0:00:02 > 0:00:06This programme contains some violent scenes and strong language from the start.
0:00:06 > 0:00:08Arthur.
0:00:08 > 0:00:09John.
0:00:12 > 0:00:14Michael.
0:00:16 > 0:00:17The Chief Constable of Birmingham
0:00:17 > 0:00:20has issued a warrant for your arrest.
0:00:20 > 0:00:22MUTED
0:00:25 > 0:00:27MUFFLED SHOUTS
0:00:29 > 0:00:33I've made a deal with people even more powerful than our enemies.
0:00:37 > 0:00:39Trust me, brother.
0:00:45 > 0:00:47BIRDSONG
0:00:47 > 0:00:49BELLS TOLL
0:01:00 > 0:01:02Father.
0:01:02 > 0:01:04What is it - Sunday?
0:01:04 > 0:01:05There's been a mistake.
0:01:05 > 0:01:08There's an appeal process underway that doesn't begin until January.
0:01:08 > 0:01:10I want to see my lawyer, Mr Patrick.
0:01:10 > 0:01:13Stop! This shouldn't be happening!
0:01:13 > 0:01:16YELLING
0:01:20 > 0:01:21Get your hands off me!
0:01:27 > 0:01:30Argh! Get your hands off me, you bastards!
0:01:31 > 0:01:34I'm John Shelby!
0:01:34 > 0:01:36LAUGHS MANIACALLY
0:01:38 > 0:01:39HE BREATHES HARD
0:01:41 > 0:01:45WHISPERS: When I come back...when I come back, got to be clear.
0:01:45 > 0:01:47Want to go outside. Want to go outside.
0:01:47 > 0:01:49Want to go outside. Want to go outside.
0:01:52 > 0:01:53FAINT SHOUTING
0:02:01 > 0:02:03WHISPERING
0:02:12 > 0:02:14Michael! Michael!
0:02:14 > 0:02:16- Arthur!- Michael!- Arthur!
0:02:16 > 0:02:19- John! Where's Tommy?! - Arthur!
0:02:20 > 0:02:22- Arthur!- JOHN!
0:02:29 > 0:02:31SHE HYPERVENTILATES
0:02:31 > 0:02:33No!
0:02:52 > 0:02:54Arthur, you have to call the King!
0:02:54 > 0:02:56- About what?- About this!
0:02:56 > 0:02:59This is the case of a family of Birmingham gangsters
0:02:59 > 0:03:02on trial for murder and sedition.
0:03:02 > 0:03:04Why would the King intervene?
0:03:04 > 0:03:06The leader of the gang, Thomas Shelby.
0:03:06 > 0:03:09He claims his family was caught up in a wider conspiracy.
0:03:09 > 0:03:12- He names Winston Churchill. - You woke me up for this?
0:03:12 > 0:03:14And he also sent us this.
0:03:17 > 0:03:20How the fuck did a Birmingham racketeer
0:03:20 > 0:03:24get his hands on a personal letter written by King George?
0:03:24 > 0:03:26During a robbery at Hampton Court,
0:03:26 > 0:03:28Shelby discovered a box of correspondence.
0:03:28 > 0:03:32Among the papers he stole was that letter from the King himself,
0:03:32 > 0:03:34which proves His Majesty was involved.
0:03:35 > 0:03:37Oh, utter fuck.
0:03:39 > 0:03:43If his family walks free, then he will burn the papers in my presence.
0:03:44 > 0:03:47- When are they due to hang?- Today.
0:03:47 > 0:03:49This morning, in Winson Green Prison.
0:03:49 > 0:03:51Why the hell didn't you bring it up before?!
0:03:51 > 0:03:53The plan was for the Lord Chamberlain
0:03:53 > 0:03:56to intervene at the appeal but late last night
0:03:56 > 0:03:58some local judge brought the executions forward.
0:03:58 > 0:04:00Oh, my giddy aunt!
0:04:02 > 0:04:03Put me through to His Majesty.
0:04:03 > 0:04:06Well, wake him up!
0:04:09 > 0:04:11HE BREATHES HARD
0:04:11 > 0:04:13SHE GASPS
0:04:13 > 0:04:17# No heaven, no hell No innocence... #
0:04:17 > 0:04:21In the bleak midwinter.
0:04:21 > 0:04:23In the bleak midwinter.
0:04:23 > 0:04:26Thy kingdom come, thy will be done
0:04:26 > 0:04:27on earth as it is...
0:04:27 > 0:04:29Oh, Lord Jesus,
0:04:29 > 0:04:32with this rope, pull me up to heaven.
0:04:33 > 0:04:36I see your face shining down on me!
0:04:36 > 0:04:39# No heaven, no hell, no innocence
0:04:39 > 0:04:42# No heaven, no hell, no innocence
0:04:42 > 0:04:46# No heaven, no hell, no innocence
0:04:46 > 0:04:50# No heaven, no hell, no innocence
0:04:50 > 0:04:52# No heaven, no hell No innocence... #
0:04:52 > 0:04:54Wait!
0:04:54 > 0:04:56# No heaven
0:04:56 > 0:04:59# No hell, no heaven... #
0:04:59 > 0:05:01- MUFFLED:- Wait!
0:05:01 > 0:05:03MUTED
0:05:03 > 0:05:05# No hell
0:05:05 > 0:05:06# No heaven
0:05:06 > 0:05:08# No hell
0:05:08 > 0:05:10# No heaven
0:05:10 > 0:05:12# No hell. #
0:05:18 > 0:05:21Also, sir, in return for burning the King's letters,
0:05:21 > 0:05:23Thomas Shelby has asked for something else.
0:05:23 > 0:05:26An inclusion in this year's New Year's honours list.
0:05:26 > 0:05:30Thomas Shelby has asked for the King to award him an OBE, sir.
0:05:33 > 0:05:36MUSIC: Red Right Hand by Nick Cave & The Bad Seeds
0:05:36 > 0:05:38MUTED
0:05:49 > 0:05:53# Take a little walk to the edge of town
0:05:53 > 0:05:55# Go across the tracks... #
0:05:55 > 0:05:58God bless. Merry Christmas!
0:05:58 > 0:06:01# Where the viaduct looms Like a bird of doom
0:06:01 > 0:06:05# As it shifts and cracks
0:06:06 > 0:06:10# Where secrets lie in the border fires
0:06:10 > 0:06:12# In the humming wires
0:06:12 > 0:06:15# Hey, man, you know you're never coming back
0:06:15 > 0:06:19# Past the square, past the bridge Past the mills, past the stacks
0:06:22 > 0:06:24# On a gathering storm
0:06:24 > 0:06:27# Comes a tall, handsome man
0:06:27 > 0:06:31# In a dusty black coat with a red right hand. #
0:06:38 > 0:06:40FAINT CAROL SINGING
0:06:41 > 0:06:43Not going home for Christmas, Mr Shelby?
0:06:43 > 0:06:45Tomorrow.
0:06:45 > 0:06:50So...Maria, or Clara, or Elizabeth?
0:06:52 > 0:06:54It's Christmas.
0:06:54 > 0:06:56Someone new, Billy.
0:07:02 > 0:07:05I've wrapped all Charlie's presents and left them in the room.
0:07:05 > 0:07:07What did I get him?
0:07:07 > 0:07:10Toy horses, toy cars, toy guns.
0:07:12 > 0:07:14You're due at the Singer factory at 8:00 tomorrow, not 8:30.
0:07:14 > 0:07:16There's an union problem.
0:07:16 > 0:07:188:00. Yep.
0:07:18 > 0:07:21Then the driver will take you home.
0:07:21 > 0:07:22I'll drive myself.
0:07:22 > 0:07:24Good night, Lizzie. Have a good Christmas.
0:07:27 > 0:07:30- I'll have a vodka tonic.- Yes, ma'am.
0:07:37 > 0:07:39Tommy, I've had Christmas cards
0:07:39 > 0:07:41from John, Arthur, Ada, Michael and Polly.
0:07:45 > 0:07:47And an invitation.
0:07:47 > 0:07:49New Year's.
0:07:49 > 0:07:51A party at John's house.
0:07:51 > 0:07:53A party at John's big house. Good for him.
0:07:55 > 0:07:57Ada's coming back from Boston for it.
0:07:57 > 0:07:59I know.
0:07:59 > 0:08:01It was me who gave her the time off.
0:08:06 > 0:08:09Why don't you come? Just turn up. Bring Charlie.
0:08:09 > 0:08:12Bring a lump of coal. First footing.
0:08:13 > 0:08:17A dark-haired man crosses the threshold to bring good luck for the new year. Hm?
0:08:17 > 0:08:21The babies will make everybody OK. Babies stop everything.
0:08:21 > 0:08:24You can't pull a razor with a baby there. Not even Esme.
0:08:29 > 0:08:32Just come. See what happens.
0:08:36 > 0:08:39Tommy, you've never even seen Arthur's kid.
0:08:39 > 0:08:41Nor John and Esme's.
0:08:42 > 0:08:44- Your drink, madam.- Thank you.
0:08:44 > 0:08:46Billy?
0:08:48 > 0:08:49Who did you get for me?
0:08:54 > 0:08:56- Theresa.- I said someone new.
0:08:57 > 0:08:58Understood.
0:09:03 > 0:09:04Do it for Charlie!
0:09:04 > 0:09:06Charlie should know his cousins.
0:09:09 > 0:09:12I got Charlie a real horse, Lizzie.
0:09:14 > 0:09:16Not a toy. A thoroughbred.
0:09:18 > 0:09:21And on Christmas Day, it'll be just you and Charlie.
0:09:21 > 0:09:22And the horse.
0:09:27 > 0:09:29You can't live like this another year.
0:09:32 > 0:09:35Sex, freedom, whisky sours.
0:09:37 > 0:09:40Which one should I give up first, Lizzie, eh?
0:09:48 > 0:09:50I've got you something.
0:10:01 > 0:10:02- WHISPERS:- Merry Christmas.
0:10:06 > 0:10:08MUSIC: Adore by Savages
0:10:13 > 0:10:16# If only I didn't want the world
0:10:16 > 0:10:19# I wouldn't make you feel so sad
0:10:19 > 0:10:22# I'm sure my shame would be gone
0:10:22 > 0:10:26# Is it human to adore life?
0:10:26 > 0:10:29# If only I'd hidden my lust
0:10:29 > 0:10:33# And starved a little bit more
0:10:33 > 0:10:36# If only I didn't ask for more
0:10:36 > 0:10:40# Is it human to adore life?
0:10:40 > 0:10:43MUFFLED SHOUTS
0:10:44 > 0:10:46# I adore life. #
0:10:57 > 0:11:00I told you, you didn't need to come on Christmas Eve.
0:11:00 > 0:11:01I could have dealt with it.
0:11:01 > 0:11:05Yeah? Like you dealt with it at the Pressings factory(!)
0:11:05 > 0:11:07Well, this is the same problem.
0:11:07 > 0:11:10Same fucking union convenor.
0:11:10 > 0:11:13Area convenor for the Boilermakers' Union has got involved in something
0:11:13 > 0:11:17that could have otherwise been fixed with a drink and a bribe.
0:11:17 > 0:11:19- The wire-cutting shop?- Yeah.
0:11:19 > 0:11:21Now, all the wire-cutters here are women.
0:11:21 > 0:11:23That's why the union convenor thinks they're being underpaid.
0:11:25 > 0:11:28Well, tell him there are no men in the cutting shops,
0:11:28 > 0:11:30so there can be no comparatives.
0:11:30 > 0:11:33- It's a woman.- What is?
0:11:33 > 0:11:35The union convenor causing all the trouble.
0:11:36 > 0:11:39- Fuck!- Her name's Jessie Eden.
0:11:41 > 0:11:43- You heard of her?- Yeah.
0:11:43 > 0:11:45Do you want me in the meeting?
0:11:46 > 0:11:47No.
0:11:50 > 0:11:52Michael?
0:12:09 > 0:12:13Look...sometimes I have a sniff of snow, so what?
0:12:13 > 0:12:15How's your mother?
0:12:17 > 0:12:20I drove past her house. The drainpipe was hanging off.
0:12:22 > 0:12:24Look, the cocaine keeps me awake.
0:12:25 > 0:12:28Very long hours these days, and when I do sleep,
0:12:28 > 0:12:30I dream about what happened.
0:12:30 > 0:12:32I wasn't asking about you, Michael, was I?
0:12:34 > 0:12:36I was asking about your mother.
0:12:38 > 0:12:41Since she was pardoned, she's been on these fucking tablets
0:12:41 > 0:12:43the doctor gave her when she was in the prison.
0:12:43 > 0:12:47She says that when she was inside the noose...she saw spirits.
0:12:49 > 0:12:51She's running seances,
0:12:51 > 0:12:53but people just come into the house to steal things.
0:12:55 > 0:12:57- Tommy, it's bad. - All right, all right.
0:13:00 > 0:13:02Hm! Now, listen to me, Michael...
0:13:08 > 0:13:12..the spirits she sees are real.
0:13:13 > 0:13:15Believe they're real.
0:13:15 > 0:13:17Believe it with her.
0:13:17 > 0:13:19Then eventually...
0:13:19 > 0:13:22you can take the remembered noose from around her neck...
0:13:23 > 0:13:26..like a horse that's been choked off.
0:13:27 > 0:13:31Keep her off whisky, throw away the tablets...
0:13:32 > 0:13:33..and stop giving her fucking snow.
0:13:36 > 0:13:39Fuck, Tommy, that sounded like family advice.
0:13:41 > 0:13:42Are you coming back?
0:13:44 > 0:13:46Nothing to come back to.
0:13:48 > 0:13:50Truth is, they're all fucked.
0:13:51 > 0:13:54- The lot of them.- Yeah.
0:13:58 > 0:14:01Find out about that woman, Jessie Eden.
0:14:01 > 0:14:04Don't let your mother keep cash in the house. And, oi!
0:14:05 > 0:14:08No cocaine in my registered premises.
0:15:01 > 0:15:04Did you see they all came?
0:15:06 > 0:15:07Yeah, I saw you at the back.
0:15:10 > 0:15:12It's funny they don't notice.
0:15:17 > 0:15:19Oh, my sweet!
0:15:19 > 0:15:21Oh, my heart!
0:15:25 > 0:15:26Crushed to death in the canal.
0:15:28 > 0:15:33But back home again, and so beautiful!
0:15:42 > 0:15:44Oh!
0:15:51 > 0:15:52- WHISPERS:- Inside the loop.
0:15:58 > 0:16:00Inside the merry loop.
0:16:04 > 0:16:06FOOTSTEPS
0:16:25 > 0:16:27BARKING
0:16:31 > 0:16:33For fuck's sake!
0:16:41 > 0:16:43Fucking birds!
0:16:43 > 0:16:44BARKING
0:16:44 > 0:16:46VEHICLE APPROACHES
0:16:46 > 0:16:49MUSIC: Alas Salvation by Yak
0:16:49 > 0:16:51Ada.
0:16:52 > 0:16:53Come on.
0:16:53 > 0:16:55# Alas Salvation
0:16:55 > 0:16:59# Alas Salvation
0:16:59 > 0:17:03# Gilded lily nest of vipers Never ever did invite us. #
0:17:03 > 0:17:06I thought we'd lost you to the great white way of Broadway.
0:17:06 > 0:17:09No. Well, this beats Watery Lane, John.
0:17:09 > 0:17:12Does it? Take a seat, I'll grab the kids.
0:17:12 > 0:17:15Oh, it's all right, I'm not stopping.
0:17:15 > 0:17:18I just want to drop those presents off for tomorrow.
0:17:18 > 0:17:20I don't want words on Christmas Eve.
0:17:20 > 0:17:22It's my house. You're welcome.
0:17:22 > 0:17:24- Hm. - FAINT CHILDREN'S CHATTER
0:17:24 > 0:17:27It's OK, I'm staying with Polly.
0:17:27 > 0:17:30Yeah. She's in a bad way.
0:17:30 > 0:17:31Mm. I'll bring her to her senses.
0:17:32 > 0:17:35- Michael's already tried that. - I'll get through to her.
0:17:38 > 0:17:41You still going to come to the party on New Year's Eve?
0:17:41 > 0:17:42Yeah. Who else is coming?
0:17:42 > 0:17:44Arthur, Linda...
0:17:46 > 0:17:48Hello, Esme.
0:17:50 > 0:17:53Who paid for your car and driver, Ada?
0:17:53 > 0:17:54Shelby Company Limited.
0:17:55 > 0:17:57Nice car. He treats you well.
0:17:57 > 0:17:59His last little pet.
0:18:00 > 0:18:04Look, this visit is meant to be about making things all right.
0:18:04 > 0:18:06John had a rope around his neck. He shit himself.
0:18:06 > 0:18:10All right, Esme, that'll do, yeah? Go in the kitchen.
0:18:10 > 0:18:13Take a curse back to the money.
0:18:20 > 0:18:22Anyway, there's your presents.
0:18:22 > 0:18:24How's Arthur?
0:18:25 > 0:18:28For Christmas, get him a sewing kit...
0:18:28 > 0:18:30..so he can sew his fucking balls back on.
0:18:32 > 0:18:33Oh!
0:18:38 > 0:18:40GEESE HONK
0:19:02 > 0:19:03PHONE RINGS
0:19:11 > 0:19:13Maypole 245.
0:19:16 > 0:19:17Hello, Esme.
0:19:17 > 0:19:22There you go, look. That's a couple of eggs. Two eggs. There we go.
0:19:22 > 0:19:24Arthur?
0:19:24 > 0:19:27Be careful with Billy in there, there's a cock.
0:19:27 > 0:19:28Yeah, I will.
0:19:28 > 0:19:31And don't smoke that near him.
0:19:31 > 0:19:34All right. Get out of it!
0:19:34 > 0:19:36Esme called to say Ada's on her way over.
0:19:36 > 0:19:38HE LAUGHS
0:19:38 > 0:19:40Did you hear that, Billy boy?
0:19:40 > 0:19:43Your Auntie Ada's coming all the way from America.
0:19:44 > 0:19:46Bye, chickens!
0:19:46 > 0:19:49Oh! We dropped an egg, look!
0:19:50 > 0:19:52We dropped an egg, Billy boy.
0:19:52 > 0:19:56MUSIC: Red Right Hand by FIDLAR
0:20:00 > 0:20:02Give him the hell he gives us, Miss Eden.
0:20:04 > 0:20:08# Take a little walk to the edge of town
0:20:08 > 0:20:11# And go across the tracks
0:20:12 > 0:20:15# Where the viaduct looms like a bird of doom
0:20:15 > 0:20:18# As it shifts and cracks
0:20:19 > 0:20:24# Where the secrets lie in the border fires
0:20:24 > 0:20:26# In the humming wires...#
0:20:26 > 0:20:29Excuse me! This is the gents...
0:20:29 > 0:20:31You don't have a women's lavatory on the second floor
0:20:31 > 0:20:33because no women get this far up.
0:20:33 > 0:20:37If you don't have a women's lavatory, I can't go to it, can I?
0:20:37 > 0:20:40# On a gathering storm comes a tall handsome man
0:20:40 > 0:20:44# In a dusty black coat with a red right hand. #
0:20:57 > 0:21:01You say there is a disparity in pay based on sex.
0:21:05 > 0:21:07The male wire-cutters in the Rover factory
0:21:07 > 0:21:08a mile and a half down the road
0:21:08 > 0:21:10are paid ten shillings a week more
0:21:10 > 0:21:12than the female wire-cutters here.
0:21:12 > 0:21:15Different factories, different rates.
0:21:15 > 0:21:18But both factories are owned by you, Mr Shelby.
0:21:18 > 0:21:20Not in your own name, of course.
0:21:20 > 0:21:23In the name of Arrow House Holdings.
0:21:23 > 0:21:25You own the Lanchester car and van factory
0:21:25 > 0:21:27in the name of Tilton Company Limited,
0:21:27 > 0:21:30the Billings machine tools factories at Hay Mills and Greet
0:21:30 > 0:21:32in the name of Stetchford Engineering,
0:21:32 > 0:21:35the Bilston Forgings and Pressings factory in the name of Canalside,
0:21:35 > 0:21:37and the canal warehousing in Gas Street,
0:21:37 > 0:21:40Saltely and Cadbury in the name of Shelby Company Limited.
0:21:40 > 0:21:44Also, 255 streets of back-to-back houses.
0:21:45 > 0:21:47Very good.
0:21:48 > 0:21:51Very good.
0:21:51 > 0:21:54So this isn't about women and men.
0:21:54 > 0:21:55It's about me, eh?
0:21:55 > 0:21:59Tommy Shelby, OBE. No, it's not about you.
0:22:01 > 0:22:02It's about disparities.
0:22:02 > 0:22:05It's about ten shillings a week for working mothers
0:22:05 > 0:22:08- so they can buy shoes for their kids.- Never had shoes myself.
0:22:08 > 0:22:09So, now you deny others?
0:22:09 > 0:22:12And, barefoot, I grew up mean.
0:22:12 > 0:22:15- Oh, I know. - Oh, yeah, you know everything.
0:22:15 > 0:22:16- Your turn of phrase... - Is unacceptable?
0:22:16 > 0:22:19You grew up mean, you say? A threat in there, I think, somewhere.
0:22:19 > 0:22:22- No threats.- The whole of Birmingham knows you, Mr Shelby.
0:22:22 > 0:22:28Sweetheart...whatever you've heard, I don't need to make threats.
0:22:31 > 0:22:33My comrade brothers and sisters...
0:22:33 > 0:22:36Huh! Your brothers and sisters! All right, listen,
0:22:36 > 0:22:38I will conduct myself as a businessman...
0:22:38 > 0:22:40Who says "sweetheart"!
0:22:40 > 0:22:42You say there is a ten-shilling disparity
0:22:42 > 0:22:45between male and female cutters in two of my factories?
0:22:45 > 0:22:46Very well.
0:22:48 > 0:22:50I will increase the pay of the female cutters
0:22:50 > 0:22:52in this factory by five shillings.
0:22:53 > 0:22:54And I will cut the pay
0:22:54 > 0:22:58of the male cutters in the Rover by five shillings...
0:22:59 > 0:23:02..thereby achieving your sacred fucking parity.
0:23:03 > 0:23:07And I will tell the men with families to feed
0:23:07 > 0:23:10whose idea it was to cut their pay.
0:23:10 > 0:23:13You do that, I will bring all my members out on strike.
0:23:13 > 0:23:16Oh, yeah? The week after Christmas? You think so?
0:23:16 > 0:23:18You know, everything you've said here today,
0:23:18 > 0:23:21and the fact that we're having this meeting today
0:23:21 > 0:23:24tells me that you are a woman without a family.
0:23:24 > 0:23:26And everything I hear about you
0:23:26 > 0:23:28tells me you are a man without a family, as well.
0:23:31 > 0:23:34My comrade brothers and sisters are not afraid of you, Mr Shelby.
0:23:34 > 0:23:37I will call an extraordinary meeting of my executive committee
0:23:37 > 0:23:39as soon as Boxing Day.
0:23:39 > 0:23:42You will hear the whistles blow all across Birmingham.
0:23:44 > 0:23:47I've heard lots of whistles blow, sweetheart!
0:23:51 > 0:23:53HE EXHALES
0:24:05 > 0:24:07FOOTSTEPS
0:24:09 > 0:24:10DOOR OPENS
0:24:12 > 0:24:14The post has arrived, Mr Shelby.
0:24:21 > 0:24:22I'm sorry to keep asking,
0:24:22 > 0:24:24but Chef needs to know how many for dinner tomorrow.
0:24:26 > 0:24:29He's new. He's foreign. He gets very upset.
0:24:32 > 0:24:33Right. Well, you tell Chef
0:24:33 > 0:24:35there'll be 27 guests for Christmas dinner tomorrow.
0:24:35 > 0:24:3827? Family?
0:24:38 > 0:24:41Yep. I thought Charlie could do with some company,
0:24:41 > 0:24:44so I asked Johnny Dogs if he knew anyone who liked to eat goose...
0:24:45 > 0:24:46..and he said he knew 26.
0:24:49 > 0:24:51Tell Chef I want ten geese,
0:24:51 > 0:24:53a buck cut into steaks,
0:24:53 > 0:24:55some trout from the river.
0:24:56 > 0:24:59Fetch whisky, brandy and wine from the cellar. Best we have.
0:24:59 > 0:25:02There will be children?
0:25:02 > 0:25:04Lots of children.
0:25:04 > 0:25:06With Johnny's tribe, new ones might be born on the floor.
0:25:06 > 0:25:10So have mops and buckets ready, eh?
0:25:11 > 0:25:15And I want you at the table, Frances, so make it 28.
0:25:15 > 0:25:17I will be busy.
0:25:17 > 0:25:19You've put up with me this past year,
0:25:19 > 0:25:21looked after Charlie when I've been on business.
0:25:21 > 0:25:23Tomorrow, you will eat at my table.
0:25:27 > 0:25:29Things will get better, I think, next year.
0:25:32 > 0:25:34Uh-huh.
0:25:50 > 0:25:51HE CLEARS THROAT
0:26:11 > 0:26:13HE BREATHES HARD
0:26:32 > 0:26:34It gets much warmer than here in the summer.
0:26:34 > 0:26:36- Much colder in the winter. - I knew it.- Mm.
0:26:36 > 0:26:38But parts of it are just like Birmingham.
0:26:38 > 0:26:42Yeah. Shit and smoke are the same everywhere.
0:26:42 > 0:26:45Hm. What about you, Linda? Are you working?
0:26:46 > 0:26:48- I've been seeking work as a teacher. - A teacher.
0:26:48 > 0:26:51But, you know, it's quite difficult.
0:26:51 > 0:26:53The Shelby name, it's always in the papers.
0:26:55 > 0:26:58And, er...what do you get up to all day, Arthur?
0:26:58 > 0:27:00As you know, Arthur's previous endeavours
0:27:00 > 0:27:02have left us with no need for a salary.
0:27:03 > 0:27:07Arthur occupies his time in the garden, doing voluntary work.
0:27:08 > 0:27:10He drives old people and cripples.
0:27:10 > 0:27:13- Oh.- Yeah, well, it's something to do.
0:27:15 > 0:27:17I want to open a garage.
0:27:17 > 0:27:19- Some day.- Fixing cars, you know?
0:27:19 > 0:27:21Sometimes cars attract ambitious men.
0:27:23 > 0:27:26Yeah, well...I like fixing cars.
0:27:26 > 0:27:28Mm.
0:27:30 > 0:27:32PHONE RINGS
0:27:32 > 0:27:34I'll go. I got it.
0:27:40 > 0:27:42Maypole 245.
0:27:42 > 0:27:45Arthur, have you checked your post?
0:27:47 > 0:27:49I just got served a black hand.
0:27:50 > 0:27:53I just got delivered a black fucking hand to the house.
0:27:53 > 0:27:55From Luca Changretta.
0:27:56 > 0:27:58WHISPERS: Jesus!
0:27:58 > 0:28:00Jesus Christ!
0:28:03 > 0:28:05Wait a minute, John, which one was Luca?
0:28:05 > 0:28:07The old man's oldest son.
0:28:09 > 0:28:11He was going to get done for killing a bank clerk in a robbery,
0:28:11 > 0:28:13so his old man sent him back to New York.
0:28:15 > 0:28:18You know what the black hand means among the wops, Arthur?
0:28:18 > 0:28:20It's Mafia shit.
0:28:20 > 0:28:23The Sicilian fucking Mafia!
0:28:24 > 0:28:26Check your post, Arthur.
0:28:34 > 0:28:36- Arthur, I was just leaving. - No, you're not.
0:28:37 > 0:28:41- I need...I need to talk to you. - Arthur?
0:28:41 > 0:28:44It's all right, Linda. Stay here. Ada, please.
0:28:49 > 0:28:51Linda? You stay here.
0:29:01 > 0:29:03Did you say Mafia?
0:29:03 > 0:29:06- Esme, I need to make a call.- No!
0:29:06 > 0:29:09- I need to make a fucking call! Give it here!- What the fuck is this?!
0:29:09 > 0:29:11- Give it here!- Not until you tell me what the fuck it is!
0:29:11 > 0:29:14- Give it here!- What is it?!
0:29:14 > 0:29:17It's from Luca Changretta, all right? We killed his dad.
0:29:17 > 0:29:21I remember. It was Tommy who killed him!
0:29:21 > 0:29:24It was fucking Arthur pulled the trigger!
0:29:24 > 0:29:26All right, it was mercy, but it was Arthur!
0:29:26 > 0:29:29Anyway, it makes no fucking difference!
0:29:29 > 0:29:31For the wops, it's family.
0:29:31 > 0:29:33The black hand came here.
0:29:33 > 0:29:35Everybody will have got one.
0:29:35 > 0:29:37They're coming for us all!
0:29:41 > 0:29:43We made an agreement.
0:29:44 > 0:29:46We made a solemn promise.
0:29:47 > 0:29:49We're the family now.
0:29:58 > 0:30:01Here, look at that.
0:30:01 > 0:30:04That's from Changretta's son, Luca.
0:30:04 > 0:30:08How the fuck he knows where I live. Eh?
0:30:09 > 0:30:10And why's he waited a year?
0:30:12 > 0:30:14I'm going to see Tommy next. I'll talk to him.
0:30:15 > 0:30:18I've been served a black hand and she won't even let me
0:30:18 > 0:30:20keep a fucking spud gun in the house.
0:30:20 > 0:30:22Go to a hotel.
0:30:22 > 0:30:23It's Christmas Eve, Ada.
0:30:27 > 0:30:30I've got a gun in the glove compartment. You take that for now.
0:30:30 > 0:30:32I'll talk to Tommy and have him call.
0:30:32 > 0:30:36- Just make sure you get to the phone first.- Yeah.- Now hug me,
0:30:36 > 0:30:38like you came out here because you were emotional.
0:30:38 > 0:30:42I am emotional. I just don't know what fucking emotion it is.
0:30:44 > 0:30:46It'll be OK. I'll talk to Tommy.
0:30:46 > 0:30:47You talk to him.
0:30:51 > 0:30:52GOOSE HONKS
0:30:54 > 0:30:55You and me both, brother.
0:30:58 > 0:31:00ENGINE STARTS
0:31:03 > 0:31:04Ada!
0:31:06 > 0:31:08You wait there, you won't leave empty handed.
0:31:08 > 0:31:10Here you go, look, some eggs,
0:31:10 > 0:31:11you give them to Polly, all right?
0:31:13 > 0:31:15And you, keep your eyes on the road.
0:31:16 > 0:31:17Take care.
0:31:25 > 0:31:27Who was on the phone, Arthur?
0:31:27 > 0:31:30John. Wishing me Merry Christmas.
0:31:35 > 0:31:37Come inside. It's getting late.
0:31:39 > 0:31:42SHIP'S HORN
0:32:00 > 0:32:02Thanks.
0:32:15 > 0:32:17HE SPEAKS ITALIAN
0:32:30 > 0:32:32Take off the hat.
0:32:39 > 0:32:41Are you with those other Italians?
0:32:41 > 0:32:46We're Americans. It says it right there on the paper.
0:32:47 > 0:32:48USA.
0:32:52 > 0:32:54And what's the purpose of your visit?
0:32:56 > 0:32:57Pleasure.
0:33:10 > 0:33:12Mum? It's me.
0:33:19 > 0:33:20You left the door open.
0:33:20 > 0:33:22To change the air.
0:33:22 > 0:33:23I told you I was busy today.
0:33:23 > 0:33:24What do you want?
0:33:26 > 0:33:28Why haven't you opened your post?
0:33:29 > 0:33:30I tidied up.
0:33:32 > 0:33:34Ada's coming today.
0:33:34 > 0:33:35She's late.
0:33:36 > 0:33:38Tommy asked about you today.
0:33:40 > 0:33:42I hope Ada's car hasn't broken down.
0:33:42 > 0:33:46Is Shelby Company Limited still using Bentleys?
0:33:46 > 0:33:47Yeah.
0:33:48 > 0:33:50Bentleys are no good in the cold.
0:33:50 > 0:33:52You should tell him.
0:33:52 > 0:33:53I will.
0:33:55 > 0:33:56Any other messages for Tommy?
0:33:56 > 0:33:57Yeah. Fuck off.
0:33:59 > 0:34:04He saw that your drain pipe was broken. He was worried.
0:34:07 > 0:34:11Is that it? Is that all he asked about? Drainpipes?
0:34:11 > 0:34:14No. He said that I'm to accept that you have a gift.
0:34:16 > 0:34:17That you've always had a gift.
0:34:18 > 0:34:20What gift?
0:34:20 > 0:34:22Second sight.
0:34:23 > 0:34:26Spirits. All that gypsy stuff, he said that I'm to believe you.
0:34:26 > 0:34:29You think I don't hear his voice in yours.
0:34:29 > 0:34:31You don't think I recognise his strategies.
0:34:33 > 0:34:34I'm still a match for him.
0:34:34 > 0:34:35Yes.
0:34:35 > 0:34:38You are. And you still can be.
0:34:41 > 0:34:43Me and Lizzie decided that
0:34:43 > 0:34:45this New Year we're all to turn the page.
0:34:48 > 0:34:51- You can't spend another year like this, Mum.- "Mum."
0:34:57 > 0:34:58Mum.
0:34:59 > 0:35:01That word is like a bullet to me.
0:35:08 > 0:35:11I see your sister in that chair sometimes...
0:35:14 > 0:35:18Look, me and Lizzie have decided.
0:35:21 > 0:35:22It's time.
0:35:25 > 0:35:26I bought these.
0:35:28 > 0:35:30One for you and Ada
0:35:30 > 0:35:32and one for you and me.
0:35:34 > 0:35:36So Tommy said, "Keep her off the whisky."
0:35:40 > 0:35:42I'll drink Champagne the day my son leaves
0:35:42 > 0:35:46the employment of Shelby Company Limited.
0:35:46 > 0:35:49You tell him that next time he mentions fucking drainpipes.
0:36:06 > 0:36:12Right. Now, this is your job, Charlie. We give those to Santa
0:36:12 > 0:36:14and Rudolph.
0:36:16 > 0:36:19Good boy. Put this out for Santa, for his whisky.
0:36:19 > 0:36:22Now, night-night. Merry Christmas.
0:36:26 > 0:36:29- I will see you tomorrow. Sleep well. - Come on, Charlie.
0:36:57 > 0:36:59APPROACHING VEHICLE
0:37:40 > 0:37:42KNOCKING
0:37:53 > 0:37:55Mr Shelby, it's your sister.
0:37:55 > 0:37:57I know. Send her in.
0:38:04 > 0:38:06I got a card, Ada.
0:38:06 > 0:38:08I'm guessing Arthur and John have had one as well.
0:38:08 > 0:38:13Hello, Tommy. "Hello, Ada, welcome home." Thanks, it's nice to be back.
0:38:16 > 0:38:17I've spoken to Moss.
0:38:17 > 0:38:20Moss said Changretta is a soldier for the Spinetti family,
0:38:20 > 0:38:23which means he will have men with him, professional men.
0:38:23 > 0:38:25They usually operate in units of around ten.
0:38:25 > 0:38:29Moss is checking Cunard records to see if they're already in England.
0:38:29 > 0:38:30This one's for you.
0:38:32 > 0:38:34What is it? A time machine?
0:38:34 > 0:38:36My God. Tommy Shelby.
0:38:36 > 0:38:37Is that regret?
0:38:37 > 0:38:39I'll open it tomorrow.
0:38:40 > 0:38:43So, boss, in the light of the changed circumstances,
0:38:43 > 0:38:45what are your orders?
0:38:48 > 0:38:51Changretta knows where we all live.
0:38:51 > 0:38:53If we stay out in the open, isolated,
0:38:53 > 0:38:54he'll pick us off one by one.
0:38:55 > 0:38:58We need to be together in a place even they won't dare to come.
0:39:00 > 0:39:01You mean back home?
0:39:01 > 0:39:04Within a four-mile radius of the Garrison,
0:39:04 > 0:39:06every man is a guard and a soldier for us.
0:39:06 > 0:39:11I'm calling a family meeting. Charlie Strong's yard, Boxing Day.
0:39:11 > 0:39:13Finn's already there. You tell Polly and Michael.
0:39:13 > 0:39:14I'll deal with John and Arthur.
0:39:14 > 0:39:16And Esme and Linda?
0:39:18 > 0:39:20Anyone who wants to live to see another Christmas
0:39:20 > 0:39:21needs to come to where it's safe.
0:39:21 > 0:39:23These bastards will kill kids as well.
0:39:23 > 0:39:27When this business is finished, we can...go our separate ways.
0:39:30 > 0:39:31Go and see Polly and explain.
0:39:31 > 0:39:33She'll have had a card as well.
0:39:35 > 0:39:38Do you think I'm on the list?
0:39:38 > 0:39:40We're all on the list, Ada.
0:39:42 > 0:39:44I gave my gun to Arthur.
0:40:02 > 0:40:03Welcome home.
0:40:22 > 0:40:25Holy shit, it's Father Christmas.
0:40:25 > 0:40:30Yeah, and if you're good... you get what you deserve.
0:40:31 > 0:40:32Fucking come here, you!
0:40:51 > 0:40:54PHONE RINGS
0:41:07 > 0:41:08Fuck.
0:41:16 > 0:41:19Yeah, put me through to Maypole 245.
0:41:19 > 0:41:21PHONE RINGS
0:41:29 > 0:41:31- Hello.- Arthur, it's Tommy.
0:41:31 > 0:41:33Be quick, they're asleep.
0:41:33 > 0:41:37Family meeting, Charlie's yard, Boxing Day, midday.
0:41:37 > 0:41:40I can't raise John but I'll send Michael to get him.
0:41:42 > 0:41:45If you have to pull a gun on Linda, do it. Merry Christmas.
0:41:51 > 0:41:52Merry Christmas, Tom.
0:42:02 > 0:42:04What did you do with them?
0:42:05 > 0:42:07My tablets were in the bathroom cabinet.
0:42:07 > 0:42:09What did you do with them?
0:42:09 > 0:42:11I threw them in the lavatory.
0:42:12 > 0:42:14Tommy's orders?
0:42:14 > 0:42:16No. My own decision.
0:42:20 > 0:42:23How am I going to get through Christmas without them?
0:42:23 > 0:42:24They close everything.
0:42:24 > 0:42:26How am I going to get through Christmas without them?
0:42:26 > 0:42:28- I'll help you. - They don't open anything.
0:42:28 > 0:42:30Fucking no apothecary, nothing.
0:42:31 > 0:42:33You can move in with me and I'll help you.
0:42:34 > 0:42:37How can I get through fucking Christmas? Without...
0:42:37 > 0:42:40Without anything! How?
0:42:40 > 0:42:42SHE BREATHES HARD AND RAPIDLY
0:42:44 > 0:42:47You can move in with me and I'll help you.
0:42:47 > 0:42:50Fuck off! Fuck off! Fuck off, Thomas Shelby!
0:42:50 > 0:42:52- Fuck off!- It's all right it's me. Mum, this as got to stop!
0:42:52 > 0:42:54I don't want you, I don't want you, Thomas Shelby.
0:42:54 > 0:42:56My husband is back and he loves me.
0:42:56 > 0:42:58Tommy said to believe in spirits with you, but I can't.
0:42:58 > 0:43:01Hello, Polly. Hello, Michael. Merry Christmas.
0:43:03 > 0:43:04The door was wide open.
0:43:04 > 0:43:05Fuck.
0:43:07 > 0:43:11I spent the whole day tidying up. I wanted it to be nice.
0:43:11 > 0:43:12I wanted it to look nice!
0:43:12 > 0:43:14Why, Pol? It's only me.
0:43:14 > 0:43:16It's OK. It's OK.
0:43:16 > 0:43:20We can sit, sit and talk and put things back together.
0:43:20 > 0:43:21It's OK.
0:43:21 > 0:43:24- I'll leave you two to it. - No, you stay.
0:43:26 > 0:43:30Now, listen, something's happened. Things have changed.
0:43:32 > 0:43:36Today everyone in the family received one of these.
0:43:47 > 0:43:49What does it mean?
0:43:49 > 0:43:52Tommy's called a family meeting. He wants you both to come.
0:43:55 > 0:43:58APPROACHING FOOTSTEPS
0:44:01 > 0:44:03KNOCKING
0:44:03 > 0:44:05Come.
0:44:11 > 0:44:14I'm really sorry to bother you again, sir,
0:44:14 > 0:44:17but Chef insists on knowing what time the guests will arrive.
0:44:19 > 0:44:25Francis, for the last time, it's Johnny Dogs. They're gypsies.
0:44:25 > 0:44:27They're camped down by the river.
0:44:27 > 0:44:29When they're ready they'll walk up. All right?
0:44:29 > 0:44:32He says it's about preparation, sir.
0:44:32 > 0:44:33What is?
0:44:33 > 0:44:35He's asked specifically.
0:44:35 > 0:44:38Will they arrive before the King's speech or after?
0:44:42 > 0:44:44You said he was new, this chef.
0:44:47 > 0:44:49When did join us?
0:44:49 > 0:44:50October.
0:44:54 > 0:44:55October.
0:44:57 > 0:44:58And he's foreign?
0:44:58 > 0:45:00He's Italian, sir.
0:45:00 > 0:45:05- Oh.- He's the best chef we've ever had in the house.
0:45:06 > 0:45:09No shouting or swearing or blaspheming.
0:45:09 > 0:45:10Do we have his references?
0:45:10 > 0:45:11Yes.
0:45:14 > 0:45:16The only problem has been his assistant.
0:45:16 > 0:45:18What assistant?
0:45:18 > 0:45:21He brought an assistant with him. He calls him his sous-chef.
0:45:25 > 0:45:28Are they still working, Frances?
0:45:28 > 0:45:30They'll be there till midnight, sir.
0:45:34 > 0:45:36Right, thank you. Good night.
0:45:36 > 0:45:37You can go to bed.
0:45:38 > 0:45:40Merry Christmas, sir.
0:45:42 > 0:45:44And I thought about your offer.
0:45:46 > 0:45:48I'd be happy to sit at your table.
0:45:49 > 0:45:51Right, thank you.
0:46:30 > 0:46:31What's your name?
0:46:31 > 0:46:33Max, Mr Shelby.
0:46:33 > 0:46:34Max.
0:46:36 > 0:46:38It's all right. Don't get up.
0:46:38 > 0:46:42Oh. Sorry. Sorry. Sorry, yes.
0:46:45 > 0:46:47You're new. I'm Mr Shelby.
0:46:47 > 0:46:49Hello, sir.
0:46:49 > 0:46:52I haven't taken time to introduce myself.
0:46:54 > 0:46:55Antonio.
0:46:59 > 0:47:00What have you done that's so wrong, eh?
0:47:02 > 0:47:03Excuse me?
0:47:03 > 0:47:06A sous-chef peeling potatoes.
0:47:08 > 0:47:11It's an emergency. Late notice.
0:47:11 > 0:47:14Oh. Late notice.
0:47:15 > 0:47:18Right, right, carry on.
0:47:27 > 0:47:28Antonio...
0:47:30 > 0:47:33..here, £10.
0:47:33 > 0:47:34For the late notice.
0:48:13 > 0:48:15You wanted to know if my guests would arrive
0:48:15 > 0:48:17before or after the King's speech?
0:48:21 > 0:48:23- Eh?- Yes.
0:48:25 > 0:48:26It'll be after.
0:48:35 > 0:48:36How are you?
0:48:38 > 0:48:40Oh, just...worried about tomorrow.
0:48:42 > 0:48:45Yeah? I'm worried about Antonio.
0:48:50 > 0:48:53You've been here two months and we've not met before.
0:48:53 > 0:48:55It's my fault. I've been busy.
0:48:57 > 0:48:58Thomas Shelby.
0:49:01 > 0:49:03My hand has blood.
0:49:03 > 0:49:04Oh, mine too.
0:49:07 > 0:49:11Hey, er, how much do you pay Antonio?
0:49:13 > 0:49:15I forget.
0:49:16 > 0:49:18Must be a lot.
0:49:18 > 0:49:19I just gave him £10.
0:49:20 > 0:49:22Didn't mean a fucking thing to him.
0:49:26 > 0:49:28Maybe it isn't you that pays him.
0:49:41 > 0:49:43I've been reading up on you.
0:49:43 > 0:49:46Bertorelli. Claridge's.
0:49:46 > 0:49:51You used to work in a place called San Marco's,
0:49:51 > 0:49:54on...on Fleet Street.
0:49:56 > 0:50:00I used to know the man that owned San Marco's.
0:50:00 > 0:50:02A man called Darby Sabini.
0:50:04 > 0:50:06- I never met him.- No.
0:50:06 > 0:50:11Maybe your...assistant, Antonio, maybe he's met him.
0:50:14 > 0:50:15Here's how it is.
0:50:15 > 0:50:19- Antonio was sent from New York. - I don't know. Please...
0:50:19 > 0:50:21Darby Sabini facilitated.
0:50:21 > 0:50:24He passed him on to you and told you to bring him into my house.
0:50:24 > 0:50:27They threatened to kill you if you didn't do it.
0:50:27 > 0:50:30You want me to dress you like you dressed that fucking stag?
0:50:30 > 0:50:32Please!
0:50:34 > 0:50:38- You know about me, right?- Mm-hm.
0:50:38 > 0:50:40- You know what I do?- Mm-hm.
0:50:42 > 0:50:44You wanted to know when my guests would arrive
0:50:44 > 0:50:47because Antonio needed me alone. He's an assassin.
0:50:47 > 0:50:49The plan is to kill me tomorrow.
0:50:51 > 0:50:53I don't know.
0:50:54 > 0:50:56They just said bring him here.
0:51:01 > 0:51:03Well, bring him here.
0:51:07 > 0:51:09Antonio!
0:51:10 > 0:51:11HE CALLS OUT IN ITALIAN
0:51:43 > 0:51:45HE SPEAKS ITALIAN
0:51:48 > 0:51:50Aaaargh!
0:51:52 > 0:51:54Aaaargh!
0:52:04 > 0:52:08You are a black hand! You are a black hand!
0:52:08 > 0:52:13How many came from New York? How many fucking came from New York?
0:52:13 > 0:52:14Vaffanculo!
0:52:15 > 0:52:19What did he... What did he say? Is that a curse or a number?
0:52:19 > 0:52:21What did he fucking say? What did he fucking say?
0:52:21 > 0:52:23- He said, "Fuck you."- Yeah?
0:52:23 > 0:52:24GUNSHOT
0:52:35 > 0:52:37The black hand means kill or be killed.
0:52:39 > 0:52:41You go back to London,
0:52:41 > 0:52:45you tell Darby Sabini he picked the wrong side in this war.
0:52:47 > 0:52:50Once we've dealt with the Americans, we'll come for him.
0:52:50 > 0:52:51Go on, go.
0:52:51 > 0:52:53Go.
0:52:53 > 0:52:57Oi! You tell anyone else, I'll come and find you.
0:53:17 > 0:53:20Harrow 335.
0:53:20 > 0:53:21The Hare and Hounds pub.
0:53:28 > 0:53:30Robert. Yes, it's Mr Shelby.
0:53:32 > 0:53:34Merry Christmas to you too.
0:53:34 > 0:53:36Robert, is there a gypsy in the public bar playing
0:53:36 > 0:53:38the fiddle for shillings?
0:53:38 > 0:53:40Yes.
0:53:40 > 0:53:43Can you, er, can you tell him I need to speak to him?
0:53:43 > 0:53:45Thank you.
0:53:57 > 0:53:59Oh, fuck, Tom.
0:53:59 > 0:54:02I thought these sporting days were over.
0:54:02 > 0:54:05Yeah, so did I. But they keep coming back at us.
0:54:06 > 0:54:08There's a black stallion in the stables.
0:54:08 > 0:54:11He's invisible at night, use him.
0:54:11 > 0:54:13Take the body across the river to the rough ground.
0:54:14 > 0:54:17- Burn him?- No. This one's a message.
0:54:19 > 0:54:21Will there still be geese for dinner?
0:54:21 > 0:54:24- Only if you can steal them on the way.- On the way where?
0:54:25 > 0:54:27We're going back, Johnny.
0:54:29 > 0:54:31Back to Small Heath.
0:54:31 > 0:54:32Back where you belong.
0:54:33 > 0:54:36HE SPEAKS HIS OWN LANGUAGE
0:54:36 > 0:54:39Merry Christmas. You can keep the stallion.
0:54:39 > 0:54:41Christ the fucking night.
0:54:57 > 0:55:01Michael, they're coming today. Michael, shut up and listen.
0:55:01 > 0:55:02You've got to get everyone out.
0:55:02 > 0:55:05Get Polly and Ada to Charlie's yard.
0:55:05 > 0:55:07I've told Arthur but I can't reach John.
0:55:07 > 0:55:08When you've dropped Polly and Ada,
0:55:08 > 0:55:11go out to John's place and get him out. All right?
0:55:14 > 0:55:18- Is it Christmas? - Not just yet. Let's go, eh?- Mummy!
0:55:29 > 0:55:31Move!
0:55:44 > 0:55:46Hello?
0:55:50 > 0:55:52GUN COCKS
0:55:53 > 0:55:57Oh, fuck. It's you. Got nothing better to do on Christmas morning?
0:55:57 > 0:56:00Tommy wants everybody at Charlie's yard now. Come on.
0:56:00 > 0:56:04Get in. Get in. What's going to happen? It's fucking Christmas.
0:56:04 > 0:56:07Look, John, we don't have time for this.
0:56:07 > 0:56:10- Come into the house.- Just come to the meeting.- Have some food.
0:56:11 > 0:56:14Tell Tommy Shelby we can look after ourselves.
0:56:14 > 0:56:16Tommy says they could come for us today.
0:56:16 > 0:56:18Tommy says, Tommy says. Are you his fucking parrot?
0:56:18 > 0:56:19Look it's the Mafia, all right.
0:56:19 > 0:56:22This is the New York Mafia we're talking about.
0:56:22 > 0:56:24And we're the Peaky fucking Blinders.
0:56:24 > 0:56:25No, we're not, John.
0:56:25 > 0:56:28We're not the Peaky fucking Blinders unless we're together.
0:56:28 > 0:56:30You were together on the gallows,
0:56:30 > 0:56:32with one man missing.
0:56:32 > 0:56:37John? John, come to the meeting, all right? Think about the kids.
0:56:37 > 0:56:40Come to the meeting and if you want to leave then fine.
0:56:40 > 0:56:41HORSE HOOVES
0:56:41 > 0:56:45No. It's Christmas Day. We're the family now.
0:56:45 > 0:56:46We're staying at home.
0:56:49 > 0:56:51- In the fucking house!- Esme...
0:56:53 > 0:56:54John!
0:56:56 > 0:56:58GUNFIRE