Episode 5

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0:00:02 > 0:00:04This programme contains scenes which some viewers may find upsetting

0:00:04 > 0:00:07- Carys!- My mum killed herself and I think it has something to do

0:00:07 > 0:00:10- with your daughter Carys.- 23 years gone and you lot are still at it.

0:00:10 > 0:00:11SHE GASPS

0:00:11 > 0:00:13You're my mother! And I'm your daughter!

0:00:13 > 0:00:15I don't want you.

0:00:15 > 0:00:17What have you done to her?

0:00:17 > 0:00:18- Aron...- What have you done?

0:00:18 > 0:00:20Dad? What's happened?

0:00:20 > 0:00:23Let's keep this our secret.

0:00:23 > 0:00:25If only Matilda could remember something.

0:00:26 > 0:00:27Like who took her.

0:00:27 > 0:00:30He gazed into a mirror, a black mirror.

0:00:30 > 0:00:32He thought he was talking to angels.

0:00:32 > 0:00:36I feel like there's something in me, scared of what I'm going to see.

0:00:36 > 0:00:39- You can't look away. - And keep watching the mirror.

0:00:39 > 0:00:41No matter what, I'll be right here.

0:00:41 > 0:00:43That's what the voice said.

0:00:43 > 0:00:46She's trapped in a field of yellow flowers.

0:01:21 > 0:01:22THUD! Ahhh!

0:01:28 > 0:01:31BACKWARDS SPEECH

0:01:32 > 0:01:36- CRACKLING - Which brings me to my next guest,

0:01:36 > 0:01:40a young cellist who's received rave reviews for her debut recording,

0:01:40 > 0:01:44and has already sold out her season at the Royal Elizabeth Hall,

0:01:44 > 0:01:46Matilda Gray.

0:01:46 > 0:01:48- Welcome.- It's great to be here.

0:01:48 > 0:01:51Some cynics may see this as a cycle.

0:01:51 > 0:01:54Every few years, we see a young, glamorous musician

0:01:54 > 0:01:59held up as a saviour who's going to make classical music relevant again.

0:01:59 > 0:02:03Honestly, I'm just a cellist and I don't do this to sell tickets.

0:02:03 > 0:02:04So why do you do it?

0:02:06 > 0:02:09Because my music, it's in me and it has to get out.

0:02:14 > 0:02:15It's me.

0:02:16 > 0:02:18I've found her.

0:03:06 > 0:03:08BACKWARDS SPEECH

0:03:15 > 0:03:16MOBILE CLICKS

0:03:24 > 0:03:26ENGINE REVS

0:03:47 > 0:03:49Tilly?

0:03:50 > 0:03:52Sorry, what?

0:03:52 > 0:03:54He's here, and he's brought someone.

0:04:00 > 0:04:01David. David, hi.

0:04:03 > 0:04:07Sorry, David's my godson. He's staying with me at the moment.

0:04:07 > 0:04:10Oh, no, it's fine, he's fine. He's welcome here, right?

0:04:10 > 0:04:12Sure thing.

0:04:12 > 0:04:14I've got a new game on my computer

0:04:14 > 0:04:17and I'm having a bit of trouble beating it.

0:04:17 > 0:04:19Do you want to help me out?

0:04:19 > 0:04:21Matilda? Shall we?

0:04:24 > 0:04:27Carys, in a field of yellow flowers, just like Laura said.

0:04:30 > 0:04:31Any child could have done this.

0:04:33 > 0:04:34What, that?

0:04:34 > 0:04:36Carys was here in this room when she drew this.

0:04:36 > 0:04:39- You need to show these to Graves. - Matilda, listen.

0:04:39 > 0:04:41You need to get her to reopen the investigation.

0:04:41 > 0:04:42I'm not dismissing you.

0:04:42 > 0:04:44But I know how the police work, and we're going to need more,

0:04:44 > 0:04:46something that links these drawings with Carys.

0:04:46 > 0:04:50These were hers, all right? I just, I just know they are.

0:04:50 > 0:04:52We can't ask Rose.

0:04:52 > 0:04:55If Sean Howell is around, like you say,

0:04:55 > 0:04:57he might be able to identify it as his daughter's.

0:04:57 > 0:05:00- I can't find him. - He said he had a campsite.

0:05:00 > 0:05:01Yeah, I can't find that either.

0:05:01 > 0:05:04I was looking for it this morning and I can't find it.

0:05:04 > 0:05:07I've got a mate, high up in Cardiff.

0:05:07 > 0:05:09I'll send them your photos. If I can get him interested,

0:05:09 > 0:05:11- he might recommend a review. - How long will that take?

0:05:11 > 0:05:13- I'll push as hard as I can. - How long?

0:05:13 > 0:05:15Matilda, I'm on your side but you have to understand,

0:05:15 > 0:05:17a 23-year-old case, whatever I do...

0:05:18 > 0:05:20..it's not going to be priority.

0:05:33 > 0:05:35So?

0:05:36 > 0:05:37Dead end?

0:05:41 > 0:05:43I thought you said you were flying home?

0:05:45 > 0:05:46Got delayed.

0:05:48 > 0:05:51Look, I'm sensing some hostility here.

0:05:54 > 0:05:55I've got to go.

0:05:57 > 0:05:59The reason we decided to put the show on in the boxing gym is...

0:05:59 > 0:06:01STATIC

0:06:01 > 0:06:03My first guest...

0:06:03 > 0:06:08RADIO STATIONS SWITCH

0:06:16 > 0:06:18CRACKLING

0:06:18 > 0:06:21BACKWARDS SPEECH

0:06:33 > 0:06:35CRACKLING INTENSIFIES

0:06:35 > 0:06:37I've just put the kettle on.

0:06:37 > 0:06:40Everything that Bessie said about Carys was true.

0:06:40 > 0:06:44I've seen it with my own eyes. I want her to tell me more.

0:06:47 > 0:06:50- That was just my illness. - It's not an illness, it's real.

0:06:53 > 0:06:56Well, I, I don't get those voices any more.

0:06:58 > 0:06:59I'm better now.

0:07:00 > 0:07:02Laura.

0:07:06 > 0:07:09There's something up at the old house.

0:07:09 > 0:07:13Angels or spirits or... I don't know what they are.

0:07:13 > 0:07:15But I saw one last night,

0:07:15 > 0:07:17and it was trying to tell me something,

0:07:17 > 0:07:19but I couldn't understand, but I think maybe you can.

0:07:21 > 0:07:24Please? I'm so close to an answer.

0:07:29 > 0:07:31KETTLE WHISTLES

0:07:31 > 0:07:33What do you want me to do?

0:07:33 > 0:07:35When do you take those?

0:07:36 > 0:07:39Oh, I was supposed to take them an hour ago, I...

0:07:40 > 0:07:42Let Bessie come back.

0:07:47 > 0:07:50- What?- Is that your favourite piece of music?

0:07:50 > 0:07:52You asked me what I like, you didn't say what's my favourite.

0:07:52 > 0:07:55- OK, I'm asking now, then.- Mm, erm...

0:07:58 > 0:08:03- Blues.- Mm.- Probably.- Yeah? - Billie Holiday.

0:08:04 > 0:08:08- Yeah. Yeah. - You?- Oh, it's too many.

0:08:09 > 0:08:12That's Hal-speak for "You probably haven't heard of any of them."

0:08:12 > 0:08:13Hey, you probably haven't!

0:08:17 > 0:08:20I've been thinking, maybe I've been too obsessed with classical.

0:08:21 > 0:08:23Might be time for something new.

0:08:27 > 0:08:30- Wh...?- Um...

0:08:30 > 0:08:33- MOBILE RINGS - Oh.- OK.

0:08:34 > 0:08:37Hal? It's Kath, Janice's friend.

0:08:37 > 0:08:39I got your number from Matilda's agent.

0:08:39 > 0:08:42- Hey, Kath, how can I help you? - Well, is Matilda there?

0:08:42 > 0:08:43No, she's not here at the moment.

0:08:43 > 0:08:46Oh, I wanted to check that she'd received her birth certificate.

0:08:46 > 0:08:50I haven't heard from her and I was starting to get worried, so, well,

0:08:50 > 0:08:53I thought it's best I try and get hold of her through you.

0:08:53 > 0:08:56Her birth, her birth certificate? So, you found it?

0:08:56 > 0:08:59Yeah, and I sent it to her a couple of days ago,

0:08:59 > 0:09:01but I've not heard back.

0:09:01 > 0:09:03I know she needed it urgently for the job in the States.

0:09:03 > 0:09:04Yeah, do you know what?

0:09:04 > 0:09:08She's been having a really bad run of her phone.

0:09:08 > 0:09:10Could you send it again, but send it to me this time?

0:09:10 > 0:09:12Oh, you're a darling. I'm doing it right now.

0:09:12 > 0:09:15- Yeah, OK.- I'll make sure that she gets it, goodbye.- Bye.

0:09:24 > 0:09:26Everything OK?

0:09:28 > 0:09:30Erm, yeah, it's fine.

0:09:32 > 0:09:34It's... I need to run.

0:09:35 > 0:09:36- Oh, OK.- So, erm...

0:09:41 > 0:09:43See you.

0:10:06 > 0:10:08Something terrible happened in here.

0:10:10 > 0:10:11To Carys?

0:10:13 > 0:10:15I don't know.

0:10:22 > 0:10:25Lloyd said that I should give you something that belonged to her.

0:10:33 > 0:10:35No, that wasn't hers.

0:11:00 > 0:11:03SHE MUMBLES

0:11:03 > 0:11:06GHOSTLY WHISPERING

0:11:06 > 0:11:08What does Bessie say?

0:11:08 > 0:11:11Oh, I don't know. She's whispering.

0:11:17 > 0:11:19SHE BREATHES HEAVILY

0:11:24 > 0:11:26BACKWARD SCREAMS

0:11:30 > 0:11:33Oh! No! God!

0:11:37 > 0:11:38What is it?

0:11:38 > 0:11:42She was kept in that room, locked up while they waited.

0:11:42 > 0:11:44Who? Who locked her up?

0:11:48 > 0:11:49He died in there.

0:11:50 > 0:11:52- Alone.- He?

0:11:53 > 0:11:54Who are you talking about?

0:11:54 > 0:11:58Look. What you saw...

0:11:58 > 0:12:01- They're not the danger. - You mean the angels?- The angels.

0:12:01 > 0:12:03There's something else, erm, yeah.

0:12:03 > 0:12:06The moon'll be full tomorrow and then, they'll be ready.

0:12:06 > 0:12:08What will be ready?

0:12:13 > 0:12:15I...

0:12:18 > 0:12:22No. No.

0:12:23 > 0:12:25This... It's gone.

0:12:31 > 0:12:35She'll tell me tonight. Best to be stronger then.

0:12:42 > 0:12:45- Nick?- Hi, come in.

0:12:45 > 0:12:49- How's it going?- Yeah, I'm looking for Matilda, is she...?

0:12:49 > 0:12:51Um, inside with her friend.

0:12:59 > 0:13:00What the hell?

0:13:02 > 0:13:06I asked if she wanted to keep it and she said, "Get it out," so...

0:13:16 > 0:13:18Bessie, you like it too?

0:13:22 > 0:13:25- You and me, we'll both.. - What's going on?

0:13:26 > 0:13:28Erm...

0:13:28 > 0:13:30That's Laura.

0:13:30 > 0:13:34- I told you about her.- The psychic. - She knows what happened here.

0:13:34 > 0:13:36And what would that be?

0:13:36 > 0:13:38Hal, I've been reading more about John Dee

0:13:38 > 0:13:42and he wasn't just trying to talk to angels,

0:13:42 > 0:13:44he was trying to summon them.

0:13:47 > 0:13:49- Control them.- Jesus Christ.

0:13:49 > 0:13:53And I think someone is still doing it.

0:13:54 > 0:13:56And bringing them here.

0:13:58 > 0:14:00I've seen them. And Laura sensed them.

0:14:03 > 0:14:04And your cello?

0:14:06 > 0:14:07Is that with the angels?

0:14:09 > 0:14:12- Don't want to talk about that. - You don't want to talk about that?

0:14:12 > 0:14:13Do you want to talk about this?

0:14:17 > 0:14:19Kath said she sent it to you on Monday.

0:14:21 > 0:14:22When were you going to tell me?

0:14:27 > 0:14:29- It's fake.- It's what?

0:14:31 > 0:14:32It's a fake, it must be.

0:14:32 > 0:14:36So, it says the name of a real hospital, a real doctor,

0:14:36 > 0:14:39a real mother and father, your father, by the way.

0:14:39 > 0:14:40No, that's not me, that's not me.

0:14:41 > 0:14:43- I know who I am.- Yes.

0:14:43 > 0:14:48Matilda Joanne Gray, born April 25, 1990, Manchester,

0:14:48 > 0:14:51daughter to Ronald Gray, army engineer.

0:14:51 > 0:14:54- No!- Mother, Janice Gray. - Why are you doing this?

0:14:54 > 0:14:55You, me, us,

0:14:55 > 0:14:58we have been nothing short of a disaster for this community.

0:14:58 > 0:15:01- We came here because you wanted to. - For you!

0:15:01 > 0:15:04I dropped everything and came here for you.

0:15:04 > 0:15:06Like, everything I've done since the first time I saw you,

0:15:06 > 0:15:09every single thing I've done has been to please you.

0:15:16 > 0:15:17And you know...

0:15:21 > 0:15:22You know.

0:15:24 > 0:15:26Hal.

0:15:28 > 0:15:29I feel like I'm coming apart.

0:15:32 > 0:15:35I thought that I was figuring out who I am.

0:15:35 > 0:15:37The more that I dig, it's like...

0:15:41 > 0:15:45It's like I'm unravelling, it's like there's a hole in me.

0:15:46 > 0:15:48Then stop it.

0:15:49 > 0:15:53- Stop it all.- I can't, I can't! I need to know...

0:15:53 > 0:15:56No, you don't. People are being hurt, by you,

0:15:56 > 0:15:58- there's a woman in hospital. - That's not my fault!

0:15:58 > 0:16:00Then whose fault is it?

0:16:00 > 0:16:03Huh? I mean, bloody hell, we pushed a woman to suicide.

0:16:03 > 0:16:05Is it really worth that?

0:16:05 > 0:16:07I know what you want, you just want me back on my cello,

0:16:07 > 0:16:09so you can carry on riding on my coat-tails.

0:16:09 > 0:16:12Well, I'm not going back, and I'm not performing any more.

0:16:12 > 0:16:15So you can just go back and find someone else to carry you!

0:16:23 > 0:16:25Fine, fine.

0:16:27 > 0:16:28If you won't stop this, I will.

0:16:44 > 0:16:46Message, boss, Croxford Assizes.

0:16:46 > 0:16:49- Aron Morgan?- Bail granted.

0:16:49 > 0:16:52Magistrate said first offence, sole carer for his son.

0:16:52 > 0:16:55He should be heading home right now.

0:16:55 > 0:16:56Good news for the young kid.

0:16:58 > 0:17:00You all right, boss?

0:17:01 > 0:17:05- Yeah, I need to go out. - But you just got back.

0:17:08 > 0:17:11Is that...? It's a beauty.

0:17:14 > 0:17:16- Ah.- You want to be careful with that.

0:17:19 > 0:17:21It's old, you know?

0:17:22 > 0:17:23Valuable.

0:17:41 > 0:17:44DOOR OPENS

0:17:48 > 0:17:50That Laura,

0:17:50 > 0:17:52maybe someone ought to be watching her.

0:17:52 > 0:17:54You said it was OK, her coming here.

0:17:54 > 0:17:56Yeah, I did.

0:17:56 > 0:17:58Look, if I've done something to piss you off...

0:18:01 > 0:18:04..can you let me know? Cos this vibe here is killing me.

0:18:04 > 0:18:08If you want this vibe to improve, maybe start telling me the truth.

0:18:09 > 0:18:11I know you lied to me.

0:18:22 > 0:18:23You're right.

0:18:25 > 0:18:28- I don't know no wine bar. - I don't give a shit about that.

0:18:28 > 0:18:30Sorry, you said I was lying and so...

0:18:30 > 0:18:33I'm talking about the night that I blacked out.

0:18:33 > 0:18:35Sylvia was here. She did something to me.

0:18:35 > 0:18:37- She drugged me or... - Wait, wait, Sylvia?

0:18:37 > 0:18:40I don't know. I don't know. I don't know what's going on.

0:18:40 > 0:18:43I just know that you told me that nothing happened,

0:18:43 > 0:18:44and then I woke up in your bed.

0:18:44 > 0:18:46But hang on, what I told you is true.

0:18:46 > 0:18:48That night, I was in my room, I was asleep.

0:18:48 > 0:18:51You came in, you were upset, freaking out.

0:18:51 > 0:18:53She was here the other day, hanging out with you.

0:18:54 > 0:18:56We were talking about...

0:18:56 > 0:19:00..selling some of the old books and antiques in the house.

0:19:00 > 0:19:03But listen, if you think that she's done something to you,

0:19:03 > 0:19:05I will tell her to piss off, like,

0:19:05 > 0:19:07she never comes back to this house again.

0:19:09 > 0:19:11OK?

0:19:14 > 0:19:16I don't know what to believe.

0:19:59 > 0:20:01Stop looking at me.

0:20:02 > 0:20:04I can't just turn it on and off, you know.

0:20:07 > 0:20:11Maybe we should go up to the room with the pictures,

0:20:11 > 0:20:13or down to the basement.

0:20:13 > 0:20:16Here or there, best you talk when she's ready.

0:20:17 > 0:20:19You know she's calling you.

0:20:22 > 0:20:25It's a nice bit of real estate, this, isn't it?

0:20:26 > 0:20:29Everyone says old man Dean was a good sort.

0:20:29 > 0:20:33Look at all this. You sell one of these vases,

0:20:33 > 0:20:35you could pay my rent for a year.

0:20:36 > 0:20:40How can you call someone generous when they hoard all this lot away?

0:20:41 > 0:20:43Do you know what, I'm going to have one of them as well.

0:20:43 > 0:20:46Good idea. Do you want some ice with that?

0:20:46 > 0:20:48Hey! What did you just do with that?

0:20:48 > 0:20:51- What?- That thing you were holding, you pocketed it.

0:20:51 > 0:20:53- Nick!- No, you did, I saw you. - Let go...

0:20:53 > 0:20:56No, she's a bloody junkie and she's stealing my...

0:20:56 > 0:20:59SHE GULPS

0:21:01 > 0:21:02- What do we do?- Help me.

0:21:02 > 0:21:05Shall we stop her, like, swallowing her tongue?

0:21:05 > 0:21:10Pwll Halen, Pwll Halen, Pwll Halen, Pwll Halen, Pwll Halen...

0:21:12 > 0:21:17- What are you doing?- Pwll Halen, Pwll Halen, Pwll Halen...

0:21:24 > 0:21:27- SHE WHEEZES - I'm calling an ambulance.

0:21:29 > 0:21:31Nick, don't, no, she's all right.

0:21:33 > 0:21:34You're OK.

0:21:35 > 0:21:37OK now.

0:21:41 > 0:21:45WHISPERING

0:21:53 > 0:21:55I'm perfectly capable of taking her home.

0:21:58 > 0:22:02- I think it's better if you don't. - I didn't mean Laura any harm.

0:22:02 > 0:22:04But still, you've done her harm.

0:22:05 > 0:22:07Good night, Matilda.

0:22:07 > 0:22:10Please don't contact Laura again.

0:22:15 > 0:22:17Follow me. That's it...

0:22:21 > 0:22:24DOOR OPENS

0:23:16 > 0:23:18EERIE RUMBLING

0:23:57 > 0:23:59TWIG SNAPS

0:24:09 > 0:24:10This is PC Graves.

0:24:10 > 0:24:13I'm at the rear of Dean House, over the stream on Weatherhill Lane,

0:24:13 > 0:24:15requesting urgent backup.

0:24:20 > 0:24:22Ahhh! Ugh!

0:24:25 > 0:24:26Aron!

0:24:33 > 0:24:35Aron! Are you all right?

0:24:38 > 0:24:41- Shit.- You're done, Ed! Give up, it'll be easier.

0:24:45 > 0:24:48GHOSTLY WHISPERS

0:25:45 > 0:25:51Pwll Halen, Pwll Halen, Pwll Halen, Pwll Halen...

0:25:54 > 0:25:56Pwll Halen, Pwll Hal...

0:25:56 > 0:26:01Pwll Halen, Pwll Halen, Pwll Halen, Pwll Halen...

0:26:01 > 0:26:06Pwll Halen, Pwll Halen, Pwll Halen, Pwll Halen...

0:26:06 > 0:26:10Pwll Halen, Pwll Halen, Pwll Halen, Pwll Halen...

0:26:24 > 0:26:26FOOTSTEPS

0:26:26 > 0:26:29- Here you go, still warm from the dryer.- Thank you.

0:26:32 > 0:26:37So, this fella you're looking for in Manchester,

0:26:37 > 0:26:39the one called Gray,

0:26:39 > 0:26:42- how do you know he'll still be there?- I don't.

0:26:42 > 0:26:45But he was in the Queen's Engineers and there's a base at Sale,

0:26:45 > 0:26:46so I need to go to Manchester.

0:26:48 > 0:26:51And Matilda can't do it herself, because...?

0:26:51 > 0:26:52It's complicated.

0:26:57 > 0:27:00I never thought anything would change in this place,

0:27:00 > 0:27:02but you two coming here...

0:27:03 > 0:27:05Well, it feels like a new start.

0:27:05 > 0:27:07For me, at least.

0:27:11 > 0:27:12OK, let's get you to the train, then.

0:27:12 > 0:27:14Actually, I need to tell you something.

0:27:18 > 0:27:19- You're married?- No.

0:27:19 > 0:27:21- Girlfriend?- No!

0:27:29 > 0:27:31Matilda's mum had a box of photos.

0:27:33 > 0:27:34Really?

0:27:34 > 0:27:36Your dad was in them.

0:27:45 > 0:27:46- That's Rose.- Yeah.

0:27:48 > 0:27:49Yeah, there's more, there's a sequence.

0:27:49 > 0:27:51First they're shouting,

0:27:51 > 0:27:54then she tries to walk away and he has his arms around her.

0:27:56 > 0:27:58Matilda thought Rose was hiding something.

0:27:58 > 0:28:01Maybe it's not about Carys, maybe it was just about...

0:28:04 > 0:28:05..this.

0:28:07 > 0:28:09When this photo was taken, my mother was dying.

0:28:15 > 0:28:17Slowly.

0:28:17 > 0:28:20And now you're telling me that my dad...

0:28:22 > 0:28:24..was screwing Rose Howell?

0:28:24 > 0:28:25I'm not, I...

0:28:27 > 0:28:30I wasn't even sure whether to show you the photo.

0:28:30 > 0:28:32- But I care about you so much.- No.

0:28:32 > 0:28:35- Get yourself to the bloody station. - Trudy...

0:28:40 > 0:28:44Curing shed. All the high-grade hydroponic crop ready to go.

0:28:45 > 0:28:48My guess is they were taking it out for sale.

0:28:48 > 0:28:50- To who?- Usual suspects.

0:28:52 > 0:28:55Well, apparently, Morgan's keeping his mouth shut.

0:28:55 > 0:28:56Eddie'll spill.

0:28:57 > 0:28:59We just need to find him.

0:29:06 > 0:29:08We had a lot of good times.

0:29:10 > 0:29:11I need to ask you something.

0:29:13 > 0:29:15That day.

0:29:16 > 0:29:17With Carys.

0:29:19 > 0:29:21Mum was...

0:29:22 > 0:29:25..crying on the stairs and when you came home,

0:29:25 > 0:29:28you didn't even want to know what was wrong.

0:29:29 > 0:29:31All you wanted to do was wash your clothes.

0:29:36 > 0:29:38It was a long time ago.

0:29:42 > 0:29:44I remember every single thing about that day.

0:29:45 > 0:29:48There could have been a million reasons.

0:29:48 > 0:29:50I could have been dirty from the cellar.

0:29:50 > 0:29:52So, why did you ask me to keep it a secret?

0:29:53 > 0:29:56- We should talk about this later. - About you and Rose?

0:29:57 > 0:29:59Is that lad from London feeding you this?

0:29:59 > 0:30:01At the play park, Mum went to call someone.

0:30:01 > 0:30:04She left me with Carys. It was you she called, wasn't it?

0:30:04 > 0:30:05- No.- Rose, then.

0:30:07 > 0:30:09I never thought we lied to each other.

0:30:10 > 0:30:13We fought, yeah, but we never lied.

0:30:14 > 0:30:19- Love, this is 20 years past. - Not for me!

0:30:20 > 0:30:21It's not for me!

0:30:23 > 0:30:26Mum got worse again and then she died,

0:30:26 > 0:30:30and I have always thought that I did that by losing Carys,

0:30:30 > 0:30:33that I did that to her, and all this time,

0:30:33 > 0:30:35you have let me think that when really it was you,

0:30:35 > 0:30:39it was you who pushed her over the edge, all you!

0:31:02 > 0:31:04Trudy?

0:31:05 > 0:31:07Are you all right?

0:31:07 > 0:31:09Yeah, I'm just a bit...

0:31:10 > 0:31:11A bit dizzy.

0:31:13 > 0:31:14I'm sorry.

0:31:17 > 0:31:19I was hoping that you could help me with something.

0:31:22 > 0:31:25Pwll Halen, Pwll Halen, Pwll Halen...

0:31:27 > 0:31:29Well, it's Welsh.

0:31:30 > 0:31:32"Pwll halen". Salt pool.

0:31:34 > 0:31:38- Is there a salt... A saltwater pool near here?- No.

0:31:40 > 0:31:42But Pwll Halen's the name of a caravan site.

0:31:44 > 0:31:47It's a local hippie hang-out, it's a short drive from here.

0:31:47 > 0:31:49- Can you show me?- Yeah.

0:31:54 > 0:31:56There's a formal procedure

0:31:56 > 0:31:58for requesting a relative's service record.

0:31:58 > 0:32:00I can see that.

0:32:03 > 0:32:06It's just I've driven all the way from London to Manchester

0:32:06 > 0:32:09and this project, tracking down the extended family,

0:32:09 > 0:32:11is actually my gran's dream.

0:32:11 > 0:32:12She's 87.

0:32:12 > 0:32:15Well, we can't hand out details about current personnel,

0:32:15 > 0:32:18but I'll tell you there's no Ronald Gray

0:32:18 > 0:32:19presently stationed here.

0:32:19 > 0:32:22Would you be able to check whether he was here?

0:32:22 > 0:32:23Maybe in the '90s?

0:32:23 > 0:32:26Look, my gran really isn't well.

0:32:26 > 0:32:28She hasn't got much time left.

0:32:29 > 0:32:34Celia, this gentleman's looking for a relative, a Sgt Ronald Gray.

0:32:34 > 0:32:36Do you remember anyone by that name stationed here,

0:32:36 > 0:32:37maybe back in the '90s?

0:32:39 > 0:32:41Well, there was a Ron Gray.

0:32:43 > 0:32:47But he's dead, love. Must be 25 years since...

0:32:47 > 0:32:49- Dead how?- Car accident.

0:32:49 > 0:32:51Happened just as I started here.

0:32:53 > 0:32:56- Horrible thing.- And would you know if his family stayed in the area?

0:32:58 > 0:33:00They were killed too, I think.

0:33:00 > 0:33:02Wife and young daughter.

0:33:02 > 0:33:04And sorry, would you know the names?

0:33:06 > 0:33:07No idea.

0:33:08 > 0:33:10Mind, you could find out easy enough.

0:33:10 > 0:33:12It was in all the papers.

0:33:13 > 0:33:14Thank you.

0:33:18 > 0:33:19Oh, Jesus.

0:33:21 > 0:33:22I think I'm going to puke.

0:33:24 > 0:33:27- I can drive.- No, no, it's just these potholes.

0:33:27 > 0:33:29Over there.

0:33:34 > 0:33:36Welcome to the lovely Pwll Halen,

0:33:36 > 0:33:39for all your tie-dye and incense needs.

0:33:39 > 0:33:42I'm just going to stay here and let my stomach settle.

0:33:42 > 0:33:44See you in a minute.

0:34:05 > 0:34:07MOBILE BUZZES

0:34:22 > 0:34:24- ANSWERPHONE: - Hi, this is Matilda Gray.

0:34:24 > 0:34:27Leave a message and I will get back to you as soon as I can.

0:34:27 > 0:34:29Tilly, I know you're angry with me,

0:34:29 > 0:34:31but I've dug up some stuff about your dad.

0:34:32 > 0:34:35Just call me as soon as you can, it's important.

0:34:44 > 0:34:45So...

0:34:45 > 0:34:47What are we looking for?

0:35:10 > 0:35:11That.

0:35:20 > 0:35:22Hello. Is this yours?

0:35:24 > 0:35:26No-one will talk to you, you know.

0:35:27 > 0:35:29They think you're police.

0:35:31 > 0:35:33That symbol.

0:35:34 > 0:35:36I wanted to ask you about it.

0:35:42 > 0:35:43I'll put the kettle on.

0:35:53 > 0:35:57So, is this about the child?

0:35:59 > 0:36:00What child?

0:36:03 > 0:36:06I'm trying to find out about Carys Howell.

0:36:07 > 0:36:09The girl who went missing from Penllynith.

0:36:10 > 0:36:12That symbol on your bus...

0:36:14 > 0:36:16The more I look, the more it keeps cropping up.

0:36:19 > 0:36:25I've been here 20 years, since the slate works finished.

0:36:25 > 0:36:27Always had a few traps in the woods...

0:36:28 > 0:36:29..to make ends meet.

0:36:32 > 0:36:35One time, I was out,

0:36:35 > 0:36:37checking 'em and, er...

0:36:38 > 0:36:40..the dog found something.

0:36:42 > 0:36:43Bones.

0:36:45 > 0:36:46A child's bones.

0:36:49 > 0:36:53As soon as I found 'em, I called the police, two came by,

0:36:53 > 0:36:56Penllynith coppers, put 'em in a bag, took 'em away...

0:36:57 > 0:36:59..and told me it was a sheep.

0:37:02 > 0:37:03How do you know it wasn't?

0:37:05 > 0:37:08Have you ever seen a child's skeleton? Hm?

0:37:11 > 0:37:12No.

0:37:14 > 0:37:18Anyhow, there was a bracelet on the wrist.

0:37:18 > 0:37:21Ever heard of a sheep wearing a bracelet?

0:37:24 > 0:37:28The bracelet had that symbol on the side of my bus.

0:37:30 > 0:37:31I've never been able to...

0:37:33 > 0:37:34..get it out of my head.

0:37:35 > 0:37:37And when was this?

0:37:38 > 0:37:41Oh, about three years after...

0:37:42 > 0:37:45..young Carys disappeared.

0:37:48 > 0:37:51You're saying Carys is dead?

0:37:54 > 0:37:57They searched everywhere for that little girl.

0:37:59 > 0:38:03I was like everyone else, I thought she had just vanished...

0:38:08 > 0:38:10..until that day.

0:38:17 > 0:38:21I come here when I can.

0:38:22 > 0:38:24To remember.

0:38:25 > 0:38:27I feel like someone ought to.

0:38:29 > 0:38:34And you never said anything? To anyone? All these years?

0:38:34 > 0:38:37The cops told me to shut up about it.

0:38:38 > 0:38:43I was on a suspended sentence for burglary, so, er...

0:38:45 > 0:38:47..when the law tells you to shut up, you...

0:38:48 > 0:38:50You shut up.

0:38:53 > 0:38:57- The police who came out here, do you remember their names?- No.

0:38:58 > 0:39:00One uniform, one plainclothes.

0:39:01 > 0:39:03A detective, I figured.

0:39:09 > 0:39:11I, erm...

0:39:12 > 0:39:14I buy her flowers when I can.

0:39:16 > 0:39:17Would you have...

0:39:19 > 0:39:20..a few pounds to spare?

0:39:25 > 0:39:27Oh, God bless you.

0:39:30 > 0:39:34Guardian, Manchester Post, Manchester Chronicle.

0:39:34 > 0:39:38- September 17th and a few days after. - OK, thank you.

0:39:39 > 0:39:41Need anything else, let me know.

0:40:45 > 0:40:46Janice.

0:40:56 > 0:41:00- Kendrick!- Hey. I was going to call you.

0:41:00 > 0:41:02- Why didn't you tell me? - Tell you what?

0:41:02 > 0:41:05Went out to Pwll Halen, heard about the body, the child's body,

0:41:05 > 0:41:08- covered up by the local police. - Is that right?

0:41:08 > 0:41:11Spoke to a witness, the police came down to his caravan,

0:41:11 > 0:41:14back when you were in charge, and took the body away.

0:41:14 > 0:41:17- Told him it was a sheep. - Stan. His name, wasn't it?

0:41:17 > 0:41:20- Yeah, you know him? - When a child goes missing...

0:41:21 > 0:41:23..all the crazies come out of the woodwork.

0:41:23 > 0:41:26Our Stan, he was one of the most persistent.

0:41:26 > 0:41:28I haven't heard of him since I retired.

0:41:28 > 0:41:31- Seems he's still going, then. - He showed me the grave!

0:41:31 > 0:41:35Yeah, and he asked you for a few quid to put flowers on it.

0:41:35 > 0:41:36Am I right?

0:41:36 > 0:41:39I can't believe a bright girl like you would fall for that.

0:41:42 > 0:41:45Oh, and I was going to tell you that I sent your photographs off

0:41:45 > 0:41:47to my mate in Cardiff and he promised to look at them

0:41:47 > 0:41:49as soon as he could.

0:41:49 > 0:41:51You probably don't want any more dealings

0:41:51 > 0:41:53with a bent old copper like me.

0:42:02 > 0:42:05PHONE RINGING

0:42:05 > 0:42:08ANSWERPHONE: Hi, this is Matilda Gray,

0:42:08 > 0:42:11leave a message and I will get back to you as soon as I can.

0:42:11 > 0:42:12Jesus, Matilda!

0:42:14 > 0:42:16ENGINE REVS

0:42:55 > 0:42:57- Tru?- Jesus!

0:42:59 > 0:43:02- Oh, you scared me. - I'm in trouble, Tru.

0:43:02 > 0:43:04- Big trouble.- What happened?

0:43:04 > 0:43:07- It wasn't my idea, I swear. - Just tell me what's happened.

0:43:07 > 0:43:08Behind the big house.

0:43:10 > 0:43:11We were growing weed.

0:43:13 > 0:43:15I knew we should have stopped when the old man died,

0:43:15 > 0:43:18- but now Graves has found it. - Oh, Ed! Ed.

0:43:20 > 0:43:21How much weed?

0:43:22 > 0:43:24Aron said...

0:43:25 > 0:43:27..it might be half a million pounds' worth.

0:43:27 > 0:43:30HE SOBS I think I'm going to prison, Tru.

0:43:30 > 0:43:34- Oh, Ed, you're a bloody fool. - I know, I know!

0:43:34 > 0:43:37That's why I did it. I needed money so bad.

0:43:37 > 0:43:39I knew I'd never do anything off my own bat.

0:43:39 > 0:43:41That's no excuse. We all need bloody money.

0:43:41 > 0:43:44- But I made a promise. - What promise?- To you.

0:43:45 > 0:43:47- I promised you I'd get you out of this town.- Jesus...

0:43:47 > 0:43:49And I needed money to go on with it.

0:43:58 > 0:44:00- What's this?- Oh, Jesus.

0:44:04 > 0:44:06I'm sorry.

0:44:07 > 0:44:08I was going to tell you.

0:44:10 > 0:44:11Marry me, Tru.

0:44:12 > 0:44:15- What?- I don't care about the English fella.

0:44:15 > 0:44:17I mean, as far as I'm concerned, it's all bygones.

0:44:17 > 0:44:19No, no, I'm not going to bloody marry you.

0:44:20 > 0:44:21You're all that I've got.

0:44:24 > 0:44:25No.

0:44:29 > 0:44:31I never asked you to do this,

0:44:31 > 0:44:33and I'm not going to let you make it into a problem.

0:44:37 > 0:44:39This is down to you, Eddie, and you alone.

0:44:56 > 0:44:58I'm missing something.

0:44:59 > 0:45:02A group of adults, not just Ewan,

0:45:02 > 0:45:04trying to summon angels.

0:45:05 > 0:45:08But Sean said angels can't live in our world,

0:45:08 > 0:45:09so what are they trying to achieve?

0:45:11 > 0:45:17And if they weren't just scrying, then why do they need a child?

0:45:30 > 0:45:32Laura said he died in here.

0:45:39 > 0:45:41What if there were two?

0:45:42 > 0:45:44- Two of what?- What if there were two children?

0:45:44 > 0:45:46What if they took two?

0:46:44 > 0:46:45OK.

0:46:47 > 0:46:50So, who was Aron selling to, Ed?

0:46:52 > 0:46:54I don't know.

0:46:54 > 0:46:56But it was his idea?

0:46:56 > 0:46:58I told you, no.

0:46:58 > 0:46:59Whose, then?

0:47:02 > 0:47:03Ed.

0:47:06 > 0:47:09- He's dead now. What does it matter? - Dead?

0:47:12 > 0:47:13Mr Dean.

0:47:15 > 0:47:17You and Dean?

0:47:17 > 0:47:18He told me he was going to let me go.

0:47:19 > 0:47:21Money troubles.

0:47:21 > 0:47:24I went to Aron, he had a word with Mr Dean.

0:47:25 > 0:47:28Next thing I know, we're putting strip lights up in the shed.

0:47:29 > 0:47:32- "Easy money," Aron said.- OK...

0:47:33 > 0:47:36So, why delay calling the police after Mr Dean died?

0:47:37 > 0:47:39We wanted to clean the house up.

0:47:39 > 0:47:42Aron? He wanted to hide drugs?

0:47:42 > 0:47:43Aron didn't do it.

0:47:45 > 0:47:46Well, who, then?

0:47:48 > 0:47:51Oh, come on, Ed! You've done so well.

0:47:52 > 0:47:54Who cleaned up the house?

0:47:58 > 0:48:00Oh, your call was well-timed.

0:48:01 > 0:48:04Dropped young David off with some friends, so got the afternoon off.

0:48:04 > 0:48:05Oh, nice.

0:48:07 > 0:48:09You, on the other hand, look rather tense.

0:48:09 > 0:48:12Yeah, it's Matilda. The Dean House is all locked up

0:48:12 > 0:48:15- and she's not answering her phone... - Relax. I just saw her.

0:48:16 > 0:48:19Maybe an hour ago, in town.

0:48:19 > 0:48:21- And she was OK?- Erm, not entirely.

0:48:23 > 0:48:25Been talking to some local kook whose filled her head

0:48:25 > 0:48:28with more nonsense about poor Carys.

0:48:28 > 0:48:30Something else bothering you?

0:48:30 > 0:48:32Well, the real reason I called you...

0:48:36 > 0:48:39There was a police officer originally out of Manchester

0:48:39 > 0:48:42- called Mary McEwan. - Why are you asking?

0:48:42 > 0:48:44Do you know her?

0:48:44 > 0:48:46She transferred here,

0:48:46 > 0:48:48back when I was running the show.

0:48:48 > 0:48:51She'd had some problems over in Manchester,

0:48:51 > 0:48:53made some enemies on the job, so...

0:48:53 > 0:48:55When was this?

0:48:55 > 0:48:58Late '93.

0:48:58 > 0:49:01But she wasn't here long. She went Awol.

0:49:01 > 0:49:03You mean she disappeared?

0:49:03 > 0:49:06There had been some questions about her mental stability.

0:49:08 > 0:49:12We'd had complaints about her harassing people and behaving oddly,

0:49:12 > 0:49:15so when she went missing, it wasn't really treated as suspicious.

0:49:15 > 0:49:17Hm, but...

0:49:17 > 0:49:19Sorry...

0:49:19 > 0:49:23That's '93, so you're saying that she arrived in the area

0:49:23 > 0:49:27a few months before Carys went missing, and then she disappeared?

0:49:27 > 0:49:29Not long after.

0:49:31 > 0:49:35You think Mary McEwan had something to do with taking the girl?

0:49:35 > 0:49:40Two people died in a car crash in Manchester and I have the idea...

0:49:42 > 0:49:44..maybe Mary used their identities.

0:49:45 > 0:49:49I mean, not... I mean, used their names to establish

0:49:49 > 0:49:53a new identity for herself, and maybe Carys too.

0:49:54 > 0:49:59The way things were back in the '90s, it could have been done.

0:49:59 > 0:50:02- But why would she? - Cos you said she was unstable.

0:50:04 > 0:50:08Let me dig out my old files, see what I can find on her.

0:50:09 > 0:50:11OK, thank you, thank you, that's brilliant.

0:50:13 > 0:50:16- I'm going to head into town and track Matilda down.- OK.

0:50:16 > 0:50:21I'll ring you when I've had a look and if there is anything in this,

0:50:21 > 0:50:24anything at all, I promise you, I will find it.

0:50:25 > 0:50:27OK. Thank you.

0:50:42 > 0:50:45MUSIC: Crazy He Calls Me by Billie Holiday

0:50:54 > 0:50:58# I say I'll move the mountains

0:50:58 > 0:51:02# And I'll move the mountains

0:51:02 > 0:51:06# If he wants them out of the way

0:51:09 > 0:51:13# Crazy he calls me

0:51:13 > 0:51:16# Sure, I'm crazy

0:51:16 > 0:51:19# Crazy in love, I say... #

0:51:19 > 0:51:21GHOSTLY WHISPERS

0:51:21 > 0:51:25# I say I'll go through fire

0:51:25 > 0:51:28# And I'll go through fire

0:51:29 > 0:51:33# As he wants it, so it will be

0:51:36 > 0:51:38# Crazy, he calls me

0:51:39 > 0:51:42# Sure, I'm crazy

0:51:42 > 0:51:46# Crazy in love, you see

0:51:49 > 0:51:53# Like the wind that shakes the bough... #

0:51:53 > 0:51:56RADIO STATIC

0:52:09 > 0:52:13GHOSTLY WHISPERS

0:52:27 > 0:52:28SHRIEKING

0:52:44 > 0:52:46False alarm, it's just some newsagent.

0:52:57 > 0:53:00- Are these made locally? - All made right here.

0:53:01 > 0:53:04- After something for the little one? - No, I was actually...

0:53:06 > 0:53:08I'm looking for something like this.

0:53:08 > 0:53:11Oh, my goodness.

0:53:11 > 0:53:14I haven't stocked these for years. My mam used to make them.

0:53:14 > 0:53:17- Is your mum around?- Oh, dead, love. Long time now.

0:53:19 > 0:53:22So, you wouldn't have any record of who bought this?

0:53:22 > 0:53:26How could I? We'd have sold dozens of them.

0:53:26 > 0:53:28Right, sure. I'm sorry to waste your time.

0:53:28 > 0:53:30Oh, God!

0:53:32 > 0:53:34- Sorry?- Well, this.

0:53:35 > 0:53:38I think it's one of the originals.

0:53:38 > 0:53:41My mam made these for my kids, her grandkids.

0:53:41 > 0:53:43So, this would have belonged to one of your children?

0:53:43 > 0:53:46Oh, no, not this one.

0:53:46 > 0:53:48I'm sorry, I don't understand.

0:53:48 > 0:53:52There was this young lad, lived down the road, his mam was a right mess.

0:53:52 > 0:53:54Drugs and the rest.

0:53:54 > 0:53:58- So, your mum made him a toy? - She was like that, always helping.

0:53:58 > 0:54:00Erm...

0:54:00 > 0:54:04- What happened the boy? - He was adopted, I think.

0:54:04 > 0:54:07- MOBILE BEEPS - No, what am I thinking.- Hello?

0:54:07 > 0:54:11He went into care, that's what the doctor said.

0:54:11 > 0:54:12The doctor?

0:54:12 > 0:54:14Oh, she came out to collect him.

0:54:14 > 0:54:16- Doctor and her husband. - You knew them?

0:54:16 > 0:54:18Of course. Dr Satlow.

0:54:18 > 0:54:21Verity Satlow, lives just outside town.

0:54:23 > 0:54:25The boy's mam cleared off shortly after.

0:54:25 > 0:54:29Came into some money, they said, but the boy, well, whatever happened,

0:54:29 > 0:54:31he was better off away from her.

0:54:31 > 0:54:34Bloody druggies. Should sterilise them all.

0:54:35 > 0:54:36Erm, Matilda.

0:54:38 > 0:54:41Sorry, it's Graves. The cop.

0:55:05 > 0:55:07Excuse me, miss, there's been an accident.

0:55:07 > 0:55:09I know there's been a bloody accident.

0:55:09 > 0:55:12- Where's Hal?- PC Graves will be over in a minute.

0:55:12 > 0:55:14She'll explain everything.

0:55:16 > 0:55:18Can you just tell me he's all right?

0:55:18 > 0:55:20He's gone.

0:55:25 > 0:55:29When I arrived at the scene, the vehicle was empty.

0:55:29 > 0:55:31No sign of a driver.

0:55:32 > 0:55:35Seems like your friend's disappeared.

0:55:55 > 0:55:57OK, thanks for letting me know.

0:55:58 > 0:56:00OK, bye.

0:56:03 > 0:56:04So?

0:56:05 > 0:56:07It seems there's been a car accident.

0:56:09 > 0:56:10Just outside of town.

0:56:11 > 0:56:14- English boy.- Oh, well.

0:56:14 > 0:56:17You know how these tourists drive.

0:56:17 > 0:56:18Bound to happen, eventually.

0:56:21 > 0:56:22You know...

0:56:23 > 0:56:27..no matter how many times we call them, I still feel it.

0:56:28 > 0:56:29Every time.

0:56:31 > 0:56:33The wonder.

0:56:34 > 0:56:39When you see what we call forth tonight,

0:56:39 > 0:56:41then you'll know what wonder is.

0:56:43 > 0:56:45I think I'm a little afraid.

0:56:47 > 0:56:51Long is the way, and hard,

0:56:51 > 0:56:55that out of hell leads up to light.

0:56:57 > 0:57:00Sorry, David was hungry.

0:57:00 > 0:57:03Ah, well, you've come to the right place.

0:57:03 > 0:57:05Here you are, my boy. Tuck in.

0:57:06 > 0:57:10- Just one, David.- Rubbish. You can have as many as you want.

0:57:12 > 0:57:14Oh, and I got you another present.

0:57:14 > 0:57:15It's a lucky charm.

0:57:17 > 0:57:21Helps sick people get better.

0:57:22 > 0:57:24Isn't that right, doctor?

0:57:25 > 0:57:27You keep that on.

0:57:27 > 0:57:29Never take it off.

0:57:29 > 0:57:31It'll help your mother get well.

0:57:31 > 0:57:34- Wouldn't that be nice, huh? - Good boy.

0:57:35 > 0:57:37Your mother would be so proud.