0:00:02 > 0:00:04We all have secrets. No-one knows half the truth about anybody.
0:00:04 > 0:00:07- Who the hell is Eva Delectorskaya? - I am.
0:00:08 > 0:00:11No, you're not. You're my mother. You're Sally Gilmartin.
0:00:11 > 0:00:13I am Eva Delectorskaya.
0:00:14 > 0:00:18This programme contains some strong language and some scenes which some viewers may find upsetting.
0:00:19 > 0:00:23You look very beautiful tonight, Eva. Has anyone ever told you that?
0:00:23 > 0:00:26He's very discreet, this Romer fellow of yours.
0:00:30 > 0:00:37- 'Lucas Romer, AAS.- How do you know about AAS? Nobody knows about AAS.'
0:00:42 > 0:00:43Jesus!
0:00:43 > 0:00:45I feel safer, now.
0:00:45 > 0:00:48You want to be a little careful, my dear.
0:00:52 > 0:00:56When it looks like a grade-A, incontestable, unmistakable suicide,
0:00:56 > 0:00:58it probably isn't.
0:01:03 > 0:01:05Just say that Morris Devereux was your uncle.
0:01:05 > 0:01:07Then watch for his reactions.
0:01:16 > 0:01:20'I want you to meet a man called Mason Harding, you know, get to know him.'
0:01:20 > 0:01:21'Why?'
0:01:21 > 0:01:24We need to know what's happening in the Oval Office.
0:01:24 > 0:01:28'If he finds out who you are, we can't rescue you.'
0:01:28 > 0:01:30Miss Dalton, do come in.
0:01:30 > 0:01:31'What's this all about, Mum?'
0:01:31 > 0:01:33Someone is going to try and kill me very soon.
0:01:33 > 0:01:35There's only one person that can help me.
0:01:35 > 0:01:37- Who?- Lucas Romer.
0:01:38 > 0:01:40Lord Romer? Ruth Gilmartin.
0:01:58 > 0:02:02'Look, don't get me wrong. We love England. FDR loves England.
0:02:02 > 0:02:03'Harry Hopkins loves England.
0:02:03 > 0:02:10'If it was up to us we'd be there, fighting the Nazis with you, shoulder to shoulder. Mano a mano.'
0:02:10 > 0:02:12But we can't go to war without a vote in Congress.
0:02:12 > 0:02:16Which we would never, ever win. Not by a country mile.
0:02:16 > 0:02:1980% of Americans are against entering the war in Europe.
0:02:19 > 0:02:2180%.
0:02:21 > 0:02:24Eight out of ten Americans want nothing to do with your war.
0:02:24 > 0:02:27But I can assure you that the Department of Commerce is concerned
0:02:27 > 0:02:30by what's happening in Europe.
0:02:30 > 0:02:31What's your press agency called?
0:02:31 > 0:02:33Transoceanic.
0:02:33 > 0:02:36I can't say I've heard of it.
0:02:36 > 0:02:39I'm not surprised - we deal only with Latin and South America,
0:02:39 > 0:02:42hence the thrust of my questions.
0:02:42 > 0:02:45Listen. What you've got to understand is that my boss,
0:02:45 > 0:02:49Harry Hopkins, has cancer. So, I'm afraid you're stuck with me.
0:02:52 > 0:02:56I don't know DC. Is there a restaurant you could recommend?
0:02:58 > 0:03:00What? Yes...
0:03:01 > 0:03:05Say, why don't we carry on this delightful conversation
0:03:05 > 0:03:07over a cocktail?
0:03:07 > 0:03:10I can give you the names of a few nice places to visit.
0:03:10 > 0:03:14'Well, I suppose you could say I struck gold.
0:03:14 > 0:03:16'He wants to continue the interview tomorrow.'
0:03:16 > 0:03:19Good. Take it to the next level.
0:03:19 > 0:03:21What do you mean?
0:03:21 > 0:03:23'Be extra friendly.'
0:03:25 > 0:03:26Right.
0:03:26 > 0:03:30'People only betray their country for three reasons. Revenge,
0:03:30 > 0:03:32'money and blackmail.
0:03:32 > 0:03:34'You have to think it as job, Eva!'
0:03:34 > 0:03:35I miss you, Lucas.
0:03:37 > 0:03:40I wish you were here with me, just us two.
0:03:42 > 0:03:45'How do you feel about me being in bed with Mason Harding?'
0:03:46 > 0:03:48You're doing good work, Eva.
0:03:48 > 0:03:50'Keep your feelings out of it.'
0:04:28 > 0:04:31Well, thank you for a great day. I feel like I know the city now.
0:04:31 > 0:04:34I wanted to show you Arlington. Maybe tomorrow?
0:04:34 > 0:04:37I'm going back to New York. Sorry.
0:04:37 > 0:04:40It's the weekend, stay the weekend.
0:04:40 > 0:04:41I'd like you to stay.
0:04:41 > 0:04:43Mason! Please!
0:04:43 > 0:04:46I find you incredibly attractive. Irresistible.
0:04:46 > 0:04:48I'm sure your wife is very attractive, too.
0:04:48 > 0:04:53Look, we're not kids. My personal situation has nothing to do with this.
0:04:53 > 0:04:57I have to go to Baltimore tomorrow. The Allegany Hotel.
0:04:57 > 0:05:02I was talking to Harry Hopkins today. He's feeling a bit stronger.
0:05:04 > 0:05:07Maybe we can fix up that interview after all.
0:05:11 > 0:05:12The Allegany Hotel, Baltimore.
0:05:14 > 0:05:15Six o'clock.
0:05:26 > 0:05:28Miss Gilmartin, of the Times.
0:05:28 > 0:05:29The Telegraph.
0:05:29 > 0:05:34Ah, of course. Who's your editor there? Toby Litton-Fry?
0:05:34 > 0:05:38Actually, I'm freelance. Bobbie Von Arnim's my contact.
0:05:38 > 0:05:41Bobbie von Arnim, von Arnim...
0:05:41 > 0:05:42Don't know him.
0:05:42 > 0:05:44World War II specialist.
0:05:44 > 0:05:49I wanted to ask you about the setting up of BSC - British Security Coordination -
0:05:49 > 0:05:52in New York and what they were doing in America in 1941.
0:05:55 > 0:05:58Why on earth would you want to know that?
0:05:58 > 0:06:00I thought I was asking the questions!
0:06:02 > 0:06:04May I offer you a cup of tea?
0:06:04 > 0:06:06I wouldn't mind an alcoholic drink, actually,
0:06:06 > 0:06:08if ladies are allowed such a thing.
0:06:08 > 0:06:12We're very broad-minded here in Brydges'. Excellent idea.
0:06:12 > 0:06:13Now what'll it be?
0:06:13 > 0:06:15A whisky and soda.
0:06:16 > 0:06:20Be warned - all our measures are doubles in this club.
0:06:20 > 0:06:21How wise.
0:06:21 > 0:06:25One whisky and soda, Henry.
0:06:25 > 0:06:28And tomato juice for me - spicy.
0:06:28 > 0:06:29Right away, sir.
0:06:32 > 0:06:35I've been looking forward to this meeting, you know.
0:06:35 > 0:06:37At my age, one feels wholly forgotten
0:06:37 > 0:06:40and then, all of a sudden, out of the blue,
0:06:40 > 0:06:44a newspaper rings up wanting an interview.
0:06:45 > 0:06:48Strange how that happens, isn't it?
0:06:49 > 0:06:52Bobbie von Arnim -
0:06:52 > 0:06:53that's the name, is it?
0:06:53 > 0:06:54Yes.
0:06:56 > 0:06:59I'll give Toby a ring about him.
0:06:59 > 0:07:03I always like to know who's correcting the copy.
0:07:03 > 0:07:05Your drinks, sir.
0:07:06 > 0:07:10Remove the peanuts, Henry. Never serve peanuts with whisky, never.
0:07:10 > 0:07:11Yes, sir. Sorry, sir.
0:07:11 > 0:07:13ROMER MUTTERS
0:07:17 > 0:07:19Curious.
0:07:19 > 0:07:21Cheers.
0:07:21 > 0:07:23Cheers.
0:07:23 > 0:07:28Now tell me something. What was it you wanted to know?
0:07:29 > 0:07:33There was a subdivision of BSC called AAS Ltd.
0:07:33 > 0:07:36Later Transoceanic Press.
0:07:36 > 0:07:38Are you familiar with them?
0:07:42 > 0:07:43Where did you get those names?
0:07:45 > 0:07:48How did you come by those names?
0:07:48 > 0:07:49There were in a printed source.
0:07:49 > 0:07:51Have you seen it, the printed source?
0:07:53 > 0:07:57My uncle worked for BSC in New York.
0:07:57 > 0:07:58In 1941.
0:07:58 > 0:08:00Oh, really? What was his name?
0:08:01 > 0:08:03Morris Devereux.
0:08:03 > 0:08:07Devereux. Morris Devereux. No, I didn't know him.
0:08:07 > 0:08:09But you admit you were part of BSC.
0:08:13 > 0:08:15Remind me of your name again?
0:08:17 > 0:08:19Ruth Gilmartin.
0:08:19 > 0:08:23Oh. Well, I admit nothing, Miss Gilmartin.
0:08:24 > 0:08:27Do you know, I'm sorry to be a bore...
0:08:29 > 0:08:31..but I've decided to finish with this interview.
0:08:31 > 0:08:33May I ask why?
0:08:34 > 0:08:37Because I don't really believe a word you've told me.
0:08:37 > 0:08:38I'll see you out.
0:08:38 > 0:08:41Don't worry, I'll see myself out.
0:08:41 > 0:08:43I'm afraid you're not allowed to.
0:08:58 > 0:09:00Grovill? Lucas Romer here.
0:09:06 > 0:09:10PHONE RINGS
0:09:15 > 0:09:19PHONE RINGS
0:09:34 > 0:09:37Y'know, somebody told me I should've had you checked out.
0:09:37 > 0:09:39A little late now.
0:09:39 > 0:09:43# If you were the only girl in the world
0:09:43 > 0:09:47# And I were the only boy
0:09:49 > 0:09:53# Nothing else would matter in the world today
0:09:58 > 0:10:02# A Garden of Eden just made for two. #
0:10:02 > 0:10:03HE LAUGHS
0:10:05 > 0:10:08HE CONTINUES HUMMING THE TUNE
0:10:11 > 0:10:16# If you were the only girl in the world... #
0:10:27 > 0:10:28Come to Daddy, baby.
0:10:45 > 0:10:48SNORING
0:10:51 > 0:10:54BELL PINGS
0:11:12 > 0:11:14DOOR OPENS
0:11:15 > 0:11:16SHUTTER CLICKS
0:11:21 > 0:11:23Jesus! What gives?
0:11:23 > 0:11:24Eve?
0:11:26 > 0:11:29You bitch! You fucking bitch!
0:11:29 > 0:11:31You fucking bitch!
0:12:03 > 0:12:05You did very well in Washington.
0:12:05 > 0:12:08Mason Harding is being incredibly helpful.
0:12:08 > 0:12:10We'll know everything Roosevelt is thinking.
0:12:14 > 0:12:15I missed you.
0:12:29 > 0:12:32SHE SOBS
0:12:38 > 0:12:40I'm sorry...
0:12:46 > 0:12:48I'm sorry.
0:12:49 > 0:12:52It's just it wasn't...
0:12:52 > 0:12:53wasn't very nice.
0:12:56 > 0:12:57(I know. I know.)
0:13:09 > 0:13:13That's why I thought you might, um,
0:13:13 > 0:13:16you might want a bit of a break. A reward.
0:13:16 > 0:13:18- What do you mean? - I'm going to London,
0:13:18 > 0:13:22and I thought you might like a bit of winter sunshine while I was gone.
0:13:28 > 0:13:30What's that?
0:13:32 > 0:13:375,000. First you fly to Albuquerque, pick up a package.
0:13:37 > 0:13:39Then you deliver that package and the money to another man.
0:13:39 > 0:13:42You'll be told where to go. Just a routine courier job.
0:13:42 > 0:13:47But the FBI are very suspicious of us, so you have to be extra careful.
0:13:47 > 0:13:48Have I any choice?
0:13:48 > 0:13:51I thought it'd be a treat. If you don't fancy it, Sylvia can do it.
0:13:51 > 0:13:53Who'll be running me?
0:13:53 > 0:13:55Morris, I think. I'll be in London.
0:13:58 > 0:14:00Can I think about it?
0:14:00 > 0:14:01Take your time. It's up to you.
0:14:05 > 0:14:06What is it?
0:14:09 > 0:14:11I think I'm falling in love with you.
0:14:11 > 0:14:13That would be very dangerous.
0:14:15 > 0:14:19Speaking of danger - do you want to take a gun with you on your trip?
0:14:19 > 0:14:20SHE CHUCKLES
0:14:20 > 0:14:22You said it was a routine courier job!
0:14:22 > 0:14:23It's just a suggestion.
0:14:23 > 0:14:25Anyway - what would I need a gun for?
0:14:25 > 0:14:28Didn't you once say I could always use my nails and my teeth?
0:14:28 > 0:14:31Eva Delectorskaya...
0:14:33 > 0:14:34Whoever would have thought?
0:14:40 > 0:14:42I'd like to kiss you...
0:14:42 > 0:14:43But the FBI might be watching?
0:14:45 > 0:14:46Goodbye, Eva.
0:14:49 > 0:14:52(Please turn around. Please turn around.
0:14:52 > 0:14:54(Please turn around.
0:14:57 > 0:14:59(Please turn around.)
0:15:11 > 0:15:14Jochen! Jochen!
0:15:14 > 0:15:15Yes, Mummy?
0:15:15 > 0:15:18- Stay in the garden!- OK! OK!
0:15:18 > 0:15:22Where the hell were you? I was reporting in as per your instructions.
0:15:22 > 0:15:26- I was busy.- Imagine how I felt. You said "call" and you weren't there.
0:15:26 > 0:15:29- I thought something might have happened.- I apologise.
0:15:31 > 0:15:32He was very suspicious of me.
0:15:32 > 0:15:35He asked me more questions than I asked him.
0:15:35 > 0:15:40Doesn't matter. The object of the exercise was accomplished.
0:15:40 > 0:15:44I must say, you both looked a bit frosty when you said goodbye.
0:15:44 > 0:15:47I noticed no handshake.
0:15:47 > 0:15:50What? How do you know?
0:15:51 > 0:15:53I followed him home.
0:15:54 > 0:15:56You followed him home?
0:15:56 > 0:16:00I was in the car outside. I followed his Bentley to Knightsbridge.
0:16:00 > 0:16:02Two?
0:16:04 > 0:16:07That's how I know where he lives. 8 Walton Crescent.
0:16:07 > 0:16:10Now we can talk to him in his home. That's much better.
0:16:10 > 0:16:14Jesus, Sal! You set me up!
0:16:14 > 0:16:16You just had me flush him out...
0:16:16 > 0:16:19I couldn't do it without you. You were great. Perfect.
0:16:19 > 0:16:22If I'd told you the real plan, you'd have got nervous and given it away.
0:16:22 > 0:16:24You're the expert, I suppose.
0:16:27 > 0:16:28We make a great team.
0:16:30 > 0:16:31Seriously, we do.
0:16:31 > 0:16:32SHE LAUGHS RUEFULLY
0:16:32 > 0:16:35He'll think something's up. I know him.
0:16:35 > 0:16:39He'll be even more careful, more watchful.
0:16:39 > 0:16:42That's why we must wait. Stand back for a bit. Let him settle.
0:16:43 > 0:16:47Then we speak to him in his home, when he's off guard.
0:16:47 > 0:16:48Then he'll help us.
0:16:49 > 0:16:51But he's got to help you, hasn't he?
0:16:52 > 0:16:53After what you did.
0:16:54 > 0:16:58What are you hiding, Sal? What happened in New Mexico?
0:19:34 > 0:19:37Hi, glad to see you're looking so well.
0:19:37 > 0:19:39I just had a two-week vacation.
0:19:39 > 0:19:41Go to the mountains?
0:19:41 > 0:19:42I prefer the seaside.
0:19:44 > 0:19:46You weren't here lunchtime.
0:19:46 > 0:19:48I had to make a detour.
0:19:48 > 0:19:52Take the package to Las Cruces. The Alamagordo Inn.
0:19:52 > 0:19:55A man called Raul will contact you.
0:19:55 > 0:19:57How long do I have to stay there?
0:19:57 > 0:20:00Until Raul shows up. He'll tell you exactly what to do.
0:20:00 > 0:20:02Nice talking to you.
0:20:50 > 0:20:54"Fur Miami, Fur Miami.
0:20:54 > 0:20:57"Luftverkehersnetz Von Mexiko. Hauptlinen."
0:21:03 > 0:21:05PHONE RINGS
0:21:08 > 0:21:11'Hello Sage, Rosemary here.'
0:21:11 > 0:21:12'Hello, Rosemary.'
0:21:12 > 0:21:14How's the party going?
0:21:14 > 0:21:18'Interesting. Although my gift is disappointing.'
0:21:20 > 0:21:21I'll get the manager.
0:21:22 > 0:21:25Rosemary says her gift is disappointing.
0:21:28 > 0:21:29PHONE RINGS
0:21:31 > 0:21:32Disappointing?
0:21:32 > 0:21:36Inferior material. There's a spelling mistake.
0:21:36 > 0:21:38The grammar's wrong also. Are you sure this is our product?
0:21:38 > 0:21:40Yes. As far as I know.
0:21:43 > 0:21:46Tell the boss and I'll call back tomorrow.
0:21:46 > 0:21:47Where are you going?
0:21:47 > 0:21:48A place called Las Cruces.
0:21:52 > 0:21:55There are also two uninvited guests at the party.
0:21:55 > 0:21:57'Any idea who?'
0:21:57 > 0:21:59Local boys, I'd say.
0:21:59 > 0:22:04Interesting but not unexpected. They're being very nosey.
0:22:04 > 0:22:05We're all noticing the new shadows.
0:22:05 > 0:22:07'I lost them, anyway.'
0:22:07 > 0:22:09Good. Proceed with caution.
0:22:09 > 0:22:10'I'll tell the boss.'
0:22:12 > 0:22:13All right.
0:23:48 > 0:23:49Evening, Ma'am.
0:23:49 > 0:23:53I'd like a room. Three nights. I'll pay in advance. Cash.
0:23:55 > 0:23:57Yeah! 20, including tax.
0:24:00 > 0:24:02It's our, uh, best room.
0:24:04 > 0:24:07Are you sure you want to stay here, Ma'am?
0:24:07 > 0:24:10There's a new motel just out of town. It's much nicer.
0:24:10 > 0:24:11This'll do fine.
0:24:18 > 0:24:22DRUNKEN CHATTER
0:24:30 > 0:24:32- It's Rosemary.- 'Sage here.'
0:24:32 > 0:24:37- 'What did he say?'- He says it's up to you. It's your party.
0:24:37 > 0:24:39If you want to leave, leave.
0:24:39 > 0:24:41Or if you want to change the music, go ahead.
0:24:41 > 0:24:44He said, and I quote, "Trust your instincts."
0:24:46 > 0:24:48"Trust your instincts".
0:24:48 > 0:24:51You told him what I thought about the quality of our gift.
0:24:51 > 0:24:54'Yes. It's definitely our product. He checked.'
0:24:54 > 0:24:56So they must want it distributed.
0:24:57 > 0:25:00'I'll give it some thought. Bye.'
0:25:22 > 0:25:23Mornin', Ma'am.
0:25:23 > 0:25:26That new motel you were talking about. Where is it exactly?
0:25:52 > 0:25:56VOICES SPEAKING SPANISH
0:26:08 > 0:26:11'I'm sure you'll find this very comfortable.'
0:26:11 > 0:26:14How long were you planning on staying?
0:26:14 > 0:26:16Three days or so.
0:26:33 > 0:26:36And the bathroom is right through there.
0:26:36 > 0:26:38It's very nice.
0:26:38 > 0:26:41I'd like to pay in advance, three nights.
0:26:41 > 0:26:44Certainly. I'll be in the office.
0:27:39 > 0:27:41Thank you.
0:27:41 > 0:27:44Hi. Glad to see you looking so well.
0:27:44 > 0:27:47Thank you. I've just had a two-week vacation.
0:27:47 > 0:27:49Go to the mountains?
0:27:49 > 0:27:51I prefer the seaside.
0:27:56 > 0:27:57I'm Raul.
0:28:00 > 0:28:01I got to get a beer.
0:28:37 > 0:28:39HE BELCHES
0:28:39 > 0:28:41God, I was dying of thirst.
0:28:41 > 0:28:43Water doesn't do it for me.
0:28:46 > 0:28:47You got something?
0:28:48 > 0:28:51There's been a delay. A problem.
0:28:52 > 0:28:56Oh, yeah? Nobody told me nothing.
0:28:56 > 0:28:59I have to come back next week. They told me to give you this.
0:29:05 > 0:29:06Wow.
0:29:08 > 0:29:102,000. Same again next week when I come back.
0:29:10 > 0:29:15I ain't complaining. See you next week. When?
0:29:15 > 0:29:16You'll be contacted.
0:29:18 > 0:29:20Stay another ten minutes, all right?
0:29:20 > 0:29:22Buy another beer.
0:29:22 > 0:29:24Sure. Have another barrel!
0:29:30 > 0:29:34'I'm not enjoying the party any more. I'm going to leave.'
0:29:34 > 0:29:37'Fine. It's your call. Come on home.'
0:29:37 > 0:29:39Any particular reason?
0:29:41 > 0:29:43'My cash payment wasn't expected.'
0:29:43 > 0:29:45I wonder why.
0:29:47 > 0:29:50Good point. "Trust your instincts", the boss says.
0:29:56 > 0:29:59I'll get a plane back tomorrow from Dallas.
0:29:59 > 0:30:00See you later.
0:30:18 > 0:30:21DOGS BARKING IN DISTANCE
0:30:52 > 0:30:56SWING MUSIC BEING PLAYED
0:31:35 > 0:31:37SHE GASPS
0:31:37 > 0:31:39Move away from the door.
0:31:47 > 0:31:48What do you want?
0:31:48 > 0:31:50Where's the map?
0:31:53 > 0:31:55Under the sideboard.
0:31:55 > 0:31:57Get it.
0:31:57 > 0:31:59And the money.
0:32:14 > 0:32:16Take it out.
0:32:30 > 0:32:32Take your clothes off.
0:32:32 > 0:32:33I'm unarmed.
0:32:33 > 0:32:35Take your clothes off.
0:33:02 > 0:33:04OK. Stop.
0:33:04 > 0:33:05Get dressed.
0:33:31 > 0:33:33What's happening?
0:33:33 > 0:33:35You're going to meet someone.
0:33:37 > 0:33:39No, I...
0:33:39 > 0:33:41I'm not going anywhere.
0:33:41 > 0:33:42Sure you are.
0:33:49 > 0:33:50We'll take my car.
0:33:50 > 0:33:52You're driving.
0:34:07 > 0:34:08Turn left here.
0:34:16 > 0:34:18Where are we going?
0:34:19 > 0:34:21Who lives out here?
0:34:21 > 0:34:22Shut your mouth.
0:34:26 > 0:34:28Stop here.
0:34:32 > 0:34:34Listen, I have more money.
0:34:34 > 0:34:37I can get you another 10,000 in an hour.
0:34:37 > 0:34:3910,000.
0:34:40 > 0:34:41Get out.
0:34:43 > 0:34:45Think about it, 10,000...
0:36:46 > 0:36:48KNOCKING
0:37:00 > 0:37:03Miss Gilmartin? Miss Ruth Gilmartin?
0:37:03 > 0:37:05What's wrong? What's happened?
0:37:05 > 0:37:07Nothing. Just a few questions.
0:37:07 > 0:37:09I'm Detective Sergeant Mason.
0:37:09 > 0:37:12- Mason?- Yes. May we come in?
0:37:12 > 0:37:13We won't keep you long.
0:37:17 > 0:37:20Karl-Heinz Kleist is your ex-husband.
0:37:20 > 0:37:22No.
0:37:23 > 0:37:27We never married. We lived together. We had a child.
0:37:27 > 0:37:29What's this got to do with Karl-Heinz?
0:37:29 > 0:37:31The German police want to talk to him,
0:37:31 > 0:37:33but he's not at his home address.
0:37:34 > 0:37:36Perhaps he's on holiday.
0:37:36 > 0:37:38Perhaps.
0:37:38 > 0:37:40Has he come to Cambridge to see his son?
0:37:41 > 0:37:44How do you know our child's a boy?
0:37:44 > 0:37:46I have a few facts here.
0:37:47 > 0:37:49I haven't seen Karl-Heinz in over two years.
0:37:51 > 0:37:54Any other family members he might visit?
0:37:54 > 0:37:55No.
0:37:55 > 0:37:59Nobody in the neighbourhood? A relative, perhaps?
0:38:00 > 0:38:02No.
0:38:09 > 0:38:11Did someone send you to interview me?
0:38:11 > 0:38:14No. Just an enquiry from the Bundeskriminalamt in Berlin.
0:38:14 > 0:38:16The BKA?
0:38:17 > 0:38:19What do they want to talk to Karl Heinz about?
0:38:19 > 0:38:23Apparently it's to do with contacts he has with the Baader-Meinhoff group.
0:38:23 > 0:38:26You could arrest half the intellectuals in Germany on those grounds.
0:38:27 > 0:38:29I'm just following up.
0:38:30 > 0:38:31Of course you are.
0:38:31 > 0:38:33Do give us a call
0:38:33 > 0:38:36if Herr Kleist should pay you a visit.
0:38:37 > 0:38:39He won't come here.
0:38:39 > 0:38:41We're pretty much estranged.
0:38:45 > 0:38:48Thank you so much, Miss Gilmartin.
0:38:48 > 0:38:50It's been most helpful.
0:38:50 > 0:38:52We'll see ourselves out.
0:39:07 > 0:39:08Did you hear about the accident?
0:39:08 > 0:39:10No. What accident?
0:39:10 > 0:39:13This elderly woman in a wheelchair in Meadingley,
0:39:13 > 0:39:16seriously injured crossing the road by a speeding driver.
0:39:16 > 0:39:18Hit-and-run.
0:39:18 > 0:39:20That's awful.
0:39:20 > 0:39:23I've been in a wheelchair recently.
0:39:23 > 0:39:25The woman was the same age as me.
0:39:25 > 0:39:27The hit-and-run car was stolen.
0:39:27 > 0:39:30Now, Sal, no, no, I'm not letting you get away with that...
0:39:30 > 0:39:33I think they thought that that woman in the chair was me.
0:39:33 > 0:39:36I think they thought that they'd got me.
0:39:48 > 0:39:50The police came round to my flat.
0:39:51 > 0:39:53Said they were looking for Karl-Heinz.
0:39:53 > 0:39:56- Did you believe them?- I don't know.
0:39:56 > 0:39:57I don't know anything now.
0:39:57 > 0:39:59Never assume anything is a coincidence.
0:39:59 > 0:40:02It's a very important rule.
0:40:02 > 0:40:05You don't know what they're like.
0:40:05 > 0:40:10You have to watch for the tiniest thing, the tiniest indication.
0:40:10 > 0:40:12It may save your life.
0:40:16 > 0:40:18I'll get the rest of the stuff out of the car.
0:41:03 > 0:41:05Hello?
0:41:08 > 0:41:10Don't be frightened, Ruth.
0:41:10 > 0:41:11It's just me.
0:41:12 > 0:41:14Jesus!
0:41:14 > 0:41:17Karl-Heinz, you can't just come here without telling me.
0:41:17 > 0:41:18I wanted to see my son.
0:41:20 > 0:41:21My boy.
0:41:24 > 0:41:26Where is he?
0:41:26 > 0:41:27He's staying the night with a friend.
0:41:27 > 0:41:30Oh. That's...
0:41:32 > 0:41:34..too bad.
0:41:35 > 0:41:37I'm leaving tomorrow.
0:41:38 > 0:41:41The police came round here asking after you.
0:41:42 > 0:41:44What have you done?
0:41:44 > 0:41:46Me?
0:41:46 > 0:41:48Nothing.
0:41:49 > 0:41:50I'm on holiday.
0:41:50 > 0:41:53What, with your Baader-Meinhof buddies?
0:41:53 > 0:41:54HE LAUGHS
0:41:56 > 0:41:59Oh, Ruth, sometimes I miss you.
0:41:59 > 0:42:00It's not mutual.
0:42:07 > 0:42:10I assume you won't be telling the police about this meeting.
0:42:13 > 0:42:14Think of Jochen.
0:42:20 > 0:42:22I'd get out of here if I were you.
0:42:26 > 0:42:27- Ruth!- No.
0:42:49 > 0:42:50'Trust your instincts.'
0:42:55 > 0:42:58'There's been a delay. A problem.
0:42:58 > 0:43:01'Oh, yeah? Nobody told me nothing.'
0:43:01 > 0:43:02Wow.
0:43:05 > 0:43:09'You'll be told where to go. It's just a routine courier job.'
0:43:11 > 0:43:13'The FBI are very suspicious of us.'
0:43:26 > 0:43:30PHONE RINGING
0:43:40 > 0:43:42'Thank God. Where are you?'
0:43:42 > 0:43:44I'm in my safe place.
0:43:44 > 0:43:47- Well, come into the office. - 'I'm not coming in, Lucas.'
0:43:47 > 0:43:48Oh, don't be ridiculous.
0:43:48 > 0:43:50- 'I was sold.' - No, that's not possible.
0:43:50 > 0:43:52You come in, your friends are here, Eva.
0:43:52 > 0:43:57I was sold! Somebody in Transoceanic or Head Office sold me.
0:43:57 > 0:43:59Please, Eva, we need to talk.
0:44:01 > 0:44:03Meet me on the corner of 44th and 3rd.
0:44:06 > 0:44:08All's well that ends well.
0:44:08 > 0:44:10Don't jump the gun, Alfie. She's not quite back yet.
0:44:39 > 0:44:41Don't turn round.
0:44:41 > 0:44:43How are you, Eva? You all right? You well?
0:44:43 > 0:44:46I'm fine. We have a problem, however.
0:44:46 > 0:44:49I don't know what went wrong. Transoceanic is tight.
0:44:49 > 0:44:51Well, someone's not "tight".
0:44:51 > 0:44:53Maybe someone in Head Office.
0:44:53 > 0:44:55Head Office would give you a medal if they could.
0:44:55 > 0:44:57You've done an amazing job. Can I turn round?
0:44:59 > 0:45:02Let's get a drink. Celebrate your amazing achievement.
0:45:02 > 0:45:04'When you reported the crash,'
0:45:04 > 0:45:08the Sheriff of Dona Ana County himself went out to investigate.
0:45:08 > 0:45:10He found the map and the money. He thought it was suspicious,
0:45:10 > 0:45:13so he called the local FBI agent to investigate.
0:45:13 > 0:45:15The agent took one look at the map
0:45:15 > 0:45:17and he sent it straight to Hoover in Washington.
0:45:17 > 0:45:20Hoover himself put the map on Roosevelt's desk.
0:45:20 > 0:45:21My God.
0:45:21 > 0:45:24The FBI's on fire. Well, how do you explain it?
0:45:24 > 0:45:29The death of a Mexican detective in a road crash near the border.
0:45:29 > 0:45:33A map, in German, outlining proposed Lufthansa airline flights
0:45:33 > 0:45:35between Mexico and the USA.
0:45:35 > 0:45:38Mexico could be a Nazi state on the borders with the USA.
0:45:40 > 0:45:44The sheer, amazing, exceptional beauty of it all
0:45:44 > 0:45:47is that the map found its way to Roosevelt without a trace,
0:45:47 > 0:45:49without a hint of the devious British on it.
0:45:49 > 0:45:53This has worked out better than anyone could possibly imagine.
0:45:53 > 0:45:55They can't point the finger at us
0:45:55 > 0:45:59and say, "Another of your British dirty tricks to trap us into your European war."
0:45:59 > 0:46:02They found this themselves in their own back yard.
0:46:02 > 0:46:04What can the Anglophobes or the Isolationists say?
0:46:04 > 0:46:06What can America First say?
0:46:06 > 0:46:08This is hard evidence.
0:46:08 > 0:46:10The Nazis are planning airline routes
0:46:10 > 0:46:13between Mexico City and Texas, for Christ's sake.
0:46:13 > 0:46:14They're on your doorstep, USA.
0:46:14 > 0:46:18It's not something happening across the Atlantic in distant Europe -
0:46:18 > 0:46:19this war is coming to you.
0:46:19 > 0:46:21But the map was bad, there was a spelling mistake,
0:46:21 > 0:46:24- It's not "Fur Miami", it's "Nach Miami"...- It's not important.
0:46:24 > 0:46:27Raul was just going to hand the map in to a local newspaper,
0:46:27 > 0:46:29to feed it in to the system - until your plan took over.
0:46:29 > 0:46:32There wasn't a plan. I didn't have a plan.
0:46:32 > 0:46:34London is very pleased.
0:46:36 > 0:46:37Very.
0:46:39 > 0:46:41'I was sold, Morris.'
0:46:41 > 0:46:43I'm lucky to be here.
0:46:43 > 0:46:44You must agree.
0:46:46 > 0:46:48I suppose I do.
0:46:48 > 0:46:50I keep thinking, what was their plan?
0:46:50 > 0:46:54By luck I foiled it and turned it into some great triumph,
0:46:54 > 0:46:57but I was supposed to be found shot dead in a desert in New Mexico,
0:46:57 > 0:47:01with a dubious map and a big wad of dollars on me - why?
0:47:01 > 0:47:03What was it all about?
0:47:06 > 0:47:08Who was running me?
0:47:08 > 0:47:11I was. With Angus and Sylvia. It was my party.
0:47:14 > 0:47:16Well, I should probably be suspicious of you then.
0:47:16 > 0:47:20Yes. So it would seem.
0:47:20 > 0:47:23You lost the two crows who were following you to Albuquerque.
0:47:23 > 0:47:25- Yes.- But they were waiting for you in Las Cruces.
0:47:25 > 0:47:27Not them. Someone else must have been.
0:47:29 > 0:47:31You knew I was going to Las Cruces.
0:47:31 > 0:47:32Yes. You told me.
0:47:32 > 0:47:35We all knew you were in Las Cruces.
0:47:35 > 0:47:37You think the first crows were local?
0:47:37 > 0:47:41Standard FBI. Men in suits with pork-pie hats.
0:47:41 > 0:47:44Which suggests to me that the Las Cruces crows weren't.
0:47:44 > 0:47:47They were too good. Too good even for you.
0:47:47 > 0:47:48Well, if it wasn't the FBI,
0:47:48 > 0:47:51then who was waiting for me in Las Cruces, hmm?
0:47:51 > 0:47:53Let's follow it through.
0:47:53 > 0:47:56They wanted you dead with the map on you.
0:47:56 > 0:47:58You could be identified as a British agent,
0:47:58 > 0:48:01because the FBI had followed you to Albuquerque
0:48:01 > 0:48:04and clearly knew who you were, before you lost them.
0:48:04 > 0:48:07But how did the Mexican detective know I'd moved to the motor lodge?
0:48:07 > 0:48:08No-one knew I was staying there.
0:48:08 > 0:48:11I swear, I had no shadows. I kept my back.
0:48:11 > 0:48:13You must have had shadows. Think about it.
0:48:13 > 0:48:16They must have had a big team on you in Las Cruces,
0:48:16 > 0:48:17six people, maybe eight.
0:48:17 > 0:48:19Men and women, maybe.
0:48:19 > 0:48:21They were good.
0:48:23 > 0:48:25There was a woman in a red coupe.
0:48:26 > 0:48:30And at the bar that Raul took me to there were women there.
0:48:30 > 0:48:32I wasn't looking for a woman, that's true.
0:48:35 > 0:48:39And the desk clerk in the Alamogordo - he suggested the motel to me.
0:48:39 > 0:48:41Had to be a big team.
0:48:41 > 0:48:43So what was the point? One dead British agent?
0:48:45 > 0:48:47Yes, what does that gain anyone?
0:48:47 > 0:48:50Cui Bono, "who gains?" - that's the key.
0:48:51 > 0:48:53I'll keep thinking.
0:48:53 > 0:48:56Something's bothering me, I don't know what it is.
0:48:56 > 0:48:58I'll see you later.
0:49:16 > 0:49:18So, what's for supper?
0:49:18 > 0:49:22Steak, fried egg, roast potatoes, good red wine?
0:49:23 > 0:49:25Sounds wonderful.
0:49:26 > 0:49:28PHONE RINGS
0:49:30 > 0:49:32- MORRIS:- 'Meet me on the stairs, now.'
0:49:52 > 0:49:55- Why didn't you just give the map to Raul?- Sorry?
0:49:55 > 0:49:58It was a simple job - pick up the package, the map,
0:49:58 > 0:50:00- and give it to Raul.- Yes.
0:50:00 > 0:50:01So why didn't you?
0:50:01 > 0:50:04Because I checked it and there were mistakes. Inferior material.
0:50:04 > 0:50:07Why did you check it? Did anyone ask you to?
0:50:07 > 0:50:08No.
0:50:17 > 0:50:18So why did you?
0:50:18 > 0:50:19I just...
0:50:19 > 0:50:23Because... Because I thought I should.
0:50:23 > 0:50:26Instinct, I suppose. Good procedure.
0:50:26 > 0:50:28Instinct... That's the key.
0:50:28 > 0:50:30If you'd just followed instructions
0:50:30 > 0:50:33and given the map to Raul, none of this would have happened.
0:50:33 > 0:50:37Everything happened because you didn't do what you'd been told to.
0:50:37 > 0:50:41I don't follow. Are you saying this is somehow my own fault?
0:50:41 > 0:50:43I have to do some more checks.
0:50:45 > 0:50:46Let's meet tomorrow, not here.
0:50:46 > 0:50:49What's going on, Morris? You can't just leave me in the dark like this.
0:50:51 > 0:50:54I think the crows in Las Cruces were our friends in grey.
0:50:54 > 0:50:55The Abwehr?
0:50:55 > 0:50:59The Sicherheitsdienst. No-one else could be that good.
0:50:59 > 0:51:02German agents? That doesn't make any sense.
0:51:02 > 0:51:03I've got to go.
0:51:04 > 0:51:06We'll talk tomorrow.
0:51:16 > 0:51:19- Has Morris been in today? - Nope. Are you looking for him?
0:51:19 > 0:51:21I just wondered where he was.
0:51:21 > 0:51:24- Hm. What's up? - Oh, nothing important,
0:51:24 > 0:51:26just not convinced by this four-engine bomber story.
0:51:26 > 0:51:29God, is that the time? Must dash.
0:51:29 > 0:51:30Eve? What's going on?
0:51:31 > 0:51:33Shall we go for a drink tonight?
0:51:37 > 0:51:38'Yes?'
0:51:38 > 0:51:41(AMERICAN ACCENT) May I speak with Elizabeth Wesley, please?
0:51:43 > 0:51:46- 'You have the wrong number.' - Oh. So sorry.
0:51:54 > 0:51:57Hi! I've just been with John and Mary Weiss and I couldn't remember
0:51:57 > 0:52:00if they're on the 17th or the 18th floor.
0:52:00 > 0:52:02I've left my train ticket with them, you see.
0:52:02 > 0:52:04Oh, dear, the Weisses, I don't know them.
0:52:22 > 0:52:24Angus? What's happening?
0:52:25 > 0:52:28You'd better get out, Eve. It's a System Blue, here.
0:52:28 > 0:52:31System Blue? Good God! Where's Morris?
0:52:31 > 0:52:34I'm supposed to be meeting him for a drink.
0:52:34 > 0:52:35Morris is dead. He killed himself.
0:52:35 > 0:52:38- What? No.- No, no. Eve, Eve!
0:52:41 > 0:52:42What're you doing here?
0:52:44 > 0:52:47Morris had asked me over for a drink. What happened?
0:52:50 > 0:52:51He shot himself.
0:52:52 > 0:52:53Doors locked, windows locked.
0:52:53 > 0:52:57Some note - doesn't make sense. Something about some boy.
0:52:58 > 0:53:00How'd you get in? The doorman didn't call up.
0:53:00 > 0:53:01He was busy.
0:53:01 > 0:53:03I gave him a wave and got in the lift.
0:53:04 > 0:53:07- You weren't looking for Elizabeth Wesley, then?- Who?
0:53:11 > 0:53:13Never underestimate the resourcefulness
0:53:13 > 0:53:17of our Miss Delectorskaya. Hey?
0:53:17 > 0:53:21Never underestimate her...instincts.
0:53:22 > 0:53:23< Romer?
0:53:24 > 0:53:26You know Miss Dalton.
0:53:26 > 0:53:29Ah, Miss Dalton. Our heroine.
0:53:29 > 0:53:31She was due to meet Morris.
0:53:31 > 0:53:33Can I see him?
0:53:35 > 0:53:36It isn't pretty.
0:53:37 > 0:53:39It's all right. I'll be fine.
0:53:49 > 0:53:50My God.
0:53:52 > 0:53:53Morris.
0:53:53 > 0:53:56- MORRIS:- 'When it looks like... When it looks like...
0:53:56 > 0:53:59'When it looks like a grade-A, incontestable,
0:53:59 > 0:54:01'unmistakable suicide...
0:54:01 > 0:54:03'probably isn't.'
0:54:11 > 0:54:15'Everything happened because you didn't do what you'd been told to.
0:54:15 > 0:54:17'Instinct, that's the key.'
0:54:17 > 0:54:19- ROMER:- 'Never underestimate the resourcefulness
0:54:19 > 0:54:22'of our Miss Delectorskaya.'
0:54:22 > 0:54:24'He said, and I quote, "Trust your instincts."'
0:54:24 > 0:54:27'Never underestimate HER instincts.'
0:54:27 > 0:54:29Miss Dalton?
0:54:33 > 0:54:34Sorry?
0:54:34 > 0:54:36This may not be the right time
0:54:36 > 0:54:38but C would like to meet with you, tonight.
0:54:38 > 0:54:41It seems Mr Roosevelt's going to show the world
0:54:41 > 0:54:43your Mexico map next week.
0:54:43 > 0:54:45And C would like to meet his shining star
0:54:45 > 0:54:47and shake you by the hand.
0:54:47 > 0:54:50C? In New York? Tonight? Well, of course, I...
0:54:50 > 0:54:53- I'll pick you up at your apartment. Ten o'clock?- Ten. I'll be there.
0:54:54 > 0:54:57SHE PANTS
0:55:37 > 0:55:40PHONE RINGS
0:55:44 > 0:55:46Sylvia, it's me. Say nothing.
0:55:47 > 0:55:49We have a System Blue, here.
0:55:49 > 0:55:53Morris is... Has gone on a long holiday.
0:55:54 > 0:55:56Romer wants us all out of the city.
0:55:56 > 0:55:58'Hire a car.
0:55:58 > 0:56:00'Bring walking boots.'
0:56:00 > 0:56:04Meet me at the diner. Main Street. Albany. As soon as you can.
0:56:04 > 0:56:06I'll be waiting for you.
0:56:06 > 0:56:08'I'll tell you everything then.'
0:56:08 > 0:56:11DIAL TONE
0:56:33 > 0:56:36You all right? You said System Blue, my God.
0:56:36 > 0:56:39I came as fast as I could. Is it true about Morris?
0:56:39 > 0:56:41Suicide.
0:56:41 > 0:56:43Of course. Sure.
0:56:43 > 0:56:46Romer wants us both over the Canadian border tonight. Secretly.
0:56:46 > 0:56:47Tonight?
0:56:49 > 0:56:50How?
0:56:51 > 0:56:52There are tracks...
0:56:52 > 0:56:56Hunters' trails up through the woods near Champlain. We'll find our way.
0:56:56 > 0:56:58But both of us? Why?
0:57:00 > 0:57:04We're being rolled up, Sylvia. Someone wants all of us dead.
0:57:06 > 0:57:07Let's go.
0:57:36 > 0:57:39There's no tail. I was very careful.
0:57:41 > 0:57:45Did anyone call you? Did Angus?
0:57:45 > 0:57:50Angus? No, I left right after you telephoned.
0:57:53 > 0:57:55We should keep following the trail.
0:57:55 > 0:57:59When the sun comes up we should make sure we keep it on our right-hand side.
0:57:59 > 0:58:02It'll take a good few hours. Then we'll be in Canada, French Canada.
0:58:03 > 0:58:05How is your French, Mademoiselle?
0:58:06 > 0:58:07What is it?
0:58:08 > 0:58:09I'm not coming with you.
0:58:09 > 0:58:12It's better I should stay behind and watch your back,
0:58:12 > 0:58:13say you've gone to Mexico.
0:58:13 > 0:58:16We are all going to be killed, Sylvia. I tell you.
0:58:16 > 0:58:17Something is wrong.
0:58:19 > 0:58:23Don't tell me anything. The less I know, the safer I'll be.
0:58:26 > 0:58:28I've brought you some sandwiches.
0:58:29 > 0:58:32Chopped liver and onion. Just the thing.
0:59:00 > 0:59:02You can trust me, you know.
0:59:02 > 0:59:05I know. I know.
0:59:10 > 0:59:12Take care.
0:59:16 > 0:59:17Get outta here, girl.
1:00:10 > 1:00:12GUNFIRE
1:01:21 > 1:01:24RADIO PLAYS MUSIC
1:01:25 > 1:01:27- RADIO:- 'We interrupt this programme
1:01:27 > 1:01:29'to bring you an important news flash.
1:01:29 > 1:01:31'Reports are coming in that this morning
1:01:31 > 1:01:33'Japanese aircraft have attacked the US Naval base
1:01:33 > 1:01:35'at Pearl Harbor in Hawaii.
1:01:35 > 1:01:36'No warning was given.
1:01:36 > 1:01:39'The latest estimate is that three capital ships have been sunk.
1:01:39 > 1:01:42'Fires are burning and there have been many casualties.
1:01:42 > 1:01:46'As a result, it has been declared that a state of war
1:01:46 > 1:01:48'now exists between the USA and Japan.
1:01:48 > 1:01:51'Stand by for further bulletins as we receive them.
1:01:51 > 1:01:53'And now, back to your programme.'
1:01:53 > 1:01:55MUSIC PLAYS AGAIN
1:02:06 > 1:02:07Thank you.
1:02:32 > 1:02:35- Ooh!- Awful sorry. Is your drink safe? That's the main thing.
1:02:35 > 1:02:37Safe as houses.
1:02:42 > 1:02:44Can I trouble you for a light?
1:02:46 > 1:02:47Of course.
1:02:57 > 1:02:58Well...
1:03:33 > 1:03:35And that's how I met your father.
1:03:35 > 1:03:37He was posted back to London, and I came home.
1:03:38 > 1:03:43Amazing. You'd done it. You were safe.
1:03:43 > 1:03:47No, I wasn't safe. That's the terrible problem.
1:03:48 > 1:03:51You're never really truly safe again, ever.
1:03:52 > 1:03:57I had to see Alfie to find out the truth.
1:04:32 > 1:04:34'Scuse me. Is this seat free?
1:04:34 > 1:04:35Help yourself, dear.
1:04:38 > 1:04:40- (Hello.)- Eve!
1:04:40 > 1:04:42- What?- Alfie...
1:04:45 > 1:04:47(I'm not the traitor.)
1:04:50 > 1:04:54(Is that what they told you? Me and Morris?)
1:04:55 > 1:04:56Yes.
1:04:58 > 1:05:00They said Morris killed himself
1:05:00 > 1:05:03because he was about to be exposed...
1:05:04 > 1:05:05..and you had flown.
1:05:05 > 1:05:07I'm not the traitor, Alfie.
1:05:07 > 1:05:09Someone tried to have ME killed in New Mexico.
1:05:09 > 1:05:11- Who would that be, then? - Someone had Morris killed
1:05:11 > 1:05:14because Morris realised who the traitor was.
1:05:14 > 1:05:17I had to fly, otherwise I'd be killed, too, if I hadn't.
1:05:17 > 1:05:18And then Sylvia was killed.
1:05:18 > 1:05:22Why would I be sitting here talking to you if I wasn't telling the truth?
1:05:22 > 1:05:24I'd be long gone, wouldn't I?
1:05:24 > 1:05:26Not sitting in a London pub talking to you.
1:05:30 > 1:05:32- Angus?- Angus is dead.
1:05:35 > 1:05:39Plane he was on was shot down when he was coming back from the States.
1:05:39 > 1:05:45It was a Flying Boat, Lisbon to Southampton... Shot down.
1:05:48 > 1:05:49They never found a body.
1:05:52 > 1:05:53I told you...
1:05:55 > 1:05:59We're being rolled up, Alfie. Someone is rolling us up.
1:05:59 > 1:06:03First Morris, then me, then Sylvia, now Angus.
1:06:03 > 1:06:06Don't you see who's going to be next?
1:06:09 > 1:06:11You have to be very careful, Alfie.
1:06:12 > 1:06:15Perhaps we should warn Mr Romer.
1:06:16 > 1:06:18It's us that's at risk.
1:06:18 > 1:06:21Don't worry. He can take care of himself.
1:06:24 > 1:06:26Where do you live, Alfie?
1:06:26 > 1:06:29I think we'll be safer meeting there, alone.
1:06:29 > 1:06:30Yeah, all right.
1:06:34 > 1:06:36DOG BARKS
1:06:43 > 1:06:44THUMP
1:06:51 > 1:06:54RAISED VOICES NEXT DOOR
1:06:57 > 1:06:59RADIO PLAYS MUSIC
1:07:21 > 1:07:24BUZZER
1:07:31 > 1:07:35- You all right, Alfie? - Couldn't be better. Cup of tea?
1:07:35 > 1:07:37Lovely. Thanks.
1:07:53 > 1:07:54How you keeping, Alfie?
1:07:54 > 1:07:57Mustn't grumble, Eve. Mustn't grumble.
1:08:06 > 1:08:08Romer.
1:08:13 > 1:08:16- Milk in first or after? - After, please.
1:08:22 > 1:08:24- Haven't any sugar, I'm...- Ooh!
1:08:29 > 1:08:31Sorry, Alfie. I'm so sorry!
1:08:34 > 1:08:36SIREN BLARES
1:08:36 > 1:08:39You've got to go... Go straight down in the shelter.
1:08:59 > 1:09:02EXPLOSION
1:09:06 > 1:09:09BABY WAILS
1:10:32 > 1:10:33Eva!
1:11:01 > 1:11:02Quite a raid.
1:11:05 > 1:11:07Yes.
1:11:11 > 1:11:15It's not very sensible to be out there, wandering about.
1:11:16 > 1:11:18I got lost.
1:11:20 > 1:11:22What were you doing in the East End?
1:11:26 > 1:11:28I was looking for someone.
1:11:31 > 1:11:32A man.
1:11:36 > 1:11:37Did you find him?
1:11:41 > 1:11:43Yes, I did, actually.
1:11:46 > 1:11:48I wanted to say goodbye to him.
1:11:52 > 1:11:53And did you?
1:11:57 > 1:11:58Yes...
1:12:00 > 1:12:01..for ever.
1:12:10 > 1:12:12There.
1:12:12 > 1:12:14That's more like you now.
1:12:16 > 1:12:18Thank you, Sean.
1:12:21 > 1:12:24Irish whiskey?
1:12:24 > 1:12:25Bliss.
1:12:29 > 1:12:32Erm... Talking of Ireland... I was just thinking...
1:12:34 > 1:12:38..I've some leave due. Thought I might head home to Dublin.
1:12:40 > 1:12:43Oh...
1:12:44 > 1:12:46..right.
1:12:48 > 1:12:50Well, that'll be very nice for you.
1:12:50 > 1:12:51Yeah.
1:12:52 > 1:12:54Would you like to come?
1:12:57 > 1:13:00Yes, I would, please. Very much.
1:13:01 > 1:13:04More than words can say.
1:13:05 > 1:13:08I'll arrange everything.
1:13:40 > 1:13:45PHONE RINGS
1:13:53 > 1:13:55PHONE RINGS
1:14:15 > 1:14:17Mum!
1:14:22 > 1:14:25Mum!
1:14:32 > 1:14:33Fuck!
1:14:58 > 1:15:00Fuck!
1:15:32 > 1:15:35I will not let you kill him. Do you understand me?
1:15:35 > 1:15:37I'm not going to kill him.
1:15:37 > 1:15:38Where's the gun?
1:15:44 > 1:15:46Jesus Christ! You can't...
1:15:46 > 1:15:48TYRES MOVING
1:16:11 > 1:16:13Lord Romer, may I have a word?
1:16:13 > 1:16:14Who are you?
1:16:14 > 1:16:16I'm Ruth Gilmartin. We met the other day at your club.
1:16:16 > 1:16:19I interviewed you. I have to tell you something...
1:16:19 > 1:16:21I've nothing to say to you. Please leave me alone.
1:16:21 > 1:16:22No. I have to tell you something.
1:16:22 > 1:16:25Goodbye, Miss Gilmartin. Please, go away. Leave me alone.
1:16:25 > 1:16:27Hello, Lucas.
1:16:28 > 1:16:29Who are you?
1:16:33 > 1:16:35My God.
1:16:36 > 1:16:38Eva Delectorskaya.
1:16:41 > 1:16:43Who would've thought?
1:16:46 > 1:16:50Forgive the enquiry, but what relation do you have with this woman?
1:16:50 > 1:16:51She's my mother.
1:16:52 > 1:16:54Jesus Christ.
1:16:56 > 1:16:58I don't believe it.
1:16:58 > 1:17:00A chip off the old block, Lucas.
1:17:04 > 1:17:06What do you want?
1:17:06 > 1:17:08I should tell you that Ruth knows everything.
1:17:08 > 1:17:11I wrote everything down and I gave it to her.
1:17:13 > 1:17:15Your secret life is over, Lucas.
1:17:17 > 1:17:19Very soon, everyone will know what you did.
1:17:21 > 1:17:22It's finished.
1:17:22 > 1:17:26As far as the British Government's concerned, you are a wartime
1:17:26 > 1:17:30traitor who has still to be brought to justice.
1:17:30 > 1:17:32I just need to pick up this telephone here
1:17:32 > 1:17:34and you'll be arrested.
1:17:34 > 1:17:38I wish you would. Please, call the authorities.
1:17:38 > 1:17:40It's all finally gone wrong, let's face it, Lucas.
1:17:44 > 1:17:47Actually, it all went wrong at Pearl Harbor,
1:17:47 > 1:17:53thanks to the Japanese. Pearl Harbor rather fucked everything up.
1:17:55 > 1:17:57Why were you working for the Germans?
1:17:57 > 1:18:00It wasn't the Germans.
1:18:00 > 1:18:02It was the Russians.
1:18:02 > 1:18:04The NKVD.
1:18:05 > 1:18:08At the end of 1941, the last thing the Russians wanted
1:18:08 > 1:18:11was America entering the war in Europe.
1:18:11 > 1:18:17Oh, no, Europe was for Russia. So they instructed their very
1:18:17 > 1:18:23special secret agent high up in the British Secret Service
1:18:23 > 1:18:27to find a way of destroying the credibility of British
1:18:27 > 1:18:30efforts to persuade the Americans to join the war.
1:18:31 > 1:18:35The more the British were trying to manipulate American public opinion,
1:18:35 > 1:18:38the more the Americans would turn away from joining the war.
1:18:38 > 1:18:39Hence the Mexican map.
1:18:39 > 1:18:44An obvious forgery, found on the body of a dead British agent.
1:18:44 > 1:18:47Who would believe anything we said after that?
1:18:48 > 1:18:51Lucas Romer, spy of spies.
1:18:52 > 1:18:55The ultimate double agent.
1:18:58 > 1:19:02That was your mission, wasn't it? Those were your instructions.
1:19:04 > 1:19:06So you're the Sixth Man.
1:19:06 > 1:19:08I have nothing to say to you.
1:19:08 > 1:19:11You should have left me alone.
1:19:11 > 1:19:13You shouldn't have kept on looking for me.
1:19:13 > 1:19:17- None of this would have happened. - What on earth are you talking about?
1:19:17 > 1:19:18Sally, please!
1:19:18 > 1:19:20All right, all right...
1:19:24 > 1:19:26Sally!
1:19:28 > 1:19:31Don't worry, darling. I just wanted to see what it was like...
1:19:33 > 1:19:37..having him at my mercy for a moment or two.
1:19:41 > 1:19:42Worth every second.
1:19:49 > 1:19:54Actually, you shot me once before, Eva - during that air raid.
1:19:54 > 1:19:55Hit me in the shoulder.
1:19:55 > 1:19:57Damn. I missed.
1:20:01 > 1:20:05One mission, but it didn't go according to plan, alas.
1:20:05 > 1:20:11Thanks to you, Eva. So, I've been very busy ever since.
1:20:11 > 1:20:13Some consolation.
1:20:13 > 1:20:15But why? Why Russia?
1:20:15 > 1:20:19Was it for the money? Blackmail?
1:20:20 > 1:20:25You wouldn't know. You came here from exile.
1:20:25 > 1:20:28You could never understand how, for an Englishman,
1:20:28 > 1:20:34sometimes it's as easy to hate your country as it is to love it.
1:20:38 > 1:20:41I could never find you, Eva.
1:20:43 > 1:20:45And, believe me, I tried.
1:20:48 > 1:20:50You were very good.
1:20:50 > 1:20:51Very.
1:20:58 > 1:21:02But I didn't think you needed to kill poor Alfie, however.
1:21:10 > 1:21:12What would you have done?
1:21:14 > 1:21:15Time to go, dear.
1:21:19 > 1:21:22Bye, Lucas.
1:21:22 > 1:21:26Remember this evening, remember what I said.
1:21:27 > 1:21:29You'll never see me again.
1:21:39 > 1:21:44So he wanted you to be killed with the map and the money on you.
1:21:44 > 1:21:47This was the man I loved, the man I thought loved me.
1:21:49 > 1:21:52He trained me, he knew me incredibly well.
1:21:52 > 1:21:55He knew he didn't have to tell me what to do in New Mexico,
1:21:55 > 1:21:57because he knew I'd do it anyway.
1:21:57 > 1:21:59That's what was so damn clever.
1:21:59 > 1:22:01He didn't need to tell you to check the map.
1:22:01 > 1:22:03Exactly - because he knew I would.
1:22:03 > 1:22:05And he knew I'd see there was something wrong -
1:22:05 > 1:22:07that I wouldn't go though with the plan,
1:22:07 > 1:22:09that I'd go off on my own.
1:22:09 > 1:22:11But Morris had figured it out.
1:22:11 > 1:22:12Before I did.
1:22:14 > 1:22:17And they got to him first and faked his suicide.
1:22:19 > 1:22:21I was next.
1:22:25 > 1:22:28And you had to kill Alfie.
1:22:32 > 1:22:33Yes.
1:22:33 > 1:22:36I wouldn't be sitting here, otherwise.
1:23:43 > 1:23:45Romer will kill himself tonight.
1:23:46 > 1:23:49The moment he saw me, he knew that his life was over.
1:23:49 > 1:23:51He was a dead man.
1:23:53 > 1:23:56It'll look like a heart attack or a massive stroke.
1:23:56 > 1:23:59Something natural. An injection, a pill.
1:24:01 > 1:24:04Something he's had ready for years.
1:24:04 > 1:24:06But I worry that I made a mistake.
1:24:06 > 1:24:08I took a risk. One risk.
1:24:10 > 1:24:11What?
1:24:11 > 1:24:15He knows you're my daughter. He knows your name. Ruth Gilmartin.
1:24:16 > 1:24:19They can find me now. And you.
1:24:19 > 1:24:22You've got him cold, Sal. He knows that.
1:24:22 > 1:24:25I worry that he might have left something written.
1:24:26 > 1:24:29Some last instructions.
1:24:45 > 1:24:48Look at them all. Romer would be delighted.
1:24:48 > 1:24:50His vanity would be flattered.
1:24:51 > 1:24:53His last laugh...
1:24:55 > 1:24:57All the great and the good turning up like this
1:24:57 > 1:25:02to pay their respects to the great man.
1:25:02 > 1:25:05All the trappings of the establishment.
1:25:05 > 1:25:07He would've all loved that.
1:25:08 > 1:25:13All the time, laughing inside. Laughing at them.
1:25:18 > 1:25:19Look.
1:25:19 > 1:25:22Isn't that the Foreign Secretary?
1:25:22 > 1:25:24Where are we having lunch?
1:25:24 > 1:25:26At a lovely hotel called the Ritz.
1:25:26 > 1:25:28We're going to drink champagne.
1:25:28 > 1:25:31I like champagne. Can I have some?
1:25:31 > 1:25:33Yes, of course you can!
1:25:33 > 1:25:36We're going to raise a glass to Eva Delectorskaya.
1:25:37 > 1:25:40She won in the end.
1:25:40 > 1:25:42You won.
1:25:43 > 1:25:47Yes, I suppose I did.
1:26:02 > 1:26:06Are you sure? We can stay the night if you like.
1:26:06 > 1:26:08I'm fine. Off you go.
1:26:08 > 1:26:12- Jochen.- Yep.- Run around and see if you've left anything.
1:26:12 > 1:26:13Yes, Mum.
1:26:15 > 1:26:18Mum, seriously, are you all right?
1:26:18 > 1:26:19You seem a bit...
1:26:19 > 1:26:21I'm worried about my mistake.
1:26:21 > 1:26:24I should have sent you under an assumed name to meet him.
1:26:24 > 1:26:25I've been so foolish.
1:26:25 > 1:26:28Mum, stop it. It's over.
1:26:28 > 1:26:31He's gone. It's over.
1:26:31 > 1:26:32I nearly left these.
1:26:32 > 1:26:35Look, we'd better go.
1:26:35 > 1:26:36I'll see you Saturday!
1:26:36 > 1:26:37Bye, Granny!
1:26:37 > 1:26:39Bye. Drive carefully.
1:26:49 > 1:26:52Where's your jacket?
1:26:52 > 1:26:54Er, I left it in the kitchen.
1:26:54 > 1:26:56Stay here. I'll get it.
1:27:18 > 1:27:19Mum.
1:27:20 > 1:27:22It's only me.
1:27:22 > 1:27:24He left his jacket.
1:28:41 > 1:28:45Subtitles by Red Bee Media Ltd