0:00:21 > 0:00:24You've got this place back. I've got the Candle Rooms back.
0:00:24 > 0:00:26- It's been a good day.- Cheers, cuz.
0:00:26 > 0:00:29- Thought I'd hang around for a while. - That wasn't the deal.
0:00:29 > 0:00:32- I'm not asking for your permission. - At least those children got justice.
0:00:32 > 0:00:36But I was protecting the wrong people. I was a coward.
0:00:36 > 0:00:39I've left him, Robbie. Your father. We're getting divorced.
0:00:39 > 0:00:42Are you in love with him? Why can't you answer my question?
0:00:42 > 0:00:44You didn't seem concerned the night you crawled into my bed.
0:00:44 > 0:00:48That was one mistake, eight years ago.
0:00:48 > 0:00:50MUSIC PLAYS IN BACKGROUND
0:00:50 > 0:00:53- Cheers.- Cheers.
0:00:54 > 0:00:58- That's so nice.- Yeah, I really enjoyed it.- Do you want another one?
0:00:58 > 0:01:01- Please.- Who's the blonde bombshell? - That must be Robbie's date.
0:01:01 > 0:01:03He's not with Robbie!
0:01:03 > 0:01:06Why not? Robbie's lovely.
0:01:06 > 0:01:09Yeah, he's lovely, just not in the same league.
0:01:14 > 0:01:18- Maybe he's bisexual.- You wish.
0:01:19 > 0:01:22Stop drooling, the pair of you.
0:01:22 > 0:01:24Barman, can I get two beers, please, and just put it on the tab?
0:01:24 > 0:01:28Hot or what? How jammy am I?
0:01:29 > 0:01:31Wish me luck, ladies.
0:01:32 > 0:01:35I've said to Greig that I'm going to come home early tonight.
0:01:35 > 0:01:38Oh, come on, Cinderella, live a little.
0:01:38 > 0:01:41- He just... he needs me at the moment.- And what do you need?
0:01:41 > 0:01:43I've had to leave Frankie in charge.
0:01:43 > 0:01:46- Hmm.- Exactly. I might need to...
0:01:48 > 0:01:50What?
0:01:50 > 0:01:54Take some leave from work, just to take care of him.
0:01:54 > 0:01:57- Lorna, don't you dare! - You've only just started back.
0:01:57 > 0:02:02- It's only until he's up on his feet. - And how long is that going to be?
0:02:02 > 0:02:04I mean, they're not going to hold that position for you.
0:02:04 > 0:02:07You know that and he knows that.
0:02:07 > 0:02:09I haven't mentioned it to anyone in the office yet.
0:02:09 > 0:02:13Look, you've only got one life, Lorna, OK? Don't give it up.
0:02:13 > 0:02:15Do you mind?!
0:02:15 > 0:02:17How rude was he?
0:02:17 > 0:02:20Imagine, you could be stuck with someone like him.
0:02:20 > 0:02:22Well, I'm sure you can.
0:02:23 > 0:02:26He has done a runner on me! Can you believe that?
0:02:26 > 0:02:29- Are you sure?- Yeah, I've checked everywhere. His jacket's gone.
0:02:29 > 0:02:31He's obviously done a bunk out the back door.
0:02:31 > 0:02:33Who does that?!
0:02:33 > 0:02:35Well, think yourself lucky, cos you've dodged a bullet there.
0:02:35 > 0:02:37Well, it doesnae feel like it.
0:02:37 > 0:02:40- I'm going to need something much stronger than a beer.- Me, too.
0:02:40 > 0:02:42Barman. Urgent. Can I have a Margarita, please?
0:02:42 > 0:02:46Tequila? That's going to make for an interesting evening.
0:02:46 > 0:02:49Let's hope so. Do you fancy joining me?
0:02:52 > 0:02:55- Yeah, why not?- Make it three.
0:03:02 > 0:03:05Oh, Alasdair, it's awfy dark in here!
0:03:06 > 0:03:08Right...
0:03:10 > 0:03:17Right, now, I thought, if we taped David Attenborough, then we could
0:03:17 > 0:03:19see Monster Truckers at 9:40.
0:03:21 > 0:03:25Sounds like a plan to me. Is that acceptable to you, Alasdair?
0:03:25 > 0:03:27Sorry?
0:03:27 > 0:03:31Monster Truckers. They're driving on ice this week.
0:03:31 > 0:03:34Ah. Actually, ladies,
0:03:34 > 0:03:39I think tonight it's le Carre and early to bed for me.
0:03:39 > 0:03:42Already? Are you not feeling well?
0:03:44 > 0:03:45Alasdair?
0:03:45 > 0:03:49- Bad news, I'm afraid. - Who's deid now?
0:03:49 > 0:03:52She blamed me for all those years...
0:03:53 > 0:03:55..for her son.
0:03:56 > 0:03:58And rightly so.
0:03:58 > 0:04:02- Who? Your stalker?- Molly!
0:04:02 > 0:04:04She died last week. Cancer.
0:04:05 > 0:04:07So sad.
0:04:07 > 0:04:10If you'd faced her properly, instead of running,
0:04:10 > 0:04:13you wouldnae be feeling so sorry for yourself.
0:04:13 > 0:04:15Molly, stop it.
0:04:15 > 0:04:19No, Liz. Molly's right.
0:04:19 > 0:04:21I could have stopped it.
0:04:25 > 0:04:28And that kind of guilt kills you.
0:04:33 > 0:04:36TV PLAYS MELANCHOLY MUSIC
0:04:36 > 0:04:38FRANKIE GROANS
0:04:38 > 0:04:43Come on, Frankie, it's time for bed, love.
0:04:43 > 0:04:47- Is it over?- Yeah. - What happened in the end?
0:04:47 > 0:04:50I don't know. I must have conked out, too.
0:04:50 > 0:04:52- Was it that good, huh? - HE SMIRKS
0:04:52 > 0:04:55Is she not home yet?
0:04:55 > 0:04:58No. But, hey, it's time for you go to bed.
0:04:58 > 0:05:01Why? I don't have school tomorrow.
0:05:01 > 0:05:06It's a study day, not a day off. Go on, get going.
0:05:06 > 0:05:09You know, it's funny you waiting up for her.
0:05:09 > 0:05:12- Used to be the other way around. - What do you mean?
0:05:12 > 0:05:15When we lived in the barracks. Do you not remember?
0:05:15 > 0:05:17No.
0:05:17 > 0:05:20Mum used to go nuts waiting up for you half the night.
0:05:20 > 0:05:22Who knows what you were up to?
0:05:24 > 0:05:27- Goodnight, sweetheart. - Night, Dad. Love you.
0:05:27 > 0:05:29I love you, too.
0:05:31 > 0:05:33- Night-night.- Night.
0:05:36 > 0:05:38I should've gone for him. Look!
0:05:38 > 0:05:43Oh, my lord. Is that really his profile picture?
0:05:43 > 0:05:46- I know! Don't rub it in. - I thought that was the idea.
0:05:46 > 0:05:49THEY LAUGH
0:05:49 > 0:05:51Oh, I love this song! Come on.
0:05:51 > 0:05:55No, no, no, I'll leave you to your '80s tribute.
0:05:55 > 0:05:59MUSIC: Buffalo Stance by Neneh Cherry
0:06:01 > 0:06:04WOMAN STRUGGLES FOR BREATH
0:06:04 > 0:06:06Are you OK? Are you all right?
0:06:08 > 0:06:12- Are you all right? - Dizzy. I can't...
0:06:12 > 0:06:15Oh! Can someone help me here, please?
0:06:17 > 0:06:20OK, can you hear me? It's OK, I'm going to call you an ambulance.
0:06:20 > 0:06:22No! No. No ambulance.
0:06:22 > 0:06:25- Have you taken something you shouldn't have?- No, nothing like...
0:06:25 > 0:06:27Still, you should get checked out, OK?
0:06:27 > 0:06:30- Your lower eyelid is very white. - What are you, a doctor?
0:06:30 > 0:06:33I am, actually. And that's a sign of anaemia.
0:06:33 > 0:06:35I'm Doctor Annie Jandhu.
0:06:35 > 0:06:39I run the practice on Montego Street, Shieldinch.
0:06:39 > 0:06:44Good for you. I need to go.
0:06:44 > 0:06:46OK. Do you want me to call you a taxi?
0:06:46 > 0:06:49Or I can get your boyfriend to do it.
0:06:49 > 0:06:51I saw you with him earlier.
0:06:51 > 0:06:55He's not my boyfriend. He's a client.
0:06:57 > 0:07:00Look, don't worry about me.
0:07:00 > 0:07:02I told you. I'm nobody.
0:07:02 > 0:07:04I mean, I'm sure they wouldn't mind if you...
0:07:04 > 0:07:08Get yourself together. There's clients paying good money in here.
0:07:16 > 0:07:18Are you OK there?
0:07:27 > 0:07:29What are you looking so guilty for?
0:07:29 > 0:07:30I just text Andy.
0:07:32 > 0:07:35What? I'm only asking if he was OK.
0:07:35 > 0:07:37I'm allowed to care about him, aren't I?
0:07:39 > 0:07:42Good, sorry, yeah. You won't hear me arguing.
0:07:42 > 0:07:44Maybe I shouldn't drink.
0:07:44 > 0:07:47Or breathe, or live?(!)
0:07:47 > 0:07:50Look, it's none of my business who you text,
0:07:50 > 0:07:53but, um...a phone call might be better.
0:07:53 > 0:07:55ROBBIE SIGHS IN EXASPERATION
0:07:55 > 0:07:57Guess what he has just posted about me!
0:07:57 > 0:08:00Robbie, forget about him. He's so not worth it.
0:08:00 > 0:08:03Hmm. I do need to flush that man right out of my system.
0:08:03 > 0:08:05Right, who's for another?
0:08:05 > 0:08:07Oh, no, no, no, not for me.
0:08:07 > 0:08:09I've had enough, I'm not really in the mood any more.
0:08:09 > 0:08:13Me, neither. Sorry. It's way past my bedtime.
0:08:13 > 0:08:15Are you going to be all right on your own?
0:08:15 > 0:08:18I'm not. I'm out with Margarita.
0:08:21 > 0:08:24Remember and get yourself checked out, OK?
0:08:28 > 0:08:30- Bye.- Bye.
0:08:30 > 0:08:34- FRONT DOOR BANGS OPEN AND SHUT - Lorna?
0:08:34 > 0:08:37- Sorry.- Keep the noise down! - Did I wake you up?
0:08:37 > 0:08:40HE SIGHS
0:08:40 > 0:08:41No. Could hardly sleep, anyway.
0:08:41 > 0:08:44Oh, we met...Oh! Oops.
0:08:44 > 0:08:46You're plastered.
0:08:46 > 0:08:47A wee bit.
0:08:47 > 0:08:50Just leave it, would you! It'll be all right.
0:08:55 > 0:08:57I'm glad you had a good night.
0:08:57 > 0:09:00I had a great time. I need to do it more often.
0:09:00 > 0:09:02You sneaking in like a teenager now, Mother?
0:09:02 > 0:09:05Must've learnt that off of you.
0:09:05 > 0:09:08Wow. Trolleyed, too.
0:09:08 > 0:09:10- Legless. - Yeah, well, that makes two of us.
0:09:10 > 0:09:12LORNA LAUGHS
0:09:12 > 0:09:14Mum!
0:09:16 > 0:09:18Oh, well, I better get to bed.
0:09:18 > 0:09:20It is a school night, after all.
0:09:24 > 0:09:28- Kids, eh?- You, too. Bed.
0:09:33 > 0:09:36PHONE MESSAGE ALERT
0:10:02 > 0:10:04Are you even listening to me, Alex?
0:10:04 > 0:10:07Of course I am, but I'm just saying, prostitutes? There's no chance.
0:10:07 > 0:10:09What else could she have been?
0:10:09 > 0:10:12A stockbroker? A spy?
0:10:12 > 0:10:14She could've been a lollipop lady, for all you know.
0:10:14 > 0:10:17- I'm being serious.- Then don't go jumping to conclusions.
0:10:17 > 0:10:18You don't know anything about this girl.
0:10:18 > 0:10:21Well, you didn't see the way that man...well, the "client"
0:10:21 > 0:10:22was hanging all over her.
0:10:22 > 0:10:26Oh, and one of your doormen, they seemed to know her.
0:10:26 > 0:10:27Which one?
0:10:27 > 0:10:30Well, I don't know, but he escorted her back to the table.
0:10:30 > 0:10:33That doesn't mean anything. You said yourself she was ill.
0:10:33 > 0:10:36I know what I saw, Alex.
0:10:36 > 0:10:39- You didn't tell your sister all this, did you?- No, of course not.
0:10:39 > 0:10:42I hope not, cos I don't need these kind of rumours going about.
0:10:42 > 0:10:45Oh, and that's what's important here - the club's reputation?
0:10:45 > 0:10:47Well, that and getting closed down.
0:10:47 > 0:10:50Look, I'll ask about and see if anybody knows anything, OK?
0:10:50 > 0:10:52OK. Start with the doorman.
0:10:52 > 0:10:56- Maybe I should let you loose on them.- Don't tempt me.
0:10:56 > 0:10:59The way that I am feeling this morning, I would be brutal.
0:10:59 > 0:11:01I pity your poor patients.
0:11:01 > 0:11:03Right, I mean it, Alex. Ask them.
0:11:03 > 0:11:06Properly. I know what I saw.
0:11:06 > 0:11:08- Message received and understood.- OK, thank you.
0:11:08 > 0:11:10See you later.
0:11:19 > 0:11:21Try not to be sick on the floor, dear.
0:11:21 > 0:11:23HE GROANS
0:11:23 > 0:11:26- You look hellish.- Thanks, Mum.
0:11:26 > 0:11:28What time did you get in?
0:11:28 > 0:11:31So, does that mean it went well?
0:11:31 > 0:11:34- Love at first sight, was it? - I don't want to talk about it.
0:11:34 > 0:11:39That bad. Well, perhaps he was a little on the young side.
0:11:39 > 0:11:41What's that supposed to mean?
0:11:41 > 0:11:43Know your limits, darling.
0:11:43 > 0:11:48- Why do I need limits? - Because then...
0:11:48 > 0:11:50you won't get hurt.
0:11:58 > 0:12:00What?
0:12:00 > 0:12:04It would appear I am a single woman again.
0:12:05 > 0:12:08Is that the divorce, official?
0:12:08 > 0:12:11Signed, sealed, delivered.
0:12:19 > 0:12:21I'm sorry, Mum.
0:12:21 > 0:12:24Don't be. It's not your fault.
0:12:25 > 0:12:28Let's do something nice today. Cheer you up.
0:12:30 > 0:12:35Like what? What do single girls do?
0:12:35 > 0:12:37Get their hair done.
0:12:37 > 0:12:41Come on, I'll make you so hot, you'll melt their Zimmer frames.
0:12:41 > 0:12:43THEY LAUGH
0:12:43 > 0:12:46HE WINCES IN PAIN Oh, darling.
0:12:46 > 0:12:49I'll pass that on. Yeah, all right. Cheers, thank you.
0:12:50 > 0:12:54Your 8:30 meeting's been cancelled this morning.
0:12:54 > 0:12:56Not that you were going to make it in, anyway.
0:12:56 > 0:12:58Oh.
0:12:59 > 0:13:02Thanks for covering. Katie up yet?
0:13:02 > 0:13:05Frankie's taken her to school already.
0:13:05 > 0:13:07Oh.
0:13:09 > 0:13:11So, how was last night?
0:13:11 > 0:13:15Uh, eventful. Robbie's date abandoned him.
0:13:17 > 0:13:19You did that to me once in Belfast,
0:13:19 > 0:13:22after you poured a drink over my head.
0:13:22 > 0:13:25Well, you shouldn't have snogged that girl with the buck teeth then,
0:13:25 > 0:13:27- should you?- It's not a very attractive quality,
0:13:27 > 0:13:29jealousy, now, is it?
0:13:31 > 0:13:33What's going on?
0:13:33 > 0:13:35Your work. You better give them a call.
0:13:40 > 0:13:43Oh, yeah, and you got a text message, as well.
0:13:45 > 0:13:47From Andy.
0:13:51 > 0:13:54POP MUSIC PLAYS IN BACKGROUND Big Bobby from Greenock.
0:13:55 > 0:13:58I wonder how it would be if I'd stuck with him.
0:13:58 > 0:14:03Terrible. I wouldnae be here for a start. I'd be someone else.
0:14:03 > 0:14:06Oh, he was a handsome devil, Bobby.
0:14:06 > 0:14:11From the rough part of town. Eyes like Paul Newman.
0:14:11 > 0:14:14SHE CHUCKLES
0:14:14 > 0:14:18His bed squeaked. A lot.
0:14:18 > 0:14:21Too much information. Far too much.
0:14:21 > 0:14:23- Your father never knew. - I don't want to know, either!
0:14:23 > 0:14:25He probably still thinks he was the first.
0:14:25 > 0:14:27OK, so, great, you've been lying to my Dad for 30-odd years?
0:14:27 > 0:14:30For years, I thought your dad was straight, but now he's
0:14:30 > 0:14:33skipping down the street with lover-boy.
0:14:34 > 0:14:37We were only ever on show for the golf club.
0:14:39 > 0:14:41He loved you, in his way.
0:14:41 > 0:14:45Not the right way. Not like Bobby.
0:14:45 > 0:14:49- Mum! - SHE LAUGHS
0:14:50 > 0:14:55Well, maybe he did. Who knows?
0:14:57 > 0:15:00Right. A new look for a new beginning.
0:15:00 > 0:15:04Oh, it makes me look less like a pensioner. Thank you, sweetheart.
0:15:04 > 0:15:07HE CRIES OUT IN PAIN
0:15:07 > 0:15:09Oh darling, you've been standing too long.
0:15:09 > 0:15:11No, standing's fine and so is sitting.
0:15:11 > 0:15:14It's just...the bit in between that hurts.
0:15:14 > 0:15:17- Take a tablet.- I'm all out of the strong stuff.- Then get some more.
0:15:17 > 0:15:20I'm sure they could squeeze you in a quick appointment.
0:15:20 > 0:15:22- I'll hold the fort downstairs. - You don't mind?
0:15:22 > 0:15:26No. Give me a chance to show off my locks.
0:15:26 > 0:15:30MOCK AMERICAN ACCENT: It's not every day a girl gets a divorce.
0:15:40 > 0:15:42Can I talk to you? Please.
0:15:42 > 0:15:44- Yeah.- Inside.
0:15:44 > 0:15:47Yeah, of course. Come in.
0:15:48 > 0:15:50Well, like I said, it's a free country.
0:15:50 > 0:15:52You can talk to whoever you like.
0:15:52 > 0:15:56It's just a stupid drunken text that I don't even remember sending.
0:15:56 > 0:15:58Yeah, but you still think about him!
0:15:58 > 0:16:03No! Not like that. Look, I was just concerned about him.
0:16:03 > 0:16:06- Read it.- You're all right.
0:16:06 > 0:16:08Look. We're not even flirting.
0:16:08 > 0:16:10Yeah, but after a few drinks,
0:16:10 > 0:16:12he's the first person you think about, Lorna.
0:16:12 > 0:16:15- Greig, don't. - It's all right, I get it. I get it.
0:16:15 > 0:16:18You get plastered, you text the ex. You've got to keep
0:16:18 > 0:16:20- your options open, eh? - It's not like that.
0:16:20 > 0:16:24Annie ordered champagne and you know what I get like on that stuff.
0:16:24 > 0:16:26Yeah, and I bet she encouraged you all the way.
0:16:26 > 0:16:30- Don't start on her.- I know exactly how Annie feels about me.
0:16:30 > 0:16:32I bet she stuck her tuppenceworth in, anyway.
0:16:32 > 0:16:37- FRONT DOOR OPENS ELLIE:- It's only me.
0:16:37 > 0:16:41- Oh, morning, Ellie. - Oh, hey, sorry. Am I early?
0:16:41 > 0:16:44- I thought you'd be at the office. - No, I'm working from home today.
0:16:44 > 0:16:47- That's code for hungover. - ELLIE LAUGHS
0:16:47 > 0:16:50Yes, thank you Frankie. I thought you were taking Katie to school.
0:16:50 > 0:16:53- I did. - And how long have you been back?
0:16:53 > 0:16:55Ages.
0:16:56 > 0:16:59Aye, well, you cannae trust a teenager
0:16:59 > 0:17:02- to keep your secrets, can you? - LORNA FORCES A LAUGH
0:17:07 > 0:17:10Oh! I say, you're an early bird.
0:17:10 > 0:17:12Yeah. It's just you're good with antiques
0:17:12 > 0:17:14and that, like Drew's guitar.
0:17:14 > 0:17:16Would you know how much this is worth?
0:17:21 > 0:17:24Jules, my dear, is it yours?
0:17:24 > 0:17:26My mum gave it to me. I don't want to get ripped off.
0:17:26 > 0:17:28Well, of course you don't, but does she know?
0:17:28 > 0:17:31Well, if I pawn it, then I can get it back again, if I want.
0:17:31 > 0:17:34- Isn't that how it works? - Yes, but why would you?
0:17:34 > 0:17:36- Because I need to. - What's the need for money?
0:17:36 > 0:17:40- Can you help or not? - Well, I can't tell you its value.
0:17:40 > 0:17:42Jewellery's not one of my strong points, you see.
0:17:42 > 0:17:44OK, forget it.
0:17:44 > 0:17:47- If it's just pocket money you require...- It isn't.
0:17:52 > 0:17:55So, do you have a balanced diet?
0:17:55 > 0:17:57I think so.
0:17:57 > 0:17:59Right.
0:17:59 > 0:18:01We just need to check if you're getting enough of the right
0:18:01 > 0:18:03nutrients and vitamins.
0:18:03 > 0:18:06It narrows things down.
0:18:06 > 0:18:09I don't eat meat.
0:18:09 > 0:18:12- But that's not going to kill me, is it?- No.
0:18:12 > 0:18:14So, where are you from originally?
0:18:14 > 0:18:17Why?
0:18:17 > 0:18:20No, it's not a trick question. It's a standard one.
0:18:20 > 0:18:22I have to ask.
0:18:23 > 0:18:28Ukraine. Kholoyev. You won't have heard of it.
0:18:31 > 0:18:34I bet you it's beautiful, though.
0:18:34 > 0:18:37It has bad places and good places, just like here.
0:18:39 > 0:18:41I couldn't wait to get out.
0:18:41 > 0:18:42Yeah, I know the feeling.
0:18:44 > 0:18:49So, Faith...you eat regular meals?
0:18:49 > 0:18:51I eat when I can.
0:18:51 > 0:18:55OK. And how is your sleep? I mean, are you getting enough or...
0:18:55 > 0:18:57..or do you work most nights?
0:18:58 > 0:19:02Well...you said that man was your client, you know, in the club,
0:19:02 > 0:19:04and...and, um, I just... I wondered...
0:19:04 > 0:19:07Wondered what? If I'm a call girl?
0:19:07 > 0:19:08Are you?
0:19:13 > 0:19:16I'm a prostitute.
0:19:17 > 0:19:19Let's call me what I am.
0:19:21 > 0:19:24Look, I am not judging you.
0:19:24 > 0:19:27Getting an idea of your lifestyle, it can help us indicate
0:19:27 > 0:19:30the cause of your problem, that is all.
0:19:30 > 0:19:32- Is that it? - Look, I need you to come back,
0:19:32 > 0:19:35just so the nurse can take some blood samples for testing.
0:19:35 > 0:19:39- When?- Well, I mean, today would be good. Um, 11:30?
0:19:40 > 0:19:43- Right.- And I will need your full name and address,
0:19:43 > 0:19:45- cos we're sending this out...- No.
0:19:45 > 0:19:48Look, anaemia can be an indication of a more serious condition.
0:19:48 > 0:19:52OK? Leukaemia. Crohn's.
0:19:52 > 0:19:56You urgently need to be tested. Look, even a...a postcode will do.
0:19:57 > 0:19:59I can't.
0:20:00 > 0:20:03Do you not even want to know if you're ill?
0:20:03 > 0:20:05Look, if not, why did you come here?
0:20:12 > 0:20:15- I'll see you later, OK?- Right.
0:20:24 > 0:20:26I can bring the rest through, if you like.
0:20:26 > 0:20:30Oh, that's enough for now. It's very kind of you.
0:20:30 > 0:20:33No worries, doll. Can't have you lugging boxes.
0:20:33 > 0:20:37Not today of all days. I like the hair, by the way.
0:20:37 > 0:20:40Oh, I'm glad to see somebody's paying attention.
0:20:40 > 0:20:43You should have a celebration.
0:20:43 > 0:20:44Oh, no, I don't think so.
0:20:44 > 0:20:47Why not? Invite some fellow divorcees.
0:20:47 > 0:20:51- Winkle them out their shells. See who's available. - SHE SCOFFS
0:20:51 > 0:20:53Give them a free drink or two.
0:20:54 > 0:20:56You're too good to go to waste.
0:20:56 > 0:20:59Oh, you just can't help yourself, can you?
0:20:59 > 0:21:04When I see a beautiful woman, I have to let them know, that's all.
0:21:06 > 0:21:10Well, I could maybe make a banner, announce it across the bar.
0:21:10 > 0:21:15- Uh, I don't think so. - Well, Pete was just saying
0:21:15 > 0:21:17maybe I should have some sort of divorce party.
0:21:17 > 0:21:20I know, I heard, and I said, I don't think so.
0:21:20 > 0:21:24Well, you said I should do something to cheer myself up.
0:21:24 > 0:21:26And I have the hair...
0:21:26 > 0:21:30A new hairdo is one thing, but a party is, um...it's quite another.
0:21:30 > 0:21:35Out with the old life, in with the new. Make an entrance.
0:21:35 > 0:21:39Make a fool of herself, more like. Nice try, pal, but it's not for us.
0:21:39 > 0:21:41Get your free drink elsewhere.
0:21:43 > 0:21:45Right, I'll see you later.
0:21:54 > 0:21:57You only live once.
0:22:00 > 0:22:02Sorry, Alasdair, flying solo today.
0:22:02 > 0:22:06You'll get a seat once Jules finishes her free glass of water.
0:22:06 > 0:22:10- I'm sure I won't starve while I wait.- So, what'll it be?
0:22:10 > 0:22:13A bacon roll for me, please.
0:22:13 > 0:22:16And whatever this young lady would like.
0:22:16 > 0:22:17I'm OK with water.
0:22:17 > 0:22:20Tell you what, AJ, get her the same as me,
0:22:20 > 0:22:23and then bring us a couple of coffees, too.
0:22:23 > 0:22:26- No, really, I'm OK.- I insist.
0:22:26 > 0:22:27I'll bring it over.
0:22:31 > 0:22:33Why did you do that?
0:22:33 > 0:22:36Selling prized possessions, drinking tap water.
0:22:36 > 0:22:37You're clearly skint.
0:22:37 > 0:22:39I'm not asking for hand-outs.
0:22:39 > 0:22:42No, but I want to buy something. Information.
0:22:42 > 0:22:44You're going to tell me what's happening with you -
0:22:44 > 0:22:46and the price is one bacon roll.
0:22:49 > 0:22:52Throw in a chocolate milkshake and it's a deal.
0:22:52 > 0:22:54Lorna thinks she might be here illegally.
0:22:54 > 0:22:56I'm gonnae sack the doorman responsible, Annie.
0:22:56 > 0:22:59- What else do you want? - But that just moves the problem on.
0:22:59 > 0:23:00Mm-hmm, but out of my club.
0:23:00 > 0:23:04But she'll still be working. She's going to be stuck in
0:23:04 > 0:23:09- some stinking back-alley brothel.- I doubt it.
0:23:09 > 0:23:10Well, how do you know?
0:23:10 > 0:23:13Cos girls like that don't get all glammed-up in nightclubs.
0:23:13 > 0:23:15She sounds more like your top-end stuff.
0:23:15 > 0:23:17And how do you know so much about it?
0:23:20 > 0:23:24- Did you know about this? - No! I've run bars my whole life.
0:23:24 > 0:23:27And I know some of those girls earn good money.
0:23:27 > 0:23:29So, you've been around prostitutes?
0:23:29 > 0:23:32I'm no' the bad guy here. Don't make this about me.
0:23:32 > 0:23:36I'm not, but are you not even concerned?
0:23:36 > 0:23:39I mean, she might be trafficked.
0:23:39 > 0:23:42Why are you getting so het up about this girl?
0:23:42 > 0:23:45Because there is no-one else looking out for her, OK?
0:23:45 > 0:23:48And she...well, she might be seriously ill.
0:23:48 > 0:23:50So, what do you want me to do?
0:23:50 > 0:23:53- We could help her. - I run a nightclub, not a refuge.
0:23:53 > 0:23:56If I interfere, do you know the grief that could bring us?
0:23:56 > 0:23:58So, we just look the other way, then?
0:23:58 > 0:24:02Yeah. You don't mess with these people. They're not nice.
0:24:02 > 0:24:04I'll keep them out the club, I promise,
0:24:04 > 0:24:06but we've done all we can. And that is it.
0:24:09 > 0:24:13So, you're "sofa surfing", as you so eloquently put it?
0:24:13 > 0:24:16Don't even have that option any more.
0:24:16 > 0:24:18Do your parents know where you are?
0:24:18 > 0:24:21- Uh...doubt it. - Well, we must ring them.
0:24:22 > 0:24:26- I don't think so. - They must be frantic.
0:24:28 > 0:24:30Um... My...
0:24:32 > 0:24:36My parents are dead. I've been living with my sister.
0:24:37 > 0:24:41Oh, I had no idea.
0:24:41 > 0:24:43I'm so sorry.
0:24:43 > 0:24:45Car crash. A long time ago.
0:24:45 > 0:24:50You poor thing. Why didn't I know about this?
0:24:50 > 0:24:53Why would you? They don't make you wear a badge.
0:24:53 > 0:24:57Why aren't you at your sister's place?
0:24:57 > 0:25:00It's...it's complicated.
0:25:00 > 0:25:04Look, just for once, let someone help you.
0:25:11 > 0:25:15- Where are they? - I'll go and see where they are.
0:25:15 > 0:25:17- Oh, hi. On you go.- Thanks.
0:25:18 > 0:25:21If you've come for Lorna so as you can go and get drunk again,
0:25:21 > 0:25:24- she's not in.- What's your problem?
0:25:24 > 0:25:28You are. Sticking your nose in where nobody wants it.
0:25:28 > 0:25:29Really?
0:25:30 > 0:25:34And how's the rehab going?
0:25:34 > 0:25:37So slow that she may have to give up her job, I heard.
0:25:37 > 0:25:39Change her mind, did you?
0:25:39 > 0:25:42You're not gonnae turn my sister into a wee wifey indoors.
0:25:42 > 0:25:44What, is that what I'm doing?
0:25:46 > 0:25:48What is the matter, Greig?
0:25:48 > 0:25:50I mean, you're worried if she's let loose, she'll work out
0:25:50 > 0:25:55- she's better off with someone else? - Like you did, Annie?
0:25:55 > 0:25:58I remember exactly how you are when you're let loose.
0:25:58 > 0:26:00You took advantage. DOOR OPENS AND CLOSES
0:26:00 > 0:26:02You knew exactly what you were doing.
0:26:02 > 0:26:05That night with you was the biggest mistake of my life!
0:26:05 > 0:26:09And taking you back, that's my sister's biggest mistake!
0:26:09 > 0:26:11What's going on?
0:26:11 > 0:26:13It's just your Auntie Annie.
0:26:13 > 0:26:15She can't take a joke, as per usual.
0:26:15 > 0:26:17That's cos nothing your dad says is funny.
0:26:17 > 0:26:19Tell Lorna I'll see her later.
0:26:23 > 0:26:25Didn't sound like nothing.
0:26:25 > 0:26:28Huh? Oh, here come the cavalry.
0:26:28 > 0:26:31See you later, love, huh? All right, mate?
0:26:38 > 0:26:41Oh, just put it over there, out of sight.
0:26:43 > 0:26:45There was loads of Christmas stuff,
0:26:45 > 0:26:48but I didn't think Santa in April was right.
0:26:50 > 0:26:52Maybe this isn't such a good idea, hmm?
0:26:53 > 0:26:56Perhaps a celebration is a bit inappropriate.
0:26:56 > 0:26:58No. Start as you mean to go on.
0:26:58 > 0:27:01A brave new single world.
0:27:01 > 0:27:05Brave? I'm terrified, if truth be known.
0:27:05 > 0:27:09You? Why? You can go where you like.
0:27:09 > 0:27:11See who you like.
0:27:11 > 0:27:15- Hmm. I'm not as young as I used to be.- More experienced.
0:27:15 > 0:27:18More to say, less to look at.
0:27:18 > 0:27:21No way. A classy-looking lady, like you?
0:27:21 > 0:27:23You'll be fighting them off.
0:27:23 > 0:27:27Oh, thank you. You don't have to be kind.
0:27:27 > 0:27:31- I'm not. I just say it how it is.- Oh...
0:27:31 > 0:27:33I got a wee bit over-ambitious with the dance moves.
0:27:33 > 0:27:35- Ended up on a table at one point. - SHE LAUGHS
0:27:35 > 0:27:38- Well, that's tequila for you.- I know.
0:27:38 > 0:27:40I cannae even remember getting home.
0:27:40 > 0:27:43Please don't tell me that. I'm not your pal at the moment,
0:27:43 > 0:27:46- I am your doctor.- You are my pal.
0:27:46 > 0:27:50Well, look, have you tried yoga? Pilates? I mean, all that helps.
0:27:50 > 0:27:55- Yoga? Really? Never again. - THEY LAUGH
0:27:55 > 0:27:57- No.- I haven't got the time. Running the pub,
0:27:57 > 0:28:00It's, like, lugging barrels and humphing crates,
0:28:00 > 0:28:02it's wear and tear.
0:28:02 > 0:28:05Look, I wouldnae be asking if I wasnae desperate.
0:28:05 > 0:28:07Right, OK.
0:28:07 > 0:28:11- Just promise me that you will try other methods, OK?- Promise.
0:28:11 > 0:28:15- Not just pills. - I'll even buy a leotard.
0:28:16 > 0:28:20- Thank you. You're a life saver. - OK, see you later.- Bye-bye.
0:28:24 > 0:28:28- Any sign of her? - No. No phone call, either.
0:28:28 > 0:28:30OK. Thanks.
0:28:33 > 0:28:36Could you please not eat that on there?
0:28:36 > 0:28:38Dad eats in bed all the time.
0:28:38 > 0:28:41Well, he doesn't have a choice, does he?
0:28:41 > 0:28:43And he doesn't need you winding him up, as well.
0:28:43 > 0:28:47What, as well as you, you mean? Or Annie?
0:28:47 > 0:28:49Nobody winds him up as well as your Auntie Annie.
0:28:51 > 0:28:55Why is that, do you think?
0:28:55 > 0:28:57Why does she hate him?
0:28:57 > 0:29:02She doesn't hate him. They both care about us and...
0:29:02 > 0:29:03they clash.
0:29:04 > 0:29:08Sounded like she was trying to split you and Dad up.
0:29:09 > 0:29:13You heard me and your dad talking earlier, didn't you?
0:29:13 > 0:29:16Look, nothing is happening, I promise.
0:29:16 > 0:29:18I only ever texted Andy out of concern
0:29:18 > 0:29:22and Annie didn't encourage me. Your dad's wrong about that.
0:29:22 > 0:29:26But that's not what she was saying earlier, on the stairs.
0:29:26 > 0:29:28When?
0:29:28 > 0:29:32- When Dad was off to physio. - How? What did they say?
0:29:32 > 0:29:36That you were making a big mistake, being with Dad.
0:29:36 > 0:29:38She was, like, really in his face,
0:29:38 > 0:29:40you know, like, proper nasty.
0:29:40 > 0:29:42She wouldn't.
0:29:42 > 0:29:44Well, she did. I heard her.
0:29:52 > 0:29:57SIREN WAILS IN DISTANCE
0:30:30 > 0:30:34PHONE RINGS
0:30:41 > 0:30:43- FAITH (through intercom):- Who is it?
0:30:43 > 0:30:46Oh, hi, Faith, it's Annie. Um, Annie Jandhu.
0:30:49 > 0:30:54DOG BARKS
0:30:54 > 0:30:57What are you doing here?! You'll get me into trouble!
0:30:57 > 0:30:59You didn't come in for your blood test!
0:30:59 > 0:31:03And look, I just came because I brought you these.
0:31:06 > 0:31:08Having a clear-out?
0:31:08 > 0:31:11My mother is. It's just stuff from the spare room.
0:31:11 > 0:31:13She wants it dumped.
0:31:13 > 0:31:15- Even this wee fella? - ROBBIE GASPS
0:31:15 > 0:31:18I didnae know she still had him. This is Teddy.
0:31:18 > 0:31:21Teddy, this is Pete.
0:31:21 > 0:31:24- An old friend, I take it? - Yeah, my dad gave him to me.
0:31:24 > 0:31:28He wanted me to get into rugby, but... Loved Teddy, hated rugby.
0:31:28 > 0:31:32- Poor Dad.- At least you've got one thing in common, eh?
0:31:32 > 0:31:36THEY LAUGH Maybe.
0:31:36 > 0:31:39They always seemed happy. You know, at least to me.
0:31:40 > 0:31:43But they were just pretending. Trying to make it work.
0:31:43 > 0:31:48- Maybe everybody does that. - You're asking the wrong man.
0:31:48 > 0:31:52I thought they'd go on forever, you know? Like The Archers.
0:31:52 > 0:31:55At least you've got your mum here with you here now. Even better.
0:31:55 > 0:31:57ROBBIE SCOFFS Is it?
0:31:57 > 0:32:00Single and living with Mother, bickering into our old age,
0:32:00 > 0:32:02- like Jack and Victor. - Your mum doesn't want that.
0:32:02 > 0:32:04And suddenly, you're an expert on my mother?
0:32:04 > 0:32:07I've been through it, haven't I? Moving on.
0:32:07 > 0:32:10I mean, why keep all that baggage?
0:32:10 > 0:32:11For the memories.
0:32:11 > 0:32:15Who needs reminding? Now is all that matters.
0:32:16 > 0:32:19At the end of the day, the past is a box of old garbage.
0:32:19 > 0:32:21This is not garbage!
0:32:21 > 0:32:25Get rid. Live in the moment, like your mum's doing.
0:32:25 > 0:32:27This isn't garbage.
0:32:32 > 0:32:35Is this the kind of life that you want, though?
0:32:35 > 0:32:38Could be worse. A lot worse.
0:32:40 > 0:32:43But...were you trafficked?
0:32:45 > 0:32:50I wasn't stolen off the streets, if that's what you think.
0:32:50 > 0:32:51What, you chose to do this?
0:32:51 > 0:32:54Who chooses this?!
0:32:59 > 0:33:01I wanted to be a teacher.
0:33:02 > 0:33:06Well, then why don't you just do that? Run away? Leave?
0:33:08 > 0:33:10I owe them money.
0:33:12 > 0:33:17I also make them money. Lots of it. Do you understand?
0:33:17 > 0:33:22Yeah, but can you not just go - disappear?
0:33:22 > 0:33:26- And what would I do? Where would I go?- Back home.
0:33:26 > 0:33:29That's the first place they'll look.
0:33:29 > 0:33:33And if I'm not there, then my mother will have to pay.
0:33:33 > 0:33:35There must be somewhere safe.
0:33:36 > 0:33:39Not for me.
0:33:40 > 0:33:42This is home now.
0:33:45 > 0:33:49- It's not that bad. And they...they trust me. - SHE LAUGHS UNCONVINCINGLY
0:33:49 > 0:33:52LOUD BUMP FROM UPSTAIRS
0:33:57 > 0:34:00Thank you for these. I promise I will take them,
0:34:00 > 0:34:03but please don't come back here again, OK? Ever.
0:34:03 > 0:34:05At least take my card.
0:34:05 > 0:34:07Go home, Doctor Jandhu.
0:34:16 > 0:34:19- Get oot my hoose, you bampot! - I'm calling the police!
0:34:19 > 0:34:22Oh, look, it's Jules.
0:34:22 > 0:34:24What are you doing here, dear?
0:34:24 > 0:34:26Alasdair said it was OK.
0:34:26 > 0:34:29You nearly gave us a heart attack. We heard the television,
0:34:29 > 0:34:31we thought we had a burglar.
0:34:31 > 0:34:33Sorry, Alasdair said he'd ask you. I'm so embarrassed.
0:34:33 > 0:34:35Jules? Jules, dear?
0:34:35 > 0:34:37What's the hurry?
0:34:37 > 0:34:40You nearly took her head off with that!
0:34:40 > 0:34:42Now, we should call Alasdair.
0:34:42 > 0:34:45Call him? Are you kidding? Back down these stairs.
0:34:45 > 0:34:47Me and him are gonnae have words!
0:34:54 > 0:34:56Is this your dirty washing that you're hanging?
0:34:56 > 0:34:59It might as well be.
0:34:59 > 0:35:01This isn't happening.
0:35:01 > 0:35:03I'm afraid it is.
0:35:03 > 0:35:05Allow me, Madam.
0:35:05 > 0:35:08To the rescue again, Sir Peter.
0:35:08 > 0:35:10This isn't just about you.
0:35:10 > 0:35:13This is my childhood that you two are dancing all over.
0:35:13 > 0:35:16- No-one is dancing on anything. - No, right, so while I'm trying
0:35:16 > 0:35:18to pick myself up off the floor, you're partying?
0:35:18 > 0:35:20Do you think this is easy for me?
0:35:20 > 0:35:24I thought I would grow old with the man I married.
0:35:24 > 0:35:28And now I'm doing my best not to hit the floor.
0:35:28 > 0:35:31Because if I go down, I won't get back up,
0:35:31 > 0:35:33so to hell with that!
0:35:35 > 0:35:39And if it's my dirty washing, I couldn't care less.
0:35:40 > 0:35:45All I'm saying is...the whole thing makes me really sad.
0:35:45 > 0:35:50I know! And I'm sorry your childhood is over.
0:35:53 > 0:35:56But perhaps it's time you finally grew up.
0:36:04 > 0:36:07- That's it Suzie, girl. Stick to your guns.- Hmm.
0:36:14 > 0:36:16KNOCKING AT DOOR
0:36:16 > 0:36:19Not interrupting, am I?
0:36:19 > 0:36:20No, come in.
0:36:22 > 0:36:26- Everything all right? - Aye, aye, nothing major.
0:36:26 > 0:36:30Whoa! She's a stunner. Is that the wife?
0:36:30 > 0:36:32- Girlfriend.- Even better.
0:36:32 > 0:36:35- We're engaged.- Spoilsport.
0:36:37 > 0:36:39- Drink?- Aye. Never too early for me.
0:36:41 > 0:36:44My father has the same philosophy.
0:36:47 > 0:36:51So, what can I do for you?
0:36:51 > 0:36:53It's a bit embarrassing, really.
0:36:53 > 0:36:56It's about somebody at the club. A doorman? Carl?
0:36:56 > 0:36:58The guy I sacked this morning?
0:36:58 > 0:37:01Aye, he's an old acquaintance of mine, you know, school days.
0:37:01 > 0:37:05- Cheers.- Right. And?
0:37:05 > 0:37:08He knows we have business dealings, so he's been on the blower,
0:37:08 > 0:37:09he's all sorry and that,
0:37:09 > 0:37:11hoping I could help him get his job back.
0:37:11 > 0:37:15Look, I don't want to get involved, but the boy's got two weans
0:37:15 > 0:37:17to feed, so I told him I'd put in a word.
0:37:19 > 0:37:22And did he happen to mention why he got sacked?
0:37:22 > 0:37:25Naw. Drugs, was it?
0:37:25 > 0:37:29Naw. Ladies. "Of the night" variety.
0:37:29 > 0:37:32But then, you know that.
0:37:32 > 0:37:33This is down to you, isn't it?
0:37:33 > 0:37:35It's bringing good business through your door.
0:37:35 > 0:37:37I don't need that kind of business.
0:37:37 > 0:37:40Look, I'm no' gonnae lie to you. It'd be a big loss of income to me
0:37:40 > 0:37:42if you're going to be a killjoy.
0:37:42 > 0:37:47I don't care how much it makes, it can't happen in my club.
0:37:47 > 0:37:49Are you sure you don't want to reconsider?
0:37:52 > 0:37:54Not in my club, Rick.
0:37:54 > 0:37:57Not now, not ever. And I mean it.
0:37:59 > 0:38:02Now, was that all?
0:38:11 > 0:38:16Aye, well, I suppose you have to run things the way you see fit.
0:38:20 > 0:38:22Cheers for the drink.
0:38:29 > 0:38:32- What have you been saying to Greig behind my back?- What, when?
0:38:32 > 0:38:34In the close, apparently.
0:38:34 > 0:38:36Why? What's he saying I said?
0:38:36 > 0:38:39Frankie said she heard you telling him that I'm making a big mistake.
0:38:39 > 0:38:43- Well, keep out of this!- Ssshhh! - This is my life, my choices!
0:38:43 > 0:38:46And this is hard enough as it is, without you sticking your oar in.
0:38:46 > 0:38:48You're not helping me.
0:38:48 > 0:38:51Look, Frankie got it wrong.
0:38:51 > 0:38:53I swear.
0:38:53 > 0:38:59Look, I don't know what she thinks she heard, but she got it wrong.
0:38:59 > 0:39:02Greig and I were just doing our usual, OK?
0:39:02 > 0:39:05He was winding me up and I didn't see the funny side.
0:39:05 > 0:39:07Ask him yourself.
0:39:07 > 0:39:10Why is Frankie saying something different?
0:39:10 > 0:39:13Why does she do half the things she does?
0:39:14 > 0:39:17So, you never said any of those things?
0:39:17 > 0:39:18No.
0:39:20 > 0:39:22I don't know where Frankie got it from, but it wasn't from me.
0:39:22 > 0:39:26ANNIE RECEIVES A TEXT Oh, I think I might have an idea.
0:39:26 > 0:39:28It's Faith. She's given me her number.
0:39:28 > 0:39:30Why?
0:39:30 > 0:39:31I went to see her.
0:39:31 > 0:39:33Annie!
0:39:33 > 0:39:36Look, I can't talk about it here. Come on.
0:39:39 > 0:39:40She's not in the cafe.
0:39:40 > 0:39:42Well, she's no' in there, either.
0:39:42 > 0:39:44I feel awful.
0:39:44 > 0:39:49If only you'd told us before, we would never have let her go.
0:39:49 > 0:39:51You two head home.
0:39:51 > 0:39:53There's no reason why you should be chasing around Shieldinch
0:39:53 > 0:39:55on my behalf.
0:39:55 > 0:39:56I made that promise to that girl.
0:39:56 > 0:40:00Oh-ho! What're you promising now, Sir Galahad?
0:40:00 > 0:40:01To help her with her accommodation.
0:40:01 > 0:40:03Looks like she doesn't want your help!
0:40:03 > 0:40:05But she needs it.
0:40:05 > 0:40:06And so do I.
0:40:06 > 0:40:11Ooh, Jiminy Cricket chirping loudly on the old shoulder, is he?
0:40:11 > 0:40:13Yes, Molly.
0:40:13 > 0:40:17I admit it. I don't want to let another young person down.
0:40:17 > 0:40:18Not again.
0:40:19 > 0:40:23I want a chance, maybe, to right some of my past wrongs.
0:40:23 > 0:40:24Is that so terrible of me?
0:40:24 > 0:40:26Oh, how can it be?
0:40:26 > 0:40:28What was the plan, bringing her to the flat?
0:40:28 > 0:40:31- Well, it was only for a night at the most...- Oh, no, no.
0:40:31 > 0:40:33Jules is a sweet lassie,
0:40:33 > 0:40:37but I cannot have a teenager living on my sofa.
0:40:37 > 0:40:39- But Molly...- No.
0:40:39 > 0:40:42We put you up when you had nowhere else to go.
0:40:42 > 0:40:45That's where my charity ends.
0:40:45 > 0:40:48Is someone looking for somewhere to stay?
0:40:48 > 0:40:50Yes. Jules Belmont. A lovely wee girl.
0:40:50 > 0:40:52She's desperate for a roof over her head.
0:40:52 > 0:40:56Well, if she doesn't mind living above a pub,
0:40:56 > 0:40:59she's welcome to our spare room. Would she be interested?
0:40:59 > 0:41:00I'm sure she'd be delighted.
0:41:00 > 0:41:03Oh, fabulous. Well, tell her to pop by whenever suits.
0:41:03 > 0:41:04I will!
0:41:05 > 0:41:07Now I've just got to find her.
0:41:08 > 0:41:11I mean, she talks tough, but she's scared.
0:41:11 > 0:41:15Well, there's no point in getting her to go to the police, then.
0:41:15 > 0:41:17Won't they protect her, though?
0:41:17 > 0:41:18If they can.
0:41:18 > 0:41:21But it's going to be her word against some very violent people.
0:41:22 > 0:41:25Well, then, she could just stay with me, then.
0:41:25 > 0:41:28Annie, you can't do that. You hardly even know this girl.
0:41:28 > 0:41:31Yeah, but I can't just give up on her, without trying.
0:41:32 > 0:41:34She came here to teach, Lorna.
0:41:34 > 0:41:36She came here illegally.
0:41:36 > 0:41:37She has no rights.
0:41:37 > 0:41:38There's no point.
0:41:38 > 0:41:40Then, how does she get rights?
0:41:40 > 0:41:44If she got asylum status, but that could take months.
0:41:44 > 0:41:46She told me that she can't go home.
0:41:46 > 0:41:47So, can we try that?
0:41:48 > 0:41:50I suppose...
0:41:50 > 0:41:52Does that mean you'll talk to her?
0:41:53 > 0:41:54Come on, please.
0:41:55 > 0:41:59Look, just at least make her see that she's got choices.
0:42:00 > 0:42:03- She's got no-one else.- OK.
0:42:03 > 0:42:06I'll talk to her, if she's willing to talk to me.
0:42:06 > 0:42:07Thank you.
0:42:07 > 0:42:09Sorry about what I said.
0:42:10 > 0:42:13You'd think I'd be used to Frankie's ways by now.
0:42:13 > 0:42:16Yeah, well, don't give her too hard a time, eh?
0:42:16 > 0:42:19I remember you were a bit of a drama queen at that age.
0:42:19 > 0:42:21- Look who's talking!- Mm.
0:42:21 > 0:42:23- I'll see you later.- See you later.
0:42:42 > 0:42:44Anyone on there for me?
0:42:44 > 0:42:46This isn't for your eyes, trust me.
0:42:46 > 0:42:48Oh, I trust you.
0:42:48 > 0:42:50It's me you don't trust.
0:42:57 > 0:42:59We're more alike than you think.
0:42:59 > 0:43:01So, come on, spit it out.
0:43:01 > 0:43:03Something happened last night.
0:43:06 > 0:43:08The guy ran off.
0:43:08 > 0:43:10I was left standing there with his drink in my hand.
0:43:10 > 0:43:12Oh, no, Robbie.
0:43:12 > 0:43:16And then he posted afterwards and said I was "Not As Advertised".
0:43:16 > 0:43:17It was so humiliating.
0:43:19 > 0:43:23Well, he's probably just some little idiot who treats it like a game.
0:43:23 > 0:43:26But it is a game, Mum. That's what I'm trying to tell you.
0:43:26 > 0:43:28How you advertise yourself is everything.
0:43:28 > 0:43:31Well, I'm not advertising. I'm re-branding.
0:43:33 > 0:43:35Maybe you should, too.
0:43:35 > 0:43:37I'm not sure what it is I want any more.
0:43:37 > 0:43:40And soon, it's going to be too late. Game over.
0:43:40 > 0:43:43Oh, nonsense! Look at your father.
0:43:43 > 0:43:48Oh, I hate to say it, but if he can find true love at 65,
0:43:48 > 0:43:50then so can you.
0:43:50 > 0:43:52And so can I.
0:43:53 > 0:43:54Nothing's over till it's over.
0:43:54 > 0:43:56Mm.
0:43:57 > 0:44:01Just at least meet her, Faith. OK? That's all I'm asking.
0:44:02 > 0:44:04Even if it's just for half an hour.
0:44:06 > 0:44:09Yeah, but... but if you didn't want help,
0:44:09 > 0:44:12then why did you text me your number?
0:44:15 > 0:44:16Great.
0:44:16 > 0:44:19Look, just text me where you want to meet, OK?
0:44:19 > 0:44:20I'll be there later.
0:44:21 > 0:44:23You won't regret this. I promise.
0:44:41 > 0:44:42I've been looking for you.
0:44:44 > 0:44:47I couldn't stay. I scared them to death!
0:44:47 > 0:44:51And I haven't totally run out of friends yet.
0:44:51 > 0:44:54But what if I were to tell you that I've found you a room?
0:44:54 > 0:44:56At the Tall Ship.
0:44:56 > 0:44:58Thanks, Alasdair, but I can't afford that.
0:44:58 > 0:45:00No money required.
0:45:00 > 0:45:01What's the catch?
0:45:01 > 0:45:04No catch. Suzie says you can have her spare room.
0:45:04 > 0:45:05No charge.
0:45:05 > 0:45:06- Seriously?- Mm.
0:45:08 > 0:45:10Look, I don't need pity.
0:45:10 > 0:45:12It's not that.
0:45:12 > 0:45:14It's free until you get back on your feet.
0:45:15 > 0:45:17Why are you doing this?
0:45:17 > 0:45:18You hardly know me.
0:45:20 > 0:45:23I'm not being totally selfless, I can assure you.
0:45:25 > 0:45:27Maybe there are some things I can't change,
0:45:27 > 0:45:28even if I wanted to...
0:45:30 > 0:45:33..but helping you means I can sleep at night.
0:45:42 > 0:45:44Should you not be getting ready?
0:45:47 > 0:45:48I'm not going down.
0:45:50 > 0:45:51I don't want you upset.
0:45:52 > 0:45:54I won't be.
0:45:54 > 0:45:57Come on. Let's go downstairs and have a great time.
0:46:03 > 0:46:05SHE SIGHS
0:46:05 > 0:46:07Hmm!
0:46:07 > 0:46:09- Oh...- Oh, yeah.
0:46:09 > 0:46:11There's not going to be enough.
0:46:11 > 0:46:12Yeah, there is.
0:46:13 > 0:46:16Look, just spread that last bit out, go on, right up to the edge.
0:46:16 > 0:46:18There you go, see?
0:46:18 > 0:46:21Now, put it to the side until the oven's ready.
0:46:21 > 0:46:22Simple.
0:46:25 > 0:46:27I don't know why you're sucking up to her.
0:46:27 > 0:46:29It shouldn't be you in the doghouse.
0:46:29 > 0:46:31it should be Auntie Annie, if anyone.
0:46:31 > 0:46:33Why do you say that?
0:46:33 > 0:46:35Because she's slagging you off to Mum, isn't she?
0:46:35 > 0:46:38No. She's looking after her sister.
0:46:38 > 0:46:40Well, that's what you women do.
0:46:40 > 0:46:42Now, go on, turn the oven to 180.
0:46:44 > 0:46:46- That's you.- But you even said it.
0:46:47 > 0:46:49I heard you talking...
0:46:49 > 0:46:51- about the text to Andy. - Frankie, just...
0:46:51 > 0:46:53Keep out of this, please.
0:46:53 > 0:46:55OK? It's parent stuff. Thank you.
0:46:55 > 0:46:56But say if, like...
0:46:57 > 0:46:58..if Mum were to leave...
0:46:58 > 0:47:00Yeah, it's not up for public discussion, Frankie,
0:47:00 > 0:47:02so if you could just drop it. DOOR OPENS
0:47:02 > 0:47:03'Hi!'
0:47:05 > 0:47:06Daddy, look what I made!
0:47:06 > 0:47:08Oh, what's this?
0:47:08 > 0:47:09That's you!
0:47:09 > 0:47:13Oh, check you out! You're a proper little Picasso, aren't you?
0:47:13 > 0:47:15Oh, you're a child genius, so you are.
0:47:15 > 0:47:17Right, darlin', go and put your stuff away
0:47:17 > 0:47:19and get your wee hands washed.
0:47:19 > 0:47:22Oh, and, Katie, we've made you your favourite for dinner tonight -
0:47:22 > 0:47:24- Shepherd's pie.- Yuck!
0:47:24 > 0:47:25I like pizza.
0:47:27 > 0:47:29- Pizza(!)- You've made us dinner!
0:47:29 > 0:47:32And to what do we owe the pleasure?
0:47:32 > 0:47:33Dunno, you tell me.
0:47:35 > 0:47:36Frankie!
0:47:43 > 0:47:45I know...
0:47:45 > 0:47:48none of this is easy on any of us.
0:47:49 > 0:47:51Especially not Frankie and...
0:47:51 > 0:47:54I guess we've all got to let some steam off, somehow.
0:47:58 > 0:48:00I know I have a lot to be grateful for.
0:48:00 > 0:48:02I do.
0:48:02 > 0:48:04And for what it's worth...
0:48:06 > 0:48:07..I'm really sorry.
0:48:09 > 0:48:11So, is this true? Free drinks for divorcees?
0:48:11 > 0:48:13One. And only one.
0:48:13 > 0:48:17Nothing for you. Somebody's got to want to marry you first.
0:48:17 > 0:48:22- I was, once. Actually. - What?- Married. Aye.
0:48:22 > 0:48:23And divorced.
0:48:23 > 0:48:25Twice, I think.
0:48:25 > 0:48:26You think?
0:48:26 > 0:48:29I scarpered, before she wanted any money,
0:48:29 > 0:48:31so who knows?
0:48:31 > 0:48:34Second time was in Vegas, but that doesn't count.
0:48:34 > 0:48:35What are the rules here?
0:48:35 > 0:48:39Because, technically, I should have two free drinks,
0:48:39 > 0:48:41because I've been divorced twice.
0:48:41 > 0:48:45And what about the twice widowed? Surely that deserves a double.
0:48:45 > 0:48:46Right, stop it, the lot of you,
0:48:46 > 0:48:50or you'll be wearing your first drink as aftershave.
0:48:53 > 0:48:54Jules is here.
0:48:58 > 0:49:00Oh, she looks delightful.
0:49:00 > 0:49:02Now, that'll be £75 a week all-in.
0:49:02 > 0:49:03Oh...
0:49:03 > 0:49:06I didn't think there'd be any rent. I thought it might be...
0:49:06 > 0:49:09What? For free?
0:49:09 > 0:49:10Oh, stop it!
0:49:10 > 0:49:12Oh...
0:49:12 > 0:49:15Oh, first drinks are one thing, but lodgers?
0:49:18 > 0:49:20I'll pay!
0:49:20 > 0:49:23On one condition - you don't tell Jules.
0:49:23 > 0:49:24Why ever not?
0:49:24 > 0:49:27She needs a helping hand, but she's proud.
0:49:27 > 0:49:29So, our secret, please?
0:49:29 > 0:49:31Oh, you're a kind man, Alasdair.
0:49:31 > 0:49:35£75 a week, or £300 at the end of the month.
0:49:35 > 0:49:37Up to you.
0:49:42 > 0:49:45There's some serviettes in the drawers, there, as well.
0:49:45 > 0:49:47Where are we - Downton Abbey?
0:49:47 > 0:49:48HE CHUCKLES
0:49:51 > 0:49:53Are you going out?
0:49:53 > 0:49:54Dinner's nearly ready.
0:49:54 > 0:49:55You guys can go ahead.
0:49:55 > 0:49:57I'll just heat it up when I get back in.
0:49:57 > 0:49:59Why, where are you going?
0:49:59 > 0:50:00Only to Annie's.
0:50:01 > 0:50:04I promised her I'd see that girl that I told you about.
0:50:04 > 0:50:07She's coming over this evening. Annie texted.
0:50:08 > 0:50:09Told you.
0:50:11 > 0:50:13What's that meant to mean?
0:50:14 > 0:50:17Nothing. She's just got a stupid idea in her head.
0:50:17 > 0:50:19It's not stupid. Annie's a stirrer.
0:50:21 > 0:50:23If anyone is a stirrer, it's you.
0:50:23 > 0:50:24How, exactly?
0:50:24 > 0:50:26Making out that they were arguing on the stairs,
0:50:26 > 0:50:29- when they've done no such thing. - What's this?
0:50:31 > 0:50:33She said that Annie told you
0:50:33 > 0:50:35that I was making a big mistake taking you back.
0:50:36 > 0:50:38Is that true?
0:50:40 > 0:50:41Go on, Dad. Tell her.
0:50:43 > 0:50:44I told you, darlin',
0:50:44 > 0:50:47me and your Auntie Annie, we were just messing around.
0:50:47 > 0:50:50- You just took it the wrong way, that's all.- Dad.
0:50:52 > 0:50:54There's nothing to it, Frankie.
0:52:06 > 0:52:07Fancy meeting you here.
0:52:18 > 0:52:20Oh, Frankie. Look, I don't have time...
0:52:20 > 0:52:23Why do people lie? Lie to people's faces?
0:52:23 > 0:52:25- What?- It's to cover something up, isn't it?
0:52:25 > 0:52:27- Well, who's lying?- You.
0:52:27 > 0:52:31- Me?- Yes. You and my Dad.
0:52:31 > 0:52:34- Look, Frankie, I... - You're lying through your teeth.
0:52:34 > 0:52:36I don't have time for this, OK? I need to meet someone.
0:52:36 > 0:52:41"The biggest mistake of your life." That's what you said.
0:52:41 > 0:52:44That's what you were talking to my dad about on the stairs.
0:52:44 > 0:52:46Well, you must have misheard.
0:52:46 > 0:52:49Now, I've got to meet someone, OK? and it's urgent.
0:52:49 > 0:52:50What was the big mistake, Annie?
0:52:54 > 0:52:55I was talking about your mum, OK?
0:52:55 > 0:52:57and I'm sorry if that upset you.
0:52:57 > 0:53:00No, you weren't. Otherwise, why would my dad lie?
0:53:00 > 0:53:02Why would he cover for you?
0:53:04 > 0:53:07I heard it right. There was no joke.
0:53:08 > 0:53:14Look, I don't know what you think you heard, OK?
0:53:14 > 0:53:17but when I was talking about "that night",
0:53:17 > 0:53:20I was talking about the night your mum took your dad back.
0:53:20 > 0:53:25What happened "that night", Annie? Something with my Dad?
0:53:25 > 0:53:27No. No, look, I...
0:53:27 > 0:53:30You argued with him like he was your ex lover.
0:53:31 > 0:53:33Now you're being ridiculous.
0:53:34 > 0:53:36You know, he's given me his side of things.
0:53:36 > 0:53:38How you're hiding feelings for him.
0:53:38 > 0:53:40How you came onto him.
0:53:40 > 0:53:41Now, that IS a lie!
0:53:46 > 0:53:48- You slept with him.- No.
0:53:48 > 0:53:50I know, Auntie Annie. You can't deny it now.
0:53:50 > 0:53:51I didn't, OK?
0:53:51 > 0:53:53- I'm not...- Don't embarrass yourself.
0:53:53 > 0:53:55Stop it.
0:53:55 > 0:53:56What about Mum?
0:53:57 > 0:54:00Are you going to tell her or should I?
0:54:00 > 0:54:01Tell her what?
0:54:03 > 0:54:06You've made up another story...
0:54:06 > 0:54:07another lie?
0:54:09 > 0:54:11Who's going to believe you, Frankie?
0:54:12 > 0:54:14Look at you.
0:54:15 > 0:54:17It's written all over your face.
0:54:17 > 0:54:18Frankie!
0:54:35 > 0:54:36Ahem!
0:54:39 > 0:54:41Oh, this is much cheerier, isn't it?
0:54:41 > 0:54:44Aye, we'll be dancing together next.
0:54:44 > 0:54:48Oh, see? We may be single, my darling, but we're not alone.
0:54:50 > 0:54:52Is it OK if I take my stuff up?
0:54:52 > 0:54:55Yes, of course, my dear. It's on the left.
0:54:55 > 0:54:56Make yourself at home.
0:54:58 > 0:54:59What's that about?
0:54:59 > 0:55:01Our new lodger. I told you we weren't alone.
0:55:05 > 0:55:06Ugh!
0:55:41 > 0:55:42It's not for me.
0:56:07 > 0:56:09Oh, thank heavens you're still here.
0:56:09 > 0:56:11Look, I'm so sorry that I'm late.
0:56:11 > 0:56:12I'm not coming with you.
0:56:12 > 0:56:15Look, I know you're nervous, OK? It's understandable.
0:56:15 > 0:56:16Who do you think you are?
0:56:16 > 0:56:18You know nothing about my life
0:56:18 > 0:56:22and you think you can walk into it with your expensive heels
0:56:22 > 0:56:24and easy answers - and what?
0:56:24 > 0:56:26Save me?
0:56:26 > 0:56:28But..you're ill.
0:56:28 > 0:56:30I haven't asked to be saved.
0:56:30 > 0:56:31ENGINE STARTS
0:56:37 > 0:56:39Go save African babies
0:56:39 > 0:56:42or adopt a donkey or whatever you ladies do...
0:56:46 > 0:56:47..but stay away from me!
0:56:50 > 0:56:51You are not needed.
0:57:13 > 0:57:15Shieldinch is the swinging capital o' Glesga!
0:57:15 > 0:57:18But not Cassie and Angus, surely?
0:57:18 > 0:57:19Since when do you like swing music?
0:57:19 > 0:57:21You don't know everything about me.
0:57:21 > 0:57:24Oh, look at that rock!
0:57:24 > 0:57:25Have you told AJ?
0:57:25 > 0:57:26It's not like you to be stuck for words.
0:57:26 > 0:57:28Please, Amber, I need your help. I'm in trouble.
0:57:28 > 0:57:31When were you going to tell me this Fraser character's back in town?
0:57:31 > 0:57:33If Lenny sees you, he will try and take her off you.
0:57:33 > 0:57:35Can you take me home, please?
0:57:35 > 0:57:38Um, sorry to bother you, boss, but I've got a bit of a situation.