Institute...
0:06:58 > 0:07:01made by Mr Winslow himself of Winslow Castings.
0:07:01 > 0:07:02Look at that!
0:07:02 > 0:07:05From a photograph of your horse that ran at the Derby.
0:07:05 > 0:07:07Oh, that is very kind. Thank you very much.
0:07:07 > 0:07:09- Grace's Secret. - Thank you very much.
0:07:09 > 0:07:11Would you mind holding it for us
0:07:11 > 0:07:14so we can have a photograph for the gazette?
0:07:14 > 0:07:16CHARLIE CRIES
0:07:18 > 0:07:19Thank you very much.
0:07:21 > 0:07:24- Thank you, Mr Shelby. - Not at all.- Thank you.
0:07:26 > 0:07:30Thank you for your time, ladies. Thank you. Thank you for your time.
0:07:30 > 0:07:31Thank you.
0:07:36 > 0:07:38Where's Charles, Ada?
0:07:38 > 0:07:40- I gave him to you. - Where is he?- I don't know.
0:07:41 > 0:07:43Boys!
0:07:43 > 0:07:45Have you seen Charlie?
0:07:45 > 0:07:46Ain't seen him.
0:07:46 > 0:07:47Hold on, he's playing, ain't he?!
0:07:47 > 0:07:49Pol, where's Charles?
0:07:49 > 0:07:53- Lizzie, where's Charlie? - I don't know.
0:07:53 > 0:07:54Where is he?
0:07:54 > 0:07:55Back door. Kitchen.
0:07:55 > 0:07:57Get to Blake Street where the cars are.
0:07:57 > 0:08:00Tommy, someone said they saw a nurse take him through the back door.
0:08:00 > 0:08:01- Fuck!- Which? - I don't know. Go!
0:08:09 > 0:08:11HE SHOUTS
0:08:15 > 0:08:16- Arthur!- What?
0:08:16 > 0:08:18Somebody saw a woman and a kid getting into a car.
0:08:18 > 0:08:19Ah, fuck!
0:08:25 > 0:08:27CHARLIE!
0:08:28 > 0:08:30CHARLIE!
0:08:30 > 0:08:31Charlie!
0:08:31 > 0:08:33John!
0:08:34 > 0:08:35- Where is he? - John!
0:08:35 > 0:08:38- Arthur!- Go find Moss! - Arthur, where is he?
0:08:38 > 0:08:40- Junctions, block them all off. - WHERE IS HE?
0:08:40 > 0:08:42- Tell me. - Someone took him.
0:08:42 > 0:08:44All right...
0:08:44 > 0:08:46Listen to me. They put him in a car.
0:08:46 > 0:08:49They put him in a car. They drove south.
0:08:49 > 0:08:51We've got road blocks and spotters.
0:08:51 > 0:08:53- I'll set up shop. I'll put every man ...- Yeah.
0:08:53 > 0:08:55..on the junctions between here and Maypole.
0:08:55 > 0:08:56- Yeah.- Right?- You do that.
0:08:56 > 0:08:58You've got to go to the office.
0:08:58 > 0:09:00- You've got to sit by the phone. - Do that.
0:09:00 > 0:09:01Whoever took him's going to call.
0:09:01 > 0:09:02Polly!
0:09:04 > 0:09:08Let's go, Pol. Stay by that phone. Me and John will cover the roads.
0:09:08 > 0:09:10I need Michael at the Maypole junction.
0:09:12 > 0:09:14We need Moss to block all the roads south.
0:09:20 > 0:09:21Get me Moss.
0:09:21 > 0:09:23Gone where?
0:09:24 > 0:09:25HE THROWS THE PHONE DOWN
0:09:29 > 0:09:31- Tommy. - It's them.
0:09:31 > 0:09:33- Who? - It's fucking them.
0:09:33 > 0:09:36Look, it might just be some random woman. Sometimes women go mad...
0:09:36 > 0:09:38No, it's them.
0:09:38 > 0:09:39Did you break the phone?
0:09:45 > 0:09:46You broke the phone.
0:09:46 > 0:09:48It's all right, we've got another phone.
0:09:48 > 0:09:50- Tommy?- Ada?
0:09:51 > 0:09:53There's someone outside. A priest.
0:09:53 > 0:09:56Stay here, Pol. Stay here. Don't do anything.
0:10:03 > 0:10:05THUNDER RUMBLES
0:10:10 > 0:10:11We have your son.
0:10:12 > 0:10:13Get in the car.
0:10:21 > 0:10:22First...
0:10:22 > 0:10:24Is he safe?
0:10:24 > 0:10:26Of course he's safe.
0:10:26 > 0:10:28All children are dear to me.
0:10:29 > 0:10:31You have all the cards.
0:10:31 > 0:10:35Tell me what you want me to do and I will certainly do it.
0:10:35 > 0:10:37You ever drive one of these beasts?
0:10:37 > 0:10:39I am asking you to conduct business.
0:10:39 > 0:10:41I borrowed it.
0:10:41 > 0:10:43Lent it by a Lord...
0:10:43 > 0:10:46for the duration of this business.
0:10:46 > 0:10:51I will certainly do what you need me to do with no complaint.
0:10:51 > 0:10:53We were forced into doing this awful thing.
0:10:54 > 0:10:56We did warn you that your son would be in danger
0:10:56 > 0:10:58if you deviated from the plan.
0:11:00 > 0:11:02- It was you who made a mistake, you understand that?- Yes.
0:11:02 > 0:11:05What mistake did you make? Do you even know?
0:11:05 > 0:11:06Tell me what you want me to do.
0:11:08 > 0:11:11- You made a deal with our enemies. - I will do what needs to be done.
0:11:11 > 0:11:12You went behind our backs
0:11:12 > 0:11:15to stop the Soviets from blowing up the train.
0:11:18 > 0:11:21But it's all right. It's all right.
0:11:21 > 0:11:23We've rectified your mistake.
0:11:24 > 0:11:26You ask me, "What do I need to do?"
0:11:26 > 0:11:30Well, here is what you need to do you fucking mongrel, ya...
0:11:35 > 0:11:37Since the Bolsheviks will not be blowing up the train,
0:11:37 > 0:11:39you'll blow up the train yourself.
0:11:41 > 0:11:44It has always been about the explosion.
0:11:44 > 0:11:45From the beginning.
0:11:45 > 0:11:48The bang. The outrage.
0:11:48 > 0:11:49Understand?
0:11:51 > 0:11:54Those are notes and fragments for you to scatter in the wreckage
0:11:54 > 0:11:58implicating named officials from the Soviet embassy.
0:11:58 > 0:12:01- I will scatter them. It will be done.- Good.
0:12:01 > 0:12:05Our friends at the Times and the Daily Mail will do the rest.
0:12:05 > 0:12:08And once the British Government cuts diplomatic relations
0:12:08 > 0:12:12with the Soviet Union, that will be our mission accomplished.
0:12:13 > 0:12:15You'll have been part of a fine adventure.
0:12:17 > 0:12:22To help with the outrage we need people to die in the explosion.
0:12:22 > 0:12:23How many?
0:12:24 > 0:12:27Let's say...six.
0:12:28 > 0:12:31Rail workers perhaps or men from the factory.
0:12:38 > 0:12:43Then I want my son returned to me within an hour of the explosion.
0:12:45 > 0:12:47Oh, it's conditions now, is it?
0:12:47 > 0:12:49We need to fix the hand over in advance.
0:12:49 > 0:12:51I haven't finished with you yet, Mr Shelby.
0:12:53 > 0:12:55We also hear you're digging a tunnel.
0:12:57 > 0:13:00Mining for precious stones under Wilderness House.
0:13:04 > 0:13:07I'm told they have a Faberge in the strong room.
0:13:07 > 0:13:10The Lilies of the Valley egg made in 1898.
0:13:12 > 0:13:15One of the Odd Fellows has a wife who is obsessed with Faberge.
0:13:15 > 0:13:19- He wants to give her the egg for her birthday.- Then he will have it.
0:13:20 > 0:13:23And the Economic League will take all of the jewels that you steal
0:13:23 > 0:13:25to cover our considerable expenses.
0:13:27 > 0:13:30The fight against Communism is not cheap, you know.
0:13:30 > 0:13:35- So if you want to see your... - I will give you all the jewels.
0:13:35 > 0:13:36A bang first.
0:13:37 > 0:13:41Then bring everything you have stolen to your office at dawn.
0:13:41 > 0:13:43No.
0:13:43 > 0:13:47No, I'll not be able to get the jewels to you by dawn.
0:13:47 > 0:13:48The tunnel has hit clay.
0:13:48 > 0:13:52If the St Andrew's clock strikes 5am on the night of the robbery
0:13:52 > 0:13:54and we don't have everything we ask for,
0:13:54 > 0:13:56the bell will be tolling for your boy.
0:13:56 > 0:14:00THUNDER RUMBLES
0:14:00 > 0:14:02Now get out of my fucking car.
0:14:07 > 0:14:11THUNDER RUMBLES
0:14:15 > 0:14:17- Where's Linda? - With Esme.
0:14:17 > 0:14:20Esme's waters broke. I was just with her.
0:14:20 > 0:14:23- Running around fucking broke her waters.- Where's Finn?
0:14:23 > 0:14:25Out with the young 'uns looking for the Riley.
0:14:25 > 0:14:26We couldn't reach him.
0:14:26 > 0:14:28I need to know who spoke.
0:14:28 > 0:14:30Our enemies know everything. Everything.
0:14:30 > 0:14:34I need to know who spoke about business outside the family.
0:14:34 > 0:14:36I need to know who spoke and who they spoke to. Now.
0:14:36 > 0:14:37Tommy, listen.
0:14:37 > 0:14:38Your wife, Arthur?
0:14:41 > 0:14:43I am going to tell myself that you're, er...
0:14:43 > 0:14:46you're not thinking straight.
0:14:46 > 0:14:48Your mind is not clear.
0:14:48 > 0:14:51Or Esme getting cash for cocaine, eh, John?
0:14:51 > 0:14:53Fuck!
0:14:53 > 0:14:54All of a sudden, back in the family, Ada. Eh?
0:14:54 > 0:14:58That's a surprise. Out of the blue. On whose orders?
0:14:58 > 0:15:00Tommy, this is not helping find him.
0:15:00 > 0:15:03And you and your painter.
0:15:03 > 0:15:04He said he knows you.
0:15:04 > 0:15:05Things developed.
0:15:05 > 0:15:07You talked.
0:15:07 > 0:15:11If anyone has talked about the tunnel to anyone else,
0:15:11 > 0:15:13I need to know, and I need to know this second.
0:15:13 > 0:15:16- What about your clay kickers? - Hmm.
0:15:16 > 0:15:17Drunk in a pub.
0:15:17 > 0:15:20- I trust those men with my life... - More than you trust us.
0:15:20 > 0:15:23Yeah. As of an hour ago, yes.
0:15:23 > 0:15:26Where is Michael in this fucking line-up anyway?
0:15:26 > 0:15:28- You leave Michael out of this... - Yeah?- No, he should be here.
0:15:28 > 0:15:29I don't even fucking know him.
0:15:29 > 0:15:32How long have you fucking known him? Fucking three years.
0:15:32 > 0:15:35- He's not your whipping boy. - I don't even fucking know the boy.
0:15:35 > 0:15:38I never told Michael about the Lilies of the Valley.
0:15:40 > 0:15:43The only people I told about the Faberge eggs are in this room.
0:15:48 > 0:15:51Tommy, I want you to know I came back for love...
0:15:54 > 0:15:56..and common sense.
0:16:01 > 0:16:03And Esme's got no need for extra cash.
0:16:09 > 0:16:11You bring my wife into this.
0:16:12 > 0:16:14Means we speak when this business is done.
0:16:18 > 0:16:20FOOTSTEPS RETREAT
0:16:20 > 0:16:21John, Arthur,
0:16:21 > 0:16:24I need 50 sticks of BSA dynamite,
0:16:24 > 0:16:26300 yards of cable
0:16:26 > 0:16:29and six detonators by midday tomorrow.
0:16:30 > 0:16:33This is evidence, I need you to scatter it.
0:16:33 > 0:16:36We're blowing up a train, people are going to die.
0:16:50 > 0:16:52DOOR CLOSES
0:16:53 > 0:16:56Ruben and I talked about many things.
0:16:58 > 0:17:00- But not that. Not ever. - DOOR CLOSES
0:17:02 > 0:17:05Tommy. I'm sorry I'm late. We looked everywhere.
0:17:05 > 0:17:08All the way to Hay Mills. So, nothing.
0:17:08 > 0:17:12Put four cans of petrol in the boot of my car and bring it round.
0:17:12 > 0:17:14Put cigarettes and a lamp in the box.
0:17:14 > 0:17:15And fetch Michael. I need him.
0:17:18 > 0:17:20Ada told me he gave you red wine. DOOR CLOSES
0:17:20 > 0:17:23I imagine you can't remember half what you talked about.
0:17:23 > 0:17:25He was never interested in business.
0:17:26 > 0:17:28He came to you at my wedding.
0:17:30 > 0:17:33He pursued you, sought you out.
0:17:34 > 0:17:38Why would an educated man of his standing do something like that?
0:17:41 > 0:17:43You mean, to a woman like me?
0:17:43 > 0:17:44Yes.
0:17:48 > 0:17:51I've done the odds on all of you. Evens it's him.
0:17:53 > 0:17:56There's another possibility. But evens, it's him.
0:18:03 > 0:18:05DOOR OPENS AND CLOSES
0:18:05 > 0:18:07SNIFFLING
0:18:23 > 0:18:26SHE SOBS
0:18:32 > 0:18:34SHE SCREAMS
0:18:34 > 0:18:37SLICING, CANVAS RIPS
0:18:37 > 0:18:39MUSIC DROWNS SOUND
0:19:02 > 0:19:04- MAN GROANS - Bloody hell.
0:19:06 > 0:19:08MEN GROAN
0:19:12 > 0:19:14I asked you to come alone and unarmed.
0:19:14 > 0:19:17Yeah, well, alone I ain't never going to do, am I?
0:19:17 > 0:19:19As for the cane, don't worry about it.
0:19:19 > 0:19:20That's just me sciatica.
0:19:20 > 0:19:24It always plays up around the winter and the summer solstice.
0:19:24 > 0:19:26What have you got for me, Alfie?
0:19:26 > 0:19:27What you bring me out here for?
0:19:27 > 0:19:30It's on the way to somewhere I need to be in a hurry.
0:19:30 > 0:19:31ALFIE GRUNTS What have you got for me?
0:19:31 > 0:19:36Well, seeing as you was prepared to pay such an exorbitant amount
0:19:36 > 0:19:40for this information, I decided to give you value for money.
0:19:40 > 0:19:44So, here are the names of all the men in England
0:19:44 > 0:19:48whom I would approach, right, if I had a Faberge egg for sale.
0:19:48 > 0:19:50Here you go.
0:19:50 > 0:19:53And then, here is all the men on that list, you know,
0:19:53 > 0:19:55who would buy the old Faberge egg
0:19:55 > 0:19:57even if they knew that that item was stolen.
0:19:57 > 0:19:59Yeah?
0:19:59 > 0:20:02Then came your curious fucking gyppo question.
0:20:02 > 0:20:05I won't ask, but, um...
0:20:05 > 0:20:09Here's a list of the men who would buy a Faberge
0:20:09 > 0:20:12because of their wives' obsession.
0:20:21 > 0:20:23Oh, yes. Thank you, Mr Shelby.
0:20:23 > 0:20:25Lovely doing business with you.
0:20:29 > 0:20:32CANE TAPS ON GROUND
0:20:40 > 0:20:42GUNS COCK
0:20:42 > 0:20:46- You left a name off the list, Alfie. - Did I?- Yeah.
0:20:46 > 0:20:48I've already spoken to my people in the jewellery quarter,
0:20:48 > 0:20:50experienced dealers.
0:20:51 > 0:20:54They tell me there are only three men in Britain
0:20:54 > 0:20:56whose wives are obsessed with Faberge -
0:20:56 > 0:20:57makes them good customers.
0:20:57 > 0:21:00- But you missed the richest one off the list.- Yeah, well...
0:21:00 > 0:21:02If you knew already, how come you dragged me
0:21:02 > 0:21:06- all the way out in the fucking oggin, mate?- Two reasons.
0:21:06 > 0:21:07Reason one.
0:21:07 > 0:21:11By withholding a name that you most certainly know...
0:21:11 > 0:21:14you have proven to me that you have done a deal with the Odd Fellows.
0:21:14 > 0:21:17It was you who told them about the tunnel.
0:21:17 > 0:21:20You who told them about the fucking deal with the Soviets.
0:21:22 > 0:21:23Reason two.
0:21:23 > 0:21:26The name of the man you're withholding must be my enemy
0:21:26 > 0:21:29otherwise you wouldn't be protecting him.
0:21:29 > 0:21:30He's now a man I can use.
0:21:30 > 0:21:33Listen, sweetie, you can't take a man...
0:21:33 > 0:21:35You gave information
0:21:35 > 0:21:36in exchange for a share...
0:21:36 > 0:21:39Tommy, there were things in that treasury
0:21:39 > 0:21:41that God himself, he spoke to me, and he said,
0:21:41 > 0:21:43"Alfie, you were meant to have these things."
0:21:43 > 0:21:46- You crossed the line, Alfie. - You fucking what?
0:21:46 > 0:21:48- You crossed the line.- "The line"?
0:21:48 > 0:21:49They're using my boy!
0:21:55 > 0:21:56Did you fucking know?
0:21:56 > 0:21:58Yeah, I knew, you know?
0:21:58 > 0:22:02But damned as I am, it made no fucking difference to me, mate.
0:22:04 > 0:22:05GRUNTING
0:22:05 > 0:22:07SCUFFLING
0:22:09 > 0:22:12- Fucking hell, Tommy! - GUN COCKS
0:22:12 > 0:22:14GUNSHOT, WET SPLATTER
0:22:14 > 0:22:18Oh, for crying out loud...! What the fuck is going on?
0:22:18 > 0:22:20SCUFFLING
0:22:22 > 0:22:25What is the matter with you, Tommy, eh?
0:22:25 > 0:22:28- Eh? You gone fucking angry, ain't you.- I got fucking angry...!
0:22:28 > 0:22:29It's in your fucking head, mate!
0:22:29 > 0:22:33- ALL SHOUT TOGETHER - This bastard deserves it!
0:22:33 > 0:22:35It's in your fucking head, mate!
0:22:35 > 0:22:37I know this bastard deserves it!
0:22:37 > 0:22:39I fucking know.
0:22:39 > 0:22:42But if you kill him now, the truce with the London outfits
0:22:42 > 0:22:45- will be blown to fucking pieces, all right?- Michael...Michael...
0:22:45 > 0:22:49Don't worry about that truce, kid, right, because it fell apart.
0:22:50 > 0:22:52You've got nothing to worry about
0:22:52 > 0:22:54when it comes to the old, scary London boys.
0:22:54 > 0:22:56Which fucking side are you on, Alfie?!
0:22:56 > 0:22:58I don't give a fuck right now, kid! Right?
0:23:00 > 0:23:05I do not want him to "spare" me because of some fucking peace pact!
0:23:07 > 0:23:13I want him to acknowledge that his anger is un-fucking-justified!
0:23:13 > 0:23:15I want him to acknowledge
0:23:15 > 0:23:17that he who fights by the sword,
0:23:17 > 0:23:19he fucking dies by it, Tommy.
0:23:19 > 0:23:22So, what, they took your boy, did they, yeah?
0:23:22 > 0:23:24They've got your boy?
0:23:24 > 0:23:27And what fucking line am I supposed to have crossed?!
0:23:31 > 0:23:32How many fathers, right?
0:23:32 > 0:23:36How many sons, yeah, have you cut, killed, murdered?
0:23:36 > 0:23:38Fucking butchered - innocent and guilty.
0:23:38 > 0:23:42Just sent them straight to fucking hell, ain't ya?! Just like me!
0:23:43 > 0:23:45You fucking stand there...
0:23:46 > 0:23:48You judging me?!
0:23:48 > 0:23:52Stand there and talk to me about crossing some FUCKING LINE?!
0:23:54 > 0:23:56If you pull that trigger, right,
0:23:56 > 0:24:00you pull that trigger for a fucking honourable reason.
0:24:00 > 0:24:04Like an honourable man, not like some fucking civilian
0:24:04 > 0:24:06that does not understand
0:24:06 > 0:24:09the wicked way of our world, mate.
0:24:11 > 0:24:13Look, Tommy,
0:24:13 > 0:24:15the killing of Alfie Solomons is not going to help.
0:24:18 > 0:24:20It'll be very bad for business.
0:24:23 > 0:24:25Michael...
0:24:28 > 0:24:30Go and call Inspector Moss.
0:24:30 > 0:24:31Tell him it's Palmer.
0:24:38 > 0:24:39Well said, Alfie.
0:24:41 > 0:24:42Well said.
0:24:42 > 0:24:44HE GRUMBLES
0:24:44 > 0:24:46HE CLEARS HIS THROAT
0:24:49 > 0:24:52- I did not know about your boy, though.- I know.
0:24:53 > 0:24:55I saw.
0:25:11 > 0:25:13HINGES CREAK
0:25:15 > 0:25:16Hello?
0:25:41 > 0:25:43GUN SAFETY CLICKS
0:25:46 > 0:25:47Good Lord...
0:25:55 > 0:25:57Polly...
0:25:58 > 0:26:00Why didn't you come?
0:26:02 > 0:26:04I was going to get on the train last night, but then I...
0:26:06 > 0:26:09I realised I simply wasn't ready to enter your world.
0:26:11 > 0:26:13- Good God, I'm shaking...- Good.
0:26:16 > 0:26:19But now, I am ready. I have been searching all night for you.
0:26:21 > 0:26:23Polly, whatever you've been told, it's not true.
0:26:29 > 0:26:30HE GASPS
0:26:30 > 0:26:32HE PANTS
0:26:41 > 0:26:43The painting was wrong.
0:26:48 > 0:26:50She was too sure of herself.
0:26:54 > 0:26:55And I'm not.
0:26:59 > 0:27:00Not any more...
0:27:03 > 0:27:05I can paint another.
0:27:07 > 0:27:09SHE SOBS
0:27:10 > 0:27:11Oh, Polly...
0:27:11 > 0:27:13SHE SIGHS
0:27:14 > 0:27:15(Oh, Polly...)
0:27:15 > 0:27:18What the fuck am I doing?
0:27:23 > 0:27:25I want a dull life.
0:27:25 > 0:27:27I want you. I want you.
0:27:27 > 0:27:29I want you.
0:27:29 > 0:27:33I want you to paint me in a dress that I bought in a shop.
0:27:35 > 0:27:36We have a life?
0:27:40 > 0:27:42I think so.
0:27:42 > 0:27:43THEY CHUCKLE
0:27:46 > 0:27:48TELEPHONE RINGS
0:27:50 > 0:27:52Hello?
0:28:00 > 0:28:05I demand to see my solicitor! I have a right to have him here!
0:28:05 > 0:28:08Gilbert Palmer, I want to talk to you about a missing kid.
0:28:10 > 0:28:13We are Peaky Blinders.
0:28:13 > 0:28:15Where is he?
0:28:15 > 0:28:17- Deep breath. - HE WHIMPERS
0:28:17 > 0:28:19- CRUNCHING, HE YELLS - Where is he?
0:28:23 > 0:28:25CAR APPROACHES
0:28:34 > 0:28:36BRAKES SQUEAK
0:28:38 > 0:28:39ENGINE STOPS
0:28:39 > 0:28:41- Johnny!- Tommy?
0:28:41 > 0:28:43What the fuck are you doing here, Tommy?
0:28:43 > 0:28:46They've taken my boy, Johnny. Everything's fucking changed.
0:28:46 > 0:28:48I have to get the hole dug before midnight or he's gone.
0:28:48 > 0:28:50Do you hear me?
0:28:50 > 0:28:52Are you not going after Charles yourself?
0:28:52 > 0:28:53Tommy?!
0:28:53 > 0:28:56TOMMY PANTS
0:29:06 > 0:29:09HE GRUNTS
0:29:09 > 0:29:11SCRAPING
0:29:11 > 0:29:14HE SHOVELS AND SCRAPES
0:29:14 > 0:29:16HE SNIFFS
0:29:29 > 0:29:30I was, um...
0:29:31 > 0:29:34This morning, I was on the road with Tommy.
0:29:36 > 0:29:38I killed a man.
0:29:39 > 0:29:41He needed cover. I was all he had.
0:29:41 > 0:29:43So, what did he give you?
0:29:46 > 0:29:48He said it was good for close range.
0:29:48 > 0:29:50You're better with my Smith & Wesson.
0:29:50 > 0:29:52No, no. This is mine now.
0:29:53 > 0:29:55Feels part of me hand.
0:29:56 > 0:29:58Where'd you hit him?
0:29:59 > 0:30:01I hit him in the side of the head.
0:30:01 > 0:30:02How was you when he went down?
0:30:02 > 0:30:04Tommy said I did all right.
0:30:05 > 0:30:07This is where we think Charles is being held.
0:30:10 > 0:30:11They're not expecting nobody,
0:30:11 > 0:30:14so...he should be alone.
0:30:21 > 0:30:23There's two good men there.
0:30:25 > 0:30:27You do what they say.
0:30:28 > 0:30:30But I fire the bullet, all right?
0:30:32 > 0:30:33Yes, you can be there.
0:30:33 > 0:30:36But it's better if they do it.
0:30:37 > 0:30:39See, these are experienced men, Michael.
0:30:43 > 0:30:44When you're sure the kid's safe...
0:30:46 > 0:30:47..you call Finn.
0:30:47 > 0:30:48All right.
0:30:56 > 0:30:58Come on, boys.
0:31:26 > 0:31:27Ah, hello there.
0:31:30 > 0:31:32There you go. How's that?
0:31:33 > 0:31:35You'd like a spoon, a shiny spoon?
0:31:35 > 0:31:38Do you want to hold the spoon, there?
0:31:38 > 0:31:40WET CRUNCHING AND SCRAPING, GRUNTING
0:31:40 > 0:31:43WET SLOPPING
0:31:48 > 0:31:50FURNACES BLAZE, HAMMERING, CHATTER
0:31:50 > 0:31:51All out, boys!
0:31:51 > 0:31:53Wildcat strike!
0:31:53 > 0:31:56CHEERING, TOOLS CLATTER
0:32:03 > 0:32:05This locomotive...
0:32:08 > 0:32:11..couples in 15 minutes.
0:32:12 > 0:32:15If we do not hear word by ten o'clock...
0:32:17 > 0:32:19..we blow it up.
0:32:21 > 0:32:23There's men on board, Arthur.
0:32:24 > 0:32:26Yeah.
0:32:26 > 0:32:27Six men on board, Charlie.
0:32:28 > 0:32:30Driver,
0:32:30 > 0:32:31stoker...
0:32:33 > 0:32:35Four men I hand-picked meself.
0:32:39 > 0:32:41Me and John picked those men.
0:32:44 > 0:32:47So, it's me and John who pull the switch.
0:32:53 > 0:32:55The rest of you men can go home.
0:32:56 > 0:32:58TRAIN WHISTLE BLOWS
0:32:58 > 0:33:00WET CRUNCHING AND SCRAPING
0:33:00 > 0:33:02Tommy! Tommy!
0:33:02 > 0:33:04He's got the shakes, help me with him.
0:33:04 > 0:33:06HE GROANS
0:33:06 > 0:33:07Get him out. Get him out!
0:33:07 > 0:33:09OK. Bringing him through.
0:33:09 > 0:33:11We need to move! Now!
0:33:12 > 0:33:14WET SCRAPING
0:33:14 > 0:33:16STEAM HISSES
0:33:20 > 0:33:23LOCOMOTIVE RUMBLES
0:33:25 > 0:33:28MACHINERY CLANKS
0:33:35 > 0:33:38BRAKES SCREECH
0:33:39 > 0:33:41CLANKING
0:33:49 > 0:33:51You wait here.
0:33:53 > 0:33:55I'll do the killing.
0:33:58 > 0:34:00That's a fucking order.
0:34:23 > 0:34:25CRUNCHING, HE GRUNTS
0:34:26 > 0:34:28You move too fast, Thomas!
0:34:28 > 0:34:30PATTERING
0:34:30 > 0:34:33CREAKING AND GROANING
0:34:33 > 0:34:36DEEP RUMBLING GROANS
0:34:36 > 0:34:38DEEP CREAKING
0:34:38 > 0:34:39We need more timber!
0:34:39 > 0:34:40Make it safe. I'll go on.
0:34:40 > 0:34:43Thomas, it's too fucking wet! It's sludge!
0:34:43 > 0:34:45Make it fucking safe and I'll go on!
0:34:47 > 0:34:48OK.
0:34:48 > 0:34:50CLANGING
0:34:57 > 0:35:00HE BREATHES HEAVILY
0:35:20 > 0:35:23HE BREATHES RAGGEDLY
0:35:36 > 0:35:38RAGGED BREATHING
0:35:41 > 0:35:43CHILD SHOUTS NEARBY >
0:35:45 > 0:35:47COCKS GUN
0:35:47 > 0:35:49HE PANTS
0:35:53 > 0:35:56What do you think you're doing, boy?
0:35:56 > 0:35:58GUN CLICKS
0:35:59 > 0:36:01Please, don't...
0:36:01 > 0:36:03Please don't shoot...
0:36:03 > 0:36:06- CHILD CRIES NEARBY - Please, don't shoot.
0:36:06 > 0:36:08Please, don't. Please...
0:36:10 > 0:36:11EXPLOSION
0:36:11 > 0:36:14MASONRY PATTERS
0:36:18 > 0:36:20CLATTERING
0:36:20 > 0:36:22MICHAEL GROANS
0:36:22 > 0:36:23You rat!
0:36:23 > 0:36:25What do you think you're doing, eh?
0:36:25 > 0:36:27MICHAEL YELLS
0:36:27 > 0:36:29Do you know who you're fucking messing with?!
0:36:29 > 0:36:32GRIP TIGHTENS, HE CHOKES
0:36:32 > 0:36:34TRAIN WHISTLE BLOWS
0:36:46 > 0:36:47We don't have much time.
0:36:47 > 0:36:50I'll take the fucking life from ya, will I?
0:36:50 > 0:36:54RUMBLING AND CLANKING
0:36:56 > 0:36:57Let's go!
0:36:57 > 0:36:59TOMMY GROANS
0:37:07 > 0:37:09You're a gypsy bastard.
0:37:09 > 0:37:11SLICING, HE YELLS
0:37:11 > 0:37:13SLICING, THEY YELL
0:37:13 > 0:37:15HE SCREAMS
0:37:26 > 0:37:28TRAIN WHISTLE TOOTS
0:37:29 > 0:37:31TRAIN WHISTLE HOOTS
0:37:31 > 0:37:33Who wants to be in heaven, eh?
0:37:34 > 0:37:38Who want to be in heaven when you can be sending men to fucking hell?
0:37:38 > 0:37:39- HE LAUGHS - Hey...
0:37:40 > 0:37:42I'll do it, Arthur.
0:37:42 > 0:37:44Eh?
0:37:44 > 0:37:45I'll do it.
0:37:45 > 0:37:47- No! - HUGHES PANTS
0:37:47 > 0:37:49- I will take him.- NO!
0:37:49 > 0:37:51This bastard's mine!
0:37:51 > 0:37:52Go call Finn!
0:37:52 > 0:37:54RUMBLING AND CLANKING
0:37:56 > 0:37:57I told Tommy I'll do it.
0:37:59 > 0:38:01So, I'll do it.
0:38:01 > 0:38:03WET SLICING, MICHAEL YELLS
0:38:05 > 0:38:08WET SPLURTING
0:38:08 > 0:38:10HE PANTS
0:38:11 > 0:38:12TELEPHONE RINGS
0:38:13 > 0:38:15- SHOUTING:- Arthur, wait!
0:38:15 > 0:38:17Charlie's safe!
0:38:17 > 0:38:20LOUD CLANKING EXPLOSION
0:38:20 > 0:38:22CREAKING, RENDING METAL
0:38:22 > 0:38:26CRASHING, GLASS SMASHES
0:38:26 > 0:38:31DEBRIS CRASHES
0:38:32 > 0:38:33LOUD EXPLOSION
0:38:33 > 0:38:36GLASS SHATTERS
0:38:40 > 0:38:43MACHINERY CLANKS QUIETLY
0:38:43 > 0:38:46HE SIGHS, JANGLING
0:38:46 > 0:38:48HE GRUNTS
0:39:09 > 0:39:11CLATTERING, CHARLIE LAUGHS
0:39:14 > 0:39:17- It's all right. - CHARLIE MURMURS
0:39:22 > 0:39:25FIRES CRACKLE
0:39:34 > 0:39:37CHARLIE CRIES
0:39:38 > 0:39:40HE GRIZZLES
0:39:40 > 0:39:44ALL FUSS AND COO, CHARLIE CRIES
0:40:12 > 0:40:14WHIRRING
0:40:14 > 0:40:16Let me speak to him.
0:40:16 > 0:40:18CHARLIE BABBLES INDISTINCTLY Charlie?
0:40:18 > 0:40:20CHARLIE BABBLES
0:40:20 > 0:40:21Hello, Charlie.
0:40:21 > 0:40:23Can you hear me?
0:40:23 > 0:40:24CHARLIE BABBLES
0:40:24 > 0:40:26Yeah.
0:40:27 > 0:40:29Yeah, you go to bed.
0:40:29 > 0:40:31Good boy.
0:40:32 > 0:40:33HE SIGHS
0:40:43 > 0:40:47HE SOBS QUIETLY
0:40:55 > 0:40:56HE EXHALES
0:41:00 > 0:41:03FOOTSTEPS APPROACH
0:41:09 > 0:41:11Where the hell have you been?
0:41:13 > 0:41:14I've been out in Maypole.
0:41:16 > 0:41:18There's been some trouble.
0:41:21 > 0:41:22I can't stay.
0:41:27 > 0:41:29You can't stay?
0:41:31 > 0:41:32Tommy needs my help.
0:41:35 > 0:41:37Family business.
0:41:37 > 0:41:39- No, no... Please...- I'm sorry.
0:41:39 > 0:41:40Please...
0:42:12 > 0:42:15- Where is he?- He's upstairs.
0:42:29 > 0:42:32MUSIC DROWNS SPEECH THROUGHOUT
0:43:17 > 0:43:21Mr Shelby, this is Monsieur Silk.
0:43:21 > 0:43:24He's here on behalf of the Parisian buyers.
0:43:24 > 0:43:26He needs to verify the value.
0:43:30 > 0:43:32It was a pleasure doing business with you these past few months.
0:43:43 > 0:43:46You would never steal from your family, would you?
0:43:48 > 0:43:51The collection was mostly my mother's anyway.
0:43:51 > 0:43:53It is more mine than theirs.
0:43:53 > 0:43:55And they would never have sold it.
0:43:55 > 0:43:59- They would have wasted it on a lost cause.- You needed a tunnel.
0:44:00 > 0:44:03I need your signature to make this sale legal.
0:44:03 > 0:44:06Confirmed.
0:44:06 > 0:44:09The original Duke Alexander Petrovich's collection.
0:44:11 > 0:44:15To raise a legal bill of sale and get this across the border,
0:44:15 > 0:44:19I need authorisation signed by yourself
0:44:19 > 0:44:22in the family name in my presence.
0:44:22 > 0:44:25As we agreed. Half for the tunnel.
0:44:25 > 0:44:27Half for the signature.
0:44:28 > 0:44:29Where will you go?
0:44:29 > 0:44:30Vienna.
0:44:32 > 0:44:34There's a man waiting for me.
0:44:34 > 0:44:36HE SCOFFS (Poor man.)
0:44:36 > 0:44:38You?
0:44:38 > 0:44:40Birmingham.
0:44:41 > 0:44:42I'm going to buy a racehorse.
0:44:44 > 0:44:46Have it trained.
0:45:16 > 0:45:19Also...£5,000 for the sex.
0:45:25 > 0:45:27SHE EXHALES
0:45:32 > 0:45:34CRASHING
0:45:38 > 0:45:41And five for helping you through the grief of losing your wife.
0:45:45 > 0:45:47CLUNKING
0:45:52 > 0:45:54You didn't even come close.
0:45:56 > 0:45:58- SILK CLEARS HIS THROAT - The...papers are in order.
0:46:00 > 0:46:02Now I just need your signature for the provenance.
0:46:02 > 0:46:04Of course. I have a pen...
0:46:04 > 0:46:06GUN CLICKS
0:46:06 > 0:46:07GUNSHOT, WET SPLATTER
0:46:07 > 0:46:08SLUMPING
0:46:15 > 0:46:18At home, these jewels saw way worse.
0:46:19 > 0:46:21That's why they are all cursed.
0:46:23 > 0:46:25As are we...
0:46:25 > 0:46:26Mr Shelby.
0:46:29 > 0:46:31If you're ever in Vienna, look me up.
0:46:43 > 0:46:46HE SIGHS WEARILY
0:46:58 > 0:47:01DOOR OPENS
0:47:01 > 0:47:03Yes, yes!
0:47:03 > 0:47:06FOOTSTEPS APPROACH
0:47:20 > 0:47:21DOOR CLOSES
0:47:43 > 0:47:45Before I begin...
0:47:48 > 0:47:50..I want you to let you know I made a mistake.
0:47:54 > 0:47:55I made a mistake...
0:47:57 > 0:47:59..and I want to apologise to all of you.
0:48:01 > 0:48:03Arthur,
0:48:03 > 0:48:06you warned me against getting involved in Russian business...
0:48:07 > 0:48:09..and you were right.
0:48:09 > 0:48:10Hm.
0:48:11 > 0:48:13I doubted your wife.
0:48:13 > 0:48:15For that, I'm sorry.
0:48:16 > 0:48:20Linda, I've added 3,000 here in the hope you will forgive me.
0:48:30 > 0:48:31Apology accepted.
0:48:36 > 0:48:38Esme, I doubted you, as well.
0:48:38 > 0:48:41Now, John's got innocent lives on his conscience.
0:48:41 > 0:48:44- Ordinary working men... - Yeah, all right, Esme. Got it...
0:48:44 > 0:48:47No, she's right.
0:48:47 > 0:48:50And you and Arthur are going to have to share that burden.
0:48:52 > 0:48:55But, I hope the house that you could buy with this
0:48:55 > 0:48:57can become a place of...
0:48:58 > 0:48:59..contemplation.
0:49:01 > 0:49:02Perhaps redemption.
0:49:08 > 0:49:10Charlie, for lost tools dangerous goods
0:49:10 > 0:49:13and Curly's wise words.
0:49:13 > 0:49:16Johnny, for board and lodgings.
0:49:18 > 0:49:19Lizzie...
0:49:25 > 0:49:27Michael.
0:49:28 > 0:49:29For the killings.
0:49:29 > 0:49:31THUD!
0:49:31 > 0:49:33Five for cutting and five for shooting.
0:49:33 > 0:49:34- No, Tommy, no...- What?!
0:49:34 > 0:49:36Tell me, eh?
0:49:36 > 0:49:38This is who I am!
0:49:40 > 0:49:43And this is all I can give you for what you give me.
0:49:43 > 0:49:46For your hearts and your souls.
0:49:50 > 0:49:53Yesterday, I nearly lost my son.
0:49:56 > 0:49:58You should fucking understand that.
0:49:59 > 0:50:02For what?
0:50:02 > 0:50:03For what? For this? KNOCKS ON THE DESK
0:50:03 > 0:50:05For this...?! HE SCOFFS
0:50:07 > 0:50:10And I know that you all want me to say that I'll change,
0:50:10 > 0:50:12that this fucking business will change.
0:50:12 > 0:50:15But I've learnt something in the last few days.
0:50:15 > 0:50:18Those bastards. Those BASTARDS...
0:50:20 > 0:50:22..are worse than us.
0:50:22 > 0:50:25Politicians, fucking judges,
0:50:25 > 0:50:28lords and ladies. They're WORSE than us,
0:50:28 > 0:50:31and they will never admit us to their palaces,
0:50:31 > 0:50:34no matter how legitimate we become...
0:50:35 > 0:50:36..because of who we are.
0:50:36 > 0:50:40Because of who we fucking are, because of where we're fucking from.
0:50:40 > 0:50:41Isn't that right, Ada?
0:50:41 > 0:50:43Our Ada knows.
0:50:44 > 0:50:47She got smart about revolution.
0:50:47 > 0:50:50And she knows you have to get what you want your own way.
0:50:53 > 0:50:58Lizzie, I want it known, that money
0:50:58 > 0:51:01was for you because, some nights, it was you...
0:51:02 > 0:51:05..who stopped my heart from breaking. No-one else.
0:51:09 > 0:51:11And the rest of you, you took the King's shilling.
0:51:14 > 0:51:17You took the King's fucking shilling.
0:51:18 > 0:51:20When you take the King's shilling,
0:51:20 > 0:51:22the King expects you to kill.
0:51:24 > 0:51:26Right, Arthur?
0:51:26 > 0:51:27Yeah.
0:51:28 > 0:51:30That's how it works, right, John?
0:51:37 > 0:51:38That's right.
0:51:40 > 0:51:42That's right, Pol.
0:51:43 > 0:51:45That's fucking right.
0:51:49 > 0:51:50Tommy...
0:51:52 > 0:51:53You've had a bad time.
0:51:54 > 0:51:56We understand.
0:51:58 > 0:52:00So, at an alternative time...
0:52:04 > 0:52:06..when we have all recovered...
0:52:07 > 0:52:10..I would like
0:52:10 > 0:52:12to put before the family
0:52:12 > 0:52:14an alternative view...
0:52:15 > 0:52:19..of the future of the Shelby Company Limited.
0:52:21 > 0:52:24A more hopeful view.
0:52:26 > 0:52:29BABY CRIES
0:52:29 > 0:52:31Which I, for one, would quite like to hear.
0:52:31 > 0:52:33- As would I. - BABY GRIZZLES
0:52:33 > 0:52:35As would I.
0:52:41 > 0:52:43- LINDA:- Come on, Arthur.
0:52:43 > 0:52:45The train for the dock leaves in one hour...
0:52:47 > 0:52:50..then we'll get the boat to New York
0:52:50 > 0:52:52and it'll all be in the past.
0:53:13 > 0:53:14EARNEST PATTING
0:53:16 > 0:53:17HE PATS
0:53:24 > 0:53:27HE STUMBLES FOR WORDS SILENTLY
0:53:27 > 0:53:29I'll be off, then, Tom.
0:53:30 > 0:53:32ARTHUR SNIFFS
0:53:35 > 0:53:36I'll see you, eh?
0:53:39 > 0:53:41I'll see you, brother.
0:53:41 > 0:53:43HE SNIFFS
0:53:48 > 0:53:50JOHN SNIFFLES
0:53:50 > 0:53:52Bye, Curly.
0:53:54 > 0:53:57You can go, but you won't get far, Arthur.
0:53:57 > 0:53:59Ah...
0:53:59 > 0:54:00All right, Tom.
0:54:00 > 0:54:02I spoke to Moss last night.
0:54:03 > 0:54:06He told me that the Chief Constable of Birmingham
0:54:06 > 0:54:09has issued a warrant for your arrest.
0:54:09 > 0:54:11Murder,
0:54:11 > 0:54:12sedition,
0:54:12 > 0:54:14conspiracy to cause explosion.
0:54:15 > 0:54:18John, they're coming for you, as well.
0:54:18 > 0:54:20Murder.
0:54:20 > 0:54:22Conspiracy to cause explosion.
0:54:22 > 0:54:24- Michael...- What the fuck?
0:54:24 > 0:54:26..the murder of Hughes. CARS APPROACH, DOG BARKS
0:54:26 > 0:54:28Polly...
0:54:29 > 0:54:32Wait a minute, what the fuck are you talking ab...?
0:54:32 > 0:54:35..the murder of Chief Inspector Chester Campbell. BANGING ON DOOR, SHOUTING
0:54:35 > 0:54:39- Why didn't you fucking tell us? - The people we betrayed last night want to bring us down...
0:54:39 > 0:54:42They control the police, they control the judges,
0:54:42 > 0:54:45they control the juries, they control the jails. WHISTLE BLOWS, BANGING
0:54:45 > 0:54:48But they do not control the elected Government.
0:54:48 > 0:54:50- Listen to me! - Why didn't you tell us before?!
0:54:50 > 0:54:52- You're my brother! - Listen to me...
0:54:52 > 0:54:54So, I've made a deal...
0:54:54 > 0:54:58- They'll hang us!- ..in return for giving evidence against them.
0:54:58 > 0:55:01- We'll fucking hang! - It's all taken care of. BANGING, COMMOTION
0:55:01 > 0:55:04Lizzie, collect up the money and bring it to the cellar.
0:55:04 > 0:55:07You will all get your money in due course.
0:55:07 > 0:55:10When the police get in, do not resist.
0:55:10 > 0:55:13- You go with them, you do not say anything...- Arthur!
0:55:13 > 0:55:15Arthur, I've made a deal
0:55:15 > 0:55:18- with people even more powerful than our enemies.- Arthur!
0:55:18 > 0:55:19Trust me, Brother.
0:55:19 > 0:55:21Eh? SCREAMING, COMMOTION
0:55:21 > 0:55:23Trust me?
0:55:23 > 0:55:25- Linda! Linda... - You did this deliberately!
0:55:25 > 0:55:28You made this happen to keep us!
0:55:28 > 0:55:30Come here. Come here.
0:55:30 > 0:55:31All I know, we run.
0:55:31 > 0:55:33We have to run.
0:55:33 > 0:55:35SHOUTING, COMMOTION
0:55:35 > 0:55:38SHOUTING
0:55:38 > 0:55:40FUCK YOU!
0:55:40 > 0:55:45# Once again
0:55:46 > 0:55:53# I'm in trouble with my only friend
0:55:55 > 0:56:02# She is papering the window panes
0:56:03 > 0:56:09# She is putting on a smile
0:56:12 > 0:56:19# Living in a glass house
0:56:21 > 0:56:27# Well, of course, I'd like to sit around and chat
0:56:31 > 0:56:37# Well, of course, I'd like to stay and chew the fat
0:56:41 > 0:56:46# Well, of course, I'd like to sit around and chat
0:56:58 > 0:57:06# But someone's listening in. #
0:57:10 > 0:57:12CAR ENGINES FADE
0:57:17 > 0:57:20CLOCK TICKS
0:57:20 > 0:57:24BIRDSONG
0:57:50 > 0:57:54# On a gathering storm comes a tall, handsome man
0:57:54 > 0:57:59# In a dusty, black coat with a red right hand. #