0:00:01 > 0:00:04This programme contains some violent scenes from the start
0:00:04 > 0:00:08and some scenes which some viewers may find upsetting from the start.
0:00:08 > 0:00:11I could no more kill Leon Ratovski than I could kill myself.
0:00:11 > 0:00:13Do you travel somewhere, Miss Castello?
0:00:13 > 0:00:16Paris, a story hunted down.
0:00:16 > 0:00:17Thomas Gower?
0:00:17 > 0:00:19This still does not make Thomas Gower Tanner's killer.
0:00:19 > 0:00:21TEARING FLESH
0:00:21 > 0:00:22Arrrgh!
0:00:22 > 0:00:24WET SLICING
0:00:24 > 0:00:27It is you who gains access to the Customs House, is it not?
0:00:27 > 0:00:28Might you show me?
0:00:28 > 0:00:32But there, beyond the barricade, treasure.
0:00:32 > 0:00:33SHE CHUCKLES
0:00:38 > 0:00:41RAIN PATTERS
0:00:41 > 0:00:44THUNDER RUMBLES
0:00:46 > 0:00:48Look, the golem.
0:00:49 > 0:00:50DOG BARKS
0:00:50 > 0:00:51What's that?
0:00:54 > 0:00:57DOG BARKS
0:00:57 > 0:00:59RAIN PATTERS
0:01:03 > 0:01:05THUNDER RUMBLES
0:01:12 > 0:01:14DOG BARKS
0:01:16 > 0:01:19CLATTERING
0:01:20 > 0:01:21BOTH GASP
0:01:52 > 0:01:53RAIN PATTERS
0:01:55 > 0:01:56Excuse me.
0:01:59 > 0:02:00Ahh! Police!
0:02:00 > 0:02:02Stop! There's someone there.
0:02:02 > 0:02:03What?
0:02:03 > 0:02:04No! Yes!
0:02:04 > 0:02:06He's... He's covered in blood! He's dead!
0:02:06 > 0:02:07He is.
0:02:07 > 0:02:09RAIN PATTERS
0:02:11 > 0:02:13I do not say you did not see it.
0:02:13 > 0:02:16I only say that what you saw - it was not real.
0:02:16 > 0:02:18It... It cannot be real.
0:02:18 > 0:02:21It was as real as you are now, Bennet Drake.
0:02:21 > 0:02:24I don't know how many times I need to say this. The woman is dead.
0:02:24 > 0:02:26I saw it myself. Her ankles are twitched.
0:02:26 > 0:02:29Dead! Then how?!
0:02:29 > 0:02:30How, Bennet?
0:02:30 > 0:02:32I am not mad!
0:02:32 > 0:02:34I am not mad.
0:02:34 > 0:02:35I saw her.
0:02:35 > 0:02:37It is because you cannot rest.
0:02:37 > 0:02:39You are sleepless. No.
0:02:39 > 0:02:41Rose, any woman would suffer so.
0:02:41 > 0:02:45Their senses adrift, frayed through lack of rest.
0:02:46 > 0:02:47You must rest, Rose.
0:02:49 > 0:02:50Please. Uncle Bennet?
0:02:57 > 0:02:59Perhaps this is not, after all, the best time.
0:02:59 > 0:03:01No, child, this...this is good. We are...
0:03:01 > 0:03:02We are glad you have come.
0:03:02 > 0:03:04Please, sit.
0:03:06 > 0:03:08It is Mathilda, my love,
0:03:08 > 0:03:11as we said, come to watch the lad awhile,
0:03:11 > 0:03:13give him some lunch and his tea, and...
0:03:15 > 0:03:16..allow you some sleep.
0:03:18 > 0:03:20Allow those frayed senses of yours to knit again.
0:03:21 > 0:03:23Only sleep, my love.
0:03:24 > 0:03:26All will be right again.
0:03:28 > 0:03:29And do not forget...
0:03:29 > 0:03:32Miss Susan was your dear friend.
0:03:32 > 0:03:33And in your heart...
0:03:34 > 0:03:36..you must yet mourn for her.
0:03:36 > 0:03:37No...
0:03:37 > 0:03:39Bennet...
0:03:40 > 0:03:42..she is no friend of mine.
0:03:42 > 0:03:45That bitch means to steal our child.
0:03:48 > 0:03:50Finished. Do you understand?
0:03:50 > 0:03:52Only for real this time.
0:03:52 > 0:03:55Our boy never clapping eyes on us as long as he lives,
0:03:55 > 0:03:57unless it's a newspaper photograph,
0:03:57 > 0:03:59the pair of us with ropes around our necks.
0:03:59 > 0:04:01What was I supposed to do, Matthew?
0:04:01 > 0:04:02He called to me, my son.
0:04:02 > 0:04:04He called to me.
0:04:04 > 0:04:06Ought I to just have abandoned him once more?
0:04:06 > 0:04:09You want to know what he's going to look like as a grown man?
0:04:09 > 0:04:11Teach him to ride? Watch him fall in love the first time?
0:04:11 > 0:04:13You want all those things to pass?
0:04:13 > 0:04:15Then, yeah, you goddamn ought to have left them there to wail for you!
0:04:15 > 0:04:19Oh, you're a man - you don't understand. Oh, that's a fine apology.
0:04:19 > 0:04:21Oh, I must apologise now, must I? To you?
0:04:21 > 0:04:23Who I would otherwise consider the bane of my life,
0:04:23 > 0:04:26if banes weren't altogether more bearable?! No, no, no!
0:04:26 > 0:04:28You are not going to deflect this on me.
0:04:28 > 0:04:30It's I that must go to my place of work,
0:04:30 > 0:04:31a police station,
0:04:31 > 0:04:34and pray to God that my chief's wife is not believed
0:04:34 > 0:04:38when she says she saw a dead woman walk by her window last night!
0:04:38 > 0:04:41Oh, she won't be. She was... She was barely awake. She was sleepwalking.
0:04:41 > 0:04:44And besides, as you say, I am dead.
0:04:44 > 0:04:45Whoever would believe her, hmm?
0:04:45 > 0:04:47Well, we're soon going to find out, won't we?
0:04:54 > 0:04:56Need my laboratory, don't I?
0:04:59 > 0:05:00Potassium nitrate.
0:05:01 > 0:05:04Make this lock-cracker for your little escapade tonight.
0:05:05 > 0:05:07It mustn't happen tonight, must it?
0:05:07 > 0:05:09It must.
0:05:13 > 0:05:16You think you can sway Silver Beard to that way of thinking?
0:05:16 > 0:05:18You leave Abel to me.
0:05:19 > 0:05:23If I'm not back by ten tonight, you just assume me taken.
0:05:23 > 0:05:25Make all further arrangements without me.
0:05:26 > 0:05:27Only you make them fast. Do you hear me?
0:05:28 > 0:05:30And you get yourself gone.
0:05:39 > 0:05:40Bane of your life, huh?
0:05:55 > 0:05:58Oi, oi! Can I get a hand over here?
0:05:58 > 0:06:01"In recognition of his outstanding achievement...
0:06:02 > 0:06:05"..in the reorganisation...
0:06:05 > 0:06:09"of the Metropolitan Police Detective Department...
0:06:10 > 0:06:12"..Her Majesty the Queen...
0:06:13 > 0:06:14"...last night...
0:06:14 > 0:06:18"bestowed the Companion of the Order of the Bath...
0:06:20 > 0:06:22"..to Assistant Commissioner...
0:06:23 > 0:06:24"..Augustus Dove.
0:06:26 > 0:06:28"The ceremony took place at Toynbee Hall,
0:06:28 > 0:06:30"where no less a personage than Joseph Chamberlain,
0:06:30 > 0:06:32"the Colonial Secretary, conferred the honour."
0:06:32 > 0:06:34Oh, hold up, Drum. It's the father-in-law.
0:06:34 > 0:06:37Morning, Mr Reid. Drummond. Thatcher.
0:06:37 > 0:06:38Morning, Mr Reid.
0:06:40 > 0:06:42Hey, sir, did you see?
0:06:42 > 0:06:45Assistant Commissioner Dove got a bauble for his coat.
0:06:45 > 0:06:48Do you disrespect this country's heraldic traditions, Sergeant?
0:06:48 > 0:06:50Who, me, Mr Reid?
0:06:51 > 0:06:52Still...
0:06:52 > 0:06:53it's a wonder, is it not,
0:06:53 > 0:06:56where a common fella may rise to these days?
0:06:56 > 0:06:59Oh, you work hard, Thatcher, who knows how far you may travel?
0:06:59 > 0:07:01Oh, no. I do not speak of myself, sir. No.
0:07:01 > 0:07:04Happy as he is, that's Frankie Thatcher. No.
0:07:04 > 0:07:07It's Drum here that I ask for.
0:07:07 > 0:07:09Indeed. And why might Sergeant Drummond thank you
0:07:09 > 0:07:12for enquiring after his prospects?
0:07:12 > 0:07:14He's my friend, is all.
0:07:14 > 0:07:16And I know how he means to be...
0:07:16 > 0:07:19To be well thought of in this world. Frank...
0:07:19 > 0:07:20enough!
0:07:20 > 0:07:22Oh, he IS well thought of, Mr Thatcher.
0:07:22 > 0:07:24I can vouch for that.
0:07:26 > 0:07:27TELEPHONE RINGS
0:07:32 > 0:07:33Leman Street.
0:07:35 > 0:07:37Body found off the back of Heneage.
0:07:38 > 0:07:40Mr Reid, wait, if you please!
0:07:40 > 0:07:42Men, come. Rope the area off as good as you can.
0:07:42 > 0:07:43HE REPLACES RECEIVER
0:07:43 > 0:07:45The body, it is a dead man.
0:07:45 > 0:07:47One known to us, sir.
0:07:47 > 0:07:49And who that, Mr Drummond?
0:07:49 > 0:07:51TRAIN WHISTLE BLOWS
0:07:51 > 0:07:53BUSTLE AND CHATTER
0:07:54 > 0:07:56Drake.
0:07:57 > 0:07:58Jackson.
0:08:02 > 0:08:04Quiet night?
0:08:06 > 0:08:07Quiet enough.
0:08:09 > 0:08:10So, the boy, he's settling on, then?
0:08:12 > 0:08:14He does.
0:08:14 > 0:08:14Mr Drake...
0:08:14 > 0:08:15Mr Drake...
0:08:15 > 0:08:17a man's body is found.
0:08:17 > 0:08:19Murdered, so it's said.
0:08:19 > 0:08:21Who is it attends?
0:08:21 > 0:08:22I feel WE must.
0:08:22 > 0:08:24Who is it, Mr Reid?
0:08:24 > 0:08:27Captain, yourself, also. Tell me who it is, Inspector! I am sorry, Bennet.
0:08:29 > 0:08:31BUSTLE AND CHATTER
0:08:31 > 0:08:33Get out of the way!
0:08:33 > 0:08:35Move it!
0:08:35 > 0:08:38You men, I want these ghouls ten yards further back!
0:08:42 > 0:08:43Oh, Thomas...!
0:08:45 > 0:08:47A street fight.
0:08:47 > 0:08:48Knife wound.
0:08:51 > 0:08:54Gave as good as you got, did you not, Thomas boy?
0:08:57 > 0:09:00There will have been over 200 pairs of boots up and down here since sun-up.
0:09:00 > 0:09:04Any signs that may have been read will have been trod and kicked into obscurity.
0:09:08 > 0:09:11He wasn't killed here, however.
0:09:11 > 0:09:15See his knees? Grooves and abrasions, and his hands, likewise.
0:09:15 > 0:09:17It's gravel rash.
0:09:17 > 0:09:18He was...
0:09:18 > 0:09:20He was dragged.
0:09:20 > 0:09:22Dragged himself.
0:09:22 > 0:09:25Woodseer Orphanage is three streets north of here.
0:09:25 > 0:09:27How?
0:09:27 > 0:09:28There is this violent altercation.
0:09:28 > 0:09:32The assailant takes the knife to finish the matter, leaves him.
0:09:32 > 0:09:34So he crawls to where he might feel safe.
0:09:35 > 0:09:37You let me through!
0:09:37 > 0:09:38Let me through!!
0:09:38 > 0:09:39Let me see him!
0:09:39 > 0:09:40CROWD SHOUTS
0:09:43 > 0:09:45Oh! Deborah...
0:09:46 > 0:09:48Who has done this to him?!
0:09:48 > 0:09:50Miss Goren, let us do our work. No!
0:09:50 > 0:09:51And what use is that work, Edmund Reid?
0:09:51 > 0:09:53What use to us all?!
0:09:53 > 0:09:57Please, please, let me walk you home. You cannot help him now.
0:09:57 > 0:10:00Sergeant Drake, as you once were, think of this boy.
0:10:00 > 0:10:01Think of all you have done for him!
0:10:01 > 0:10:03SHE SOBS
0:10:03 > 0:10:05Come, come.
0:10:06 > 0:10:08FLASH DISCHARGES
0:10:08 > 0:10:10Thatcher! Remove this hacker and her work.
0:10:10 > 0:10:13There's no law says you may take that, Sergeant.
0:10:13 > 0:10:15Oh, is there not? Oh...
0:10:15 > 0:10:16GLASS SHATTERS
0:10:16 > 0:10:18Get you gone, woman.
0:10:19 > 0:10:20Go!
0:10:20 > 0:10:22SCUFFLING
0:10:28 > 0:10:29The wound...
0:10:30 > 0:10:33..how long for him to bleed out, do we say?
0:10:33 > 0:10:36Ten minutes. Certainly no longer.
0:10:36 > 0:10:39And so injured, he could not have dragged himself
0:10:39 > 0:10:40at no more than what...?
0:10:40 > 0:10:43Ten yards a minute, maybe?
0:10:45 > 0:10:47Miss Goren's orphanage, north of here.
0:10:49 > 0:10:50He must therefore...
0:10:50 > 0:10:52come from the other direction.
0:10:52 > 0:10:53Thatcher! Yeah?
0:10:53 > 0:10:56I want a radius, 150 yards.
0:10:56 > 0:10:58All points south.
0:10:58 > 0:11:01Such a ruck, it would not took a place on a main thoroughfare.
0:11:01 > 0:11:04We look for dark corners, therefore. Get these men to it!
0:11:06 > 0:11:08Some will say this is what killed him.
0:11:08 > 0:11:12This from which the ruin of his life was made.
0:11:16 > 0:11:18This is the response, not the question.
0:11:19 > 0:11:20SHE SIGHS
0:11:21 > 0:11:25Edmund Reid - who sees life and its puzzles clearer than you?
0:11:26 > 0:11:29I have no idea what life would look like were it not a puzzle.
0:11:31 > 0:11:34Were it not, I firmly believe the two of us would never have met.
0:11:34 > 0:11:35No.
0:11:37 > 0:11:40Well, here is another puzzle for you.
0:11:40 > 0:11:42Why is it, do you suppose, in the...
0:11:42 > 0:11:45In the two and a half months since Isaac was hanged,
0:11:45 > 0:11:47you have not sat down to take a drink with me once?
0:11:55 > 0:11:56Why do you think?
0:11:58 > 0:12:00I felt...
0:12:00 > 0:12:01shame.
0:12:03 > 0:12:05SHE INHALES
0:12:05 > 0:12:06Because you could not save Isaac?
0:12:15 > 0:12:17I wasn't going to show you these, but...
0:12:34 > 0:12:37These are drawings made of this...
0:12:37 > 0:12:38"Whitechapel golem"
0:12:38 > 0:12:40in the weeks before the Rabbi Ratovski was murdered.
0:12:40 > 0:12:44No, they are the drawings made in the past month.
0:12:48 > 0:12:51And what do you make of that fact, Deborah?
0:12:51 > 0:12:54If they draw him still, perhaps he lives still,
0:12:54 > 0:12:56and did not die when Isaac Bloom was hanged.
0:12:56 > 0:12:57Might I borrow these?
0:13:03 > 0:13:05Edmund, there...
0:13:05 > 0:13:07There is a matter, I feel it is perhaps...
0:13:09 > 0:13:10..disloyal to say it.
0:13:10 > 0:13:13But your daughter Mathilda... What of her?
0:13:13 > 0:13:15Her friendship with Miss Castello...
0:13:16 > 0:13:19Rachel is a good person, this I know,
0:13:19 > 0:13:20but she is young and angered.
0:13:20 > 0:13:24She feels you police hide the truth
0:13:24 > 0:13:26of what is acted out on the people of her faith.
0:13:26 > 0:13:29She is Jewish? Raised as an Englishwoman.
0:13:29 > 0:13:33However, she discovers her heritage with a zeal,
0:13:33 > 0:13:35a zeal for truth,
0:13:35 > 0:13:38and that truth to be discovered however it may.
0:13:40 > 0:13:41If you see my meaning.
0:13:44 > 0:13:46I do not know if it is disloyal.
0:13:46 > 0:13:48But I know that I am grateful to you for sharing of it.
0:14:02 > 0:14:04CHATTER NEARBY
0:14:09 > 0:14:10Whoa, hey.
0:14:10 > 0:14:11Hey!
0:14:11 > 0:14:13MUTTERING
0:14:13 > 0:14:14CLATTERING
0:14:36 > 0:14:37What's happened?
0:14:37 > 0:14:38CHATTERING
0:14:38 > 0:14:40Blimey, what are they lookin' for?
0:14:40 > 0:14:42CROWD CHATTERS
0:14:45 > 0:14:47Here, you be Gower.
0:15:16 > 0:15:18Might be something.
0:15:18 > 0:15:20You are a newspaperwoman.
0:15:20 > 0:15:23It is your job to inveigle, to connive, to seduce,
0:15:23 > 0:15:25but this is low.
0:15:25 > 0:15:27She's a child. She's my child.
0:15:27 > 0:15:29She is not that, Mr Reid.
0:15:29 > 0:15:32I do not know her well, but what I do know of her, I admire.
0:15:32 > 0:15:34And she's no child, sir.
0:15:34 > 0:15:36And you seek to turn her to what?
0:15:36 > 0:15:37My betrayal? No, sir.
0:15:37 > 0:15:39Never that.
0:15:39 > 0:15:43I seek only that which you seek also, Mr Reid -
0:15:43 > 0:15:46that which I find endlessly injuncted from me.
0:15:46 > 0:15:47The truth.
0:15:52 > 0:15:54Wait. What is that?
0:15:54 > 0:15:57Is this the murdered man Ratovski?
0:15:57 > 0:15:59What is this? What is this mapping?
0:16:01 > 0:16:02What is it you make here?
0:16:02 > 0:16:04A history.
0:16:04 > 0:16:07Of the frozen and famished journeys made by those of my faith,
0:16:07 > 0:16:09that they might find shelter in Whitechapel.
0:16:09 > 0:16:11Ratovski's journey amongst?
0:16:13 > 0:16:14Ratovski? What of him?
0:16:14 > 0:16:16Show me. Show me! No, sir, I will not.
0:16:16 > 0:16:18Bring a warrant if you must press it.
0:16:20 > 0:16:22A warrant.
0:16:22 > 0:16:24Or what details of the man and his end
0:16:24 > 0:16:25which you yourself keep hidden from view
0:16:25 > 0:16:28in the H Division archives.
0:16:28 > 0:16:30I believe there is an expression for the exchange.
0:16:30 > 0:16:32Quid pro quo.
0:16:36 > 0:16:37See this?
0:16:37 > 0:16:39It's piercing of the spleen.
0:16:39 > 0:16:42Unstoppable internal bleeding.
0:16:42 > 0:16:45That was the finishing, but not the finishing he sought.
0:16:45 > 0:16:46You don't mean it.
0:16:46 > 0:16:48All right, look at Gower's pockets.
0:16:48 > 0:16:50There's money within, therefore it's not a theft.
0:16:53 > 0:16:54It is personal?
0:16:54 > 0:16:57His first point of attack from behind. Pinned against the wall.
0:16:57 > 0:17:00He wished to knife him, he would have done it there and then.
0:17:09 > 0:17:13It is an easy thing to say, I know...
0:17:13 > 0:17:15but it is not you did this.
0:17:15 > 0:17:17It is not you put that knife in him.
0:17:19 > 0:17:21Nor you yourself, Mr Reid.
0:17:21 > 0:17:23SCRAPING
0:17:23 > 0:17:25Oh, God, no.
0:17:25 > 0:17:27No, no, no, no! What?
0:17:36 > 0:17:37JACKSON PICKS UP TELEPHONE
0:17:37 > 0:17:40Hey, Drummond, I need you to dig up a file for me.
0:17:43 > 0:17:45Last name, Ratovski.
0:17:46 > 0:17:48What is it you do?
0:17:49 > 0:17:51Tell me! What do you think?
0:17:51 > 0:17:53This is a human bite mark.
0:17:56 > 0:17:58TELEPHONE RINGS
0:18:03 > 0:18:04What?
0:18:05 > 0:18:06What do you mean, gone?!
0:18:07 > 0:18:11Sergeant Drummond, beneath my desk, calfskin briefcase.
0:18:11 > 0:18:12It is within.
0:18:14 > 0:18:16Why is it you've kept it, Inspector?
0:18:16 > 0:18:19The case remains of interest. Despite my instructions otherwise?
0:18:19 > 0:18:21What would you have me do, Bennet? Avert my eyes?
0:18:21 > 0:18:22Exactly that, Mr Reid.
0:18:22 > 0:18:25We had precise words on that matter, did we not?
0:18:25 > 0:18:29And I was clear as to what such disobedience might then incur.
0:18:29 > 0:18:30KNOCK AT DOOR
0:18:43 > 0:18:45Get out, Drummond.
0:18:45 > 0:18:46Yes, Mr Drake.
0:18:49 > 0:18:52HE SIGHS
0:18:52 > 0:18:54They are not alike, Jackson. Not close!
0:18:54 > 0:18:56That's because those were taken from the lower abdomen.
0:18:56 > 0:18:59It's fleshier there. There's more to take.
0:19:00 > 0:19:03In both these examples...
0:19:03 > 0:19:04the mandibular lower incisor
0:19:04 > 0:19:07is overlapped by the maxillary central incisor.
0:19:07 > 0:19:09And now, the exact measurement on each of 'em
0:19:09 > 0:19:12is a notch, and I mean a notch...
0:19:13 > 0:19:15..under 250 thou.
0:19:15 > 0:19:16An overbite.
0:19:17 > 0:19:19A slight overbite.
0:19:19 > 0:19:21You throw a rock into Commercial Street at lunchtime,
0:19:21 > 0:19:23you will strike a man with the same.
0:19:23 > 0:19:26Furthermore, the method of attack on this here is...
0:19:26 > 0:19:27It's entirely at odds.
0:19:27 > 0:19:29This is...
0:19:29 > 0:19:30This is a street brawl, a knifing!
0:19:30 > 0:19:31Drake!
0:19:32 > 0:19:36Now, whatever this means to you, it means the exact same to me. I made this case, too.
0:19:36 > 0:19:39Now, how many examples of pre- and postmortem biting
0:19:39 > 0:19:41have we had in the eight years since I've served you here?
0:19:43 > 0:19:44None.
0:19:44 > 0:19:46Save this Ratovski...
0:19:46 > 0:19:48and now your boy Gower.
0:19:49 > 0:19:50They see him still...
0:19:54 > 0:19:56..who they used to call the...
0:19:56 > 0:19:57Whitechapel golem.
0:19:59 > 0:20:02These were drawn recently at the orphanage in Woodseer Street.
0:20:15 > 0:20:16Bennet...
0:20:16 > 0:20:17No.
0:20:19 > 0:20:20No.
0:20:22 > 0:20:24This man's killer...
0:20:24 > 0:20:26has been hanged for his crime.
0:20:26 > 0:20:28And these?
0:20:28 > 0:20:30Children's scrawlings and overbite?
0:20:30 > 0:20:32They are not evidence fit for the overturning of that sentence.
0:20:35 > 0:20:37Now, I warned you, Mr Reid.
0:20:39 > 0:20:42So you give me reason why I ought not to send you away.
0:20:45 > 0:20:48This...here, now...
0:20:48 > 0:20:53I do not pursue it in some attempt to make the world wrong,
0:20:53 > 0:20:56or to disprove your work, his work...
0:20:56 > 0:20:57OUR work.
0:20:57 > 0:21:00I do it because I see the need for it.
0:21:00 > 0:21:03And, yes, my return to Whitechapel
0:21:03 > 0:21:05was indeed to make some defence of Isaac,
0:21:05 > 0:21:07but that I stayed - it is you, Bennet Drake.
0:21:07 > 0:21:09You, my friend,
0:21:09 > 0:21:11who I missed...
0:21:12 > 0:21:15..and who, now, I wish nothing other than to help.
0:21:15 > 0:21:17And how is it you now help me?
0:21:17 > 0:21:18I want what you want.
0:21:18 > 0:21:21I want to know who it was killed this boy.
0:21:24 > 0:21:26I want to see the investigation I make bring you to him.
0:21:26 > 0:21:28I want to give Thomas Gower his justice,
0:21:28 > 0:21:30to use his awful death to make comparison.
0:21:32 > 0:21:35Despite all that you say, there are similarities with Ratovski's murder
0:21:35 > 0:21:36that must at least be discarded
0:21:36 > 0:21:38before any investigation can move forward.
0:21:38 > 0:21:41So you show me the case you made against Bloom, Bennet.
0:21:42 > 0:21:44Show me, every step of the way.
0:21:45 > 0:21:47And then either you will prove me wrong,
0:21:47 > 0:21:50in which case, you may indeed send me away, or...
0:21:50 > 0:21:52we - you and I -
0:21:52 > 0:21:55shall then together bring this killer to earth.
0:22:00 > 0:22:01Well, he has ME sold.
0:22:16 > 0:22:17Fetch me my boy.
0:22:22 > 0:22:25SHE CHUCKLES AND KISSES HIM
0:22:26 > 0:22:27Come.
0:22:29 > 0:22:30Why are you here?
0:22:32 > 0:22:35My Uncle Bennet, your husband, asked it of me.
0:22:35 > 0:22:37So you might rest, Mrs Drake.
0:22:37 > 0:22:39No.
0:22:39 > 0:22:40Girl...
0:22:40 > 0:22:42why are you in Whitechapel?
0:22:42 > 0:22:44And don't talk your riddles with me
0:22:44 > 0:22:48and tell me you are here because your father, Mr Reid, is here.
0:22:48 > 0:22:52You tell me why the pair of you would return to this place at all.
0:22:52 > 0:22:53It is our home.
0:22:53 > 0:22:54Home?
0:22:57 > 0:22:59A place...
0:22:59 > 0:23:03where he knew nothing but blood and despair?
0:23:03 > 0:23:07Where you were kept prisoner by all them people?
0:23:07 > 0:23:08Your mother gone,
0:23:08 > 0:23:11dead and mad for the loss of you?
0:23:13 > 0:23:14That's home, is it?
0:23:16 > 0:23:19Home chooses us, I believe,
0:23:19 > 0:23:20and not the reverse.
0:23:20 > 0:23:21Huh!
0:23:21 > 0:23:23You know who the mother is...
0:23:24 > 0:23:26SHE LAUGHS
0:23:28 > 0:23:29Not mother.
0:23:30 > 0:23:31I am that.
0:23:31 > 0:23:33I am.
0:23:33 > 0:23:36You know who the maker of Connor here is?
0:23:36 > 0:23:38It is Miss Susan.
0:23:38 > 0:23:39It IS Miss Susan.
0:23:41 > 0:23:42It is her.
0:23:43 > 0:23:46She who might poison the well of all London,
0:23:46 > 0:23:49and find those who still love, and forgive her.
0:23:49 > 0:23:52Yourself, Mathilda...
0:23:52 > 0:23:54I'm sure you would be delighted...
0:23:55 > 0:23:58...to see her once more...
0:23:58 > 0:24:02and pass an hour or two in chat with her.
0:24:02 > 0:24:03It is true, I would.
0:24:03 > 0:24:04But Miss Susan is dead.
0:24:04 > 0:24:06Hmm.
0:24:06 > 0:24:08Miss Susan is dead. Long...
0:24:08 > 0:24:12Susan Hart is dead.
0:24:12 > 0:24:16The whole world thought you were dead, and gone, Mathilda.
0:24:16 > 0:24:17And yet, there you stand.
0:24:19 > 0:24:20Connor...
0:24:22 > 0:24:23Connor...
0:24:23 > 0:24:25your mama is sorry.
0:24:27 > 0:24:29Mathilda, he likes a pinch of cinnamon in his milk,
0:24:29 > 0:24:31and we're now run dry of it.
0:24:31 > 0:24:34Will you take a penny from my purse, there, and fetch him some?
0:24:34 > 0:24:35Of course, Mrs Drake.
0:24:38 > 0:24:39SHE HUMS
0:24:45 > 0:24:47DOOR OPENS AND CLOSES
0:24:49 > 0:24:52When I was a girl and I wanted my way,
0:24:52 > 0:24:53I would wheedle and whine...
0:24:56 > 0:24:59..offer eternal devotion for a desire met,
0:24:59 > 0:25:01owe a thing for one denied.
0:25:04 > 0:25:06And you are now changed how?
0:25:09 > 0:25:12I do not whine. Small mercies.
0:25:12 > 0:25:15And a man as accustomed to lying as you are would see clean through me
0:25:15 > 0:25:17as soon as I made as if I hated you.
0:25:19 > 0:25:21Oh, but you have charm, my girl.
0:25:25 > 0:25:27And if we are to do this thing,
0:25:27 > 0:25:28let us do it tonight.
0:25:30 > 0:25:32It is...
0:25:32 > 0:25:33intemperate.
0:25:35 > 0:25:37It is bold.
0:25:37 > 0:25:40See you, Lady Macbeth.
0:25:40 > 0:25:43Thieve in haste, repent at leisure.
0:25:43 > 0:25:45Gather your Japanese porcelain while ye may.
0:25:45 > 0:25:46HE CHUCKLES
0:25:51 > 0:25:54If it must indeed come to pass that you leave us...
0:25:55 > 0:25:59..I would see you steam away from me on still waters. And this...
0:25:59 > 0:26:02Plans must be made, observations took.
0:26:02 > 0:26:03They are made.
0:26:03 > 0:26:05They are took.
0:26:05 > 0:26:07By myself.
0:26:07 > 0:26:08Because, Abel...
0:26:09 > 0:26:11..the snare closes.
0:26:11 > 0:26:13Closes? How? I'll keep you safe here.
0:26:13 > 0:26:15It is only that I feel it.
0:26:15 > 0:26:17I feel it on me sharp.
0:26:17 > 0:26:18No.
0:26:20 > 0:26:22You are altogether too tough-minded for such suspicions.
0:26:22 > 0:26:23You tell me, girl...
0:26:24 > 0:26:27You tell me how that snare looks.
0:26:29 > 0:26:31I have been seen.
0:26:36 > 0:26:37What does she say?
0:26:37 > 0:26:39"Thank you, Matthew, for saving my life"?
0:26:40 > 0:26:41"Well done"?
0:26:43 > 0:26:44Nope.
0:26:45 > 0:26:47"Take me to see my boy."
0:26:48 > 0:26:49Now...
0:26:49 > 0:26:52I told you that was a bad idea.
0:26:52 > 0:26:54And did you listen?
0:26:54 > 0:26:55No.
0:26:55 > 0:26:56And whose problem is it now?
0:26:56 > 0:26:58That's right.
0:26:58 > 0:27:01Old Jackson.
0:27:01 > 0:27:03And I'm the one that goes off half-cocked.
0:27:03 > 0:27:06I'm the one that doesn't think things through(!)
0:27:06 > 0:27:07CLATTERING
0:27:07 > 0:27:08Shit! Idiot!
0:27:14 > 0:27:16THUNDER RUMBLES
0:27:24 > 0:27:26This how she did it, then?
0:27:26 > 0:27:29What did she promise you, Guard Theakston? Money?
0:27:29 > 0:27:31For delivery to that pit?
0:27:31 > 0:27:32A kind word?
0:27:32 > 0:27:34Her snake tongue in your ear?
0:27:34 > 0:27:38Who is it you speak of? I don't even know who you are.
0:27:38 > 0:27:40Oh, do you not?
0:27:40 > 0:27:42What about the boy, then?
0:27:42 > 0:27:43Remember him?
0:27:44 > 0:27:45That's Miss Susan's boy.
0:27:46 > 0:27:50And you would let him believe she is dead, when she is not.
0:27:50 > 0:27:53How did she climb down from that scaffold, eh?
0:27:53 > 0:27:54How did she do that?
0:27:57 > 0:27:58My husband -
0:27:58 > 0:28:00this boy's new father -
0:28:00 > 0:28:02he is the police headman at Whitechapel.
0:28:02 > 0:28:04And he will see you swing,
0:28:04 > 0:28:07just as surely as he will her when he catches her.
0:28:07 > 0:28:09How did she do it?
0:28:09 > 0:28:10Where is she hid?
0:28:10 > 0:28:11Who hides her?
0:28:15 > 0:28:17I see you.
0:28:17 > 0:28:18Your fear.
0:28:20 > 0:28:21You tell me.
0:28:21 > 0:28:23You're mad, woman.
0:28:23 > 0:28:24You're all the same!
0:28:24 > 0:28:25SHE GRUNTS
0:28:28 > 0:28:29Come on, Connor.
0:28:29 > 0:28:31LIVELY CHATTER
0:28:35 > 0:28:36This is where we found Ratovski.
0:28:40 > 0:28:42Here.
0:28:42 > 0:28:44Boy found him, raised a uniform.
0:28:44 > 0:28:47You were able to keep the scene intact?
0:28:47 > 0:28:49It was chaos by the time I got here.
0:28:49 > 0:28:51Packed tight. Screaming.
0:28:51 > 0:28:53Folk could see what had been done to him.
0:28:53 > 0:28:56Head caved in, shirt ripped from him, and...
0:28:56 > 0:28:58those bites taken out of his body.
0:28:58 > 0:29:02Word would've got about, I imagine, chimed most likely with the...er...
0:29:02 > 0:29:05the talk that had grown up of this Whitechapel golem.
0:29:05 > 0:29:09Although there is no golem myth in which it's said to have torn men's flesh from their bodies.
0:29:09 > 0:29:10Whatever the myth of it, Mr Reid,
0:29:10 > 0:29:12we saw to it that any confirmation of that fact
0:29:12 > 0:29:13be withheld from the press.
0:29:13 > 0:29:15And why that?
0:29:15 > 0:29:19I was worried at what those with a fear of our Jewish neighbours might accuse them of.
0:29:19 > 0:29:22I felt it a wise policy. And one that you continued once Isaac Bloom was...
0:29:22 > 0:29:25Once he, a Jewish man, was sentenced for it, yes.
0:29:25 > 0:29:28And so then you removed the body...?
0:29:28 > 0:29:29We did.
0:29:29 > 0:29:31Identification?
0:29:31 > 0:29:33The man's university accreditation was found about him.
0:29:33 > 0:29:35You'd wired his place of work?
0:29:35 > 0:29:38He'd taken a week's leave, not told a soul for why.
0:29:38 > 0:29:40And then door to door?
0:29:40 > 0:29:42The synagogue on Princelet Street.
0:29:42 > 0:29:44Max Steiner.
0:29:44 > 0:29:47Ratovski paid his respects...
0:29:47 > 0:29:48made a few prayers,
0:29:48 > 0:29:51and offered nothing of his purpose, and left.
0:29:51 > 0:29:53Then we go to Bloom's lodgings next.
0:29:59 > 0:30:01An old lock-seller, a lady,
0:30:01 > 0:30:06said she saw Ratovski arrive at Bloom's around six of the evening.
0:30:06 > 0:30:09Saw him leave an hour later. His body found...?
0:30:09 > 0:30:10The next morning.
0:30:10 > 0:30:13But killed, according to Jackson, 11 of the night.
0:30:13 > 0:30:17And you interviewed Bloom. You found him disturbed, I imagine?
0:30:17 > 0:30:19More bewildered, at the first.
0:30:19 > 0:30:22He could not recall Ratovski's visit, or even that the man existed.
0:30:22 > 0:30:25And you did not search his room then?
0:30:25 > 0:30:27I had no call to.
0:30:27 > 0:30:30It was not as though I did not remember the man fondly, Mr Reid.
0:30:32 > 0:30:34I felt sad for him, not suspicious.
0:30:34 > 0:30:38So it was not until you had Rabbi Steiner's account of him being attacked by Bloom that you returned?
0:30:38 > 0:30:40Another violent attack on a religious man.
0:30:40 > 0:30:43A compelling indicator that warranted further pursuit.
0:30:43 > 0:30:45A search warrant was requested.
0:30:45 > 0:30:46We returned to Bloom's lodgings, here,
0:30:46 > 0:30:50conducted our search, found our plug of flesh - that shirt.
0:30:51 > 0:30:53YELLING IN HEBREW
0:30:53 > 0:30:55Calm yourself, sir. I beg you, calm yourself.
0:30:55 > 0:30:57Police. We mean you no harm.
0:30:57 > 0:30:58Our apologies.
0:31:00 > 0:31:01We will leave you.
0:31:16 > 0:31:17Briggs! Here, take a shift.
0:31:21 > 0:31:22Tilda, what is it?
0:31:22 > 0:31:24Is my Uncle Bennet here? My father?
0:31:24 > 0:31:26Neither, Tilda. What is it that worries you? Will you say?
0:31:26 > 0:31:29I think I must not, Drum. Might I wait, however?
0:31:33 > 0:31:36Do I wait, then, for you to show me what it is I have neglected to see?
0:31:36 > 0:31:38No, 'tis copper-fastened, Bennet.
0:31:38 > 0:31:41I would have come to the same conclusions, I do not contest that.
0:31:41 > 0:31:43Perhaps I worry it is, er...
0:31:43 > 0:31:45too much of an irreproachable case.
0:31:45 > 0:31:48We here cannot win, but for one fault or another.
0:31:48 > 0:31:49But do you not agree?
0:31:50 > 0:31:53In his bewilderment, you have found the perfect suspect.
0:31:53 > 0:31:56In that search, the unimprovable evidence.
0:31:56 > 0:31:58Does such ease, given what we have seen today,
0:31:58 > 0:32:01not raise the slightest shiver of suspicion for you?
0:32:01 > 0:32:04And is that not you all over, Mr Reid?
0:32:04 > 0:32:08Your fevered eyes once more burning through the deceit of the world,
0:32:08 > 0:32:12in the hope that you might at last uncover its black mechanics.
0:32:12 > 0:32:14Another body!
0:32:14 > 0:32:15WHISTLE BLOWS
0:32:15 > 0:32:16PEOPLE CLAMOUR
0:32:17 > 0:32:19WHISTLE BLOWS
0:32:19 > 0:32:20SHOUTING CONTINUES
0:32:30 > 0:32:32See the wounds on his side? The bite marks?
0:32:32 > 0:32:34All the signs of the golem.
0:32:36 > 0:32:38Did you see what has been done to him, sir?
0:32:38 > 0:32:39To his flesh?
0:32:39 > 0:32:42Sir? Inspector Drake?
0:32:42 > 0:32:44Sir? Inspector Drake!
0:32:44 > 0:32:46Will you not tell me what our eyes now see here?
0:32:46 > 0:32:48What has been done to this man?
0:32:48 > 0:32:51Or will you hide the facts of this case, too?
0:32:51 > 0:32:52Come on. Come on.
0:33:03 > 0:33:06SHOUTING CONTINUES
0:33:19 > 0:33:21I wonder if you understand...
0:33:23 > 0:33:25...if you could imagine, even, what it is
0:33:25 > 0:33:27so many in our community have suffered to find...
0:33:27 > 0:33:30If you will, please... I will not, Inspector Drake!
0:33:30 > 0:33:35They do not walk, starving, through the frozen steppes of Europe
0:33:35 > 0:33:37to arrive here to be so savaged...
0:33:37 > 0:33:42just when they imagine they have some salvation near at hand.
0:33:43 > 0:33:45You are charged with the people's protection, sir,
0:33:45 > 0:33:48and you have failed in that mandate!
0:33:49 > 0:33:51And you, Mr Reid...
0:33:51 > 0:33:53how will you remedy this?
0:33:56 > 0:33:58I will ask you of this man.
0:33:58 > 0:33:59Can you tell me his name?
0:34:00 > 0:34:02His name is Nadelman.
0:34:03 > 0:34:05More than that, I can't tell you.
0:34:06 > 0:34:08He recently came here from Lithuania.
0:34:08 > 0:34:10As you can see...
0:34:10 > 0:34:13emaciated from his deprivations.
0:34:13 > 0:34:15But we cared for him.
0:34:16 > 0:34:18We gave him a room beneath the synagogue.
0:34:18 > 0:34:20And that is where you found him, sir?
0:34:20 > 0:34:21It was.
0:34:32 > 0:34:35Mr Thatcher, you will escort Rabbi Steiner back to Princelet Street.
0:34:35 > 0:34:38Take men. And you will work the room as you have been taught.
0:34:38 > 0:34:41Rabbi Steiner, we will see these streets now scoured
0:34:41 > 0:34:43for the cause of this - you have my word.
0:34:43 > 0:34:45We will not rest till it is done.
0:34:53 > 0:34:55Bennet. Bennet? What?
0:34:55 > 0:34:58What? Do you try to tell me the old man is wrong?
0:34:59 > 0:35:01That this is not at my door?
0:35:01 > 0:35:03This Nadelman. Thomas Gower.
0:35:03 > 0:35:06Isaac Bloom, innocent and hanged.
0:35:06 > 0:35:08You are not their killer.
0:35:08 > 0:35:09You are not.
0:35:09 > 0:35:11This is a battle worth the blood, remember?
0:35:11 > 0:35:13This is not a battle - this is defeat.
0:35:13 > 0:35:15Oh, so the abyss will swallow Bennet Drake, will it?
0:35:16 > 0:35:18It swallowed YOU once, if you remember.
0:35:22 > 0:35:25Our Gower was a soldier, with the strength to resist this, er...
0:35:26 > 0:35:28..fetish with the body,
0:35:28 > 0:35:31but this man - no, you can see how weak he is.
0:35:31 > 0:35:34Advanced malnutrition, severe muscle wastage,
0:35:34 > 0:35:35necrosis of the fat cells.
0:35:35 > 0:35:37You can approximate a time of death?
0:35:37 > 0:35:40Are you asking if it was about the same time as Gower's?
0:35:40 > 0:35:42Yeah, I'd say it was proximate, Reid.
0:35:44 > 0:35:46The, er...
0:35:46 > 0:35:47this killer, here.
0:35:47 > 0:35:52He comes face-to-face with Thomas's strength and resistance,
0:35:52 > 0:35:54takes a knife to end that resistance,
0:35:54 > 0:35:57then he flees from the rumpus he has no doubt made...
0:35:58 > 0:36:01..makes his way towards the refugee lodgings in Princelet Street...
0:36:01 > 0:36:03Finds a man too broken to fight.
0:36:03 > 0:36:06Lets his desires grow fierce.
0:36:06 > 0:36:08Now come see. Take a look here.
0:36:08 > 0:36:10Here's your parallel tracks
0:36:10 > 0:36:13where the upper incisors scraped down the skin.
0:36:13 > 0:36:14And these are static puncture marks
0:36:14 > 0:36:16when he then gouges down onto the lower teeth,
0:36:16 > 0:36:18and then the flesh is torn and sheared,
0:36:18 > 0:36:21so it's almost as if he's shaking them with his teeth.
0:36:21 > 0:36:24So this biting, it presents itself less as cannibalism,
0:36:24 > 0:36:25and more of a...
0:36:26 > 0:36:27A means of attack.
0:36:27 > 0:36:29It's like an animal. Like a dog attacks.
0:36:29 > 0:36:31Like a dog.
0:36:31 > 0:36:32It's alike.
0:36:33 > 0:36:37This is the animal hair that I took from where Gower was found.
0:36:39 > 0:36:43From the scale pattern of the cuticle and the medulla type,
0:36:43 > 0:36:46it's from an animal that is very much like a dog.
0:36:46 > 0:36:47It's a timber wolf.
0:36:47 > 0:36:49Now, this town is crazy, I grant you,
0:36:49 > 0:36:51but the last time I checked...
0:36:53 > 0:36:55..there were no wolves in Whitechapel.
0:37:01 > 0:37:03TELEPHONE RINGS
0:37:08 > 0:37:10RINGING CONTINUES
0:37:10 > 0:37:11Yes?
0:37:14 > 0:37:16Assistant Commissioner Dove is here.
0:37:17 > 0:37:19The error of it, sir.
0:37:20 > 0:37:22Sheer bloody muck of a mistake.
0:37:22 > 0:37:27Not for the minding of, Inspector. Not now.
0:37:27 > 0:37:28Not yet.
0:37:35 > 0:37:37I know you.
0:37:38 > 0:37:41The man you are, the policeman you are.
0:37:41 > 0:37:43The compassion and rigour you brought to that case,
0:37:43 > 0:37:45as to every other part of your work here...
0:37:46 > 0:37:48You could never be questioned.
0:37:48 > 0:37:51It must be brought once more, Mr Drake.
0:37:51 > 0:37:53This killer must be trapped.
0:37:53 > 0:37:55I know you understand this, sir.
0:37:57 > 0:38:00You shall have all the resources you require.
0:38:00 > 0:38:01Thank you, sir.
0:38:03 > 0:38:05And I expect updates.
0:38:05 > 0:38:07On the hour. You shall have them, Mr Dove.
0:38:07 > 0:38:09Mr Reid.
0:38:11 > 0:38:13You find this savage beast, Inspector.
0:38:14 > 0:38:15I will, sir.
0:38:19 > 0:38:21Good evening, Mrs Drake.
0:38:23 > 0:38:24And hello to you, young man.
0:38:25 > 0:38:28I'm sure Mr Dove is pleased to see you, as I am,
0:38:28 > 0:38:30but it is late for the lad to be out and about.
0:38:34 > 0:38:35Rose, it is freezing.
0:38:37 > 0:38:38Never mind Connor.
0:38:38 > 0:38:39Better you mind me.
0:38:40 > 0:38:42Not now, woman. Not here.
0:38:42 > 0:38:46Mr Drake, I should... No, Augustus - you will hear this.
0:38:46 > 0:38:48Rose... I have no secrets,
0:38:48 > 0:38:51unless you know how it is a murderess escaped her sentence?
0:38:51 > 0:38:54I know how she did it. I know.
0:38:54 > 0:38:55I have discovered it.
0:38:55 > 0:38:59Rose, I have told you, this is a madness. It is not, Bennet!
0:39:00 > 0:39:02See, I went to Newgate, to the pit there,
0:39:02 > 0:39:04and there is a guard, name of Theakston.
0:39:04 > 0:39:07Oh, how he used to make eyes at Long Susan.
0:39:07 > 0:39:09"Miss says this, Miss says that."
0:39:09 > 0:39:12He'd have cleaned her arse with his tongue had she asked for it.
0:39:12 > 0:39:14Rose, enough! But I stopped him...
0:39:14 > 0:39:15and I asked him.
0:39:15 > 0:39:17I said, "How'd she done it? Tell us.
0:39:17 > 0:39:20"Tell us where she hides."
0:39:20 > 0:39:21You should have seen him -
0:39:21 > 0:39:23white as the beard of God.
0:39:23 > 0:39:24And I knew it.
0:39:24 > 0:39:25I knew it then.
0:39:25 > 0:39:29She must have been put in that Newgate pit still alive,
0:39:29 > 0:39:32and some accomplice to come and collect her.
0:39:32 > 0:39:34You cannot think... You think I'm not able?!
0:39:35 > 0:39:39Just remember all that she has done.
0:39:39 > 0:39:4455, man, woman, child, and not a soul in this square mile
0:39:44 > 0:39:46whose lives not changed by her.
0:39:48 > 0:39:51By Long Susan Hart, and she is about her evil once more.
0:39:51 > 0:39:52You will stop this now!
0:39:52 > 0:39:55Just try and make me, Bennet Drake!
0:39:56 > 0:39:58Say you love me, do you?
0:39:58 > 0:40:00Well, you cannot.
0:40:00 > 0:40:03Because you do not trust me.
0:40:03 > 0:40:08I, who have trusted you, and had faith in you,
0:40:08 > 0:40:11when I know the black things you have done.
0:40:11 > 0:40:12You will be silent.
0:40:12 > 0:40:13I will not!
0:40:16 > 0:40:17Reid...
0:40:18 > 0:40:21..Susan, the Captain, all of you.
0:40:21 > 0:40:24The things you have done, and I have kept that secret
0:40:24 > 0:40:26like a poison in my heart.
0:40:26 > 0:40:28Rose! Enough!
0:40:29 > 0:40:31You two stop this right now.
0:40:32 > 0:40:33Have a care.
0:40:47 > 0:40:49Let me take him home, then.
0:40:59 > 0:41:00We must take him home now, love.
0:41:03 > 0:41:04Come on.
0:41:05 > 0:41:06Let us get on.
0:41:13 > 0:41:15Did you hear her accusations?
0:41:15 > 0:41:17I couldn't fail to, could I, Frank? And so what do you say?
0:41:17 > 0:41:19I say they are best unheard.
0:41:22 > 0:41:24FRANK SCOFFS
0:41:27 > 0:41:29I tell you what, Miss Reid...
0:41:29 > 0:41:31He's a lickspittle, this one.
0:41:31 > 0:41:35And you, Frank Thatcher, have an old woman's snatch box for gossip.
0:41:37 > 0:41:38If you do not mind, Mathilda,
0:41:38 > 0:41:40I should like a word with Sergeant Drummond.
0:41:42 > 0:41:43Yes, sir.
0:41:43 > 0:41:44Here, sir?
0:41:44 > 0:41:46No - public house, I think.
0:41:48 > 0:41:50Thatcher, you may stand at dock till he returns.
0:41:50 > 0:41:53You might be a little warier with my daughter, however.
0:41:55 > 0:41:56After you, Drummond.
0:42:15 > 0:42:16It's still too god damned wet.
0:42:16 > 0:42:17Have to serve.
0:42:33 > 0:42:35You should know, Mr Reid, that...
0:42:36 > 0:42:38..your Mathilda...
0:42:38 > 0:42:39I mean to say,
0:42:39 > 0:42:43if it please you, that you ought not to be afraid of any impropriety, or...
0:42:43 > 0:42:45Or ugly motive on my part.
0:42:45 > 0:42:47I seek only to...
0:42:47 > 0:42:49if such were permitted...
0:42:49 > 0:42:51both by yourself...and herself, of course, I...
0:42:51 > 0:42:55I seek only to be allowed to come to know her a little better. Drummond?
0:42:55 > 0:42:56Yes, Mr Reid?
0:42:59 > 0:43:00Six months back...
0:43:01 > 0:43:04..when Captain Jackson removed the bloody imprint
0:43:04 > 0:43:08of Isaac Bloom's fingerprints from the shirt placket
0:43:08 > 0:43:10of the murdered rabbi, Ratovski,
0:43:10 > 0:43:12and Inspector Drake wished them then to be used as evidence -
0:43:12 > 0:43:14you recall all this?
0:43:14 > 0:43:15I do.
0:43:15 > 0:43:17And the warrant that was then secured
0:43:17 > 0:43:20for the search of Mr Bloom's rooms?
0:43:20 > 0:43:21Yes, sir.
0:43:21 > 0:43:24And when it was felt that the full and awful details
0:43:24 > 0:43:28of the crime should not be broadcast abroad, for fear of panic...
0:43:28 > 0:43:31and so the newspapers were injuncted - all this you recall?
0:43:31 > 0:43:33Well, who could forget, Mr Reid?
0:43:33 > 0:43:35Then, tell me...
0:43:35 > 0:43:38whose authority was it saw these commands made?
0:43:38 > 0:43:41Why... Mr Dove, sir.
0:43:52 > 0:43:54Good evening, Augustus.
0:43:54 > 0:43:55You have heard the rumpus out there?
0:43:56 > 0:43:58I have not, forgive me.
0:43:58 > 0:44:00It has been a day.
0:44:01 > 0:44:03Well, it must have been...
0:44:03 > 0:44:05for the whole world cries of it.
0:44:05 > 0:44:06Of what?
0:44:07 > 0:44:09Not the once, but twice.
0:44:12 > 0:44:14He has...
0:44:14 > 0:44:17performed his act once more.
0:44:23 > 0:44:25The last occasion,
0:44:25 > 0:44:29he confessed to both of us what he'd done to that rabbi.
0:44:29 > 0:44:32Oh, I remember, Abel. What a runaround that was.
0:44:35 > 0:44:38You were meant to care for him. And I do. I do!
0:44:38 > 0:44:41This cannot happen again. He must be watched.
0:44:43 > 0:44:45ABLE SIGHS I know, I know.
0:44:46 > 0:44:48And further to that, Abel...
0:44:48 > 0:44:50the woman you shelter...
0:44:51 > 0:44:53..I now know who she is.
0:44:54 > 0:44:56Why would you not tell me?
0:44:56 > 0:44:59She is almost a celebrity in these parts,
0:44:59 > 0:45:01and you have kept her these two months.
0:45:01 > 0:45:03I have grown fond of her.
0:45:04 > 0:45:06Wish her well.
0:45:06 > 0:45:09Your murderous, conniving mind, by your kind heart...
0:45:10 > 0:45:12..it will be the finishing of you.
0:45:12 > 0:45:13Mmm.
0:45:13 > 0:45:15I do not think it is the end of myself
0:45:15 > 0:45:19which currently exercises you, Assistant Commissioner.
0:45:19 > 0:45:22You and that bauble so recently pinned to your breast.
0:45:22 > 0:45:25Besides, they owe me money.
0:45:25 > 0:45:27She and her American husband? Oh, yeah.
0:45:29 > 0:45:30How did he do it?
0:45:31 > 0:45:33How did he fake her death, Abel?
0:45:33 > 0:45:34Free her?
0:45:34 > 0:45:36Oh, damned if I know.
0:45:36 > 0:45:37But he is a sharp one.
0:45:39 > 0:45:41Plus, there are...
0:45:41 > 0:45:43plans afoot,
0:45:43 > 0:45:46which will see the pair of them gone.
0:45:46 > 0:45:47Plans?
0:45:47 > 0:45:48Mmm.
0:45:48 > 0:45:51There is currently some merit in H Division's finest surgeon
0:45:51 > 0:45:52being gone from it.
0:45:52 > 0:45:54You set about your plan, Abel.
0:45:54 > 0:45:57I shall set about seeing how else the trail that leads to us
0:45:57 > 0:45:59may be broke and scattered.
0:45:59 > 0:46:01How that, Augustus? How broke? How scattered?
0:46:01 > 0:46:03Never mind that for now.
0:46:03 > 0:46:07You get home, and you keep that beast close to you, you understand?
0:46:08 > 0:46:11FOOTSTEPS
0:46:14 > 0:46:16DOOR CREAKS OPEN
0:46:18 > 0:46:20DOOR CLOSES
0:46:25 > 0:46:27DOOR OPENS
0:46:29 > 0:46:30Matthew. I was afraid.
0:46:32 > 0:46:34Me and you both, darling.
0:46:34 > 0:46:36I tell you... This town...
0:46:36 > 0:46:38The things that I've seen within it today,
0:46:38 > 0:46:40me and you've got to get this thing finished,
0:46:40 > 0:46:42and ourselves done with this place for all time.
0:46:44 > 0:46:45Where's the sea dog?
0:46:45 > 0:46:46He's called away.
0:46:47 > 0:46:49And the retarded first mate?
0:46:49 > 0:46:50Sleeping beyond.
0:46:56 > 0:46:58KNOCKS ON THE TABLE
0:46:58 > 0:47:01I know there's wisdom in sleeping early for night work,
0:47:01 > 0:47:03but it's time to rise and get about it now, son.
0:47:12 > 0:47:14DOOR OPENS
0:47:14 > 0:47:15Well, my children...
0:47:15 > 0:47:16DOOR CLOSES
0:47:16 > 0:47:19..the night is a dark one.
0:47:19 > 0:47:20Clouds roll over.
0:47:23 > 0:47:25Such auguries must not be ignored.
0:47:27 > 0:47:29Let us eat before we thieve.
0:47:44 > 0:47:45Move across.
0:47:48 > 0:47:49I sit there.
0:47:53 > 0:47:55Go, Nate, move along.
0:47:55 > 0:47:58Who are we to separate husband and wife?
0:48:00 > 0:48:02Er, while you're up...
0:48:03 > 0:48:05..get them kerosene lamps, and wipe them down.
0:48:15 > 0:48:17There is food aplenty, Captain.
0:48:18 > 0:48:20No call for you to be filching others'.
0:48:26 > 0:48:27Sleep.
0:48:30 > 0:48:32Forget about this world awhile.
0:48:44 > 0:48:47Were there nought to be done, I would stay, Rose.
0:48:48 > 0:48:49But, er...
0:48:51 > 0:48:54..tonight, there is an evil out there, which I...
0:48:57 > 0:48:58I cannot hide at home, my love.
0:49:01 > 0:49:03And, for all that it may not be worth a heap of shit no more...
0:49:05 > 0:49:07..I must go to work.
0:49:13 > 0:49:14Bennet...
0:49:16 > 0:49:18Yes, my love?
0:49:22 > 0:49:23Do what you like.
0:49:38 > 0:49:39DOOR CLOSES
0:49:41 > 0:49:43CHATTER
0:49:50 > 0:49:54STEAM TRAIN CHUGS
0:50:01 > 0:50:04As we have agreed, your building of the case,
0:50:04 > 0:50:06the evidence which convicted Mr Bloom...
0:50:07 > 0:50:08..it was...
0:50:08 > 0:50:09flawless.
0:50:09 > 0:50:14But we know that Isaac Bloom cannot have killed Ratovski, because...
0:50:14 > 0:50:16The killer still walks amongst us. Yes.
0:50:18 > 0:50:22And we must needs look elsewhere for the flaw, Bennet.
0:50:22 > 0:50:24And so I only ask you...
0:50:24 > 0:50:26to think on who else might have had...
0:50:26 > 0:50:28both the knowledge...
0:50:28 > 0:50:29and the opportunity.
0:50:35 > 0:50:36What?
0:50:41 > 0:50:46My division has known care and advancement beneath his eye.
0:50:46 > 0:50:48He has been the voice and encouragement
0:50:48 > 0:50:52we who must police this quarter have always called for.
0:50:52 > 0:50:54He has understood my life here, Mr Reid.
0:50:54 > 0:50:55He has...
0:50:55 > 0:50:56been my friend.
0:50:56 > 0:50:59And it is he who gets you your warrant.
0:50:59 > 0:51:04He who, therefore, knows the address at which to leave the evidence.
0:51:04 > 0:51:05Evidence that he knew Captain Jackson
0:51:05 > 0:51:07would clasp tight to his heart.
0:51:07 > 0:51:12And it is he who then says, "Yes, use your fingerprints,"
0:51:12 > 0:51:16and, "Yes, I will bar all newspaper reportings of the details."
0:51:18 > 0:51:21Only...he, Bennet.
0:51:23 > 0:51:25Only Augustus Dove.
0:51:28 > 0:51:29You ask me to admit his corruption.
0:51:30 > 0:51:32I must therefore admit my own.
0:51:32 > 0:51:33I see that.
0:51:33 > 0:51:35I see that, Bennet, I do. But...
0:51:36 > 0:51:40..what purchase that support and advancement has given him here...
0:51:40 > 0:51:41My purchase, you mean?
0:51:41 > 0:51:42No. My seduction?!
0:51:42 > 0:51:44No, I do not mean to say... No, Mr Reid!
0:51:46 > 0:51:49No, I may now need you here for this fight which comes down.
0:51:49 > 0:51:52But you leave off Augustus Dove, you hear?
0:51:58 > 0:51:59DOVE: Rose.
0:52:02 > 0:52:03Rose, it is only me.
0:52:08 > 0:52:10Rose, forgive me.
0:52:10 > 0:52:12Will you let me in?
0:52:13 > 0:52:14DOOR CLOSES
0:52:15 > 0:52:18Did you not come to curse me for my madness?
0:52:20 > 0:52:22Why would I?
0:52:22 > 0:52:23I know you're sane.
0:52:29 > 0:52:31Do you believe me?
0:52:32 > 0:52:33I do, Rose.
0:52:34 > 0:52:36SHE GASPS
0:52:36 > 0:52:38Oh, that is a wonderful thing.
0:52:39 > 0:52:40Thank you.
0:52:40 > 0:52:41Augustus, thank you!
0:52:45 > 0:52:46Will you keep watch?
0:52:46 > 0:52:48Over us?
0:52:48 > 0:52:52If Mr Drake is not here to do so, then I shall.
0:52:54 > 0:52:57The thought of you doing so currently makes me happier.
0:52:59 > 0:53:00However...
0:53:08 > 0:53:11There was another fear that you spoke of earlier.
0:53:11 > 0:53:13On the subject of Miss Hart.
0:53:15 > 0:53:16But also...
0:53:16 > 0:53:17Mr Reid.
0:53:19 > 0:53:23An act in which you believe them to have collaborated.
0:53:25 > 0:53:26A bad thing.
0:53:28 > 0:53:30A bad...
0:53:30 > 0:53:31thing.
0:53:31 > 0:53:32Not only those two.
0:53:33 > 0:53:36The captain, also.
0:53:38 > 0:53:40And Bennet.
0:53:42 > 0:53:43What was it, Rose?
0:53:47 > 0:53:48I made a promise.
0:53:48 > 0:53:50I swore it.
0:53:50 > 0:53:52Never, ever to tell.
0:53:54 > 0:53:55Then you must not, Rose.
0:53:57 > 0:53:59Never break a promise.
0:54:14 > 0:54:15CAMERA CLICKS
0:54:21 > 0:54:22CAMERA CLICKS
0:54:26 > 0:54:27CAMERA CLICKS
0:54:43 > 0:54:45You sent for me?
0:54:49 > 0:54:51Quid pro quo.
0:54:51 > 0:54:54STEAM TRAIN RUMBLES
0:55:10 > 0:55:11ABEL: Here we go.
0:55:12 > 0:55:14Safe.
0:55:14 > 0:55:16In you go.
0:55:19 > 0:55:21After you, madam.
0:55:22 > 0:55:23Captain.
0:55:39 > 0:55:40Here.
0:55:46 > 0:55:47Hush now, children.
0:55:49 > 0:55:50Captain.
0:56:14 > 0:56:16METALLIC RATTLING
0:56:49 > 0:56:51Only the lock, correct?
0:56:51 > 0:56:53Correct? Yes!
0:56:53 > 0:56:54Correct.
0:56:57 > 0:56:59FUSE FIZZLES
0:57:11 > 0:57:12Matthew, wait...
0:57:12 > 0:57:13EXPLOSION
0:57:17 > 0:57:20HE COUGHS
0:57:25 > 0:57:28Too much spice in your stew, Captain.
0:57:30 > 0:57:31WHISTLE BLOWS
0:57:31 > 0:57:33Nate!
0:57:33 > 0:57:34No! No, Abel...
0:57:34 > 0:57:36I will not have more blood on my tally.
0:57:36 > 0:57:39Not yours, my girl - mine. Mine can manage the extra.
0:57:39 > 0:57:42You step aside, get your crockery.
0:57:42 > 0:57:44WHISTLE BLOWS
0:57:44 > 0:57:46SHOUTING OUTSIDE
0:57:49 > 0:57:50SLICING
0:57:50 > 0:57:53SCREAMING
0:57:53 > 0:57:54DULL THUD
0:58:09 > 0:58:11For this? Mmm.
0:58:14 > 0:58:17Anything else you wish to pilfer, or do we sail?
0:58:37 > 0:58:41I will not stand idle whilst Whitechapel falls beneath terror.
0:58:42 > 0:58:44You are up to your guts in this.
0:58:44 > 0:58:46This is the animal unleashed.
0:58:46 > 0:58:50There ain't nothing so cruel in this world as the killing of love.
0:58:50 > 0:58:51Perhaps I am only good for the fight.
0:58:52 > 0:58:54Now we go hunting.
0:58:54 > 0:58:55Bennet!
0:59:32 > 0:59:33SHE SIGHS DEEPLY
0:59:37 > 0:59:39The shooting was fully justified.
0:59:43 > 0:59:45So he's the Belfast strangler?
0:59:46 > 0:59:47DOCTOR SHOUTS INSTRUCTIONS