What Use Our Work

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0:00:02 > 0:00:04- A streetwalker, Sir, found ripped. - SHE SCREAMS

0:00:04 > 0:00:06This programme contains some scenes

0:00:06 > 0:00:08which some viewers may find upsetting.

0:00:08 > 0:00:09This man once called me a friend.

0:00:09 > 0:00:10And then, amongst others,

0:00:10 > 0:00:12you killed his brother.

0:00:12 > 0:00:15Well, you know, he was never one to hold a grudge.

0:00:15 > 0:00:16Stop!

0:00:16 > 0:00:17Who is it tells me?

0:00:17 > 0:00:18Police!

0:00:19 > 0:00:22If I decide to finish with that life?

0:00:22 > 0:00:24Then, you must be brave, Rose,

0:00:24 > 0:00:25and look for another.

0:00:30 > 0:00:31Always were a faker.

0:00:31 > 0:00:33PEOPLE SCREAM

0:00:33 > 0:00:35This man's rooms, now!

0:00:37 > 0:00:38Another tart's been ripped

0:00:38 > 0:00:41and I've a snitch sends me to you!

0:00:42 > 0:00:44Take him!

0:00:47 > 0:00:49The boy was crippled,

0:00:49 > 0:00:51then put into the water to drown.

0:00:57 > 0:01:00MURMURING

0:01:09 > 0:01:11HE CLEARS HIS THROAT

0:01:11 > 0:01:13All right, shut up, you evil drunks.

0:01:16 > 0:01:17Shut it!

0:01:18 > 0:01:24- HE SINGS:- # As I was a-walking By St James' Hospital

0:01:24 > 0:01:28# Early the morning Though warm was the day

0:01:28 > 0:01:33# When who should I see But one of my comrades

0:01:33 > 0:01:38# All wrapped up in flannel And cold as the clay

0:01:38 > 0:01:42ALL: # Then beat the drum lowly

0:01:42 > 0:01:44# And play your pipe slowly

0:01:44 > 0:01:49# And sound the dead march As you carry me along

0:01:49 > 0:01:54# And fire your bundooks Right over my coffin

0:01:54 > 0:02:00# For I'm a young trooper Cut down in my prime

0:02:00 > 0:02:06- HE SINGS:- # 'The bugles were playing His mates were a-praying

0:02:06 > 0:02:12# 'The chaplain was kneeling Down by his bed

0:02:12 > 0:02:16# 'His poor head was aching His poor heart was breaking

0:02:16 > 0:02:22# 'This poor young trooper Cut down in his prime

0:02:22 > 0:02:27ALL: # 'Then beat the drum lowly And play your pipe slowly

0:02:27 > 0:02:33# 'And sound the dead march As you carry me along

0:02:33 > 0:02:38# And fire your bundooks Right over my coffin

0:02:38 > 0:02:43# For I'm a young trooper Cut down in my prime. #

0:02:57 > 0:02:59BOLTS OPEN

0:04:00 > 0:04:01Reid.

0:04:05 > 0:04:08- Dr Bagster-Phillips done his work? - He has, Sir.

0:04:08 > 0:04:10Inspector Abberline was there.

0:04:10 > 0:04:12Your dead room was requisitioned for him.

0:04:22 > 0:04:25Another streetwalker, murdered, I shall say,

0:04:25 > 0:04:28at the hands of your Captain Jackson.

0:04:28 > 0:04:30And that is your surgeon's opinion?

0:04:31 > 0:04:33He goes to prepare his report.

0:04:35 > 0:04:37But is convinced, nonetheless,

0:04:37 > 0:04:40that she is Ripper.

0:04:43 > 0:04:48Throat-cut commencing left, terminating right.

0:04:48 > 0:04:49Abrasions on the spine.

0:04:49 > 0:04:53Access to the pelvic organs secured with one incision -

0:04:53 > 0:04:56ribcage to pubis.

0:04:56 > 0:04:57As before.

0:04:57 > 0:05:01Parts of the bladder taken and the womb also.

0:05:03 > 0:05:08That organ recovered at Captain Jackson's lodgings on Tenter Street.

0:05:08 > 0:05:12And what is it led you to search there?

0:05:12 > 0:05:15The same communication which reported this poor creature's whereabouts?

0:05:17 > 0:05:19It is sufficient, Inspector,

0:05:19 > 0:05:23to draw this case to a close and name him.

0:05:23 > 0:05:25Do you think, Fred,

0:05:25 > 0:05:28that hanging my American will return your sleep to you?

0:05:28 > 0:05:31Obsessions are addictions.

0:05:31 > 0:05:34Which may not be defeated by actions in the physical world,

0:05:34 > 0:05:37but by a change of temper in the mind.

0:05:40 > 0:05:42Come on, Reid, we both know what gives here.

0:05:42 > 0:05:45Fred Abberline is...

0:05:45 > 0:05:47Ah, he's fixated, I grant you. But he's honest.

0:05:47 > 0:05:50Led to your innocence, he'll have you freed.

0:05:50 > 0:05:53- And it's you that pilots him there, is it?- I hope to!

0:05:53 > 0:05:55No. You really want to stop this?

0:05:55 > 0:05:57- You want to save my neck from a stretching?- Of course I do.

0:05:57 > 0:06:00Then, you return to me my pistol, you forget those keys of yours.

0:06:00 > 0:06:01And you take a walk.

0:06:01 > 0:06:03And have this fantasy given extra credence?

0:06:03 > 0:06:06Have vigilante patrols scouring the streets

0:06:06 > 0:06:08looking for your head to break? No.

0:06:08 > 0:06:13No. You, bide your time and you trust in me.

0:06:19 > 0:06:22Sergeant Artherton, do you recall the cigarette seller?

0:06:22 > 0:06:23Joseph Lawende.

0:06:23 > 0:06:25Er...witness at the Eddowes inquiry?

0:06:25 > 0:06:27Saw who ever she was with that night.

0:06:27 > 0:06:29Goes by the name of Lavender now, Sir.

0:06:29 > 0:06:31- Have him rousted and brought to me. - Sir.

0:06:37 > 0:06:38KNOCKING ON DOOR

0:06:42 > 0:06:43SHE CLEARS HER THROAT

0:06:43 > 0:06:45Come in.

0:06:45 > 0:06:48Er...Rose, you have a visitor.

0:06:48 > 0:06:51'I never expected to find you here, in Mrs Reid's shelter.

0:06:51 > 0:06:52'When we are now'

0:06:52 > 0:06:54quite recovered at Tenter Street.

0:06:54 > 0:06:56Our gentlemen help us back to our feet.

0:06:56 > 0:06:58All is as ever was.

0:06:59 > 0:07:03Except, of course, the continued absence of Captain Jackson,

0:07:03 > 0:07:06beneath the key of Mrs Reid here's husband.

0:07:08 > 0:07:10And what will become of him, Miss Susan?

0:07:10 > 0:07:13Mr Abberline makes his case.

0:07:14 > 0:07:16They will call him Ripper.

0:07:16 > 0:07:17And hang him.

0:07:19 > 0:07:21Which is why I would have you back with me, Rose.

0:07:21 > 0:07:23A room of your very own.

0:07:23 > 0:07:26A key with which you can come and go as you please.

0:07:26 > 0:07:28Rose, you are not imprisoned here.

0:07:28 > 0:07:30I know, Mrs Reid.

0:07:30 > 0:07:32But, Miss Hart, I cannot permit you to come here

0:07:32 > 0:07:34if you do so to procure.

0:07:34 > 0:07:37Rose, this woman would make a penniless drudge of you.

0:07:37 > 0:07:39I would not.

0:07:39 > 0:07:40I give her a home,

0:07:40 > 0:07:43somewhere from which she may choose what to make of herself.

0:07:43 > 0:07:44Rose?

0:07:45 > 0:07:48Is it your wish that you remain here a while longer yet?

0:07:49 > 0:07:52It is, Mrs Reid.

0:07:52 > 0:07:56Miss Susan, you took me from the streets and gave me a home.

0:07:58 > 0:08:03But I am set now on improving my circumstances further still.

0:08:03 > 0:08:05And how will you do that, girl?

0:08:05 > 0:08:07I would not hex myself by saying yet.

0:08:09 > 0:08:12But I do hope to tell you all, very soon.

0:08:25 > 0:08:26SHE SIGHS

0:08:30 > 0:08:33Mr Lavender, I'm most grateful for your visit.

0:08:33 > 0:08:36Am I to believe there was choice in the matter?

0:08:36 > 0:08:38What does that man do here!?

0:08:40 > 0:08:41He helps us.

0:08:41 > 0:08:45And may confirm your convictions, Chief Inspector,

0:08:45 > 0:08:47that Jackson is Ripper.

0:08:47 > 0:08:50Your office, now!

0:08:50 > 0:08:53Do you not consider witness identification a key constituent?

0:08:53 > 0:08:57That man, an eccentric at best, a loon at worst,

0:08:57 > 0:08:59had full clap of the man with Catherine Eddowes

0:08:59 > 0:09:01and still could not describe him to us!

0:09:01 > 0:09:03But now, we have something that we lacked then -

0:09:03 > 0:09:06we have a suspect in custody for him to make comparison.

0:09:06 > 0:09:09Or are you afraid of what he might say?

0:09:14 > 0:09:16Follow us, Mr Lavender.

0:09:18 > 0:09:20Mr Lavender, it is a year since, I know.

0:09:20 > 0:09:23But there is a man beyond we wish you to study.

0:09:28 > 0:09:30Please, Sir. Step forward.

0:09:31 > 0:09:32Closer.

0:09:33 > 0:09:35Look at him!

0:09:41 > 0:09:43Well?

0:09:43 > 0:09:46No, I cannot say.

0:09:46 > 0:09:49It is what I have tried to tell you.

0:09:51 > 0:09:54Yes, that night...

0:09:55 > 0:09:57..I saw him.

0:09:58 > 0:10:01But I saw nothing in him!

0:10:01 > 0:10:03Where his face should be...

0:10:05 > 0:10:06..only darkness.

0:10:07 > 0:10:10It's The Ripper.

0:10:10 > 0:10:11HE SIGHS

0:10:11 > 0:10:13He is dybbuk.

0:10:13 > 0:10:15HE SIGHS

0:10:15 > 0:10:17You chase him...

0:10:17 > 0:10:18HE CHUCKLES

0:10:18 > 0:10:19..you are fools.

0:10:19 > 0:10:22Whatever peace you have known,

0:10:22 > 0:10:23you will know it no longer.

0:10:23 > 0:10:25Only calamity...

0:10:27 > 0:10:28..and turmoil.

0:10:30 > 0:10:33Evil on your shoulder.

0:10:33 > 0:10:35This all does nothing, Edmund.

0:10:37 > 0:10:39Come on.

0:10:39 > 0:10:43Your Ripper is not for finding.

0:10:43 > 0:10:45Only for hunting!

0:10:47 > 0:10:48Well, that went well.

0:10:58 > 0:10:59Thank you.

0:11:11 > 0:11:13Hobbs' wife.

0:11:13 > 0:11:15Come to collect his personals.

0:11:16 > 0:11:17Hobbs was married!?

0:11:18 > 0:11:21I had no...I had no idea.

0:11:22 > 0:11:24No, Sir.

0:11:26 > 0:11:28Oh, Sergeant.

0:11:28 > 0:11:31I'd hear your thoughts on what we might next do for Captain Jackson?

0:11:31 > 0:11:33I was set on an afternoon in The Bear, Sir.

0:11:33 > 0:11:36I am owed time, as you know.

0:11:48 > 0:11:50Sergeant Drake!

0:11:52 > 0:11:53You explain yourself.

0:11:53 > 0:11:56If you work to free Captain Jackson,

0:11:56 > 0:11:59or whatever name it is we should now call him by,

0:11:59 > 0:12:03I'm sorry, but you must do so alone.

0:12:03 > 0:12:05You honestly think him guilty of this woman's killing?

0:12:05 > 0:12:07The others also? That we at last have our man?

0:12:07 > 0:12:09Mr Reid, I care not.

0:12:09 > 0:12:14All I know is, the man who made that woman widow, Frank Goodnight,

0:12:14 > 0:12:17he came to this town in search of our American.

0:12:17 > 0:12:21Your association with Captain Jackson...

0:12:21 > 0:12:23it has done us little but ill,

0:12:23 > 0:12:24in my humble opinion.

0:12:24 > 0:12:28Look at these last months, Bennet. We've done some good with his help, have we not?

0:12:28 > 0:12:29You tell that to Dick Hobbs.

0:12:29 > 0:12:32See if you can rouse agreement from him.

0:12:51 > 0:12:52Miss Erskin.

0:12:52 > 0:12:54I am sorry if I am late, Mr Trumper.

0:12:54 > 0:12:56I, I missed my omnibus at Bethnal Green and had to wait...

0:12:56 > 0:13:00Not at all, it's wonderful to see you again.

0:13:00 > 0:13:02You did have me worried, however...

0:13:04 > 0:13:07- ..that you might have changed your mind.- Oh, no, Sir.

0:13:07 > 0:13:12I, I've been greatly looking forward to meeting with you once more.

0:13:12 > 0:13:14Shall we take a walk?

0:13:14 > 0:13:17'When I saw the Estancia for the first time,'

0:13:17 > 0:13:22two day's ride from Buenos Aries, it is magnificent.

0:13:22 > 0:13:25It's 50,000 acres, 70,000 head of cattle.

0:13:25 > 0:13:27But there have been sacrifices.

0:13:27 > 0:13:29Ten hard years of labour and...

0:13:31 > 0:13:32Well...

0:13:34 > 0:13:38..I am a man who wishes for a family.

0:13:38 > 0:13:40For a wife.

0:13:40 > 0:13:43I would find that wife here rather than in the Argentine.

0:13:43 > 0:13:47To think that we were introduced through the pages of a newspaper...

0:13:47 > 0:13:50Well, it is a wonder.

0:13:50 > 0:13:52Miss Erskine.

0:13:52 > 0:13:56Without wishing to seem over-forward,

0:13:56 > 0:13:59but do you imagine that such a life might suit you?

0:14:00 > 0:14:01Mr Trumper, I...

0:14:03 > 0:14:08..I know nothing of the world except for this patch of sky right here.

0:14:09 > 0:14:11But I would change that.

0:14:11 > 0:14:16Do you think that you might begin to call me...Victor?

0:14:18 > 0:14:20I'm Rose.

0:14:20 > 0:14:21Rose.

0:14:23 > 0:14:24HE CHUCKLES

0:14:24 > 0:14:27As we agreed, I've brought us a picnic.

0:14:27 > 0:14:29HE CHUCKLES

0:14:32 > 0:14:35SHE CHUCKLES

0:14:36 > 0:14:38HE CHUCKLES

0:14:38 > 0:14:40SHE LAUGHS

0:14:43 > 0:14:46Miss Rose? Are you unwell?

0:14:48 > 0:14:51I feel I, I might...

0:14:53 > 0:14:55Oh, please! Someone?

0:14:55 > 0:14:56Call a carriage!

0:14:57 > 0:14:58Can you hear me?

0:15:21 > 0:15:23Cheers, Neville.

0:15:29 > 0:15:32HE PANTS

0:15:34 > 0:15:35This one?

0:15:35 > 0:15:38He, er...he threw his neighbour's son

0:15:38 > 0:15:41off the roof of Christ Church Spitalfield.

0:15:41 > 0:15:44The company I keep these days, Reid.

0:15:54 > 0:15:55Sergeant Drake.

0:15:57 > 0:15:58Miss Susan.

0:15:58 > 0:16:00Rose is no longer with us.

0:16:00 > 0:16:03Have you not heard?

0:16:03 > 0:16:05Oh, I heard all right. I er...

0:16:09 > 0:16:11It is the reason I come.

0:16:15 > 0:16:19Is it true, Sergeant, you were sweet on Rose?

0:16:19 > 0:16:20But that she let you down?

0:16:24 > 0:16:27That makes her a fool

0:16:27 > 0:16:29and more besides.

0:16:29 > 0:16:30There's not a girl here

0:16:30 > 0:16:32who doesn't think you are the finest of men.

0:16:45 > 0:16:46Miss Bella...

0:16:46 > 0:16:47Sergeant?

0:16:47 > 0:16:49..would you keep a secret for me?

0:16:49 > 0:16:51Till my death.

0:16:51 > 0:16:54If we just sat here for a while,

0:16:54 > 0:16:57in this chair, you and I.

0:16:59 > 0:17:03And perhaps I might sleep for a moment or so.

0:17:05 > 0:17:06If we did that...

0:17:07 > 0:17:09..would you tell no-one what passed?

0:17:11 > 0:17:15I er...I do not ask you to lie,

0:17:15 > 0:17:18simply to say nothing if questioned.

0:17:46 > 0:17:48House broken up on Truman.

0:17:48 > 0:17:50Street theft, Commercial Street.

0:17:50 > 0:17:52Street theft, Aldgate Corner.

0:17:52 > 0:17:55Three counts of public indecency down at Petticoat.

0:17:55 > 0:17:58Two men cutlassed at closing time at the Shipwrights. One now dead.

0:17:58 > 0:18:00Two missing persons, both teenage girls.

0:18:00 > 0:18:03One on Sidney, the other, Cheshire.

0:18:03 > 0:18:04Are you finished, Artherton?

0:18:04 > 0:18:07That is today's roll, Sir. Yes.

0:18:07 > 0:18:08Mrs Reid?

0:18:08 > 0:18:10- ALL:- Morning, Madam.

0:18:10 > 0:18:11Come in, Emily.

0:18:18 > 0:18:21It is the third night this week you've slept in that cot.

0:18:21 > 0:18:24- Is it more comfortable than it looks?- No.

0:18:24 > 0:18:26No, I er...I'm tired, Emily.

0:18:26 > 0:18:28I'd fall asleep on pins.

0:18:33 > 0:18:35I come because...

0:18:36 > 0:18:39..I confess myself disturbed.

0:18:41 > 0:18:44Rose. The girl I took in from Miss Hart's.

0:18:44 > 0:18:45What of her?

0:18:45 > 0:18:47She did not return last night.

0:18:48 > 0:18:50Edmund, I thought her sincere.

0:19:17 > 0:19:20What do you suppose might happen, Bennet, if we sat here all day?

0:19:26 > 0:19:27We'd be drunk, Mr Reid.

0:19:27 > 0:19:29Whisky.

0:19:38 > 0:19:39Your Rose...

0:19:39 > 0:19:41She's not my Rose.

0:19:41 > 0:19:43She's not mine...

0:19:45 > 0:19:46..as you well know.

0:19:48 > 0:19:51According to Mrs Reid, Rose did not return to the shelter last night.

0:19:51 > 0:19:53Then, she returns to type.

0:19:53 > 0:19:56That was my response also until Mrs Reid told me

0:19:56 > 0:19:57the shelter had been broke into.

0:19:57 > 0:20:00Nothing taken but the girl's personals.

0:20:04 > 0:20:07What use our work, Bennet...

0:20:08 > 0:20:10..if we cannot care for those we love?

0:20:14 > 0:20:16DOOR OPENS

0:20:21 > 0:20:24- You said the wastepaper had been cleared?- Uh-huh.

0:20:24 > 0:20:25You noticed it full.

0:20:25 > 0:20:29The newspapers, writing paper. It struck me as strange.

0:20:29 > 0:20:31What? That she could read and write?

0:20:31 > 0:20:32I suppose so, yes.

0:20:32 > 0:20:35The Ragged School, on Field Lane.

0:20:35 > 0:20:37She went there every day till she was 16.

0:20:39 > 0:20:41Did you see what she read and wrote here?

0:20:41 > 0:20:43Er...letters, many of them.

0:20:43 > 0:20:45- Received and sent.- Letters?

0:20:47 > 0:20:49- Will you fetch me paper?- Uh-huh.

0:20:53 > 0:20:57Did she speak also of a wide network of friends and family

0:20:57 > 0:20:59with whom she would correspond?

0:20:59 > 0:21:01She has none, Sir.

0:21:01 > 0:21:02Thank you.

0:21:12 > 0:21:13You see these?

0:21:13 > 0:21:16Circles. Many circles.

0:21:19 > 0:21:21These letters, Emily, do you think it possible

0:21:21 > 0:21:24she might have ran and responded to adverts in the Lonely Hearts?

0:21:24 > 0:21:26It is possible, yes.

0:21:29 > 0:21:31Sergeant, we are going back to work.

0:21:31 > 0:21:32Does that suit you?

0:21:34 > 0:21:36Yes, Mr Reid, it does.

0:21:37 > 0:21:39Artherton. Read me that roll again.

0:21:39 > 0:21:42- Yes, Sir. Er, house broken up on Truman Street.- Yes.

0:21:42 > 0:21:44- Street theft, Commercial Street. - Yes, yes.

0:21:44 > 0:21:46- Three counts of public indecency. - Yes.

0:21:46 > 0:21:49- Two men cutlassed at closing. - Move on!

0:21:49 > 0:21:51And two missing persons, both teenage girls.

0:21:51 > 0:21:53- What ages, precisely? - 17 and 19, Sir.

0:21:53 > 0:21:55- One on Sidney Street, one on Cheshire?- Sir.

0:21:55 > 0:21:57No tarts or destitutes, then?

0:21:57 > 0:21:58No, both house maids.

0:21:58 > 0:22:00Reported last night, but missing since when?

0:22:00 > 0:22:02One on 19th, the other the 22nd.

0:22:02 > 0:22:05Get men to their addresses. All their personal effects returned here.

0:22:05 > 0:22:07Yes, Mr Reid. Johnson! Michaels!

0:22:07 > 0:22:09With me, Sergeant. We return to our past.

0:22:11 > 0:22:12All our Ripper suspects, Sir?

0:22:12 > 0:22:15High earners, very,

0:22:15 > 0:22:17I look for one in particular.

0:22:18 > 0:22:19Here.

0:22:21 > 0:22:23Here!

0:22:30 > 0:22:31What?

0:22:31 > 0:22:33Are you so desperate, Inspector,

0:22:33 > 0:22:36that you rake through all the suspects we ever knew?

0:22:36 > 0:22:39We have the man, in your cell.

0:22:41 > 0:22:44Those two missing girls' particulars, Sir.

0:22:45 > 0:22:48They were using the Lonely Hearts and all.

0:22:49 > 0:22:53Ah, you see, the favoured here are highlighted?

0:22:53 > 0:22:56Which is why I look for this man.

0:22:56 > 0:23:00Victor Silver.

0:23:00 > 0:23:01Cattleman.

0:23:01 > 0:23:03Land in the Argentine.

0:23:03 > 0:23:05Slaughters his beef there.

0:23:05 > 0:23:08Refrigerates it to board his reefer ship.

0:23:08 > 0:23:11Ships it for sale - New York, the Continent, London.

0:23:11 > 0:23:13And once he got here,

0:23:13 > 0:23:14the way he liked to operate -

0:23:14 > 0:23:16he placed these personals,

0:23:16 > 0:23:19like the ones used by our missing girls.

0:23:19 > 0:23:23He responded to them also, met these girls, charmed them, drugged them

0:23:23 > 0:23:25took them off the streets. Why?

0:23:25 > 0:23:28We never knew. The only way he came to eye is one of them caught him

0:23:28 > 0:23:31slipping a dose of narcotics into her drink.

0:23:31 > 0:23:34They fought, he produced a knife.

0:23:34 > 0:23:36A long one, very sharp.

0:23:36 > 0:23:40It failed to stop her from kicking his bollocks in and running to us.

0:23:40 > 0:23:43But, for a week or two, we fancied him for Ripper. Do you remember?

0:23:43 > 0:23:46And then, we ruled him out.

0:23:46 > 0:23:48For good reasons.

0:23:48 > 0:23:52Ones which I am surprised you have forgot.

0:23:52 > 0:23:55Sergeant, read from the file.

0:23:55 > 0:23:58The up-front summation will suffice.

0:23:58 > 0:24:00Victor Silver, cattle importer.

0:24:00 > 0:24:02Deceased 15th of Sep...

0:24:04 > 0:24:07Deceased 15th of September 1888.

0:24:07 > 0:24:08A year ago.

0:24:08 > 0:24:09Read on.

0:24:09 > 0:24:11The details of his death.

0:24:11 > 0:24:14Drowned aboard the steam launch, The Pride Of Wapping.

0:24:14 > 0:24:18Drowned aboard the steam launch, The Pride Of Wapping...

0:24:18 > 0:24:19No.

0:24:19 > 0:24:20Missing.

0:24:22 > 0:24:24No body found or washed up.

0:24:25 > 0:24:2877 drowned. Five lost.

0:24:28 > 0:24:30171 saved. Myself included.

0:24:37 > 0:24:41This man, Silver. Mr Reid? It is the first time I've heard his name.

0:24:41 > 0:24:44There were many names mentioned last year. Hardly surprising to forget a few.

0:24:44 > 0:24:47Yes, Sir. But tell me if I overstep. The Pride Of Wapping?

0:24:47 > 0:24:50Was that not the launch from which your daughter...?

0:24:50 > 0:24:51Sergeant. You overstep.

0:25:09 > 0:25:10Dear Miss Erskine,

0:25:10 > 0:25:13I am Clara, Victor's sister.

0:25:13 > 0:25:17You took ill, so he brought you to our home.

0:25:17 > 0:25:18It is morning.

0:25:18 > 0:25:20I was worried you might never wake.

0:25:20 > 0:25:24I cannot remember when I ever slept so sound.

0:25:24 > 0:25:27Is there somewhere you need to be?

0:25:27 > 0:25:31If there is, I...I cannot remember.

0:25:31 > 0:25:34Then, please. I have laid out some clothes.

0:25:34 > 0:25:38When you are ready, join us for breakfast.

0:25:48 > 0:25:50KNOCKING ON DOOR

0:25:50 > 0:25:53Dear Rose. Please.

0:25:54 > 0:25:57This is my other brother, Barnaby.

0:25:59 > 0:26:01And our young friend, Mary.

0:26:06 > 0:26:09You are very pretty, Miss.

0:26:11 > 0:26:12Please come.

0:26:18 > 0:26:20BELL TINKLES

0:26:21 > 0:26:22Barnaby?

0:26:22 > 0:26:24Excuse me, Miss Rose.

0:26:28 > 0:26:30Rose.

0:26:30 > 0:26:32It was my greatest hope to find you still here.

0:26:32 > 0:26:35I have been made most welcome.

0:26:35 > 0:26:37I am blessed with my family.

0:26:37 > 0:26:38BELL KEEPS TINKLING

0:26:38 > 0:26:40Do you not agree?

0:26:40 > 0:26:42Barnaby, see to the bell.

0:26:48 > 0:26:52It is the most common of plagues, Mr Reid.

0:26:52 > 0:26:54Loneliness.

0:26:54 > 0:26:55It is the city's curse.

0:26:55 > 0:26:59But this, our Lonely Hearts, the remedy.

0:26:59 > 0:27:02Now, you may dictate the details of your desired love.

0:27:02 > 0:27:04Our team of editors,

0:27:04 > 0:27:08their one aim to lead you toward the happiness that all men merit,

0:27:08 > 0:27:12they will transcribe, print and forward the missives of your passion

0:27:12 > 0:27:15for the smallest of prices and in total anonymity.

0:27:15 > 0:27:17But were we to construct and place our own,

0:27:17 > 0:27:19you would print and run it for us?

0:27:19 > 0:27:23Oh, so you do seek a wife for your Sergeant.

0:27:23 > 0:27:26Your head is a sight to behold, scribbler.

0:27:29 > 0:27:31You want me to match this side with the other?

0:27:31 > 0:27:33Mr Drake, come now.

0:27:33 > 0:27:34HE CHUCKLES

0:27:34 > 0:27:38Oh, you know me. Hmm? Ever obliging.

0:27:40 > 0:27:42But I would know

0:27:42 > 0:27:44what reward we, here at The Star,

0:27:44 > 0:27:47might expect for such a service.

0:27:47 > 0:27:49Perhaps...

0:27:49 > 0:27:52an interview with your gunslinger Ripper?

0:27:52 > 0:27:54What price these personal advertisements?

0:27:54 > 0:27:57- Ten pence.- Then that is your reward, Mr Best.

0:27:57 > 0:27:59HE CHUCKLES

0:27:59 > 0:28:00'As you compose your messages,'

0:28:00 > 0:28:02remember this,

0:28:02 > 0:28:04he will want you naive, young,

0:28:04 > 0:28:06lonely and lost in this world.

0:28:06 > 0:28:08You may dictate your messages to these men here.

0:28:08 > 0:28:11And when you do, you speak from the heart.

0:28:11 > 0:28:13It is our Rose for whom we do so.

0:28:13 > 0:28:16I am a gentle girl, shy at first,

0:28:16 > 0:28:19but eager to demonstrate...

0:28:29 > 0:28:30Rose?

0:28:34 > 0:28:37Are there those that miss and wonder after you?

0:28:39 > 0:28:41No, Victor.

0:28:42 > 0:28:43Not a soul?

0:28:48 > 0:28:52It makes me weep to think of you so alone.

0:28:54 > 0:28:57I do not feel so in your home, however.

0:28:57 > 0:28:59I feel as happy here as I ever have.

0:29:07 > 0:29:10A rose, for a Rose.

0:29:20 > 0:29:22You need not be so gallant.

0:29:22 > 0:29:24Not with me.

0:29:31 > 0:29:32Do I offend, Sir?

0:29:35 > 0:29:36It's quite all right, Rose.

0:29:38 > 0:29:39Here...

0:29:41 > 0:29:42Some more cordial?

0:29:46 > 0:29:47No, I...

0:29:48 > 0:29:50..I don't think I will.

0:29:53 > 0:29:55Perhaps it's time I took my leave of you.

0:29:56 > 0:29:59No, Rose. We grow far too fond of you here.

0:30:03 > 0:30:04Do we not, Brother?

0:30:04 > 0:30:06We do, Victor.

0:30:06 > 0:30:07SHE SCREAMS

0:30:07 > 0:30:09Have Clara calm her.

0:30:09 > 0:30:10Let me go!

0:30:10 > 0:30:13Put me down, let me go!

0:30:13 > 0:30:14HAMMERING

0:30:14 > 0:30:17There is violence in that one, Victor.

0:30:17 > 0:30:18She has worth, however.

0:30:18 > 0:30:21Not if she scratch the eyes from the man to whom she is sold.

0:30:21 > 0:30:22HE SIGHS

0:30:22 > 0:30:25Sweet sister. You shall look after her.

0:30:25 > 0:30:27And when seven weeks at sea have passed,

0:30:27 > 0:30:30well, she'll be grateful merely to be alive.

0:30:30 > 0:30:31Clara.

0:30:31 > 0:30:33Hold firm.

0:30:33 > 0:30:36We have but one more package yet to collect.

0:30:36 > 0:30:38And then, we can set to sea,

0:30:38 > 0:30:42safe in the knowledge that we need not return until the new century.

0:30:42 > 0:30:44Should we wish to return at all?

0:30:47 > 0:30:49Now go. You've left the child alone

0:30:49 > 0:30:53and, though we need no longer bind her to her bed,

0:30:53 > 0:30:55she may still run from us, given the opportunity.

0:31:00 > 0:31:02You're to see all of these printed in the morning run.

0:31:02 > 0:31:05And take receipt of all marked applicants yourself.

0:31:05 > 0:31:07- You...- You heard me, scribbler!

0:31:16 > 0:31:19GIRL MUTTERS IN HER SLEEP

0:31:41 > 0:31:43HE SIGHS

0:31:43 > 0:31:44What is it?

0:31:50 > 0:31:52The accident I told you of.

0:31:54 > 0:31:55My daughter.

0:31:57 > 0:32:00There was a man aboard that boat.

0:32:04 > 0:32:09A man whose remains were also never recovered...

0:32:11 > 0:32:13..but all thought him dead.

0:32:13 > 0:32:16This man, I...

0:32:17 > 0:32:18..I believe him returned.

0:32:20 > 0:32:23And if he indeed survived, then...

0:32:25 > 0:32:30..so also you think perhaps your daughter.

0:32:33 > 0:32:35I have always known it.

0:32:36 > 0:32:39I have known she was out there, somewhere.

0:32:39 > 0:32:43But this, this secret dream that now takes life...

0:32:44 > 0:32:47It is not for you to share with me.

0:32:52 > 0:32:54Your daughter had a mother.

0:32:54 > 0:32:57A mother who would have me call her dead and gone...

0:32:57 > 0:33:00No, Edmund, no!

0:33:00 > 0:33:04I cannot be the sounding board for your guilt.

0:33:08 > 0:33:10You seek forgiveness?

0:33:11 > 0:33:13An ally in the hope that your life

0:33:13 > 0:33:16might return to what it once was?

0:33:17 > 0:33:20I cannot provide these things for you.

0:33:21 > 0:33:23SHE SIGHS

0:33:23 > 0:33:25Please.

0:33:25 > 0:33:26You should go home.

0:33:38 > 0:33:40Have you been here all night?

0:33:41 > 0:33:44Please sit down, Emily, I would speak with you.

0:33:57 > 0:34:00One of the five unrecovered from the steam cruiser that day.

0:34:02 > 0:34:04A man.

0:34:04 > 0:34:06Name of Silver.

0:34:08 > 0:34:10I believe he still breathes.

0:34:10 > 0:34:12Mathilda.

0:34:12 > 0:34:14She was with him.

0:34:15 > 0:34:16How?!

0:34:16 > 0:34:20Because...she was with me.

0:34:22 > 0:34:23And I was at work.

0:34:26 > 0:34:28He was a candidate of mine.

0:34:29 > 0:34:31For Ripper.

0:34:31 > 0:34:33I had men put on his lodgings

0:34:33 > 0:34:36with orders to alert me, should he leave.

0:34:36 > 0:34:37I came home...

0:34:37 > 0:34:39For the first time in, in ten days.

0:34:39 > 0:34:41You had asked me to.

0:34:41 > 0:34:43So that you might go visiting in Harrow.

0:34:43 > 0:34:46So that I may have an hour or two for myself!

0:34:46 > 0:34:49If...if you even begin to lay this at my door,

0:34:49 > 0:34:52I will leave this moment and you will never see me more.

0:34:54 > 0:34:55Word came.

0:34:56 > 0:34:58He was moving south.

0:34:58 > 0:35:01And so, you decided to take her with you.

0:35:03 > 0:35:08To have our daughter by your side as you stalked this man.

0:35:08 > 0:35:09Should I have left her here?

0:35:09 > 0:35:12Yes, Edmund! You should have!

0:35:14 > 0:35:15SHE SOBS

0:35:20 > 0:35:22You say she was with him.

0:35:24 > 0:35:26We picked him up on Petticoat Lane.

0:35:29 > 0:35:32She held my hand as we walked south.

0:35:32 > 0:35:35For the docks, at St Catherine's.

0:35:35 > 0:35:37Do you remember how she loved the boats?

0:35:39 > 0:35:41We bought tickets.

0:35:41 > 0:35:43The launch sailed.

0:35:43 > 0:35:44Mathilda joined a gaggle of young

0:35:44 > 0:35:47running back and forth on the upper deck.

0:35:48 > 0:35:50Which is where I found him.

0:35:50 > 0:35:54He had met a girl, Veronica Atkins.

0:35:55 > 0:35:59Her drowned body recovered one week later, at Greenwich.

0:36:01 > 0:36:03He had bought her lemonade.

0:36:03 > 0:36:05Which I feared he would drug.

0:36:05 > 0:36:08I stepped forward, he saw me.

0:36:08 > 0:36:09Knew me for what I was.

0:36:13 > 0:36:16At which moment it all came to pass.

0:36:16 > 0:36:18The ship struck.

0:36:18 > 0:36:20The hull split.

0:36:20 > 0:36:22The deck lurching into the air.

0:36:22 > 0:36:25The gaggle of girls, slipping across it.

0:36:27 > 0:36:29Mathilda calling for me as she fell.

0:36:31 > 0:36:33All was aflame.

0:36:33 > 0:36:36The steam pipe came down upon me. I could not move.

0:36:38 > 0:36:43Could not reach her as she fell past this man, into the water beneath him.

0:36:43 > 0:36:48Where he, unable to cling on, also fell an instant later.

0:36:50 > 0:36:51Do you see, Emily?

0:36:53 > 0:36:55He might be able to say.

0:36:56 > 0:36:57To recall...

0:36:59 > 0:37:03..that no, she sank like a rock to the floor of the Thames.

0:37:03 > 0:37:08Or that yes, she clung to driftwood.

0:37:08 > 0:37:10Or even to he, himself.

0:37:10 > 0:37:11- SHE SOBS:- Stop. Stop.

0:37:13 > 0:37:16You raise a hope that sinks its claws into me.

0:37:17 > 0:37:19If it is forlorn...

0:37:22 > 0:37:25..Edmund, I dare not think what will become of us.

0:37:29 > 0:37:32Florence, authoress and composer of music.

0:37:32 > 0:37:3532, wishes to meet with a true gentleman.

0:37:35 > 0:37:37Too old.

0:37:44 > 0:37:46Help!

0:37:46 > 0:37:48Help!

0:37:52 > 0:37:53BELL TINKLES

0:38:04 > 0:38:05Eat up.

0:38:12 > 0:38:13Help!

0:38:13 > 0:38:18WOMAN'S VOICE: 'Help! Help me! Help!

0:38:18 > 0:38:20'Help!'

0:38:20 > 0:38:21Help!

0:38:21 > 0:38:22BELLS TINKLE

0:38:25 > 0:38:26HE SIGHS

0:38:26 > 0:38:29BELLS CONTINUE TINKLING

0:38:30 > 0:38:35Don't move, sit here, don't move.

0:38:41 > 0:38:43DOOR SLAMS SHUT

0:38:45 > 0:38:46MUFFLED MOAN

0:38:48 > 0:38:50MUFFLED MOAN

0:39:10 > 0:39:11Madison!

0:39:13 > 0:39:15Send to Inspector Reid.

0:39:15 > 0:39:17Tell him there's a lonely-heart cattleman here.

0:39:17 > 0:39:20Name of Trumper.

0:39:20 > 0:39:21Victor Trumper.

0:39:23 > 0:39:24You. Name?

0:39:24 > 0:39:25Bella.

0:39:29 > 0:39:31I cannot watch from close.

0:39:31 > 0:39:35This man, if it is he, he has had sight of me before.

0:39:35 > 0:39:39The Sergeant here will never be far. We have a carriage outside.

0:39:46 > 0:39:48For caution, Bella.

0:39:48 > 0:39:49I am very proud of you.

0:39:56 > 0:39:57SHE SIGHS

0:40:22 > 0:40:23Miss Culver?

0:40:23 > 0:40:25Mr...Trumper?

0:40:31 > 0:40:33Well, I am sure all who see you say the same,

0:40:33 > 0:40:37that you are, forgive me, a beautiful woman.

0:40:39 > 0:40:41- Miss?- Bella.

0:40:41 > 0:40:43I cannot see him clear enough.

0:40:46 > 0:40:48Would you call me Victor?

0:40:49 > 0:40:51Shall we stroll a little?

0:40:53 > 0:40:54I should like that.

0:40:56 > 0:40:59Riggs and Michaels track along the ridge above. Drake in their steps.

0:40:59 > 0:41:01None closer than 50 yard. I shall cut left.

0:41:01 > 0:41:02See if I can get closer. Go, go.

0:41:23 > 0:41:25I took the liberty.

0:41:28 > 0:41:29Please.

0:41:37 > 0:41:38It's lemonade.

0:41:40 > 0:41:41Made by my sister.

0:41:56 > 0:41:59Where was it you lived, before you came to this city?

0:41:59 > 0:42:01Southend, Sir.

0:42:01 > 0:42:04Please, call me Victor.

0:42:04 > 0:42:07Do drink some more of your lemonade...

0:42:09 > 0:42:11We should walk a little more.

0:42:11 > 0:42:13No, Sir. I'm happy here.

0:42:13 > 0:42:17No, you shall call me Victor.

0:42:17 > 0:42:18And we shall walk.

0:42:22 > 0:42:23You!

0:42:23 > 0:42:26Whoever you are, you stop right there!

0:42:26 > 0:42:29You. It is you.

0:42:29 > 0:42:31If I see any of you move, she's dead.

0:42:38 > 0:42:39Sergeant Drake!

0:42:43 > 0:42:44GUNSHOT

0:42:44 > 0:42:45No!

0:42:54 > 0:42:55HE CHOKES

0:42:56 > 0:42:58Damn you, Silver.

0:42:58 > 0:43:00Damn you, you stay alive. You stay alive!

0:43:00 > 0:43:02Give it to me, you're all right.

0:43:05 > 0:43:07Yes. You remember me?

0:43:07 > 0:43:10You remember me, you remember my little girl, Silver?

0:43:10 > 0:43:13You remember her also?

0:43:13 > 0:43:16Tell me! Did she live? Do you have her?

0:43:16 > 0:43:19Did you see her, do you have her?

0:43:22 > 0:43:23No!

0:43:23 > 0:43:25No! No! No!

0:43:25 > 0:43:27No! No! No!

0:43:27 > 0:43:30He's the only one, he's the only one, you understand?

0:43:30 > 0:43:32He's the only one who could say, whether she lives!

0:43:32 > 0:43:34His sister.

0:43:34 > 0:43:35HE GASPS

0:43:35 > 0:43:37He spoke of his sister.

0:43:38 > 0:43:40'Jackson!'

0:43:40 > 0:43:41Are you still on my ticket?

0:43:41 > 0:43:43Yes, I am.

0:43:43 > 0:43:44Then, I need you now by my side.

0:43:47 > 0:43:49I need to know where he's been the last 48 hours.

0:43:49 > 0:43:50You can help me.

0:43:53 > 0:43:56He has Miss Rose under key somewhere.

0:43:56 > 0:43:57Others also.

0:43:59 > 0:44:00This was about him.

0:44:00 > 0:44:02- You expect me to work like this? - Yes, I do for now. Yes!

0:44:02 > 0:44:05Well, then get him stripped, goddamit!

0:44:08 > 0:44:10These in his coat, they are customs dockets

0:44:10 > 0:44:15for cargo transit aboard a ship - the Clara May.

0:44:15 > 0:44:17Eight separate items. Large ones too.

0:44:17 > 0:44:20- She sails in a day. - There's matter in his lungs.

0:44:20 > 0:44:22What is it?

0:44:22 > 0:44:24I can't say yet.

0:44:24 > 0:44:27I need to remove the tissue, set it in wax and make a cross-section.

0:44:27 > 0:44:29Then I can tell you.

0:44:29 > 0:44:30HE SNIFFS

0:44:30 > 0:44:31What's this? Smell.

0:44:36 > 0:44:37- I have to cook it.- Cook it?

0:44:37 > 0:44:41Yes! Cook it! Get some scissors and cut a patch.

0:44:58 > 0:44:59And?!

0:44:59 > 0:45:00Patience, Reid.

0:45:02 > 0:45:03It's just a matter of minutes.

0:45:05 > 0:45:07So, is this her?

0:45:07 > 0:45:11- This the woman I am supposed to have slaughtered?- What if she is?

0:45:24 > 0:45:28If I could see a way of clearing myself of this,

0:45:28 > 0:45:29would you grant it to me?

0:45:29 > 0:45:33- Not if it involve you leaving this room, Captain.- It does not.

0:45:33 > 0:45:36Just tell me you ain't burned Frank Goodnight.

0:45:41 > 0:45:44One dead Pinkerton.

0:45:44 > 0:45:48Any man stands in my way shall find my foot on his throat!

0:45:51 > 0:45:53The three of you.

0:45:53 > 0:45:55I'll see you on the rope with him.

0:45:55 > 0:45:57Enough!

0:46:04 > 0:46:08This man is Homer Jackson, he is my surgeon!

0:46:10 > 0:46:13I man I trust to show me to the truth, as I have always done.

0:46:14 > 0:46:16Now, make your case, Captain.

0:46:19 > 0:46:21Do you see any stripes here?

0:46:21 > 0:46:23Blood drawn?

0:46:23 > 0:46:24No.

0:46:25 > 0:46:27This woman, dead five days. Yes?

0:46:27 > 0:46:29Yes.

0:46:29 > 0:46:32You see here, these two finger nails broken.

0:46:37 > 0:46:39Skin, from her assailant.

0:46:39 > 0:46:41Now, Inspector you will confirm

0:46:41 > 0:46:43- that I have not yet opened this sack.- I will.

0:46:44 > 0:46:48Frank Goodnight, the man that I shot dead out there.

0:46:48 > 0:46:52A man with a long history of malice held in my direction.

0:46:55 > 0:46:56What do you see?

0:46:56 > 0:46:59Scratches. Four of them.

0:46:59 > 0:47:01The two middle deepest. Corresponding with the broken nails.

0:47:01 > 0:47:03Right hand to left side of neck.

0:47:03 > 0:47:05- Circumstance. Chance. - I have not yet finished.

0:47:05 > 0:47:08Sergeant Drake, describe me.

0:47:08 > 0:47:09An adjective or two.

0:47:10 > 0:47:13- American.- So you keep saying.

0:47:13 > 0:47:15- Feckless.- Come on! Describe my appearance.

0:47:15 > 0:47:17Unwashed. Scraggly.

0:47:17 > 0:47:19Thank you! Frank Goodnight here was not.

0:47:19 > 0:47:22You can smell the hair-oil on him still.

0:47:23 > 0:47:25Macassar.

0:47:25 > 0:47:27It was wound about her fingers.

0:47:28 > 0:47:29Smell it.

0:47:31 > 0:47:33HE SNIFFS

0:47:33 > 0:47:35Strike you as familiar at all?

0:47:35 > 0:47:40If you wish to pursue your current course of action, you be my guest.

0:47:40 > 0:47:43You and I will be pitched apart, Fred.

0:47:43 > 0:47:47The press will celebrate it, your name blackened, or mine.

0:47:47 > 0:47:49But the same truth still abides.

0:47:49 > 0:47:51This man is not the man you seek.

0:47:53 > 0:47:54Now...

0:47:55 > 0:47:57..will you let us get about our duty?

0:48:06 > 0:48:07Well?

0:48:12 > 0:48:13It's organic.

0:48:13 > 0:48:15Lignified.

0:48:15 > 0:48:19Could be sawdust or wood shavings.

0:48:19 > 0:48:20In his lungs!

0:48:22 > 0:48:24Heavily calloused.

0:48:24 > 0:48:25What's he been building?

0:48:25 > 0:48:27The patch from his trousers.

0:48:30 > 0:48:32Ah, ammonia.

0:48:32 > 0:48:34The refrigeration wadding on his ship? Is he stripping it?

0:48:34 > 0:48:36To make his hold more inhabitable?

0:48:36 > 0:48:39Sir, the customs dockets. eight different units.

0:48:39 > 0:48:41He's constructing his own sea-cans.

0:48:41 > 0:48:43Each one large enough to hold a grown woman

0:48:43 > 0:48:45while he traffics her across to South America.

0:48:45 > 0:48:47But it's seven weeks to the Argentine.

0:48:47 > 0:48:49- Captain, the medicine with which he doped that girl?- Laudanum.

0:48:49 > 0:48:52Cut with passion flower tincture. Keeps you calm and happy

0:48:52 > 0:48:54- no matter the circumstance. - So you'd need a lot.

0:48:54 > 0:48:57More than you'd collect from your neighbourhood druggist.

0:48:57 > 0:48:59Sergeant, find out where his ship is at dock.

0:48:59 > 0:49:02Get a list of all the pharmaceutical wholesalers within two miles of it.

0:49:10 > 0:49:11Number 64!

0:49:11 > 0:49:12Here!

0:49:16 > 0:49:18BELL TINKERS

0:49:18 > 0:49:21Miss Silver! If that is your name. We have your brother.

0:49:23 > 0:49:26- Which? Victor? - There is another?

0:49:37 > 0:49:40THEY WHISPER: She must know where these girls are kept.

0:49:40 > 0:49:44Reid, there's a strategy that I'd like to put to you.

0:49:44 > 0:49:46It's going to require Drake, here.

0:49:47 > 0:49:48Go on.

0:49:57 > 0:49:59- I would see Victor.- Would you?

0:50:02 > 0:50:04While he is otherwise occupied, Miss Silver.

0:50:06 > 0:50:08My company will have to do. Now.

0:50:08 > 0:50:10This is what I know.

0:50:10 > 0:50:12You, your brothers...

0:50:12 > 0:50:15turn young women's loneliness to your own account.

0:50:15 > 0:50:17You draw them in. Seduce. Drug.

0:50:19 > 0:50:22House them in cargo cans for their shipping to South America.

0:50:24 > 0:50:25And...

0:50:26 > 0:50:30Well, there my knowledge finds its limit.

0:50:30 > 0:50:33There is much lies beyond those limits, Inspector.

0:50:33 > 0:50:35For one thing,

0:50:35 > 0:50:40where it is you imprison your cargo before its journey?

0:50:40 > 0:50:43For another, who it is keeps watch on them there?

0:50:43 > 0:50:45Your other brother.

0:50:45 > 0:50:46He indeed.

0:50:48 > 0:50:49Barnaby.

0:50:49 > 0:50:51If Victor and I are not returned home,

0:50:51 > 0:50:53alone and unharmed by nightfall,

0:50:53 > 0:50:55he will not falter.

0:50:55 > 0:50:57He will kill them all and not think twice.

0:50:57 > 0:50:58I, er...

0:51:00 > 0:51:01I would avoid that.

0:51:03 > 0:51:04As would I.

0:51:04 > 0:51:07Then, best you tell me where it is he keeps them.

0:51:07 > 0:51:09What did Victor say when you asked him this?

0:51:09 > 0:51:11He remained silent.

0:51:11 > 0:51:12Then, so shall I.

0:51:14 > 0:51:16The child killer!

0:51:16 > 0:51:17Get him stripped.

0:51:20 > 0:51:22What the hell are you doing?

0:51:22 > 0:51:24Creole trapper showed me how.

0:51:24 > 0:51:27Never attempted it myself though.

0:51:29 > 0:51:31May I ask how it was you found us?

0:51:31 > 0:51:33You have a girl known to us.

0:51:33 > 0:51:35We looked for her.

0:51:35 > 0:51:36Which girl?

0:51:36 > 0:51:38You tell me the ones you have taken,

0:51:38 > 0:51:40I shall let you know when you land upon her.

0:51:40 > 0:51:44And if you are mistaken and she is not with us?

0:51:44 > 0:51:47Our search will continue and you and your brothers will still swing.

0:51:47 > 0:51:49And the lives Barnaby will take.

0:51:49 > 0:51:52Those innocent dead,

0:51:52 > 0:51:54will they haunt you?

0:51:54 > 0:51:55My life here.

0:51:56 > 0:51:59The dead are something to which I have grown accustomed.

0:51:59 > 0:52:01Innocent or blameworthy.

0:52:01 > 0:52:05And yet, you believe one of ours known to you.

0:52:06 > 0:52:08Perhaps I will list them for you.

0:52:09 > 0:52:11Three serving maids,

0:52:11 > 0:52:14we have done well from that particular constituency.

0:52:15 > 0:52:17Two nurses. A shop girl.

0:52:18 > 0:52:22Another, I believe, a whore seeking not to be so any longer.

0:52:22 > 0:52:24And our last...

0:52:25 > 0:52:28Well, she was due to be delivered this afternoon.

0:52:29 > 0:52:31Have I named her?

0:52:31 > 0:52:33Hmmm, Inspector?

0:52:35 > 0:52:36Oh, there is one more.

0:52:36 > 0:52:39You have described them all. There were but eight cargo dockets.

0:52:39 > 0:52:41This one does not travel in the hold.

0:52:44 > 0:52:46She is far too precious for that.

0:52:46 > 0:52:48No, this one we keep close.

0:52:50 > 0:52:52We nurture, Inspector.

0:52:53 > 0:52:56For when she's grown just a few more years,

0:52:56 > 0:52:58well, imagine the price we shall fetch for her.

0:53:00 > 0:53:01Oh?

0:53:03 > 0:53:04It was you.

0:53:06 > 0:53:08The policeman on the boat that day.

0:53:09 > 0:53:12Victor told me how you screamed for your girl...

0:53:12 > 0:53:14You will tell me where you keep her!

0:53:14 > 0:53:15I will not!

0:53:15 > 0:53:17You wish to see brother Victor?

0:53:17 > 0:53:18Come. You shall!

0:53:22 > 0:53:23No!

0:53:23 > 0:53:26No! You watch, you watch.

0:53:26 > 0:53:27Where?!

0:53:34 > 0:53:36There is not much provided in this world

0:53:36 > 0:53:38which aids the course of justice.

0:53:38 > 0:53:40So we take what we can, Miss Silver.

0:53:40 > 0:53:41Do it, Sergeant!

0:53:41 > 0:53:42No! Stop!

0:53:42 > 0:53:45- You will tell me? - I will!- Hold your arm!

0:53:45 > 0:53:47Victor!

0:53:50 > 0:53:52You work well.

0:53:59 > 0:54:00Help!

0:54:01 > 0:54:02With me!

0:54:12 > 0:54:14Gentle, Barnaby.

0:54:48 > 0:54:50Where did you find her?

0:54:50 > 0:54:52No, not from the boat.

0:54:52 > 0:54:54Merely alone on a street corner.

0:54:56 > 0:55:00Inspector, that day,

0:55:00 > 0:55:02Victor reported seeing no other.

0:55:05 > 0:55:08He said he thought it a miracle he was saved.

0:55:08 > 0:55:11Perhaps, then, he lived on borrowed time.

0:55:12 > 0:55:14He is dead, Miss Silver.

0:55:15 > 0:55:18By the hand of the last girl he would have taken.

0:55:18 > 0:55:20- Then in your cell, he...?- Another.

0:55:20 > 0:55:21Made to look like him.

0:55:23 > 0:55:26No! You...you deceiver.

0:55:26 > 0:55:29No, you killer! No!

0:55:29 > 0:55:30No!

0:55:30 > 0:55:35SHE CRIES

0:55:46 > 0:55:47Hello.

0:55:49 > 0:55:51I am Mr Reid.

0:56:04 > 0:56:06'Dear Bennet.'

0:56:06 > 0:56:10I wish that this letter finds you well and in good health.

0:56:10 > 0:56:12I myself continue to improve

0:56:12 > 0:56:15under the auspices of Mrs Reid's generous charity.

0:56:15 > 0:56:18There are many things I regret in this life,

0:56:18 > 0:56:21but it is the way I have behaved with you that brings me most shame.

0:56:37 > 0:56:39SHE SIGHS

0:56:50 > 0:56:52KNOCKING ON THE DOOR

0:57:01 > 0:57:03And this is Miss Goren.

0:57:03 > 0:57:05You'll be safe here.

0:57:05 > 0:57:07She is a good friend to us.

0:57:29 > 0:57:30SHE SIGHS

0:57:30 > 0:57:31Come on.

0:57:49 > 0:57:51- Morning.- Morning.

0:57:53 > 0:57:55- Sergeant.- Mr Reid.

0:57:59 > 0:58:01Chief Inspector Abberline?

0:58:01 > 0:58:03Notable by his absence.

0:58:03 > 0:58:06- That man, I never knew one that needed his pipes cleaned more.- Hmmm.

0:58:06 > 0:58:07KNOCKING ON DOOR

0:58:07 > 0:58:09- Mr Reid, Sir. - What is it, Sergeant?

0:58:09 > 0:58:12- Ironmongers at Nelson.- Wagstaff?

0:58:12 > 0:58:13His creditors foreclose

0:58:13 > 0:58:16and he has shut his doors with four of his customers inside.

0:58:16 > 0:58:19Swears to murder them all, if the bailiffs come for him.

0:58:19 > 0:58:21- Is he armed?- Yes, Sir.

0:58:21 > 0:58:22Well?

0:58:25 > 0:58:26Shall we?

0:58:50 > 0:58:54Subtitles by Red Bee Media Ltd