0:00:02 > 0:00:04I want you to be alive after your entire family is dead
0:00:04 > 0:00:06that is what will hurt you the most.
0:00:06 > 0:00:08Michael is badly wounded.
0:00:08 > 0:00:09John is dead.
0:00:09 > 0:00:12So I sent a message to Aberama Gold.
0:00:12 > 0:00:14- I need you back.- I'll help you
0:00:14 > 0:00:17cos Michael wants me to help you. Starting now.
0:00:17 > 0:00:19The bullet's been written.
0:00:19 > 0:00:22He, as the oldest brother... I'll put this bullet into his head.
0:00:22 > 0:00:25You said you'd bring every man and woman out on strike.
0:00:25 > 0:00:27Do you have a whistle?
0:00:27 > 0:00:29WHISTLE BLOWS It's almost as if you want trouble.
0:00:30 > 0:00:32This programme contains some violent scenes,
0:00:32 > 0:00:36strong language from the start, and some scenes of a sexual nature
0:00:51 > 0:00:54CLAMOUR OF VOICES
0:01:03 > 0:01:08All right. First come, first served, form an orderly line, all of you.
0:01:08 > 0:01:11All right. All right.
0:01:13 > 0:01:17Right! Have your contracts of employment in your hand!
0:01:17 > 0:01:20Bring 'em in! Get in there.
0:01:20 > 0:01:24Get moving! On you go! Go on, keep going!
0:01:24 > 0:01:28- Keep going. Whoa, where are you going?- Bradley. Foreman.
0:01:28 > 0:01:31All right. You go and see that man over there. Go!
0:01:33 > 0:01:36- What's your name? - Bradley. I'm a foreman.
0:01:36 > 0:01:37- When did you last work here?- 1922.
0:01:37 > 0:01:39How many have done this type of work before?
0:01:39 > 0:01:42They're mostly farm hands from down Worcester way. But I'll show 'em.
0:01:42 > 0:01:44- Hungry men learn fast. - All right. On you go.
0:01:44 > 0:01:48Dirty scabs! Blacklegs!
0:01:48 > 0:01:50GLASS SMASHES
0:01:50 > 0:01:54What bastard threw that? Get him out here!
0:02:03 > 0:02:07Arthur! Oi! Enough. Get him out!
0:02:07 > 0:02:09Get out!
0:02:09 > 0:02:10Ten more!
0:02:14 > 0:02:18- Two more.- Ten.- That's it. Close it up!
0:02:22 > 0:02:23HEAVY DOORS CLOSE
0:02:23 > 0:02:28Right. Ten bob a man. £2 there for you.
0:02:28 > 0:02:30- What about security? - Yeah, well, about that...
0:02:30 > 0:02:33By order of the city of Birmingham police department,
0:02:33 > 0:02:37you and your ugly workforce are now under the protection...
0:02:38 > 0:02:41..of the Peaky fucking Blinders.
0:02:54 > 0:02:55DOOR OPENS
0:02:57 > 0:02:59- Mr Gray?- Yeah, send him in.
0:02:59 > 0:03:00It's your mother.
0:03:00 > 0:03:02- WHISPERS:- Oh, fuck.
0:03:14 > 0:03:16I read about it in the paper.
0:03:19 > 0:03:20I have a right.
0:03:23 > 0:03:24I'm your mum, as well.
0:03:30 > 0:03:31You want me to go away?
0:03:34 > 0:03:35Yes.
0:03:38 > 0:03:40I'll just leave these.
0:03:45 > 0:03:47They're from our orchard.
0:03:53 > 0:03:55You used to love these.
0:03:57 > 0:03:58I hope there are no worms in them.
0:04:24 > 0:04:29Look, I just wanted to say that you're welcome to come home.
0:04:30 > 0:04:32To get better at home.
0:04:32 > 0:04:34I know you got bored in the village, but...
0:04:37 > 0:04:38..we love you -
0:04:38 > 0:04:42and your little brother misses playing football with you...
0:04:44 > 0:04:45..and your dad...
0:04:48 > 0:04:49..passed on.
0:04:51 > 0:04:54He passed on peacefully in our bed.
0:04:57 > 0:04:58Fuck.
0:05:04 > 0:05:06Now go on.
0:05:06 > 0:05:10I'm expecting Tommy, and he's due here now.
0:05:12 > 0:05:13I'll go, then.
0:05:15 > 0:05:18I'll not be in the same room as that man.
0:05:41 > 0:05:43CAR PULLS UP OUTSIDE
0:06:02 > 0:06:04DOOR OPENS
0:06:04 > 0:06:07Come on, Pol, Tommy's expecting us.
0:06:08 > 0:06:10Who's with us?
0:06:10 > 0:06:12Isaiah and two Lee boys.
0:06:14 > 0:06:17Ada, how long since you've had a fuck?
0:06:17 > 0:06:19What?
0:06:19 > 0:06:22It's been nearly two years with me.
0:06:22 > 0:06:25Over Christmas I counted it up.
0:06:25 > 0:06:29So, I've made a New Year's resolution to change the situation.
0:06:29 > 0:06:32Oh. Anyone particular in mind?
0:06:32 > 0:06:33Not really.
0:06:34 > 0:06:37Just me and someone unsuitable.
0:06:40 > 0:06:43# From starry eyes colliding
0:06:46 > 0:06:50# From Mars to someone crying... #
0:06:52 > 0:06:54I'll sit in the front.
0:06:54 > 0:06:56# I'm never far away
0:06:59 > 0:07:02# No matter what I'm hiding
0:07:05 > 0:07:07# I get lost
0:07:08 > 0:07:11# But I always come around
0:07:12 > 0:07:16# Call when you're ready cos I'm ready to ride. #
0:07:16 > 0:07:19So, this is just to make things official.
0:07:19 > 0:07:21Your official return to the company payroll.
0:07:21 > 0:07:24So no more talk of New Year's resolutions
0:07:24 > 0:07:26or Tommy might change his mind.
0:07:26 > 0:07:28- What New Year's resolution? - Never mind.
0:07:30 > 0:07:33I think Ada's trying to tell me to behave myself.
0:07:33 > 0:07:35Yeah. Behave yourself.
0:07:36 > 0:07:37Behave myself or what?
0:07:39 > 0:07:41Behave myself or fucking what?
0:07:43 > 0:07:46OK, Polly, I'll tell you the truth.
0:07:46 > 0:07:48After your recent troubles, Tommy asked me to keep an eye on you.
0:07:48 > 0:07:50"Troubles?"
0:07:51 > 0:07:53Whilst working for this company,
0:07:53 > 0:07:54I have killed a man,
0:07:54 > 0:07:57I have lost a man, I have found a son,
0:07:57 > 0:08:01I have nearly lost a son, I have nearly lost my own life.
0:08:02 > 0:08:05Now, I will accept my job back,
0:08:05 > 0:08:08if the terms on offer are favourable...
0:08:10 > 0:08:12..but I will not behave myself.
0:08:26 > 0:08:28Sorry I'm late.
0:08:37 > 0:08:38Where's Arthur?
0:08:40 > 0:08:42Do I look like his fucking mother?
0:08:57 > 0:09:01Oh, no. Why are you here?
0:09:01 > 0:09:03You all right? Is Billy all right?
0:09:03 > 0:09:05Yes. Everything's fine.
0:09:05 > 0:09:08Well, look... Lovely to see you, but I'm late for a meeting.
0:09:08 > 0:09:10They can wait.
0:09:17 > 0:09:19I've got something for you.
0:09:19 > 0:09:23Something for a loving husband who's been working very hard...
0:09:23 > 0:09:26..and is under a great deal of pressure.
0:09:29 > 0:09:33Something to relieve his stress.
0:09:41 > 0:09:44It's silk. From Japan.
0:09:44 > 0:09:46Feel.
0:09:51 > 0:09:53My hands are dirty.
0:09:53 > 0:09:54Good.
0:09:54 > 0:09:56Feel all of it.
0:09:58 > 0:10:00Feel it properly.
0:10:07 > 0:10:11You, er... You want to do this here?
0:10:11 > 0:10:15Why not? I thought you were the boss.
0:10:16 > 0:10:20- I am the fucking boss. - Then tell me what to do, boss.
0:10:22 > 0:10:23Come here.
0:10:23 > 0:10:28Right, before we start this extraordinary general meeting
0:10:28 > 0:10:31of the board of the Shelby Company Limited,
0:10:31 > 0:10:35I'd like to note the absence of the Deputy Vice President,
0:10:35 > 0:10:36who has not yet arrived.
0:10:36 > 0:10:38We'll continue without his presence.
0:10:38 > 0:10:41- HE CLEARS THROAT - Item number one.
0:10:41 > 0:10:47The reinstatement of the Shelby Company Limited company treasurer.
0:10:47 > 0:10:49The board welcomes back the former treasure,
0:10:49 > 0:10:52with generously improved terms and conditions.
0:10:52 > 0:10:55Due to the exceptionally difficult circumstances
0:10:55 > 0:10:57the company now finds itself in.
0:10:57 > 0:11:00The proposed treasurer will now check the terms and conditions,
0:11:00 > 0:11:01to see if they are in order.
0:11:03 > 0:11:07Item number two, during the absence of the Company Accountant,
0:11:07 > 0:11:08due to ill health,
0:11:08 > 0:11:12all responsibility for the keeping of the Company Accounts
0:11:12 > 0:11:14pass to the head of acquisitions.
0:11:16 > 0:11:19Item number three. The Company Treasurer,
0:11:19 > 0:11:21having read the terms and condition,
0:11:21 > 0:11:23lodges a signed contract of employment agreeing
0:11:23 > 0:11:26to the terms and conditions with the temporary head of accounts.
0:11:26 > 0:11:30All those in favour of the reinstatement of Mrs Elizabeth Gray
0:11:30 > 0:11:32to the position of The Shelby Company treasurer,
0:11:32 > 0:11:34please raise your hands.
0:11:36 > 0:11:37Why, goodness. Thank you.
0:11:37 > 0:11:39Any other business?
0:11:39 > 0:11:44Right, I declare this extraordinary general meeting over.
0:11:45 > 0:11:47Now we talk about the real business...
0:11:48 > 0:11:50..but, for that, we need Arthur.
0:11:50 > 0:11:52Where the fuck is Arthur?
0:11:58 > 0:11:59SHE EXCLAIMS
0:12:14 > 0:12:15KNOCK ON DOOR
0:12:15 > 0:12:18- Mr Shelby!- Fuck off.
0:12:18 > 0:12:20- They've broken into the paint shop. - Oh, yeah?
0:12:20 > 0:12:22They're chucking paint around -
0:12:22 > 0:12:24I think they mean to set light to it.
0:12:24 > 0:12:28Well, you deal with it, man, I'm fucking busy!
0:12:53 > 0:12:55What was all that about?
0:13:10 > 0:13:13In this sinful place,
0:13:13 > 0:13:15there will be temptations.
0:13:15 > 0:13:17It's my responsibility as your wife
0:13:17 > 0:13:20to help you resist those temptations.
0:13:21 > 0:13:24By putting myself between you...
0:13:29 > 0:13:31..and the devil.
0:13:33 > 0:13:36In the words of my sinful Catholic mother,
0:13:36 > 0:13:39"Keep his balls empty and his belly full."
0:13:41 > 0:13:42God rest her soul.
0:13:44 > 0:13:46KNOCK ON DOOR Mr Shelby!
0:13:46 > 0:13:49You have to come to the paint shop immediately! Please!
0:13:53 > 0:13:55Oh, I have to go.
0:13:55 > 0:13:57Won't be late.
0:14:03 > 0:14:05Sorry, ladies, there's no smoking in here.
0:14:05 > 0:14:07Yes, love, we know.
0:14:09 > 0:14:12All right. He's an hour late. Fuck him.
0:14:13 > 0:14:17This business directly affects Arthur, but he's not here,
0:14:17 > 0:14:19so we'll take a vote without him.
0:14:19 > 0:14:21What business?
0:14:21 > 0:14:24Official business that wasn't on your agenda, Ada.
0:14:24 > 0:14:29An informant told us that six years ago Luca Changretta
0:14:29 > 0:14:32came from New York to Birmingham to be best man at his cousin's wedding.
0:14:32 > 0:14:35We found out that they used Reid and Dunn in Broadgate
0:14:35 > 0:14:36for the photographs.
0:14:36 > 0:14:41The photographer kept the negatives. I persuaded him to give us copies...
0:14:41 > 0:14:42..and to enlarge this one.
0:14:44 > 0:14:48That is Luca Changretta.
0:14:48 > 0:14:50I've seen his face, so I could pick him out.
0:14:50 > 0:14:53Half the men in the photograph are Changrettas,
0:14:53 > 0:14:57which means the chances are they're the men will come kill us.
0:14:57 > 0:14:58We need to get both these photographs
0:14:58 > 0:15:00into pubs and on street corners,
0:15:00 > 0:15:04and put it about that there's a reward for information.
0:15:06 > 0:15:10We also propose that we give a copy of this photograph
0:15:10 > 0:15:12to Mr Aberama Gold.
0:15:12 > 0:15:15We need to forget the idea that it has to be Arthur
0:15:15 > 0:15:19that pulls the trigger. Tradition will just fuck us up.
0:15:19 > 0:15:21We should wait for Arthur.
0:15:21 > 0:15:23Arthur's not here, Ada.
0:15:23 > 0:15:27We need Luca Changretta dead. That's it.
0:15:27 > 0:15:30Dropping the law of the bullet is part of the process of modernisation
0:15:30 > 0:15:32that I was working on before I were...
0:15:33 > 0:15:35..before I was executed.
0:15:35 > 0:15:36You weren't executed, Pol.
0:15:38 > 0:15:39What did you call me?
0:15:39 > 0:15:42Right. Let's take a vote. I'll deal with Arthur.
0:15:42 > 0:15:45All those in favour of giving the photographs
0:15:45 > 0:15:46to Mr Gold raise your hand.
0:15:59 > 0:16:01Then it will be done.
0:16:01 > 0:16:03- Mum...- Oh, "mum" now, is it?
0:16:04 > 0:16:06I smelt perfume when I came in here.
0:16:06 > 0:16:07Yeah, it was the flowers.
0:16:09 > 0:16:10Right, that's it.
0:16:10 > 0:16:12Who came in here, Michael?
0:16:12 > 0:16:16The truth is, Polly, the woman that raised him came in here.
0:16:16 > 0:16:18She has every right to come in here.
0:16:18 > 0:16:20She brought him fucking apples and she left.
0:16:20 > 0:16:22We're in the middle of a vendetta and Arthur's missing.
0:16:22 > 0:16:24We need to find him.
0:16:24 > 0:16:27Concentrate on what unites us.
0:16:27 > 0:16:28This is all temporary.
0:16:28 > 0:16:30Yeah, temporary, right.
0:16:33 > 0:16:34DOOR OPENS AND CLOSES
0:16:40 > 0:16:43# There's a devil inside of me
0:16:44 > 0:16:46# He's holding on... #
0:16:46 > 0:16:47Bastards!
0:16:47 > 0:16:52# And I don't know if he's staying or for how long
0:16:56 > 0:16:58# There's a devil inside of me
0:16:59 > 0:17:01# And he's holding on
0:17:01 > 0:17:07# And I don't know if he's staying or for how long... #
0:17:08 > 0:17:11Party is it, eh? Is that what it is?
0:17:11 > 0:17:15What's this, a party, eh? Fuck off out of it!
0:17:15 > 0:17:16Get out!
0:17:22 > 0:17:26OK, I wasn't going to hit ya... but that wasn't fucking nice.
0:17:31 > 0:17:33Oh, you...
0:17:37 > 0:17:40Arthur! Mr Shelby! Please, Mr Shelby! Please.
0:17:40 > 0:17:46Don't fucking move. Eh? Eh? Now get the fuck out!
0:17:48 > 0:17:51Fuck you and fuck your revolution!
0:18:00 > 0:18:03I'm a fucking mess.
0:18:29 > 0:18:32GUNFIRE
0:19:29 > 0:19:30Where are you going?
0:19:30 > 0:19:31Come here.
0:19:31 > 0:19:33Fucking hit man, are you?
0:19:33 > 0:19:35Is that what you are?
0:19:37 > 0:19:39Arthur Shelby, hey!
0:19:39 > 0:19:40Let's see who wanted you.
0:19:42 > 0:19:43What about...
0:19:44 > 0:19:47What about fucking John Shelby?
0:20:14 > 0:20:15John.
0:21:00 > 0:21:01Thank you.
0:21:01 > 0:21:04Send my guests in.
0:21:49 > 0:21:52You wire Polo and let him tell the family.
0:21:54 > 0:21:56He has four kids.
0:22:05 > 0:22:08Don't you two have any other clothes to wear?
0:22:08 > 0:22:09Uh?
0:22:17 > 0:22:19Look at me.
0:22:19 > 0:22:21Huh?
0:22:21 > 0:22:24I'm here as a lover of theatre.
0:22:49 > 0:22:51They kill two of our men...
0:22:55 > 0:22:57..you complain about your fucking belly.
0:23:00 > 0:23:01Luca.
0:23:03 > 0:23:06Luca, con tutto rispetto...
0:23:06 > 0:23:09- With respect...- "With respect?"
0:23:09 > 0:23:11You raised.
0:23:14 > 0:23:15"With respect?"
0:23:17 > 0:23:18Open your mouth.
0:23:18 > 0:23:20Come on...
0:23:20 > 0:23:21Open your fucking mouth!
0:23:23 > 0:23:25You fucking dress like them.
0:23:25 > 0:23:27You eat like them.
0:23:27 > 0:23:30You don't fucking talk to me about "with respect".
0:23:50 > 0:23:51Sit down.
0:24:01 > 0:24:02What do you have?
0:24:13 > 0:24:16Arthur Shelby killed her son in a boxing ring four years ago.
0:24:32 > 0:24:33She would do that for us?
0:24:44 > 0:24:46OK.
0:25:14 > 0:25:16Anyone seen Arthur?
0:25:18 > 0:25:21Anyone seen Arthur? Hey?
0:25:21 > 0:25:22In your office, Tom.
0:25:28 > 0:25:31If you're not going to show up for a family meeting,
0:25:31 > 0:25:33you let someone know. We thought you were dead,
0:25:33 > 0:25:36there's 15 fucking Italians out there.
0:25:36 > 0:25:39No, there's not, there's 13.
0:25:39 > 0:25:42I just killed two of them.
0:25:42 > 0:25:46Ripped out their hearts and burnt their bones to ash.
0:25:49 > 0:25:50I did it.
0:25:51 > 0:25:54Me. Your brother.
0:25:55 > 0:25:58Not fucking Aberama Gold or his punch-drunk son.
0:25:58 > 0:26:00But me!
0:26:02 > 0:26:05Even if you don't trust me no more.
0:26:05 > 0:26:07What the fuck are you talking about? Arthur?
0:26:08 > 0:26:10I got cleaned up at Ada's.
0:26:11 > 0:26:15She told me, you took a vote in my absence.
0:26:15 > 0:26:18All right, calm down and tell me about the men you killed.
0:26:18 > 0:26:21You put my job out for contract.
0:26:21 > 0:26:22Arthur...
0:26:22 > 0:26:26Yeah, well, I'm going to make it my fucking job anyway.
0:26:26 > 0:26:28Because this was all my fault.
0:26:28 > 0:26:31- It was me that shot the old man... - Yeah, out of mercy.
0:26:33 > 0:26:35Aye, now John's dead,
0:26:35 > 0:26:39he's dead because of me, and I want to make it right.
0:26:39 > 0:26:40Arthur, wait.
0:26:42 > 0:26:44How did the men get in the factory? I need to know.
0:26:49 > 0:26:51Through the back fucking door
0:26:51 > 0:26:55that was supposed to be locked and bolted.
0:26:55 > 0:26:59Some bastard gave me up. Somebody with keys.
0:27:01 > 0:27:05Yeah. Why don't you sit there and work it out for yourself?
0:27:07 > 0:27:09And take a fucking vote.
0:27:25 > 0:27:28Who is this little bear? Yes?
0:27:28 > 0:27:30Eh?
0:27:33 > 0:27:35Are you all right?
0:27:39 > 0:27:41Daddy's home, Billy.
0:27:41 > 0:27:46- Yeah, I'm all right. - Look, Daddy's home.
0:27:47 > 0:27:49How's Polly?
0:27:51 > 0:27:53Is she all right?
0:27:56 > 0:28:02Oh, go on, Linda. I mean, it was her idea, wasn't it?
0:28:02 > 0:28:05Hum? The Japanese silk?
0:28:06 > 0:28:08I'll put him to bed.
0:28:14 > 0:28:15SHE OPENS DOOR
0:28:19 > 0:28:21You kept me away from that fucking meeting
0:28:21 > 0:28:24- to stop me from voting.- Here we go.
0:28:24 > 0:28:27It was Polly's idea, wasn't it?
0:28:27 > 0:28:28Eh?
0:28:29 > 0:28:33You know what I am, don't ya? I am a working man.
0:28:35 > 0:28:36Yeah.
0:28:37 > 0:28:39Fucking working man.
0:28:41 > 0:28:44Fucking...who's lost his job.
0:28:48 > 0:28:50Is that what I am, Linda?
0:28:50 > 0:28:52Is that what I am, eh?
0:28:54 > 0:28:58I don't want you dead. Polly doesn't want you dead.
0:28:58 > 0:29:01Let Mr Gold do the killing. For money.
0:29:01 > 0:29:04It's the modern way, Arthur.
0:29:07 > 0:29:08Watch.
0:29:20 > 0:29:21What are you doing?
0:29:24 > 0:29:27Now fire it into the fireplace.
0:29:27 > 0:29:28Please.
0:29:32 > 0:29:35- All right.- Fire it.
0:29:36 > 0:29:38Get rid of it.
0:29:43 > 0:29:45Then we'll go to bed.
0:29:46 > 0:29:48Do anything you like.
0:29:49 > 0:29:51Just fire the gun, Arthur.
0:29:52 > 0:29:54Fire it.
0:29:56 > 0:29:57You go tell Polly...
0:30:00 > 0:30:03..there are rules between a man and women.
0:30:05 > 0:30:07Fucking rules.
0:30:13 > 0:30:15That I have to do this.
0:30:18 > 0:30:19I have to do it.
0:30:22 > 0:30:25John wants me to do it, Linda.
0:30:28 > 0:30:30My brother.
0:30:32 > 0:30:35And I'm going to do it.
0:31:22 > 0:31:24Was it fear, or was it hatred?
0:31:26 > 0:31:29- Was what fear or hatred?- Isaiah...
0:31:37 > 0:31:39You had a one way ticket to Glasgow in your pocket.
0:31:43 > 0:31:46Your wife and kids left three days ago.
0:31:47 > 0:31:50Now...I'm going to ask you again.
0:31:54 > 0:31:58Was it fear of the Italians, or hatred of us
0:31:58 > 0:32:02that made you unlock the door and give up my brother?
0:32:02 > 0:32:04I didn't unlock any door.
0:32:08 > 0:32:10Here, have a drink.
0:32:11 > 0:32:13You're going to need it.
0:32:17 > 0:32:2035 Drumcree Street, Parkhead, Glasgow...
0:32:20 > 0:32:23Please, please, please, please...
0:32:23 > 0:32:27We have allegiances with Catholic gangs in that city.
0:32:27 > 0:32:30Your family are safe only at my discretion.
0:32:31 > 0:32:35Now...explain to me...
0:32:35 > 0:32:38..why you were catching a midnight train to Glasgow.
0:32:40 > 0:32:41You mean you don't know?
0:32:43 > 0:32:46I run a factory full of blackleg, non-union labour.
0:32:46 > 0:32:50I live in a street full of men laid off or on strike.
0:32:51 > 0:32:53Look at this photograph, Mr Devlin,
0:32:53 > 0:32:55- and tell me who are the men who contacted you...- No.
0:32:55 > 0:32:57No, you listen to me.
0:32:57 > 0:32:59I get spat at,
0:32:59 > 0:33:02windows smashed, petrol on the curtains...
0:33:02 > 0:33:06..but, for fear of you, I clock in every fucking morning -
0:33:06 > 0:33:09and, today, two men are shot and burnt on my shift...
0:33:09 > 0:33:12..and you ask me why I'm getting the midnight train to Glasgow?
0:33:22 > 0:33:24Who else has the keys to that door?
0:33:24 > 0:33:27They hang on a hook inside my office.
0:33:28 > 0:33:30Today, I left the office unlocked.
0:33:30 > 0:33:34- Why?- Because I forgot. Because I left in a hurry.
0:33:34 > 0:33:37Because there were men trying to set fire to the factory!
0:33:39 > 0:33:42Mr Shelby, may I tell you something?
0:33:44 > 0:33:46You have a lot of enemies.
0:33:47 > 0:33:49Communists.
0:33:49 > 0:33:50Italians.
0:33:54 > 0:33:57Before the factory came out on strike,
0:33:57 > 0:34:01I heard word that two Italians attended a Communist Party meeting
0:34:01 > 0:34:04in Stechford. They hardly spoke English.
0:34:06 > 0:34:09Now, if they got a party man into the factory
0:34:09 > 0:34:12it might have been him that unlocked the door for them.
0:34:16 > 0:34:20Mr Shelby...my train leaves at 12.
0:34:20 > 0:34:23It's just gone 11. I could still make it.
0:34:26 > 0:34:29Please. For my kids.
0:34:36 > 0:34:37I need you here.
0:34:37 > 0:34:41Isaiah, get three of our men with police badges
0:34:41 > 0:34:44- to watch Mr Devlin's house. - Mr Shelby, please...
0:34:47 > 0:34:50Our friends in Glasgow will take care of your family.
0:34:52 > 0:34:54For the curtains.
0:34:55 > 0:34:59Before you, I was an ordinary working man.
0:34:59 > 0:35:02Yeah, and now you're one of us.
0:35:22 > 0:35:25MUSIC: Bye Bye Blackbird by Gene Austin
0:35:34 > 0:35:36SHE SINGS ALONG: # Blackbird, blackbird
0:35:36 > 0:35:39# Singing the blues all day
0:35:39 > 0:35:43# Right outside of my door... #
0:35:43 > 0:35:45MUSIC CONTINUES
0:35:58 > 0:36:00HE KNOCKS
0:36:02 > 0:36:03MUSIC STOPS
0:36:05 > 0:36:07Who is it?
0:36:07 > 0:36:08It's Tommy Shelby.
0:36:13 > 0:36:15Is this union business?
0:36:15 > 0:36:16Yes.
0:36:16 > 0:36:18So, conduct it in the proper place at the proper time.
0:36:18 > 0:36:20I've come to make an improved offer.
0:36:33 > 0:36:34I heard music.
0:36:36 > 0:36:38What's your improved offer?
0:36:38 > 0:36:40Do I not get a drink?
0:36:40 > 0:36:41No.
0:36:48 > 0:36:53- Have you ever seen any of the men in this photograph before?- What?
0:36:57 > 0:37:01You're a member of the Stechford Communist party.
0:37:01 > 0:37:04I'm told two Italian men attended a meeting recently.
0:37:04 > 0:37:07Can you see either of them in this picture?
0:37:11 > 0:37:13As the Small Heath coordinator
0:37:13 > 0:37:17of the Organisation for the Maintenance of Supplies,
0:37:17 > 0:37:19I have also been sworn in as a Special...
0:37:19 > 0:37:20SHE SIGHS
0:37:21 > 0:37:25We have reason to believe that outside agitators from overseas
0:37:25 > 0:37:28are attempting to foment trouble in our factories
0:37:28 > 0:37:30in advance of a General Strike,
0:37:30 > 0:37:32which could take place at any moment.
0:37:32 > 0:37:34This is a matter of national security.
0:37:36 > 0:37:37May I look at your badge?
0:37:39 > 0:37:40Yes.
0:37:51 > 0:37:53What would you like to drink, Constable?
0:37:53 > 0:37:55Whisky. And, actually, it's Sergeant.
0:37:55 > 0:37:58I only have beer. Times are hard.
0:37:58 > 0:38:01How long has it been since you've had a bottle of M&B bitter?
0:38:02 > 0:38:04Help yourself.
0:38:07 > 0:38:08Have a seat.
0:38:16 > 0:38:20You know, when this business began, I did some research on you.
0:38:20 > 0:38:23It turns out I know someone who used to know you very well.
0:38:25 > 0:38:26Kitty Jurossi.
0:38:30 > 0:38:33You were in love with Kitty's sister, Greta Jurossi,
0:38:33 > 0:38:35before the war. Do you remember Greta Jurossi?
0:38:37 > 0:38:39Her parents were Italian.
0:38:39 > 0:38:42They didn't approve of a Watery Lane Gypsy...
0:38:42 > 0:38:45..but you won them over. With your charm.
0:38:45 > 0:38:47Sweetness.
0:38:49 > 0:38:53Very... Very thorough research.
0:38:53 > 0:38:57Greta died at the age of 19. Of consumption...
0:38:59 > 0:39:03..and Kitty said you were at her bedside for three months.
0:39:03 > 0:39:05Every day. Holding her hand...
0:39:06 > 0:39:08..and after she died, you went away to war.
0:39:10 > 0:39:13Kitty said that the sweet boy who left never came back.
0:39:13 > 0:39:15No-one came back.
0:39:16 > 0:39:18Here's the funniest thing.
0:39:20 > 0:39:23She said, in those days, you believed in things.
0:39:23 > 0:39:25In justice. Fairness.
0:39:25 > 0:39:28Once you saw a man beating his horse, and you fought him.
0:39:28 > 0:39:30He was twice your size, but you beat him...
0:39:30 > 0:39:32..and then you beat him with his own whip.
0:39:34 > 0:39:36Kitty always liked to tell tall tales.
0:39:37 > 0:39:39She's a party member now.
0:39:40 > 0:39:42She swears before you enlisted in the army
0:39:42 > 0:39:44you joined the Communist Party yourself.
0:39:48 > 0:39:50Is that true?
0:39:56 > 0:39:58MUSIC STARTS
0:40:00 > 0:40:03When I was at the door,
0:40:03 > 0:40:05I saw you through the curtains.
0:40:06 > 0:40:08You were dancing alone.
0:40:11 > 0:40:14I've also done my research.
0:40:19 > 0:40:22Your sweetheart was at Passchendaele.
0:40:24 > 0:40:27When he came back, he was listed among the shellshocked.
0:40:28 > 0:40:30Blew his own fucking brains out.
0:40:39 > 0:40:41I don't know any men in the photo.
0:40:46 > 0:40:47You haven't looked.
0:40:49 > 0:40:51This afternoon, two men came into my factory
0:40:51 > 0:40:53and tried to kill my brother.
0:40:53 > 0:40:56I believe a Stechford Communist Party member let him in.
0:40:56 > 0:41:00I was wondering if you might be able to help me in my investigations.
0:41:06 > 0:41:10Kitty said next time I see you, before we start fighting,
0:41:10 > 0:41:13I should send you her love from the good old days...
0:41:13 > 0:41:15..and give you this.
0:41:17 > 0:41:21Greta Jurossi and Tommy Shelby in Blackpool.
0:41:31 > 0:41:34Do you recognise the boy in the photograph?
0:41:57 > 0:41:58I'll leave that here.
0:42:03 > 0:42:05Apologies for interrupting your dance.
0:42:45 > 0:42:49# I wish
0:42:51 > 0:42:56# I wish
0:42:57 > 0:43:02# But it's all in vain
0:43:02 > 0:43:06# I wish I was
0:43:06 > 0:43:10# A maid again
0:43:10 > 0:43:14# But a maid again
0:43:14 > 0:43:20# I never can be
0:43:21 > 0:43:27# Till apples grow... #
0:43:27 > 0:43:32Arthur, I need you to listen to me.
0:43:33 > 0:43:36I need you to listen to me, Arthur.
0:43:39 > 0:43:41The world is changing.
0:43:44 > 0:43:46Listen to me, Arthur.
0:43:48 > 0:43:52Listen to the sweet voice of Jesus.
0:44:52 > 0:44:54- Finn?- It came from Arthur's house.
0:44:56 > 0:44:57- HE BANGS ON DOOR - Arthur.
0:45:00 > 0:45:01Arthur.
0:45:01 > 0:45:03Where is he?
0:45:05 > 0:45:06Arthur?
0:45:07 > 0:45:09He fired the bullet.
0:45:12 > 0:45:13Linda...
0:45:15 > 0:45:18..says it's the modern way, so...
0:45:21 > 0:45:23It's the modern way.
0:45:23 > 0:45:27Yeah. Yeah. Yeah, it's all right.
0:45:29 > 0:45:31It's all right, brother.
0:45:37 > 0:45:38You did well.
0:45:38 > 0:45:40God spoke to him, not me.
0:46:05 > 0:46:07What are you doing here?
0:46:07 > 0:46:09On Mondays, I do the inventory.
0:46:09 > 0:46:11Make sure nobody's dipping their hand.
0:46:11 > 0:46:15Well, it's now my job now.
0:46:16 > 0:46:18I'm back -
0:46:18 > 0:46:20and there's going to be nobody dipping their hand with me here,
0:46:20 > 0:46:22not unless they want it cut off.
0:46:22 > 0:46:25DOOR OPENS AND CLOSES
0:46:34 > 0:46:36I said to Arthur, while I'm in this fucking place,
0:46:36 > 0:46:38I want something to keep my mind busy.
0:46:38 > 0:46:40What? You're going to take bets?
0:46:40 > 0:46:42I've always been able to do addition and subtraction
0:46:42 > 0:46:44without pen and paper -
0:46:44 > 0:46:45but I'll need a telephone.
0:46:45 > 0:46:49Apparently, we have special clients who take bets by telephone.
0:46:49 > 0:46:50Linda?
0:46:52 > 0:46:54This is a betting shop.
0:46:54 > 0:46:56Look...
0:46:56 > 0:46:58..Arthur said yes. Tommy said yes.
0:46:58 > 0:47:01But did God say yes? Gambling is a sin, Linda.
0:47:01 > 0:47:03It's not me that's doing the gambling.
0:47:03 > 0:47:06I'm just taking the bets.
0:47:15 > 0:47:18The rule is that door should always remain locked until 9am.
0:47:21 > 0:47:24Right. Boy. Boy, where are you going?
0:47:24 > 0:47:27Well, Arthur's not coming in today. He's taking the day off.
0:47:27 > 0:47:30- So...- So what?
0:47:30 > 0:47:33So, today, Tommy said that I'm in charge.
0:47:33 > 0:47:34Sorry, you're in charge?
0:47:36 > 0:47:38Yeah. That's what he said.
0:47:42 > 0:47:44All right, sweetheart.
0:47:47 > 0:47:54Ladies, let's give our boss a first day that he'll never forget.
0:48:04 > 0:48:06Sending Finn to the shop was a mistake.
0:48:06 > 0:48:10They've already found out he's a virgin and they're arranging
0:48:10 > 0:48:11a girl for him this afternoon.
0:48:11 > 0:48:13I thought Linda was there.
0:48:13 > 0:48:15She is. She loved the idea.
0:48:17 > 0:48:19Yeah, I know. She even swears now.
0:48:19 > 0:48:22"Fuck" sounds funny coming from her.
0:48:22 > 0:48:24Polly says in the end we all turn into our mother.
0:48:24 > 0:48:27Ah, well, keep an eye on her.
0:48:29 > 0:48:31The whore watching the Madonna.
0:48:31 > 0:48:35- Does Finn know what they've planned?- No.
0:48:35 > 0:48:37Do they have someone?
0:48:37 > 0:48:40Yes. A girl I used to work with.
0:48:42 > 0:48:46- Is she nice?- No. She's from Aston.
0:48:46 > 0:48:48They're paying her out of petty cash.
0:48:48 > 0:48:54Right, well, call 'em and tell them to pay extra and get someone nice.
0:48:55 > 0:49:00- Nice women don't do that sort of thing.- Yes, they do. What about you?
0:49:03 > 0:49:06I mean, in the past. Come on.
0:49:06 > 0:49:07Where are we going?
0:49:07 > 0:49:10Somewhere I've not been in a long time.
0:49:14 > 0:49:18WILDFOWL CALL AND SQUAWK
0:49:28 > 0:49:30Are we expecting somebody?
0:49:33 > 0:49:36Tommy, I'm fucking freezing here.
0:49:38 > 0:49:40We used to come here.
0:49:43 > 0:49:46She'd wait for hours for me, when I couldn't make it...
0:49:48 > 0:49:52..and I'd wait for her, if her family kept her in.
0:49:54 > 0:49:55Who?
0:49:58 > 0:49:59Some girl.
0:50:01 > 0:50:02Some girl before France.
0:50:07 > 0:50:09I've not been back here since...
0:50:16 > 0:50:18..but I wanted to come here with you.
0:50:30 > 0:50:32Are you kissing her or me?
0:50:35 > 0:50:36You.
0:51:22 > 0:51:24I want Shelby Company Limited
0:51:24 > 0:51:29to increase non-taxable charitable contributions to local charities
0:51:29 > 0:51:31by 25% as of now...
0:51:32 > 0:51:37..and I'm going to build two new institutes for destitute children.
0:51:37 > 0:51:40One in Saltley, one in Digbeth.
0:51:40 > 0:51:42I've already identified the buildings.
0:51:42 > 0:51:44Two former workhouses.
0:51:46 > 0:51:48I want you to be in charge of the project.
0:51:50 > 0:51:52Right, come on, let's go.
0:51:52 > 0:51:53Why?
0:52:01 > 0:52:04Because I promised someone I was going to change the world.
0:52:08 > 0:52:11You do realise, Tommy, we're all going fucking mad here.
0:52:11 > 0:52:15Yeah, I know. Come on.
0:52:28 > 0:52:30Finn? Come here.
0:52:35 > 0:52:36How was your day?
0:52:36 > 0:52:38Yeah, it was OK.
0:52:39 > 0:52:41Good man. Well done.
0:52:41 > 0:52:43No trouble?
0:52:43 > 0:52:45No. No trouble.
0:52:47 > 0:52:48And she looked after you?
0:52:53 > 0:52:56I don't want it like that ever again, Tom.
0:52:56 > 0:53:00Not when they don't even want to do it, except for the money.
0:53:01 > 0:53:05- Everything's for the money, Finn. - Yeah, I know. But, er...
0:53:07 > 0:53:09She said "be a man".
0:53:11 > 0:53:12And were you a man?
0:53:13 > 0:53:14Yeah...
0:53:16 > 0:53:20..but then I apologised to her, cos she just looked so tired.
0:53:23 > 0:53:25Sit down, Finn.
0:53:29 > 0:53:33Right, listen to me, Finn. She was right.
0:53:34 > 0:53:36You need to be a fucking man.
0:53:37 > 0:53:38People get tired.
0:53:38 > 0:53:41Working in a fucking factory gets you tired.
0:53:41 > 0:53:44I don't go round apologising. Do I?
0:53:44 > 0:53:45No.
0:53:45 > 0:53:47There's an empty space here to be filled.
0:53:47 > 0:53:51- Do you understand?- Yeah.
0:53:51 > 0:53:53So, be a fucking man.
0:53:56 > 0:53:57OK, Tom.
0:54:41 > 0:54:43- Champagne, please.- Of course.
0:54:45 > 0:54:51Madam, women alone are not allowed at the bar.
0:54:51 > 0:54:53Will someone be joining you?
0:54:53 > 0:54:55What do you think?
0:55:40 > 0:55:42This is public enough, no?
0:55:44 > 0:55:46Yes.
0:55:48 > 0:55:49So?
0:55:51 > 0:55:54The boy in the hospital is out of bounds...
0:55:54 > 0:55:56..and I'll ask you to spare Finn and Arthur.
0:55:59 > 0:56:01In return for what?
0:56:06 > 0:56:07Tommy Shelby.
0:56:14 > 0:56:16And, er, why should I trust you?
0:56:18 > 0:56:20Because you know our history.
0:56:22 > 0:56:25You know what happened between us.
0:56:27 > 0:56:30You are an unlikely Cassius.
0:56:38 > 0:56:41You know, my mother...
0:56:41 > 0:56:43My mother knew your mother.
0:56:45 > 0:56:48She taught her how to read.
0:56:50 > 0:56:53Did she tell you that John and Arthur spared her life?
0:56:53 > 0:56:55When Tommy wanted her dead.
0:56:57 > 0:57:00Yeah - and now she's giving me the information about you people.
0:57:02 > 0:57:05So, Tommy Shelby was right.
0:57:07 > 0:57:13His ruthlessness...was justified.
0:57:15 > 0:57:18You should have killed her when you had the chance.
0:57:20 > 0:57:22John was a good boy.
0:57:25 > 0:57:27Arthur tries.
0:57:29 > 0:57:31Tommy's different.
0:57:33 > 0:57:36You take Tommy. Spare the rest.
0:57:40 > 0:57:46You know, my mother used to say this about you.
0:57:47 > 0:57:50She said, "That Polly Gray,
0:57:50 > 0:57:54"that child would never let go of a grievance...
0:57:59 > 0:58:01"..and she loves to dance."
0:58:06 > 0:58:08What do you say, hm?
0:58:08 > 0:58:10You want to dance?
0:58:16 > 0:58:17I don't dance any more.
0:58:20 > 0:58:22Yeah, that's a shame...
0:58:29 > 0:58:31..cos you're dancing with me.