0:00:34 > 0:00:35What did you JUST say?
0:00:35 > 0:00:37None of your business.
0:00:37 > 0:00:39'Gina threw me out.'
0:00:39 > 0:00:41- I'm sorry. - SMASH!
0:00:43 > 0:00:45That's him.
0:00:45 > 0:00:47Look again, make sure.
0:00:47 > 0:00:50No, that's him, all right.
0:00:50 > 0:00:53He's got a record for procurement. Specifically underage girls.
0:00:53 > 0:00:58Gets them hooked on drink or drugs and then sells them to the highest bidder.
0:02:05 > 0:02:10'It's not been possible to connect your call. Please try again later.'
0:02:29 > 0:02:32DOOR OPENS
0:02:32 > 0:02:34Nicole?
0:02:36 > 0:02:38You two! Boys!
0:02:38 > 0:02:40Where have you been?
0:02:40 > 0:02:41Well?
0:02:41 > 0:02:44We were out looking for Nicole.
0:02:44 > 0:02:46What? Where?
0:02:46 > 0:02:50- Everywhere. - Places nobody'd look.
0:02:50 > 0:02:54In gardens and up closes. Shop doorways.
0:02:54 > 0:02:56You crept out of this house...
0:02:56 > 0:02:58Shh.
0:02:58 > 0:03:02You've been out there all night, prowling the streets? On your own?
0:03:02 > 0:03:06- Don't tell Dad.- Please, Mum. You know he'll go off on one.
0:03:06 > 0:03:10All right. But only because he's got this press conference today.
0:03:10 > 0:03:13He's got enough to worry about.
0:03:13 > 0:03:17Go and get yourselves cleaned up. Come on.
0:04:37 > 0:04:39Come on up to the flat.
0:04:39 > 0:04:42I'm fine where I am.
0:04:42 > 0:04:44Breakfast and a shower,
0:04:44 > 0:04:46it's the best offer you're gonnae get all day.
0:04:46 > 0:04:50Oh, unless, of course, you want to turn up for your work
0:04:50 > 0:04:51unshaven and stinking.
0:04:51 > 0:04:55Yeah. I'll put the coffee on.
0:05:14 > 0:05:17WATER RUNS
0:05:17 > 0:05:19Sorry.
0:05:19 > 0:05:22Raymond said it would be OK.
0:05:22 > 0:05:24Did he now?
0:05:32 > 0:05:37Just grab a seat, relax and get this down your neck.
0:05:37 > 0:05:40And don't you worry about Eileen, you just leave her to m...
0:05:42 > 0:05:44...me.
0:05:54 > 0:05:55He was sleeping in his car.
0:05:55 > 0:05:57That's his problem. Not yours.
0:05:57 > 0:06:00- I couldn't just leave him there. - He's a grown man!
0:06:00 > 0:06:02He's a mate and he's down on his luck.
0:06:02 > 0:06:03Whose fault is that?
0:06:03 > 0:06:06Look, he just needs a place to stay for a few...
0:06:06 > 0:06:09Oh, no. Tell me you haven't!
0:06:09 > 0:06:11Just till he sorts himself out.
0:06:11 > 0:06:14- Have you forgotten that he's barred? - Yeah, from the pub. This is my house.
0:06:14 > 0:06:18Yeah. And mine. And Stuart's.
0:06:18 > 0:06:20OK, look, it'll just be for a couple of days.
0:06:20 > 0:06:22What about Gina?
0:06:22 > 0:06:25- She's finished with him, remember? - So?
0:06:25 > 0:06:28So we can't go taking his side, against my sister.
0:06:28 > 0:06:31Oh, would this be the same sister whose cafe you got shut down?
0:06:31 > 0:06:33I haven't got time for this.
0:06:33 > 0:06:35I've got a busy day ahead of me.
0:06:47 > 0:06:50- What are you doing in here?- Sorry.
0:06:50 > 0:06:54I...heard you arguing and I didn't like to intrude.
0:06:54 > 0:06:55I just wandered in here
0:06:55 > 0:06:58and then I saw the information sheet for today's press conference.
0:07:00 > 0:07:02I'm sorry about last night.
0:07:02 > 0:07:04DOORBELL RINGS
0:07:04 > 0:07:08And I know this is awkward, but we have to work together,
0:07:08 > 0:07:12so can we put it on the back burner and get through today?
0:07:12 > 0:07:15I don't have much choice, do I?
0:07:15 > 0:07:18We've a lot to handle with the press and the police.
0:07:18 > 0:07:20Not to mention poor Michael and Leyla.
0:07:20 > 0:07:24I can't imagine what they're going through.
0:07:24 > 0:07:25Sorry to bother you.
0:07:25 > 0:07:27Awkward, did you say?
0:07:27 > 0:07:30Now you stay here. I don't want a scene.
0:07:33 > 0:07:37Somebody's smashed the Oyster window.
0:07:37 > 0:07:39- Who?- I don't know.
0:07:39 > 0:07:40Are you all right?
0:07:40 > 0:07:41Murray!
0:07:41 > 0:07:44- You weren't there when it happened. - No.
0:07:44 > 0:07:45They take anything?
0:07:45 > 0:07:46I don't know.
0:07:46 > 0:07:48I was too scared to go in by myself.
0:07:48 > 0:07:50Quite right.
0:07:50 > 0:07:51You wait here. I'll go.
0:07:51 > 0:07:53I'm coming with you.
0:07:53 > 0:07:55Just get my jacket.
0:07:56 > 0:07:58What a chancer.
0:07:58 > 0:08:01- Eileen...- Hope you're not gonnae let him worm his way back in.
0:08:01 > 0:08:03Oh, drop it you, will you?
0:08:03 > 0:08:05I've got enough on my plate right now.
0:08:15 > 0:08:17Right, give me the keys.
0:08:22 > 0:08:25Now be careful. There's glass everywhere.
0:08:35 > 0:08:37The float's still here.
0:08:37 > 0:08:39Doesn't look like anything's been touched.
0:08:39 > 0:08:44- I suppose I should phone the police, eh?- I'll do it. You sit down.
0:08:44 > 0:08:47I couldn't sit. I'll make us coffee.
0:08:47 > 0:08:49No, don't touch anything.
0:08:51 > 0:08:52Hello?
0:08:58 > 0:09:01Hey, you two, where's your school uniforms?
0:09:01 > 0:09:03Oh, we're not going to school today.
0:09:03 > 0:09:06- I said they didn't have to go. - Well, I think they should.
0:09:06 > 0:09:10- Mum!- I've already phoned the school and told them. I thought...
0:09:10 > 0:09:13- This is not an excuse to hang around playing the computer, OK?- We're not.
0:09:13 > 0:09:15What are you doing, then?
0:09:15 > 0:09:18Messaging Nicole's pals to see if they've heard anything.
0:09:18 > 0:09:21OK, sorry. That's a good idea.
0:09:21 > 0:09:22DOOR OPENS
0:09:22 > 0:09:23Any news?
0:09:23 > 0:09:24No.
0:09:24 > 0:09:29- Not since we heard she's in tow with some lowlife who grooms girls for prostitution.- Michael!
0:09:29 > 0:09:31- I'm sorry. I can't just... - We know.
0:09:31 > 0:09:33What youse talking about?
0:09:33 > 0:09:34Nothing.
0:09:34 > 0:09:36Is she going to be OK?
0:09:38 > 0:09:41Yeah, yeah, she will be.
0:09:41 > 0:09:43What if she's not?
0:09:43 > 0:09:45What if she's dead?
0:09:45 > 0:09:48Don't say that. Don't ever say that again.
0:09:48 > 0:09:50That is your sister you're talking about.
0:09:50 > 0:09:52Hey, hey, chill out, Michael.
0:09:52 > 0:09:53DOORBELL RINGS
0:09:53 > 0:09:56Tell you what. Why don't I take the boys for a bit of breakfast, eh?
0:09:56 > 0:09:59Oh, hi, Detective. Come in.
0:10:00 > 0:10:05Good morning. This is Brenda Lloyd, Family Liaison Officer.
0:10:05 > 0:10:07Hello.
0:10:07 > 0:10:10Michael and Leyla Brodie and their sons Conor and Adeeb.
0:10:10 > 0:10:13Gabriel Brodie. Michael's brother.
0:10:13 > 0:10:17Brenda will stay with you. From now on, any news will come through her.
0:10:17 > 0:10:21I'll see you at the press conference. By the way, we've had a very good response from the press.
0:10:21 > 0:10:23Think it'll help?
0:10:23 > 0:10:26Absolutely. Especially now we've got television coverage.
0:10:26 > 0:10:27- I'll leave you to it.- Thanks.
0:10:27 > 0:10:31Television? That's good, isn't it, Michael?
0:10:32 > 0:10:34Nowhere else has been touched.
0:10:34 > 0:10:37So it's just the Oyster?
0:10:37 > 0:10:41- Who'd want to throw a brick through my window?- Can you think of anyone with a grudge against you?
0:10:41 > 0:10:44Gina's well-liked around here. Ask anyone.
0:10:44 > 0:10:47Think. Maybe you've had words with someone.
0:10:48 > 0:10:49Gina?
0:10:51 > 0:10:54Ach, it's probably nothing.
0:10:54 > 0:10:58- Oh, hello, dear. Would you like to come in?- No, it's all right.
0:10:58 > 0:11:00I was just wanting a word wi' Dan, if he's here.
0:11:00 > 0:11:02I thought I heard your voice.
0:11:02 > 0:11:04Hi. I said I'd let you know about tonight. It's fine.
0:11:04 > 0:11:07I've got a baby-sitter.
0:11:07 > 0:11:10Great. Do you want to come in for a coffee?
0:11:10 > 0:11:13No, I can't. I'm getting Callum ready for nursery school.
0:11:13 > 0:11:16OK. Catch you later.
0:11:16 > 0:11:17Aye.
0:11:28 > 0:11:31- Top-up?- No, thanks, I'm good.
0:11:31 > 0:11:36I take it you'll not be joining us for dinner tonight.
0:11:36 > 0:11:42- No. Sorry.- Oh, don't apologise. She's a very nice girl.
0:11:42 > 0:11:44Yes, she is.
0:11:44 > 0:11:48Despite the family that she comes from.
0:11:48 > 0:11:49Look, Liz...
0:11:49 > 0:11:52Oh, sorry.
0:11:52 > 0:11:56You must think I'm just a silly, interfering old woman.
0:11:56 > 0:11:58I don't.
0:11:58 > 0:12:02Nothing better to do than stick her nose into other people's business.
0:12:02 > 0:12:05I don't think that, honestly.
0:12:05 > 0:12:07That's good, then.
0:12:08 > 0:12:13You're not getting serious with her, are you?
0:12:13 > 0:12:15It's early days.
0:12:15 > 0:12:18It's obvious that she likes you.
0:12:18 > 0:12:22And I like her, but I'm still battle-scarred from my marriage,
0:12:22 > 0:12:23Kelly-Marie's got a wee boy, so do I,
0:12:23 > 0:12:26so it's best not to rush anything.
0:12:26 > 0:12:30I better get to the health centre. Michael and Leyla aren't in today.
0:12:30 > 0:12:32See you later, then.
0:12:36 > 0:12:40What do you think? Is this too dressy?
0:12:40 > 0:12:44- No, that looks fine. - Maybe I could wear this one.
0:12:44 > 0:12:49But it's a bit dull, a bit dowdy. Almost like we've given up.
0:12:49 > 0:12:52Wear the first one, if it's the kind of thing you normally wear.
0:12:52 > 0:12:54You should look like yourself,
0:12:54 > 0:12:57so if Nicole does see you, it looks familiar.
0:12:57 > 0:12:59Not dressed up, acting up for the cameras.
0:12:59 > 0:13:01For goodness' sake!
0:13:01 > 0:13:02What?
0:13:02 > 0:13:06My daughter is out there with some nutter,
0:13:06 > 0:13:07and you two are talking about clothes!
0:13:07 > 0:13:09Michael...
0:13:09 > 0:13:14Is there something useful you could do, like help find this creep before he puts Nicole on the streets?
0:13:14 > 0:13:17We are doing everything we can, Dr Brodie.
0:13:17 > 0:13:19I know.
0:13:19 > 0:13:21I'm sorry.
0:13:27 > 0:13:29The camera takes in the whole street,
0:13:29 > 0:13:32so with any luck, we should get a good look.
0:13:32 > 0:13:35Here you g...
0:13:35 > 0:13:38Oh, no. I do not believe this.
0:13:38 > 0:13:40Eileen, come here.
0:13:40 > 0:13:42What? Hello.
0:13:42 > 0:13:46Didn't you change the disc for the CCTV yesterday?
0:13:46 > 0:13:48Um...
0:13:48 > 0:13:49I'm sure I asked you.
0:13:49 > 0:13:52Yeah. You asked me if I'd done it, and I said I hadn't.
0:13:53 > 0:13:56- So you didn't?- Didn't what? - Change the disc?
0:13:56 > 0:13:58I think I did.
0:13:58 > 0:14:01I did, didn't I? Oh, no, wait, didn't you say you'd do it yourself?
0:14:01 > 0:14:04- I can't remember!- What? And you want me to remember for you?
0:14:04 > 0:14:06I'm just asking. I'm not accusing you.
0:14:06 > 0:14:09Really? Excuse me, I've got work to go to.
0:14:10 > 0:14:11I did ask her.
0:14:11 > 0:14:14Is it your wife who usually changes the disc?
0:14:14 > 0:14:17She's not my wife.
0:14:22 > 0:14:25Oh! What's happened here?
0:14:25 > 0:14:27Ach, just vandals.
0:14:27 > 0:14:28How's Malcolm?
0:14:28 > 0:14:32- He's well, thank you.- Liz, I've got to stay with the joiner.
0:14:32 > 0:14:35But when he's gone, I'll come over and see him.
0:14:35 > 0:14:37Look, I'll stay. You go and see your dad.
0:14:37 > 0:14:40Murray, thanks.
0:14:46 > 0:14:49So where's he taking you?
0:14:49 > 0:14:51Out for a meal just.
0:14:51 > 0:14:54What do you mean "just"? A meal's the business.
0:14:54 > 0:14:55- Means he's keen. - Ach, I don't know.
0:14:55 > 0:14:59Think about it. Two hours of him giein' you his undivided attention.
0:14:59 > 0:15:01Digging his hand in his pocket for the privilege.
0:15:01 > 0:15:03And it's no' even the weekend!
0:15:03 > 0:15:05No, he's keen.
0:15:05 > 0:15:06- You really think?- Trust me.
0:15:06 > 0:15:09Right, enjoy yourself, missus.
0:15:13 > 0:15:15Yes, Liz?
0:15:15 > 0:15:17Just this, thank you.
0:15:19 > 0:15:24You know, you really shouldn't be getting that poor girl's hopes up.
0:15:24 > 0:15:25Sorry?
0:15:25 > 0:15:27Kelly-Marie.
0:15:27 > 0:15:32I don't think our doctor is looking for anything serious.
0:15:32 > 0:15:34What? Has he said something?
0:15:34 > 0:15:36Over breakfast.
0:15:36 > 0:15:42He's not over his wife yet, not ready for any kind of involvement.
0:15:42 > 0:15:46Especially not with someone with a child.
0:15:46 > 0:15:48Would you be better off at school?
0:15:48 > 0:15:52No... I want to be here, if there's bad news.
0:15:52 > 0:15:54What were you thinking about, Christina?
0:15:54 > 0:15:56Covering for Nicole like that?
0:15:56 > 0:15:58Leave her alone. She knows she did wrong.
0:15:58 > 0:16:00I'm not blaming her!
0:16:00 > 0:16:03I just wish she'd thought it through.
0:16:03 > 0:16:04DOORBELL RINGS
0:16:04 > 0:16:06I'll get it.
0:16:06 > 0:16:08Where is she, Bob?
0:16:08 > 0:16:11What if we never see her again?
0:16:11 > 0:16:13Don't talk like that.
0:16:17 > 0:16:19Have they found her?
0:16:19 > 0:16:21No.
0:16:21 > 0:16:25Dr Brodie, I'm sorry. I really am. I wish I could go back...
0:16:25 > 0:16:27What's done is done, Christina.
0:16:30 > 0:16:32I wanted to give you this.
0:16:32 > 0:16:37It was the £300 you gave her.
0:16:37 > 0:16:38Ach, it doesn't matter the now.
0:16:38 > 0:16:41Please, take it.
0:16:43 > 0:16:45I'm sorry.
0:16:47 > 0:16:49Dr Brodie.
0:16:49 > 0:16:51Is there news on Nicole?
0:16:51 > 0:16:54No. No, there isn't.
0:17:04 > 0:17:07It's Nicole, isn't it? Is it bad?
0:17:07 > 0:17:09- Well...- Wait.
0:17:09 > 0:17:10Conor! Adeeb!
0:17:10 > 0:17:13- You are?- Constable Fraser and this is Constable Croft.
0:17:13 > 0:17:16I'm the FLO. There's a missing teenager.
0:17:16 > 0:17:18We're not here about that.
0:17:18 > 0:17:20It's about the Oyster Cafe.
0:17:20 > 0:17:21The Oyster?
0:17:21 > 0:17:24The glass door was smashed last night.
0:17:24 > 0:17:28- Adeeb, where's Conor?- He doesn't want to come down right now.
0:17:28 > 0:17:29We'd like to speak to both boys.
0:17:29 > 0:17:34I'm sorry. Conor's very upset about his sister.
0:17:34 > 0:17:39I understand you and Conor had a run-in with Gina Hamilton yesterday evening outside the cafe.
0:17:39 > 0:17:40What's this?
0:17:40 > 0:17:43Nothing. Just Gina had a go at us.
0:17:43 > 0:17:44What?
0:17:44 > 0:17:46And we had a go back. That's all.
0:17:46 > 0:17:47Adeeb!
0:17:47 > 0:17:50I'm sorry.
0:17:50 > 0:17:53Look, as I said, this is a very upsetting time for all of us.
0:17:53 > 0:17:57And sometimes people act out of character when they're upset.
0:17:57 > 0:17:59Tell me, son, where were you and Conor last night?
0:17:59 > 0:18:02After ten o'clock?
0:18:02 > 0:18:05They were at home. With me. Both of them.
0:18:05 > 0:18:08This really isn't a good time. Can I have a word?
0:18:20 > 0:18:22It's all right.
0:18:22 > 0:18:25It's not Nicole.
0:18:26 > 0:18:28You all right?
0:18:28 > 0:18:32Yeah. I just need to pop out, clear my head.
0:18:32 > 0:18:34Hi. What's all this about?
0:18:34 > 0:18:37Dr Brodie.
0:18:39 > 0:18:43I've just had the police at my door.
0:18:43 > 0:18:47- About Nicole? - To question Conor and Adeeb.
0:18:47 > 0:18:51- About the Oyster being vandalised? - What?
0:18:51 > 0:18:54Apparently, they had some sort of run-in with Gina.
0:18:54 > 0:18:58Then they were out all night. They snuck out. Begged me not to tell their dad.
0:18:58 > 0:18:59Said they were looking for Nicole.
0:18:59 > 0:19:03And? Oh, no. You don't think that they could've... Come on!
0:19:03 > 0:19:06You saw how upset they were this morning. How ready to snap.
0:19:06 > 0:19:10What if they did this? What if this is just the start? What if they go off the rails?
0:19:10 > 0:19:12Hey, come on.
0:19:12 > 0:19:15I lied to the police.
0:19:15 > 0:19:19I said they were at home all night. That was wrong.
0:19:19 > 0:19:23That's not helping them, is it? I don't know what to do.
0:19:23 > 0:19:25My head's swimming. I can't tell Michael.
0:19:25 > 0:19:28Leyla, you need to calm down.
0:19:28 > 0:19:31Why don't you let me try talking to them?
0:19:31 > 0:19:33Would you?
0:19:33 > 0:19:34Yeah.
0:19:34 > 0:19:36Thank you.
0:19:41 > 0:19:43He actually said that?
0:19:43 > 0:19:46That he doesn't want to be lumbered with somebody else's wean?
0:19:46 > 0:19:48No, that's not what I heard.
0:19:48 > 0:19:49But that's what he meant.
0:19:49 > 0:19:53You know what this means, don't you? He's not even serious about Kelly-Marie.
0:19:53 > 0:19:56- He's just wanting a bit of fun. - No, he's not like that.
0:19:56 > 0:19:58I cannae believe this.
0:19:58 > 0:20:01Just wait till Scarlett finds out.
0:20:01 > 0:20:06- I wish I hadn't said anything now. - I'll tell her. You'll just make it worse.
0:20:06 > 0:20:09No. It's better that she hears it from her mother.
0:20:09 > 0:20:12Don't worry, I'll play it down.
0:20:17 > 0:20:20Hey. I want a word with you.
0:20:20 > 0:20:22Hey, Scarlett.
0:20:22 > 0:20:24Don't you, "Hey, Scarlett" me.
0:20:24 > 0:20:28- Who do you think you are, bad-moothin' my lassie? - What?- And my grandson.
0:20:28 > 0:20:32- Think you're too good for her cos you're a doctor?- I don't know what you're talking about!
0:20:32 > 0:20:37You do. You've been giving it all that. Think you can just use her. For a laugh, like she's nothing.
0:20:37 > 0:20:40- Keep your voice down! - I've got nothing to be ashamed of.
0:20:40 > 0:20:45I'm no' carrying on behind my wife's back, dragging some good lassie's name through the mud.
0:20:45 > 0:20:51- I don't know what you've heard, but if you'd let me get a word in... - Save it. Stay away from Kelly-Marie.
0:20:51 > 0:20:55You come near her or my grandson, and you'll be sorry. You got that?
0:20:55 > 0:20:59- What can I get you, darling? - Wine, please.
0:20:59 > 0:21:01- White?- Aye, that'll be fine.
0:21:10 > 0:21:13We were out looking for Nicole.
0:21:13 > 0:21:17No, I know that. But you didn't find her, did you?
0:21:17 > 0:21:19So how'd that make you feel?
0:21:21 > 0:21:23Did it make you feel angry?
0:21:23 > 0:21:26Gabriel, any news?
0:21:26 > 0:21:29- No.- Sorry.
0:21:29 > 0:21:32You must be sick of people asking.
0:21:36 > 0:21:41- The joiner's finished. - Great. Thanks for waiting.
0:21:41 > 0:21:45- I've got to get to the community centre. Press conference.- Can I help?
0:21:45 > 0:21:47- With the press conference?- Anything?
0:21:47 > 0:21:50Make tea? Come on, there must be something I can do.
0:21:50 > 0:21:51That's really good of you.
0:21:51 > 0:21:53Not at all.
0:21:53 > 0:21:55It'll make me feel useful. I'll just get my coat.
0:22:00 > 0:22:01So did you do it?
0:22:01 > 0:22:03Did you break the window?
0:22:03 > 0:22:04No.
0:22:04 > 0:22:07Look, I'm not going to give you any trouble,
0:22:07 > 0:22:09and I promise, I'm not going to be angry with you.
0:22:09 > 0:22:10This isn't fair.
0:22:10 > 0:22:14Look, nothing's fair right now, son. But I need you to tell me the truth.
0:22:14 > 0:22:19I'm telling the truth! I didn't smash that stupid window!
0:22:19 > 0:22:22Look, this is serious. I need you to face up...
0:22:22 > 0:22:24We never done anything.
0:22:24 > 0:22:26It was you, wasn't it?
0:22:26 > 0:22:30Look, please, just don't say anything to Michael.
0:22:30 > 0:22:36I'm really sorry, Gina. I'll pay for the damage, and I promise they'll never do anything like this again.
0:22:36 > 0:22:41They're going through a hard time at the moment. Whatever you do, please don't tell the police.
0:22:41 > 0:22:42I won't.
0:22:42 > 0:22:45Look, I know you're having a hard time with your sister,
0:22:45 > 0:22:47but what you did was wrong.
0:22:47 > 0:22:48- But...- He knows.
0:22:48 > 0:22:50Youse have got it wrong.
0:22:50 > 0:22:52We'll say no more about it.
0:22:52 > 0:22:54Gina, I don't think...
0:22:54 > 0:22:56Not another word.
0:22:56 > 0:22:58Thanks, Gina. Right, what do you say?
0:22:58 > 0:23:00- This isn't fair.- Conor...
0:23:00 > 0:23:03- It's not fair, it's not bloody fair. - Come here.
0:23:03 > 0:23:07HE WHISPERS
0:23:10 > 0:23:11Is everything all right?
0:23:13 > 0:23:15Come on, let's get inside.
0:23:19 > 0:23:23- What do you want? - Is Kelly-Marie there, please?
0:23:23 > 0:23:26- What's it to you? - I just want to talk to her.
0:23:26 > 0:23:28Look, Doc, she doesn't want to see you.
0:23:28 > 0:23:29Just five minutes.
0:23:29 > 0:23:31You deaf or something?
0:23:33 > 0:23:38- Well, will you pass her message then? - Have you not got it? She doesn't want anything to do with you.
0:23:38 > 0:23:39On your bike. Go on.
0:23:39 > 0:23:42I think you should go. It's for the best.
0:23:57 > 0:23:59That's telt him.
0:23:59 > 0:24:02He'll no' be bothering you again, hen.
0:24:02 > 0:24:03You all right, darlin'?
0:24:03 > 0:24:06Maybe I should go and talk to him.
0:24:06 > 0:24:10No way, Kelly. Don't even give him the time of day.
0:24:10 > 0:24:12After the way he's treated you!
0:24:12 > 0:24:15I want to tell him what I think of him. To his face.
0:24:17 > 0:24:20Look, I never said any of those things. You must know that.
0:24:20 > 0:24:23- How do you explain... - Your crazy family? I wouldn't know where to start.
0:24:25 > 0:24:30Look, this morning, Liz was poking her nose in.
0:24:30 > 0:24:33I said it was early days, I'm just out of a marriage,
0:24:33 > 0:24:35nothing I haven't already said to you.
0:24:35 > 0:24:41She must've gone out and repeated it, embellished it. I'm sorry.
0:24:44 > 0:24:45So am I.
0:24:45 > 0:24:47Yeah, that's good of Gina.
0:24:47 > 0:24:50They're saying they didn't do it, though.
0:24:50 > 0:24:55Can we just draw a line under it? I don't want to put them through any more.
0:24:55 > 0:24:57- Don't worry. I'll keep an eye on them.- Everything all right?
0:24:57 > 0:25:00Yeah. We're just discussing the boys.
0:25:00 > 0:25:02I was offering to look after them
0:25:02 > 0:25:04while you're at the press conference.
0:25:04 > 0:25:05I know it's difficult,
0:25:05 > 0:25:09but be careful the boys don't catch you whispering about them.
0:25:09 > 0:25:12- It'll make them feel you're hiding something. - Thanks. I'll bear that in mind.
0:25:15 > 0:25:17Come on. Let's do this.
0:25:20 > 0:25:2416-year-old Nicole Brodie was thought to have been in France for a school trip,
0:25:24 > 0:25:29but yesterday, her parents reported her missing when she failed to return with the rest of her classmates...
0:25:29 > 0:25:32REPORTERS ALL TALK AT ONCE
0:25:45 > 0:25:47So you're not gonnae take any further action?
0:25:47 > 0:25:50How could I with what they're going through?
0:25:52 > 0:25:55I know. The pictures that go through your head.
0:25:55 > 0:25:57Michael and Leyla must be terrified.
0:25:57 > 0:26:03You want to tell them it'll be OK. That she's safe, she'll come home. But they don't always, do they?
0:26:07 > 0:26:10So, how's it going with you and him?
0:26:10 > 0:26:12Fine.
0:26:13 > 0:26:16- What?- Yesterday you couldn't see him far enough.
0:26:16 > 0:26:18A lot's happened since yesterday.
0:26:18 > 0:26:22And right now, there are more important things to be worrying about, eh?
0:26:33 > 0:26:35How are you bearing up?
0:26:35 > 0:26:36Fine.
0:26:38 > 0:26:42The purpose of this is to get as much press coverage as possible
0:26:42 > 0:26:48in the hope that we can reach Nicole herself or anyone who may have information regarding her.
0:26:48 > 0:26:50I will briefly state the facts -
0:26:50 > 0:26:54age, appearance, last seen wearing, that kind of thing.
0:26:54 > 0:26:57Then I will ask you to make your statement.
0:26:57 > 0:26:59Then if Leyla wants to add anything...
0:26:59 > 0:27:01Me?
0:27:01 > 0:27:05Maybe a direct appeal to Nicole herself,
0:27:05 > 0:27:07or a plea to the general public.
0:27:07 > 0:27:10I don't know if I can.
0:27:12 > 0:27:13I might be too emotional.
0:27:13 > 0:27:16Emotional's good, Leyla. It touches people.
0:27:16 > 0:27:18Lets them see what you're going through.
0:27:18 > 0:27:22Brenda, if you could take Dr Brodie through the itinerary?
0:27:26 > 0:27:28Ready to start in ten minutes?
0:27:32 > 0:27:34Leyla!
0:27:38 > 0:27:41Hey!
0:27:47 > 0:27:50It'll be all right.
0:27:50 > 0:27:52I can't do this. I can't.
0:27:52 > 0:27:57Look, I know it's hard. But remember what it's for.
0:27:57 > 0:28:03It's to help find Nicole. And it could. It really could.
0:28:05 > 0:28:06Michael needs you.
0:28:06 > 0:28:10He doesn't. He's pushing me away.
0:28:10 > 0:28:13He's terrified he's gonnae crack in front of everyone.
0:28:13 > 0:28:17Deep down, it's you that's holding him together.
0:28:19 > 0:28:22Us men, we like to think we're strong,
0:28:22 > 0:28:26but we're lost without you.
0:28:28 > 0:28:31Don't look at the press. Forget about them.
0:28:31 > 0:28:33I'll be there.
0:28:33 > 0:28:37Just... Just pretend you're talking to me.
0:28:37 > 0:28:38OK?
0:28:40 > 0:28:41Come on.
0:28:48 > 0:28:49Well done.
0:28:57 > 0:29:02Right, first I'm going to give you both a hug,
0:29:02 > 0:29:06because I know you were only looking out for me.
0:29:06 > 0:29:09Now I'm going to box you round the ears for being so stupid!
0:29:09 > 0:29:12- What's that for?- Steady!
0:29:12 > 0:29:16Where do I start? You got the wrong end of the stick.
0:29:16 > 0:29:19You jumped to conclusions? You never thought twice.
0:29:19 > 0:29:23- You never looked before you leapt right in.- What?- Don't make me go through that again.
0:29:23 > 0:29:25You're not making any sense.
0:29:25 > 0:29:28Right. Let's just discuss this calmly.
0:29:28 > 0:29:30I've just been speaking to Dan.
0:29:30 > 0:29:33No way. He's not been trying to soft-soap you, has he?
0:29:33 > 0:29:37Will you wheesht and just listen, for once!
0:29:37 > 0:29:40It seems he cannae remember what he said this morning,
0:29:40 > 0:29:44something like, "It's early days, it's complicated because I've got a child."
0:29:44 > 0:29:46A child? That's a complication?
0:29:46 > 0:29:47Jimmy!
0:29:47 > 0:29:49Sorry.
0:29:49 > 0:29:52- Tattie then hears Liz talking in the deli... - Oh, so now it's Tattie's fault?
0:29:52 > 0:29:57Would you shut up? Tattie then tells my gran. My gran!
0:29:57 > 0:30:00She then tells my ma.
0:30:00 > 0:30:03Only by now, it's gotten completely out of hand.
0:30:03 > 0:30:07Dan's a monster and I'm a total victim that cannae talk for herself.
0:30:07 > 0:30:10- We just didn't want to see you get hurt.- Again.
0:30:10 > 0:30:12I won't be.
0:30:12 > 0:30:14No' this time.
0:30:25 > 0:30:27I'm not barring him.
0:30:27 > 0:30:29How no'? After what he said about my lassie?
0:30:29 > 0:30:30Let it go, Scarlett.
0:30:30 > 0:30:33- Well, don't expect me to serve him. - I said, let it go.
0:30:33 > 0:30:38- Do you not think there's more important things to worry about right now?- Aye, I suppose.
0:30:38 > 0:30:42- Do you think this press conference thingy's gonnae do any good? - You'd try anything, wouldn't you?
0:30:42 > 0:30:44Aye.
0:30:44 > 0:30:49Our boys might be locked up, but at least we know they're safe.
0:30:49 > 0:30:52Yeah, well, that's one way of looking at it, I suppose.
0:30:52 > 0:30:55- Think it'll be on the telly?- Dunno.
0:30:55 > 0:30:57I saw a crew going in, right enough.
0:30:57 > 0:30:59You should have a set down here.
0:30:59 > 0:31:04- Do you know, that's actually not a bad idea.- I mean, it's all folk can think about right now.
0:31:04 > 0:31:07I'll go get one.
0:31:08 > 0:31:12Ma. Right, don't go off on one but I've sorted things out with Dan.
0:31:12 > 0:31:15What do you mean "sortit"? What did I tell you?
0:31:24 > 0:31:26HE GROANS
0:31:39 > 0:31:43She was last seen yesterday in a squat in the city centre.
0:31:43 > 0:31:47She was wearing blue skinny jeans, a pink V-neck jumper,
0:31:47 > 0:31:51a black jacket with a fur-trimmed hood and beige ankle boots.
0:31:51 > 0:31:54We are very concerned for Nicole's safety.
0:31:54 > 0:31:59I will now ask Nicole's father, Dr Michael Brodie, to say a few words.
0:32:02 > 0:32:06If there is anyone who has seen Nicole or has any information
0:32:06 > 0:32:10regarding her whereabouts, I urge you to get in touch.
0:32:38 > 0:32:42Don't let anyone force you to do anything you don't want to do.
0:32:42 > 0:32:44Please, Nicole.
0:32:50 > 0:32:52Nicole, we love you so much.
0:32:54 > 0:32:56Conor and...
0:32:57 > 0:32:59Conor...
0:33:02 > 0:33:06Conor and Adeeb are really worried about you.
0:33:08 > 0:33:10They want you to come home. We all do.
0:33:12 > 0:33:16Come home, Nicole. Please.
0:33:16 > 0:33:19We'll wind up here.
0:33:19 > 0:33:22If Nicole or anyone with any information
0:33:22 > 0:33:24would like to get in touch,
0:33:24 > 0:33:30please call this number - 0141 469 0999.
0:33:30 > 0:33:35It's active 24 hours a day and is completely confidential.
0:33:35 > 0:33:39There'll be no questions. Thank you all for coming.
0:33:39 > 0:33:44Can I ask you all to please leave quietly and give the family privacy?
0:33:46 > 0:33:47Well done.
0:33:47 > 0:33:49Thanks. You, too.
0:33:55 > 0:33:57You did really well, both of you.
0:34:08 > 0:34:10So what happens now?
0:34:10 > 0:34:12Um... We wait.
0:34:12 > 0:34:14What are the chances?
0:34:14 > 0:34:17It's impossible to say.
0:34:17 > 0:34:21- Well, what's your gut feeling? - I really can't say.
0:34:21 > 0:34:23Can't or won't?
0:34:23 > 0:34:24Michael...
0:34:24 > 0:34:27We are doing everything we can, Michael.
0:34:27 > 0:34:32Well, me know the minute you hear anything. I want to be kept involved about every development.
0:34:32 > 0:34:36If we do find her, we'll see her and we'll talk to her,
0:34:36 > 0:34:40but we need her permission to reveal her whereabouts.
0:34:40 > 0:34:42Well, that's ludicrous. I'm her father.
0:34:42 > 0:34:47- Please, Michael.- Surely I have the right to be the first to... - I'm sorry. It's procedure.
0:34:47 > 0:34:48Procedure?
0:34:48 > 0:34:54People go missing for a reason. Not everyone wants to be found.
0:35:21 > 0:35:23What you doing?
0:35:23 > 0:35:25Seeing if she's phoned.
0:35:27 > 0:35:29She won't have.
0:35:29 > 0:35:31Well, it's worth checking.
0:35:31 > 0:35:34It'd be awful if she phoned and no-one was here to answer.
0:35:43 > 0:35:48That's a point. We should make sure the house is never empty, in case...
0:35:50 > 0:35:52PHONE RINGS
0:36:00 > 0:36:02Hello?
0:36:06 > 0:36:08Hello?
0:36:12 > 0:36:13Nicole, is that you?
0:36:18 > 0:36:20Nicole, it's Leyla.
0:36:20 > 0:36:22There's definitely someone there.
0:36:24 > 0:36:27Nicole, it's Dad here.
0:36:30 > 0:36:32Take your time.
0:36:32 > 0:36:36I'm here. Just take all the time you need.
0:36:36 > 0:36:39I love you very much, Nicole.
0:36:39 > 0:36:44You are not in any kind of trouble at all.
0:36:44 > 0:36:46I'm sorry...
0:36:46 > 0:36:51I'm sorry if...I ever...um...
0:36:51 > 0:36:53Ask her a question.
0:36:53 > 0:36:56Nicole, are you OK?
0:36:56 > 0:36:57MAN: 'Ha, ha, got you!'
0:36:57 > 0:36:59Who is this?
0:36:59 > 0:37:00LAUGHTER
0:37:00 > 0:37:02How did you get this number?
0:37:02 > 0:37:04- This isn't funny.- It's a hoax.
0:37:07 > 0:37:10What kind of sick and twisted...
0:37:12 > 0:37:15I thought...
0:37:17 > 0:37:19I really thought...
0:37:20 > 0:37:22I know. So did I.
0:37:26 > 0:37:30I'll... I'll put the kettle on.
0:37:30 > 0:37:33Not for me, thanks.
0:37:33 > 0:37:34Where are you going?
0:37:34 > 0:37:37The health centre.
0:37:37 > 0:37:39Michael...
0:37:48 > 0:37:50No...
0:37:50 > 0:37:53No... Please, no.
0:38:13 > 0:38:15Thanks for your help today.
0:38:15 > 0:38:18I didn't do anything.
0:38:18 > 0:38:20It was good having you around.
0:38:22 > 0:38:25We can do this, can't we?
0:38:25 > 0:38:26Do what?
0:38:26 > 0:38:28Stay friends?
0:38:28 > 0:38:29Good friends?
0:38:29 > 0:38:31Yeah.
0:38:31 > 0:38:32The best.
0:38:36 > 0:38:40I hate the thought of not having you in my life.
0:38:42 > 0:38:45And I hate the thought of you sleeping in that car.
0:38:45 > 0:38:47I've slept in worse places.
0:38:47 > 0:38:49Even so...
0:38:49 > 0:38:51Don't worry about it.
0:38:51 > 0:38:53You know you can stay at the flat, Murray.
0:38:53 > 0:38:57I don't think that's such a good idea.
0:38:57 > 0:38:59Why not?
0:39:00 > 0:39:01Murray?
0:39:02 > 0:39:05I don't want us to end up like...
0:39:05 > 0:39:08Like what?
0:39:10 > 0:39:13Eileen and Raymond.
0:39:13 > 0:39:15Where are you going?
0:39:15 > 0:39:17I need to find Murray.
0:39:17 > 0:39:18He's over there.
0:39:18 > 0:39:21Get him away before he gets his claws back into my sister.
0:39:21 > 0:39:26As long as they're living together, Raymond's never gonnae move on.
0:39:26 > 0:39:28And that's what you want, is it?
0:39:30 > 0:39:34What I want, I can't have.
0:39:37 > 0:39:39So I need to move on.
0:39:42 > 0:39:44Are you sure about that?
0:39:44 > 0:39:46About moving on?
0:39:46 > 0:39:49At not being able to have what you want?
0:39:49 > 0:39:52You made that pretty plain to me yesterday.
0:39:52 > 0:39:55Yeah, well, a lot of things have changed since then.
0:39:56 > 0:39:59Murray, can I have a word?
0:39:59 > 0:40:00Yeah, what is it?
0:40:00 > 0:40:03- Upstairs, in private.- Can't it wait?
0:40:03 > 0:40:04No, it can't.
0:40:06 > 0:40:08I'll see you later, eh?
0:40:08 > 0:40:10This had better be important.
0:40:14 > 0:40:16- What are you doing?- Nothing.
0:40:16 > 0:40:19- You're not getting back with him. Tell me you're not.- Butt out!
0:40:19 > 0:40:22- What is wrong with you? - No. What is wrong with you?
0:40:22 > 0:40:26Do you want me to be miserable just because you are?
0:40:35 > 0:40:39- What are you doing here?- Just a couple of things I need to check on.
0:40:39 > 0:40:41You don't have to.
0:40:41 > 0:40:43Yeah, well, I'm here now. I might as well.
0:40:43 > 0:40:46- Look, I've got things covered. Go home.- It's fine.
0:40:46 > 0:40:47I said go home.
0:40:47 > 0:40:49And I said it's fine, all right?
0:40:49 > 0:40:53Look, you're going through a really difficult time. You're not ready...
0:40:53 > 0:40:56Look, I don't need this right now, OK? I don't need special treatment.
0:40:56 > 0:41:01I don't need spoken to in hushed tones, or treated with kid gloves, all right?
0:41:01 > 0:41:02Then what do you need, Michael?
0:41:02 > 0:41:04Why are you here?
0:41:04 > 0:41:07I need...
0:41:07 > 0:41:09I need...
0:41:10 > 0:41:12I just need...
0:41:37 > 0:41:39Turn it off.
0:41:43 > 0:41:45I'm sorry.
0:41:45 > 0:41:48So am I, mate. So am I.
0:41:52 > 0:41:54I thought you were one of the good guys.
0:41:54 > 0:41:55Don't!
0:41:55 > 0:41:58But this! This is nasty.
0:41:58 > 0:42:01It's ugly, it's sleekit...
0:42:01 > 0:42:03I know.
0:42:03 > 0:42:05So, what, you smashed her window in
0:42:05 > 0:42:10so you could play the knight in shining armour and win her back?
0:42:10 > 0:42:13I never... You've got it all wrong.
0:42:13 > 0:42:14Watch it again, will we?
0:42:14 > 0:42:16No.
0:42:16 > 0:42:19I did do it, obviously.
0:42:19 > 0:42:23But it wasn't part of some big ploy to win Gina back.
0:42:23 > 0:42:25I'm not that clever.
0:42:25 > 0:42:28Why, then?
0:42:29 > 0:42:31I don't know.
0:42:32 > 0:42:33She hurt me.
0:42:33 > 0:42:35Oh, come on.
0:42:35 > 0:42:38I was mad at her for pushing me away.
0:42:38 > 0:42:41I tried everything in my power yesterday, but she didn't want me.
0:42:44 > 0:42:46I just wanted to hurt her back.
0:42:46 > 0:42:53I lay in my car, getting madder and madder till something snapped.
0:42:53 > 0:42:56So you never planned it?
0:42:56 > 0:42:57No!
0:42:58 > 0:42:59But this morning,
0:42:59 > 0:43:04when I saw the state she was in, something clicked
0:43:04 > 0:43:06and I just wanted to look after her.
0:43:06 > 0:43:11And I kind of blanked that it was me that did it and just...
0:43:11 > 0:43:13Saw an opportunity and took it?
0:43:13 > 0:43:14It wasn't like that.
0:43:14 > 0:43:17Well, what was it like? Cos I'm struggling here.
0:43:17 > 0:43:22I'd lost her, Raymond. I've been losing her for months.
0:43:24 > 0:43:28Imagine how I felt about myself. How she'd made me feel.
0:43:30 > 0:43:34I thought about walking away. But I couldn't.
0:43:35 > 0:43:38I just...hung around.
0:43:40 > 0:43:46But then, today she needed me again, and it felt good.
0:43:46 > 0:43:48Nothing else mattered.
0:43:48 > 0:43:49That doesn't excuse...
0:43:49 > 0:43:51I know!
0:43:51 > 0:43:54And I would do anything to put it right.
0:43:58 > 0:44:00Tell me what to do.
0:44:00 > 0:44:01Murray...
0:44:01 > 0:44:03Please, Raymond.
0:44:13 > 0:44:15Come on.
0:44:15 > 0:44:16What?
0:44:16 > 0:44:18Now.
0:44:19 > 0:44:24Every time the phone rings, every knock at the door...
0:44:24 > 0:44:27it rips me apart.
0:44:27 > 0:44:31It's Nicole, and the nightmare's over.
0:44:31 > 0:44:36Or it's the police to say they've found a body.
0:44:36 > 0:44:40And than I realise this isn't a nightmare.
0:44:40 > 0:44:41Right now, not knowing,
0:44:41 > 0:44:45that's nothing compared to what...what could happen.
0:44:47 > 0:44:51I'm sorry, I shouldn't be landing all this on you.
0:44:51 > 0:44:52Michael, come on.
0:44:52 > 0:44:54I can't talk to Leyla.
0:44:54 > 0:44:56I can't even look at her.
0:44:57 > 0:45:00Because I just see my own terror reflected back at me.
0:45:00 > 0:45:01I can't bear it.
0:45:01 > 0:45:04There's something else, isn't there?
0:45:05 > 0:45:08Are you stupid? My daughter is missing.
0:45:08 > 0:45:11She could be on drugs, on the street,
0:45:11 > 0:45:14getting pawed over by the scum of the Earth.
0:45:14 > 0:45:15She could've been...
0:45:17 > 0:45:19She could be dead.
0:45:27 > 0:45:33You know, the day she was born, I took her in my hands
0:45:33 > 0:45:38and I counted her fingers and her wee toes.
0:45:40 > 0:45:43She was perfect.
0:45:43 > 0:45:47She was just this perfect wee thing, you know?
0:45:51 > 0:45:54She doesn't want to be found.
0:45:54 > 0:45:55Not by me.
0:45:57 > 0:45:59You can't know that.
0:45:59 > 0:46:01It's me she's running away from.
0:46:02 > 0:46:05I was too hard on her.
0:46:05 > 0:46:08I was trying to protect her, but I drove her away.
0:46:10 > 0:46:13Even if the police find her, they won't tell me,
0:46:13 > 0:46:15because she won't want me to know.
0:46:15 > 0:46:17How can you say that?
0:46:19 > 0:46:21It's what I deserve.
0:46:23 > 0:46:25I'm keeping you back.
0:46:26 > 0:46:28No, you're not.
0:46:29 > 0:46:33I missed so much of her childhood because of the army.
0:46:35 > 0:46:37I just wanted her to know right from wrong,
0:46:37 > 0:46:41I wanted her to make something of her life.
0:46:41 > 0:46:43But I was too strict.
0:46:43 > 0:46:46I tried to control her and she kicked against me.
0:46:49 > 0:46:53Is she doing this to punish me?
0:46:56 > 0:46:59What we'll do is, you and me will watch a wee film.
0:46:59 > 0:47:02We'll watch one of your favourites. What shall we watch?
0:47:02 > 0:47:05Well, let's have a look.
0:47:05 > 0:47:08And we just press that, and...
0:47:08 > 0:47:11Ah, look, shall we watch that one?
0:47:11 > 0:47:13It's your favourite.
0:47:13 > 0:47:15Oh.
0:47:15 > 0:47:17OK.
0:47:19 > 0:47:23Just give Mummy one wee minute.
0:47:23 > 0:47:25Mummy just wants to watch...
0:47:25 > 0:47:28THIS wee DVD.
0:47:29 > 0:47:30Oh!
0:47:57 > 0:48:01Right, come on, let's get you pair home. Come on.
0:48:08 > 0:48:10You have to tell her.
0:48:10 > 0:48:14Not now. Not when there's a chance of us getting back together.
0:48:14 > 0:48:17Oh, you could live with that, could you? Building your future on a lie?
0:48:17 > 0:48:20It's better than nothing. Better than being alone.
0:48:20 > 0:48:22You know that's not true.
0:48:22 > 0:48:24Right. Here we are.
0:48:24 > 0:48:27I really don't think I can do this.
0:48:27 > 0:48:28You have to. You do know that?
0:48:28 > 0:48:31- I don't even know what to say. - The truth.
0:48:31 > 0:48:33Tell her how you really feel. Women like that.
0:48:33 > 0:48:35Tomorrow. Let me sleep on it.
0:48:35 > 0:48:39Not in my house. Not unless you've faced up to what you've done.
0:48:50 > 0:48:53- She's not in.- Give it a minute. She could be in the bath or something.
0:48:53 > 0:48:56I'll come back later.
0:48:56 > 0:48:59Hey, you two.
0:48:59 > 0:49:02Loitering with intent or what?
0:49:04 > 0:49:06I, er...
0:49:06 > 0:49:08What?
0:49:08 > 0:49:11Murray's got something he wants to say to you.
0:49:11 > 0:49:12It can wait.
0:49:12 > 0:49:14No, it can't.
0:49:16 > 0:49:19Right, well you both better come up, then.
0:49:21 > 0:49:23Gina! Gina!
0:49:23 > 0:49:26You need to see this.
0:49:26 > 0:49:28No, she doesn't. Leave it, Eileen.
0:49:28 > 0:49:33- We'll go upstairs, I can explain. - No, don't. It's Murray. He threw the brick through the window.
0:49:33 > 0:49:35What?
0:49:35 > 0:49:36It's all on here.
0:49:39 > 0:49:41It was you?
0:49:43 > 0:49:46Why would you do that to me?
0:49:46 > 0:49:47I'm sorry.
0:49:47 > 0:49:51Do something so despicable and then lie to my face?
0:49:51 > 0:49:52It's outrageous.
0:49:52 > 0:49:54Stay out of it, Eileen.
0:49:54 > 0:49:57I think you two should go upstairs and talk about this in private.
0:49:57 > 0:50:01No. No, I've got nothing to say to him. I don't even want to look at him.
0:50:01 > 0:50:02D'you want to phone the police?
0:50:02 > 0:50:04Eileen!
0:50:06 > 0:50:08And those boys!
0:50:10 > 0:50:15You let them take the blame when all the while it was you.
0:50:15 > 0:50:18That was the last thing I wanted. Look, I'm sorry.
0:50:18 > 0:50:21I can't tell you how sorry I am.
0:50:21 > 0:50:24Yeah? Well, you're not sorry enough.
0:50:24 > 0:50:25Ow!
0:50:25 > 0:50:27I mean, what kind of snake are you?
0:50:27 > 0:50:33- D'you not think these kids have been through enough? Let me go, Raymond! - No' in front of the boys, Gabriel!
0:50:33 > 0:50:34CONOR: Now do you believe us?
0:50:36 > 0:50:37Come on.
0:50:37 > 0:50:40Let's go. Go.
0:50:40 > 0:50:42Gabriel, boys...
0:50:44 > 0:50:46I'll make it up to you. I'm sorry.
0:50:48 > 0:50:49Gina...
0:50:49 > 0:50:51Stay away from her.
0:50:53 > 0:50:55Leave me.
0:50:55 > 0:50:57Murray...
0:50:57 > 0:50:58Just leave me.
0:51:05 > 0:51:06'Murray Crozier?'
0:51:06 > 0:51:08'Yep.'
0:51:08 > 0:51:11That's unbelievable. He was so kind and helpful today.
0:51:11 > 0:51:13I'm sorry I ever doubted you.
0:51:13 > 0:51:14Yeah, me, too.
0:51:14 > 0:51:16It's all right.
0:51:16 > 0:51:19- Yeah, can we just focus on Nicole? - You are good boys.
0:51:22 > 0:51:25- Can we go now?- Yeah.
0:51:35 > 0:51:37Come here.
0:51:39 > 0:51:40Hey.
0:51:46 > 0:51:49You OK?
0:51:49 > 0:51:51Yeah, I'm fine.
0:51:52 > 0:51:56Listen, I'll leave you guys alone.
0:51:58 > 0:52:01No. Stay. Please.
0:52:01 > 0:52:03It's good having you around.
0:52:09 > 0:52:12Gina is well shot of that rat.
0:52:12 > 0:52:15Why didn't you phone the police?
0:52:15 > 0:52:17Why didn't you tell me?
0:52:17 > 0:52:20Because I knew how you'd react. That you wouldn't stop and think.
0:52:20 > 0:52:23You'd rush right out, announce it to the whole world
0:52:23 > 0:52:25- and totally humiliate him. - You saw what he did.
0:52:25 > 0:52:29- Why are you defending him? - I'm not. I just don't want to see the guy crucified.
0:52:29 > 0:52:31I don't get it with you and him.
0:52:31 > 0:52:33No, you wouldn't, would you?
0:52:33 > 0:52:37I don't think you've ever had a real friend in your whole life.
0:52:56 > 0:52:58Where are you headed?
0:52:58 > 0:53:01I don't know yet.
0:53:02 > 0:53:05Are you planning on doing any fishing?
0:53:05 > 0:53:08I might be. Why?
0:53:08 > 0:53:12It's just that I fair fancy a wee bit of that.
0:53:15 > 0:53:18Well, then, what are you waiting for?
0:53:18 > 0:53:19Drive.
0:53:23 > 0:53:24ENGINE STARTS, REVS
0:53:27 > 0:53:30BBC NEWS THEME PLAYS ON TV
0:53:37 > 0:53:39'Concern is mounting for a 16-year-old girl
0:53:39 > 0:53:43'who's been missing from her home in Shieldinch for more than a week.
0:53:43 > 0:53:45'Our correspondent James Cook has the latest.
0:53:45 > 0:53:50'16-year-old Nicole Brodie was thought to have been in France for a school trip.
0:53:50 > 0:53:53'But yesterday, her parents reported her missing
0:53:53 > 0:53:57'when she failed to return with the rest of her classmates.
0:53:57 > 0:54:01'Nicole is thought to have deliberately cancelled her place on the outing.
0:54:01 > 0:54:04'But, now, a week on, concern is mounting for her safety.
0:54:04 > 0:54:08'The news of her disappearance has devastated the local community here in Shieldinch.
0:54:08 > 0:54:14'And earlier today, Dr Brodie and his wife faced the media.
0:54:14 > 0:54:17'If there's anyone out there who has seen Nicole
0:54:17 > 0:54:20'or has any information regarding her whereabouts,
0:54:20 > 0:54:22'I urge you to get in touch.
0:54:24 > 0:54:26'Nicole, we love you very much.
0:54:26 > 0:54:29'we can't imagine life without you.
0:54:29 > 0:54:33'You have a family that loves you more than anything in the world.
0:54:34 > 0:54:39'No matter what's happened, there's nothing we can't deal with.
0:54:39 > 0:54:41'Nothing we can't put right.
0:54:42 > 0:54:45'Please, Nicole, please, come home.
0:54:45 > 0:54:49'That's all we want more than anything.
0:54:49 > 0:54:54'But if you're not ready yet, then please just let us know you're OK.
0:54:54 > 0:54:59'A phone call. Let us hear your voice.
0:54:59 > 0:55:03'Please, Nicole, I'm begging you, wherever you are,
0:55:03 > 0:55:05'whoever you're with,
0:55:05 > 0:55:09'don't let anyone force you to do anything you don't want to do.
0:55:09 > 0:55:11'Please, Nicole.
0:55:28 > 0:55:31'Nicole, we love you so much.
0:55:31 > 0:55:33'Conor...'
0:55:43 > 0:55:45What are you doing?
0:55:45 > 0:55:49Sleeping Beauty. I didnae mean to wake you.
0:55:49 > 0:55:52Where are you going with that?
0:55:52 > 0:55:55Sorry, babes, I need to sell it.
0:55:55 > 0:55:57We've got nae cash.
0:55:57 > 0:55:59Already?
0:56:00 > 0:56:03I'll go to the chippy.
0:56:06 > 0:56:07Here y'are.
0:56:09 > 0:56:11- I won't be long.- Thanks.
0:56:21 > 0:56:23You're beautiful.
0:56:23 > 0:56:24I don't feel very beautiful.
0:56:26 > 0:56:29Have you seen Cal's nursery bill? You'd think he was at uni.
0:56:29 > 0:56:32- You a bit short the now? - I'm all right, Ma.
0:56:32 > 0:56:36- Where are you going?- Just to sign on. Don't look at me like that.
0:56:36 > 0:56:41- Have you got something she could wear? - Of course, help yourself.- Thanks.
0:56:41 > 0:56:45Oh, I've got something better than cash, but it's first come, first served. See you soon.
0:56:45 > 0:56:46She looks amazing.
0:56:46 > 0:56:47I look like a tart.
0:57:03 > 0:57:07Subtitles by Red Bee Media Ltd