0:00:20 > 0:00:23I don't want to end up miserable and twisted like the rest of them.
0:00:23 > 0:00:26Who needs the real world? So what if it's a dream?
0:00:26 > 0:00:29You've got to dream to live the dream.
0:00:29 > 0:00:31- I'm serious. I'm skint. - So am I and I don't care.
0:00:31 > 0:00:34Get yourself a move on and find somewhere else.
0:00:34 > 0:00:36Walk away now.
0:00:36 > 0:00:37This isn't over, Brodie.
0:00:37 > 0:00:38You're deluded.
0:00:38 > 0:00:41You're choosing him again. Over me.
0:00:41 > 0:00:42We'll take him on together.
0:00:42 > 0:00:46I'm sorry. I can't stick around and watch you destroy yourself.
0:00:46 > 0:00:49- And the baby's father? Have you told him?- It's complicated.
0:00:49 > 0:00:51It's Gabriel's.
0:00:51 > 0:00:53Do you want to grab a seat?
0:00:53 > 0:00:56Well, I've no really got time to talk but it's good seeing you.
0:00:56 > 0:00:59Gabriel, I know you're probably busy but if you're still around,
0:00:59 > 0:01:00I'd really like to see you.
0:01:00 > 0:01:02The only reason you're getting to live
0:01:02 > 0:01:04is because of that wee boy there.
0:01:17 > 0:01:20# Never mind overjoyed
0:01:22 > 0:01:25# Just start with happy... #
0:01:25 > 0:01:27Sorry I can't take your call right now but I'll get back to you.
0:01:27 > 0:01:29Hi, Stella. It's me, pal.
0:01:29 > 0:01:32Listen, this is me up nice and early to pick up the rest of your stuff.
0:01:32 > 0:01:34There's no point hanging about.
0:01:34 > 0:01:36I'll catch you later, pal.
0:01:36 > 0:01:40- Have you got all the toys, Mum? - What do you think is in this bag?
0:01:40 > 0:01:43Come on. You can't be late for you grandpa.
0:01:43 > 0:01:45Come on. Let's take the short cut.
0:01:50 > 0:01:51# Between you and your
0:01:53 > 0:01:55# Wrong impression
0:01:58 > 0:02:01# OK, that's my opinion
0:02:03 > 0:02:06# But everybody else
0:02:06 > 0:02:08# Agrees
0:02:10 > 0:02:13# Hey self defeater
0:02:13 > 0:02:16# You're underrated by yourself so quit looking down
0:02:23 > 0:02:25# You need attention
0:02:28 > 0:02:30# You really do
0:02:34 > 0:02:36# And I know that it's yesterday
0:02:38 > 0:02:41# That you're blowing away
0:02:43 > 0:02:45# Something so... #
0:02:51 > 0:02:54- Is he still mad at us? - Looks like it.
0:02:57 > 0:03:00OK, come on, wee man. Sit down on the couch.
0:03:00 > 0:03:02Read the newspapers with your granda, eh?
0:03:02 > 0:03:05There's your special one.
0:03:13 > 0:03:15- Morning, Kelly Marie.- Hi.
0:03:15 > 0:03:18I made you some coffee.
0:03:18 > 0:03:19I'm just staying here for a bit.
0:03:19 > 0:03:22You don't need to explain yourself, darling.
0:03:25 > 0:03:28- So, how are you feeling? - Why should you care?
0:03:28 > 0:03:29I'm still your GP.
0:03:29 > 0:03:33- Aye. Right, bye, Callum.- Bye.
0:03:35 > 0:03:36Bye.
0:03:52 > 0:03:53Cheers, mate.
0:03:57 > 0:03:59That's the rest of her stuff. Hope's too.
0:03:59 > 0:04:03Look, Stella told me it was you that pushed her to go.
0:04:05 > 0:04:08Aye. I just wanted her to, you know...
0:04:08 > 0:04:12- To be happy?- Aye. - You're one of the good guys, mate.
0:04:12 > 0:04:15Doesnae make me feel any better, though, does it?
0:04:15 > 0:04:17- Or miss them any less? - Tell me about it.
0:04:17 > 0:04:20I need to head up to my ma's and drop off some washing.
0:04:20 > 0:04:23Do you just want to lock up when you're finished, then, all right?
0:04:23 > 0:04:27- So when is she due? - Sorry, mate?- Come on.
0:04:27 > 0:04:31I saw her. When's Kel due?
0:04:31 > 0:04:33A few months.
0:04:33 > 0:04:35She's big.
0:04:35 > 0:04:36Aye.
0:04:36 > 0:04:38- So how does Alex feel about it? - What?
0:04:38 > 0:04:41You think... you think it's his?
0:04:41 > 0:04:43- Is it not?- No.
0:04:45 > 0:04:47But I just saw her... going round to Lenny's.
0:04:47 > 0:04:49- You've got the wrong end of the stick.- OK.
0:04:49 > 0:04:51So if it is not Alex's,
0:04:51 > 0:04:53what mug has fallen under her spell this time?
0:04:53 > 0:04:56You need to speak to her.
0:04:56 > 0:04:58And why would I want to do that?
0:04:58 > 0:05:00Because she told me not to say anything.
0:05:00 > 0:05:05So what are you saying? Whether it's mine?
0:05:05 > 0:05:07Just talk to her.
0:05:07 > 0:05:10- No. You're all right. - Don't be a muppet, eh?
0:05:10 > 0:05:12Wait a minute here.
0:05:12 > 0:05:15You were the one that told me to tell her how I felt last time.
0:05:15 > 0:05:17Remember? Look where that got me.
0:05:17 > 0:05:20- Crashed and burned. - Things are different now.
0:05:20 > 0:05:22- So why would she no' say anything? - You need to ask her that.
0:05:22 > 0:05:25No. You've got it wrong.
0:05:25 > 0:05:27It can't be mine.
0:05:27 > 0:05:29I was there for the conception, mind?
0:05:29 > 0:05:32I've still got the scars to prove it.
0:05:32 > 0:05:34She drops Callum with Lenny in the morning.
0:05:34 > 0:05:36That's why they were there.
0:05:36 > 0:05:38But her and Alex, they hate each other.
0:05:38 > 0:05:40It's your baby.
0:05:41 > 0:05:43- So...- So what?
0:05:43 > 0:05:46She obviously doesn't want me to have anything to do with it.
0:05:46 > 0:05:48- Nothing changes.- Come on.
0:05:48 > 0:05:50No. She's had her last chance.
0:05:50 > 0:05:51She's made her bed.
0:05:51 > 0:05:53She'd just lost David.
0:05:53 > 0:05:56See rock bottom? Kel was about five foot under that.
0:05:56 > 0:05:58You know that. You saw what she did to herself.
0:05:58 > 0:05:59She took an overdose.
0:06:02 > 0:06:04You have to speak to her, mate.
0:06:04 > 0:06:07Because you're one of the good guys too.
0:06:17 > 0:06:18Morning.
0:07:05 > 0:07:10You see if you can put the mast together, OK? I'll get these guys.
0:07:17 > 0:07:19- Are you free for lunch today?- No.
0:07:19 > 0:07:23I'm going to take the wee man to the Transport Museum.
0:07:23 > 0:07:26- We need to talk. - What about?- You know what about.
0:07:26 > 0:07:30- Stop being so...- So what? - You know, annoyed.
0:07:30 > 0:07:33I'm not annoyed, Amber.
0:07:33 > 0:07:34I'm disappointed.
0:07:36 > 0:07:38Look, I'm sorry. I learned my lesson.
0:07:38 > 0:07:40Can we move on, please?
0:07:40 > 0:07:43You see, the thing is, I don't think you have learned your lesson.
0:07:43 > 0:07:46In fact, I don't think you've learned anything at all.
0:07:48 > 0:07:50You ready? That's it.
0:07:50 > 0:07:52That's it! It can go out to sea now, eh?
0:07:58 > 0:08:01- Put them in the kitchen. I'll do it later.- Cheers, Ma.
0:08:01 > 0:08:04Haven't you got a washing machine of your own?
0:08:04 > 0:08:08- Aye, but...- It's just an excuse to come here, isn't it?- No.
0:08:08 > 0:08:11It's a bit sad.
0:08:11 > 0:08:15I mean, how old are you? Still getting your mum to do your washing.
0:08:15 > 0:08:17Madonna, don't be so cheeky to your brother.
0:08:17 > 0:08:19He's just a wee bit down the now.
0:08:19 > 0:08:21He can come round any time he wants.
0:08:21 > 0:08:22- Ma...- Sad.
0:08:22 > 0:08:25- Have you not got summer school or something?- No.
0:08:25 > 0:08:27Madonna's going to see her wee pals, aren't you?
0:08:27 > 0:08:29Yeah, because I've got a life.
0:08:29 > 0:08:31Less of your cheek, madam!
0:08:34 > 0:08:36The mouth on her.
0:08:36 > 0:08:39- Tell me about it. No idea where she gets it from!- All right, Bob?
0:08:39 > 0:08:42Aye, fine, great.
0:08:42 > 0:08:45What's wrong with you?
0:08:45 > 0:08:48- He's back in town. - Who's back in town?
0:08:50 > 0:08:51Gabriel.
0:08:51 > 0:08:54- What? Really?- Look.
0:08:54 > 0:08:56He didn't want to tell you.
0:08:56 > 0:08:58- When?- Just this morning.
0:08:58 > 0:09:02He came back for the rest of Stella's stuff.
0:09:02 > 0:09:03All right.
0:09:03 > 0:09:05Kelly, you'll need to go and see him.
0:09:05 > 0:09:08Well, I left a voicemail and he never returned it
0:09:08 > 0:09:10so he clearly doesn't care, does he?
0:09:10 > 0:09:12I need to get ready for my work.
0:09:12 > 0:09:15Aye, but he didn't know that you're carrying his wean.
0:09:15 > 0:09:16He does now.
0:09:18 > 0:09:20He saw you going to Lenny's with Cal.
0:09:20 > 0:09:23He thought it was Alex's so I had to set him straight.
0:09:23 > 0:09:25You need to go and find him.
0:09:25 > 0:09:30- What did he say? - You should speak to him yourself.
0:09:30 > 0:09:33Well, if he gave a toss, he'd be here, wouldn't he?
0:09:33 > 0:09:35- Just go and speak to him. - What's the point?
0:10:03 > 0:10:05HE SIGHS
0:10:09 > 0:10:10Hey, partner.
0:10:10 > 0:10:14Listen, about that money you said you were going to give me to help out.
0:10:14 > 0:10:17- I was just wondering...- I just blew the last of my cash on brekkie.
0:10:17 > 0:10:20- Do you want some? - Those rolls are stolen.
0:10:20 > 0:10:22- What?- I saw you, outside Scarlett's.
0:10:22 > 0:10:26- She won't miss them.- Really? Shall we ask her?- Yes.
0:10:26 > 0:10:29Why don't you phone the cops as well, eh?
0:10:29 > 0:10:31Help me flush these down the lavvy. Evidence.
0:10:31 > 0:10:34- I'm not joking, pal. - Oh, come on.
0:10:34 > 0:10:37A pretty face like this? I won't last ten minutes in the jail.
0:10:37 > 0:10:41- Fine.- What are you doing? - Calling Scarlett.
0:10:41 > 0:10:43Please don't do that, mate.
0:10:43 > 0:10:44She's worse than the jail.
0:10:44 > 0:10:47I'm skint and I'm hungry, that's all.
0:10:47 > 0:10:49I'll pay her back for the rolls.
0:10:49 > 0:10:50I'll pay her back.
0:10:55 > 0:10:57That's for Scarlett.
0:10:57 > 0:10:59Swing by the Oyster later.
0:10:59 > 0:11:02I'll fix you up with some lunch but you need to get a job.
0:11:02 > 0:11:04I'm looking.
0:11:11 > 0:11:13- Don't ask.- I'm asking.
0:11:13 > 0:11:16It's my brother. He runs the company.
0:11:16 > 0:11:17He offered me a job.
0:11:17 > 0:11:21- So why is this on the chair and not on you?- Seriously?
0:11:21 > 0:11:22Seriously.
0:11:22 > 0:11:24It's an affront to the dream, man.
0:11:24 > 0:11:27- I become one of them. - One of who?- Them.
0:11:27 > 0:11:30The faceless mugs that slog their guts out every day.
0:11:32 > 0:11:34For something they hate, every day, all day.
0:11:34 > 0:11:37A slave to the machine, man.
0:11:37 > 0:11:38You should get it.
0:11:38 > 0:11:41- You give it all up. - But I had to plan to make money.
0:11:41 > 0:11:43You need a plan, Pete.
0:11:43 > 0:11:46- In the meantime... - It's door-to-door sales.
0:11:46 > 0:11:48- Nightmare.- But money.
0:11:49 > 0:11:51I'm not that desperate, partner.
0:11:51 > 0:11:55When you're having to plunder baked goods and you haven't
0:11:55 > 0:11:57paid me a bean, despite me letting you stay here,
0:11:57 > 0:12:00then you are that desperate... partner.
0:12:02 > 0:12:04I'm sorry...
0:12:04 > 0:12:07that you had to find out like this.
0:12:07 > 0:12:10So, what? Are you saying it's mine?
0:12:10 > 0:12:14100%? I've got the right to ask the question, Kel.
0:12:14 > 0:12:17You know, history repeating itself and all that.
0:12:17 > 0:12:20- Are you still angry with me?- No.
0:12:21 > 0:12:24I mean, do you not remember? In here.
0:12:24 > 0:12:26You chose Alex the first time.
0:12:26 > 0:12:28Why don't we head to the subway for the sequel?
0:12:28 > 0:12:31You know, complete the grand tour down memory lane?
0:12:36 > 0:12:38So I'm going to be a dad?
0:12:38 > 0:12:42Do you know what... what it is?
0:12:48 > 0:12:50Kel...
0:12:51 > 0:12:53We don't need you, Gabriel.
0:12:53 > 0:12:56I don't need you involved in this and I don't want you involved.
0:12:56 > 0:12:58But I'm its dad.
0:12:58 > 0:12:59Yes, well.
0:12:59 > 0:13:02You weren't that bothered last time when you thought David might be years.
0:13:02 > 0:13:05- How can you say that? - I'm doing this alone.
0:13:05 > 0:13:08- No.- Yeah. You've not got a choice on it.
0:13:08 > 0:13:10Of course I've got a choice.
0:13:10 > 0:13:12Get Stella's stuff and you go.
0:13:12 > 0:13:14You cannae shut me out, Kel.
0:13:14 > 0:13:18I was thinking, maybe... maybe we could be a family.
0:13:18 > 0:13:20See, there you are.
0:13:20 > 0:13:21Right there.
0:13:21 > 0:13:24What, just because I'm pregnant you going to forget everything?
0:13:24 > 0:13:25You're going to forgive me? No.
0:13:25 > 0:13:28Of course not. You still hate me.
0:13:28 > 0:13:30I can see it in you.
0:13:31 > 0:13:33- I'll get over it. - Really? How?
0:13:35 > 0:13:37I'm late for work.
0:13:37 > 0:13:40- Kelly, please. - She's better off without you.
0:13:40 > 0:13:43- She?- Why do yo think I didnae tell you?
0:13:43 > 0:13:46Because you're not ready to be a dad.
0:13:47 > 0:13:48That's not fair.
0:13:48 > 0:13:49You walked out on me.
0:13:49 > 0:13:52- Because you chose him. - I had taken an overdose.
0:13:52 > 0:13:56So that might have been a clue that maybe I wasn't in the right frame of mind.
0:13:56 > 0:13:59But did you stay and fight for me? Gabriel, see raising a kid?
0:13:59 > 0:14:01It's no bed of roses.
0:14:01 > 0:14:03It's tough. It's really tough.
0:14:03 > 0:14:06And in five, 10, 15 years, see when she tests you?
0:14:06 > 0:14:08When she really puts you through the wringer?
0:14:08 > 0:14:10You're just going to quit on her.
0:14:10 > 0:14:11You'll just leave her like you did me.
0:14:11 > 0:14:14- I won't. I wouldn't do that. - You will, Gabriel.
0:14:14 > 0:14:16At some point, you will.
0:14:16 > 0:14:18Because that's what's inside you.
0:14:18 > 0:14:19That's who you are.
0:14:19 > 0:14:23So for the sake of this baby, just do what you're best at doing.
0:14:23 > 0:14:24Just leave.
0:14:34 > 0:14:36SHE SIGHS
0:14:50 > 0:14:54Do you think when the King fell on hard times, he gave up on his dream?
0:14:54 > 0:14:56I didn't have a choice, Elvis.
0:14:56 > 0:14:58You've always got a choice, man.
0:14:58 > 0:15:00I like you, Pete, I like you a lot.
0:15:00 > 0:15:02But you give up on your dreamin' you and me,
0:15:02 > 0:15:05we'll be having a little less conversation from now on.
0:15:05 > 0:15:09- You know what I'm saying? - What choice have I got? I'm skint.
0:15:09 > 0:15:12See Jailhouse Rock? Look at me, Pete.
0:15:15 > 0:15:17I'm mean, I'm angry, I'm nasty.
0:15:17 > 0:15:20I don't care nothin' about the rockin' 'n' rollin',
0:15:20 > 0:15:24livin' fast, dyin' young.
0:15:24 > 0:15:28Do you think I would have settled for selling solar panels, man? Hmm?
0:15:28 > 0:15:31Do you think the King would have settled for selling solar panels?
0:15:31 > 0:15:36- No, you wouldn't.- Damn straight he wouldn't.- What else can I do?
0:15:36 > 0:15:39Follow your dream, man. It's do or die.
0:15:39 > 0:15:42Go big, go home, what's your dream, Pete?
0:15:44 > 0:15:48# Of our love and all its glory
0:15:49 > 0:15:54# Let us take this night of magic
0:15:55 > 0:15:57# And make it a night of love... #
0:15:57 > 0:15:59AJ, come up to the flat. It's urgent.
0:15:59 > 0:16:01What's wrong with you?
0:16:01 > 0:16:04- This is good news, in't it? - Gabriel Brodie being back in town?
0:16:04 > 0:16:07- That's never good news?- How?- Well, look what happened the last time.
0:16:07 > 0:16:10- She almost killed herself. - Well, that was down to Alex.
0:16:10 > 0:16:12Gabriel was the one that tried to help her.
0:16:12 > 0:16:13Well, it didnae work, did it?
0:16:13 > 0:16:15Don't you want her to be happy or something?
0:16:15 > 0:16:18Don't you think she deserves it after everything she's been through?
0:16:18 > 0:16:21Aye, of course, but I just don't want to see her going backwards.
0:16:21 > 0:16:23Oh, and being a single parent with two weans,
0:16:23 > 0:16:27- that's going forwards, is it?- Well, she's got us.- Jimmy, she loves him.
0:16:27 > 0:16:30And she made a mistake in letting him go and now she's got
0:16:30 > 0:16:34a chance to get him back. Can you not just be happy for her?
0:16:34 > 0:16:39All right? Oh, finally she's got some light at the end of the tunnel.
0:16:40 > 0:16:42Aye, well, let's hope it's not a train, eh?
0:16:51 > 0:16:55- Right, a yum-yum?- Yeah. - And a coffee.
0:16:55 > 0:16:57- Hey, wee man.- Hey, Gabriel!
0:16:57 > 0:16:59Hey, give me a hug.
0:16:59 > 0:17:04Well, well. The return of the lapdog. What happened?
0:17:04 > 0:17:05Kelly Marie whistle on you?
0:17:05 > 0:17:08You ran along like the obedient wee puppy you are?
0:17:08 > 0:17:09It's good to see you, pal.
0:17:10 > 0:17:12You, not so much.
0:17:14 > 0:17:18- Why are you back?- Don't worry. I'm not staying. There's nae reason to.
0:17:18 > 0:17:20Sit in there the now, pal.
0:17:22 > 0:17:24What is it? You get her knocked up, she still doesnae want you?
0:17:24 > 0:17:26That's hilarious, I mean, really.
0:17:41 > 0:17:43- AJ:- Pete!
0:17:45 > 0:17:46Pete?
0:17:46 > 0:17:49Right, what is it? What's the emergency?
0:17:49 > 0:17:51Elvis Has Landed.
0:17:53 > 0:17:57- Sorry, what?- Sit.- No.- It's better if you sit.- What is?- My show.
0:17:57 > 0:18:00What show? Look, I thought you'd burnt the place down or something.
0:18:00 > 0:18:03- I need to get back to work. - Please, just give me two minutes.
0:18:03 > 0:18:06- That's all I'm asking. - What are you talking about?
0:18:07 > 0:18:09I have conceived a show.
0:18:09 > 0:18:12It all takes place November 2nd, 1960,
0:18:12 > 0:18:17Elvis Presley has landed in Ayrshire and we use the King's visit
0:18:17 > 0:18:20as a backdrop to an all-singing, all-dancing story of his life
0:18:20 > 0:18:22seen through Scottish eyes.
0:18:22 > 0:18:24It's never been done before.
0:18:24 > 0:18:28- Starring me.- You're going to play Elvis?- Uh-huh. What do you think?
0:18:31 > 0:18:33- AS ELVIS:- Uh-huh! What do you think?
0:18:34 > 0:18:36You know...
0:18:37 > 0:18:39..it actually sounds fairly plausible.
0:18:39 > 0:18:41It's going to need a better quote than that for the poster.
0:18:41 > 0:18:43Well, it needs work out, though.
0:18:43 > 0:18:45- I mean, it's all a bit bare bones at the minute.- Yeah, I know.
0:18:45 > 0:18:47It's getting a producer, that's the problem.
0:18:47 > 0:18:49But do you think it's got legs?
0:18:49 > 0:18:51I mean, us Scots, we love all that stuff.
0:18:51 > 0:18:53Take the Grand Ole Opry, for instance.
0:18:53 > 0:18:56It's a homage to our passion for Southern music.
0:18:56 > 0:18:57It could be a winner.
0:18:59 > 0:19:02I've got a mate who runs one of the big theatres in town.
0:19:02 > 0:19:07- I could speak to him.- Seriously? - Yeah.- Oh, AJ, thank you, I...
0:19:07 > 0:19:12- I'd be forever in your debt.- Well, you wouldn't have to be in my debt.
0:19:14 > 0:19:19- What?- I want a cut.- Hey? - As exec producer.
0:19:20 > 0:19:24I would stump up some of the cash upfront and go 50-50 on the profits.
0:19:24 > 0:19:26Hmm?
0:19:31 > 0:19:32- AS ELVIS:- Uh-huh!
0:19:40 > 0:19:42- You're doing the right thing.- Eh?
0:19:42 > 0:19:44Leaving.
0:19:45 > 0:19:48What, right thing to her, you mean? Oh, I'll be back.
0:19:48 > 0:19:50There's no way I'm giving up on my own kid.
0:19:50 > 0:19:51Och, you two were never meant to be
0:19:51 > 0:19:53and a kid's not going to change that.
0:19:53 > 0:19:56You know you're starting to sound like her, like Kelly Marie.
0:19:56 > 0:19:58- Desperate to see the back of me. - Yeah, well, anyway.
0:19:58 > 0:20:02- It's for the best.- And why is that exactly?- Just because.
0:20:02 > 0:20:05- I'll catch you later, Gabriel. - You know what?
0:20:05 > 0:20:07Maybe I'll hang about for a bit.
0:20:09 > 0:20:11- What's going on, Jimmy? - Nothing's going on.
0:20:13 > 0:20:17- Come on. You've nothing to offer her.- You know, that's exactly what
0:20:17 > 0:20:20she said. It like there's some sort of plan or something like that.
0:20:20 > 0:20:22No, no, there's nae plan.
0:20:22 > 0:20:24Is it Alex?
0:20:25 > 0:20:28- What?- Has Alex got anything to do with this?
0:20:28 > 0:20:33- Look, just leave, eh, for her sake? - It's Lenny.- No, it's no' Lenny.
0:20:33 > 0:20:35Of course it is.
0:20:36 > 0:20:38You realise the trouble you're causing coming back here.
0:20:38 > 0:20:42Opened up a can of worms. Look, leave, just leave!
0:20:42 > 0:20:45Why are you doing his bidding for him, Jimmy?
0:20:46 > 0:20:48Listen, and listen good.
0:20:48 > 0:20:52That lassie is on thin ice and if that ice cracks,
0:20:52 > 0:20:54there'll be naebody there to save her this time -
0:20:54 > 0:20:55no' you, no' me, nobody.
0:20:57 > 0:21:00You want to tell me what's happening here?
0:21:00 > 0:21:04Look, I... I know you would do anything for Kelly Marie...
0:21:06 > 0:21:08..but...
0:21:08 > 0:21:13well, if you love her, if you love that baby...
0:21:14 > 0:21:19..you'll walk away right now and never ever come back.
0:21:20 > 0:21:21Understand, son?
0:21:29 > 0:21:30HE DIALS
0:21:32 > 0:21:34All right, Stella?
0:21:34 > 0:21:36Listen, is there any chance you can wait
0:21:36 > 0:21:37a couple of days for that stuff?
0:21:54 > 0:21:56PHONE RINGS
0:21:59 > 0:22:01- Alex, what is it?- 'How much longer are you going to be?
0:22:01 > 0:22:03'I'm not a babysitting service.'
0:22:03 > 0:22:05Yeah, well, I'll be as long as I'm going to be, OK?
0:22:05 > 0:22:07You just sit tight with Cal till I get back. All right?
0:22:07 > 0:22:11Something important's come up. It needs my attention.
0:22:11 > 0:22:12'I've got stuff to do...'
0:22:12 > 0:22:14PHONE BEEPS So do I.
0:22:28 > 0:22:32- All right? What happened? - Took your advice, I talked to her.
0:22:32 > 0:22:36Doesnae want me to be involved. Doesnae want me to be a part of it.
0:22:36 > 0:22:39- Kel said that?- No, I'm making up, Bob.- I don't get it.
0:22:39 > 0:22:41Reckons I'm not fit to be a da.
0:22:42 > 0:22:45- Doesnae sound like Kel.- Ah, well, should have known better.
0:22:45 > 0:22:49- Look, do you want me to talk to her? - I think we're past that now.- So...
0:22:49 > 0:22:53I'm going to fight her, Bob, every step of the way.
0:22:53 > 0:22:55She's no' keeping me from my own kid.
0:22:55 > 0:22:57No chance.
0:23:00 > 0:23:01HE SIGHS
0:23:06 > 0:23:08Gabriel! It's been a while.
0:23:10 > 0:23:14Amber Murdoch - back to complete the dynasty, eh?
0:23:14 > 0:23:19- So how long's it been, since we... - Five years exactly.- Tough stretch.
0:23:19 > 0:23:21Yeah, you could say that.
0:23:21 > 0:23:24Well, Lenny will be delighted to have his wee girl home.
0:23:24 > 0:23:28- Not so wee any more.- You know, I'm surprised you come home at all.
0:23:28 > 0:23:31- You hated your dad's guts. - Things change.- Clearly.
0:23:32 > 0:23:35And the Force with Lenny, it must've been strong.
0:23:35 > 0:23:39Transition to the dark side is now complete. You know, it's a shame.
0:23:40 > 0:23:43- I always liked you. - You're going to be a daddy?
0:23:45 > 0:23:49- Looks like it.- What, so is that you be sticking around?- Why?
0:23:49 > 0:23:52- Did you miss me? - Well, that was a long time ago.
0:23:52 > 0:23:56Like I said, wee girl, so...
0:23:56 > 0:23:59You know, it's funny, your da was asking me the same thing earlier.
0:23:59 > 0:24:04For some reason, people want rid of me. That's strange.
0:24:04 > 0:24:05Maybe I should change my aftershave.
0:24:05 > 0:24:08- Well...- I don't know.
0:24:09 > 0:24:10I've not decided yet.
0:24:13 > 0:24:15FIGHTING ON VIDEO GAME
0:24:22 > 0:24:25- What's all that? - Some documents need signing.
0:24:25 > 0:24:29- Anything I can help with? - No, my stuff.- Like what?
0:24:30 > 0:24:35Like, my business. You want papers to sign, build up your own business.
0:24:35 > 0:24:37As you constantly remind me.
0:24:38 > 0:24:42Five years inside has hindered my networking somewhat.
0:24:43 > 0:24:45Where's Dad?
0:24:46 > 0:24:50Something urgent came up apparently, so I'm on babysitting duty,
0:24:50 > 0:24:54or, I was, but now you're here, I can go and meet Annie for a coffee.
0:24:55 > 0:25:00- I should have known it would be like this.- What would?- Life with Dad.
0:25:00 > 0:25:02All those promises he made when I came out,
0:25:02 > 0:25:05any business you want and now look at me.
0:25:05 > 0:25:07- He won't always be mad at you.- Us.
0:25:07 > 0:25:09Whatever. He'll come round soon enough.
0:25:09 > 0:25:12Why am I so desperate to get in his good books?
0:25:14 > 0:25:16- I couldn't give a damn before. - I don't know.
0:25:16 > 0:25:19- Maybe it's all that money. - Like, I'll see any of it.
0:25:19 > 0:25:23He'll probably leave it all to the golden child in there.
0:25:23 > 0:25:27- Said as much this morning. - He doesn't mean it.- No?- No.
0:25:28 > 0:25:30Well...
0:25:30 > 0:25:36- he might change his tune once we're the only family he has left.- What?
0:25:36 > 0:25:37Gabriel's back. Just met him.
0:25:39 > 0:25:45- Maybe he's here to take away Damien and his mum.- I wish.
0:25:47 > 0:25:48Me too.
0:25:55 > 0:25:57Lenny, here for a workout?
0:25:57 > 0:26:00Aye, to work out whether to raise your rent or not.
0:26:00 > 0:26:02Kelly Marie, can I have a word?
0:26:06 > 0:26:08- Is Callum all right? - Aye, aye, aye.- So what...
0:26:08 > 0:26:11Just to let you know I bumped into Gabriel Brodie in the Oyster.
0:26:11 > 0:26:14Yeah, I only found out about that this morning.
0:26:14 > 0:26:16- Oh, you knew he was back? You might have said something.- Why?
0:26:16 > 0:26:18He's only here to pick up Stella's stuff.
0:26:18 > 0:26:21So he's no' here to stock up on baby wipes and nappies?
0:26:21 > 0:26:24- No, he's not staying. - What about you?- What about me?
0:26:24 > 0:26:28Are you not looking for a white knight to come and whisk you away?
0:26:28 > 0:26:29He hates my guts.
0:26:29 > 0:26:32Yeah, well, there's a baby coming now, things change.
0:26:32 > 0:26:34I mean, he's got a good gig going there.
0:26:34 > 0:26:36Working out on the rigs, good wages, nice wee house.
0:26:36 > 0:26:39Must be better than your maw's place.
0:26:39 > 0:26:43- You don't find that appealing?- We're not going anywhere so you can relax.
0:26:43 > 0:26:44I'll see you later.
0:26:44 > 0:26:47Cos that's the last thing me and you need right now,
0:26:47 > 0:26:49him swanning back into town,
0:26:49 > 0:26:52especially when things are going OK with us, hmm?
0:26:52 > 0:26:55Or as well as they can, considering all things.
0:26:55 > 0:26:58I swear to you, Lenny, there's not going to be any problem.
0:26:58 > 0:27:00OK.
0:27:01 > 0:27:04- But I think Callum should stay with me for now.- What?!
0:27:04 > 0:27:09You see, Brodie, he's like a feral dog. He goes on instinct.
0:27:09 > 0:27:12He doesn't think things through properly before he acts
0:27:12 > 0:27:15and now there's a baby at stake. Who knows what he might do?
0:27:15 > 0:27:20The point is, I don't trust him. And I don't trust you.
0:27:20 > 0:27:21You're not taking my son.
0:27:21 > 0:27:24As soon as he leaves town, things will go back to normal.
0:27:24 > 0:27:27- Normal?- Aye. We'll see about setting up your allowance again,
0:27:27 > 0:27:28get you a wee flat of your own.
0:27:28 > 0:27:31Lenny, I'm begging you, please, don't take him.
0:27:31 > 0:27:34As soon as I'm satisfied that Brodie isn't going to cause any trouble...
0:27:34 > 0:27:37and I'm sure that you're staying,
0:27:37 > 0:27:40Callum will be sent right back over to you.
0:27:40 > 0:27:42Come on.
0:27:42 > 0:27:43Hmm?
0:27:44 > 0:27:46I give you my word on this.
0:27:55 > 0:27:56DOOR CLOSES
0:27:56 > 0:27:58Aye, Well done.
0:27:59 > 0:28:01Oh, aye! Cosy.
0:28:02 > 0:28:08- Gabriel, you're back. - Looks like it, Doc. So, how's AJ?
0:28:08 > 0:28:11- Nothing to do with you, Brodie. - Then what?
0:28:11 > 0:28:14- What, you're destroying another woman again?- You're so pathetic.
0:28:14 > 0:28:17You hanging about again to pick up my leftovers?
0:28:17 > 0:28:21Right, you two, pack it in. You're like kids. Alex, you this way.
0:28:21 > 0:28:23You that way. Honestly.
0:28:23 > 0:28:25- How do you even know it's your kid she's carrying?- Alex!
0:28:25 > 0:28:28I mean, it's definitely not mine cos I wouldn't have gone there again.
0:28:28 > 0:28:31- Shut up!- Well, come on, you must have had your doubts, right?
0:28:31 > 0:28:34You should go on one of those trailer trash talk shows,
0:28:34 > 0:28:35do a paternity test live on air.
0:28:35 > 0:28:37Might even earn a few quid too.
0:28:39 > 0:28:41You know, you seem like a good person -
0:28:41 > 0:28:42a kind, compassionate person.
0:28:42 > 0:28:44Now, what are you doing with that,
0:28:44 > 0:28:46- after everything that happened? - Look, I...
0:28:46 > 0:28:48Remember when Kelly took her overdose,
0:28:48 > 0:28:51you were the first person I brought her to, cos she trusted you,
0:28:51 > 0:28:56and so did I, to take care of her, and what did you do?
0:28:56 > 0:28:58You jumped into bed with her ex-husband,
0:28:58 > 0:29:02that she lost a baby with. I mean, what kind of doctor does that, eh?
0:29:02 > 0:29:06- I still care about her.- Really?
0:29:06 > 0:29:09Cos from my I'm standing, it doesnae feel like it.
0:29:16 > 0:29:19- Annie...- I've got patients.
0:29:21 > 0:29:22DOOR CLOSES
0:29:22 > 0:29:24DOORBELL RINGS
0:29:27 > 0:29:30All right, keep your knickers on, I'm coming.
0:29:30 > 0:29:32- Drew in?- Aye.
0:29:32 > 0:29:34Thank you.
0:29:35 > 0:29:37Come on in, then(!)
0:29:37 > 0:29:42- Gonnae make some money, honey. Drew, come here, son.- What's going on?
0:29:42 > 0:29:47- Are you drunk?- Only on success. I've got a meeting.- A meeting?
0:29:47 > 0:29:52- Oh, good for you. What about? - A show...about the King.
0:29:52 > 0:29:56- What, like a musical? - Exactly, son, a musical.
0:29:57 > 0:30:01- And are you gonnae star in it? - Of course. It's my show.
0:30:01 > 0:30:03The tune's already there, the story takes care of itself
0:30:03 > 0:30:09- and AJ's got a producer mate who's dead interested in the idea.- Really?
0:30:09 > 0:30:10That's great, Pete.
0:30:10 > 0:30:13Let's just say, if this is a hit,
0:30:13 > 0:30:18we're talking tours, merchandise, the big time, son.
0:30:18 > 0:30:20Oh, come on - an Elvis show(!)
0:30:20 > 0:30:24- He's agreed to meet me in my office. - Your office?
0:30:24 > 0:30:27Gary said I could use the pool room in the pub.
0:30:29 > 0:30:31- The merchandise, tours.- Uh-huh.
0:30:31 > 0:30:35I mean, these producer guys, they don't have time to mess about,
0:30:35 > 0:30:38this is real. This could happen.
0:30:38 > 0:30:42And Drew, I was thinking, you could stage-manage or be the sound guy,
0:30:42 > 0:30:44cos you're good with them computers, aren't you?
0:30:44 > 0:30:45Aye.
0:30:45 > 0:30:49- I'll put in a good word. - Er, what about me? I want a part.
0:30:49 > 0:30:50Can you do a Southern American accent?
0:30:50 > 0:30:53- SOUTHERN AMERICAN ACCENT: - Sure can, cowboy.
0:30:53 > 0:30:57- Then I'll get you an audition for Priscilla Beaulieu.- OK. Cool.
0:30:57 > 0:30:59- Who's that?- Oh, come on, Caitlin.
0:30:59 > 0:31:02She's the young, shy, Air Force colonel's daughter
0:31:02 > 0:31:04that Elvis wooed and won.
0:31:06 > 0:31:10- Priscilla.- Oh! Always knew I was going to be famous.
0:31:10 > 0:31:15- I want to work out my pitch, you'll be my sounding board.- Sure.
0:31:15 > 0:31:20Upstairs, then. I don't want to expose my creative process.
0:31:23 > 0:31:25- You shouldn't wind him up like that. - Och, I'm no'.
0:31:25 > 0:31:27But come on, like it's gonnae happen.
0:31:27 > 0:31:29What, do you think he's lying?
0:31:29 > 0:31:32No, he's no lying, just getting ahead of himself as usual.
0:31:32 > 0:31:35But you never know, as long as Drew's happy
0:31:35 > 0:31:38spending time with his da, well, where's the harm, eh?
0:31:38 > 0:31:40# Well, I'm working on a building
0:31:40 > 0:31:43# It's a true foundation... #
0:31:43 > 0:31:46And here's the final act, we see his Graceland retreat,
0:31:46 > 0:31:48every brick brought over and rebuilt
0:31:48 > 0:31:51on the bonny, bonny banks of Loch Lomond
0:31:51 > 0:31:54where he settles with his sweetheart, Priscilla.
0:31:54 > 0:31:59It's a wee creative twist, but it's a glorious, triumphant ending.
0:31:59 > 0:32:02Then the crowd are on their feet,
0:32:02 > 0:32:05they join the King in a rendition of Viva Las Vegas.
0:32:05 > 0:32:09The whole place goes mad. The band in full swing.
0:32:09 > 0:32:14Ladies and gentlemen, I give you Elvis Has Landed.
0:32:15 > 0:32:17Thank you very much.
0:32:21 > 0:32:23# Well, I'm working on a building... #
0:32:25 > 0:32:26- See you later.- Thank you, doctor.
0:32:37 > 0:32:39I'm not going anywhere until you talk to me, Annie.
0:32:48 > 0:32:51Look, don't let the village idiot get to you.
0:32:51 > 0:32:53It's like being in the playground out there.
0:32:53 > 0:32:56You're both behaving like kids, it's mortifying, Alex.
0:32:56 > 0:33:01Well, he started it. Right, talk to me. Please just talk to me.
0:33:03 > 0:33:08- You worried about Kelly Marie?- Well, what if he's right? She trusted me.
0:33:08 > 0:33:11- You've done nothing wrong, though. - Then why do I feel so bad?
0:33:11 > 0:33:16- Maybe you care too much. - Do you know me at all?
0:33:17 > 0:33:19I'm a GP, how can I care too much?
0:33:19 > 0:33:24- Exactly, you're a doctor, not a psychiatrist.- Oh, please.- I'm sorry.
0:33:25 > 0:33:30- Come here.- No, I... I think you should go, please.- What?- Just go.
0:33:30 > 0:33:31Annie...
0:33:32 > 0:33:34I'll see you later.
0:33:36 > 0:33:38I don't know. I just need some space, OK?
0:33:41 > 0:33:43Whatever.
0:33:52 > 0:33:53Can't believe it.
0:33:55 > 0:33:59It's happening. It's really happening!
0:34:01 > 0:34:04I'll need to scale things back at the Oyster. This is massive.
0:34:04 > 0:34:07- Let's get a pint, celebrate in style.- Later, I need to get back.
0:34:07 > 0:34:09OK, OK, but leave your phone on.
0:34:09 > 0:34:12- You don't want to miss the call about contracts.- Will do, partner.
0:34:12 > 0:34:14Partner!
0:34:17 > 0:34:18Thank you, Elvis.
0:34:23 > 0:34:26Just go home. Are you sure you're all right?
0:34:26 > 0:34:28Aye, it's fine. It's nothing.
0:34:28 > 0:34:31- We need to talk. - There's nothing to discuss.
0:34:31 > 0:34:32I'm not asking, Kel.
0:34:39 > 0:34:41What, you really just expect me to give up?
0:34:41 > 0:34:43You seriously think I would just walk away?
0:34:43 > 0:34:46I mean, that wasn't you talking earlier.
0:34:47 > 0:34:51See, Kel, from personal experience, I know you can be cruel.
0:34:52 > 0:34:59- But not this cruel.- Gabriel, please just leave. Gonnae just go?- Why?
0:35:00 > 0:35:04Why are you so desperate to see me going and why is Jimmy?
0:35:06 > 0:35:12- It's Lenny... isn't it?- No.- I mean, what?
0:35:12 > 0:35:14- What, is it his kid or something? - What?!
0:35:14 > 0:35:17Well, you've done the rest of the Murdochs,
0:35:17 > 0:35:19why not go for the hat-trick?
0:35:19 > 0:35:23Whoa, hey, whoa, I'm sorry. Right? That was low.
0:35:24 > 0:35:26Just sit down, please.
0:35:34 > 0:35:37Look, I know before I was a bit of a joke around here, you know.
0:35:37 > 0:35:39But things are different up there.
0:35:39 > 0:35:42You know, I've got a nice big pad, bit of money in the bank...
0:35:42 > 0:35:45Wait. Hang on a second. Slow down. What are you saying here?
0:35:45 > 0:35:47What does it sound like?
0:35:48 > 0:35:54- You want me to move to Aberdeen? - Why not?- Er, cos you detest me.
0:35:54 > 0:35:56So, what, just because I'm having your kid,
0:35:56 > 0:35:57suddenly everything's forgiven?
0:35:57 > 0:36:00I'm not talking wedding bells and joint bank accounts, Kel.
0:36:00 > 0:36:01Well, what are you talking, then?
0:36:01 > 0:36:05I'm talking about me being a dad, you know, providing.
0:36:05 > 0:36:07You know, you wouldnae need to work in some stupid gym
0:36:07 > 0:36:10- or live at your ma's any more. - Gabriel, me and you...
0:36:12 > 0:36:13It's not just about us.
0:36:13 > 0:36:16- No, it's always about us. - Right, OK.
0:36:17 > 0:36:22Maybe at some point, things can move on, progress, I don't know.
0:36:23 > 0:36:26But right now, I just want to be there for my daughter...
0:36:28 > 0:36:29..more than anything.
0:36:33 > 0:36:38- Please just leave. - I'm not doing that.- You have to.
0:36:40 > 0:36:45- What, you hate me this much? - No, I don't hate you at all.
0:36:45 > 0:36:48Then tell me, Kel. Because you're destroying me here.
0:36:49 > 0:36:51All I want is to be part of her life.
0:36:56 > 0:36:57It is Lenny.
0:36:59 > 0:37:03- No.- I know when you're lying. - Gabriel, don't...
0:37:03 > 0:37:05- Where are you going? - To speak to Murdoch.
0:37:05 > 0:37:09No, don't do that, don't do that, please. I'm begging you.
0:37:09 > 0:37:11Why are you so scared of him?
0:37:11 > 0:37:13I mean, look at you, you're practically shaking.
0:37:13 > 0:37:15- What's he done to you? - Gonnae just leave it?
0:37:17 > 0:37:18I'm sorry.
0:37:18 > 0:37:20I betrayed Lenny.
0:37:36 > 0:37:37FIGHTING ON VIDEO GAME
0:37:40 > 0:37:43- All right, Cal?- Hi.
0:37:43 > 0:37:46Er, Kelly, she's banned him from them.
0:37:46 > 0:37:49- What for? - Thinks they're too violent.
0:37:49 > 0:37:52Och, they're soldiers, no' serial killers.
0:37:52 > 0:37:55So, um, you called, boss.
0:37:55 > 0:37:59- Brodie. Is he back for her? - Well, I don't know.
0:37:59 > 0:38:02I mean, after the way she treated him the last time,
0:38:02 > 0:38:03the way she trashed him before.
0:38:03 > 0:38:06Well, this time there's a kid involved, so it changes things.
0:38:07 > 0:38:11- Get rid of him, Jimmy. - It's taken care of.
0:38:12 > 0:38:16- He'll not be sticking around. - Good. That's good.
0:38:33 > 0:38:39Right, we go, we leave, there's no other option now. No other choice.
0:38:39 > 0:38:44- He won't let me.- We get Cal, and we leave.- Are you serious?
0:38:44 > 0:38:47I've never been more serious about anything in my life.
0:38:50 > 0:38:51I can't, Gabriel.
0:38:51 > 0:38:54What, you really think I'm leaving my unborn daughter
0:38:54 > 0:38:57with that threat from Lenny hanging over her? Not a chance.
0:38:58 > 0:39:02- Right, what would I tell everyone? - Well, nothing. We just go.
0:39:03 > 0:39:06But my ma. It'll break her heart. I mean, she's so fragile the now.
0:39:06 > 0:39:09What about everything that's happened with Patrick?
0:39:09 > 0:39:11Right, OK, fine.
0:39:11 > 0:39:14Well, you go home, start getting your stuff together.
0:39:14 > 0:39:17I'll get the car, we'll tell her together, right?
0:39:17 > 0:39:19We'll do this together.
0:39:19 > 0:39:23And I swear to you, Lenny Murdoch will never darken your door again.
0:39:23 > 0:39:25You're not living your life like this, Kel.
0:39:25 > 0:39:28You know, this hold he has on you, it's over.
0:39:28 > 0:39:34So go home, pack your stuff, because we're leaving tonight.
0:39:35 > 0:39:36All right.
0:39:52 > 0:39:53Murdoch!
0:39:56 > 0:39:58Murdoch!
0:40:01 > 0:40:03She's free now.
0:40:03 > 0:40:05You understand me?
0:40:05 > 0:40:06Free!
0:40:10 > 0:40:11Of course, when your granda was your age,
0:40:11 > 0:40:14you used to be able to look through the windows
0:40:14 > 0:40:16of all the motors. They've got them all up on the wall now.
0:40:16 > 0:40:18Hey!
0:40:18 > 0:40:20I know, Lenny.
0:40:20 > 0:40:21Enlighten me.
0:40:21 > 0:40:23You don't get to control Kelly Marie any more.
0:40:23 > 0:40:25- It's over.- That right?
0:40:25 > 0:40:26Aye, that's right.
0:40:26 > 0:40:29See noo, noo it's no' just Kelly Marie you're
0:40:29 > 0:40:31gonnae be hurting. It's my flesh and blood.
0:40:31 > 0:40:34Cos, see before, I had nothing to lose.
0:40:34 > 0:40:36But noo, I've got everything.
0:40:36 > 0:40:41So, trust me, you don't want to find out what I'm really capable of.
0:40:41 > 0:40:43And you want to do this now?
0:40:43 > 0:40:45In front of the boy?
0:40:45 > 0:40:47We're going to the Transport Museum, aren't we, hey?
0:40:47 > 0:40:50See the buses. Might even take the train.
0:40:50 > 0:40:52You want to spoil his day?
0:40:54 > 0:40:55We're no' done.
0:40:55 > 0:40:56You're telling me.
0:41:05 > 0:41:06To the King.
0:41:06 > 0:41:08- BOTH:- The King.
0:41:10 > 0:41:12- Did you ask about me?- Yeah, told them it was a dealbreaker.
0:41:12 > 0:41:14They said they'd find you something.
0:41:14 > 0:41:16And?
0:41:16 > 0:41:19Well, they'd have to audition for a part like Priscilla.
0:41:19 > 0:41:21You could be one of the dancing stewardesses.
0:41:21 > 0:41:23She's winding you up, Da.
0:41:23 > 0:41:25No, I could totally be a dancing stewardess.
0:41:25 > 0:41:27DOORBELL RINGS
0:41:27 > 0:41:28I'll go.
0:41:30 > 0:41:31So, when's it start?
0:41:31 > 0:41:33Not till after the panto season.
0:41:33 > 0:41:35But next spring, we'll be flying.
0:41:35 > 0:41:36These folk don't mess about.
0:41:36 > 0:41:39AJ's dealing with the paperwork as we speak.
0:41:40 > 0:41:44Aha, talk of the devil and he shall appear.
0:41:44 > 0:41:45Take a drink, AJ.
0:41:46 > 0:41:48What is it?
0:41:48 > 0:41:50They've pulled the plug, haven't they?
0:41:50 > 0:41:51No, no, they're still dead keen.
0:41:51 > 0:41:53Oh, you had me there.
0:41:53 > 0:41:54The problem is...
0:41:56 > 0:41:58It's you, Pete.
0:41:58 > 0:42:00They don't think you're a big enough name.
0:42:00 > 0:42:02You know, like the Krankies.
0:42:03 > 0:42:04The Krankies?
0:42:04 > 0:42:06They can't play Elvis. They're not tall enough.
0:42:06 > 0:42:08And there's two of them.
0:42:08 > 0:42:10They still want to buy the concept off you,
0:42:10 > 0:42:12but they want to bring in a professional scriptwriter
0:42:12 > 0:42:13to work on it.
0:42:13 > 0:42:15- How much?- 500.
0:42:15 > 0:42:19- 500 quid?- Well, 250 each, but, well, I said I'd give you 400
0:42:19 > 0:42:21- seeing as it was your idea in the first place.- Great.
0:42:21 > 0:42:23Thanks, partner.
0:42:23 > 0:42:26400's better than nothing.
0:42:26 > 0:42:29See when Sly Stallone wrote the script for Rocky?
0:42:29 > 0:42:31They didn't want him either for the lead because
0:42:31 > 0:42:33he wasn't a big name.
0:42:33 > 0:42:35Are you comparing yourself to Sylvester Stallone?
0:42:35 > 0:42:36He was skint.
0:42:36 > 0:42:40The studio offered him hundreds of thousands of dollars for the script.
0:42:40 > 0:42:42He kept saying no.
0:42:42 > 0:42:43He was Rocky, the role was his.
0:42:45 > 0:42:46And me...
0:42:48 > 0:42:50- ..I'm the King. - It's the final offer.
0:42:50 > 0:42:52They won't come back again.
0:42:54 > 0:42:55It's their loss.
0:42:59 > 0:43:01Do you think that was a no?
0:43:01 > 0:43:03It looks like Elvis has left the building.
0:43:09 > 0:43:10HE SIGHS
0:43:12 > 0:43:14Don't give up, man.
0:43:18 > 0:43:19It's over, Elvis.
0:43:21 > 0:43:23It's all over.
0:43:29 > 0:43:31Scarlett...
0:43:31 > 0:43:33Oh!
0:43:33 > 0:43:34Am I glad to see you!
0:43:34 > 0:43:37Oh, Gabriel, I'm so glad you're back!
0:43:37 > 0:43:39- Aye.- Gonnae be a daddy!
0:43:39 > 0:43:42- Looks like it. - See, I told Kelly Marie to tell you,
0:43:42 > 0:43:43but would she listen to me?
0:43:43 > 0:43:46- Look, don't worry about all that. - So, are you sticking about?
0:43:46 > 0:43:48Family man noo, responsibilities and all that?
0:43:48 > 0:43:51Actually, do you think we could all have a chat back at the house?
0:43:51 > 0:43:53- Tonight?- Before then.
0:43:53 > 0:43:55- Something wrong? - No, no, nothing's wrong.
0:43:55 > 0:43:57I just want us to get together, you know,
0:43:57 > 0:44:00- talk things through.- Oh, right, well, we'll need to get some cover.
0:44:00 > 0:44:04- So, give me half an hour?- Brilliant. See you in a bit, darling.- See you.
0:44:06 > 0:44:08PHONE RINGS
0:44:11 > 0:44:12PHONE STOPS RINGING
0:44:17 > 0:44:21PHONE RINGS
0:44:21 > 0:44:23- Dr Jandhu?- It's me.
0:44:24 > 0:44:26Sorry about earlier.
0:44:26 > 0:44:28I was out of order.
0:44:28 > 0:44:30Can't argue with that.
0:44:30 > 0:44:32- He just brings out the worst in me. - Really?
0:44:32 > 0:44:34Because I'm beginning to think that is the real you.
0:44:34 > 0:44:37Well, it's not. Come on, you know that.
0:44:38 > 0:44:39Do I?
0:44:39 > 0:44:41Do I really, Alex?
0:44:41 > 0:44:44Come over tonight. We'll make dinner.
0:44:44 > 0:44:45What, with your dad and Amber?
0:44:45 > 0:44:47My biggest fans.
0:44:47 > 0:44:49- I'll get them to go out, OK? - No, look, don't.
0:44:49 > 0:44:51I just...
0:44:51 > 0:44:54I'll find a hotel or something.
0:44:54 > 0:44:56Like I said, I just need some space.
0:44:56 > 0:44:57Space?
0:44:57 > 0:44:58How much space?
0:44:58 > 0:45:00I don't know.
0:45:00 > 0:45:02Like, "this is the end" type space?
0:45:02 > 0:45:04I just need time to think.
0:45:04 > 0:45:05Do you know what? Do what you want.
0:45:05 > 0:45:07If you're willing to ruin all this, ruin everything
0:45:07 > 0:45:10because of Brodie, then that's fine by me.
0:45:12 > 0:45:13Alex?
0:45:18 > 0:45:20Brodie needs to go.
0:45:21 > 0:45:22Whatever it takes.
0:45:25 > 0:45:29MUSIC: Crying In The Chapel by Elvis Presley
0:45:29 > 0:45:30OK, man?
0:45:32 > 0:45:34I'm sorry, Elvis, I didn't mean to snap.
0:45:34 > 0:45:36I like you, man.
0:45:36 > 0:45:38- Why?- Because you're rock 'n' roll.
0:45:38 > 0:45:40You dare to dream.
0:45:40 > 0:45:42- I always fail. - You haven't failed, Pete.
0:45:42 > 0:45:45Those fools at that theatre, they wouldn't know
0:45:45 > 0:45:48a good Elvis if you punched them in the face.
0:45:48 > 0:45:50That's what you should do, man.
0:45:50 > 0:45:51Punch them in the face.
0:45:51 > 0:45:53I can't do that.
0:45:53 > 0:45:56- I've got soft hands. - You got to do something, man.
0:45:56 > 0:45:58Selling solar panels, that ain't cool.
0:45:59 > 0:46:00What about that?
0:46:04 > 0:46:06Why is driving cabs cool?
0:46:06 > 0:46:08Before I was a singer, I drove trucks.
0:46:08 > 0:46:11It was flexible, I worked when I wanted.
0:46:11 > 0:46:14I listened to music all night long on the open road.
0:46:18 > 0:46:20- Can I help you? - No, you're all right.
0:46:22 > 0:46:24Is Jimmy in?
0:46:24 > 0:46:25No' seen him.
0:46:25 > 0:46:26OK, I'll catch him later.
0:46:30 > 0:46:31Aberdeen?!
0:46:31 > 0:46:32Aye.
0:46:34 > 0:46:35When?
0:46:35 > 0:46:36Soon.
0:46:36 > 0:46:38How soon?
0:46:39 > 0:46:40- Today.- Today?!
0:46:40 > 0:46:42Gabriel's got a hoose.
0:46:42 > 0:46:45- But it's got a nice wee garden.- Oh!
0:46:45 > 0:46:47- But it's hours away! - It's no' that far.
0:46:47 > 0:46:49Aye, it's far enough.
0:46:49 > 0:46:51I don't understand. This morning, you didn't even
0:46:51 > 0:46:53want to tell him you were having his wean.
0:46:53 > 0:46:56- But now I know.- Oh, so now you're gonnae take them away from me?
0:46:58 > 0:47:01- It's for the best. - What, for you or them?
0:47:01 > 0:47:02No, for all of us.
0:47:05 > 0:47:09So, are you's two back together?
0:47:09 > 0:47:10Well, it...
0:47:10 > 0:47:13- We're gonnae take our time.- Aye. - Look, I promise you, Scarlett,
0:47:13 > 0:47:16I'll take care and protect them all. I swear to you.
0:47:16 > 0:47:19Well, can you no' just stay here and get a job?
0:47:20 > 0:47:22- It's no' an option.- How no'?
0:47:22 > 0:47:23It just isnae, Ma.
0:47:25 > 0:47:27Is this what you really want, Kelly?
0:47:28 > 0:47:30Aye.
0:47:30 > 0:47:31It is, Ma.
0:47:31 > 0:47:33But I need you to be OK with it.
0:47:35 > 0:47:36Right.
0:47:42 > 0:47:43Right.
0:47:43 > 0:47:44Well...
0:47:46 > 0:47:48..it better be a big house...
0:47:48 > 0:47:51cos me and Jimmy will be coming up all the time.
0:47:52 > 0:47:53Come here, you.
0:47:58 > 0:48:00Pint of the usual, Gary.
0:48:00 > 0:48:02Stick it on my tab, please, mate.
0:48:02 > 0:48:06Sorry, Pete, you'll need to settle your tab first. 60 quid.
0:48:06 > 0:48:08I'll just, er...
0:48:08 > 0:48:10HE SIGHS
0:48:10 > 0:48:13- I'll just pay for the pint, then.- 55 quid, now.
0:48:13 > 0:48:15Kick a man while he's down, why don't you?
0:48:15 > 0:48:18It's a business, Pete, not a charity. Sorry.
0:48:18 > 0:48:20Hi, what can I get you?
0:48:29 > 0:48:31- Jimmy.- I'm not in the mood.
0:48:34 > 0:48:37Well, I-I saw your sign for drivers.
0:48:37 > 0:48:39Please, man, I'm...I'm desperado here.
0:48:39 > 0:48:43- Fine, you can start tomorrow. - Seriously? Thank you.
0:48:43 > 0:48:45- Thank you so much.- You're fine.
0:48:45 > 0:48:47If a gig came up, would I get cover?
0:48:48 > 0:48:51- Whatever, Pete.- Cheers, Jimmy.
0:48:51 > 0:48:55I don't suppose there's...any chance of a wee advance, is there?
0:49:06 > 0:49:08Aye, darling. We'll be hitting the road in a bit.
0:49:10 > 0:49:12Hopefully get up there before dark.
0:49:12 > 0:49:15Right, OK. See you soon, Nicole. Bye.
0:49:17 > 0:49:19- What's going on? - We're leaving, Jimmy.
0:49:19 > 0:49:22What?! Scarlett?
0:49:22 > 0:49:23Right, we're good to go.
0:49:23 > 0:49:26Aye. I'll just double-check I've got everything for Callum.
0:49:26 > 0:49:29Right, I'll give you a hand, darling.
0:49:29 > 0:49:31- What the hell are you playing at? - Oh, I know, Jimmy.
0:49:31 > 0:49:33I know everything -
0:49:33 > 0:49:37what your pal Lenny Murdoch's been doing to Kelly Marie.
0:49:37 > 0:49:39She's supposed to be your daughter.
0:49:40 > 0:49:41So I'll get her out.
0:49:41 > 0:49:44- I'll get her out of this hell. - He'll find you.
0:49:44 > 0:49:47- What, you think I'm scared of Lenny Murdoch?- Ha, you should be!
0:49:47 > 0:49:49See, I'm doing something about it, Jimmy.
0:49:49 > 0:49:51I'm standing up for Kel,
0:49:51 > 0:49:54- something you should have done a long time ago.- Don't push it, son.
0:49:54 > 0:49:56- How? What are you going to do? Run to Lenny?- What's going on?
0:49:56 > 0:49:57I'll let Jimmy explain.
0:49:57 > 0:50:00Right, come on. Let's go get Callum.
0:50:04 > 0:50:05What?
0:50:08 > 0:50:09HE CHUCKLES
0:50:13 > 0:50:15All right, compadre?
0:50:18 > 0:50:19Drew!
0:50:26 > 0:50:27See that?
0:50:27 > 0:50:28What?
0:50:28 > 0:50:31- The taxi.- Aye, what about it?
0:50:31 > 0:50:33The key, son. The key.
0:50:33 > 0:50:35What are you talking about?
0:50:35 > 0:50:38You're looking at the latest recruit to Amber Cabs.
0:50:38 > 0:50:41- You're going to be a driver? - It's perfect. Life on the open road.
0:50:41 > 0:50:43We can go cruising.
0:50:43 > 0:50:44Is that not illegal?
0:50:44 > 0:50:48Eh? No, no, a spin, a drive, whatever you want to call it.
0:50:48 > 0:50:50We might pick up some hot chicks.
0:50:51 > 0:50:54And tomorrow, I'm going to ring round the other theatres.
0:50:54 > 0:50:58That mob will be kicking themselves when our show's finally picked up.
0:50:58 > 0:50:59Trust me.
0:51:03 > 0:51:04Jimmy...
0:51:06 > 0:51:08Jimmy, talk to me!
0:51:08 > 0:51:11- I can't, Scarlett.- What's going on?
0:51:12 > 0:51:16Please, trust me - you're better off not knowing.
0:51:16 > 0:51:18What's Gabriel done?
0:51:18 > 0:51:22- He can't take her, I've got to stop them.- But he's a good guy.
0:51:22 > 0:51:24- He'll look after them. - Och, it's nothing to do with that.
0:51:24 > 0:51:27- Well, what's it to do with?! - HE SIGHS
0:51:27 > 0:51:29Scarlett, just for once, will you listen to me?
0:51:29 > 0:51:33I can't say why, but we've got to stop them, Cal and Kelly Marie.
0:51:33 > 0:51:35They can't leave Shieldinch.
0:51:35 > 0:51:38Oh, I know what this is about.
0:51:38 > 0:51:40It's about Callum and Lenny.
0:51:40 > 0:51:44You're worried about what Lenny will do if he loses wee Callum.
0:51:45 > 0:51:47I'm not worried. I know.
0:51:47 > 0:51:50Jimmy, they're going to Aberdeen, they're not going to Australia.
0:51:50 > 0:51:52- You'll be able to visit him. - HE SIGHS
0:51:52 > 0:51:56She cannae leave, OK?! Kelly Marie, she cannot leave!
0:52:19 > 0:52:22'You've reached the voicemail of Alex Murdoch.
0:52:22 > 0:52:23'Please leave a message.'
0:52:23 > 0:52:25Hi, it's me.
0:52:26 > 0:52:28I'm sorry...about earlier.
0:52:30 > 0:52:34Why don't we go for a drink or something? I...
0:52:34 > 0:52:35I hate fighting with you.
0:52:37 > 0:52:40I'll come round and see if you're home. Bye.
0:52:47 > 0:52:49TENSE MUSIC BUILDS
0:53:00 > 0:53:03Look, maybe they didn't go. They could still be inside.
0:53:03 > 0:53:05They definitely went.
0:53:06 > 0:53:10- I really don't know about this, Gabriel.- Well, it's the only way.
0:53:16 > 0:53:17- Oh, no.- What?
0:53:19 > 0:53:20That's Alex's car.
0:53:26 > 0:53:28Is that Gabriel?
0:53:30 > 0:53:32What are they playing at?
0:53:33 > 0:53:36- Oh, my God, there they are. Babe, what are we going to do?- We go.
0:53:36 > 0:53:40- W-What about them?- This is the only chance we're going to get.
0:53:40 > 0:53:41This is it. Go.
0:53:45 > 0:53:47Callum, come with me.
0:53:47 > 0:53:49Just get the wee man in the car.
0:53:49 > 0:53:50Don't dare put him in that car.
0:53:50 > 0:53:53Hey, you don't control Kelly Marie any more. Have you got that?
0:53:53 > 0:53:56That right? You know who I feel sorry for? That wean that's coming.
0:53:56 > 0:53:57Going to grow up without a dad.
0:54:13 > 0:54:16Gabriel! Gabriel, look at me! Gabriel, are you all right?
0:54:16 > 0:54:18- Gabriel, put your head up for me. - Gabriel, look at me!
0:54:18 > 0:54:20- It's all right, I'm fine. - No, look at me, Gabriel.
0:54:22 > 0:54:23(Oh, my God...)
0:54:23 > 0:54:25- Oh, my God! - We need to call an ambulance.
0:54:25 > 0:54:27- Call an ambulance, Kelly Marie!- OK!
0:54:27 > 0:54:29Gabriel?
0:54:29 > 0:54:30Right, squeeze my hand, Gabriel.
0:54:30 > 0:54:33Hello, can I have an ambulance, please?
0:54:33 > 0:54:36It'll be OK... M-M-M-Montego Street, Shieldinch.
0:54:45 > 0:54:48Gabriel! Please don't die, do you hear me? Don't leave me!
0:54:48 > 0:54:49Please don't leave me...
0:54:52 > 0:54:55- He looked dead. - They're going to send me back.
0:54:55 > 0:54:58- Hey, nobody's going to jail, all right?- If he dies, it's murder!
0:54:58 > 0:55:02You need to calm down, OK? We've got to stick together.
0:55:02 > 0:55:06Sing from the same hymn sheet. Get your story straight, all right?
0:55:08 > 0:55:10He's not going to make it, is he?
0:55:12 > 0:55:13Don't think like that, Kelly.
0:55:15 > 0:55:16We can't lose him.
0:55:17 > 0:55:20- I just got him back.- Aw, darling.
0:55:24 > 0:55:26Er, Gabriel Brodie, any update?
0:55:28 > 0:55:32- Hrm-hrm, Kelly Marie. - Now's not the time.
0:55:32 > 0:55:35I'm sorry, I know it's tough, but we need to find out what happened.
0:55:35 > 0:55:37She's not in any state to talk to you right now.
0:55:37 > 0:55:39Show some respect, eh?
0:55:39 > 0:55:42Kelly Marie, I know it was the Murdochs behind this -
0:55:42 > 0:55:45- Alex and Amber, Lenny.- Stop putting words in her mouth, eh?
0:55:45 > 0:55:49- We need to act fast.- How many times? She's not ready to talk.
0:55:49 > 0:55:51What do you think, Kelly? How do you feel?
0:55:51 > 0:55:56- I mean, I'll come with you. - I can't think straight.- Maybe later.
0:55:56 > 0:55:59Kelly Marie, how much more are you going to take from them?
0:55:59 > 0:56:03- Why protect them any longer? - She's not up for talking, right?
0:56:03 > 0:56:06You are the prime witness. You can get them now. We can finish this.
0:56:06 > 0:56:09But I need you. I need your statement about what happened.
0:56:09 > 0:56:12- You need to leave.- Kelly Marie...
0:56:12 > 0:56:13I don't know.
0:56:14 > 0:56:17This is the strongest hand you'll ever have had against them.
0:56:19 > 0:56:22Don't say anything, right? Lenny will kill you.
0:56:22 > 0:56:23Aye, but he hasn't yet, has he?
0:56:23 > 0:56:26- I was thinking if there was a more credible witness.- Lenny...
0:56:26 > 0:56:28- Somebody that had a clearer version of the events.- Lie, you mean.
0:56:28 > 0:56:30I thought you cared for him.
0:56:30 > 0:56:34Are you going to take the fall for something you didn't start? Five years for your brother this time?
0:56:34 > 0:56:37When are you due? I bet you'd do anything to protect your child. I'm the same.
0:56:37 > 0:56:39Phone Donald, tell him you've changed your story.
0:56:39 > 0:56:44Lenny made me write my own suicide note. The only thing that stopped me was Callum and Jimmy coming home.
0:56:44 > 0:56:45You knew this?
0:56:45 > 0:56:48He was just hanging on last time I checked. He might even be dead now.
0:56:48 > 0:56:51That takes things up a notch, doesn't it? Potential murder charge?
0:56:51 > 0:56:53I'm done. I've got nothing, Lenny. Cannae fight you any more.
0:56:53 > 0:56:56All that hard work, all that time to get to where you are now.
0:56:56 > 0:56:58You're really going to risk it all to protect that mob?
0:56:58 > 0:57:01She's forcing my hand here! There's no way back from this.
0:57:01 > 0:57:03- Not for any of us. - Just go, Jimmy.- I'm so sorry.