0:00:02 > 0:00:06This programme contains graphic violent scenes and scenes which some viewers may find disturbing
0:00:06 > 0:00:08The rabbi Leon Ratovski visited London from Paris.
0:00:08 > 0:00:10Isaac Bloom killed him in a Whitechapel lane-way and will hang for it.
0:00:10 > 0:00:13Those are bite marks, Reid, flesh torn out with teeth.
0:00:13 > 0:00:14HE YELLS
0:00:14 > 0:00:17- This is a human bite mark. - And this is the animal hair
0:00:17 > 0:00:22that I took from where Gower was found. It's a timber wolf.
0:00:22 > 0:00:26- You were meant to care for him. - And I do. I do.
0:00:26 > 0:00:28Susan Hart is about her evil once more.
0:00:28 > 0:00:30- Rose, you will stop this now! - No!
0:00:30 > 0:00:32Just try and make me, Bennet Drake!
0:00:32 > 0:00:34'Tell me what our eyes now see here.'
0:00:34 > 0:00:36What has been done to this man?
0:00:36 > 0:00:37CAMERA CLICKS
0:00:38 > 0:00:39Quid pro quo.
0:00:40 > 0:00:44- The last definite death by my hand. - And who he?
0:00:45 > 0:00:47My father.
0:00:47 > 0:00:48No.
0:00:48 > 0:00:50No!
0:01:01 > 0:01:02Oh!
0:01:04 > 0:01:05Wanted to say goodnight.
0:01:05 > 0:01:07Mm. Who am I?
0:01:07 > 0:01:10- CHILDREN:- The sandman, Pappy. - Yeah, and what do I bring?
0:01:10 > 0:01:14- CHILDREN:- Sweet dreams. - Yeah, well, take 'em and sleep.
0:01:14 > 0:01:16Say goodnight to our guest.
0:01:16 > 0:01:18- CHILDREN:- Goodnight, Mr Bennet. - Go now.
0:01:20 > 0:01:22Do not wake me when you come, Don.
0:01:22 > 0:01:23Well...
0:01:23 > 0:01:25I would not bank on it, woman.
0:01:25 > 0:01:26HE CHUCKLES
0:01:37 > 0:01:38Ohh...
0:01:40 > 0:01:42It is a thing to be happy, Don.
0:01:42 > 0:01:43It is.
0:01:43 > 0:01:46- And you are. - I am.
0:01:49 > 0:01:51There's no secret to it, Ben.
0:01:51 > 0:01:53There is only this.
0:01:53 > 0:01:56Do not care for aught but what you may throw your arms about.
0:01:57 > 0:02:01Decide who that may be. Forget what remains beyond.
0:02:01 > 0:02:04That is no counsel for a copper.
0:02:04 > 0:02:05I never said it was.
0:02:06 > 0:02:08It is counsel for a man, however...
0:02:09 > 0:02:11..who would know what life is, not the other.
0:02:16 > 0:02:17FIRE CRACKLES
0:03:21 > 0:03:23STREET CHATTER
0:03:25 > 0:03:27See, my darling,
0:03:27 > 0:03:30how we all like to feel a man in uniform beneath us!
0:03:30 > 0:03:33THEY LAUGH
0:03:33 > 0:03:35Do you blush on my account, Drum?
0:03:35 > 0:03:37It is coarse.
0:03:37 > 0:03:40And you are about as far from coarse as a man might imagine, Tilda.
0:03:40 > 0:03:43You know, Drum, you must not make a princess out of me.
0:03:43 > 0:03:45But that is the way I feel about you, however, Tilda.
0:03:45 > 0:03:47A princess to me.
0:03:47 > 0:03:49Then you must stop.
0:03:49 > 0:03:51There is something I have learned,
0:03:51 > 0:03:53and learned to my cost, Samuel Drummond.
0:03:53 > 0:03:56It is that life is not a fairy tale,
0:03:56 > 0:03:59and that those who seek to make it one too often do so
0:03:59 > 0:04:02for the real and felt unhappiness of their actual lives.
0:04:02 > 0:04:05- Do you understand? - I am not unhappy, Mathilda.
0:04:05 > 0:04:07I could make you so, however.
0:04:07 > 0:04:09I could make you so, and fast.
0:04:10 > 0:04:13There are no princesses and no monsters.
0:04:13 > 0:04:15Only humans.
0:04:15 > 0:04:17Their flesh and bones and all-too-broken hearts.
0:04:19 > 0:04:22I am fond of you because you are real.
0:04:22 > 0:04:25And I cannot find anything hidden or broken about you.
0:04:25 > 0:04:28You must be fond of me, because I, too, am real.
0:04:29 > 0:04:31Do you see?
0:04:31 > 0:04:32I do.
0:04:35 > 0:04:37Real.
0:04:40 > 0:04:44- MAN:- Morning edition of the Star newspaper, sir. Thank you.
0:04:44 > 0:04:47Paper!
0:04:47 > 0:04:50Whitechapel beast slays again.
0:04:50 > 0:04:51Jewish immigrant murdered.
0:04:55 > 0:04:56Thank you, sir.
0:04:57 > 0:04:59Paper! Paper!
0:05:00 > 0:05:02Jewish immigrant murdered.
0:05:04 > 0:05:05Where is she?
0:05:05 > 0:05:07- Excuse me, sir... - Sit!
0:05:13 > 0:05:15I should have known.
0:05:15 > 0:05:19Edmund Reid betrays his badge, his uniform, his brother men.
0:05:19 > 0:05:23No, I told you, Inspector Drake, and you would not hear it from me.
0:05:23 > 0:05:27I will not stand idle whilst Whitechapel falls beneath terror.
0:05:27 > 0:05:30A terror in which I believe Assistant Commissioner Dove to be implicated.
0:05:30 > 0:05:32Now, this will break him from his cover.
0:05:32 > 0:05:34And break our good name alongside...
0:05:34 > 0:05:36Our good name be damned.
0:05:38 > 0:05:40Miss Castello, will you show him?
0:05:54 > 0:05:57Here. You may recognise Leon Ratovski.
0:05:57 > 0:06:01This image recorded the day he led his people out of the Russian Empire.
0:06:03 > 0:06:05What are these? Towns? Villages?
0:06:05 > 0:06:07They are shtetl.
0:06:07 > 0:06:08They are the towns and villages
0:06:08 > 0:06:12where the Jewish people of Russia were tolerated to live...for a while.
0:06:12 > 0:06:14Until living there became intolerable.
0:06:14 > 0:06:17These, then, their journeys as they fled.
0:06:17 > 0:06:19Those that made their eventual way to London.
0:06:22 > 0:06:23Go on.
0:06:25 > 0:06:27I first heard the name Ratovski two years ago
0:06:27 > 0:06:29from one who followed him.
0:06:29 > 0:06:30A woman,
0:06:30 > 0:06:34the only surviving member of her family to have reached London.
0:06:34 > 0:06:37And though her grief was still great, so was her gratitude...
0:06:38 > 0:06:42..to the man, the rabbi, who had led their caravan west.
0:06:42 > 0:06:46I recorded the name Leon Ratovski and then put that record aside.
0:06:47 > 0:06:50Until, in time, you heard his name again.
0:06:50 > 0:06:53The victim of a murder, about which you, Mr Drake,
0:06:53 > 0:06:56would reveal barely more than a sentence of information
0:06:56 > 0:06:58until the murderer was named, Isaac Bloom,
0:06:58 > 0:07:01another Jewish man to have made such a journey.
0:07:01 > 0:07:04Yet still, although I make daily requests for details,
0:07:04 > 0:07:06none are forthcoming from you, sir,
0:07:06 > 0:07:09or your superior at Scotland Yard, Assistant Commissioner Dove,
0:07:09 > 0:07:12who proceeds to injunct all details of your case.
0:07:15 > 0:07:18I am afraid I am perverse.
0:07:18 > 0:07:23Being barred from asking questions has a tendency to make me ask more.
0:07:23 > 0:07:25This week last, I travelled to Paris,
0:07:25 > 0:07:29where his friends at the Sorbonne allowed me to remove these photographs.
0:07:30 > 0:07:32And these.
0:07:36 > 0:07:38They are his diaries, Bennet.
0:07:38 > 0:07:40And you have read these?
0:07:40 > 0:07:41They are in Ukrainian. He cannot.
0:07:41 > 0:07:45- Well, then, they must be translated. - They are being so.
0:07:59 > 0:08:02Rabbi Ratovski's own account of a journey
0:08:02 > 0:08:05at the head of 150 men, women and children.
0:08:05 > 0:08:07A community of Jews,
0:08:07 > 0:08:09then supplemented by a further diaspora.
0:08:09 > 0:08:12Christians fleeing north from the Balkan Peninsula.
0:08:25 > 0:08:29"In daylight, breaking camp, I see them,
0:08:29 > 0:08:32"perhaps 50 yards from us, watching through the trees.
0:08:32 > 0:08:34"A wolf pack.
0:08:34 > 0:08:37"I say nothing to the group. We walk on.
0:08:37 > 0:08:38"The whole day, they follow.
0:08:38 > 0:08:42"They are to the south of us, perhaps an hour later to the north.
0:08:42 > 0:08:44"We camp at nightfall.
0:08:44 > 0:08:47"I instruct fires to be built on our perimeter, and I am asked why.
0:08:47 > 0:08:51"I do not need to find an answer, because that is when they begin to howl."
0:08:51 > 0:08:52WOLVES HOWL
0:08:52 > 0:08:55"The first night, they take two. An elderly couple.
0:08:55 > 0:08:57"We know nothing of this
0:08:57 > 0:08:59"until their screams erupt from the darkness beyond our fires."
0:08:59 > 0:09:01SCREAMING
0:09:01 > 0:09:03"They scream for what feels like many hours.
0:09:03 > 0:09:07"By morning, there is nothing left of them except blood in the snow.
0:09:08 > 0:09:12"The following night, they come again, but now they take five,
0:09:12 > 0:09:13"two young girls among them.
0:09:13 > 0:09:16"Again, we must listen to their screams.
0:09:16 > 0:09:19"And so it proceeds, day by day, as we walk through the forest.
0:09:19 > 0:09:20"We see them close.
0:09:20 > 0:09:21"And each night, they attack
0:09:21 > 0:09:24"and we listen to our wives, our husbands, our parents, our children, screaming
0:09:24 > 0:09:29"and imagine that one night soon, it will be ourselves going beneath their jaws.
0:09:29 > 0:09:31"Two weeks, we walk through the forest like this.
0:09:33 > 0:09:34"And on the last night, however,
0:09:34 > 0:09:38"the wolves take a woman, a Christian woman - Guluba.
0:09:39 > 0:09:42"I remember her name because she was the last,
0:09:42 > 0:09:45"and also because her two sons attempted to fight the animals.
0:09:46 > 0:09:50"Perhaps for this reason, the wolves did not remove her corpse.
0:09:50 > 0:09:53"Instead, left her there in the snow, her insides all about her...
0:09:54 > 0:09:58"..and the youngest of her sons still clutching at her cold body."
0:10:02 > 0:10:05Ratovski told Isaac Bloom
0:10:05 > 0:10:08that he had come to London to right a wrong.
0:10:08 > 0:10:12And he would only say that this...wrong constituted an abandonment.
0:10:12 > 0:10:16The later entries, his arrival in Paris, he...he talks of being broken,
0:10:16 > 0:10:18unable to continue, unable to lead his people further.
0:10:18 > 0:10:21So the caravan breaks up, men, women, and children going where they may.
0:10:21 > 0:10:24And some, we know, correct, Miss Castello, to London.
0:10:24 > 0:10:28So perhaps these two brothers were forced to go on without Ratovski.
0:10:28 > 0:10:30And was this that abandonment?
0:10:30 > 0:10:33Two small boys alone and orphaned, their memories,
0:10:33 > 0:10:35who they felt themselves to be,
0:10:35 > 0:10:37shaped and fathered by the beast they met in that forest.
0:10:37 > 0:10:38Now grown to adulthood.
0:10:38 > 0:10:40Homo homoni lupus est.
0:10:40 > 0:10:43Man is wolf to man.
0:10:45 > 0:10:47Before Ratovski was found, weeks before, do you recall,
0:10:47 > 0:10:49Deborah, the talk had started?
0:10:49 > 0:10:53A figure seen on rooftops watching those of this community,
0:10:53 > 0:10:55what they called the Whitechapel Golem.
0:10:55 > 0:10:59So what has become a rabid violence begins with a...surveillance.
0:10:59 > 0:11:01Like the wolves stalking the caravan.
0:11:01 > 0:11:03Two boys, two Christian boys,
0:11:03 > 0:11:07the sons of the wolves' last victim, are given shelter by a Jewish community.
0:11:07 > 0:11:10Whilst in their care, they are exposed to this...
0:11:11 > 0:11:12..bestial horror.
0:11:12 > 0:11:13And now, in adulthood,
0:11:13 > 0:11:17one of them seeks to visit the same horror within the same community.
0:11:20 > 0:11:21The woman's name.
0:11:23 > 0:11:27Do you recall that bird-seller who had a store off the back of Fashion Street?
0:11:27 > 0:11:28- I do. I remember him. - He was a gyppy.
0:11:28 > 0:11:31Made great play of it, his Balkan Romani roots.
0:11:35 > 0:11:36"Guluba"...
0:11:37 > 0:11:39..was the word he used for a dove.
0:11:41 > 0:11:43He makes his mother's name English,
0:11:43 > 0:11:45redefines himself with it.
0:11:48 > 0:11:49Miss Castello...
0:11:50 > 0:11:52..you will now set your curiosity
0:11:52 > 0:11:55to Assistant Police Commissioner Augustus Dove.
0:11:55 > 0:11:58Find him, follow him, report to me.
0:11:58 > 0:11:59It will be more than a book you will write.
0:11:59 > 0:12:04You will show the world a darkness sat at the heart of Scotland Yard itself.
0:12:21 > 0:12:23DOG WHINES
0:12:33 > 0:12:35How is it you're alone, Augustus?
0:12:39 > 0:12:41I do not know, Rose.
0:12:43 > 0:12:45All I know is, it saddens me.
0:12:46 > 0:12:48It saddens me something fearful.
0:12:50 > 0:12:52Do not be sad, Augustus.
0:12:52 > 0:12:54Do not be.
0:12:54 > 0:12:56There is...
0:12:56 > 0:13:00too much confusion in the world for a young, handsome man to be sad.
0:13:03 > 0:13:04Not too far, Connor.
0:13:07 > 0:13:09Rose, may I ask you something?
0:13:10 > 0:13:11Of course you may.
0:13:13 > 0:13:15Your words to me...
0:13:15 > 0:13:17your recent words of Miss Hart
0:13:17 > 0:13:20and how she and Mr Reid had collaborated on some act of evil.
0:13:22 > 0:13:24You said I should keep my secrets.
0:13:24 > 0:13:25I did. I know.
0:13:25 > 0:13:28Well, who could blame him for it when it...
0:13:29 > 0:13:30His daughter...
0:13:32 > 0:13:33It was his child.
0:13:33 > 0:13:37- But Susan, what she did... - Rose, forgive me. I do not follow.
0:13:40 > 0:13:41It was her father.
0:13:41 > 0:13:44Theodore Swift.
0:13:44 > 0:13:46Her own...flesh and blood.
0:13:46 > 0:13:48And God help him, Bennet...
0:13:48 > 0:13:50stood by and watched as they put him in that cellar.
0:13:52 > 0:13:55Oh! But I am faithless.
0:13:55 > 0:13:57You are not, Rose.
0:13:57 > 0:13:58You are nothing of the kind.
0:14:00 > 0:14:02What they did was murder.
0:14:28 > 0:14:30Two men for three vases.
0:14:32 > 0:14:34Does that represent a good deal?
0:14:34 > 0:14:36- CROKER:- Oi, I'll tell you again.
0:14:36 > 0:14:38Their blood is on my hands.
0:14:41 > 0:14:44- Now, we may waste no time. - Yes,
0:14:44 > 0:14:46I understand that, Croker.
0:14:46 > 0:14:48Then take one vase - only one, mind -
0:14:48 > 0:14:52to that fence off Radcliffe Highway and get your prize.
0:14:52 > 0:14:53I have little choice, do I?
0:14:53 > 0:14:57- You've arranged our berths, then? - Boston the best I can do
0:14:57 > 0:15:00- in such short order. - Boston will serve fine.
0:15:00 > 0:15:03Then you bring me my money, hook your child, and I shall waive your fee.
0:15:03 > 0:15:06Just a, uh, word, Croker, before I leave.
0:15:06 > 0:15:08Come.
0:15:08 > 0:15:10DOOR OPENS AND CLOSES
0:15:10 > 0:15:15- That's your boy, is it not?- He is. Not my blood, but he is my boy.
0:15:16 > 0:15:18You know what your boy's been about of late?
0:15:20 > 0:15:23Now, most other weeks, I'd just shoot him here and now.
0:15:23 > 0:15:25But this ain't other weeks, so I only ask you this.
0:15:25 > 0:15:30If I leave my wife with you for another two hours, is she safe?
0:15:31 > 0:15:33Well, what is it you accuse him of, Captain?
0:15:33 > 0:15:34I cannot vouch for her safety
0:15:34 > 0:15:36- if I do not know this. - GUN CLICKS
0:15:36 > 0:15:38Now, you know goddamn well what the threat is.
0:15:38 > 0:15:42Now, what he's done, I can only leave that on your conscience, Abel.
0:15:42 > 0:15:44But you vouch for her safety.
0:15:44 > 0:15:46And you do it now.
0:15:47 > 0:15:49- She will be safe. - On your life, Croker.
0:15:49 > 0:15:51On my life.
0:15:55 > 0:15:56HE WHISTLES
0:15:58 > 0:16:01- What gives, Abel? - Oh...
0:16:05 > 0:16:08Take this to the station house on Leman Street.
0:16:10 > 0:16:13- Sir... - What is it, Sergeant?
0:16:13 > 0:16:15Our dead room reaches capacity.
0:16:15 > 0:16:17The cage on the customs warehouse on Cutler Street
0:16:17 > 0:16:19was blown open last night, two guards killed.
0:16:19 > 0:16:21- What thieved? - Three porcelain vases.
0:16:22 > 0:16:24Well, it's your case, Thatcher. You see it through.
0:16:24 > 0:16:27Sirs... I think you must see this.
0:16:30 > 0:16:33- Captain Jackson? - Not in his rooms, Inspector.
0:16:33 > 0:16:35So it was you who has stripped them?
0:16:35 > 0:16:37No, sir. That was myself.
0:16:40 > 0:16:43Sergeant Thatcher found the action, uh...not to his taste.
0:16:46 > 0:16:49It... It was the wounding, sir.
0:16:51 > 0:16:55Blood spilling from the same piece of 'em.
0:16:55 > 0:16:56Upper left thorax.
0:16:58 > 0:17:00You see, I think the instinct accurate.
0:17:02 > 0:17:05It's the same wounding...
0:17:05 > 0:17:06when he must kill for necessity.
0:17:08 > 0:17:09These...
0:17:10 > 0:17:14Mr Nadelman, and Mr Ratovski before him. This...
0:17:14 > 0:17:16This is the animal unleashed.
0:17:18 > 0:17:19Mr Reid, sir...
0:17:19 > 0:17:20which animal?
0:17:25 > 0:17:26This is fine work.
0:17:27 > 0:17:30But I think you both must leave us now.
0:17:31 > 0:17:32What? No!
0:17:32 > 0:17:33Inspector...
0:17:33 > 0:17:36Get out, Thatcher.
0:17:50 > 0:17:53Do we believe Augustus Dove about the thieving of Japanese porcelain also?
0:17:53 > 0:17:55And more besides.
0:18:02 > 0:18:04Who here carries the biggest truncheon?
0:18:05 > 0:18:07What is it you want, small fry?
0:18:07 > 0:18:09- Hm? - You, is it?
0:18:09 > 0:18:11- Come on. - Oi!
0:18:11 > 0:18:15- I only came to run you a note. - Then give it.
0:18:22 > 0:18:24Out.
0:18:24 > 0:18:25Tip-off.
0:18:25 > 0:18:28Cutler Street job. Knows where the item's to be fenced.
0:18:28 > 0:18:31- Drum! What do you do? - The Inspectors.
0:18:31 > 0:18:34Inspectors be bollocksed. This is our bloody collar.
0:18:45 > 0:18:47Parker?
0:18:47 > 0:18:49No.
0:18:50 > 0:18:52I'm Thatcher. P...
0:18:53 > 0:18:55Thatcher...
0:18:55 > 0:18:58Bloody thieving, conniving,
0:18:58 > 0:19:01backstabbing...
0:19:01 > 0:19:03Americans.
0:19:03 > 0:19:05Goddamn it.
0:19:05 > 0:19:07HE SIGHS
0:19:17 > 0:19:19HE BREATHES DEEPLY
0:19:39 > 0:19:40HE SIGHS
0:19:44 > 0:19:46There's some morphine about the place.
0:19:46 > 0:19:50Just do me a favour and fix 'em up with some brandy, because my head is broke...
0:19:52 > 0:19:54HE GROANS
0:20:02 > 0:20:04Everything you know...now.
0:20:04 > 0:20:06I know you punch like a choirboy.
0:20:09 > 0:20:11Whooph!
0:20:13 > 0:20:15JACKSON COUGHS
0:20:16 > 0:20:18HE GRUNTS AND SIGHS
0:20:18 > 0:20:22There's a rope with your name on it, and soon.
0:20:23 > 0:20:25Look, Drake, I'd really like to help.
0:20:25 > 0:20:27Really I would. But I don't know nothing.
0:20:27 > 0:20:30So why don't you be a good little nurse and go and get me
0:20:30 > 0:20:33- my morphine? - Bennet, Bennet! Bennet, Bennet...
0:20:35 > 0:20:36Oh, what's wrong?
0:20:36 > 0:20:39Your two stars still crossed, boys?
0:20:39 > 0:20:41REID GROANS
0:20:41 > 0:20:43HE SPITS
0:20:43 > 0:20:45Why, you're out of conditioning, Reid.
0:20:50 > 0:20:52See?
0:20:54 > 0:20:55See?
0:20:57 > 0:21:01Now, I'm not no surgeon, nor no Pinkerton.
0:21:01 > 0:21:03But I'm no fool neither.
0:21:03 > 0:21:06These knife wounds are the same.
0:21:06 > 0:21:10And as you, with such precision, pointed out...
0:21:10 > 0:21:13he who killed Thomas Gower killed this poor immigrant, Nadelman.
0:21:13 > 0:21:15Killed Leon Ratovski also.
0:21:15 > 0:21:18And now, I believe,
0:21:18 > 0:21:20has put his knife between these two men's ribs
0:21:20 > 0:21:25during a robbery which you, in one way or another, have partaken.
0:21:27 > 0:21:31Any way you choose to slice it, Captain, you're up to your guts in this.
0:21:33 > 0:21:35So you tell me who done this!
0:21:45 > 0:21:46HE CLICKS CHEEK
0:21:48 > 0:21:50Just pass me a smoke, will you?
0:22:13 > 0:22:14HE SIGHS
0:22:19 > 0:22:21Were you part of this robbery last night?
0:22:23 > 0:22:26If you were not, how did you get your hands on this vase?
0:22:28 > 0:22:31Well, that's a good many questions, Reid.
0:22:31 > 0:22:33Which one's your favourite?
0:22:37 > 0:22:41Despite your self-interest, I know that you are not the stripe of man
0:22:41 > 0:22:44to let others suffer while you might instead help.
0:22:46 > 0:22:47Now, we know not how,
0:22:47 > 0:22:51but Augustus Dove himself is somehow also tangled within all.
0:22:51 > 0:22:53So I ask you again.
0:22:55 > 0:22:56Only help.
0:23:05 > 0:23:07I only wish I could, Reid.
0:23:10 > 0:23:12HE SIGHS
0:23:14 > 0:23:16You know...
0:23:16 > 0:23:18I'm glad of something.
0:23:19 > 0:23:22The man you were when we first met, the man of war,
0:23:22 > 0:23:26man of dread, his leashed fighting dog.
0:23:26 > 0:23:30And now all that you have constructed about yourself now, Drake,
0:23:30 > 0:23:33is a man of peace, a man of hope.
0:23:33 > 0:23:35It's a relief for me to see it.
0:23:37 > 0:23:40Just how brittle a carapace that was.
0:23:41 > 0:23:43How little...
0:23:43 > 0:23:44a man can change.
0:23:47 > 0:23:48KNOCK AT DOOR DOOR OPENS
0:23:48 > 0:23:50Inspectors...
0:23:55 > 0:23:58Sir, she has brung herself here.
0:23:58 > 0:24:00Miss Castello, sir. She asks after you.
0:24:08 > 0:24:10Have two men lock this whoreson down.
0:24:27 > 0:24:28My office.
0:24:30 > 0:24:33It is a rare blend our surgeon has taken to smoking.
0:24:33 > 0:24:35One cannot imagine its importers being that many and varied.
0:24:35 > 0:24:37So get on the line to the shipping office at the Western,
0:24:37 > 0:24:40find out who lumps such tobacco ashore for them.
0:24:42 > 0:24:45- You're sure? - I'm afraid so.
0:24:52 > 0:24:54Leave us now.
0:24:57 > 0:24:58DOOR OPENS
0:24:59 > 0:25:01DOOR CLOSES They are friends, are they not,
0:25:01 > 0:25:04from childhood, schooled together?
0:25:04 > 0:25:06Such friends do not walk arm in arm.
0:25:12 > 0:25:15Do not care for aught but what you may throw your arms about.
0:25:17 > 0:25:19It will not serve anyone, least of all yourself,
0:25:19 > 0:25:22to reach a conclusion that you have not seen first-hand
0:25:22 > 0:25:23and which you cannot prove.
0:25:25 > 0:25:26I see your rage.
0:25:27 > 0:25:29I do, but do not feed it.
0:25:29 > 0:25:31Leave me for now to...
0:25:31 > 0:25:35join this robbery with Mr Dove, and you go home, Bennet.
0:25:35 > 0:25:36Go home with love in your heart.
0:25:47 > 0:25:48DOOR OPENS
0:25:49 > 0:25:51DOOR CLOSES
0:25:51 > 0:25:52PHONE RINGS
0:25:54 > 0:25:55Yes? Drummond?
0:25:55 > 0:25:58Three different merchants, three different wharf sites.
0:26:01 > 0:26:04Only, uh, here's a point of interest, Mr Reid.
0:26:04 > 0:26:07Shipping office reports an identical enquiry taking place
0:26:07 > 0:26:08a couple of weeks back.
0:26:08 > 0:26:11A fellow named Probin, prison doctor.
0:26:12 > 0:26:13SNAPS FINGERS
0:26:26 > 0:26:27JACKSON SNIFFS
0:26:47 > 0:26:48Egyptian.
0:26:50 > 0:26:53Nutty, cut with sweetness.
0:26:53 > 0:26:54They're strong.
0:26:55 > 0:26:57And rare.
0:26:57 > 0:26:59Only a very few importers,
0:26:59 > 0:27:02so a clear trail to its source.
0:27:03 > 0:27:06A trail stepped by another in recent times.
0:27:07 > 0:27:09That doctor out of Newgate.
0:27:11 > 0:27:12Remember his name?
0:27:14 > 0:27:16It was Probin.
0:27:18 > 0:27:21He ministered to your wife, I believe...
0:27:22 > 0:27:24..before she died.
0:27:26 > 0:27:29Or did not die, if Rose Drake is to be believed.
0:27:33 > 0:27:36I only mention this out of fellowship and due to the fact that time presses. And...
0:27:38 > 0:27:41And I believe you may be able to save me a diversion or two.
0:27:41 > 0:27:44Which of the three wharves that land this tobacco should I go to first?
0:27:44 > 0:27:46And what would I find there?
0:27:46 > 0:27:48Reid, I think you know what it is, you asked me that.
0:27:48 > 0:27:50It ain't just a name I'm going to give you.
0:27:50 > 0:27:52- I do. - Then, in fellowship, don't ask it.
0:27:52 > 0:27:53I must.
0:27:53 > 0:27:57And yet I have no notion of what it is you speak, Reid.
0:28:03 > 0:28:05HE STUBS OUT CIGARETTE
0:28:07 > 0:28:08Reid...
0:28:11 > 0:28:13You be careful down there.
0:28:14 > 0:28:16What dangers do I face?
0:28:17 > 0:28:19Plenty.
0:28:21 > 0:28:22BIRDS CRY
0:28:34 > 0:28:35No.
0:28:35 > 0:28:37No, no. No.
0:28:40 > 0:28:42Ah! No!
0:28:42 > 0:28:44SHE PANTS
0:28:55 > 0:28:56SHE SOBS SOFTLY
0:29:14 > 0:29:17This your sarcophagus, is it, madam?
0:29:19 > 0:29:21Where you have come to in your death?
0:29:21 > 0:29:22SHE SIGHS
0:29:25 > 0:29:27And who else to break me from my tomb but you...
0:29:30 > 0:29:31..Mr Reid?
0:29:33 > 0:29:34SHE SIGHS
0:29:38 > 0:29:41It is fortunate...
0:29:41 > 0:29:44that I am in the habit of believing the evidence of my eyes.
0:29:44 > 0:29:45I might, like Rose Drake,
0:29:45 > 0:29:49consider my wits lost to me, having watched you fall from the scaffold.
0:29:50 > 0:29:52At some point in time,
0:29:52 > 0:29:54I should be very interested to know how you did it,
0:29:54 > 0:29:56although I have some idea,
0:29:56 > 0:30:00given that your husband is currently in irons at Leman Street.
0:30:05 > 0:30:07Tip-off, apparently.
0:30:07 > 0:30:11Apprehended in the process of selling stolen goods,
0:30:11 > 0:30:13the anticipated profit from which
0:30:13 > 0:30:16to provide the wherewithal for your further flight, I imagine.
0:30:16 > 0:30:17Escape?
0:30:21 > 0:30:23It is a fine fancy.
0:30:26 > 0:30:28But no more than that.
0:30:30 > 0:30:31And you, Mr Reid,
0:30:31 > 0:30:33a man equally resurrected...
0:30:35 > 0:30:37..equally powerless to leave a place...
0:30:38 > 0:30:41..come to show me my truth once more.
0:30:46 > 0:30:47Yourself, myself...
0:30:49 > 0:30:52..attached to Whitechapel as if by lead weights on a river bed.
0:30:58 > 0:30:59The betrayal of my husband.
0:31:01 > 0:31:05It is the same communication that has brought you in here now?
0:31:05 > 0:31:08No. Merely police work.
0:31:09 > 0:31:11And who your betrayer?
0:31:11 > 0:31:13The wharfinger here, Croker?
0:31:13 > 0:31:15So it would seem.
0:31:21 > 0:31:22SHE EXHALES HEAVILY
0:31:27 > 0:31:29My son.
0:31:29 > 0:31:32- Will I see my son? - Not of current relevance.
0:31:32 > 0:31:36I am sure some visitation might be arranged before...
0:31:36 > 0:31:37well,
0:31:37 > 0:31:41before the law of this land makes one further attempt to see you punished.
0:31:42 > 0:31:44I would have...
0:31:44 > 0:31:46accepted it, my hanging.
0:31:46 > 0:31:48You must understand that, Mr Reid.
0:31:49 > 0:31:52I would have given my life in recompose for all I have taken
0:31:52 > 0:31:54and...and done it with peace.
0:31:57 > 0:31:59But they let me raise my boy.
0:32:02 > 0:32:03And once...
0:32:04 > 0:32:06..once I had known him...
0:32:11 > 0:32:13..I could not relinquish that.
0:32:14 > 0:32:16Thus this most recent thieving of yours.
0:32:18 > 0:32:21Dead men at your door yet again in your pursuit of freedom.
0:32:21 > 0:32:23And I would mourn them.
0:32:23 > 0:32:24SHE SIGHS SHARPLY
0:32:24 > 0:32:26Then who was it?
0:32:28 > 0:32:29Who was it put the knife...? CREAKING
0:32:34 > 0:32:36It is you. It is you.
0:32:36 > 0:32:40No, no. You take this man's life, Nathaniel, you must take mine first.
0:32:40 > 0:32:42You know what it is like to protect,
0:32:42 > 0:32:45- and I must protect him, I must. - Nathaniel, is it?
0:32:45 > 0:32:48What was it before? What was it when the wolves came for you?
0:32:50 > 0:32:51Who is he?
0:32:51 > 0:32:53He's Reid. He's my friend.
0:32:53 > 0:32:54- He's police, is he not?- He is.
0:32:54 > 0:32:55You... You are the younger,
0:32:55 > 0:32:58you who laid beside your mother in the snow.
0:32:58 > 0:33:00And who is the older, Nathaniel?
0:33:01 > 0:33:02You tell me. I...
0:33:02 > 0:33:04I believe I know, but you tell me, you confirm it.
0:33:04 > 0:33:08Did you run to him? Did you confess what you'd done to Ratovski?
0:33:08 > 0:33:10I'm sorry, Miss Susan.
0:33:10 > 0:33:12- I'm sorry. - Wait!
0:33:12 > 0:33:13Wait!
0:33:25 > 0:33:27- DOVE:- ..Thank you. - ROSE LAUGHS
0:33:27 > 0:33:29Half an hour.
0:33:35 > 0:33:38Mr Drake, I thought to deliver your wife home.
0:33:41 > 0:33:44What is it you thought to deliver her from, Mr Dove?
0:33:45 > 0:33:48Bennet, you know full well we are friends.
0:33:49 > 0:33:54Well, should I not accept a carriage ride home when all about is uproar?
0:33:55 > 0:33:56It is as Rose says, Inspector.
0:33:56 > 0:33:58Mrs Drake.
0:33:58 > 0:34:00She's Mrs Drake to you.
0:34:01 > 0:34:05As Mrs Drake has said, these are dangerous days,
0:34:05 > 0:34:08and if it is in my gift to afford you a measure of peace by returning your...
0:34:08 > 0:34:10Bennet!
0:34:10 > 0:34:12Augustus!
0:34:12 > 0:34:13SHE GASPS
0:34:13 > 0:34:15Get him away.
0:34:15 > 0:34:16Get the boy out, Rose.
0:34:16 > 0:34:18Want me to take his eyes away?
0:34:18 > 0:34:20Spare your shame for you?
0:34:20 > 0:34:22- I will not. - On your head be it, then, woman.
0:34:22 > 0:34:26Your own selfish needs, and I, a slave to each and every one of them. And now this.
0:34:29 > 0:34:30Stop it!
0:34:31 > 0:34:32What are you...?
0:34:34 > 0:34:37- Mm! - Did you let him touch you?
0:34:38 > 0:34:41Have you...? Have you taken him to our bed?
0:34:41 > 0:34:42No, Bennet.
0:34:42 > 0:34:43DOVE COUGHS
0:34:52 > 0:34:54Perhaps she speaks the truth.
0:34:56 > 0:34:58But what of your truth, eh?
0:35:01 > 0:35:03- Bennet... - You have...
0:35:03 > 0:35:06camouflaged yourself to me with great skill, sir.
0:35:08 > 0:35:10But there is a ripe stink about you now.
0:35:12 > 0:35:13We have it in the air.
0:35:13 > 0:35:15And we are coming for you, Mr Dove.
0:35:25 > 0:35:27DOOR OPENS
0:35:27 > 0:35:28DOOR CLOSES
0:35:37 > 0:35:39Ohh...
0:35:39 > 0:35:41What will happen, Augustus?
0:35:41 > 0:35:43All will be well.
0:35:43 > 0:35:45My health on it.
0:35:45 > 0:35:49You allow it, I will build high walls to make you and your child safe.
0:35:50 > 0:35:53Only, you must choose a side now, my Rose.
0:35:55 > 0:35:57The cellar.
0:35:58 > 0:35:59Where may I find it?
0:36:05 > 0:36:07You know already, Augustus.
0:36:09 > 0:36:11It was beneath that curiosity shop.
0:36:22 > 0:36:23DOOR OPENS AND CLOSES
0:37:06 > 0:37:07MUTED ECHOES OF CROWD'S YELLING
0:37:39 > 0:37:41ANGRY SHOUTING FROM OUTSIDE
0:37:41 > 0:37:43Book her, Sergeant Drummond.
0:37:43 > 0:37:45Yes, Mr Reid.
0:37:46 > 0:37:47Name?
0:37:47 > 0:37:49Susan Hart.
0:37:49 > 0:37:51TRUE name!
0:37:53 > 0:37:54Swift.
0:37:56 > 0:37:57Caitlin Swift.
0:37:59 > 0:38:01DOOR OPENS
0:38:01 > 0:38:03Inspector Drake, sir.
0:38:04 > 0:38:07Please, sir. There is a unit at Westminster Manor.
0:38:07 > 0:38:09Yard...uniforms, A Division, sir, over 50 of 'em.
0:38:11 > 0:38:14They've sealed up the Cobden Estate on Sander Street
0:38:14 > 0:38:16and they're clearing out the tenants.
0:38:17 > 0:38:19TELEGRAPH TAPS
0:38:22 > 0:38:23Arrest warrant.
0:38:23 > 0:38:25Inspectors Reid and Drake to be...
0:38:25 > 0:38:29apprehended and held on the order of Assistant Commissioner Dove.
0:38:29 > 0:38:32SHOUTING OUTSIDE CONTINUES
0:38:46 > 0:38:48HORSE WHINNIES
0:39:16 > 0:39:18Sir... There.
0:39:32 > 0:39:34HE COUGHS
0:40:20 > 0:40:23- ANGRY SHOUTS FROM OUTSIDE WOMAN:- Bitch!
0:40:23 > 0:40:26What will we do, Bennet? Wait for the first of those men out there
0:40:26 > 0:40:28to feel that their prospects might be advanced by our shackling?
0:40:28 > 0:40:30We will not.
0:40:32 > 0:40:34Perhaps I am only good for the fight after all.
0:40:34 > 0:40:35Then let us bring it, Bennet.
0:40:38 > 0:40:40- The brothers Dove. - Susan Hart.
0:40:40 > 0:40:43That woman there, the woman Swift,
0:40:43 > 0:40:45she saved me from that creature.
0:40:45 > 0:40:48He would have had that knife up under my ribs in a trice,
0:40:48 > 0:40:49but he obeyed her command.
0:40:49 > 0:40:52She and her husband also, they know this Nathaniel.
0:40:52 > 0:40:54We find him,
0:40:54 > 0:40:56his capture will bring us also his brother.
0:41:09 > 0:41:10With me.
0:41:20 > 0:41:22Keys.
0:41:22 > 0:41:24Stand down, Carter.
0:41:24 > 0:41:26Just go.
0:41:32 > 0:41:33Get out.
0:41:34 > 0:41:36Move!
0:41:37 > 0:41:39Get walking.
0:42:02 > 0:42:03- .THATCHER:- Go!
0:42:03 > 0:42:06- Drake... - ANGRY SHOUTS FROM OUTSIDE
0:42:06 > 0:42:07My Colt.
0:42:11 > 0:42:13Captain Jackson's effects.
0:42:17 > 0:42:19Do it, Drummond.
0:42:31 > 0:42:36Inspectors, will you not even make it appear as if we tried to do our duty?
0:42:42 > 0:42:44GUNSHOTS
0:43:01 > 0:43:04CROWD SHOUT ANGRILY
0:43:04 > 0:43:06Move!
0:43:10 > 0:43:12Do you see her, Bennet?
0:43:16 > 0:43:17Call me mad now, will you?
0:43:20 > 0:43:21Rose...
0:43:22 > 0:43:24Rose, do you have my son?
0:43:25 > 0:43:29I don't know how you dare ask.
0:43:29 > 0:43:33He is at home being watched by real policemen.
0:43:33 > 0:43:38Rose, please, none of this is as I would have wanted it.
0:43:38 > 0:43:41You are so dear to me...
0:43:41 > 0:43:42MAN: Whoa!
0:43:42 > 0:43:44I think you've said your piece now, Mrs Drake.
0:43:44 > 0:43:46I ain't even begun, Captain.
0:43:46 > 0:43:48Do you know...
0:43:48 > 0:43:51what he and I have suffered?
0:43:52 > 0:43:55And all for the true love of you.
0:43:55 > 0:43:57And we have done it together.
0:43:58 > 0:44:01But that love is now broke and forgot.
0:44:01 > 0:44:03So you may run.
0:44:04 > 0:44:08But do not think you will ever see your son again.
0:44:08 > 0:44:11You gave him to me.
0:44:11 > 0:44:13You died.
0:44:13 > 0:44:14And you remain dead.
0:44:16 > 0:44:18And if I see you again, Long Susan,
0:44:18 > 0:44:20I will kill you myself.
0:44:20 > 0:44:22WHISTLE BLOWS We must run. We must run.
0:44:24 > 0:44:26Is it you, Rose?
0:44:26 > 0:44:28You who sent Mr Dove to that cellar?
0:44:32 > 0:44:34What happened to us?
0:44:38 > 0:44:40- JACKSON:- Drake...
0:44:40 > 0:44:42- Drake, now. - WHISTLE BLOWS
0:44:46 > 0:44:48WHISTLE BLOWS
0:45:10 > 0:45:13On a hard day, you are a fine sight, Mathilda Reid.
0:45:16 > 0:45:19Your eyes do not deceive you, Mathilda. It is her.
0:45:19 > 0:45:21Our thanks, Miss Castello. We must speak.
0:45:28 > 0:45:30There will be bad things said about me,
0:45:30 > 0:45:33things that perhaps you will not recognise as acts I could have carried out.
0:45:35 > 0:45:36Then are they true?
0:45:38 > 0:45:39Some, yes.
0:45:43 > 0:45:44Tilda Reid...
0:45:46 > 0:45:47..the girl born to me twice.
0:45:49 > 0:45:53- The wonder of the woman you have become.- No.
0:45:53 > 0:45:54Not again, Father. Do not leave me.
0:45:54 > 0:45:58You stay close to your Samuel Drummond, understand?
0:45:58 > 0:46:01He loves you, will keep you safe.
0:46:01 > 0:46:04And, Mathilda, this is the most important.
0:46:04 > 0:46:06You must deny me.
0:46:06 > 0:46:10You must openly state that any love for your father has been extinguished
0:46:10 > 0:46:11by what you have learned of him.
0:46:11 > 0:46:15Should you need to speak with me, place a candle in your window.
0:46:20 > 0:46:22Miss Castello... You will be watched.
0:46:22 > 0:46:25So you play the innocent for now.
0:46:25 > 0:46:27Else he will see you dead, understand?
0:46:29 > 0:46:31Now we go hunting.
0:46:33 > 0:46:35Search the length of Whitechapel High Street and Commercial Road.
0:46:38 > 0:46:39Ahem.
0:46:41 > 0:46:43Let him through.
0:46:47 > 0:46:49Yes, Sergeant Drummond?
0:46:49 > 0:46:52Mr Dove, sir, there is a delivery for you.
0:46:52 > 0:46:53A boy brought this, sir.
0:47:09 > 0:47:11- CROKER:- Reid put him up and sent him running.
0:47:11 > 0:47:14But there is no rathole in Whitechapel where he can hide from me.
0:47:36 > 0:47:37TRAIN RUMBLES ABOVE
0:47:43 > 0:47:46- Feel this needful, do you? - I do.
0:47:46 > 0:47:47And more besides.
0:47:47 > 0:47:50It was you instructed me to keep waries on him.
0:47:50 > 0:47:52But I cannot make that my life's sole calling
0:47:52 > 0:47:56if the watching of him must be done each and every minute of each and every day.
0:47:58 > 0:48:02He can't help himself, and I do not know of any other way of doing it.
0:48:02 > 0:48:04He is chained, Abel.
0:48:04 > 0:48:07My brother is chained.
0:48:07 > 0:48:09As all animals require - chaining or slaying.
0:48:09 > 0:48:12- What's that you say? - Uh...
0:48:12 > 0:48:13Only this...
0:48:13 > 0:48:17He is past saving, Augustus.
0:48:17 > 0:48:21And you and your ever-burgeoning eminence needs protection from him.
0:48:21 > 0:48:25- So you think to end his misery. - I do.
0:48:25 > 0:48:27And wish for my sanction.
0:48:27 > 0:48:32I do...not require your sanction! The pair of you
0:48:32 > 0:48:35would have been ground down for bread had it not been for me.
0:48:35 > 0:48:39I do you the respect of telling you, is all.
0:48:41 > 0:48:42Augustus...
0:48:44 > 0:48:45What's he saying?
0:48:48 > 0:48:49UNSHEATHES KNIFE
0:48:51 > 0:48:54Augustus... Augustus, please.
0:48:54 > 0:48:56I will be better.
0:48:58 > 0:48:59I will be calm, I promise.
0:49:01 > 0:49:03Go, then.
0:49:03 > 0:49:05But make it swift.
0:49:07 > 0:49:11It's all right. All right, it's all right. You will be at peace, my boy.
0:49:13 > 0:49:15KNIFE CLATTERS
0:49:18 > 0:49:19CROKER GROANS
0:49:24 > 0:49:26GROANS
0:49:26 > 0:49:29MOANS SOFTLY
0:49:32 > 0:49:35He is my blood, Abel.
0:49:35 > 0:49:38- HE GASPS - What else would I do?
0:49:58 > 0:50:00A cloak.
0:50:00 > 0:50:02To reveal the truth of himself.
0:50:05 > 0:50:07I think it is unlikely they will return now,
0:50:07 > 0:50:10unless it is Augustus Dove and 20 men hoping to make our capture.
0:50:10 > 0:50:13Until we are apprehended,
0:50:13 > 0:50:15I do not think your Croker will return that creature here.
0:50:15 > 0:50:19They're ours, goddamn it, stolen in good faith and worth a bundle.
0:50:19 > 0:50:22A bundle we four could well benefit from.
0:50:22 > 0:50:25We four? I'm not your brother-in-outlaw-arms.
0:50:25 > 0:50:27Oh, are you not? Well, why don't you go trot back to your desk, then?
0:50:30 > 0:50:35I believe I have some instinct as to where your quarry may now hide itself.
0:50:37 > 0:50:40- Where, do you say? - Somewhere.
0:50:40 > 0:50:42It is a... It is a whole system of tunnels.
0:50:57 > 0:51:00- What do you want, brother? - What do you want?
0:51:00 > 0:51:02To live,
0:51:02 > 0:51:05grow old, be happy.
0:51:05 > 0:51:07Same as me, Augustus, but I cannot,
0:51:07 > 0:51:09because what I want...
0:51:10 > 0:51:12..is not what I need.
0:51:12 > 0:51:15The need never dies, does it, boy?
0:51:18 > 0:51:23Storm blows up for a score of wherefores,
0:51:23 > 0:51:25but the sailing remains the same.
0:51:25 > 0:51:29Augustus, he ain't your mainsail.
0:51:29 > 0:51:31He ain't even your anchor.
0:51:32 > 0:51:35He is the teeth of the hurricane,
0:51:35 > 0:51:38he's your kraken waking.
0:51:40 > 0:51:44Perhaps, but he is mine.
0:51:46 > 0:51:48VOICES IN THE DISTANCE
0:51:51 > 0:51:55Listen, you do not look for me, understand?
0:51:55 > 0:51:56Go, brother.
0:51:56 > 0:51:59- Hide. I shall find you. - Yes.
0:52:06 > 0:52:07I gave you life.
0:52:12 > 0:52:14It is not a gift, Abel.
0:52:31 > 0:52:33SHE PANTS
0:52:34 > 0:52:37If you weren't dead already, I'd kill you myself.
0:52:37 > 0:52:38No...
0:52:46 > 0:52:47Where, man? Where is your creature?
0:52:47 > 0:52:49GURGLING
0:52:49 > 0:52:52Please... Please, Abel, will you tell us?
0:52:52 > 0:52:55TRAIN RUMBLES ABOVE
0:52:55 > 0:52:58Take parallel paths, then. Our eyes on each other's torch.
0:53:02 > 0:53:03SHE SOBS
0:53:43 > 0:53:45HE GRUNTS
0:53:52 > 0:53:53Come.
0:53:54 > 0:53:55Try me once more.
0:54:12 > 0:54:14You think me scared of you, do you?
0:54:16 > 0:54:17Well, I am not.
0:54:19 > 0:54:21I am you, man!
0:54:26 > 0:54:29Do you sometimes walk in sunlight and remember what murder...
0:54:29 > 0:54:32- Bennet! - ..your hands have made?
0:54:33 > 0:54:37- Do you quiver with the power of it?- Bennet!
0:54:40 > 0:54:41Then come.
0:54:41 > 0:54:43Come.
0:54:44 > 0:54:46Show yourself to me.
0:54:48 > 0:54:51It will only be a looking in the mirror, after all.
0:54:51 > 0:54:54Believe yourself a cruel man, do you?
0:54:55 > 0:54:59Believe this life only a home for that cruelty to breed?
0:55:01 > 0:55:04You do not know the bare start of it.
0:55:05 > 0:55:07How many, then?
0:55:07 > 0:55:09Huh?
0:55:09 > 0:55:10Ratovski.
0:55:10 > 0:55:12My boy Gower.
0:55:13 > 0:55:14The immigrant Nadelman.
0:55:14 > 0:55:17Them two guards.
0:55:18 > 0:55:21Let us hazard, perhaps, two or three more along the way.
0:55:22 > 0:55:23Six, say.
0:55:24 > 0:55:27Six is nothing, boy.
0:55:33 > 0:55:35I ended 20 men
0:55:35 > 0:55:37beneath these hands
0:55:37 > 0:55:39in only one half a hot morning.
0:56:34 > 0:56:37TRAIN RUMBLES ABOVE
0:56:43 > 0:56:45A whole world of cruelty, man.
0:56:47 > 0:56:48But I shall tell you this.
0:56:49 > 0:56:54There ain't nothing so cruel in this world as the killing of love.
0:57:00 > 0:57:01HE GROANS
0:57:10 > 0:57:11Feast on me, then.
0:57:13 > 0:57:17Cut me open and eat out my heart.
0:57:17 > 0:57:20But all you will find there is dust.
0:57:24 > 0:57:26HE GROANS
0:57:26 > 0:57:29HE CRIES OUT
0:57:44 > 0:57:45REID: Bennet!
0:57:45 > 0:57:47With me...
0:57:47 > 0:57:48With me!
0:57:52 > 0:57:54GUNSHOT
0:57:56 > 0:57:58GUNSHOTS
0:57:59 > 0:58:00Bennet...
0:58:02 > 0:58:04Bennet.
0:58:04 > 0:58:05Bennet, you fight.
0:58:07 > 0:58:09You fight.
0:58:11 > 0:58:13No, my friend.
0:58:18 > 0:58:19No more fight.
0:58:20 > 0:58:21There.
0:58:42 > 0:58:45No!