0:00:02 > 0:00:03- Did you invite Quirke by the way?- I did.
0:00:03 > 0:00:06He'd rather be propping up the bar in McGonagle's
0:00:06 > 0:00:08than celebrating his father's honour.
0:00:08 > 0:00:10Some people are not meant to have children.
0:00:10 > 0:00:11And who decides that, Garret?
0:00:11 > 0:00:14I've been awake half the night, worrying about Phoebe.
0:00:14 > 0:00:17You're not thinking of running away again, are you?
0:00:17 > 0:00:19Maybe I'll elope with you.
0:00:19 > 0:00:21You have to tell her she's your child, Quirke.
0:00:21 > 0:00:23What do you mean, Delia died?
0:00:23 > 0:00:25She died having you, Phoebe.
0:00:25 > 0:00:27You gave me away.
0:00:27 > 0:00:28I'm sorry.
0:02:03 > 0:02:04KNOCK AT DOOR
0:02:07 > 0:02:09Morning, Dr Quirke.
0:02:10 > 0:02:13Ready when you are.
0:02:13 > 0:02:14Yes.
0:02:16 > 0:02:18DOOR CLOSES
0:02:55 > 0:02:57HE SIGHS
0:03:00 > 0:03:03The deceased... Mrs Millican.
0:03:03 > 0:03:04Mrs Millican.
0:03:07 > 0:03:10Do you want me to call the morgue to collect?
0:03:10 > 0:03:12No, put her in the cold room until we find out what killed her.
0:03:14 > 0:03:15I've got to go out tonight
0:03:15 > 0:03:18so I'll leave you with the paperwork, all right?
0:03:22 > 0:03:24Sarah!
0:03:24 > 0:03:27I can't find my dress shoes, what have you done with them?
0:03:27 > 0:03:28Do you mean have I hidden them?
0:03:28 > 0:03:30Oh, don't be ridiculous!
0:03:30 > 0:03:32Try the bottom of the wardrobe.
0:03:32 > 0:03:35Damn things take on a life of their own.
0:03:40 > 0:03:42Phoebe!
0:03:42 > 0:03:43Yes?
0:03:43 > 0:03:46You know your father doesn't like to see you drinking.
0:03:47 > 0:03:50Well, he won't have to worry about that much longer.
0:03:50 > 0:03:52I'm going to find a place of my own.
0:03:53 > 0:03:55INDISTINCT CHATTER
0:04:00 > 0:04:02Ah, could I have another?
0:04:06 > 0:04:09Hello, Mal, Sarah.
0:04:09 > 0:04:10Would you like a drink?
0:04:10 > 0:04:14I'm not leaning on the bar like some...farmer.
0:04:14 > 0:04:15Oh.
0:04:15 > 0:04:19- Let's sit down over there, shall we? - Mal, I'm all right here.
0:04:22 > 0:04:23It's Phoebe.
0:04:23 > 0:04:26This is all your bloody doing, of course.
0:04:26 > 0:04:28If you'd left things be, she'd be back at the College of Surgeons now
0:04:28 > 0:04:31instead of working in a damned hat shop!
0:04:31 > 0:04:33But YOU just had to tell her the truth.
0:04:33 > 0:04:34Don't blame Sarah.
0:04:34 > 0:04:36It was my fault.
0:04:36 > 0:04:38No, don't give me that.
0:04:38 > 0:04:39The pair of you are in it together
0:04:39 > 0:04:42and neither of you thought EVER to consult me...
0:04:42 > 0:04:44- Oh, so that's what all this is about.- We're all to blame.
0:04:46 > 0:04:48The thing is, what are we going to do about it?
0:04:48 > 0:04:50We don't have to do anything.
0:04:50 > 0:04:52We just have to show that we support her.
0:04:52 > 0:04:56I mean, she's 20 years old, she's not a child.
0:04:56 > 0:04:58She wants to live her life
0:04:58 > 0:05:00and why the hell shouldn't she?
0:05:00 > 0:05:04Oh, yes, do nothing. Always your favourite option.
0:05:04 > 0:05:05Quirke!
0:05:05 > 0:05:07Dr Quirke.
0:05:08 > 0:05:10Do you not remember me?
0:05:11 > 0:05:14I was a student of yours 20 years ago, remember?
0:05:14 > 0:05:18- I-I'm afraid I-I don't... - Ah, come on now, Dr Quirke!
0:05:18 > 0:05:20Billy Hunt?
0:05:20 > 0:05:22You used to say it sounded like rhyming slang.
0:05:25 > 0:05:29Billy Hunt. Yes, of course I remember. How are you?
0:05:29 > 0:05:30Good to meet you again.
0:05:30 > 0:05:33- You used to play rugby, didn't you? - I still do, for my sins.
0:05:33 > 0:05:36Touch old for it now, but I can still work up a bit of a trot.
0:05:36 > 0:05:39And this is, er, your brother, I take it?
0:05:39 > 0:05:41How do you do?
0:05:41 > 0:05:45- Um, this is my wife Sarah. - How do you do, Doctor Hunt?
0:05:45 > 0:05:48Ah, no. Just plain old Mr.
0:05:48 > 0:05:51I dropped out of medicine, I didn't have the stomach for it.
0:05:51 > 0:05:53I'm in pharmaceuticals now.
0:05:53 > 0:05:57Bloss Kugelman. Plenty of travelling, all over Europe
0:05:57 > 0:05:59and good money too, you'd be surprised.
0:05:59 > 0:06:01You have to excuse us.
0:06:02 > 0:06:04Very nice to meet you.
0:06:04 > 0:06:07- Anyway, thought I'd come to this and look up some of the old crowd.- Yes.
0:06:07 > 0:06:10- Well, I have to... - Ah, don't go yet, Quirke.
0:06:10 > 0:06:12You've got to meet the wife.
0:06:12 > 0:06:13Deirdre!
0:06:19 > 0:06:22This...is the great Dr Quirke, Deirdre.
0:06:22 > 0:06:25- City Pathologist he is now!- Hello.
0:06:25 > 0:06:27Hello.
0:06:27 > 0:06:28I can see what you're thinking.
0:06:28 > 0:06:32Where would an ugly old skin like me find a beauty like this one?
0:06:32 > 0:06:34He found me in the chemist shop.
0:06:34 > 0:06:36I did! I did.
0:06:36 > 0:06:38And she's not just a pretty face!
0:06:38 > 0:06:40There's a good little head on her.
0:06:40 > 0:06:43She has her own business, beauty parlour down on Anne Street.
0:06:43 > 0:06:44Silver Swan we call it.
0:06:44 > 0:06:47- Doing very well there, too.- Perhaps your wife would like to come in?
0:06:47 > 0:06:51Well, actually I... I don't have a wife.
0:06:51 > 0:06:52Well, we do manicures for men.
0:06:52 > 0:06:55Well, thank you but...
0:06:55 > 0:06:57I don't think I'm that kind of man.
0:06:57 > 0:06:59I didn't really think you were.
0:06:59 > 0:07:01Look. It's Tommy Marsh!
0:07:01 > 0:07:03It's great to see you, Quirke. We'll have a drink one day soon.
0:07:03 > 0:07:05Yes, we will, Billy.
0:07:05 > 0:07:07Tommy!
0:07:11 > 0:07:12Goodbye.
0:07:24 > 0:07:25SEAGULLS CRY
0:07:27 > 0:07:29All set?
0:07:29 > 0:07:31Will I give you a lift to the salon?
0:07:31 > 0:07:32No, I'm not ready.
0:07:32 > 0:07:34Ah, well.
0:07:34 > 0:07:36I best hit the road then, so.
0:07:36 > 0:07:38- Do you have your passport?- I have.
0:07:38 > 0:07:42- Did you tell them I want to look at the books when I get back?- I did.
0:07:42 > 0:07:45There's nothing to worry about, Billy.
0:07:45 > 0:07:48- We're doing fine. - Did I say I was worried?
0:07:50 > 0:07:52Come on, now.
0:07:54 > 0:07:56My little angel.
0:07:56 > 0:07:58I wish I didn't have to go at all.
0:07:59 > 0:08:00You'll be back soon enough.
0:08:00 > 0:08:02Can't be too soon for me.
0:08:37 > 0:08:39Mrs Griffin.
0:08:41 > 0:08:42That's fine, take a seat.
0:09:08 > 0:09:09Sarah.
0:09:11 > 0:09:12Hello.
0:09:12 > 0:09:15Wh-what are you doing here?
0:09:16 > 0:09:19I just didn't want Mal to know.
0:09:22 > 0:09:24He takes everything so seriously.
0:09:24 > 0:09:26He gets so worried.
0:09:26 > 0:09:28Wh-what's wrong?
0:09:28 > 0:09:31Oh...headaches...
0:09:33 > 0:09:35A really bad one.
0:09:36 > 0:09:38Sometimes so bad that I...
0:09:39 > 0:09:42Well, whole days go by and I...
0:09:43 > 0:09:45Who have you been seeing?
0:09:45 > 0:09:47- Fitzgerald.- And?
0:09:47 > 0:09:49He's running ECGs and, um...
0:09:51 > 0:09:52..X-rays and...
0:09:53 > 0:09:56..he says he can't find anything wrong.
0:09:59 > 0:10:01I think...what you need...
0:10:01 > 0:10:04is a good holiday.
0:10:04 > 0:10:06Yes.
0:10:08 > 0:10:10I think we both need a good holiday.
0:10:12 > 0:10:14Where would we go?
0:10:14 > 0:10:18- Rome, Florence?- Mm.
0:10:18 > 0:10:19Verona.
0:10:22 > 0:10:26- What would I say to Mal?- You can tell him you're going to Verona with me.
0:10:31 > 0:10:33Sarah...
0:10:34 > 0:10:38..you know where I am if you ever need to talk to me about anything.
0:10:43 > 0:10:44I know.
0:11:07 > 0:11:09I'm sorry, Mrs Cuffe-Wilkes.
0:11:09 > 0:11:13Punctuality is the politeness of princes, Miss Griffin.
0:11:13 > 0:11:14Yes, Mrs Cuffe-Wilkes.
0:11:14 > 0:11:17But now that you are here, you can do me a message.
0:11:17 > 0:11:21I've run out of rose-water for the tissue paper.
0:11:35 > 0:11:38Kiehl's rose-water, I'd better write that down.
0:11:38 > 0:11:42- Would be a tragedy if I got it wrong, wouldn't it?- Hardly that.
0:11:42 > 0:11:43Oh, I don't know.
0:11:43 > 0:11:48Little things mean a lot. That's a song, isn't it?
0:11:48 > 0:11:51# Blow me a kiss from across the room
0:11:51 > 0:11:53# Say I look nice when I'm not
0:11:53 > 0:11:57# Touch my hair as you pass my chair
0:11:57 > 0:12:01# Little things mean a lot. #
0:12:01 > 0:12:05Kiehl's rose-water. And your name is?
0:12:05 > 0:12:07- Um, Griffin.- Griffin.
0:12:08 > 0:12:10- Miss or Mrs?- Miss.
0:12:10 > 0:12:12Splendid. Telephone number?
0:12:12 > 0:12:15147-749.
0:12:15 > 0:12:18- And is that a daytime number? - Yes, it's the hat shop.
0:12:18 > 0:12:20Maison de Chapeaux.
0:12:20 > 0:12:21Maison de Chapeaux!
0:12:21 > 0:12:24Tell me, how is Mrs Cuffe-Wilkes?
0:12:24 > 0:12:26She's all right.
0:12:27 > 0:12:30I could tell you a thing or two about that one.
0:12:30 > 0:12:33Right, well, we'll give you a ring very soon.
0:12:34 > 0:12:36I'm sure we'll be able to help you one way or another.
0:12:36 > 0:12:39Thank you.
0:12:39 > 0:12:41- Goodbye.- Au revoir.
0:12:43 > 0:12:45Who was that?
0:12:45 > 0:12:50A Miss Griffin, very nice young lady, works in the hat shop.
0:12:50 > 0:12:53You don't want a nice, young lady, Leslie, you want me.
0:12:55 > 0:12:57Come on.
0:12:57 > 0:12:58Let's take the afternoon off.
0:13:06 > 0:13:07KNOCKS ON GLASS
0:13:12 > 0:13:14Dr Quirke.
0:13:14 > 0:13:16Dr Sinclair.
0:13:18 > 0:13:21I used to be afraid of those things when I was a little lad.
0:13:22 > 0:13:25My auntie had one and she'd pretend to give me a nip with it.
0:13:25 > 0:13:28I always thought she'd take off the end of my nose.
0:13:28 > 0:13:32So, any joy?
0:13:32 > 0:13:35Ah, carbromal and bromvaletone in quantities
0:13:35 > 0:13:39that suggest she took an overdose of sleeping medication.
0:13:39 > 0:13:42And...diamorphine, which I can't really account for.
0:13:42 > 0:13:44- That's heroin. - Thank you, Dr Sinclair.
0:13:44 > 0:13:46See, there's no underlying pathology,
0:13:46 > 0:13:49so I'd say that she wasn't taking it for pain relief.
0:13:49 > 0:13:51We were just looking for needle marks.
0:13:51 > 0:13:53I wouldn't have thought she was the type.
0:13:53 > 0:13:55I don't think there's any particular type.
0:13:55 > 0:13:57See, there's no nasal inflammation,
0:13:57 > 0:13:59which means she was taking it orally.
0:13:59 > 0:14:01Suicide or accident, would you say?
0:14:01 > 0:14:03Hard to tell.
0:14:03 > 0:14:06I mean, with that combination of drugs, it could be a mistake.
0:14:06 > 0:14:07She was a long way from home.
0:14:07 > 0:14:09Well, if it was me...
0:14:09 > 0:14:13I'd lose myself in the mountains, do it there.
0:14:13 > 0:14:15You've thought about it, then?
0:14:15 > 0:14:17Haven't we all?
0:14:17 > 0:14:18Not me, Dr Quirke.
0:14:19 > 0:14:22So, you don't suspect foul play?
0:14:22 > 0:14:24It's too early to tell.
0:14:25 > 0:14:28I'd like to find out what it is that she took, though.
0:14:28 > 0:14:30Any bottles or pills found in the car?
0:14:30 > 0:14:34If there were, they'd be impounded as evidence. Let me look into it.
0:14:34 > 0:14:35KEYS JANGLE
0:14:41 > 0:14:43Bloody hell!
0:14:43 > 0:14:45Do you need a hand with that?
0:14:45 > 0:14:47Hello again!
0:14:47 > 0:14:48Yes, thank you. Bloody door slammed shut
0:14:48 > 0:14:50and Mrs Hunter's gone home. Would you mind?
0:14:50 > 0:14:53Keys are in my jacket pocket just there.
0:14:55 > 0:14:57Thank you.
0:14:58 > 0:15:00That's the ticket.
0:15:00 > 0:15:02Now don't run away.
0:15:07 > 0:15:08Dr Quirke!
0:15:10 > 0:15:11Just on my way home.
0:15:13 > 0:15:15Where'd you find it?
0:15:15 > 0:15:17In the car. I didn't give it to you, all right?
0:15:17 > 0:15:20- It's not proper procedure. - So, why are you?
0:15:20 > 0:15:22If I followed proper procedure in every case,
0:15:22 > 0:15:23I'd never get anything done.
0:15:25 > 0:15:26It's got no label on it.
0:15:26 > 0:15:29But there's some residue left at the bottom.
0:15:30 > 0:15:33This will be very helpful. Thanks.
0:15:33 > 0:15:35- Let me know what you find.- I will.
0:15:35 > 0:15:38I won't take up any more of your evening, Dr Quirke.
0:15:38 > 0:15:40Oh, Inspector, um...
0:15:40 > 0:15:43I was going to go for a drink, if, er...
0:15:45 > 0:15:49- Well, we've reached a respectable hour.- Right.
0:15:51 > 0:15:53INDISTINCT CHATTER
0:15:58 > 0:16:01So, what's it to be?
0:16:01 > 0:16:02Gin and tonic.
0:16:02 > 0:16:04Gin and tonic, that's my girl.
0:16:04 > 0:16:05Make that two, please.
0:16:05 > 0:16:07More tonic than gin, Miss Griffin?
0:16:10 > 0:16:12All the vices.
0:16:12 > 0:16:15I approve, Miss Griffin.
0:16:15 > 0:16:17Phoebe.
0:16:18 > 0:16:20Phoebe.
0:16:22 > 0:16:24Tell me, Phoebe,
0:16:24 > 0:16:27any relation to the illustrious Judge Griffin?
0:16:27 > 0:16:29His granddaughter.
0:16:29 > 0:16:32Ah! Oh, well.
0:16:33 > 0:16:36So, what are you doing working in a shop?
0:16:38 > 0:16:41You're not one of nature's shop girls, I can tell.
0:16:41 > 0:16:43Slumming it, are we?
0:16:45 > 0:16:47I was studying to be a doctor, but then...
0:16:49 > 0:16:51It's a long story.
0:16:51 > 0:16:53Good, I like long stories.
0:16:59 > 0:17:01The hat shop suits me fine.
0:17:08 > 0:17:10Phoebe.
0:17:10 > 0:17:11Hello, Quirke.
0:17:16 > 0:17:20Leslie White, proprietor of the Silver Swan around the corner.
0:17:21 > 0:17:22And you are?
0:17:23 > 0:17:24Quirke.
0:17:26 > 0:17:27What's this?
0:17:27 > 0:17:30Miss Griffin was kind enough to give me a helping hand
0:17:30 > 0:17:33and I'm repaying her with a drink. Is that all right with you?
0:17:33 > 0:17:35- Let me buy you one.- No, thanks.
0:17:35 > 0:17:38Sarah says that you're leaving home.
0:17:38 > 0:17:40What if I am?
0:17:42 > 0:17:43She's worried about you.
0:17:43 > 0:17:46She has no need to be. I can look after myself.
0:17:48 > 0:17:50Now, if you don't mind, Quirke?
0:17:56 > 0:17:58Another time, then.
0:17:58 > 0:18:00- Golly, who was that?- No-one.
0:18:01 > 0:18:03A man I used to know.
0:18:07 > 0:18:08Leaving home, eh?
0:18:10 > 0:18:11Yes.
0:18:11 > 0:18:13And where are you off to?
0:18:13 > 0:18:15I don't really know.
0:18:15 > 0:18:19- I haven't found a place yet.- Well, this might just be your lucky day.
0:18:19 > 0:18:21I happen to know of a place that might suit you,
0:18:21 > 0:18:22it's just around the corner as well.
0:18:22 > 0:18:24Let me write the address down for you.
0:18:38 > 0:18:39Friends of yours?
0:18:39 > 0:18:41Er, family.
0:18:41 > 0:18:42Uh..
0:18:44 > 0:18:46It's my, er...
0:18:46 > 0:18:49- my niece.- Ah.
0:18:58 > 0:19:00Thank you for coming in, Mr Millican.
0:19:00 > 0:19:03Just through here. I'm very sorry for your loss.
0:19:07 > 0:19:08DOOR BANGS
0:19:08 > 0:19:10Now, Mr Millican...
0:19:12 > 0:19:14..Dr Quirke's postmortem examination
0:19:14 > 0:19:17seems to suggest your wife had been taking
0:19:17 > 0:19:20sleeping pills and painkillers for some time.
0:19:21 > 0:19:23Did she have trouble sleeping?
0:19:23 > 0:19:25Mm, sometimes.
0:19:25 > 0:19:30She had, um...problems with her nerves.
0:19:31 > 0:19:34And why would she have needed to take the painkillers?
0:19:37 > 0:19:38I don't know.
0:19:39 > 0:19:42She didn't tell me about anything like that.
0:19:44 > 0:19:45Mr Millican, as things stand,
0:19:45 > 0:19:51Dr Quirke can't tell whether your wife committed suicide
0:19:51 > 0:19:54or died from an accidental overdose.
0:19:54 > 0:19:57Anything you can tell us will help us determine which it was.
0:19:58 > 0:20:00Will we be able to avoid an inquest?
0:20:02 > 0:20:03I doubt that.
0:20:03 > 0:20:05I can't have the coroner putting it on record
0:20:05 > 0:20:07that Geraldine killed herself.
0:20:09 > 0:20:10Ta-da!
0:20:12 > 0:20:14Where did you get them?
0:20:14 > 0:20:16She gave them to me.
0:20:20 > 0:20:21They're disgusting.
0:20:23 > 0:20:24Yes, they are, aren't they?
0:20:26 > 0:20:27Who is she?
0:20:27 > 0:20:29Just a woman I used to know.
0:20:29 > 0:20:32I better not tell you her name, you'd be shocked.
0:20:32 > 0:20:35Awfully good sport, though, wouldn't you say?
0:20:35 > 0:20:37Why did she give them to you, how could she?
0:20:37 > 0:20:39Well, I suppose she's a bit of an exhibitionist
0:20:39 > 0:20:41and she thought I might like them.
0:20:41 > 0:20:43Of course, she didn't think I'd show them to you.
0:20:43 > 0:20:45Which you shouldn't have.
0:20:46 > 0:20:48No, I suppose not.
0:20:51 > 0:20:54- But you're glad I did, aren't you? - I am not!
0:20:59 > 0:21:02You're terrible, what you've turned me into.
0:21:02 > 0:21:04I used to be a good girl, you know?
0:21:05 > 0:21:08I don't believe you've ever been a VERY good girl, Deirdre.
0:21:20 > 0:21:23Billy thinks I'm a good girl.
0:21:24 > 0:21:26Thinks I'm his angel.
0:21:26 > 0:21:28If only he knew.
0:21:32 > 0:21:36- Give us one of your pills, will you? - Don't you think you're getting
0:21:36 > 0:21:38a little too keen on those pills, Deirdre?
0:21:38 > 0:21:40Well, if I am, we know whose fault that is.
0:21:45 > 0:21:47Come on, Leslie.
0:21:49 > 0:21:50Don't tease me.
0:21:55 > 0:21:56I don't have any.
0:21:57 > 0:21:58You keep taking them all.
0:22:04 > 0:22:07(I'm sorry. I just...
0:22:09 > 0:22:10(I...)
0:22:13 > 0:22:16I hate the feeling in my hands that starts coming to me when I get...
0:22:16 > 0:22:18For Christ's sake!
0:22:19 > 0:22:21I can't stay here all afternoon.
0:22:27 > 0:22:29All right.
0:22:30 > 0:22:33Go down to Harcourt Street, number 24, ground floor flat.
0:22:34 > 0:22:38Chap called Hakim Kreutz will sort you out with a little something.
0:22:40 > 0:22:43- I don't like until I see. - Don't be silly.
0:22:44 > 0:22:47You needn't be afraid of Hakim. He's an absolute sweetie.
0:22:50 > 0:22:51He'd adore you.
0:22:51 > 0:22:55He does spiritual healing as well and I think in your case
0:22:55 > 0:22:57he'll absolutely insist on it.
0:22:59 > 0:23:01CHILDREN SHOUT
0:23:07 > 0:23:08Good afternoon.
0:23:08 > 0:23:11- Dr Kreutz.- Yes?
0:23:11 > 0:23:12Leslie sent me.
0:23:12 > 0:23:13Ah, yes.
0:23:15 > 0:23:18Come in. Come in, please. Come in.
0:23:18 > 0:23:20Sit down, relax.
0:23:20 > 0:23:23- This is most...most pleasant. - LOCKS DOOR
0:23:23 > 0:23:26And how may I help you today?
0:23:26 > 0:23:29I was hoping that...
0:23:30 > 0:23:33Do you have any of that relaxant that you give to Leslie?
0:23:33 > 0:23:35- I-I can pay for it.- No!
0:23:35 > 0:23:37No, my dear, I-I'm not a drug dealer.
0:23:38 > 0:23:42I keep only a small supply for the purpose of relaxation.
0:23:44 > 0:23:48But, um, if you like, we might come to an arrangement?
0:23:49 > 0:23:51What sort of an arrangement?
0:23:51 > 0:23:53Oh, no, no. Nothing to alarm.
0:23:53 > 0:23:56There is perhaps a small favour you might grant me.
0:23:57 > 0:23:59What?
0:23:59 > 0:24:01I would like to take your photograph.
0:24:01 > 0:24:07You see, this is my work, on the wall, yes?
0:24:07 > 0:24:08I'm a serious photographer.
0:24:08 > 0:24:11And you are a most beautiful woman.
0:24:12 > 0:24:16- You mean, nudie pictures? - Yes, of course.
0:24:16 > 0:24:20The body is nothing to be ashamed of, especially one so beautiful.
0:24:21 > 0:24:24And the photographs would be tasteful, and not for display,
0:24:24 > 0:24:25or sale.
0:24:25 > 0:24:27Just for my private collection.
0:24:31 > 0:24:33And you wouldn't want anything else?
0:24:34 > 0:24:35No.
0:24:37 > 0:24:39No. I'm a professional man.
0:24:39 > 0:24:42And a most serious artist.
0:24:45 > 0:24:48So, um...perhaps today?
0:24:53 > 0:24:56A little something to relax you.
0:24:58 > 0:24:59Hmm, yes?
0:25:03 > 0:25:04Yes?
0:25:08 > 0:25:10All right.
0:25:10 > 0:25:11Yes.
0:25:14 > 0:25:16And a little water.
0:25:39 > 0:25:41FOOTSTEPS APPROACHING
0:25:50 > 0:25:52STAMPS FOOT
0:25:53 > 0:25:56I don't want to interrupt you, Quirke.
0:25:56 > 0:25:59I was a bit short with you the other night.
0:26:01 > 0:26:04Meant to catch up with you later, but you'd gone.
0:26:04 > 0:26:06It was all a mess. What can I say?
0:26:09 > 0:26:11Phoebe's taken a room on Harcourt Street.
0:26:13 > 0:26:14Moving in today.
0:26:14 > 0:26:16On Harcourt Street?
0:26:18 > 0:26:21- I worry she has a taste for the low life...- Inherited from me, no doubt.
0:26:21 > 0:26:23I didn't say that.
0:26:24 > 0:26:26What do you want from me, Mal?
0:26:26 > 0:26:30We thought you might keep an eye on her. She's...
0:26:31 > 0:26:33Well, she's not talking to us.
0:26:33 > 0:26:37I'll do my best, but...she's not really talking to me either.
0:26:37 > 0:26:39Right.
0:26:41 > 0:26:44She's the only child I've ever had, Quirke.
0:26:45 > 0:26:48And I worry about the Judge.
0:26:49 > 0:26:51- You need to forgive him. - Forgive him?
0:26:51 > 0:26:53He's not getting any younger.
0:26:53 > 0:26:55And he's...
0:26:55 > 0:26:57he's ALWAYS asking about you.
0:26:57 > 0:27:00Well, he knows where I am if he wants to find me.
0:27:02 > 0:27:04I've invited him round for some dinner tonight.
0:27:06 > 0:27:10- Will you do that? - No, I won't do that. No, no.
0:27:10 > 0:27:12Do it for me, then.
0:27:13 > 0:27:15Will you do it for me?
0:27:15 > 0:27:19I never ask you for anything, do I?
0:27:22 > 0:27:26- Do I?- All right. I'll do it.
0:27:26 > 0:27:27Great.
0:27:29 > 0:27:30We eat at eight, see you then.
0:27:32 > 0:27:35DOOR OPENS AND CLOSES
0:27:43 > 0:27:47CHILDREN PLAYING
0:28:11 > 0:28:14- Thank you.- Thank you, Miss.
0:28:21 > 0:28:22Hello.
0:28:22 > 0:28:24Hello.
0:28:24 > 0:28:28- Um, I'm Phoebe Griffin, I'll be living upstairs.- Ah!
0:28:28 > 0:28:31My name is Doctor Hakim Kreutz.
0:28:31 > 0:28:33You're most...most welcome, Miss Griffin.
0:29:28 > 0:29:30- Good to see you, Quirke.- Mm.
0:29:30 > 0:29:33- I hope you're keeping well. - Oh, I'm keeping well.
0:29:36 > 0:29:39- Still knocking back the old grog anyway?- Yeah.
0:29:42 > 0:29:44Phoebe sends her love, by the way.
0:29:44 > 0:29:47She couldn't join us, unfortunately.
0:29:47 > 0:29:51Yes, it's extremely disappointing.
0:29:51 > 0:29:53Where is she?
0:29:53 > 0:29:56In a flat, on Harcourt Street.
0:29:56 > 0:30:00- A what?- A flat.
0:30:00 > 0:30:01A flat?!
0:30:02 > 0:30:05That's put me right off my mackerel.
0:30:05 > 0:30:06What do you make of that, Quirke?
0:30:06 > 0:30:08I don't know.
0:30:08 > 0:30:10You don't know.
0:30:10 > 0:30:11Good answer.
0:30:11 > 0:30:14Well, in my opinion, you've all driven her out
0:30:14 > 0:30:16- because of your shenanigans. - Oh, yeah.
0:30:16 > 0:30:17I suppose you're going to sit there
0:30:17 > 0:30:19with a pus on you all night, are you?
0:30:19 > 0:30:22Because if you think I care what your opinion is about me,
0:30:22 > 0:30:25- what happened in Boston... - Oh, yeah, well, let's...
0:30:25 > 0:30:27..we'll just have to agree to differ.
0:30:27 > 0:30:29Isn't that right, Maggie?
0:30:29 > 0:30:31What's that, Judge?
0:30:31 > 0:30:33Families have to agree to differ.
0:30:34 > 0:30:38A family would fall apart if they couldn't agree to differ.
0:30:38 > 0:30:41Well, let's... Let's agree what it is that we differ about.
0:30:41 > 0:30:45- I don't argue with hypocrites. - Oh, I'm not the hypocrite here.
0:30:45 > 0:30:47This mackerel is excellent.
0:30:47 > 0:30:50- Try cleaning up your own mess before you muck about with mine.- Yeah.
0:30:50 > 0:30:53I know you went to the Guards about me.
0:30:54 > 0:30:57- Did you think I wouldn't find out? - I wanted you to find out.
0:30:57 > 0:30:59And what happened? Exactly nothing, just as I predicted.
0:30:59 > 0:31:02Well, they closed that laundry, didn't they?
0:31:02 > 0:31:03That's the church's decision.
0:31:03 > 0:31:05They're perfectly within their right to.
0:31:05 > 0:31:07Well, do you think it's right to be
0:31:07 > 0:31:09stealing babies from their mothers? Do you?
0:31:09 > 0:31:13- Do you think that's right or legal? - Ah, legal!
0:31:13 > 0:31:16You think I sat in a courtroom for half a century
0:31:16 > 0:31:18and didn't know what the law is for?
0:31:18 > 0:31:19Well, maybe a little law would have
0:31:19 > 0:31:22protected that little girl that you chucked out.
0:31:22 > 0:31:25Maybe it would've protected her from being murdered by that toerag!
0:31:25 > 0:31:30You know what? I'm worse to sit here and let you speak to me like that.
0:31:30 > 0:31:32You're half sozzled, look at you, I can tell!
0:31:32 > 0:31:35- What time was your first one today? - What's that got to do with anything?
0:31:35 > 0:31:37You are guests in my house.
0:31:37 > 0:31:41If you can't be civil to each other, go somewhere else!
0:31:41 > 0:31:42Ah, Sarah...
0:31:42 > 0:31:43BANGS TABLE
0:31:43 > 0:31:47- I suggest we'll just have to agree to differ.- Agree to differ.
0:31:47 > 0:31:49Let's all agree to differ.
0:31:49 > 0:31:51We'll agree to differ.
0:31:51 > 0:31:53- You said that.- Agree to differ!
0:31:53 > 0:31:56How many more times are you going to say "agree to differ"?
0:31:56 > 0:31:58I have to go to work in the morning.
0:32:00 > 0:32:03PATTERING OF RAINDROPS
0:32:03 > 0:32:06THUNDER RUMBLES
0:32:09 > 0:32:10I'm so sorry, Sarah.
0:32:15 > 0:32:16It's all right.
0:32:22 > 0:32:24I think I'll sleep in the spare room.
0:32:26 > 0:32:28Aren't you feeling well?
0:32:30 > 0:32:31No.
0:32:37 > 0:32:41Compared to other spats when we were growing up,
0:32:41 > 0:32:43that was pretty mild.
0:32:47 > 0:32:48Well...
0:32:50 > 0:32:53..I just feel like everything's gone wrong.
0:32:53 > 0:32:54Oh, don't be silly.
0:32:55 > 0:32:56Phoebe'll come back...
0:32:58 > 0:32:59..when her temper cools down.
0:33:01 > 0:33:02You'll see.
0:33:03 > 0:33:05Why would she want to come back?
0:33:08 > 0:33:11What do you mean?
0:33:11 > 0:33:13Just to keep us together?
0:33:17 > 0:33:18What?!
0:33:20 > 0:33:21Don't let's pretend, Mal.
0:33:23 > 0:33:25I'm not pretending anything.
0:33:25 > 0:33:27I never thought there was any point in telling her.
0:33:30 > 0:33:31You and Quirke!
0:33:35 > 0:33:38No wonder she's annoyed at you.
0:33:38 > 0:33:40At me?
0:33:40 > 0:33:42Well, what did I do?
0:33:44 > 0:33:48Apart from giving her a home and loving her?
0:33:48 > 0:33:50So did I, Mal.
0:34:08 > 0:34:10Don't sleep in the spare room, Sarah.
0:34:13 > 0:34:14You have the big bed.
0:34:16 > 0:34:17I'll go.
0:34:28 > 0:34:29We're closed!
0:34:31 > 0:34:33- Billy!- There she is.
0:34:33 > 0:34:36Oh, I missed you so much, my little angel.
0:34:36 > 0:34:39I thought you weren't back until Monday?
0:34:39 > 0:34:41I finished early.
0:34:41 > 0:34:43And...I'm Salesman of the Month again.
0:34:43 > 0:34:45Well done, you.
0:34:45 > 0:34:47Ah, like I give a bollocks about that.
0:34:47 > 0:34:48Here we are.
0:34:48 > 0:34:51I got you some of those Swiss chocs you like.
0:34:51 > 0:34:54- You're very sweet to remember. - And...this.
0:34:56 > 0:34:58Well, go on.
0:34:58 > 0:35:00Open it. It's a dainty gold watch.
0:35:04 > 0:35:05You shouldn't have.
0:35:05 > 0:35:07What else would I spend my money on?
0:35:08 > 0:35:12Oh, I bless the day I found you in Plunkett's Pharmacy.
0:35:12 > 0:35:13I do.
0:35:13 > 0:35:15I do.
0:35:15 > 0:35:17I do, I do, I do.
0:35:19 > 0:35:21RAPID KNOCKING ON DOOR
0:35:21 > 0:35:22Hakim!
0:35:22 > 0:35:25Come on, Kreutzy boy, I know you're in there.
0:35:52 > 0:35:53(Jesus!)
0:35:55 > 0:35:57You gave me a fright.
0:35:58 > 0:36:01Why didn't you answer the door when I knocked?
0:36:01 > 0:36:02I didn't know it was you.
0:36:03 > 0:36:05Well, who did you think it was then?
0:36:09 > 0:36:11Come on.
0:36:11 > 0:36:13Come on, you know why I'm here, and don't palm me off with
0:36:13 > 0:36:16any old rubbish - that last lot wasn't up to snuff.
0:36:21 > 0:36:25Ah, Kreutzy boy, what have you done now?
0:36:25 > 0:36:28W-what do you mean? I don't understand.
0:36:28 > 0:36:31You've done a very bad thing there, Kreutzy boy.
0:36:33 > 0:36:35Did I say you were to do that?
0:36:35 > 0:36:36She seemed ready.
0:36:36 > 0:36:38I thought you would be pleased.
0:36:39 > 0:36:41I don't believe you.
0:36:42 > 0:36:45I think you are trying to cut me out.
0:36:45 > 0:36:48No, no, I assure you... No! No!
0:36:48 > 0:36:51WHIMPERS IN PAIN
0:36:51 > 0:36:52GLASS SHATTERS
0:36:53 > 0:36:56You burnt my hand! My hands are my living.
0:36:56 > 0:36:59Yes, well, it will teach you to keep them to yourself.
0:36:59 > 0:37:00Perhaps I should go to the police?
0:37:00 > 0:37:02You wouldn't dare.
0:37:07 > 0:37:11I'm taking these and I want the negatives before I REALLY hurt you.
0:37:14 > 0:37:15Fine.
0:37:17 > 0:37:19Let's get your name on them, shall we?
0:37:22 > 0:37:24Credit where credit's due and all that.
0:37:31 > 0:37:33Hakim Kreutz Studios.
0:37:35 > 0:37:36Very nice.
0:37:40 > 0:37:42Now we won't go to the cops, will we?
0:38:17 > 0:38:19On the road again.
0:38:19 > 0:38:22At least it's only Belfast this time.
0:38:22 > 0:38:24Not bloody Bern.
0:38:25 > 0:38:26This is grand.
0:38:27 > 0:38:30Are you not going to have any yourself?
0:38:31 > 0:38:33I'm not really that hungry, Billy.
0:38:33 > 0:38:36I-I think I've a bit of an upset tummy.
0:38:36 > 0:38:39Well, you can sit down with me for a couple of minutes at least.
0:38:39 > 0:38:40Come on.
0:38:48 > 0:38:50Well, you don't look yourself.
0:38:52 > 0:38:54Shall I call the doctor before I go?
0:38:54 > 0:38:56No, really, really, it'll pass.
0:38:56 > 0:38:58Are you sure now?
0:38:58 > 0:39:01Is there something you're not telling me?
0:39:04 > 0:39:06It's just an upset tummy, Billy.
0:39:08 > 0:39:11You're so sweet to me, I don't deserve you.
0:39:14 > 0:39:16Ah, look at the time.
0:39:16 > 0:39:17I've got to go.
0:39:18 > 0:39:20My little angel.
0:39:21 > 0:39:22You take care.
0:40:15 > 0:40:16How did you get these?
0:40:17 > 0:40:19What have you done?!
0:40:19 > 0:40:22Where did you get them from?
0:40:28 > 0:40:29Hakim Kreutz Studios.
0:40:32 > 0:40:34That's nothing to do with me, darling.
0:40:36 > 0:40:39You've got to admit, old Kreutz has got flair.
0:40:39 > 0:40:40It was YOU!
0:40:40 > 0:40:42I know it was.
0:40:42 > 0:40:45How much do you think Billy would pay Kreutz to keep it quiet, hmm?
0:40:48 > 0:40:49You bastard!
0:40:49 > 0:40:52Did I ask you to go around there and show him all you've got? No.
0:40:52 > 0:40:54You did that all by yourself!
0:40:54 > 0:40:57And I must say, I don't care much for him,
0:40:57 > 0:40:59I don't care much for these pictures either!
0:41:01 > 0:41:04Funnily enough, they don't do a thing for me, not one thing.
0:41:07 > 0:41:08It's all a question of timing, really.
0:41:10 > 0:41:12I think we've had our time.
0:41:18 > 0:41:22It was nice while it lasted, but it's over.
0:41:22 > 0:41:23Sorry and all that.
0:41:23 > 0:41:27DOOR OPENS AND CLOSES
0:41:40 > 0:41:43- Mr Hunt, how's it going? - Not so bad.
0:41:43 > 0:41:45- Yourself? - Not too bad, not too bad.
0:41:47 > 0:41:48OK.
0:41:52 > 0:41:54All right, if you just step inside
0:41:54 > 0:41:57and bring your samples case with you. The kettle's on.
0:41:57 > 0:41:59- Lovely.- Back on Wednesday?- I am.
0:41:59 > 0:42:03- Good.- It's a beautiful day. - Isn't it lovely?
0:42:04 > 0:42:05So, what did he say?
0:42:05 > 0:42:07He said,
0:42:07 > 0:42:12"Well, I stopped playing pocket billiards when I was 15 years old."
0:42:12 > 0:42:15And she said, "I don't care, I'm still not shaking your hand."
0:42:15 > 0:42:16SHE LAUGHS
0:42:18 > 0:42:20Oh, God, that is so...
0:42:23 > 0:42:25Oh, Quirke...
0:42:25 > 0:42:27isn't it nice?
0:42:27 > 0:42:30I mean, aren't you glad we're past all that mooning at each other
0:42:30 > 0:42:32across crowded rooms like two teenagers?
0:42:32 > 0:42:36Oh, yes. And besides, it's unbecoming of a woman of your age!
0:42:36 > 0:42:39SHE LAUGHS
0:42:43 > 0:42:45I should brain you.
0:42:45 > 0:42:47HE LAUGHS
0:42:47 > 0:42:50All that pain and havoc you caused me.
0:42:52 > 0:42:53Have I?
0:42:55 > 0:42:58Once upon a time, yes.
0:42:58 > 0:42:59But not any more?
0:43:00 > 0:43:01No.
0:43:03 > 0:43:05Well, thank God for that.
0:43:08 > 0:43:10Yes, thank God.
0:43:16 > 0:43:18Phoebe's still mad about you.
0:43:19 > 0:43:21You do know that?
0:43:21 > 0:43:25Mad about or...mad at?
0:43:26 > 0:43:30Always watch out for her, won't you?
0:43:32 > 0:43:33Yeah.
0:43:34 > 0:43:36Yes, of course I will.
0:43:42 > 0:43:43Thank you.
0:43:43 > 0:43:45- Oh, I'll get this. - No, no, let me get this, please?
0:43:45 > 0:43:47This was my idea.
0:43:47 > 0:43:52- You can get the next one.- All right.
0:43:57 > 0:44:01- I like your hat, by the way. - Thank you!
0:44:02 > 0:44:03It's new.
0:44:08 > 0:44:10You're very dear to me...
0:44:13 > 0:44:14..you know?
0:44:20 > 0:44:22To all of us.
0:44:40 > 0:44:43In a minute.
0:44:43 > 0:44:44Ah!
0:44:44 > 0:44:48- There you go.- Well, this is...nice. - Madam.- Thank you.
0:44:49 > 0:44:51And sir.
0:44:52 > 0:44:53Here we are.
0:44:53 > 0:44:54Kiehl's rose-water.
0:44:55 > 0:44:58- I could have just come into the shop to collect it.- No.
0:44:58 > 0:45:01It's nice to make an occasion of it.
0:45:01 > 0:45:02Now, tell me...
0:45:04 > 0:45:05..do you always wear black?
0:45:07 > 0:45:09I suppose I do.
0:45:10 > 0:45:13It's required at the shop and I seem to have got into the habit.
0:45:13 > 0:45:19- Hmm, yes, habit's about right. - Do I look like a nun to you?
0:45:20 > 0:45:21No.
0:45:22 > 0:45:24You look like a convent girl.
0:45:24 > 0:45:26Were you?
0:45:26 > 0:45:27Yes.
0:45:28 > 0:45:31I adore convent girls.
0:45:32 > 0:45:37- Why?- They have such a well-developed sense of sin.- Hmm.
0:45:37 > 0:45:40And you're what the nuns would have called "a bad companion",
0:45:40 > 0:45:43and having coffee with you would have been an occasion of sin.
0:45:43 > 0:45:45Yes.
0:45:45 > 0:45:47That's just the sort of thing I like.
0:45:48 > 0:45:52So, Phoebe, what's next?
0:45:53 > 0:45:57Well, I don't have to go back to the shop, it's early closing.
0:45:57 > 0:46:00We could go for a walk?
0:46:00 > 0:46:03CHILDREN SHOUT
0:46:08 > 0:46:10Whaaaagghh!
0:46:10 > 0:46:11CHILDREN SCREAM
0:46:14 > 0:46:19- Well, here we are. - Are you going to ask me in?
0:46:20 > 0:46:22Yes, all right.
0:46:26 > 0:46:29- Phew!- It's a bit of a climb.
0:46:29 > 0:46:30I'm used to it now.
0:46:30 > 0:46:33Ah, the vigour of youth, eh?
0:46:36 > 0:46:39I'm not at all sure I should be doing this.
0:46:45 > 0:46:47DOOR CLOSES
0:47:03 > 0:47:09# I never cared much for diamonds and pearls
0:47:10 > 0:47:12# Cos honestly, honey
0:47:12 > 0:47:15# They just cost money. #
0:47:16 > 0:47:18It's nice.
0:47:18 > 0:47:21It's a trifle spartan but... it's nice.
0:47:25 > 0:47:26How about a drink?
0:47:28 > 0:47:29I only have gin.
0:47:29 > 0:47:32No tonic, no ice.
0:47:32 > 0:47:34I haven't a fridge.
0:47:34 > 0:47:36Gin will be fine.
0:47:39 > 0:47:42HE HUMS
0:47:48 > 0:47:50Mum and dad?
0:47:50 > 0:47:51Yes.
0:47:51 > 0:47:56What do they think about you living down on Harcourt Street on your own?
0:47:59 > 0:48:03Ah. Chin-chin.
0:48:03 > 0:48:04GLASSES CLINK
0:48:08 > 0:48:10HE CLEARS HIS THROAT
0:48:10 > 0:48:14That's, ah...strong when it comes straight like this, isn't it?
0:48:16 > 0:48:18Oh, here. Have one of mine.
0:48:21 > 0:48:24Oh, quite Balkan.
0:48:24 > 0:48:25Very chic.
0:48:35 > 0:48:36So, Phoebe...
0:48:38 > 0:48:41..are you going to go to bed with me?
0:48:43 > 0:48:45HE HUMS
0:48:45 > 0:48:47I can't believe this is happening.
0:48:47 > 0:48:48I know.
0:48:48 > 0:48:51Yes, the nuns would definitely have something to say.
0:48:53 > 0:48:58# Give me your hand when I've lost the way
0:48:59 > 0:49:03# Give me your shoulder to cry on. #
0:49:04 > 0:49:08HE HUMS
0:49:15 > 0:49:17Mm!
0:49:17 > 0:49:18Scrumptious!
0:49:32 > 0:49:34SHE PANTS
0:49:34 > 0:49:35You'll have to...
0:49:36 > 0:49:40I'm afraid I don't have much experience in this sort of thing.
0:49:40 > 0:49:45Well, you won't be surprised to hear that I have rather a lot.
0:49:45 > 0:49:49Don't worry, we'll go nice and slow.
0:49:52 > 0:49:53Now, then.
0:49:56 > 0:49:58Is this...?
0:49:58 > 0:50:00INDISTINCT
0:50:02 > 0:50:04Probably.
0:50:06 > 0:50:08What about this?
0:50:08 > 0:50:09SHE GASPS
0:50:11 > 0:50:13A mortal sin?
0:50:18 > 0:50:21SEAGULLS CRY
0:51:04 > 0:51:05All right?
0:51:13 > 0:51:16HE YELLS
0:51:17 > 0:51:21I need you to confirm, Mr Hunt, that this is your wife.
0:51:21 > 0:51:23HE SOBS
0:51:26 > 0:51:28HE SOBS
0:51:30 > 0:51:33Mr Hunt, you left home on Monday morning.
0:51:35 > 0:51:36Yes.
0:51:36 > 0:51:39At what time, do you recall?
0:51:39 > 0:51:41About half past eight.
0:51:41 > 0:51:43And you arrived in Belfast at?
0:51:43 > 0:51:46Around half 12.
0:51:47 > 0:51:49That's four hours.
0:51:51 > 0:51:53I was delayed at the border, it's the drugs.
0:51:53 > 0:51:56I have to go through the paperwork with them every time.
0:51:56 > 0:51:58Of course, of course.
0:51:58 > 0:52:00And where did you stay in Belfast?
0:52:00 > 0:52:02The McKinley Inn, it's the one I always use.
0:52:02 > 0:52:04And they'll confirm that?
0:52:05 > 0:52:07Well, of course they will!
0:52:09 > 0:52:11Inspector, why are asking me all this?
0:52:11 > 0:52:14I'm very sorry, Mr Hunt. I have to do this.
0:52:16 > 0:52:17You have our deepest sympathy.
0:52:19 > 0:52:21Yes, of course.
0:52:23 > 0:52:24I understand.
0:52:32 > 0:52:35- BILLY'S VOICE ECHOES:- "I can see what you're thinking.
0:52:35 > 0:52:38"Where would an ugly old skin like me find a beauty like this?"
0:52:38 > 0:52:42- Found me in the chemist shop. - I did. I did.
0:52:45 > 0:52:49I thought she was happy with me.
0:52:49 > 0:52:51I thought I made her happy.
0:52:53 > 0:52:56How can you really know what they're thinking?
0:52:56 > 0:53:01Any reason she might have felt under pressure?
0:53:04 > 0:53:08- Is there anyone who she...? - Anyone what?
0:53:08 > 0:53:13I don't know, she... She was an attractive woman.
0:53:13 > 0:53:14What, men?
0:53:14 > 0:53:15HE SCOFFS
0:53:15 > 0:53:18Yeah, she had her fair share of admirers but
0:53:18 > 0:53:23- she was a good girl, Doctor Quirke. - Yeah.
0:53:23 > 0:53:27Although I never liked your man she got in to help her manage the shop.
0:53:27 > 0:53:31There were times I was sure he was robbing her blind.
0:53:31 > 0:53:35- But I could never get a look at the books.- Mm.
0:53:35 > 0:53:39- Was this Leslie White? - Yeah. You know him?
0:53:41 > 0:53:42I bumped into him...
0:53:43 > 0:53:45..with my niece.
0:53:45 > 0:53:49She works in the hat shop down the street.
0:53:49 > 0:53:51Hmm, sounds about right.
0:53:53 > 0:53:55Apparently, all the women love him.
0:53:55 > 0:53:57"Good for business," Deirdre said.
0:53:58 > 0:54:00But I never liked him.
0:54:04 > 0:54:06DOOR BELL TINKLES
0:54:09 > 0:54:11DOOR CLOSES
0:54:11 > 0:54:14- Good afternoon, sir. - Good afternoon.
0:54:14 > 0:54:18How may we help you? We don't very often see gentlemen in here.
0:54:18 > 0:54:23I was wondering if I could take my daughter away a little early today?
0:54:23 > 0:54:27Just for the last half hour or so.
0:54:27 > 0:54:29Your daughter, really?
0:54:29 > 0:54:32What a pleasure it is to meet you, Mr Griffin.
0:54:32 > 0:54:36- Actually, it's Quirke. Dr Quirke. - Oh.
0:54:36 > 0:54:39I'm so sorry, how do you do, Dr Quirke?
0:54:39 > 0:54:42Now, we are rather busy at the moment,
0:54:42 > 0:54:47but in the circumstances, I think it's a charming idea.
0:54:47 > 0:54:49Phoebe, get your coat.
0:54:54 > 0:54:57And don't worry. I'll hold the fort.
0:54:57 > 0:55:00I would never stand between a girl and her father.
0:55:00 > 0:55:04I've always said, her father is a girl's first love.
0:55:04 > 0:55:06Oh, yes. Yes, of course.
0:55:09 > 0:55:13Phoebe, you can tell me to mind my own business but
0:55:13 > 0:55:18- there's something I wanted to talk to you about.- What?
0:55:18 > 0:55:23That chap that I met you with, the Englishman, Leslie White...
0:55:24 > 0:55:27- ..how well do you know him?- Why?
0:55:27 > 0:55:32It's just that I've heard he's not the best company in the world.
0:55:32 > 0:55:35- From who?- Oh, from around.
0:55:36 > 0:55:38Well, you can tell "from around"
0:55:38 > 0:55:40that Leslie is a very kind and gentle person
0:55:40 > 0:55:44and you're right, it's none of your business.
0:55:44 > 0:55:48You have no rights over me, Quirke.
0:55:48 > 0:55:50Whatever right you might have had,
0:55:50 > 0:55:53- you forfeited years ago. - I'm your father!
0:55:53 > 0:55:54Are you?
0:55:54 > 0:55:59You hid that from me for so long and you expect me to accept it?
0:55:59 > 0:56:01You're not my father, Quirke.
0:56:02 > 0:56:04I have no father.
0:56:05 > 0:56:07Please, Phoebe!
0:56:07 > 0:56:09Phoebe!
0:56:19 > 0:56:21Thank you, Maggie.
0:56:26 > 0:56:27Thank you.
0:56:38 > 0:56:41They're thinking of making me Dean.
0:56:43 > 0:56:45Oh?
0:56:49 > 0:56:52Moriarty mentioned it to me at the management meeting on Tuesday.
0:56:56 > 0:56:57That's nice.
0:57:00 > 0:57:02It's a lot of extra work.
0:57:10 > 0:57:11SHE SIGHS
0:57:15 > 0:57:17What would it involve?
0:57:18 > 0:57:20Well, principally, of course,
0:57:20 > 0:57:24I'd be responsible for the pastoral care of the medical faculty.
0:57:26 > 0:57:30Moriarty says I have an affinity with the young.
0:57:32 > 0:57:33SHE LAUGHS
0:57:33 > 0:57:34What?
0:57:34 > 0:57:37SHE LAUGHS HEARTILY
0:57:37 > 0:57:39Sarah!
0:57:39 > 0:57:40Oh, for goodness' sake!
0:57:42 > 0:57:44Don't be such a child!
0:57:48 > 0:57:49Sorry, Mal.
0:57:54 > 0:57:57SEAGULLS CRY
0:58:02 > 0:58:05- Dr Quirke, can I have a second? - What is it?
0:58:05 > 0:58:09Deirdre Hunt's toxicology is exactly the same as the Millican case.
0:58:09 > 0:58:11No puncture wounds, but there was still
0:58:11 > 0:58:13small amounts of tablets dissolved in the stomach.
0:58:13 > 0:58:18- Same compound as we found in Geraldine Millican?- Not exactly.
0:58:18 > 0:58:21- No heroin? - No, there was heroin all right.
0:58:21 > 0:58:25- Not exactly the same compound but so similar it must be...- What?
0:58:25 > 0:58:27We've been looking for two pills,
0:58:27 > 0:58:29but what if it was combined in the same pill?
0:58:29 > 0:58:31- Backstreet pharmacist.- Exactly.
0:58:33 > 0:58:35Well done, Sinclair.
0:58:35 > 0:58:36Can you watch the shop for me
0:58:36 > 0:58:39- while I'm out for a couple of hours? - Of course.
0:58:39 > 0:58:40Well done.
0:58:44 > 0:58:46It's not a secret,
0:58:46 > 0:58:49Geraldine had gone off the rails, I suppose.
0:58:49 > 0:58:52Sure all of Dublin was talking about it.
0:58:52 > 0:58:54Who was she getting her drugs from?
0:58:59 > 0:59:01Mr Millican, I have no clear-cut way
0:59:01 > 0:59:05of knowing whether Geraldine killed herself
0:59:05 > 0:59:09or whether the stuff she was taking would have killed her anyway.
0:59:09 > 0:59:12I can't tell what was going on in her mind the day she died.
0:59:12 > 0:59:17But now another woman has died with the same stuff in her system.
0:59:17 > 0:59:21You have to tell the police whatever it is that you know.
0:59:25 > 0:59:29A few months ago, I received a photograph through the post.
0:59:29 > 0:59:31A photograph?
0:59:31 > 0:59:32A photograph...
0:59:33 > 0:59:35..of my wife.
0:59:35 > 0:59:39- And what kind of photograph? - Come on, Dr Quirke,
0:59:39 > 0:59:41don't make me spell it out for you.
0:59:41 > 0:59:42Blackmail?
0:59:44 > 0:59:46I have a position in this city.
0:59:48 > 0:59:51I couldn't allow that photograph to reach the newspapers,
0:59:51 > 0:59:54not that they could print such a thing,
0:59:54 > 0:59:56but they could be very clear what sort of a photograph it was.
0:59:56 > 0:59:58Who sent you the photograph?
1:00:15 > 1:00:18INDISTINCT CHATTER
1:00:26 > 1:00:29INDISTINCT
1:00:31 > 1:00:33Are you meddling again?
1:00:34 > 1:00:35Possibly.
1:00:37 > 1:00:40You should leave all this kind of thing to the police.
1:00:40 > 1:00:43I would except that this chap, White,
1:00:43 > 1:00:46he's been involved with Geraldine Millican and Deirdre Hunt
1:00:46 > 1:00:50and I know that he's got something to do with their deaths.
1:00:50 > 1:00:53But if he did, it'll probably come out in time.
1:00:53 > 1:00:57No need for you to be sniffing around it.
1:00:57 > 1:01:02Well, the thing is that he's started a sort of...
1:01:02 > 1:01:05- acquaintance with Phoebe.- Has he?
1:01:05 > 1:01:08Well, you tell her she's not to see him.
1:01:08 > 1:01:11You know what she's like, I tell her something
1:01:11 > 1:01:14and she'll go in the opposite direction.
1:01:14 > 1:01:15No.
1:01:16 > 1:01:21I was hoping you might have a word with her. Or...
1:01:23 > 1:01:24Or maybe a...
1:01:24 > 1:01:26Maybe what?
1:01:28 > 1:01:31You remember that fella, Costigan?
1:01:32 > 1:01:36Get Costigan's ruffians to deliver a warning, you mean?
1:01:38 > 1:01:41You want to go over to the dark side, now?
1:01:42 > 1:01:44Well, well, I'm surprised at you.
1:01:46 > 1:01:50Well, I say this... If I do it,
1:01:50 > 1:01:54you may never, ever judge me again!
1:02:07 > 1:02:10THUNDER RUMBLES
1:02:14 > 1:02:16Is there somebody there?
1:02:19 > 1:02:21Who's there?
1:02:23 > 1:02:24Who is it?
1:02:26 > 1:02:27FAINTLY: Phoebe!
1:02:27 > 1:02:29Leslie!
1:02:29 > 1:02:31Leslie! Oh, my God! What happened?
1:02:31 > 1:02:34Please, just...get me inside.
1:02:34 > 1:02:36HE GROANS
1:02:40 > 1:02:42DOOR OPENS
1:02:42 > 1:02:44What shall I do?
1:02:44 > 1:02:46- Shall I call for an ambulance? - No, no!
1:02:46 > 1:02:48- A doctor?- Agh! No.
1:02:50 > 1:02:52Gin, give me some gin, please?
1:02:55 > 1:02:57Who did this to you?
1:02:57 > 1:02:59I have no idea.
1:02:59 > 1:03:01- Were you robbed?- No.
1:03:05 > 1:03:07Listen. The man who lives downstairs,
1:03:07 > 1:03:10he is a doctor, he'll give you something for me. All right?
1:03:10 > 1:03:13- Dr Kreutz?- Yes. Just tell him that the medicine is for Leslie,
1:03:13 > 1:03:16it's very important that you say that, that it's for Leslie.
1:03:16 > 1:03:20- I don't like to leave you.- It's fine. It's fine, just go! Please?
1:03:20 > 1:03:22Please, just...get the medicine.
1:03:23 > 1:03:25DOOR CLOSES
1:03:27 > 1:03:29HE GROANS
1:03:33 > 1:03:34SHE KNOCKS ON DOOR
1:03:34 > 1:03:36Dr Kreutz?
1:03:36 > 1:03:38SHE KNOCKS ON DOOR
1:03:38 > 1:03:41Dr Kreutz?
1:03:51 > 1:03:53- Did you get it?- I'm sorry, Leslie.
1:03:53 > 1:03:56I knocked and I called and there was no answer.
1:03:56 > 1:03:57Bastard. No, he's in there.
1:03:57 > 1:03:59He's in there, all right.
1:03:59 > 1:04:01- If you need a job doing, you do it yourself.- Don't...
1:04:01 > 1:04:04You don't understand, Phoebe, I need it!
1:04:11 > 1:04:13HE GROANS
1:04:17 > 1:04:20HE KNOCKS ON DOOR
1:04:21 > 1:04:24Come on, Kreutzy boy, I know you're in there!
1:04:26 > 1:04:28HE KNOCKS ON DOOR
1:04:31 > 1:04:32Right, then...
1:04:35 > 1:04:36Right.
1:04:36 > 1:04:39Come on, come on.
1:04:44 > 1:04:45DOOR CLOSES
1:04:56 > 1:04:59FOOTSTEPS APPROACH
1:05:01 > 1:05:04Are you all right? Did you get your medicine?
1:05:05 > 1:05:10Just, um... Just let me think for a minute.
1:05:24 > 1:05:27Phoebe, can anyone know I'm here?
1:05:27 > 1:05:28No.
1:05:28 > 1:05:30I don't think so. Why?
1:05:32 > 1:05:33Nothing.
1:05:34 > 1:05:36It's fine.
1:05:38 > 1:05:39Aagh!
1:05:43 > 1:05:46HE GROANS
1:05:48 > 1:05:49Phoebe.
1:05:51 > 1:05:52Don't go.
1:05:52 > 1:05:54Will you lie with me?
1:06:14 > 1:06:18CHURCH ORGAN MUSIC PLAYS
1:06:32 > 1:06:34DOOR CLOSES
1:07:22 > 1:07:24DOOR BELL RINGS
1:07:43 > 1:07:44Sarah.
1:07:46 > 1:07:48Hello, Quirke.
1:08:01 > 1:08:02We were so young.
1:08:07 > 1:08:08SHE SIGHS
1:08:08 > 1:08:11So foolish then.
1:08:20 > 1:08:23I won't leave Mal, you know?
1:08:25 > 1:08:29And if you can live with that, those are my terms.
1:08:32 > 1:08:35I'm...yours.
1:08:46 > 1:08:47What is it?
1:08:49 > 1:08:50SHE SIGHS
1:08:51 > 1:08:52Nothing.
1:08:54 > 1:08:56Just, I'm so happy.
1:09:07 > 1:09:10Of course, we'll probably both go to hell.
1:09:11 > 1:09:14There's no such place.
1:09:14 > 1:09:15Oh, but there is.
1:09:24 > 1:09:27PHONE RINGS
1:09:34 > 1:09:38RINGING TONE
1:09:38 > 1:09:39RINGING STOPS
1:09:41 > 1:09:45HE DIALS
1:09:47 > 1:09:49Dr Quirke isn't in the office.
1:09:51 > 1:09:54I tried telephoning but he's not answering. He must...
1:09:54 > 1:09:57I thought you should know,
1:09:57 > 1:10:01I did a haemolysis test on the blood from Mrs Hunt's heart
1:10:01 > 1:10:04and the blood from the left ventricle
1:10:04 > 1:10:06is more diluted than blood from the right.
1:10:08 > 1:10:12You're going to have to spell it out for me, Dr Sinclair.
1:10:17 > 1:10:19Right.
1:10:19 > 1:10:20Thank you.
1:10:20 > 1:10:23PHONE CLATTERS
1:10:34 > 1:10:37DOOR OPENS
1:10:42 > 1:10:45- Leslie?- Phoebe?
1:10:45 > 1:10:47Phoebe, where have you been?!
1:10:47 > 1:10:50Nowhere, I went to the shops.
1:10:50 > 1:10:53- Well, you should have asked me! - What?!
1:10:53 > 1:10:55You didn't tell anybody I was here?
1:10:55 > 1:10:58No, I just went to the shops, Leslie.
1:10:58 > 1:10:59I bought some eggs, you need to eat.
1:10:59 > 1:11:02Listen, Phoebe, listen to me.
1:11:02 > 1:11:04I'm in a spot of bother, all right?
1:11:04 > 1:11:09And, er... It's temporary, but I need to leave town for a bit.
1:11:09 > 1:11:11I wonder if I could borrow some money?
1:11:11 > 1:11:14- Of course you can, I haven't much, though.- OK.
1:11:14 > 1:11:18Just, um... No... This is...
1:11:18 > 1:11:22No, this is no use, Phoebe!
1:11:22 > 1:11:24I could get some from the bank.
1:11:26 > 1:11:27Really, how much?
1:11:27 > 1:11:31- I don't know. About 20,000. - Phoebe, I'm not JOKING!
1:11:31 > 1:11:32SHE SCREAMS
1:11:32 > 1:11:37I'm sorry, I'm sorry, sh, please, I'm sorry.
1:11:37 > 1:11:40I'm so sorry, I'm just a little overwrought, that's all.
1:11:42 > 1:11:44Let's start again, yeah?
1:11:45 > 1:11:49- How much money do you have in the bank?- I told you.
1:11:49 > 1:11:52My grandfather died last November, he left it to me.
1:11:54 > 1:11:57I'm so sorry. I'm so sorry, Phoebe.
1:11:59 > 1:12:02I'm in such a terrible state and I don't know what came over me.
1:12:03 > 1:12:05Can you forgive me?
1:12:06 > 1:12:08Good.
1:12:08 > 1:12:11- Now, which bank? - The one around the corner.
1:12:11 > 1:12:13Perfect.
1:12:13 > 1:12:14Perfect.
1:12:14 > 1:12:18Now let's sod 'em all, shall we?
1:12:18 > 1:12:22We can head off to Egypt and show them all that we don't give a damn.
1:12:22 > 1:12:25I don't think I can do that, Leslie.
1:12:25 > 1:12:28Of course you can, Phoebe, of course you can, why ever not?
1:12:28 > 1:12:29My family are here.
1:12:30 > 1:12:32Family!
1:12:32 > 1:12:38Right, well, go to the bank, get the money, there's a good girl.
1:12:38 > 1:12:40There you go.
1:12:51 > 1:12:53Dr Quirke.
1:12:54 > 1:12:56I've been trying to get a hold of you but I couldn't find you,
1:12:56 > 1:12:59so I went to Inspector Hackett, I hope that's all right?
1:12:59 > 1:13:02- What are you talking about? - I went back to the toxicology.
1:13:02 > 1:13:05There was something about the results that didn't sit right
1:13:05 > 1:13:08- and I did a haemolysis test on Deirdre Hunt.- Yeah?
1:13:08 > 1:13:12- She drowned in fresh water, Doctor Quirke.- What?
1:13:12 > 1:13:13She was murdered.
1:13:16 > 1:13:19- Quirke. - TREMBLING:- Quirke!
1:13:19 > 1:13:21I don't know what to do!
1:13:21 > 1:13:23SHE SOBS
1:13:24 > 1:13:26I've got myself in a terrible mess.
1:13:27 > 1:13:28Who's in the flat?
1:13:30 > 1:13:36All right, stay exactly where you are, don't move, you hear me?
1:13:36 > 1:13:38I'm coming over.
1:13:38 > 1:13:39PHONE CLATTERS
1:13:44 > 1:13:46SHE GASPS
1:13:46 > 1:13:49- Give me the keys. Stay there.- I'll go with you.- I said stay there!
1:13:57 > 1:13:58Agh!
1:14:00 > 1:14:03Phoebe! What are you doing?
1:14:03 > 1:14:04Did you get it?
1:14:06 > 1:14:08THUD
1:14:08 > 1:14:11Quirke! What have you done?
1:14:11 > 1:14:13Leslie!
1:14:14 > 1:14:15SHE SOBS
1:14:18 > 1:14:19Quirke!
1:14:25 > 1:14:27SHE CRIES
1:14:27 > 1:14:28Leslie!
1:14:36 > 1:14:38Was that her?
1:14:39 > 1:14:40Your niece?
1:14:43 > 1:14:45Well, she'll be safe now.
1:14:45 > 1:14:48You saw what he did to my Deirdre.
1:14:48 > 1:14:51Your lovely girl would have been next.
1:14:51 > 1:14:52I couldn't let that happen.
1:14:56 > 1:14:58HE SIGHS
1:15:08 > 1:15:13All right then, Mr Hunt crosses the border at 11 on Monday morning.
1:15:13 > 1:15:15Thanks very much.
1:15:15 > 1:15:19This is him crossing back into the Republic...
1:15:20 > 1:15:24..at quarter past two on Wednesday afternoon.
1:15:27 > 1:15:31And he couldn't have slipped back past you on the Tuesday?
1:15:31 > 1:15:34Now obviously this would never happen,
1:15:34 > 1:15:38but if I wanted to move a couple of head of cattle,
1:15:38 > 1:15:41or a parcel of guns, late at night,
1:15:41 > 1:15:43how would I be able to do that?
1:15:43 > 1:15:46Of course, allowing that this could never happen.
1:16:01 > 1:16:02CAR HORN TOOTS
1:16:02 > 1:16:04BRAKES SCREECH
1:16:04 > 1:16:05CAR HORN TOOTS
1:16:11 > 1:16:12How are you?
1:16:14 > 1:16:15Beautiful day, thank God!
1:16:16 > 1:16:18DOG BARKS
1:16:18 > 1:16:22- Do you want it filled?- No, just a gallon will see me right.
1:16:29 > 1:16:31Quiet enough about here?
1:16:32 > 1:16:35Not a lot of passing trade, I'm guessing?
1:16:35 > 1:16:37PETROL PUMP WHIRS
1:16:39 > 1:16:41Local folk, farmers, the main?
1:16:41 > 1:16:43Aye.
1:16:43 > 1:16:44Mostly.
1:16:44 > 1:16:48I was thinking you might notice a strange car going past,
1:16:48 > 1:16:51especially at night.
1:16:51 > 1:16:52A Dublin car,
1:16:52 > 1:16:55week or so ago.
1:16:55 > 1:16:57Come here till I show you.
1:17:01 > 1:17:04You see that log down there?
1:17:04 > 1:17:06- I do.- That's the border.
1:17:06 > 1:17:07OK.
1:17:07 > 1:17:09You're the wrong side of it.
1:17:09 > 1:17:12I'm under no obligation
1:17:12 > 1:17:17to tell an Inspector of the Garda anything, at all.
1:17:17 > 1:17:20BIRDSONG
1:17:21 > 1:17:22Even so...
1:17:39 > 1:17:41Mal is coming to take you home.
1:17:42 > 1:17:43This IS my home.
1:17:47 > 1:17:48Phoebe...
1:17:49 > 1:17:51..I have to ask you this.
1:17:53 > 1:17:57Did Leslie ever give you anything to take?
1:17:58 > 1:18:00Drugs, I mean.
1:18:03 > 1:18:07Leslie took things. I don't know what.
1:18:07 > 1:18:09But he never offered me any.
1:18:11 > 1:18:12Were they pills?
1:18:15 > 1:18:17He said it was his medicine.
1:18:19 > 1:18:22- He got it from the man who lives in there.- What man?
1:18:22 > 1:18:24SHE SNIFFS
1:18:24 > 1:18:25Dr Kreutz.
1:18:27 > 1:18:28DOOR OPENS
1:18:28 > 1:18:30Phoebe!
1:18:32 > 1:18:33Thank God you're all right.
1:18:51 > 1:18:53Come on. I'll take you home.
1:19:26 > 1:19:28HE KNOCKS ON DOOR
1:19:31 > 1:19:33HE KNOCKS ON DOOR
1:19:40 > 1:19:42DOOR CREAKS OPEN
1:20:00 > 1:20:01Sir.
1:20:04 > 1:20:06- Who found him?- I did.
1:20:08 > 1:20:12- He's taken a hell of a beating. - He was probably asking for it.
1:20:12 > 1:20:13Pervert.
1:20:13 > 1:20:15- What do you mean? - Show him the pictures.
1:20:15 > 1:20:20Found a whole pile of dirty pictures in his desk drawers.
1:20:20 > 1:20:21There's Deirdre Hunt.
1:20:23 > 1:20:27- And Geraldine Millican. - Drugs too. All sorts of stuff.
1:20:29 > 1:20:31Here's your heroin.
1:20:31 > 1:20:33Billy Hunt's company.
1:20:37 > 1:20:39Do you recognise this, Mr Hunt?
1:20:41 > 1:20:43Of course.
1:20:43 > 1:20:45It's diamorphine.
1:20:45 > 1:20:47Where'd you get it?
1:20:49 > 1:20:52Does the name Hakim Kreutz mean anything to you?
1:20:52 > 1:20:55Yes, he's a doctor.
1:20:55 > 1:20:59He lives in that building, the flat below your niece.
1:20:59 > 1:21:01Used to.
1:21:01 > 1:21:02How do you mean?
1:21:02 > 1:21:05He's dead, Mr Hunt, beaten to death.
1:21:08 > 1:21:10Did White kill him?
1:21:10 > 1:21:12How did you know him?
1:21:12 > 1:21:14I told you, he's a doctor.
1:21:14 > 1:21:16He's on my list.
1:21:16 > 1:21:20And did you know he was struck off in 1952 for self-prescribing?
1:21:23 > 1:21:26How much did he pay you for your samples?
1:21:27 > 1:21:29Enough to keep Deirdre in style, I suppose.
1:21:29 > 1:21:33Did you know what he was doing with them?
1:21:33 > 1:21:36He was a backstreet pharmacist, Billy.
1:21:37 > 1:21:41He cut your diamorphine into sleeping pills
1:21:41 > 1:21:45and gave them to wealthy women in exchange for
1:21:45 > 1:21:47pornographic pictures of themselves.
1:21:50 > 1:21:53But you know that, don't you, Mr Hunt?
1:21:56 > 1:22:00Let me suggest something to you, and correct me if I'm wrong.
1:22:00 > 1:22:03Leslie White sent you photographs of Mrs Hunt
1:22:03 > 1:22:05the morning you went to Belfast,
1:22:05 > 1:22:09but I'm guessing you didn't see them until after you arrived at the hotel.
1:22:09 > 1:22:11And you were outraged, of course you were.
1:22:11 > 1:22:14You got straight back in the car and headed for home,
1:22:14 > 1:22:18but the customs post in Killeen is closed at night, isn't it, Billy?
1:22:18 > 1:22:22So you were trapped in the North until morning,
1:22:22 > 1:22:25unless you crossed the border by the unapproved roads.
1:22:27 > 1:22:30When did you realise you had a nice little alibi?
1:22:32 > 1:22:33After you beat Kreutz?
1:22:35 > 1:22:37Or when you got home?
1:22:43 > 1:22:46Was Deirdre already in the bath? Was she conscious, Billy?
1:22:46 > 1:22:48Did she look at you?
1:22:49 > 1:22:51Was it easy to drown her?
1:22:53 > 1:22:55She drowned herself.
1:23:00 > 1:23:03WATER BUBBLES POP
1:23:04 > 1:23:06- She was found in the sea! - Yes, she was.
1:23:06 > 1:23:09But who was it that put her there?
1:23:10 > 1:23:13She was drowned in FRESH water, Billy...
1:23:15 > 1:23:16..not sea water.
1:23:17 > 1:23:20And the irony of the thing is,
1:23:20 > 1:23:25that if you had simply left her in her bath, Billy,
1:23:25 > 1:23:27we'd not have been any the wiser.
1:23:32 > 1:23:33The hell with it.
1:23:35 > 1:23:37She got what she deserved.
1:23:37 > 1:23:41She was always my little angel.
1:23:41 > 1:23:42I thought the world of her.
1:23:44 > 1:23:47I could never believe my luck that she'd settle down with me.
1:23:52 > 1:23:54Then I saw the photographs.
1:23:54 > 1:23:57- Photographs of YOUR wife.- Yes.
1:23:57 > 1:24:00Of my wife. OF MY WIFE!
1:24:03 > 1:24:05I couldn't get them out of my head.
1:24:07 > 1:24:09This world of filth!
1:24:09 > 1:24:12This other side to her I knew nothing about.
1:24:19 > 1:24:23I suppose they'll be sending Mr Pierrepoint to Mountjoy
1:24:23 > 1:24:25to see me off then, Mr Hackett?
1:24:32 > 1:24:36Strange to think I've been on this path
1:24:36 > 1:24:38since I first laid eyes on that woman.
1:24:41 > 1:24:44It's the women. Isn't it?
1:24:44 > 1:24:46It's always the women.
1:24:48 > 1:24:50What they do to us.
1:24:52 > 1:24:54What we do to them.
1:24:57 > 1:25:01BIRDSONG
1:25:04 > 1:25:08BELL TOLLS
1:25:08 > 1:25:12PHONE RINGS
1:25:24 > 1:25:28PHONE RINGS
1:25:30 > 1:25:32Quirke.
1:25:32 > 1:25:33MAL: 'It's Sarah.'
1:25:35 > 1:25:37What about her, Mal?
1:25:38 > 1:25:40'She's gone.'
1:25:40 > 1:25:43Mal, I just want to say that I...
1:25:43 > 1:25:44'She's dead.
1:25:44 > 1:25:46'Quirke.
1:25:46 > 1:25:48'She died.
1:25:49 > 1:25:51'She just collapsed.
1:25:52 > 1:25:57'She said she had a pain in her head. She fell down and died.
1:25:57 > 1:26:01'I got her to the hospital but...
1:26:01 > 1:26:02'it was no good.
1:26:02 > 1:26:03'She's gone.
1:26:06 > 1:26:08'It must...must have been a cerebral haemorrhage.
1:26:10 > 1:26:14'I'm, er... I'm at the hospital now.'
1:26:18 > 1:26:21HE HANGS UP PHONE
1:26:31 > 1:26:34HE BREATHES HEAVILY
1:27:10 > 1:27:12LIVELY CHATTER
1:27:15 > 1:27:18How are things, Mr Quirke?
1:27:20 > 1:27:23STOPPER POPS
1:28:16 > 1:28:18You're hellbent on killing yourself with liquor.
1:28:18 > 1:28:19Help me.
1:28:19 > 1:28:22I just know something terrible has happened to April.
1:28:22 > 1:28:25- Get off me, Jimmy. - Watch your step!
1:28:25 > 1:28:27You think I don't know you were carrying on
1:28:27 > 1:28:29with your own brother's wife?
1:28:29 > 1:28:31- What would you say that is? - Maybe I should marry you.
1:28:31 > 1:28:35I don't need your forgiveness and I don't need anybody else's.