Our Betrayal - Part 2

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0:00:02 > 0:00:07This programme contains some scenes of violence.

0:00:39 > 0:00:41Sergeant Artherton?

0:00:41 > 0:00:44Mr Drake - he has fought Inspector Shine.

0:00:44 > 0:00:45He has.

0:00:47 > 0:00:49Did he...win, Sir?

0:00:52 > 0:00:56Councillor Cobden? A word with you, if I might?

0:00:57 > 0:00:58A comment, if you will?

0:00:58 > 0:01:02On my purpose here? You are welcome to it, Mr Best.

0:01:02 > 0:01:04I am set on the renovation of St Paul's Wharfside.

0:01:04 > 0:01:06Oh, no, good lady. I have a surfeit of those already.

0:01:06 > 0:01:10No. It's, erm, it's comment on other matters I seek.

0:01:10 > 0:01:15Yourself and Detective Inspector Reid, you have been friends long?

0:01:15 > 0:01:17We have interests that conjoin.

0:01:17 > 0:01:20Politicians and police - it will ever be the case.

0:01:20 > 0:01:23I know, it's a sweet story.

0:01:23 > 0:01:27Yourself and Edmund Reid - aligned for ever more...

0:01:28 > 0:01:31..on his night-time visits to your offices.

0:01:31 > 0:01:34Conjoined good and proper, I imagine.

0:01:34 > 0:01:35Ma'am!

0:01:41 > 0:01:42Oh! Good God, no!

0:01:48 > 0:01:54CROWD: Shine, Shine, Shine!

0:02:29 > 0:02:31The width of the cleft is barely a millimetre

0:02:31 > 0:02:34through Mr Hinchcliffe's throat -

0:02:34 > 0:02:36cut clean through the windpipe,

0:02:36 > 0:02:39but the wound encircles the neck entirely.

0:02:39 > 0:02:46So...piano or cheese wire, most like. It's from behind -

0:02:46 > 0:02:49pull clean, hold tight.

0:02:50 > 0:02:54- A man of strength and precision. - An all too recent murder.

0:02:54 > 0:02:57And one to which we must add the investigation

0:02:57 > 0:02:59of this rotted array of bone work.

0:02:59 > 0:03:01You ask me, the river's the best thing for them.

0:03:01 > 0:03:02We must do what we can.

0:03:06 > 0:03:09Straighten up, now in to him, body, body!

0:03:09 > 0:03:10Liver and kidneys!

0:03:13 > 0:03:16- Don.- Bennet.

0:03:22 > 0:03:25- Jab! Jab!- He is not without skill, Artherton tells me.

0:03:27 > 0:03:29- Head, body... - It is not skill he needs.

0:03:32 > 0:03:34Bennet, Mr Hinchcliffe...

0:03:36 > 0:03:39..now, the man who defrauded him, the man who murdered him, perhaps,

0:03:39 > 0:03:43he sits in our cells not ten yards from where we stand.

0:03:43 > 0:03:45Body, body! Jab, jab!

0:03:47 > 0:03:49- May I show him to you?- Cross!

0:03:55 > 0:03:59Nathaniel Hinchcliffe, the man you cheated, Mr Werner.

0:03:59 > 0:04:01The man you say I cheated.

0:04:01 > 0:04:03His murdered body lies in my dead room -

0:04:03 > 0:04:05ready to give up the secrets of its death.

0:04:05 > 0:04:08Well, then that is where you must find them,

0:04:08 > 0:04:10cos you'll get none from me.

0:04:11 > 0:04:14Have it from me, Reid,

0:04:14 > 0:04:17the look of disgust on your face when you struck me?

0:04:17 > 0:04:21You lack the stomach for another man's torment.

0:04:21 > 0:04:25Perhaps. But might I introduce you to my friend here?

0:04:27 > 0:04:30His name is Drake. Perhaps you have heard it spoken.

0:04:30 > 0:04:31I heard it, he was gone.

0:04:31 > 0:04:33As you can see, he is not.

0:04:35 > 0:04:39Now, Nathaniel Hinchcliffe, you defrauded him

0:04:39 > 0:04:42and then you had him murdered, did you not?

0:04:44 > 0:04:48What, Inspector? Has your dog gone lame?

0:04:56 > 0:04:57Sergeant Drake?

0:04:57 > 0:05:00You have my warrant card, Sir.

0:05:00 > 0:05:02I've not taken it back.

0:05:03 > 0:05:08And so I am not your sergeant to be bid no more.

0:05:08 > 0:05:10You retrieved Hinchcliffe's broken body.

0:05:10 > 0:05:13That man in there, he will not talk to me and I cannot...

0:05:13 > 0:05:15You cannot find it in yourself to force him?

0:05:17 > 0:05:19No.

0:05:19 > 0:05:22And so once more require me to do so for you?

0:05:25 > 0:05:29Inspector, I will not be that man no more.

0:05:31 > 0:05:34I cannot.

0:05:34 > 0:05:37Do you not see what it has brought me, Sir?

0:05:37 > 0:05:39Each lip I've fattened...

0:05:40 > 0:05:44..each head I've beaten against steel bars, at your bidding.

0:05:44 > 0:05:46And you stood there in silence,

0:05:46 > 0:05:49waiting for their secrets to pour forth.

0:05:53 > 0:05:56Inspector, look at the ruins of our lives.

0:05:58 > 0:06:04Anyone we might...care for or bring close to us, anyone!

0:06:04 > 0:06:07They suffer and we lose them.

0:06:09 > 0:06:11Do you think these facts not related?

0:06:11 > 0:06:13No. That is not the way the universe functions.

0:06:13 > 0:06:17There is no... There is no God, stood in judgment.

0:06:17 > 0:06:20Who mentioned God, Sir? No, I talk of life!

0:06:21 > 0:06:25And life, Mr Reid, is offended by you and me.

0:06:38 > 0:06:41Mr Blewett? Mr Blewett?

0:06:44 > 0:06:49- Mr Blewett? Is that my name atop of tonight's bill?- It is, Rose.

0:06:49 > 0:06:52And I hope to not receive another visit from your friends

0:06:52 > 0:06:55and they now appreciate the efforts I make for you.

0:07:01 > 0:07:05All my days, all of them, whatever happens,

0:07:05 > 0:07:07I will always be grateful to you.

0:07:07 > 0:07:09Rose, please, hush.

0:07:09 > 0:07:11This is not to be laid at my door.

0:07:11 > 0:07:14But if it is not you I thank, then...

0:07:16 > 0:07:19- No thanks required.- Erm...

0:07:23 > 0:07:27Nonetheless, Sir, you have them.

0:07:32 > 0:07:35Miss Rose.

0:07:35 > 0:07:37Susan, am I to wait in bed all morning for my kippers?

0:07:42 > 0:07:45GENERAL MARKET HUBBUB

0:07:52 > 0:07:55That one there. Make it two.

0:07:55 > 0:07:57Thank you, Sir.

0:08:00 > 0:08:05Good day to you. Lunchtime repast for you boys.

0:08:09 > 0:08:15Mr Judge, you may feel protected by your familial relationship

0:08:15 > 0:08:20with this station house. But we are both patient and watchful men.

0:08:20 > 0:08:22Should you try to sell our diamond, Sir,

0:08:22 > 0:08:24we will have it from you.

0:08:24 > 0:08:27And that item recovered, we shall then take your head.

0:09:06 > 0:09:07This will rile you.

0:09:07 > 0:09:10Then don't say it.

0:09:10 > 0:09:12Our father would have been proud of your skill.

0:09:14 > 0:09:16Pleased that you put it to use.

0:09:26 > 0:09:29Our diamond...still in there, then?

0:09:29 > 0:09:31Those shits in suits still watch you?

0:09:31 > 0:09:32I think they're in love.

0:09:32 > 0:09:35Then it stays put.

0:09:35 > 0:09:39And I must hit you for more spending.

0:09:39 > 0:09:40You want more money from me?

0:09:42 > 0:09:45Go to that cabinet, bottom-right drawer, get yourself an apron

0:09:45 > 0:09:48and make yourself useful.

0:09:48 > 0:09:52Reach for something here - a supporting opinion may be conducive.

0:10:08 > 0:10:11Mr Reid give it me, to help me hunt for you, Bennet.

0:10:12 > 0:10:14He said I would return it to you.

0:10:18 > 0:10:19And see, I have.

0:10:26 > 0:10:27You want coffee, girl?

0:10:35 > 0:10:37No, Rose, you, er... you stay out here.

0:10:47 > 0:10:50I'm told there will be scouts attending...

0:10:50 > 0:10:53from the West End playhouses.

0:10:53 > 0:10:55I worry, Bennet.

0:10:55 > 0:10:57I fear the song I am to perform is not...

0:10:57 > 0:10:59That I don't sing it very well.

0:11:01 > 0:11:04But it's fashionable...and comic.

0:11:11 > 0:11:13You must do what you think best, Rose.

0:11:13 > 0:11:15If I was to do what...

0:11:15 > 0:11:16you thought best?

0:11:17 > 0:11:19I know no songs.

0:11:21 > 0:11:22But if you ask me...

0:11:24 > 0:11:27..you must use a song that speaks to your heart...

0:11:30 > 0:11:31..and sing it from there, girl.

0:11:31 > 0:11:36Will you come to Blewett's? Watch me?

0:11:36 > 0:11:37It would mean the world.

0:11:41 > 0:11:43Then I shall come.

0:11:56 > 0:11:57Constable.

0:11:59 > 0:12:02Is it true what the streets say?

0:12:02 > 0:12:05That Bennet Drake has emerged from the pauper's pit

0:12:05 > 0:12:08with the body of Nathaniel Hinchcliffe in his arms?

0:12:08 > 0:12:10It is, Mr Shine.

0:12:13 > 0:12:17And that body now lay beneath the keen eye

0:12:17 > 0:12:19of Edmund Reid's American?

0:12:19 > 0:12:20In all likelihood.

0:12:28 > 0:12:34And I imagine...yours an opinion

0:12:34 > 0:12:36all Leman Street would urgently hear.

0:12:48 > 0:12:49What?

0:12:51 > 0:12:52You kill me?

0:12:54 > 0:12:55I made you, son.

0:13:00 > 0:13:01What were you...

0:13:03 > 0:13:07..before Jedediah Shine laid his eyes on you?

0:13:08 > 0:13:10I was a bad man when you found me.

0:13:12 > 0:13:14But you have since made evil of me, sir.

0:13:37 > 0:13:38You see?

0:13:40 > 0:13:41I cannot be ended.

0:13:52 > 0:13:54Your brother is qualified to assist you, is he?

0:13:54 > 0:13:55Our father - a doctor himself -

0:13:55 > 0:13:57enrolled us in The University of Virginia

0:13:57 > 0:13:58to study medicine.

0:13:58 > 0:14:00Twink here lasted the course.

0:14:00 > 0:14:02I did not.

0:14:02 > 0:14:06So I can, er...approximate a number of factors.

0:14:06 > 0:14:11Gender, age, time of death and manner of that passing.

0:14:11 > 0:14:13- From these?- I said approximate.

0:14:13 > 0:14:16Number one - a lady, and from the wearing on her teeth,

0:14:16 > 0:14:18I'd say she's past 50.

0:14:18 > 0:14:19Two and three, both men.

0:14:19 > 0:14:22Mr Two here, likewise past 50.

0:14:22 > 0:14:24Mr Three is a somewhat younger man,

0:14:24 > 0:14:26perhaps only recently advanced into adulthood.

0:14:26 > 0:14:31Two, however - well, he has a peculiarity.

0:14:32 > 0:14:36The bowing in the tibia. The maxilla is enlarged.

0:14:37 > 0:14:39The man had Paget's disease.

0:14:39 > 0:14:43Paget's. That's the...misshapen enlargement of the bones, is it not?

0:14:43 > 0:14:45- You are a medical man yourself, sir? - He reads.

0:14:45 > 0:14:48You said you might hazard a time of death. What? A month?

0:14:48 > 0:14:51The season and the year. There's two factors to consider.

0:14:52 > 0:14:56- Cartilage and the wasps. - Wasps?

0:14:56 > 0:14:59So we are to be led to the truth by dead insects.

0:14:59 > 0:15:01Hey, without them, we're nowhere.

0:15:02 > 0:15:04That nest in the ribcage.

0:15:04 > 0:15:08Now the queen can only have built it in the summer of last year.

0:15:08 > 0:15:09Not this past?

0:15:09 > 0:15:12She'd have flew out and stung you on your nose.

0:15:12 > 0:15:15So it is the frost of the intervening winter which has killed them.

0:15:15 > 0:15:18Summer of '89, when she makes this body her home,

0:15:18 > 0:15:19it's already got to be empty of flesh.

0:15:19 > 0:15:22- So these are dead the spring of 1889? - Give or take.

0:15:26 > 0:15:27That's cartilage.

0:15:28 > 0:15:32- In all three, you can find the same. - This cartilage not rotted?

0:15:32 > 0:15:34Breaks down slower than muscle and tissue.

0:15:34 > 0:15:36It is then preserved by the same winter chill

0:15:36 > 0:15:38- that has killed the wasps.- Quite so.

0:15:38 > 0:15:42Although Mr Three there is somewhat better preserved.

0:15:42 > 0:15:44Suggesting what? That he died a month or so later?

0:15:44 > 0:15:46That he was murdered a month or so later.

0:15:49 > 0:15:50He has this correct?

0:15:50 > 0:15:51Hey, I wouldn't have picked it,

0:15:51 > 0:15:55but my brother is somewhat conspiratorial by leaning.

0:15:55 > 0:15:57I am a man for patterns, Inspector.

0:15:57 > 0:16:01This here is the thyroid cartilage. Lives right above the trachea.

0:16:01 > 0:16:03See these striations?

0:16:03 > 0:16:06They're minute - less than a millimetre in diameter.

0:16:06 > 0:16:09But something very thin has cut all the way through

0:16:09 > 0:16:10with very great intent.

0:16:12 > 0:16:14And these three share the same markings

0:16:14 > 0:16:15as these preserved thyroids?

0:16:15 > 0:16:16- They do.- They do.

0:16:16 > 0:16:22The force and conviction with which Mr Hinchcliffe was garrotted,

0:16:22 > 0:16:24it is an unusual feat, is it not,

0:16:24 > 0:16:25for the incision to penetrate so deep?

0:16:25 > 0:16:29It suggests an extreme relish for the task, yes.

0:16:29 > 0:16:31And one might imagine a similar...relish

0:16:31 > 0:16:34being brought to bear on the thyroid cartilages

0:16:34 > 0:16:36of these cadavers.

0:16:36 > 0:16:41The same means of execution, by the same hand? One may.

0:16:57 > 0:16:59Please sir, you are to arrest me.

0:17:01 > 0:17:02What charge?

0:17:04 > 0:17:05Flight?

0:17:07 > 0:17:08What charge?

0:17:11 > 0:17:13Accessory to murder.

0:17:16 > 0:17:17Whose?

0:17:19 > 0:17:21- Whose?- Mr Reid, no man curses me stronger...

0:17:21 > 0:17:23You tell me, now.

0:17:30 > 0:17:31Nathaniel Hinchcliffe.

0:17:34 > 0:17:35Joseph Merrick.

0:17:38 > 0:17:41But, er...Joseph Merrick?

0:17:41 > 0:17:42But he fell asleep -

0:17:42 > 0:17:45he...he was asphyxiated by the weight of his own body.

0:17:45 > 0:17:50He was asphyxiated...Sir, and with the weight of himself also.

0:17:50 > 0:17:52But it was not he who removed the supports.

0:17:52 > 0:17:53But you were there.

0:17:54 > 0:17:57- You were outside.- I was, Sir.

0:18:01 > 0:18:04Who? Who, damn you?! Who?!

0:18:06 > 0:18:07Who?

0:18:08 > 0:18:09Inspector Shine.

0:18:12 > 0:18:14- How do you know this? - He sent me here.

0:18:16 > 0:18:19Knew you, Mr Reid, had your eyes on his activities

0:18:19 > 0:18:21and knowing that you could find no men to join you here,

0:18:21 > 0:18:22had me volunteer.

0:18:24 > 0:18:26I was sent here to spy on you, sir.

0:18:38 > 0:18:40Sergeant Artherton,

0:18:40 > 0:18:43throw that man in my office there into a cell.

0:18:43 > 0:18:46yes, sir - on what charge, Mr Reid?

0:18:48 > 0:18:49Our betrayal.

0:18:54 > 0:18:57Reid! Are you in command of yourself?

0:18:57 > 0:18:59- Do you know what it is you do? - I know precisely.

0:18:59 > 0:19:01We wonder, do we not, if those skeletal remains

0:19:01 > 0:19:04were taken by the same man as killed Mr Hinchcliffe?

0:19:04 > 0:19:08Now, Flight's testimony gives me Jedediah Shine for that last murder,

0:19:08 > 0:19:11but if I might name those corpses,

0:19:11 > 0:19:14discover their histories and so join him with their deaths,

0:19:14 > 0:19:15then I can nail his coffin shut

0:19:15 > 0:19:17and put him in the earth for all time.

0:19:17 > 0:19:19And so? Can you name them?

0:19:56 > 0:19:59KNOCKS ON DOOR

0:19:59 > 0:20:01Your timing is, as ever, entirely apt.

0:20:01 > 0:20:03What might have been scandalous gossip

0:20:03 > 0:20:05is now made fact.

0:20:07 > 0:20:09This journalist, Best -

0:20:09 > 0:20:12in due course, I shall see him drowned in the northern outfall,

0:20:12 > 0:20:15but for now, I ask your patience.

0:20:15 > 0:20:20The three corpses that you discovered in that Basin Slum tenement -

0:20:20 > 0:20:22they begin to give up their secrets.

0:20:22 > 0:20:26Secrets that may have great bearing on the research I undertook for you.

0:20:26 > 0:20:28On the ownership structure of the slum?

0:20:28 > 0:20:30The family which, until early last year, owned the land.

0:20:32 > 0:20:37The Vere-Lyons. It was theirs from the 17th century.

0:20:38 > 0:20:39The last descendents.

0:20:39 > 0:20:42- The old man?- Augustus. - He was disabled, was he not?

0:20:42 > 0:20:44His bones grown large and deformed?

0:20:44 > 0:20:45He was indeed.

0:20:47 > 0:20:50I believe his, one of the corpses -

0:20:50 > 0:20:52the others, therefore perhaps, his wife and son.

0:20:53 > 0:20:56I believe them all murdered,

0:20:56 > 0:21:00and that in this documentation lie the trace-marks

0:21:00 > 0:21:02of those who would gain from that act.

0:21:02 > 0:21:04The concern, who now takes ownership

0:21:04 > 0:21:06of the deceased family's holdings?

0:21:06 > 0:21:08Obsidian Estates.

0:21:09 > 0:21:10Indeed, yes.

0:21:13 > 0:21:15Here - April '89,

0:21:15 > 0:21:18the lands at St Paul's Wharfside transferred to their holdings.

0:21:18 > 0:21:21Who is it hides behind their shield of bailiffs and lawyers?

0:21:21 > 0:21:24They hide themselves with some degree of skill, but...

0:21:25 > 0:21:28Here, Edmund.

0:21:28 > 0:21:31It is not solely the Limehouse dockside

0:21:31 > 0:21:32into which Obsidian develops.

0:21:34 > 0:21:36It owns much of Whitechapel as well.

0:21:36 > 0:21:40These streets - the preserves of opium dens and gaming houses and...

0:21:42 > 0:21:43..and brothels.

0:21:46 > 0:21:47Brothels.

0:21:48 > 0:21:50Edmund, wait.

0:21:51 > 0:21:53You seem as if all else is forgot.

0:21:53 > 0:21:58Jane, this, er...length of twine that I follow,

0:21:58 > 0:22:00it pulls me towards evil men

0:22:00 > 0:22:03whose fell influence is spread wide and deep

0:22:03 > 0:22:05across the parishes of east London.

0:22:06 > 0:22:08And I feel there the opportunity

0:22:08 > 0:22:10not solely to correct the darkness of the world in which I serve,

0:22:10 > 0:22:14but also that which abides in my own heart.

0:22:14 > 0:22:17And that baleful force then eradicated,

0:22:17 > 0:22:22I might also find the strength to...lead my own life.

0:22:22 > 0:22:25Seek my own happiness.

0:22:25 > 0:22:29And that strength being found, I would seek it with you.

0:22:36 > 0:22:37Goddamn it. Where is he?

0:22:40 > 0:22:41Cheers.

0:22:43 > 0:22:45Daniel, this isn't your own private residence.

0:22:45 > 0:22:47You can't be wandering about the place like you own it.

0:22:47 > 0:22:49My brother can be an old woman when he chooses.

0:22:49 > 0:22:51Ow!

0:22:51 > 0:22:53I told you - Reid has him awaiting retribution,

0:22:53 > 0:22:55he is of no use to us.

0:22:55 > 0:23:00What is inside his evil, shiny dome, however, that is of interest.

0:23:06 > 0:23:07Not here.

0:23:10 > 0:23:13Friend Werner tells of a man he knows.

0:23:13 > 0:23:15A man of both sufficient ready income

0:23:15 > 0:23:17and disregard for commercial authority

0:23:17 > 0:23:20- that may be persuaded to buy such a rock.- Who?

0:23:20 > 0:23:25Captain - I believe I have these poor souls' stories,

0:23:25 > 0:23:28and you, perhaps, able to provide their final chapter.

0:23:28 > 0:23:31These, I believe, are the last of the line -

0:23:31 > 0:23:34the mortal remains of one of this country's oldest landowning families.

0:23:34 > 0:23:38Their portfolio - vast estates in rural Gloucestershire,

0:23:38 > 0:23:40a Regency mansion on Portland Place,

0:23:40 > 0:23:44and east London slum land, from which rents are raised.

0:23:44 > 0:23:49Augustus and Clara Vere-Lyon

0:23:49 > 0:23:52and their only son, Stephan -

0:23:52 > 0:23:56Stephan who, in March of last year, reports that his parents,

0:23:56 > 0:23:58due to the sake of his father's health, are gone abroad.

0:23:58 > 0:24:01The old couple thus departed, one month later,

0:24:01 > 0:24:05Stephan transfers his family's entire holdings at St Paul's Wharfside

0:24:05 > 0:24:09into the ownership of one Obsidian Estates.

0:24:09 > 0:24:10Then Stephan himself,

0:24:10 > 0:24:13promptly disappearing from the face of the earth.

0:24:13 > 0:24:15And you think this is all Shine's doing?

0:24:15 > 0:24:17To begin with, perhaps, yes, I thought so. But, er...

0:24:19 > 0:24:22No, he is a man far too happy inside his own evil skin

0:24:22 > 0:24:24to over-reach himself so.

0:24:24 > 0:24:26However, he is a Limehouse man,

0:24:26 > 0:24:30and this slum that Obsidian now owns falling within his influence,

0:24:30 > 0:24:32he would make an exemplary associate

0:24:32 > 0:24:37for whichever vicious acts of disguise and persuasion

0:24:37 > 0:24:39and enforcement may be required.

0:24:39 > 0:24:41And who is it makes him this associate?

0:24:41 > 0:24:45I hoped you would provide that information for me, Captain.

0:24:45 > 0:24:47Obsidian owns Tenter Street.

0:24:48 > 0:24:50You want to know who it is leases to Susan?

0:24:52 > 0:24:55Yeah, it's, er...it's a man named Duggan,

0:24:55 > 0:24:57he has a barber shop over on Finch Street,

0:24:57 > 0:25:00he...resides there.

0:25:03 > 0:25:06He does not, Sir.

0:25:06 > 0:25:09- Not any longer.- Then where?

0:25:10 > 0:25:11I was going to tell you, Twink.

0:25:13 > 0:25:15Come!

0:25:16 > 0:25:18If only he realised the depth of my deception.

0:25:18 > 0:25:21LAUGHTER

0:25:21 > 0:25:22Allow me.

0:25:31 > 0:25:34Mr Duggan, does your new bitch not know to knock

0:25:34 > 0:25:37when gentlemen are at business?

0:25:37 > 0:25:38CROCKERY SMASHES

0:25:41 > 0:25:43Everybody out. Now!

0:25:51 > 0:25:53All I have done for you!

0:25:53 > 0:25:55And you would treat me with such little respect

0:25:55 > 0:25:56in front of my associates.

0:25:56 > 0:25:58Do you know what I do to those that insult me?

0:25:58 > 0:25:59Then do it to me, Duggan,

0:25:59 > 0:26:01because I may live like this no longer.

0:26:01 > 0:26:05I have given to what you demanded and so am obligated to you no more.

0:26:08 > 0:26:12And yet I cannot. I know what covenant we had, madam.

0:26:13 > 0:26:16But another grows within me - within my heart.

0:26:16 > 0:26:18I cannot be without you, dear Susan.

0:26:20 > 0:26:21Do you say that, what?

0:26:23 > 0:26:24That you love me, Sir?

0:26:27 > 0:26:29I believe I do, madam.

0:26:29 > 0:26:31If you say that you are mine,

0:26:31 > 0:26:34you may have every freedom your heart desires.

0:26:34 > 0:26:36I swear.

0:26:39 > 0:26:41So he sleeps there!

0:26:41 > 0:26:43Plenty of men have laid their head beneath that roof

0:26:43 > 0:26:45without doing so on your wife's bosom.

0:26:45 > 0:26:48Daniel - not once in your life

0:26:48 > 0:26:50have you cared for any soul other than your own,

0:26:50 > 0:26:52but try to understand - I love her.

0:26:52 > 0:26:54I need to kill him.

0:26:55 > 0:26:56Those are the rules.

0:26:56 > 0:26:58You kill him, you remove from this earth

0:26:58 > 0:27:02the one person who has it in their power to make us rich.

0:27:02 > 0:27:04It's him - Duggan.

0:27:05 > 0:27:10The man Werner believes we might sell our stone to.

0:27:10 > 0:27:14Patterns, Twink - can you not see how our stars align?

0:27:14 > 0:27:17The very man we must exploit is both the quarry of your inspector

0:27:17 > 0:27:20and the enemy of your wife - your wife, brother -

0:27:20 > 0:27:24who, whilst her..."lodger" suffers Reid's questions

0:27:24 > 0:27:27can be visited and persuaded of an entirely elegant logic

0:27:27 > 0:27:30that if Duggan can be made to acquire this diamond,

0:27:30 > 0:27:35you and she may then repay him with his own goddamn money.

0:27:40 > 0:27:43It is a fine story, Edmund.

0:27:44 > 0:27:45But your proof?

0:27:46 > 0:27:48Follow me, Fred.

0:27:48 > 0:27:51There is a bugbear of mine I would return you to.

0:27:54 > 0:27:59Your testimony as described to me by Edmund Reid - it is true?

0:28:00 > 0:28:02It is, Sir.

0:28:02 > 0:28:06I brought you here, God damn you.

0:28:07 > 0:28:11You volunteered to me and I brought you here.

0:28:17 > 0:28:19And it is true -

0:28:19 > 0:28:23who you were in fact serving at that time?

0:28:24 > 0:28:25Say it.

0:28:27 > 0:28:29I came to Leman Street to spy for Jedediah Shine.

0:28:31 > 0:28:34I saw Jedediah Shine murder Nathaniel Hinchcliffe.

0:28:36 > 0:28:38- I waited beyond Joseph Merrick's rooms...- Enough!

0:28:38 > 0:28:41It is sufficient, is it not, Fred,

0:28:41 > 0:28:44to have Inspector Shine brought to book?

0:28:44 > 0:28:48Come tomorrow - you bring this man Duggan in.

0:28:50 > 0:28:52And I shall fetch the other.

0:29:01 > 0:29:02THUMPING ON DOOR

0:29:02 > 0:29:03Bennet Drake! You let me in

0:29:03 > 0:29:06or I'll set a fire and smoke you out.

0:29:08 > 0:29:12Wainwright has promise, and when timed correctly,

0:29:12 > 0:29:15his uppercut might punch holes in steel.

0:29:22 > 0:29:26But he is young - lacks in confidence.

0:29:28 > 0:29:31It would not hurt you to come to the semifinal.

0:29:33 > 0:29:35- Puff him up a bit. - You like this boy.

0:29:35 > 0:29:38I do.

0:29:38 > 0:29:40Then why is it you wish him to win?

0:29:41 > 0:29:44You know it is Jedediah Shine awaits him should he do so.

0:29:49 > 0:29:51This life, Ben -

0:29:51 > 0:29:54all we may do is put one boot in front of the other,

0:29:54 > 0:29:56may we not?

0:29:59 > 0:30:02CROWD CHEERS

0:30:08 > 0:30:10That's good, son!

0:30:10 > 0:30:11Again, again!

0:30:41 > 0:30:42Good lad - get down.

0:30:50 > 0:30:52Good boy! And again!

0:30:56 > 0:30:58Come on, ref, start counting!

0:30:58 > 0:31:03CROWD: Six, five, four, three, two, one!

0:31:03 > 0:31:06CHEERING

0:31:06 > 0:31:07H Division!

0:31:09 > 0:31:12Welcome, Constable.

0:31:12 > 0:31:15I am a man of greedy anticipation.

0:31:16 > 0:31:18A greed for you, son.

0:31:19 > 0:31:21Let us hope you make a better fist of it

0:31:21 > 0:31:25than the last finalist to arrive from the Leman Street ranks.

0:31:31 > 0:31:32Chief Inspector.

0:31:32 > 0:31:35It is a while since you partook of such sport.

0:31:35 > 0:31:37They have changed the rulebook, Jedediah.

0:31:38 > 0:31:41My day, anything went.

0:31:41 > 0:31:45Had I fought you, I would have carried a knife in my britches,

0:31:45 > 0:31:47and - in my current mood -

0:31:47 > 0:31:50used it to cut your knackers off.

0:32:06 > 0:32:07After you, Chief Inspector.

0:32:07 > 0:32:10No, Mr Reid - it is your shop.

0:32:18 > 0:32:21Sergeant Artherton, have this man booked.

0:32:24 > 0:32:26Murder. Multiple counts.

0:32:28 > 0:32:30Mr Duggan, we are very grateful to have you today.

0:32:30 > 0:32:33If you'll follow me, we'll get you some tea.

0:32:37 > 0:32:38Name?

0:32:42 > 0:32:43Name?

0:32:50 > 0:32:52There you are.

0:32:54 > 0:32:56Obsidian Estates.

0:32:57 > 0:32:58A concern of mine.

0:33:00 > 0:33:02It's a large concern for a barber.

0:33:02 > 0:33:06Some days I'm a barber, some days I pursue other interests.

0:33:06 > 0:33:07Ah.

0:33:07 > 0:33:09Are you a policeman alone, Inspector?

0:33:12 > 0:33:14How is it Obsidian came by its holdings

0:33:14 > 0:33:15at St Paul's Wharfside?

0:33:15 > 0:33:17- The Basin Slum?- Hm.

0:33:17 > 0:33:19It was yielded to me by a young man -

0:33:19 > 0:33:21Stephan Vere-Lyon.

0:33:21 > 0:33:24Vast acreage of rented tenements, yielded for a peppercorn.

0:33:24 > 0:33:27No, sir, no peppercorn - repayment for a debt.

0:33:27 > 0:33:29Heavy debt.

0:33:29 > 0:33:32He was a miscreant libertine, that young man.

0:33:32 > 0:33:33You were happy to fund his pursuits?

0:33:33 > 0:33:37I do beg your pardon, Inspector, but is this a moral debate?

0:33:38 > 0:33:40You may say what you like about the ethics

0:33:40 > 0:33:41of my business practices.

0:33:41 > 0:33:43I broke no law of yours.

0:33:43 > 0:33:47I should, in all conscience, congratulate you.

0:33:47 > 0:33:49No.

0:33:49 > 0:33:53You have concealed yourself with great skill from my view.

0:33:57 > 0:33:58But I see you now, sir.

0:34:00 > 0:34:04Your lands extending from Whitechapel to the Limehouse docks.

0:34:05 > 0:34:08Whatever you choose to buy there, to sell, to distribute,

0:34:08 > 0:34:11all and everything aided by your alliance with another man

0:34:11 > 0:34:13I currently hold in this station house -

0:34:13 > 0:34:16Inspector Shine.

0:34:16 > 0:34:17I believe he murders for you.

0:34:19 > 0:34:22A family whose estate you would absorb.

0:34:22 > 0:34:26A craftsman who tenaciously pursues a long firm deception you sponsor.

0:34:26 > 0:34:28How do you expect to prove that, sir?

0:34:28 > 0:34:29I can incriminate Shine

0:34:29 > 0:34:31and he, in turn, can do the same to you.

0:34:31 > 0:34:36You seem a fine fellow, Mr Reid, but I feel for you. I do.

0:34:36 > 0:34:42This force of yours is what - a notch over 60 years of age?

0:34:43 > 0:34:44And this great city?

0:34:45 > 0:34:47Almost 2,000 years.

0:34:47 > 0:34:49So there - do you follow?

0:34:51 > 0:34:56This here - between you and I, it is an uneven contest.

0:34:56 > 0:34:58Your roots are shallow, Reid,

0:34:58 > 0:35:02your laws improvised to fit a modern world still in its birth pains.

0:35:02 > 0:35:06You say that I did fix one man to cause another's death?

0:35:07 > 0:35:09Maybe I have.

0:35:10 > 0:35:13But you can't demonstrate that as a fact.

0:35:13 > 0:35:17All you can do is bring witness. One man's word against another.

0:35:17 > 0:35:20And words are unreliable signifiers of the truth.

0:35:23 > 0:35:24Your world will advance.

0:35:25 > 0:35:29I am certain that men like yourself will make sure of it.

0:35:30 > 0:35:34I will have returned to London clay before that day dawns.

0:35:34 > 0:35:38Till then, you are a child.

0:35:38 > 0:35:41And I am a man of old stone.

0:35:48 > 0:35:50You will stay here.

0:35:50 > 0:35:51As you please.

0:35:53 > 0:35:54Chin up.

0:35:57 > 0:36:00You are to be released from your purgatory.

0:36:01 > 0:36:04Gentlemen. I have been kept waiting.

0:36:04 > 0:36:06Other cattle to herd, Inspector.

0:36:06 > 0:36:10And now my time is come? So let us cut to it.

0:36:10 > 0:36:15I do not believe I need go through performances of astonished outrage for you both.

0:36:15 > 0:36:20I am incarcerated here due to your suspecting foul deeds of me.

0:36:20 > 0:36:24So, elaborate, Inspectors.

0:36:24 > 0:36:28And I shall offer...rebuttal.

0:36:36 > 0:36:39This man, he is known to you?

0:36:39 > 0:36:41He is indeed familiar to me.

0:36:45 > 0:36:50Yes. I remember all. Albert Flight.

0:36:52 > 0:36:55Irish.

0:36:55 > 0:37:01Sold gin, mixed with sulphur and turpentine, did you not?

0:37:03 > 0:37:08Men and women went blind, Inspectors. And here he is now.

0:37:10 > 0:37:15Reinvented as a CID man.

0:37:21 > 0:37:25Can you imagine the scandal, sir if you bring this case against me?

0:37:28 > 0:37:32All accusations based on the word of a poisoner who has

0:37:32 > 0:37:36successfully lied his way into the Whitechapel police.

0:37:39 > 0:37:42What this man says, there is truth in it?

0:37:42 > 0:37:45Please, Chief Inspector!

0:37:45 > 0:37:47- He is no use to us dead. - No use to you alive, neither!

0:37:48 > 0:37:51Never mind your inevitable failure,

0:37:51 > 0:37:58but the glaring light you will throw on our work, our livelihood,

0:37:58 > 0:38:05our uniform, the fragile position we hold in this city.

0:38:14 > 0:38:17You were a Bloomsbury man - you had a record.

0:38:17 > 0:38:19Those records were true, sir.

0:38:19 > 0:38:20But before then? You were this?

0:38:20 > 0:38:27The man I was, is...abhorrent to me, sir. Forgotten.

0:38:27 > 0:38:28By you, perhaps.

0:38:29 > 0:38:31But your past has guided your present.

0:38:31 > 0:38:38No, sir, the work I have done for you, here. It was good work.

0:38:38 > 0:38:45And that work was proper work. I fought to outrun my shame, sir.

0:38:47 > 0:38:48No man may do that, Flight.

0:38:53 > 0:38:55Am I to be detained here any longer?

0:38:55 > 0:38:59There is a championship final for which I must train myself.

0:38:59 > 0:39:01And it is your man I face, is it not, Inspector?

0:39:01 > 0:39:06What's his name? Wheelwright? I do hope he's resilient.

0:39:08 > 0:39:12Men have died in that roped ring before now.

0:39:18 > 0:39:19Mr Duggan.

0:39:19 > 0:39:21Mr Shine.

0:39:30 > 0:39:32Susan, hear me out.

0:39:39 > 0:39:42I came because I still hope to save you from him.

0:39:46 > 0:39:52And so tell. How am I to be rescued by you?

0:39:52 > 0:39:54The diamond.

0:39:54 > 0:39:59The diamond. The worthless rock you have shown to me already.

0:39:59 > 0:40:02You may call it worthless, but it's not.

0:40:02 > 0:40:04There are men that intend to kill for its recapture.

0:40:06 > 0:40:08Kill who?

0:40:08 > 0:40:10My brother, myself.

0:40:10 > 0:40:13Then perhaps I should lead them to you.

0:40:13 > 0:40:16No! No, no god damn it. You love me still, I know it.

0:40:16 > 0:40:18I assure you I do not.

0:40:18 > 0:40:20This stone, it may be all

0:40:20 > 0:40:23and everything we need to get clear of that sack of shit.

0:40:23 > 0:40:24Please.

0:40:26 > 0:40:27I have it on authority

0:40:27 > 0:40:30that Duggan can be led to the purchase of this stone.

0:40:32 > 0:40:34Led by me, you imagine?

0:40:34 > 0:40:36The debt is then repaid with his own money.

0:40:38 > 0:40:43Must I draw you an anatomical sketch, husband?

0:40:45 > 0:40:48The debt is paid. Try it.

0:40:50 > 0:40:53I have no more pain to be felt.

0:40:58 > 0:41:01There may yet be joy, however.

0:41:03 > 0:41:07Look, whatever it takes, darling, till my blood be spilt,

0:41:07 > 0:41:09I will find what it takes to make you smile again.

0:41:09 > 0:41:13Only allow it. Allow me the opportunity, this opportunity.

0:41:15 > 0:41:17Joy is passing.

0:41:22 > 0:41:30Vengeance, however...that is a pursuit for which I'd see blood spilt.

0:41:35 > 0:41:36You say there are men of vicious

0:41:36 > 0:41:39and murderous intent who wish to reclaim this gem?

0:41:41 > 0:41:42I do.

0:41:45 > 0:41:49Flight. He must feel the whip, Edmund.

0:41:49 > 0:41:50Why, Fred? To what end?

0:41:52 > 0:41:55We may not strike at Jedediah Shine or Silas Duggan through him.

0:41:56 > 0:41:59- We may not strike at those men at all.- What, then?

0:42:01 > 0:42:05Say, imagine, we might, you and I, walk into a chophouse

0:42:05 > 0:42:08on the Commercial Road and in that chophouse we...

0:42:08 > 0:42:13lay our hands up on the shoulder of the man the world made

0:42:13 > 0:42:18The Ripper, know him unequivocally for that killer, what would we do?

0:42:20 > 0:42:22There is what I would like to do.

0:42:24 > 0:42:26And there is what I am permitted to do.

0:42:28 > 0:42:32And so instead of pinioning his head to the wall through his eyeball,

0:42:32 > 0:42:37we would show him our irons then go about the process of proof.

0:42:37 > 0:42:42We would. I would.

0:42:42 > 0:42:46Evil men do as they please, men who would be good...

0:42:48 > 0:42:50..they must do as they are allowed.

0:42:59 > 0:43:03I did not...wish to speak of it.

0:43:06 > 0:43:12But you must know, this, er, matter with the Councillor.

0:43:13 > 0:43:17There are ructions at The Yard. You a married man.

0:43:18 > 0:43:21I am to tell you to break it off.

0:43:22 > 0:43:24If I do not?

0:43:26 > 0:43:28Take your pension. Find other work.

0:44:00 > 0:44:02It is in the rough.

0:44:02 > 0:44:04And it is stolen.

0:44:05 > 0:44:07That is an impediment.

0:44:07 > 0:44:09Such fripperies cause me disquiet.

0:44:09 > 0:44:12I'm sorry, Susan, but that is my sense of it.

0:44:12 > 0:44:16And I am sorry that you consider £30,000 a frippery.

0:44:16 > 0:44:19Or is it myself you consider to be nothing but your tinsel trapping?

0:44:19 > 0:44:22Madam, please, you know that not to be true.

0:44:22 > 0:44:24Yet that is how I'm made to feel.

0:44:24 > 0:44:27The transaction is to take place in a music hall.

0:44:27 > 0:44:29Enough. Is this all my life holds,

0:44:29 > 0:44:33for ever having to listen to your cowardice and evasion?

0:44:33 > 0:44:35Will you furnish me with this gem or no?

0:44:40 > 0:44:45The man Duggan, he knows you. He hates you.

0:44:45 > 0:44:48He lays eyes on you, we may consider the jig up.

0:44:48 > 0:44:50Which is why he must not until the deed is done.

0:44:52 > 0:44:57So you are to meet he and my wife where you exchange the rock for the stipulated spending.

0:44:58 > 0:45:01They are now synchronised.

0:45:01 > 0:45:02Nine o'clock

0:45:02 > 0:45:06is the time you must be holding the bag of bills and Duggan the diamond.

0:45:06 > 0:45:07You have me?

0:45:07 > 0:45:11I don't know, Twink. You ask me, it's complicated.

0:45:11 > 0:45:15The jeweller, Finkel, betrayed you to those De Graal bastards.

0:45:15 > 0:45:17We can count on him doing the same favour to me.

0:45:17 > 0:45:20That betrayal enacted, I will lead them to Duggan.

0:45:24 > 0:45:27As you can see, it's today's date.

0:45:27 > 0:45:32Whatever its provenance, it is a jewel and I am a jeweller.

0:45:35 > 0:45:37I must see it, however.

0:45:37 > 0:45:39- You bring it to me here.- Here?

0:45:39 > 0:45:41Indeed.

0:45:41 > 0:45:43Not here, Mr Finkel, some place I might feel safe.

0:45:57 > 0:45:59It is prepared?

0:45:59 > 0:46:02The full amount, madam. It is.

0:46:09 > 0:46:11CROWD MURMURS

0:46:27 > 0:46:28He cannot win, Mr Reid.

0:46:33 > 0:46:35Are you happy to watch Jedediah Shine put him

0:46:35 > 0:46:38in the morgue for the pleasure of 100 baying policemen?

0:46:40 > 0:46:41I am not.

0:46:41 > 0:46:43Then what are you prepared to do, Sergeant?

0:46:46 > 0:46:49We wish to combat him. It is all that is left to us.

0:46:54 > 0:46:59Lafone Cup provisions... no man may be replaced

0:46:59 > 0:47:02unless in the event of incapacitation through injury.

0:47:06 > 0:47:08You think it's best, Sergeant?

0:47:08 > 0:47:09I do.

0:47:11 > 0:47:13Do it, then.

0:47:13 > 0:47:14Drink this.

0:47:17 > 0:47:19I shall do it.

0:47:19 > 0:47:21Hold fast, son.

0:47:25 > 0:47:27HE SCREAMS

0:47:43 > 0:47:47Well, girl, do you wish to sing or do you not?

0:47:47 > 0:47:50There is someone that I wait for, Mr Blewett.

0:47:50 > 0:47:53Oh, you are waiting, are you? And yet the house cannot wait for you.

0:47:57 > 0:47:58Here at last, then, are we?

0:48:02 > 0:48:04And so the men of H Division arrive.

0:48:14 > 0:48:19Must these assembled men go un-entertained, therefore?

0:48:20 > 0:48:21They must not.

0:48:39 > 0:48:41Bennett Drake. Such sport.

0:48:47 > 0:48:49We are blessed!

0:49:03 > 0:49:06Boxers...

0:49:07 > 0:49:10..touch gloves.

0:49:10 > 0:49:13Sergeant, I have not had opportunity to

0:49:13 > 0:49:16offer my sympathies for the loss of your wife.

0:49:27 > 0:49:29Though it is said, at the point of her death,

0:49:29 > 0:49:32she had returned to the servicing of other men.

0:49:34 > 0:49:36Who's to blame you, therefore, now that

0:49:36 > 0:49:39you seek comfort with yet another...

0:49:49 > 0:49:51Ladies and gentlemen,

0:49:51 > 0:49:53I would ask you now to give your full attention to

0:49:53 > 0:49:58the voice of gaiety, Miss Rose Erskine.

0:49:58 > 0:50:02APPLAUSE

0:50:04 > 0:50:08PIANO MUSIC BEGINS

0:50:12 > 0:50:18# I'm a young girl and I've just come over

0:50:18 > 0:50:23# Over from a country where they do things big

0:50:24 > 0:50:30# And amongst the boys I've got myself a lover

0:50:30 > 0:50:36# Since I've got a lover, why, I don't care a fig... #

0:50:42 > 0:50:44Come on, that's it. Hit him!

0:50:54 > 0:50:57- Why does he not fight? - He waits.

0:50:57 > 0:51:00He rides the blows until the man's arms tire.

0:51:04 > 0:51:08CHEERING

0:51:08 > 0:51:09Ben.

0:51:09 > 0:51:11Ben!

0:51:11 > 0:51:13You either lift your guard up

0:51:13 > 0:51:16or there'll be nothing left of your face for men to know you by.

0:51:44 > 0:51:46Now, Ben!

0:51:46 > 0:51:47His pocket!

0:51:47 > 0:51:49I have it, brother.

0:51:50 > 0:51:52What's this?

0:51:52 > 0:51:55- Where's our diamond?- Wait, please, I know where he is.- Where?!

0:51:55 > 0:51:58I'll take you. I'll take you.

0:51:58 > 0:52:02# If I were a duchess and had a lot of money

0:52:03 > 0:52:10# I'd give it to the boy that's going to marry me

0:52:10 > 0:52:16# But I haven't got a penny, so I live on love and kisses

0:52:16 > 0:52:22# And be just as happy as the birds on a tree

0:52:23 > 0:52:27# The boy I love is up in the gallery... #

0:52:27 > 0:52:29The man, he's here.

0:52:29 > 0:52:35# The boy I love is looking now at me

0:52:36 > 0:52:39# There he is, can't you see?

0:52:39 > 0:52:43# Waving his handkerchief

0:52:43 > 0:52:49# As merry as a robin that sings on a tree... #

0:52:49 > 0:52:50- As agreed?- As agreed.

0:52:52 > 0:52:54Not near enough for two.

0:52:56 > 0:52:59# I'd give it to the boy that's going to marry me... #

0:52:59 > 0:53:01Nice seeing you again, Twinkle.

0:53:03 > 0:53:09# But I haven't got a penny, so I live on love and kisses

0:53:09 > 0:53:14# And be just as happy as the birds on a tree... #

0:53:16 > 0:53:18I know what it is you do.

0:53:18 > 0:53:21You believe yourself owed this punishment.

0:53:21 > 0:53:26You are not. You have taken enough. It is time now to fight, you hear me?

0:53:26 > 0:53:27Fight!

0:53:27 > 0:53:28Fight him!

0:53:30 > 0:53:32Why will he not go down?

0:53:32 > 0:53:34BELL RINGS

0:53:36 > 0:53:42# The boy I love is up in the gallery

0:53:42 > 0:53:47# The boy I love is looking now at me

0:53:48 > 0:53:52# There he is, can't you see?

0:53:52 > 0:53:55# Waving his handkerchief

0:53:55 > 0:53:59# As merry as a robin

0:53:59 > 0:54:03# That sings on a tree... #

0:54:14 > 0:54:16The fat man in the monkey suit.

0:54:20 > 0:54:22The item you hold.

0:54:22 > 0:54:23We will have it from you, sir.

0:54:25 > 0:54:28You will not, sir. It is acquired.

0:54:28 > 0:54:29It is stolen.

0:54:30 > 0:54:33From the house of De Graal.

0:54:33 > 0:54:36DUGGAN GASPS AND GROANS

0:54:39 > 0:54:41GUN COCKS

0:54:41 > 0:54:43SCREAMING

0:54:43 > 0:54:46You have what you came for. You can leave us now.

0:54:46 > 0:54:49We do not have the thief.

0:54:49 > 0:54:51He stole from me also.

0:54:51 > 0:54:53He was ever a liar

0:54:53 > 0:54:55and ever a cheat.

0:54:56 > 0:54:59NERVOUS WHISPERING

0:55:00 > 0:55:03Now, you men clear out before you, too, die in this place.

0:55:06 > 0:55:08Know this, Duggan.

0:55:08 > 0:55:12Every moment I felt your foul breath on my face,

0:55:12 > 0:55:14your murderous fingers on my body,

0:55:14 > 0:55:16I thought of this.

0:55:16 > 0:55:17Dreamt of it.

0:55:17 > 0:55:21Your lawyers, your estates and holdings -

0:55:21 > 0:55:23all will now be made to work for me.

0:55:24 > 0:55:27Everything that you have built, I will make it mine.

0:55:34 > 0:55:35Darling...

0:55:38 > 0:55:40Do not be confused, husband.

0:55:40 > 0:55:42Everything I have said remains the case.

0:55:42 > 0:55:44I want none of you.

0:55:46 > 0:55:47I want none of any man.

0:56:05 > 0:56:06Inspector Shine?

0:56:06 > 0:56:07You think this world can exist

0:56:07 > 0:56:11without men such as you and I who feel retribution?

0:56:12 > 0:56:15There is balance, sir, in all things.

0:56:17 > 0:56:21THEY ROAR ENCOURAGEMENT

0:56:25 > 0:56:27Another one!

0:56:29 > 0:56:30Again!

0:56:42 > 0:56:43Once more, Ben!

0:56:49 > 0:56:51No, no, no! You let them finish!

0:56:59 > 0:57:01SOUND MUFFLED

0:57:07 > 0:57:10MUFFLED CHEERING

0:57:19 > 0:57:21No, Sergeant! You kill him!

0:57:26 > 0:57:27KILL HIM!

0:57:31 > 0:57:33SHE PANTS

0:58:07 > 0:58:11CHEERING