0:00:02 > 0:00:04REID: There will be bad things said about me,
0:00:04 > 0:00:06things that perhaps you will not recognise
0:00:06 > 0:00:08as acts I could have carried out.
0:00:08 > 0:00:09Not again, Father, do not leave me.
0:00:09 > 0:00:12You stay close to your Samuel Drummond, understand?
0:00:12 > 0:00:17Should you need to speak with me, place a candle in your window.
0:00:17 > 0:00:18Nathaniel, is it?
0:00:18 > 0:00:22This programme contains some violent scenes
0:00:22 > 0:00:25- JACKSON:- Those are bite marks, Reid. Flesh torn out with teeth.
0:00:25 > 0:00:34We find him, his capture will bring us also his brother Augustus Dove.
0:00:34 > 0:00:39This programme contains some scenes which some viewers may find upsetting
0:00:44 > 0:00:45- DRAKE:- Where'd he say?
0:00:45 > 0:00:48- LONG SUSAN:- Somewhere. It is... It is a whole system of tunnels.
0:00:48 > 0:00:51Hide. I shall find you.
0:00:57 > 0:00:59REID: Bennet!
0:00:59 > 0:01:01THUD
0:01:01 > 0:01:02Bennet!
0:01:02 > 0:01:06Cut me open and eat out my heart...
0:01:06 > 0:01:09but all you will find there is dust.
0:01:13 > 0:01:14BENNET YELLS
0:01:14 > 0:01:15GUNSHOTS
0:01:17 > 0:01:18You fight! You fight!
0:01:20 > 0:01:22No, my friend.
0:01:26 > 0:01:29No more fight.
0:01:34 > 0:01:36NO!
0:01:54 > 0:01:55FOOTSTEPS APPROACH
0:02:01 > 0:02:03- Undertaker?- Yes, sir?
0:02:03 > 0:02:05A closed casket for this man, if you will.
0:02:40 > 0:02:48# The Lord's my Shepherd I'll not want
0:02:48 > 0:02:56# He makes me down to lie
0:02:56 > 0:03:02# In pastures green
0:03:02 > 0:03:08# He leadeth me
0:03:08 > 0:03:15# The quiet waters by
0:03:21 > 0:03:31# My soul He doth restore again
0:03:31 > 0:03:41# And me to walk doth make
0:03:41 > 0:03:51# Within the paths of righteousness
0:03:51 > 0:04:00# E'en for His own name's sake
0:04:08 > 0:04:15# Yea, though I walk in death's dark vale... #
0:04:16 > 0:04:17SHE SOBS
0:04:41 > 0:04:42Reid!
0:04:44 > 0:04:47- CLICKS FINGERS - Reid!
0:04:47 > 0:04:48What do you say?
0:04:52 > 0:04:54Three nights we've been down here.
0:04:54 > 0:04:56This day, every uniform from the city
0:04:56 > 0:04:59to the marshes is going to be at his graveside.
0:04:59 > 0:05:02If we're quick about it, we can move freely.
0:05:02 > 0:05:03Where?
0:05:05 > 0:05:07Some place that ain't a sewer...
0:05:08 > 0:05:10..where we can sleep...
0:05:10 > 0:05:11eat.
0:05:11 > 0:05:15- Then say. - If I say, you won't come.
0:05:26 > 0:05:29That thing's more conspicuous than you are. This way now.
0:05:29 > 0:05:31Quick!
0:05:51 > 0:05:53Come. The stage door gives out onto the lane-way.
0:06:08 > 0:06:09HE HUMS, GLASS SMASHES
0:06:12 > 0:06:14LATCH UNLOCKS
0:06:34 > 0:06:35Here it is - food!
0:06:40 > 0:06:41GUNSHOTS
0:06:44 > 0:06:46You'd think you'd have the decency
0:06:46 > 0:06:48to keep your murderous fingers off my lunch.
0:06:51 > 0:06:54All the decayed ruins in this town and you bring me to hers!
0:06:54 > 0:06:56I did warn you.
0:06:56 > 0:06:57SHE SIGHS
0:07:05 > 0:07:08It's a real nice place you got here, Hermione.
0:07:47 > 0:07:49ROWDY BANTER
0:07:49 > 0:07:52DOGS BARK AND SNARL
0:07:55 > 0:07:57See, listen up, the beast lies dead.
0:07:59 > 0:08:01All right.
0:08:01 > 0:08:03I'm going to take your money, sir. And you, pay up.
0:08:03 > 0:08:06And you. That's right. There's skill in such savagery.
0:08:06 > 0:08:08That's savage, Chopper!
0:08:10 > 0:08:12Who's next? Eh?
0:08:12 > 0:08:15Who dare risk their animal against mine?
0:08:17 > 0:08:18BELL RINGS
0:08:18 > 0:08:19CROWD ROARS
0:08:19 > 0:08:22DOGS BARK AND SNARL
0:08:27 > 0:08:29No, this way.
0:08:37 > 0:08:39CHOPPER SNARLS
0:08:41 > 0:08:44Would not if I were you, brother, he ain't the petting kind.
0:08:44 > 0:08:46- What kind is he? - The killing kind!
0:08:46 > 0:08:47CHOPPER WHINES
0:08:47 > 0:08:49- Is that so?- What do you want?
0:08:49 > 0:08:52I want your dog.
0:08:52 > 0:08:53Well, you can't have him.
0:08:56 > 0:08:59What do you want? What are you doing with me?!
0:09:01 > 0:09:02Please!
0:09:03 > 0:09:05GLASS SHATTERS IN DISTANCE Hey!
0:09:05 > 0:09:06LAUGHTER
0:09:08 > 0:09:10CHOPPER BARKS
0:09:12 > 0:09:13CHOPPER WHINES
0:09:13 > 0:09:17Good boy. Good boy. Come on. Come on.
0:09:18 > 0:09:21You come with me, boy, you're mine now.
0:09:34 > 0:09:37MATHILDA: "Why Inspector Reid resorted to such action
0:09:37 > 0:09:41"is a question that may only be answered by the man himself.
0:09:41 > 0:09:43"But the facts of the ghastly fate
0:09:43 > 0:09:45"suffered by Mr Swift cannot be ignored.
0:09:46 > 0:09:49"The recorded cause of death was dehydration,
0:09:49 > 0:09:51"but that eventual end must, one imagines, have come
0:09:51 > 0:09:54"as mighty relief for a once-eminent man
0:09:54 > 0:09:55"who had lived for ten days
0:09:55 > 0:09:57"in conditions which defy imagination.
0:09:58 > 0:10:01"Ten days in which his body, in starving desperation,
0:10:01 > 0:10:02"would have slowly turned
0:10:02 > 0:10:06"to eating itself, before death came to spare him further suffering.
0:10:07 > 0:10:09"Before that blessed hour, however,
0:10:09 > 0:10:12"dehydration would have brought him to a mad delirium.
0:10:12 > 0:10:14"In that state,
0:10:14 > 0:10:16"he had chewed his own tongue to ribbons and shattered the bones
0:10:16 > 0:10:18"of his fingers and wrists
0:10:18 > 0:10:22"in repeated attempts to break down the bars of his prison.
0:10:22 > 0:10:26"As for Mr Reid, the only man who might shed light on his own motives,
0:10:26 > 0:10:28"his whereabouts remain unknown."
0:10:29 > 0:10:31DOOR OPENS
0:10:32 > 0:10:37There is more food, and water too, if you would like to wash.
0:10:37 > 0:10:41And, believe me, you ought to do so, because never mind talk of you,
0:10:41 > 0:10:44I expect the stink carries to Scotland Yard.
0:10:46 > 0:10:47How do we know she may be trusted?
0:10:47 > 0:10:49I imagine that depends on whether you intend to
0:10:49 > 0:10:51become charming or not, Mr Reid.
0:10:53 > 0:10:55You. Might I have a word, please?
0:11:08 > 0:11:09WOOD CLATTERS
0:11:09 > 0:11:13- Where is it you go, Mr Reid? - To get eyes on my girl, if I can.
0:11:13 > 0:11:16See if she has lit her candle to call for me.
0:11:16 > 0:11:20I shan't expose you if I am taken, were that your chief concern.
0:11:20 > 0:11:21DOOR SLAMS
0:11:21 > 0:11:24When is it you are planning to leave? You are running, I imagine?
0:11:24 > 0:11:27- We are. - Then why are you in my playhouse?
0:11:27 > 0:11:29All the ports are watched.
0:11:29 > 0:11:33And besides, me and Susan, we're a family now.
0:11:33 > 0:11:34LIGHTER CLICKS
0:11:34 > 0:11:36You will not leave your son behind?
0:11:37 > 0:11:40- No.- And Mr Reid?
0:11:40 > 0:11:41Pour two.
0:11:44 > 0:11:47Reid, yeah... Look, his gruffness...
0:11:50 > 0:11:52He's barely spoken two words since.
0:11:52 > 0:11:54Since what? Since they came for him?
0:11:54 > 0:11:55No.
0:11:58 > 0:12:00Since we watched Drake die.
0:12:06 > 0:12:11You were there when that man Abel Croker murdered him?
0:12:11 > 0:12:13Don't believe everything you read in the newspapers.
0:12:13 > 0:12:15Did he not, in fact, murder Inspector Drake?
0:12:15 > 0:12:17- Was the man fitted for the crime? - It's best you don't know.
0:12:17 > 0:12:19Then that which Mr Reid is accused of,
0:12:19 > 0:12:22what happened to Miss Swift out there's father?
0:12:22 > 0:12:24Is that also a questionable version of events?
0:12:24 > 0:12:27Is he... Is she, in fact, blameless?
0:12:27 > 0:12:28Blameless?
0:12:30 > 0:12:31Huh, never that.
0:12:32 > 0:12:36Yeah, and to think when I read of her supposed passing, I...
0:12:36 > 0:12:39I mean, I should be shot, but I...
0:12:39 > 0:12:40I sorrowed for you.
0:12:40 > 0:12:44- Oh, look, Mimi, darlin'... - Don't call me "darling".
0:12:44 > 0:12:45You call me "darling" one more time
0:12:45 > 0:12:48and I will walk you to Leman Street myself.
0:12:50 > 0:12:54I don't understand how you dare come to me.
0:12:54 > 0:12:57Was there no-one, nowhere else?
0:12:57 > 0:13:00Oh, we had a long list.
0:13:08 > 0:13:09DOG BARKS OUTSIDE
0:13:29 > 0:13:31TRAIN RUMBLES PAST
0:13:56 > 0:13:58KNOCK ON DOOR
0:14:24 > 0:14:25No candle?
0:14:26 > 0:14:29Well, she has Drummond staying with her, right?
0:14:29 > 0:14:30- Correct.- Well...
0:14:33 > 0:14:36And all the while, Augustus Dove...
0:14:37 > 0:14:40..that brother of his, now hid in some safe place
0:14:40 > 0:14:42while he makes certain the world is fully apprised
0:14:42 > 0:14:46of the evil I have done. And I may not protest,
0:14:46 > 0:14:50and I may not hold my girl and explain to her the...
0:14:50 > 0:14:54the ghastly truth of her Uncle Bennet's passing.
0:14:54 > 0:14:55Hey, Reid.
0:14:55 > 0:14:57She knows that truth, she then knows danger,
0:14:57 > 0:14:59and you're in no place to offer her your protection...
0:14:59 > 0:15:01But then we must continue to cower, must we?
0:15:03 > 0:15:05While the world is poisoned,
0:15:05 > 0:15:09justice and truth are made Augustus Dove's whores.
0:15:09 > 0:15:12What are we to do, then, Reid?
0:15:12 > 0:15:14We go get our justice.
0:15:16 > 0:15:17Or the heavens fall.
0:15:33 > 0:15:34What will he do?
0:15:36 > 0:15:38Huh, what can he do?
0:15:39 > 0:15:42He chooses to fix his will to vengeance,
0:15:42 > 0:15:44he will tear this world down about us.
0:15:44 > 0:15:45What, you don't wish for justice?
0:15:45 > 0:15:49You're asking the wrong woman entirely the wrong question.
0:15:49 > 0:15:52Whatever... common factors shared by Miss Morton
0:15:52 > 0:15:55and myself, I am today grateful for them,
0:15:55 > 0:15:58but we cannot imagine ourselves protected by her.
0:15:58 > 0:16:00So you believe her disloyal?
0:16:00 > 0:16:04What motive does she have to lean to loyalty when she brings you to mind?
0:16:04 > 0:16:09We do not act, you and I, whether it is Reid's fury,
0:16:09 > 0:16:11or another's idle tongue.
0:16:11 > 0:16:12We must act, is all I say.
0:16:12 > 0:16:15Oh, and this great action you describe?
0:16:18 > 0:16:21Our vases. I have a sense of where Croker may have hid them.
0:16:21 > 0:16:23If that sense is accurate, there is not a soul left
0:16:23 > 0:16:26- to stop me taking them. - You don't think you're going to be seen on the dockside?
0:16:26 > 0:16:29Yes. And I have thought on how that might be addressed.
0:16:31 > 0:16:33I don't like it, Caitlin.
0:16:39 > 0:16:41Look, I'll go, you just...
0:16:41 > 0:16:44- You stay here where it's safe. - No.
0:16:44 > 0:16:48Because you must go to Connor, set eyes on our son if you can.
0:16:49 > 0:16:53All that has passed in a house which he must call home.
0:16:53 > 0:16:55We must see that he is well, Matthew.
0:16:55 > 0:16:57And I will be watched for there.
0:16:59 > 0:17:00Darling...
0:17:00 > 0:17:04we are watched for everywhere, by everybody.
0:17:04 > 0:17:09No. No, not everywhere. Not with such fixation anyway.
0:17:09 > 0:17:11Besides, what is a theatre if not
0:17:11 > 0:17:13a place in which we might transform ourselves?
0:17:13 > 0:17:14Transform MYSELF.
0:17:24 > 0:17:26What?
0:17:27 > 0:17:28You be careful.
0:17:30 > 0:17:33Cos I might fall in love with you all over again.
0:17:50 > 0:17:51VENDORS SHOUT
0:18:00 > 0:18:03This new chief of ours who comes here this morning,
0:18:03 > 0:18:05he's a proper heavyweight from what they say, right?
0:18:05 > 0:18:07At the K, when he ran Limehouse,
0:18:07 > 0:18:10ten commissioner's recommendations in one year,
0:18:10 > 0:18:13nigh on 50 nicker won from the Bow Street Fund
0:18:13 > 0:18:15for bringing down an armed robbery single-handed.
0:18:15 > 0:18:18That's over five years past, Frank. Where's he been since, eh?
0:18:18 > 0:18:20And now he comes here to run this division?
0:18:20 > 0:18:22From the sound of it, he's entirely the stripe of man
0:18:22 > 0:18:25required for this sink in which we here currently find ourselves.
0:18:25 > 0:18:28And I, for one, should be happy to walk alongside such a man.
0:18:28 > 0:18:32- Aye, and fall on your arse, most like.- Oi!
0:18:32 > 0:18:33I've been robbed.
0:18:33 > 0:18:35- Name?- Why do you need that?
0:18:35 > 0:18:38So we can come by and cook your dinner for you!
0:18:38 > 0:18:41- It is a legal requirement, sir. - Oh. It's Jenkins.
0:18:41 > 0:18:44- And what is took from you, sir? - My dog.- Breed?
0:18:44 > 0:18:45English bull terrier.
0:18:45 > 0:18:48Oh? It's a fighting dog, is it?
0:18:50 > 0:18:53It is not. It's my domestic companion.
0:18:53 > 0:18:55He's pure breed, understand?
0:18:55 > 0:18:58- £25 to replace.- Some pet.
0:18:58 > 0:19:02You see those scars about his hands, Drum?
0:19:02 > 0:19:06I'd lay my pension on it - that's a pit bull stolen,
0:19:06 > 0:19:08and he's a pit bull handler. Now, you just be glad
0:19:08 > 0:19:11we here are currently exercised by graver matters
0:19:11 > 0:19:13than a ballock-sack like you.
0:19:13 > 0:19:15Mr Dove comes - the new chief with him.
0:19:20 > 0:19:22Get out of here, Mr Jenkins.
0:19:24 > 0:19:26TRAIN HORN TOOTS
0:19:43 > 0:19:47Men of H Division, I expect you to show your new leader
0:19:47 > 0:19:50all the loyalty you showed your last.
0:19:50 > 0:19:51VENDORS SHOUT
0:20:07 > 0:20:09NECK CRUNCHES
0:20:09 > 0:20:10HE GROANS
0:20:17 > 0:20:19Your men welcome you.
0:20:23 > 0:20:26Portland stone pillars, Mr Shine.
0:20:26 > 0:20:27Money's been spent...
0:20:27 > 0:20:29or lost.
0:20:30 > 0:20:32Dependent on your outlook.
0:20:51 > 0:20:52What is that?
0:20:54 > 0:20:57It is a telephone, Inspector Shine.
0:20:57 > 0:20:59- You are Desk Sergeant... - Drummond, sir.
0:20:59 > 0:21:02I know what a telephone is, Drummond.
0:21:02 > 0:21:03Of course.
0:21:03 > 0:21:06Perhaps Mr Shine refers to your microreader, Sergeant?
0:21:06 > 0:21:09Oh, erm, Mr Reid's files were photographed
0:21:09 > 0:21:12and their size then shrunk by a ratio of 160-1.
0:21:14 > 0:21:15Which Reid?
0:21:15 > 0:21:17Hmm? This Reid?
0:21:19 > 0:21:21His brain made wood and glass, is it?
0:21:21 > 0:21:23Shall we move on?
0:21:24 > 0:21:25- DOVE:- Gentlemen.
0:21:28 > 0:21:31You do not advertise the American's position?
0:21:31 > 0:21:33That is your prerogative, Mr Shine.
0:21:33 > 0:21:35No, it's not mine.
0:21:35 > 0:21:38In truth, I do not overly care for such empirical provings.
0:21:38 > 0:21:39Lead on, Drummond.
0:21:44 > 0:21:47No wonder you suffer such strife in this division, sir.
0:21:47 > 0:21:51This bang-up is not full enough. Not near, Mr Dove.
0:21:51 > 0:21:52Example needs setting.
0:21:53 > 0:21:55Then see it set, Mr Shine.
0:22:21 > 0:22:23This was Bennet Drake's seat?
0:22:25 > 0:22:26It was.
0:22:26 > 0:22:28How soon a great man replaced.
0:22:30 > 0:22:35Who was this man, Croker? This Whitechapel Golem.
0:22:35 > 0:22:37A wharfinger. A nobody.
0:22:37 > 0:22:39A nobody ended Bennet Drake?
0:22:42 > 0:22:44Ate his flesh, four others besides.
0:22:47 > 0:22:48That is not a nobody.
0:22:52 > 0:22:57The file in front of you, all you need know on Mr Reid.
0:22:57 > 0:22:59These charges, justifiable homicide -
0:22:59 > 0:23:02- truthful or cooked? - It is all there, Inspector.
0:23:02 > 0:23:04Ed Reid...
0:23:05 > 0:23:07..called for my death once...
0:23:09 > 0:23:13..as I fought Bennet Drake for the Lafone Cup.
0:23:13 > 0:23:17Drake was base sergeant then, and Reid ordered him to it.
0:23:17 > 0:23:21- To my finishing, Mr Dove. - But Mr Drake disobeyed him.
0:23:21 > 0:23:24It was widely spoke of, for many years after.
0:23:25 > 0:23:26He saved your life, Mr Shine.
0:23:36 > 0:23:40As I understand it, the doctors have passed you fit, Inspector.
0:23:42 > 0:23:45Once I had threatened to burn down their homes if they did not.
0:23:51 > 0:23:54Well, I expect you to be well enough for your duties here,
0:23:54 > 0:23:57chief amongst which the capture of these fugitives.
0:23:57 > 0:23:59So I understand it, sir.
0:23:59 > 0:24:02For why is it you believe I have accepted your invitation back here?
0:24:02 > 0:24:04Bringing this man...
0:24:09 > 0:24:12..to his retribution, well...
0:24:12 > 0:24:14that will be the highest of high days.
0:25:18 > 0:25:20I have coffee and hot rolls.
0:25:36 > 0:25:38Thank you, Miss Morton.
0:25:41 > 0:25:43I hope you will forgive me my poor manners.
0:25:45 > 0:25:47Oh, come, Mr Reid. I've heard worse.
0:25:47 > 0:25:49And you are hardly a scaffolder.
0:26:05 > 0:26:08You had left this place, had you not?
0:26:08 > 0:26:10Why is it you come back here, Miss Morton?
0:26:12 > 0:26:14I'm happy here.
0:26:16 > 0:26:18Happier than I am anywhere else, at least.
0:26:18 > 0:26:21You cannot settle over west?
0:26:24 > 0:26:27It is... It's diverting, for a while.
0:26:28 > 0:26:30When I'm there, I think of here.
0:26:36 > 0:26:37VENDORS SHOUT
0:27:17 > 0:27:19You don't think I can deal with that turd up top?
0:27:28 > 0:27:30Where's our boy, Rose?
0:27:31 > 0:27:33Wouldn't you like to know?
0:27:34 > 0:27:38Tell me where you're hid, I'll tell you where he is likewise.
0:27:38 > 0:27:39You're going to tell me now, goddamn it.
0:27:39 > 0:27:40GUN COCKS
0:27:40 > 0:27:43You think I give two hoots to be made dead?
0:27:45 > 0:27:46I do not.
0:27:47 > 0:27:51There's twice a day it's only weariness stops me doing it myself.
0:27:55 > 0:27:57GUN UNCOCKS
0:27:58 > 0:28:02Where do you go? I see your life's all packed away.
0:28:02 > 0:28:04They will have me at Blackpool for a season.
0:28:04 > 0:28:08- And then? - I do not care. Somewhere.
0:28:13 > 0:28:15Where's my son, Rose?
0:28:19 > 0:28:20What is your name?
0:28:20 > 0:28:23My name's Matthew Judge.
0:28:23 > 0:28:24What is hers?
0:28:24 > 0:28:26It's Caitlin.
0:28:26 > 0:28:28And despite what you believe,
0:28:28 > 0:28:31she's your friend, and she loves you.
0:28:31 > 0:28:33As do I, Rose.
0:28:34 > 0:28:37And how we understand the time between then and now,
0:28:37 > 0:28:41I have no clue, but it's true, Rose - you are loved.
0:28:47 > 0:28:48Where's Connor?
0:28:54 > 0:28:56I have given him away.
0:28:59 > 0:29:01Goddamn it! To who?
0:29:02 > 0:29:05- Rose, to who? - To a life that you...
0:29:05 > 0:29:09will not prise him from.
0:29:11 > 0:29:13They are papers.
0:29:13 > 0:29:16Connor Judge is now the ward of Augustus Dove.
0:29:19 > 0:29:22Rose, where is he? I beg you!
0:29:22 > 0:29:24Hackney, he has said, but I do not know where
0:29:24 > 0:29:25and I do not wish to know neither.
0:29:28 > 0:29:33Will you leave me, please, Captain?
0:29:50 > 0:29:52CARRIAGE DOOR OPENS
0:30:21 > 0:30:24CHURCH BELL TOLLS
0:30:29 > 0:30:31I am Chudleigh.
0:30:32 > 0:30:35He will be glad for more permanent company, I believe.
0:30:35 > 0:30:37He grows restless.
0:30:37 > 0:30:39It's not company he needs, it's order.
0:30:39 > 0:30:42Or has the moral discipline I was brought to teach you
0:30:42 > 0:30:43as a foul-mouthed, mudlarking boy
0:30:43 > 0:30:47been forgot now you are a frock-coated gentleman?
0:30:47 > 0:30:49No, of course not, Miss Chudleigh.
0:30:49 > 0:30:52Now see, he comes to greet you himself.
0:30:57 > 0:30:58Well, Connor.
0:30:58 > 0:31:02Do you have a word of greeting for your new governess?
0:31:23 > 0:31:28Hear me, out the way! Police coming through! Move!
0:31:28 > 0:31:29Make way!
0:31:47 > 0:31:50His name is Nathaniel. A nudge two yards in height.
0:31:50 > 0:31:52He'll be rough and dirty,
0:31:52 > 0:31:54but if you see him, you treat him kind.
0:31:55 > 0:31:59And, Constable, this is not police business.
0:31:59 > 0:32:02- This is my own affair, you understand?- Yes, Mr Dove.
0:32:09 > 0:32:12Mr Dove thinks he can set the hour of the world
0:32:12 > 0:32:14by his own pocket watch,
0:32:14 > 0:32:16surveying the docks like the heir Abel Croker
0:32:16 > 0:32:18might have wished him to be.
0:32:19 > 0:32:21And he has your son.
0:32:22 > 0:32:24He knows you will not leave without him.
0:32:24 > 0:32:28- Cannot but try to retake him. - He's correct on both counts.
0:32:28 > 0:32:31But he does not have all within his control, however.
0:32:31 > 0:32:34He does not take his private guard to the docks for his health...
0:32:35 > 0:32:39- ..nor indeed to seek our vases. - You mean he looks for Nathaniel?
0:32:39 > 0:32:41He must hunt him himself.
0:32:41 > 0:32:44Because if that man kills again,
0:32:44 > 0:32:47if he even speaks, Dove himself will fall.
0:32:47 > 0:32:50All I have done, what you and I did to your father -
0:32:50 > 0:32:51perhaps I am as black of heart
0:32:51 > 0:32:54as Augustus Dove would have the world believe,
0:32:54 > 0:32:58but, Bennet Drake, my friend, was not.
0:32:59 > 0:33:02There never was a more dedicated or honest soul.
0:33:02 > 0:33:07God knows, I used that integrity to my own ends but, before I die,
0:33:07 > 0:33:09I will see his voice given back to him.
0:33:09 > 0:33:12- JACKSON:- Then we need to trap the beast which killed him.
0:33:14 > 0:33:15MEN SHOUT
0:33:15 > 0:33:18What makes you so certain he hides in the Jewish Quarter?
0:33:18 > 0:33:20Nathaniel has lost everything, remember.
0:33:21 > 0:33:24Whatever kind of father the man Croker was to him,
0:33:24 > 0:33:26he cannot simply call on his brother to ask for a bed.
0:33:26 > 0:33:28He must wait for that brother to find him.
0:33:28 > 0:33:31- He cannot stray too far, therefore. - And like any human male...
0:33:31 > 0:33:34Any mammal, any wolf cub...
0:33:34 > 0:33:36..he may seek comfort in where he found it before.
0:33:38 > 0:33:40Amongst the people he's preyed on.
0:33:40 > 0:33:41KNOCK ON DOOR
0:33:42 > 0:33:45Last three days, a man, early 30s.
0:33:45 > 0:33:48Don't talk much, but when he does, it's English.
0:33:48 > 0:33:50No stranger, will know his way about.
0:33:50 > 0:33:54- Yeah, this man, I had him thrown out.- Why?
0:33:55 > 0:33:56No dogs.
0:33:58 > 0:33:59DOOR OPENS
0:34:06 > 0:34:10Lamb chops - costly eating to give away to an animal.
0:34:11 > 0:34:13Is he fattening it up?
0:34:13 > 0:34:15- What breed? - Bull terrier.
0:34:15 > 0:34:18- A brute of a thing. - Fight dog?
0:34:18 > 0:34:20A way to raise funds, certainly.
0:34:20 > 0:34:21But where is he fighting it?
0:34:24 > 0:34:27What is this? Church of the Latter Day Saints.
0:34:27 > 0:34:29Do you think it's code?
0:34:29 > 0:34:31Well, a street crier would be unwise.
0:34:31 > 0:34:34The whereabouts of their match-ups must be communicated somehow.
0:34:35 > 0:34:39Last I knew, there were no Mormons setting up church in Whitechapel.
0:34:43 > 0:34:46See there, tending to his flock.
0:34:48 > 0:34:49Peace be upon you.
0:34:49 > 0:34:54And upon you, brother. Do you wish to give thanks?
0:34:54 > 0:34:57- We do.- Cassock or congregation?
0:34:58 > 0:35:00Fight or play?
0:35:00 > 0:35:02Play.
0:35:02 > 0:35:04SNARLING
0:35:08 > 0:35:10Bless you, brother!
0:35:15 > 0:35:18Lovely. All right?
0:35:19 > 0:35:22All right, let's get this started!
0:35:24 > 0:35:26DOG SNARLS
0:35:42 > 0:35:47Fear not, Abel, fear not. We ain't here to watch them suffer.
0:35:47 > 0:35:50FIGHT DOG HOWLS
0:36:01 > 0:36:03SNARLING
0:36:07 > 0:36:08Get in there!
0:36:10 > 0:36:12- DOGS YELP - Oi! Oi!
0:36:15 > 0:36:17What you doing?
0:36:20 > 0:36:22Oi, you!
0:36:23 > 0:36:26You have some brass to come here, to my kingdom, with that animal.
0:36:26 > 0:36:28A dog I raised!
0:36:28 > 0:36:31Raised for violence? Raised for blood?
0:36:31 > 0:36:32That dog was born to such.
0:36:32 > 0:36:34So you give him up now! Give him up!
0:36:34 > 0:36:36- DOG GROWLS - As you wish. Go!
0:36:38 > 0:36:40Argh! Get him off!
0:36:40 > 0:36:42Get him off!
0:36:44 > 0:36:45AGONISED CRIES
0:36:45 > 0:36:47Argh!
0:36:47 > 0:36:49- HE WHISTLES - Abel.
0:36:49 > 0:36:52Argh! Get off, get off!
0:36:59 > 0:37:01DOGS BARK
0:37:01 > 0:37:03Watch out, watch out!
0:37:06 > 0:37:08BARKING AND SHOUTING CONTINUES
0:37:11 > 0:37:13- You! Tell what has happened here! - Reid! I see him!
0:37:13 > 0:37:15Get after him, then!
0:37:16 > 0:37:18- We're going to lose him. - We must not!
0:37:18 > 0:37:19GUNSHOT
0:37:19 > 0:37:22- DOG WHIMPERS - Come on, boy! Come on!
0:37:22 > 0:37:24Come on, boy!
0:37:34 > 0:37:35Who is it brews the coffee here?
0:37:35 > 0:37:37That'd be Sergeant Drummond, sir.
0:37:37 > 0:37:39We leave all matters domestic to him.
0:37:39 > 0:37:41It's good drinking, Sergeant Drummond.
0:37:41 > 0:37:43Thank you, sir.
0:37:43 > 0:37:45Is it you who, instead of his own soft bed,
0:37:45 > 0:37:47warms the stone hearth of Miss Mathilda Reid?
0:37:47 > 0:37:51Yeah, it is, Mr Shine. Sleeps like a dog there.
0:37:51 > 0:37:52Well, dogs are loyal, Mr...?
0:37:52 > 0:37:54Thatcher. DS, sir.
0:37:56 > 0:37:57Mr Drummond.
0:37:57 > 0:38:00Would you be so kind as to introduce me to the young lady?
0:38:00 > 0:38:03I would feel it an honour to lay my eyes upon her.
0:38:05 > 0:38:07Of course, sir.
0:38:15 > 0:38:17The smell of this town, Drummond.
0:38:17 > 0:38:20I do not think I could mistake it though I lived to be 500.
0:38:21 > 0:38:25It is shit, bad gin and dead flowers.
0:38:28 > 0:38:33Miss Reid. I am to introduce you to Inspector Shine.
0:38:33 > 0:38:36I am pleased to make your acquaintance, Mr Shine.
0:38:36 > 0:38:38Miss Reid.
0:38:39 > 0:38:42Will you excuse me, Inspector Shine?
0:38:42 > 0:38:46You know, your news travelled to Ireland, where I worked at the time.
0:38:48 > 0:38:49Forgive me. Which news?
0:38:54 > 0:38:56Your resurrection.
0:38:59 > 0:39:00Sir, ought we not to...?
0:39:00 > 0:39:03No, we ought not, Drummond. I share the experience, see?
0:39:04 > 0:39:09Of all having thought me gone...
0:39:09 > 0:39:10only to be restored.
0:39:11 > 0:39:15Who else may say that? Save yourself and myself.
0:39:15 > 0:39:19Man may stop and wonder if perhaps we are kin,
0:39:19 > 0:39:21you and I.
0:39:24 > 0:39:27You should know it is me now that hunts your pappy.
0:39:28 > 0:39:31- Drum? - I wish you only to know this -
0:39:31 > 0:39:33whatever may pass...
0:39:35 > 0:39:38..you will always have a defender in Jedediah Shine.
0:39:40 > 0:39:43Life is precious, Miss.
0:39:43 > 0:39:45Particularly that which is given twice.
0:39:51 > 0:39:53Good day, Miss Reid.
0:40:09 > 0:40:10Do you think we were seen?
0:40:10 > 0:40:13An American shooting his pistol off in broad daylight?
0:40:13 > 0:40:14Who would remark on such a thing(?)
0:40:14 > 0:40:17Hey! He's the animal we hunt, what the hell was I supposed to do?
0:40:17 > 0:40:21Not kill him, for one. His use to us dead is exactly nil.
0:40:21 > 0:40:23That man Nathaniel, what... What is it that he hunts?
0:40:23 > 0:40:26The chaos back there, the unleashed fighting dogs,
0:40:26 > 0:40:28he is releasing them, not fighting them.
0:40:28 > 0:40:30- An act of liberation, not violence.- From a violent man.
0:40:30 > 0:40:33Dogs ain't just dogs to Nathaniel.
0:40:33 > 0:40:38What, then? His wolf brothers who he now seeks to free?
0:40:38 > 0:40:41An act of compassion from a man who tore my friend's throat from him.
0:40:41 > 0:40:44I hear Susan say he's more of a man-child than a monster.
0:40:45 > 0:40:51He may have developed an affection for her. And she for him.
0:40:51 > 0:40:53- I believe.- So this compassion he has for the dogs,
0:40:53 > 0:40:55we must assume he will persevere with these acts.
0:40:55 > 0:40:58Unless his brother may lay hands on him and stop him.
0:40:58 > 0:41:00Then let's hope he does not trap him once more.
0:41:00 > 0:41:04- And more Methodist pit fights then? - Yes, until we have him, yes.
0:41:04 > 0:41:06And perhaps Miss Swift may use their mutual affection
0:41:06 > 0:41:08and turn him to our own ends.
0:41:22 > 0:41:25It is a great risk you take for a man who let you down so.
0:41:33 > 0:41:35Who betrayed me, with you.
0:41:35 > 0:41:37Then you see my argument.
0:41:37 > 0:41:40Why not turn us out to the streets?
0:41:42 > 0:41:44He is very charming, your man.
0:41:45 > 0:41:46He is.
0:41:46 > 0:41:48- He's also an idiot.- Mm!
0:41:48 > 0:41:52But if in this life we do not trust our instinct as to who is
0:41:52 > 0:41:54a good person, then I think we might be ruined.
0:41:56 > 0:41:59It's Hackney, is it not, where, according to Rose Drake,
0:41:59 > 0:42:01this Mr Dove now resides?
0:42:02 > 0:42:04It is.
0:42:07 > 0:42:09Now that it lives again,
0:42:09 > 0:42:13I must re-register my theatre here for its purpose.
0:42:13 > 0:42:15I do so via a young man called Eric at the Land Registry
0:42:15 > 0:42:17on Lincoln's Inn Fields.
0:42:17 > 0:42:21Mr Dove, good man of the law that he is,
0:42:21 > 0:42:25must also register his new domicile for gas, waterworks, the like.
0:42:25 > 0:42:28Dear Eric is a little bit in love with me, I think.
0:42:39 > 0:42:41He makes a household there.
0:42:41 > 0:42:44And will be advertising for staff, I imagine.
0:42:48 > 0:42:49Do you know, Miss Morton,
0:42:49 > 0:42:52we have far too much in common not to be friends.
0:42:54 > 0:42:55DOGS BARK
0:43:02 > 0:43:04Pit fight up the old wool works.
0:43:04 > 0:43:05Word is the dogs were released.
0:43:05 > 0:43:08They're now scattered throughout Whitechapel.
0:43:10 > 0:43:12Think you're immune to arrest, Jenkins?
0:43:12 > 0:43:13Perhaps I am.
0:43:18 > 0:43:20The ruckus which saw these dogs set loose.
0:43:20 > 0:43:22Your men here in attendance.
0:43:22 > 0:43:24In a pursuit all their own.
0:43:24 > 0:43:27A pursuit of the wretch who thieved my dog, Chopper.
0:43:27 > 0:43:30- You're not so spry now! - Hello, Mr Jenkins.
0:43:33 > 0:43:36That is valuable intelligence and no mistake.
0:43:36 > 0:43:38Don't I know it.
0:43:38 > 0:43:41Then perhaps you will allow us to show you our gratitude.
0:43:41 > 0:43:44By all means, Inspector.
0:43:44 > 0:43:45Here. Have this.
0:43:56 > 0:43:57HE BREATHES HEAVILY
0:43:59 > 0:44:00Higher.
0:44:00 > 0:44:02GROANING
0:44:02 > 0:44:05- Higher... - ROPE CREAKS
0:44:05 > 0:44:08- STRAINED:- What you doing? - Higher...
0:44:08 > 0:44:10GROANING CONTINUES
0:44:12 > 0:44:14Now, Mr Jenkins.
0:44:14 > 0:44:17You dance there on your tippy-toes for an hour or four,
0:44:17 > 0:44:22while we here establish the truth of your snitching on Edmund Reid.
0:44:24 > 0:44:26With me, Sergeant Thatcher.
0:44:31 > 0:44:33Yes, sir, Mr Shine.
0:44:33 > 0:44:34CELL DOOR SLAMS
0:44:46 > 0:44:47Inspector Shine, sir.
0:44:48 > 0:44:50I think you might want to come and see this.
0:44:52 > 0:44:54Right, come on...
0:45:00 > 0:45:04Mr Thatcher, can you bring to mind any man of these parts
0:45:04 > 0:45:07who might have need for a .45 cartridge?
0:45:12 > 0:45:14Yeah, I can, Inspector.
0:45:15 > 0:45:17That'll be Captain Jackson.
0:45:20 > 0:45:21Lunch, I think.
0:45:23 > 0:45:25Right.
0:45:30 > 0:45:32Mr Drake not allow you your lunch, then?
0:45:32 > 0:45:34MOUTH FULL: Not such a lunch as this.
0:45:35 > 0:45:40No, he, erm... He felt... Well, he and Mr Dove felt
0:45:40 > 0:45:42that we here who police these streets
0:45:42 > 0:45:44must be seen to work as hard as them who must
0:45:44 > 0:45:47live on them, and not place ourselves above them in any way.
0:45:47 > 0:45:51But we are above them, son. They must follow the law.
0:45:51 > 0:45:53We... We ARE the law.
0:45:55 > 0:45:57There is no equality in that fact.
0:45:57 > 0:45:59Neither ought there to be.
0:45:59 > 0:46:01Yeah. Yes, yes, Inspector.
0:46:06 > 0:46:08He and his American associate
0:46:08 > 0:46:11do not go around letting off firecrackers
0:46:11 > 0:46:13without good reason.
0:46:13 > 0:46:16These pit fights, they have significance for them.
0:46:16 > 0:46:20Well, that being the case, this one today...
0:46:21 > 0:46:24..might not be the only such fight they might attend.
0:46:25 > 0:46:28My, you are a quick fellow, Detective.
0:46:28 > 0:46:31What else does that quick wit of yours ponder?
0:46:32 > 0:46:34Our new friend, Jenkins.
0:46:34 > 0:46:37- He who you've got now strung up in our cells.- Indeed.
0:46:37 > 0:46:39He might be set to the organising of another such fight.
0:46:39 > 0:46:42The coordinates of which to be described
0:46:42 > 0:46:44a little bit differently to Mr Reid and Captain Jackson.
0:46:44 > 0:46:48And there where there was in fact no pit fight...
0:46:48 > 0:46:51There might instead be ourselves, lying in wait.
0:46:53 > 0:46:58It is a happy thing you are a man of foresight.
0:46:58 > 0:46:59Is it not?
0:47:01 > 0:47:05Please, sirs. Unchain me.
0:47:05 > 0:47:06I am not an evil man.
0:47:08 > 0:47:10HE SCREAMS
0:47:11 > 0:47:15Were I a dog, bred for profit, would you make such a claim?
0:47:15 > 0:47:18No... I mean, yes, yes.
0:47:19 > 0:47:21I am an evil man, I am an evil man!
0:47:21 > 0:47:25- Then do you say I am a dog? - Mr Shine...
0:47:25 > 0:47:29my pardon. A thousand pardons!
0:47:30 > 0:47:32Ought I to release you?
0:47:32 > 0:47:36I don't know, sir. That is for you to say.
0:47:37 > 0:47:40If I were to, would you do my bidding?
0:47:40 > 0:47:41- MUFFLED:- Forever.
0:47:43 > 0:47:46Forever more, forever more!
0:47:46 > 0:47:47Forever more.
0:47:48 > 0:47:51Then do what you do best, and, by way of example,
0:47:51 > 0:47:54see another pit fight arranged and broadcast.
0:48:01 > 0:48:02Take him down.
0:48:02 > 0:48:04RELIEVED GASP
0:48:07 > 0:48:09PANTING
0:48:12 > 0:48:13Sign here.
0:48:22 > 0:48:23And you, Frank.
0:48:24 > 0:48:26He is meticulous, our desk sergeant.
0:48:26 > 0:48:27Oh, he is that.
0:48:29 > 0:48:31And more besides.
0:48:31 > 0:48:32Right!
0:48:35 > 0:48:37Be on your way now, Mr Jenkins.
0:48:40 > 0:48:44Don't be forgetting our love for you, Mr Jenkins.
0:48:52 > 0:48:54What, Drum?
0:49:06 > 0:49:10What would you prefer, 'Tilda - that he were caught and returned?
0:49:10 > 0:49:13To make his case, I mean. Claim his innocence.
0:49:13 > 0:49:16- Or that he were never caught? - And never returned?
0:49:17 > 0:49:21I cannot say, but I do not think it only the law which motivates
0:49:21 > 0:49:23Mr Shine's pursuit of him.
0:49:23 > 0:49:25- No.- He was right, however.
0:49:25 > 0:49:27What he said about resurrection.
0:49:27 > 0:49:30Father said it, too, that I was born to him twice.
0:49:32 > 0:49:35And now I am perhaps lost to him twice.
0:49:41 > 0:49:42They set a trap for him.
0:49:42 > 0:49:45Shine and Frank Thatcher.
0:49:45 > 0:49:47Drum? What is it?
0:49:47 > 0:49:49Please, will you say?
0:49:49 > 0:49:51He is my father.
0:50:26 > 0:50:28There! Your Mormons again.
0:50:28 > 0:50:31Captain, find the coordinates of this next pit fight.
0:50:31 > 0:50:34- And where is it you go? - To see my girl.
0:50:34 > 0:50:37Have you lost your mind? If you're taken...
0:50:37 > 0:50:39Then I am taken.
0:50:39 > 0:50:41But she lit a candle for me last night, so I must go to her.
0:50:41 > 0:50:44You go, Mr Reid.
0:50:50 > 0:50:52Do not sling your accusations at me.
0:50:52 > 0:50:53I know how he feels is all.
0:50:53 > 0:50:56So you go to Hackney, do you?
0:50:56 > 0:50:59I know where our son is. I must go.
0:51:10 > 0:51:13- Mathilda, my girl. - You were watching.
0:51:13 > 0:51:16I have been every night I could.
0:51:16 > 0:51:18You are well, my darling? Is there any trouble?
0:51:18 > 0:51:20Are you threatened?
0:51:20 > 0:51:22No, Father. I am well.
0:51:22 > 0:51:24Samuel Drummond keeps a weather eye.
0:51:24 > 0:51:28- He stops the night at our home? - He does.
0:51:29 > 0:51:31Well, Mathilda, you lit your candle.
0:51:31 > 0:51:32I did.
0:51:33 > 0:51:35Father, Mr Swift...?
0:51:38 > 0:51:39Yes, I...
0:51:39 > 0:51:43Mathilda, please, we need space and freedom and time for such talk.
0:51:43 > 0:51:45No. It is not so much Mr Swift
0:51:45 > 0:51:47I wish to speak of, but the cellar, Father.
0:51:48 > 0:51:51Why would you put him there? Why?
0:51:51 > 0:51:53The cellar that was once my home?
0:51:53 > 0:51:58Mathilda, please. It had the force of logic at the time.
0:51:59 > 0:52:02We will in due course talk on it and I will explain all,
0:52:02 > 0:52:05but for now, please, is there anything you need to tell me?
0:52:05 > 0:52:07They plan for your capture.
0:52:07 > 0:52:09This is Mr Dove? It is he who plans it?
0:52:09 > 0:52:11- No, it is not.- Then who?
0:52:11 > 0:52:14There is a new man sits in Uncle Bennet's office.
0:52:14 > 0:52:15He came to talk to me.
0:52:15 > 0:52:18- What is his name? - He is named Shine.
0:52:20 > 0:52:22You're certain?
0:52:22 > 0:52:24Jedediah Shine?
0:52:25 > 0:52:28Has he threatened you?
0:52:28 > 0:52:30No, Father. Quite the reverse, in fact.
0:52:30 > 0:52:33Never, ever let yourself be alone with him. Do you understand?
0:52:33 > 0:52:36- Do you understand?! - Yes, I understand.
0:52:40 > 0:52:43Now, what is his strategy?
0:52:45 > 0:52:47Mathilda, please, his strategy?
0:53:00 > 0:53:02HE KNOCKS ON BOARD
0:53:06 > 0:53:07Peace be with you, brother.
0:53:07 > 0:53:09And you.
0:53:16 > 0:53:18Gather round, gather round!
0:53:18 > 0:53:20All those seeking employment, the household has need
0:53:20 > 0:53:24for a footman, a cook and two maids.
0:53:24 > 0:53:27All applicants are to form a line and hand their credentials in here.
0:53:31 > 0:53:32Footman, is it?
0:53:52 > 0:53:53He has a governess.
0:53:54 > 0:53:57Well, governesses can be dissuaded with firearms.
0:53:57 > 0:53:59You have not seen this woman.
0:53:59 > 0:54:03She has the look of someone who has sent Satan himself back to hell.
0:54:05 > 0:54:10Besides, there is a bodyguard also. Two uniformed men.
0:54:11 > 0:54:12Whitechapel men?
0:54:13 > 0:54:16- H Division?- No, A.
0:54:17 > 0:54:18It's Westminster.
0:54:20 > 0:54:23Even they are not immune to a bullet shot from a firearm.
0:54:23 > 0:54:25I suspect it may come to that.
0:54:25 > 0:54:27Well, you took your sweet time.
0:54:27 > 0:54:30- Any longer, we'd have missed our window. There's another pit fight scheduled...- I know.
0:54:30 > 0:54:33It is upon the waste ground beyond the charcoal works.
0:54:33 > 0:54:36What? How? I only just came from the man who was...
0:54:36 > 0:54:39Never mind. But I have found opportunity also.
0:54:40 > 0:54:43They construct this animal fight to draw us out,
0:54:43 > 0:54:46but we shall see their claws pulled from them first.
0:54:47 > 0:54:48HE WHISTLES
0:54:50 > 0:54:52DS Thatcher.
0:54:54 > 0:54:57My heart has sorely missed you, son.
0:54:57 > 0:55:00As I have it, Sergeant, you are half in love with your new inspector.
0:55:03 > 0:55:06Sergeant Thatcher, the unreliable stripe of copper, is he?
0:55:06 > 0:55:10Where the hell is he, Drummond? You, men, with me.
0:55:11 > 0:55:14We must move now! Or the chance to trap Reid is...
0:55:14 > 0:55:16- SHOUTING AND LAUGHTER - What's that noise?
0:55:19 > 0:55:22SHOUTING AND LAUGHTER CONTINUE
0:55:23 > 0:55:27- MAN:- It's not that cold out here, Thatcher. Is it always that small?
0:55:37 > 0:55:38- MAN:- Lovely bunch of flowers!
0:55:47 > 0:55:49LAUGHTER AND JEERING CONTINUES
0:55:51 > 0:55:53- MAN:- I feel sorry for the horse!
0:55:56 > 0:55:58Are you out there, Ed Reid?
0:55:58 > 0:55:59HUBBUB SUBSIDES
0:56:00 > 0:56:06I know you too vain a man not to now be watching your own acts.
0:56:06 > 0:56:09I am fierce glad to be here.
0:56:09 > 0:56:15Fierce glad to know you yet a worthy antagonist!
0:56:15 > 0:56:20I have thirsted long and hard...
0:56:20 > 0:56:22for this fight!
0:56:25 > 0:56:30I'm in your house, my feet under your table,
0:56:30 > 0:56:35and I will not be leaving till I have looked you in the eye...
0:56:40 > 0:56:43..and then I'm going to paint these streets...
0:56:43 > 0:56:45with your blood!
0:56:46 > 0:56:50All men, every address within 100 yards.
0:56:51 > 0:56:53Tear 'em apart.
0:56:54 > 0:56:55Do it now!
0:56:55 > 0:56:58Tear them apart! Tear them apart!
0:56:58 > 0:57:00I want him found, now!
0:57:00 > 0:57:02We best run, I imagine.
0:57:02 > 0:57:04WHISTLE BLASTS
0:57:07 > 0:57:08DOG WHIMPERS
0:57:08 > 0:57:10Shh, it's going to be all right.
0:57:10 > 0:57:12DOG WHINES
0:57:16 > 0:57:19Shh. Forgive me, Abel.
0:57:22 > 0:57:23BONES CRUNCH
0:57:23 > 0:57:24Shh...
0:57:47 > 0:57:49WHISTLES BLAST
0:57:52 > 0:57:54INDISTINCT SHOUTS
0:57:58 > 0:58:00Edmund Reid did evil.
0:58:00 > 0:58:03He took you from me!
0:58:03 > 0:58:05He kept me safe!
0:58:05 > 0:58:08Do you intend to make another victim?
0:58:08 > 0:58:10What horseplay is this?
0:58:12 > 0:58:13What did Dove's brother do?
0:58:13 > 0:58:15Reid believed him to have been the killer.
0:58:15 > 0:58:16No!