0:00:21 > 0:00:23I've been waiting for 15 years for this.
0:00:23 > 0:00:26Tell her that you're choosing a war zone over your family.
0:00:26 > 0:00:29- Dad?- What would you say about us all going on holiday?- Yay!
0:00:29 > 0:00:30- I'll see you tomorrow. - Cheers, mate.
0:00:30 > 0:00:32Let me put out a missing persons.
0:00:32 > 0:00:35- I just want her back. - But I saw her just the other night.
0:00:35 > 0:00:36- Was she with anyone?- Belinda.
0:00:36 > 0:00:39It's going to take me a while to forget how you've betrayed me in the past.
0:00:39 > 0:00:41So you can't access Belinda's sealed file.
0:00:41 > 0:00:44- She's dangerous. - She's got my daughter.
0:00:44 > 0:00:46- We're finished.- Then let me go. - Too late for that.
0:00:46 > 0:00:47SHE SCREAMS
0:00:48 > 0:00:51Grrr! Come on!
0:00:53 > 0:00:55SHE STRAINS AND STRUGGLES
0:00:55 > 0:00:58Come on... Come on...
0:01:05 > 0:01:06Yes!
0:01:22 > 0:01:25METALLIC BANGING
0:01:35 > 0:01:37DISTANT BANGING
0:01:39 > 0:01:41SCREW CLATTERS TO GROUND
0:02:17 > 0:02:22- You OK?- Uh-huh.- Why are you out of breath?- Bad dream.
0:02:22 > 0:02:26- I suppose that's my fault, then? - I never said that.
0:02:26 > 0:02:27I can see it in your eyes.
0:02:27 > 0:02:28Really, you can't.
0:02:51 > 0:02:56Well, that's good, because none of this is easy for me either.
0:02:56 > 0:02:58- You planning a feast?- Kind of.
0:03:05 > 0:03:07I'm aware of that, sir.
0:03:09 > 0:03:12Fine, fine, but if there was a media strategy, can I...
0:03:14 > 0:03:17Yes, thank you, sir. Yeah, I'll be in touch.
0:03:17 > 0:03:18- News?- Not yet.- Not yet?
0:03:18 > 0:03:21Come on, Columbo, the trail's getting colder by the second here.
0:03:21 > 0:03:24So what's the media strategy? Is there going to be a press conference?
0:03:24 > 0:03:28Chief won't authorise one. He doesn't feel there's grounds to consider this an abduction.
0:03:28 > 0:03:30Belinda is a murder suspect and an ex-con.
0:03:30 > 0:03:31And Amber was her cell mate.
0:03:31 > 0:03:34- So officially, this is a Missing Persons case. - So what does that get us?
0:03:34 > 0:03:36All units will have photos and descriptions of both the women.
0:03:36 > 0:03:38But it does mean a lot less units on the ground.
0:03:38 > 0:03:40They're not going to be walking the streets, are they?
0:03:40 > 0:03:42She's going to have her stashed away.
0:03:42 > 0:03:45Which means a house that's been broken into or signs of life in a disused building.
0:03:45 > 0:03:47We will be looking out for that too.
0:03:47 > 0:03:48So now we're counting on a polis noticing
0:03:48 > 0:03:50a broken window on the way to his next tea break?
0:03:50 > 0:03:52It's a start, Lenny.
0:03:52 > 0:03:55We're speaking to informants as well - if Amber was sedated then
0:03:55 > 0:03:57somebody had to provide the drugs.
0:03:57 > 0:03:59They're well known for being chatty, those guys.
0:03:59 > 0:04:02- I think I can make it worth their while.- Not good enough. - What are you doing?
0:04:02 > 0:04:04Seeing if 50 grand is going to start somebody talking.
0:04:04 > 0:04:06Reward money, really?
0:04:06 > 0:04:09Sometimes it takes more than civic duty to motivate people.
0:04:09 > 0:04:12Those sort of people you're talking about could get Amber killed.
0:04:12 > 0:04:15Look. You going by the book, it's getting us nowhere, OK?
0:04:15 > 0:04:18So stay out of my road while I get my daughter back.
0:04:22 > 0:04:28HE HUMS
0:04:29 > 0:04:30Must he do that?
0:04:31 > 0:04:33I find it quite pleasant, actually.
0:04:33 > 0:04:36Couldn't hold a tune in a bucket, actually.
0:04:36 > 0:04:39Gonna let us in and put the kettle on any time soon?
0:04:39 > 0:04:42Of course, of course. I'm not one to neglect my duties.
0:04:42 > 0:04:45Now, are either of you ladies fans of Puccini?
0:04:45 > 0:04:48I'll stick to custard creams, thanks.
0:04:48 > 0:04:50He means the composer.
0:04:50 > 0:04:54Indeed I do. There's a touring production of Madame Butterfly
0:04:54 > 0:04:57in town tonight and I just happen to have a spare ticket.
0:04:58 > 0:05:01On you go, doll. Oh, I'll not stand in your way.
0:05:01 > 0:05:05Oh, well, yes, I'm sure that would be an experience.
0:05:05 > 0:05:08- You'll join me then?- I will. - Splendid.
0:05:13 > 0:05:14What?
0:05:14 > 0:05:16You've never been to an opera in your life.
0:05:16 > 0:05:21Maybe not, but Malcolm and I were regular theatre go-ers.
0:05:21 > 0:05:23Francie and Josie don't count as theatre.
0:05:23 > 0:05:26You can mock all you like, but I will be enjoying
0:05:26 > 0:05:32a cultural evening while you park yourself in front of the idiot box.
0:05:36 > 0:05:39Did Andy say where he was going?
0:05:39 > 0:05:40I didn't ask.
0:05:42 > 0:05:44You've had some breakfast, good. Good.
0:05:44 > 0:05:46Uh-huh.
0:05:46 > 0:05:48You OK to take Katie into school today?
0:05:48 > 0:05:51What, like every other day, do you mean?
0:05:51 > 0:05:53It's not like every other day, is it? After last night.
0:05:53 > 0:05:57Mum, I'm good. Katie's good.
0:05:57 > 0:06:01- Even Andy's good. - Cool.
0:06:01 > 0:06:05Don't say cool - you're like a million years old.
0:06:07 > 0:06:08Cheers, thanks very much.
0:06:21 > 0:06:24Just concentrate on Glasgow initially,
0:06:24 > 0:06:26we'll cast the net wider as and when.
0:06:26 > 0:06:29Send everything over to me - everything.
0:06:29 > 0:06:33- Thank you.- The very best the forces of law and order can offer, eh?
0:06:33 > 0:06:35We haven't got time for you two to lock horns.
0:06:35 > 0:06:37Listen, what I wanna know is, what it's going to take for your boss
0:06:37 > 0:06:40to take it seriously - a ransom note?
0:06:40 > 0:06:41Amber's finger in the post?
0:06:41 > 0:06:43I've put in a request for Belinda's file to be opened.
0:06:43 > 0:06:45So that might let us bring more pressure to bear.
0:06:45 > 0:06:49- A request? Why can't you just... - It's complicated. - It's pathetic, that's what it is.
0:06:49 > 0:06:53Her case file's been sealed - any offences she committed as a juvenile
0:06:53 > 0:06:55aren't available to us without the approval of both the Fiscal's Office
0:06:55 > 0:06:59- and a representative of the court that passed the original judgment. - What is this, a joke?
0:06:59 > 0:07:04A young woman's been abducted and we're waiting here for you, to what, find out about ticking boxes?
0:07:04 > 0:07:06I've set the wheels in motion - it's just gonna take time.
0:07:06 > 0:07:07This whole sealed thing.
0:07:07 > 0:07:10They wouldn't go to all that trouble for something like shoplifting.
0:07:10 > 0:07:12We're dealing with a maniac here, but I don't want you to worry -
0:07:12 > 0:07:15because he's set wheels in motion.
0:07:17 > 0:07:18It's procedure.
0:07:18 > 0:07:21You've cut all kinds of corners down the years, anything to get to him.
0:07:21 > 0:07:25You've picked a hell of a time to start doing things by the book.
0:07:27 > 0:07:30- There you go.- Thanks.
0:07:31 > 0:07:33Here we are.
0:07:33 > 0:07:37Thanks. Sorry for being a bit teenage.
0:07:37 > 0:07:38Don't worry about it.
0:07:38 > 0:07:40I shouldn't really have dragged you away.
0:07:40 > 0:07:42There's nothing else I can do.
0:07:42 > 0:07:45Is Alex worried?
0:07:45 > 0:07:48My stuff feels a bit lame now.
0:07:48 > 0:07:50No, I'm sure it's not.
0:07:50 > 0:07:53Andy wants us to go on holiday together.
0:07:53 > 0:07:54Great, maybe I was a bit hasty.
0:07:54 > 0:07:59- I know...- No, no, I'm joking. Well, it's a big deal.
0:07:59 > 0:08:05It really is. It means going public, and making a commitment.
0:08:05 > 0:08:07Are you ready for that?
0:08:07 > 0:08:09I think I am.
0:08:09 > 0:08:10Think?
0:08:10 > 0:08:12I know I am.
0:08:12 > 0:08:14Enjoy, ladies.
0:08:14 > 0:08:15I wasn't gonna have a cake.
0:08:15 > 0:08:18- It's, literally, what the doctor ordered.- I couldn't resist.
0:08:18 > 0:08:21There's your personal philosophy in a nutshell.
0:08:23 > 0:08:27See? I'm much more of a scarlet woman than you'll ever be.
0:08:27 > 0:08:30At least you won't have your ex still on the scene.
0:08:30 > 0:08:31Hmmm, there is that.
0:08:31 > 0:08:36- Andy, he makes you happy, doesn't he?- Uh-huh.
0:08:36 > 0:08:39And the kids are coming round to the idea?
0:08:39 > 0:08:41Pretty much. Even Frankie.
0:08:41 > 0:08:43Then there's no-one else to worry about, is there?
0:08:47 > 0:08:48So, how bad?
0:08:50 > 0:08:52Is it...
0:08:52 > 0:08:55- Is it permanent, you mean?- Yeah.
0:08:57 > 0:09:00No. No, thankfully not.
0:09:02 > 0:09:05They can't put a concrete timeframe on things, but
0:09:05 > 0:09:09I'm already better than what I was, so...
0:09:09 > 0:09:10Good.
0:09:11 > 0:09:14You don't need to look so worried.
0:09:14 > 0:09:18I just need you to help me get me of here and then I won't bother you again.
0:09:18 > 0:09:20What do you mean, get out?
0:09:20 > 0:09:23Well, they won't discharge me unaccompanied.
0:09:23 > 0:09:26It's all to do with the insurance and stuff.
0:09:26 > 0:09:29What am I meant to do, leave you at a bus stop?
0:09:29 > 0:09:32It's all right, I've got everything sorted - a hotel,
0:09:32 > 0:09:35nice accessible room, it's got everything on site.
0:09:35 > 0:09:38- A hotel?- A restaurant, bar,
0:09:38 > 0:09:41there's even a gym I can start working out on my upper body.
0:09:41 > 0:09:42Greig, you can't be on your own.
0:09:43 > 0:09:45I'll be all right, thanks.
0:09:45 > 0:09:48- No, no.- Look, you owe me this.
0:09:49 > 0:09:54Just help me out with this one little favour and then you can get back to...
0:09:57 > 0:09:59Yeah, well, let's not even go there, eh?
0:10:21 > 0:10:22DOOR OPENS
0:10:22 > 0:10:24Can you just give me a minute please? Thank you.
0:11:12 > 0:11:14What sort of a host am I, eh?
0:11:15 > 0:11:17Leaving you like...
0:11:26 > 0:11:27Bee, no.
0:11:27 > 0:11:29You can't play nice, can you?
0:11:29 > 0:11:31You...can't...play...nice!
0:11:33 > 0:11:35Where are you going?
0:11:35 > 0:11:37I'm not going anywhere, darling.
0:11:37 > 0:11:38Wait, how do we get out if...
0:11:38 > 0:11:41There is no getting out.
0:11:41 > 0:11:42Can't you see it?
0:11:45 > 0:11:46Today is the day, Amber.
0:12:06 > 0:12:08Inspector? Inspector?
0:12:09 > 0:12:11Any news? On Amber?
0:12:11 > 0:12:14I think I should probably talk to Lenny first.
0:12:14 > 0:12:15Have you found her? Is it bad?
0:12:15 > 0:12:18No, no - it's very much an ongoing investigation.
0:12:18 > 0:12:19All right. OK, OK, thanks.
0:12:23 > 0:12:26Annie, I need to go.
0:12:26 > 0:12:28That was Andy, he's with Greig.
0:12:28 > 0:12:29Awkward.
0:12:29 > 0:12:32No, not like that. He's been injured.
0:12:32 > 0:12:33Wounded.
0:12:33 > 0:12:34Is it serious?
0:12:34 > 0:12:36Oh, Annie, it's bad. I need to go.
0:12:36 > 0:12:37Will you come with me, please?
0:12:37 > 0:12:38Of course. Of course.
0:12:38 > 0:12:41I don't know what I'm gonna do, or even what I'm gonna say...
0:12:41 > 0:12:43It's all right. We're going to sort it, OK?
0:12:47 > 0:12:49You hear anybody's got a sniff about anything,
0:12:49 > 0:12:51you bring them to me, OK? Cash on delivery.
0:12:53 > 0:12:55Things might get a little messy.
0:12:55 > 0:12:58It doesn't really matter, don't think I'll be a cop much longer.
0:12:58 > 0:13:02- What are you talking about? - Don't kid yourself - he'll be a cop till the day he dies.
0:13:02 > 0:13:05I accessed that sealed file. Without authorisation.
0:13:05 > 0:13:08As soon as my bosses find out, I'm done.
0:13:08 > 0:13:10When she was 14 years old, Belinda Roberts,
0:13:10 > 0:13:13real name Jean Marsden, stabbed a boy in her class to death.
0:13:13 > 0:13:17He was the boyfriend of some girl that she'd become infatuated with.
0:13:17 > 0:13:19"Multiple knife wounds."
0:13:19 > 0:13:21A frenzied attack.
0:13:22 > 0:13:24And the lassie?
0:13:24 > 0:13:28She died too. The file talks about a suicide pact but...
0:13:28 > 0:13:29Belinda survived.
0:13:29 > 0:13:33She did. She stole a car, drove it into a river.
0:13:33 > 0:13:35The girl just never made it out.
0:13:35 > 0:13:37Do you reckon that what she's got planned? For Amber?
0:13:37 > 0:13:39Quite possibly.
0:13:39 > 0:13:42Then please tell me you've got more than two men and a dog on it?
0:13:42 > 0:13:45Every possible resource is now being deployed.
0:13:45 > 0:13:48Since we don't know how much time we have...
0:13:48 > 0:13:49Who's this?
0:13:49 > 0:13:54Kyle Williams - he's a low level drug dealer, also the last known
0:13:54 > 0:13:55associate of Belinda.
0:13:55 > 0:13:58Since we can't find him by legitimate means...
0:14:13 > 0:14:18This. This is where it all ends, then?
0:14:18 > 0:14:19I'm afraid so, babe.
0:14:28 > 0:14:31D'you know what I've always thought is really romantic?
0:14:33 > 0:14:37You know when you see a funeral pyre and the widow, she throws
0:14:37 > 0:14:38herself onto the flames.
0:14:40 > 0:14:47She's overcome with grief, yes, but it's passion too. Love.
0:14:51 > 0:14:53You're going to kill us both.
0:14:55 > 0:14:56There'll be a blast.
0:14:57 > 0:15:03The gas, and the boiler, but it'll be instantaneous.
0:15:03 > 0:15:04I'd hate for you to suffer.
0:15:10 > 0:15:13This place is going to be demolished.
0:15:16 > 0:15:18No-one will ever find me, will they?
0:15:19 > 0:15:21They might find our ashes.
0:15:23 > 0:15:24My family.
0:15:26 > 0:15:27My family won't know.
0:15:29 > 0:15:31Craig won't know.
0:15:31 > 0:15:34He doesn't care. He doesn't care about you.
0:15:34 > 0:15:38He does. He's probably out there, now, looking for me.
0:15:38 > 0:15:39He's got no right.
0:15:39 > 0:15:43To what? To care about me? To love me?
0:15:46 > 0:15:48How are you gonna stop him?
0:15:49 > 0:15:51I'm not. You are.
0:16:00 > 0:16:01Wow.
0:16:03 > 0:16:07- He had to call. You know he did.- Suppose so.
0:16:11 > 0:16:12What, are you here to give me a once-over?
0:16:12 > 0:16:15- I'm here to support my sister. - I didn't ask for an audience.
0:16:15 > 0:16:16I didn't want an audience.
0:16:16 > 0:16:19Well, you're gonna need some help.
0:16:19 > 0:16:20Not from you.
0:16:24 > 0:16:25We'll wait.
0:16:26 > 0:16:28It's all right, I've got it.
0:16:32 > 0:16:33Free country.
0:16:33 > 0:16:36At least let me talk to your doctors?
0:16:37 > 0:16:39Please?
0:16:39 > 0:16:41If it stops getting me grief.
0:16:41 > 0:16:43Fire ahead.
0:16:46 > 0:16:48Find out everything you can.
0:16:53 > 0:16:57- What now?- I honestly don't know.
0:16:58 > 0:17:01Well, this is extremely generous of you.
0:17:01 > 0:17:04Most of it was liberated from Robbie's wardrobe.
0:17:04 > 0:17:08- Does he know?- Lord, no, but it's for his own good.
0:17:08 > 0:17:11The phrase mutton dressed as lamb did spring to mind.
0:17:11 > 0:17:15Well, whatever the motivation, I'm sure all this will fly off the racks.
0:17:15 > 0:17:19You should see if there's any gladrags in there to suit you, Liz.
0:17:19 > 0:17:22My son is a gay man, not a drag queen.
0:17:22 > 0:17:26Molly, for a change, was being facetious.
0:17:26 > 0:17:27I was just saying to her
0:17:27 > 0:17:31I don't know what I'll wear for the opera tonight.
0:17:31 > 0:17:34The opera? Hmm, fancy.
0:17:36 > 0:17:41Now, that's my problem, actually. Is there a formal dress code?
0:17:41 > 0:17:44Well, I shall be giving the old dickie bow an airing.
0:17:44 > 0:17:45Oh, help.
0:17:45 > 0:17:47I don't know if I've got anything appropriate,
0:17:47 > 0:17:49I would hate to show you up.
0:17:49 > 0:17:51You're not having second thoughts, are you?
0:17:51 > 0:17:53Ooof, it's not that I don't want to go.
0:17:53 > 0:17:55Oh, Lord, no.
0:17:55 > 0:17:57Is there a ticket going spare then?
0:17:57 > 0:17:59It rather sounds as if there might be.
0:17:59 > 0:18:05Might be a bit of a strain for you, out so late, a woman of your years.
0:18:05 > 0:18:09Are you saying I should be tucked up at home with a mug of cocoa?
0:18:09 > 0:18:12Well, if you have nothing to wear.
0:18:12 > 0:18:15I'll find a frock from somewhere.
0:18:16 > 0:18:21- Alasdair, I wouldn't miss it for the world.- Marvellous.
0:18:25 > 0:18:28Are you focusing on places near water?
0:18:28 > 0:18:32As best we can. Glasgow's got miles of rivers, canals.
0:18:32 > 0:18:34They could be at Loch Lomond in 20 minutes.
0:18:34 > 0:18:37And there's no guarantee she'll follow the same pattern anyway.
0:18:37 > 0:18:40- That's the boy Kyle on his way. - Your people work fast.
0:18:40 > 0:18:43You should try it some time.
0:18:43 > 0:18:46PHONE RINGS
0:18:46 > 0:18:49Donald. Hello?
0:18:49 > 0:18:53- Hello?- 'Craig, it's me.' - Amber?- 'Yes.'
0:18:57 > 0:19:00- Are you OK?- 'I'm fine. I'm...'
0:19:00 > 0:19:05I'm with the person who is my destiny.
0:19:05 > 0:19:06Are you safe?
0:19:08 > 0:19:11Belinda loves me. And I love her.
0:19:11 > 0:19:15'You have to understand.'
0:19:15 > 0:19:19We're like Romeo and Juliet.
0:19:19 > 0:19:21'It's important you understand.'
0:19:22 > 0:19:26- You could never compete with what we have.- 'I do. I understand.'
0:19:26 > 0:19:29- She means more to me than you ever did.- 'I'm happy for you.'
0:19:29 > 0:19:31For both of you.
0:19:31 > 0:19:35Look, we don't want anybody getting into trouble here.
0:19:35 > 0:19:38Or hurt. People are worried about you.
0:19:38 > 0:19:39'Your dad's tearing his hair out.'
0:19:39 > 0:19:42- I have to go now.- 'Listen, Amber. Is Belinda there?
0:19:42 > 0:19:45- 'Can I talk to her?' - She's got nothing to say to you.
0:19:45 > 0:19:47'Amber...'
0:19:55 > 0:19:56Where are you going?
0:19:56 > 0:19:57I need a minute.
0:20:02 > 0:20:04What is it? What happened there?
0:20:04 > 0:20:07- Has she got her at gunpoint?- Is she drugged? I don't know, maybe both.
0:20:07 > 0:20:10- Oh, God.- Listen to me, both of you. We need to go over what she said.
0:20:10 > 0:20:12She might have been trying to tell us something.
0:20:12 > 0:20:14She kept saying I had to understand,
0:20:14 > 0:20:16and then something about Romeo and Juliet.
0:20:19 > 0:20:21- She knows.- What do you mean?
0:20:22 > 0:20:24She knows how that wee story ends.
0:20:24 > 0:20:27She knows what's going to happen. She knows what Belinda's going to...
0:20:27 > 0:20:31- She must be terrified. Can you trace the call?- Yeah, yeah, we can try.
0:20:35 > 0:20:37Look at me.
0:20:38 > 0:20:40Lenny. Dad.
0:20:42 > 0:20:45She's still alive. We're going to get her back.
0:20:45 > 0:20:48Kyle, my boy, your timing's perfect.
0:20:48 > 0:20:50You might be better off out of here.
0:20:50 > 0:20:53There's no time to be squeamish.
0:20:53 > 0:20:55Listen, listen, let me talk to him.
0:20:55 > 0:20:58I've interviewed thousands of guys like that - he'll just tell you
0:20:58 > 0:21:00whatever he thinks you want to hear, he'll tell me the truth.
0:21:00 > 0:21:02Yeah, can I get a trace on a mobile phone, please?
0:21:02 > 0:21:05- He knows what he's doing. - You think so?
0:21:10 > 0:21:11What did they say?
0:21:12 > 0:21:14Well, you know what doctors are like.
0:21:14 > 0:21:16Annie, please.
0:21:19 > 0:21:23He had to have surgery to remove the shrapnel.
0:21:23 > 0:21:27It had gone into his back and broke a vertebrae,
0:21:27 > 0:21:30which compacted his spinal cord.
0:21:30 > 0:21:33It's only when the swelling goes down after the operation,
0:21:33 > 0:21:36that they'll be able to tell whether there's any permanent nerve damage.
0:21:36 > 0:21:41So, are you saying he might never walk again?
0:21:41 > 0:21:42Worst case scenario.
0:21:44 > 0:21:45What's the best case?
0:21:45 > 0:21:48Swelling goes down, he spends some time doing physio,
0:21:48 > 0:21:51you know, building his strength back up.
0:21:51 > 0:21:54- Then crutches, then a stick, then hopefully...- Back to normal.
0:21:54 > 0:21:57Yes. It is going to be a waiting game, Lor.
0:21:59 > 0:22:00Thank you.
0:22:02 > 0:22:04Well, that's me, officially demobbed,
0:22:04 > 0:22:09so if one of you lovely people could call me a cab, that would be great.
0:22:09 > 0:22:10Get him out of here.
0:22:16 > 0:22:18- So are we getting somewhere now? - It's a start.
0:22:18 > 0:22:21So why is he looking more worried than before?
0:22:21 > 0:22:24- I don't like that she's stopped covering her tracks. - What do you mean?
0:22:24 > 0:22:26She got her tranquillisers from a known associate.
0:22:26 > 0:22:29- She's let Amber use her phone. - So? She's getting slack.
0:22:29 > 0:22:32Or she thinks it doesn't matter any more because by the time
0:22:32 > 0:22:33we find her it'll be too late.
0:22:33 > 0:22:36- You got a laptop I can use? - In the car, gimme two seconds.
0:22:39 > 0:22:41This is all going to go down today, isn't it?
0:22:41 > 0:22:43It is, probably.
0:22:46 > 0:22:50- You're gonna get her killed. - No, I'm gonna save her life.
0:22:50 > 0:22:52PHONE RINGS
0:22:52 > 0:22:53Donald.
0:22:55 > 0:22:57Great, stick the coordinates in an e-mail for me, will you?
0:22:57 > 0:22:59And thank you, good work.
0:22:59 > 0:23:01- We've got a lead on the phone. - Excellent.- Lenny...
0:23:01 > 0:23:03You do things your way, OK? I'll do it mine.
0:23:09 > 0:23:11You can't possibly function on your own.
0:23:11 > 0:23:13Thanks for the vote of confidence,
0:23:13 > 0:23:15but I don't remember asking you to come round here,
0:23:15 > 0:23:16to tell me what I can and can't do.
0:23:16 > 0:23:18For God's sake, man, of course you did.
0:23:18 > 0:23:20What do you mean by that?
0:23:21 > 0:23:23Well, you've still got family in Belfast.
0:23:23 > 0:23:27And you've got loads of other friends in the army.
0:23:27 > 0:23:29You called Andy because you knew he'd bring Lorna
0:23:29 > 0:23:32so the both of them could see the state you were in.
0:23:32 > 0:23:34What is it they call it? Bedside manner, is that it?
0:23:34 > 0:23:38Do they hand out awards for that sort of thing? Cos you'd be a frontrunner, Annie.
0:23:41 > 0:23:45I didn't plant the bomb by the roadside if that's what you're asking.
0:23:47 > 0:23:49I wanted to be near my children.
0:23:51 > 0:23:52When the blast went off.
0:23:52 > 0:23:55When they were putting me in the chopper.
0:23:55 > 0:23:58When they wheeled me into theatre, such as it was, like.
0:24:00 > 0:24:04It was my kids that I was thinking about, not any of you three.
0:24:04 > 0:24:07So, yeah, I did pick Glasgow.
0:24:07 > 0:24:09Now, I'm sorry if that's inconvenient for anyone here,
0:24:09 > 0:24:12- but that's just the way it goes.. - He's coming home.
0:24:12 > 0:24:15- Home?- Lorna.
0:24:15 > 0:24:18- What, do I not get a say in any of this?- No, you don't.
0:24:18 > 0:24:21You need to stay with me until you're well enough to...
0:24:21 > 0:24:23Until you're well enough.
0:24:23 > 0:24:25You don't know what's gonna happen. No-one does.
0:24:25 > 0:24:27All the more reason.
0:24:27 > 0:24:29I don't need you to be my carer.
0:24:29 > 0:24:32No, but I'm still the mother of your children.
0:24:32 > 0:24:38For their sake, we both... We all need to do the right thing.
0:24:40 > 0:24:43You don't want to come across as desperate.
0:24:43 > 0:24:44How is a text going to do that?
0:24:44 > 0:24:49A text is fine, another date so soon, a double date?
0:24:49 > 0:24:52We're his pals, what's wrong with hanging out together?
0:24:52 > 0:24:55All I'm gonna do is say I had a nice time last night.
0:24:55 > 0:24:59You're not going to say "nice", but?
0:24:59 > 0:25:03What do you want me to say? Epic? Sick? Rad?
0:25:03 > 0:25:05You need to put some oomph into it, man.
0:25:05 > 0:25:07AJ, you tell him, you're a man of the world.
0:25:07 > 0:25:10I don't need anybody to tell me anything, all right?
0:25:10 > 0:25:13Look, just be honest and be yourself.
0:25:13 > 0:25:16Did you not say the exact opposite the other day?
0:25:16 > 0:25:19Hey, if the coffee's bad you get to complain - the rest of the stuff
0:25:19 > 0:25:20I'm making up as I go along.
0:25:20 > 0:25:24Fine. But at least let me read the text before you send it, eh?
0:25:27 > 0:25:30So we know where Belinda bought the drugs, we know the call came
0:25:30 > 0:25:34from this mobile phone tower, here, coverage radius is 4.8 miles.
0:25:34 > 0:25:37Put in the two postcodes, see what it gives us.
0:25:38 > 0:25:40That's some distance apart.
0:25:40 > 0:25:43That's because there's only two points on the map,
0:25:43 > 0:25:44we need a third for triangulation.
0:25:44 > 0:25:48- Gimme the areas anyway, right, I want my boys out there. - No guns. No rescue attempts.
0:25:48 > 0:25:50They see anything, they call me. Deal?
0:25:50 > 0:25:55- Whatever.- They're looking for derelict buildings, derelict shops, lock ups,
0:25:55 > 0:25:58sheds - anywhere you could feasibly hold a person against their will.
0:25:58 > 0:26:01We'll start here. By the river.
0:26:05 > 0:26:07You need to trust him.
0:26:07 > 0:26:08That'll be the day.
0:26:08 > 0:26:11The guy's just committed career suicide for the chance to get Amber back.
0:26:11 > 0:26:13What do I care?
0:26:15 > 0:26:18This is Detective Inspector Donald.
0:26:18 > 0:26:22You need to focus CCTV analysis on the area where we've got the
0:26:22 > 0:26:25confirmed sighting of Belinda Roberts.
0:26:25 > 0:26:28Re-direct Air Support and patrol units too. Good.
0:26:28 > 0:26:30Keep me in the loop.
0:26:32 > 0:26:35I thought you were gonna wriggle out of it when Suzie was fishing
0:26:35 > 0:26:36for that ticket.
0:26:36 > 0:26:39Oh, no.
0:26:39 > 0:26:42Don't kid a kidder. C'mon, tell me, what is it?
0:26:44 > 0:26:51Well, I suppose it's silly, but I did not like how
0:26:51 > 0:26:56eager Alasdair seemed to jettison me in favour of a younger,
0:26:56 > 0:26:59more glamorous option.
0:27:00 > 0:27:02You're not jealous?
0:27:02 > 0:27:03No!
0:27:03 > 0:27:06Not in the traditional sense.
0:27:06 > 0:27:08What does that mean?
0:27:08 > 0:27:12I don't know how many more chances I'll get
0:27:12 > 0:27:15to be the lady on a gentleman's arm.
0:27:15 > 0:27:19I'd be a fool to pass this one up, wouldn't I?
0:27:19 > 0:27:24For goodness' sake, you've got plenty more nights ahead of you, woman.
0:27:24 > 0:27:29With the best will in the world, Molly, I think we both know that's not exactly true.
0:27:29 > 0:27:32You go and have a lovely time tonight,
0:27:32 > 0:27:35and Alasdair should count himself lucky that you're on his arm.
0:27:35 > 0:27:41- You'll be off home to get changed soon, I expect. - You expect correctly.
0:27:41 > 0:27:47Good, good. Don't get me wrong, a cardigan is a wardrobe essential,
0:27:47 > 0:27:51but for an evening of high culture...
0:27:51 > 0:27:56This one could put Grace Kelly in the shade, don't you worry.
0:27:56 > 0:28:02In my younger days folk told me I had a look of Shirley MacLaine.
0:28:02 > 0:28:07- Aye, aye, uh-huh, I can see that now that you mention it.- Really?
0:28:07 > 0:28:10You must have better eyesight than me.
0:28:23 > 0:28:24Hey, you.
0:28:26 > 0:28:27Dad...
0:28:27 > 0:28:32It's OK. Everything's gonna be fine. I promise.
0:28:32 > 0:28:33Let's get you inside, shall we?
0:28:33 > 0:28:38Wait til you see this. Andy is gonna carry me across the threshold in a second.
0:28:38 > 0:28:42- No, no, not like that. - Don't spoil his fun.
0:28:42 > 0:28:44Your best bet is just to get him up in the chair, OK?
0:28:56 > 0:28:57Are you sure about this?
0:28:59 > 0:29:01My lover's helping my crippled husband into the home that we
0:29:01 > 0:29:05planned to share - what could possibly go wrong?
0:29:10 > 0:29:12Have you seen my green shirt?
0:29:12 > 0:29:15- The one with the purple cuffs? - Yeah.
0:29:15 > 0:29:16Can't say I have, no.
0:29:16 > 0:29:17Well, it's vanished.
0:29:17 > 0:29:19You'll cope.
0:29:20 > 0:29:22Who's peed on your chips?
0:29:23 > 0:29:26Oh, I'm being ridiculous.
0:29:26 > 0:29:29Sorry, you're going to have to be a wee bit more specific.
0:29:29 > 0:29:31It's just Alasdair mentioned the opera earlier on...
0:29:31 > 0:29:34The opera? You?
0:29:34 > 0:29:37That is exactly what I mean.
0:29:37 > 0:29:38Sorry?
0:29:38 > 0:29:44I am very open-minded, very willing to broaden my horizons.
0:29:44 > 0:29:46OK, so, go.
0:29:46 > 0:29:49We can catch up on the Housewives another night.
0:29:49 > 0:29:51Oh, I wasn't even properly invited.
0:29:51 > 0:29:52Then why are you so worked up about it?
0:29:52 > 0:29:59Because it was a fleeting glimpse of a more cosmopolitan life.
0:29:59 > 0:30:01As I said, ridiculous.
0:30:01 > 0:30:04Actually I don't think it is.
0:30:04 > 0:30:06It's good that you're open to new things.
0:30:06 > 0:30:09That you don't want to pigeonhole yourself - you've got more to
0:30:09 > 0:30:11you than that, Mum.
0:30:11 > 0:30:16That's sweet of you to say but I think the moment's passed.
0:30:16 > 0:30:19Alasdair already has his companion for the evening.
0:30:32 > 0:30:34Oh, let me.
0:30:34 > 0:30:36It's all right, mate, you've done enough as it is.
0:30:36 > 0:30:39And anyway, it's not like you're gonna be around 24/7, is it?
0:30:57 > 0:30:59Piece of cake.
0:30:59 > 0:31:01Daddy!
0:31:01 > 0:31:02Careful, Katie.
0:31:02 > 0:31:05Ah, it's all right. Leave her be, it's what I want.
0:31:07 > 0:31:08It's what I need.
0:31:08 > 0:31:11- I made you a card.- Thank you.
0:31:14 > 0:31:16Dad.
0:31:20 > 0:31:23- Welcome home.- Thanks.
0:31:36 > 0:31:41Alasdair, the very man. What are you having - my shout?
0:31:41 > 0:31:44That's very hospitable of you - I'll have a lime and soda, please.
0:31:44 > 0:31:45Keeping a clear head for the opera, eh?
0:31:45 > 0:31:47Bad form to snooze.
0:31:47 > 0:31:50Mmmm. I wanted to pick your brains.
0:31:50 > 0:31:52My mum's mad keen on going, y'know.
0:31:52 > 0:31:54- Really?- Do you think it's important to try new things?
0:31:54 > 0:31:57Even, I mean, she'll kill me for saying this, later in life?
0:31:57 > 0:31:58Certainly I do.
0:31:58 > 0:32:00I'm starting to feel the same.
0:32:00 > 0:32:02An open mind is a healthy mind.
0:32:02 > 0:32:03Totes.
0:32:03 > 0:32:05A lime and soda coming up.
0:32:05 > 0:32:08Whatever you're drinking it's on me.
0:32:08 > 0:32:11Why am I so popular this evening?
0:32:11 > 0:32:13Oh, it's the least I can do. You've made Liz's day.
0:32:13 > 0:32:14You've made Liz's week.
0:32:14 > 0:32:17Have I really? I had no idea she was such a buff.
0:32:17 > 0:32:20Oh, definitely. A connoisseur.
0:32:21 > 0:32:24Do you go regularly then?
0:32:24 > 0:32:28Not as often as I'd like.
0:32:28 > 0:32:29What's your favourite?
0:32:29 > 0:32:32My, my, my favourite aria, you mean?
0:32:34 > 0:32:36- Yeah.- Well...
0:32:38 > 0:32:41..the one from the football.
0:32:41 > 0:32:43Ah, oh, yes.
0:32:43 > 0:32:45And yourself?
0:32:45 > 0:32:51Yes... Well, I like the one...
0:32:51 > 0:32:53from the ice cream advert.
0:32:56 > 0:32:59Ladies, I've been a fool.
0:32:59 > 0:33:02I doubt that very much.
0:33:02 > 0:33:04It never occurred to me that I should give up both my tickets.
0:33:04 > 0:33:07Oh, no, that wouldn't be fair.
0:33:07 > 0:33:11Who am I to stand in the way of two such enthusiasts?
0:33:11 > 0:33:12I insist.
0:33:12 > 0:33:14Looks like you two ladies have a date.
0:33:14 > 0:33:16- Lovely.- Splendid.
0:33:19 > 0:33:23Oh, one thing. I got my touring dates muddled up.
0:33:23 > 0:33:26It's not Puccini this month, it's Wagner.
0:33:27 > 0:33:30I don't think I'm familiar with...
0:33:30 > 0:33:33Tannhauser. It's a fascinating piece.
0:33:33 > 0:33:38You can really see him beginning to get into his Gesamtkunstwerk period.
0:33:41 > 0:33:44PHONE RINGS
0:33:44 > 0:33:45Donald.
0:33:45 > 0:33:46Yeah, just give me a second.
0:33:49 > 0:33:50That's her.
0:33:50 > 0:33:54Taken this morning outside Wild Life Outdoor Supplies.
0:33:54 > 0:33:57Said she's been in several times, bought sleeping bags,
0:33:57 > 0:33:59a camping stove, gas cylinders.
0:33:59 > 0:34:01- She's got Amber holed up somewhere. - Sounds like it.
0:34:01 > 0:34:04OK, we're looking for a deserted building, probably no power,
0:34:04 > 0:34:07we need to refocus the search on...
0:34:07 > 0:34:13Right no, no, no, I understand perfectly. Thank you.
0:34:13 > 0:34:15For everything. Bye.
0:34:16 > 0:34:17Well, you feel like sharing?
0:34:17 > 0:34:19What's next? Can we concentrate...
0:34:19 > 0:34:20I can't do anything now.
0:34:20 > 0:34:23Even that was a favour from someone who was risking their job.
0:34:23 > 0:34:26The bosses know that I've accessed that file, I'm out.
0:34:26 > 0:34:28- With immediate effect. - Where does that leave us?
0:34:28 > 0:34:31Three guys standing by the river. We should have brought a picnic.
0:34:31 > 0:34:32Let me try the triangulation thing.
0:34:32 > 0:34:35We've got Kyle, we've got the phone, we've got the camping shop.
0:34:35 > 0:34:38There's more to that call - Amber was trying to tell us something.
0:34:38 > 0:34:41She mentioned Romeo and Juliet. Did she ever see the play somewhere specific?
0:34:41 > 0:34:42- The film maybe?- I don't know.
0:34:42 > 0:34:44- Think!- I'm thinking.
0:34:44 > 0:34:46Maybe she got it at school at some point,
0:34:46 > 0:34:49- she got expelled halfway through her exams.- Why?
0:34:49 > 0:34:51Some carry on with a boy, it doesn't matter.
0:34:51 > 0:34:54- Search for schools on that grid. - And now we're clutching at straws. - It's the best I can do.
0:34:56 > 0:34:59There's a couple.
0:34:59 > 0:35:01This one. It's closed.
0:35:01 > 0:35:03Scheduled for demolition.
0:35:03 > 0:35:04It's the perfect place to hide out,
0:35:04 > 0:35:07no way to cook anything, you'd need camping supplies.
0:35:07 > 0:35:09- Is it near?- Close enough. - Let's go!
0:35:09 > 0:35:11- There you go.- Cheers.
0:35:14 > 0:35:19- Evening.- Hiya.- Evening, you're looking sharp.
0:35:19 > 0:35:21Fancy seeing you here.
0:35:21 > 0:35:22Wouldn't miss it for the world.
0:35:22 > 0:35:24Miss what? I thought we were just having a quick drink.
0:35:24 > 0:35:27We are - but so are Bob and Kim.
0:35:27 > 0:35:30I knew it. I am practically a mind-reader.
0:35:30 > 0:35:33Can you tell what I'm thinking the now, aye?
0:35:33 > 0:35:35You know I wasn't interested in some lame double date thing.
0:35:35 > 0:35:37I'm helping my mate in the early stages of
0:35:37 > 0:35:39a potentially life-changing relationship.
0:35:39 > 0:35:41Geez, overstate your case much?
0:35:41 > 0:35:43Please, keep arguing, guys, it's ideal.
0:35:43 > 0:35:47See, you've shattered his fragile confidence.
0:35:47 > 0:35:50You look nice, Bob.
0:35:50 > 0:35:52Thanks, Liz.
0:35:52 > 0:35:54Yous wanting a drink?
0:35:54 > 0:35:57Nothing for them, they're going to the opera, all of them.
0:35:57 > 0:36:01And that includes you, Cinders, you shall go to the ball.
0:36:01 > 0:36:02How did you know?
0:36:02 > 0:36:04He's psychic now, have you not heard?
0:36:04 > 0:36:06I know because I've bought two tickets and I'm going to take you.
0:36:06 > 0:36:11I've already got a ticket. Alasdair very kindly gave up his.
0:36:11 > 0:36:13What? What am I supposed to do now?
0:36:13 > 0:36:15- You can take me.- Yes!
0:36:15 > 0:36:16No, you can't.
0:36:16 > 0:36:18Oh, can't he?
0:36:18 > 0:36:19Because you're supposed to be making amends
0:36:19 > 0:36:22for standing me up last night, only we're here to spy on Bob's date.
0:36:22 > 0:36:25If you go I'm going to look like a right third wheel.
0:36:25 > 0:36:28Bob's date? Who's the lucky lassie?
0:36:28 > 0:36:29She is.
0:36:33 > 0:36:35All right?
0:36:40 > 0:36:43Place is huge. We should split up, make more ground.
0:36:43 > 0:36:47You try around the back. You see anything, you call me, then you call 999.
0:36:47 > 0:36:49Try that door there. I'm going to go this way.
0:36:49 > 0:36:51No. You can't take a gun in there.
0:36:51 > 0:36:54- Why should I listen to you? - We know she's got gas canisters.
0:36:54 > 0:36:56Do you really want to be blazing away in a confined space?
0:36:56 > 0:37:00- What do you think I am? It's my daughter we're talking about. - Yeah, and...
0:37:00 > 0:37:04What? What are you going to tell me? She's the love of your life?
0:37:04 > 0:37:06Yeah, she is. That's exactly what she is.
0:37:06 > 0:37:09And when this is over I'm taking Amber away from this.
0:37:09 > 0:37:11From you. We're gonna have a life together.
0:37:11 > 0:37:13Tell you what, you find her, you get her out safe?
0:37:13 > 0:37:15I'll wave you off.
0:37:15 > 0:37:17I don't need your blessing.
0:37:25 > 0:37:29I wasn't expecting the full audience thing, y'know.
0:37:29 > 0:37:32I believe you. Just act natural.
0:37:32 > 0:37:34Right.
0:37:34 > 0:37:37Ach, I don't even know what to say to you now.
0:37:37 > 0:37:39"How was your day?" is usually a good ice breaker.
0:37:39 > 0:37:42Right. Aye. How was your day?
0:37:42 > 0:37:45Boring - till just now.
0:37:54 > 0:37:56- You hungry?- Starving.
0:37:58 > 0:38:00Bye, guys.
0:38:00 > 0:38:01Lovely meeting you.
0:38:06 > 0:38:08They look good together.
0:38:09 > 0:38:12Course you just look like a sad guy facing a night in the pub on
0:38:12 > 0:38:15his own, but sometimes that's just the way the cookie crumbles.
0:38:21 > 0:38:24Did you get everything out of the bathroom?
0:38:24 > 0:38:25I think so.
0:38:25 > 0:38:26You think?
0:38:26 > 0:38:27I got everything.
0:38:27 > 0:38:29OK, good.
0:38:29 > 0:38:31So, what, we just pretend?
0:38:31 > 0:38:33We just pretend. All of us.
0:38:33 > 0:38:36Look, I'm not willing to give you up. Not for him.
0:38:36 > 0:38:37Andy...
0:38:37 > 0:38:40He's got nurses. Therapists.
0:38:40 > 0:38:42Professionals who could visit him every day.
0:38:42 > 0:38:43No.
0:38:43 > 0:38:46He could cope without you.
0:38:46 > 0:38:49And I wouldn't be able to look at myself in the mirror.
0:38:49 > 0:38:52He doesn't need you. I do.
0:38:57 > 0:38:58I'm sorry.
0:39:19 > 0:39:25I don't believe in God. I don't believe in an afterlife.
0:39:25 > 0:39:26Sshhh.
0:39:27 > 0:39:31Whatever happens here, that's the end of us.
0:39:32 > 0:39:35We won't be reunited in the great beyond.
0:39:35 > 0:39:36You don't know that.
0:39:38 > 0:39:41I know I'll never see my daughter.
0:39:41 > 0:39:44Don't play the sympathy card. You gave her up.
0:39:47 > 0:39:49I don't want to die.
0:39:49 > 0:39:50Why not?
0:39:52 > 0:39:57Has life been so wonderful? Has it?
0:40:01 > 0:40:04I've been in pain as long as I can remember.
0:40:06 > 0:40:11I want to live. I want to live, Belinda.
0:40:11 > 0:40:13Stop it.
0:40:13 > 0:40:18This isn't some grand romantic gesture. This is you killing me.
0:40:19 > 0:40:21This is murder.
0:40:21 > 0:40:22Shut up! Shut up!
0:40:22 > 0:40:24Stop it!
0:40:32 > 0:40:37I really shouldn't let you get to me. I really shouldn't.
0:40:37 > 0:40:39- SHOUTING:- Amber! Amber! Amber!
0:40:39 > 0:40:40Amber!
0:40:42 > 0:40:43Shut up!
0:40:43 > 0:40:45Amber!
0:40:45 > 0:40:47BANGING
0:40:47 > 0:40:49Amber!
0:41:16 > 0:41:18So, you not gonna shake my hand?
0:41:21 > 0:41:23No sense in being petty, I suppose.
0:41:26 > 0:41:29It's over, between you and her.
0:41:32 > 0:41:35You know, maybe this was the price I had to pay for us all
0:41:35 > 0:41:37to realise what matters.
0:41:38 > 0:41:41Marriage. Children.
0:41:43 > 0:41:45You were never going to be able to compete,
0:41:45 > 0:41:47no matter how many holidays you were planning.
0:41:47 > 0:41:49Do you think I was trying to buy your kids' affection?
0:41:49 > 0:41:51To keep their mother sweet, yeah.
0:41:51 > 0:41:53You don't get it. You don't get me.
0:41:53 > 0:41:56Oh, I do, I realised as soon as you slept with my wife.
0:41:58 > 0:42:00Shame it didn't work out for you.
0:42:03 > 0:42:07Andy, I was gonna make some tea, would you...?
0:42:07 > 0:42:09I'm good. Thanks.
0:42:11 > 0:42:14Oh. OK.
0:42:16 > 0:42:17See you then.
0:42:22 > 0:42:24Just look after your mother.
0:42:24 > 0:42:26Yeah, we will.
0:42:56 > 0:42:57HE RATTLES DOOR
0:43:54 > 0:43:56THUD, HE YELLS
0:44:04 > 0:44:07HISSING
0:44:11 > 0:44:13HE GRUNTS
0:44:17 > 0:44:19Craig, look out!
0:44:19 > 0:44:22Get out!
0:44:24 > 0:44:26Amber!
0:44:26 > 0:44:30Oh, Craig, thank God.
0:44:49 > 0:44:54There's gas. She was gonna kill us both, blow us up.
0:44:54 > 0:44:57It's not gonna happen. I'm here, come on, can you get up?
0:45:04 > 0:45:06- Can you walk?- Yeah.- Come on.
0:45:09 > 0:45:13- I've got you.- Is she hurt?- I'm fine.
0:45:13 > 0:45:16Come on. Are you ready? One, two, three...
0:45:16 > 0:45:20Right, I've got her. Come on.
0:45:34 > 0:45:36- We can't leave him in there alone. - He wants you safe.
0:45:36 > 0:45:38And anyway - he's not alone.
0:45:42 > 0:45:43Give me your hand.
0:45:47 > 0:45:50THEY GRUNT
0:45:50 > 0:45:52Come on, suck it up, man.
0:46:12 > 0:46:15No, no, go! Get out of here!
0:46:15 > 0:46:17Get out. Tell Amber...
0:46:23 > 0:46:27No! You can't go in there!
0:46:27 > 0:46:29ALARM BLARES
0:46:49 > 0:46:51Donald?
0:46:57 > 0:46:59No!
0:46:59 > 0:47:01SHE SOBS
0:47:01 > 0:47:03SIRENS
0:47:03 > 0:47:06You're still weak, you need to get back to the ward.
0:47:06 > 0:47:09No, no, I need to see him and I'm not going anywhere until I do!
0:47:09 > 0:47:10Get out of my way!
0:47:10 > 0:47:12Hey, hey, hey.
0:47:12 > 0:47:13I'll take her.
0:47:13 > 0:47:14I'm fine.
0:47:14 > 0:47:17What do you want to do, fall down in the corridor?
0:47:17 > 0:47:18Lean on your Da.
0:47:35 > 0:47:38SHE WHIMPERS
0:47:40 > 0:47:42OK, darling.
0:47:42 > 0:47:44Wait, come on now, here we go.
0:47:50 > 0:47:52How... How bad is he?
0:47:54 > 0:47:56He's already gone, darling.
0:47:58 > 0:48:00No, there must be something they can do.
0:48:00 > 0:48:04The blast done for his lungs. Brain starved of oxygen.
0:48:07 > 0:48:08But he looks so...
0:48:08 > 0:48:11It's the machines.
0:48:11 > 0:48:12It's an illusion.
0:48:19 > 0:48:20Oh, God.
0:48:20 > 0:48:21Aye.
0:48:26 > 0:48:28He has a sister.
0:48:28 > 0:48:30In Canada apparently.
0:48:36 > 0:48:38She gave consent.
0:48:39 > 0:48:40Consent?
0:48:55 > 0:48:56He saved me.
0:48:58 > 0:48:59Yeah, yeah, he did.
0:49:03 > 0:49:04He was doing his duty to the end.
0:49:07 > 0:49:09He said it wasn't duty.
0:49:09 > 0:49:11He wasn't a cop any more.
0:49:12 > 0:49:14He threw that all away for a chance to save you.
0:49:20 > 0:49:21He loved you.
0:49:22 > 0:49:24Do you really think so?
0:49:24 > 0:49:27That's what he told me.
0:49:27 > 0:49:29He had his plans for you.
0:49:29 > 0:49:30A future.
0:49:41 > 0:49:43- You all right?- Uh-huh.
0:49:44 > 0:49:47Do you want anything? Glass of water?
0:49:47 > 0:49:49No.
0:49:49 > 0:49:53I don't want to be running to the toilet in the middle of the night.
0:49:53 > 0:49:55Not that it would be running, right enough.
0:49:55 > 0:49:56No.
0:49:59 > 0:50:02You know. Me being here in this bed.
0:50:04 > 0:50:08It's not like it's the marital bed, or whatever.
0:50:08 > 0:50:09No.
0:50:10 > 0:50:15I mean, I wouldn't, even if...
0:50:15 > 0:50:18Greig, I understand.
0:50:20 > 0:50:23- This is just you helping me out, right?- Yes.
0:50:26 > 0:50:28I'm not gonna lie to you, Lorna.
0:50:30 > 0:50:34I hope that one day we can find a way to get back to the way
0:50:34 > 0:50:35that we used to be.
0:50:36 > 0:50:39I can't make that commitment.
0:50:39 > 0:50:40Fair enough.
0:50:41 > 0:50:43I don't think you can either.
0:50:43 > 0:50:47I think best thing for us both is just to take one day at a time.
0:50:49 > 0:50:53You're right. 100%.
0:50:53 > 0:50:56I'm tired, OK, why don't we just go to sleep?
0:50:58 > 0:51:00Of course, I'm sorry.
0:51:01 > 0:51:03No need to apologise.
0:51:19 > 0:51:22I should've got Donald out but all I could think about was Amber.
0:51:22 > 0:51:24He would've done the same.
0:51:24 > 0:51:27He just wanted her safe.
0:51:27 > 0:51:28Aye. He did.
0:51:28 > 0:51:30It's funny.
0:51:30 > 0:51:31I think today was the first time
0:51:31 > 0:51:33she felt like a real sister to me, you know?
0:51:33 > 0:51:34Does that sound strange?
0:51:34 > 0:51:37No. No. Not at all.
0:51:45 > 0:51:48Is he... Is it over?
0:51:49 > 0:51:52- She didn't want me there at the end. - God.
0:51:52 > 0:51:55God? I doubt if he had anything to do with this.
0:52:00 > 0:52:03OPERATIC MUSIC PLAYS
0:52:14 > 0:52:18RUSTLING
0:52:18 > 0:52:19Shh!
0:52:44 > 0:52:51You know, I was just thinking about when we first got together.
0:52:54 > 0:52:57It was like a little game, wasn't it?
0:52:59 > 0:53:01A little bit strange.
0:53:02 > 0:53:06A little bit twisted.
0:53:07 > 0:53:08But definitely a game.
0:53:11 > 0:53:13Pushing each other's buttons.
0:53:19 > 0:53:22I never thought it would turn into something.
0:53:27 > 0:53:32I never thought I'd have real feelings.
0:53:32 > 0:53:33For you.
0:53:41 > 0:53:44We worked, you and me.
0:53:48 > 0:53:50And I think I understand why.
0:53:53 > 0:53:57See, I don't like myself very much.
0:54:00 > 0:54:02And I don't think you like yourself very much.
0:54:06 > 0:54:09But we saw something in each other.
0:54:13 > 0:54:15Something good.
0:54:18 > 0:54:22Something precious even, maybe.
0:54:30 > 0:54:32I'm gonna try and find that again.
0:54:37 > 0:54:38That part of me that you...
0:55:17 > 0:55:20Unfortunately, one of you will need to be made redundant.
0:55:20 > 0:55:23You're putting me up against my own sister for the same job.
0:55:23 > 0:55:24You've only been in here five minutes, pal.
0:55:24 > 0:55:27Aye, and I still had to help you with your drinks order, pal.
0:55:27 > 0:55:29- OUTSIDE!- LET'S GO!- You're fired!
0:55:29 > 0:55:32You hardly know the lassie. She could be taking you for a ride.
0:55:32 > 0:55:33Please. Don't spoil this, eh?
0:55:33 > 0:55:37You went from there to breaking up in one morning.
0:55:37 > 0:55:38In two hours.
0:55:38 > 0:55:41You maybe want to come down and see this.
0:55:42 > 0:55:44- There's this guy.- Who?
0:55:44 > 0:55:45I didn't get a name.
0:55:45 > 0:55:48This family's a mess. He senses an opening here, an opportunity.
0:55:48 > 0:55:50BANG
0:55:50 > 0:55:52What the hell was that?
0:55:52 > 0:55:53You round up some of the guys.
0:55:53 > 0:55:54You find out who this clown is.
0:55:54 > 0:55:55You go and get him now.
0:55:55 > 0:55:58Lenny. You need to see this.
0:55:58 > 0:55:59You all right, boys?