0:00:21 > 0:00:24- Whatever happens, she stays indoors.- Why?
0:00:24 > 0:00:27Because her coupon's all over the papers, that's why.
0:00:27 > 0:00:29How long before they want the young bird -
0:00:29 > 0:00:31the one that's not been round the block and back?
0:00:31 > 0:00:34Go.
0:00:34 > 0:00:35I said go!
0:00:39 > 0:00:42Even if the police find her, they won't tell me.
0:00:42 > 0:00:44- Because she won't want me to know. - How can you say that?
0:00:44 > 0:00:46It's what I deserve.
0:00:49 > 0:00:52MUSIC: "When You Are A King" by White Plains
0:01:26 > 0:01:29There are a few leads they're following up.
0:01:29 > 0:01:31They'll be in touch with any developments.
0:01:31 > 0:01:33You're here again, then?
0:01:33 > 0:01:34Afraid so.
0:01:36 > 0:01:39Do we have any shoelaces?
0:01:39 > 0:01:41Yeah, second drawer.
0:01:43 > 0:01:45So, how are we all doing, then?
0:01:45 > 0:01:50- Fine until you turned up.- Conor. - Well, why's she always here?
0:01:50 > 0:01:54- Because she's helping us.- It's OK. I'd get fed up with me hanging around if I were you.
0:01:54 > 0:01:57- Nobody's fed up with you. - Speak for yourself.
0:01:57 > 0:01:58Enough.
0:01:58 > 0:02:02She is a guest in this house and I expect you to be polite.
0:02:02 > 0:02:06- Got that?- Michael.- I said have you got that?
0:02:08 > 0:02:09Good.
0:02:18 > 0:02:21You all right, pet?
0:02:21 > 0:02:24- There's nothing in here. - It's probably too early.
0:02:24 > 0:02:28I went to the police three weeks ago. Why haven't they found her?
0:02:28 > 0:02:32They're doing everything they can.
0:02:32 > 0:02:34I waited too long.
0:02:34 > 0:02:37- You did what you could. This isn't your fault.- Your mum's right.
0:02:37 > 0:02:41You've got to stop beating yourself up.
0:02:41 > 0:02:44You might have said how late it was.
0:02:48 > 0:02:50What's up with you lot?
0:02:51 > 0:02:56- Christina's worried about Nicole. - Will you stop beating yourself up?
0:02:56 > 0:03:00- You told the police what you know. - Aye, important information as well.
0:03:00 > 0:03:04Aye. You took your time about it, mind. But better late than never.
0:03:08 > 0:03:10What's that face for?
0:03:22 > 0:03:25- So, love me and leave me, is that it?- Sorry.
0:03:25 > 0:03:28- Got to get to work. - Don't give me any excuses.
0:03:28 > 0:03:31- I know you just used me for my body last night.- What can I say?
0:03:31 > 0:03:36You're nothing but a piece of meat to me. How's the arm?
0:03:36 > 0:03:39- Wound's a bit tight, but I'll live. - Got a lot on today?
0:03:39 > 0:03:42I was thinking of asking this wee bird over there for a drink.
0:03:42 > 0:03:46- Oh, really? What's she like, this wee bird of yours? - Cannae resist me.
0:03:46 > 0:03:49And anything interesting lined up for after this drink?
0:03:49 > 0:03:52I was thinking of...
0:03:52 > 0:03:56taking a trip up the cemetery. To see Ewan. Well, his grave.
0:03:56 > 0:04:02Right. Great. I mean... Yeah, that'd be nice.
0:04:02 > 0:04:05- Listen...I better get...- Going?
0:04:05 > 0:04:08Yeah. Booked out all day.
0:04:12 > 0:04:14Maybe see you later?
0:04:14 > 0:04:16Yeah, maybe.
0:04:23 > 0:04:26- Your dad didn't mean to get angry.- Whatever.
0:04:26 > 0:04:30He's just worried, that's all. DOOR OPENS
0:04:30 > 0:04:31Only me.
0:04:35 > 0:04:36And where are you two going?
0:04:36 > 0:04:40- School.- Not without this, you're not.
0:04:42 > 0:04:43Cheers.
0:04:47 > 0:04:52- Any news?- Nothing.- The boys OK?
0:04:52 > 0:04:56They're coping. Which is more than can be said for Michael.
0:04:56 > 0:04:59He won't talk. Just keeps blowing up at me and the boys.
0:04:59 > 0:05:03- Well, what do you expect, Leyla? - Better get a move on.- Before you go,
0:05:03 > 0:05:08- can I have a word?- We're late already, actually.- Won't take long.
0:05:16 > 0:05:19- You want to do something? - Like what?- Dog it.
0:05:19 > 0:05:23- Go into town with Gabriel's money. - Dad would just love that, wouldn't he?
0:05:23 > 0:05:25Any news on Nicole?
0:05:25 > 0:05:28- What do you care?- She's her friend, Conor.- Some friend.
0:05:28 > 0:05:32Keeps her mouth shut until it's too late.
0:05:32 > 0:05:33- I'm sorry about that.- Yeah?
0:05:33 > 0:05:37So what? Saying sorry's not going to help get my sister back, is it?
0:05:40 > 0:05:42- What are you taking it out on her for?- Cos it's her fault!
0:05:42 > 0:05:45- That's rubbish. - How?- She made a mistake.
0:05:45 > 0:05:47And my family's got to pay for it.
0:05:50 > 0:05:52It's my family as well!
0:05:54 > 0:05:58I know you're under pressure. But you can't forget about the boys.
0:05:58 > 0:06:00- We're taking care of them. - Well, you say that.
0:06:00 > 0:06:04- But there was the thing with Conor earlier.- What happened with Conor?
0:06:04 > 0:06:07- He just made a stupid remark, that's all.- He was being a brat.
0:06:07 > 0:06:10He was letting off some steam.
0:06:10 > 0:06:12Conor and Adeeb are feeling the same things you are -
0:06:12 > 0:06:16worry, guilt, frustration. The whole shebang.
0:06:16 > 0:06:19Problem is, they can't show you any of it.
0:06:19 > 0:06:25so they look around for someone to take it out on. Someone safe.
0:06:25 > 0:06:27That's no excuse for Conor being rude.
0:06:27 > 0:06:32- Michael, if he wants to use me as a punchbag, that's fine.- Well, I'm not.
0:06:32 > 0:06:35You can't expect perfect manners in these circumstances.
0:06:35 > 0:06:39Your job is to help us communicate with your colleagues. Right?
0:06:39 > 0:06:40That's part of Family Liaison.
0:06:40 > 0:06:43And is the other part telling me how to raise my kids?
0:06:43 > 0:06:47- I was just offering some advice. - Well, thanks. But I don't need it.
0:06:47 > 0:06:49What I do need is to get to work.
0:06:52 > 0:06:54- I'll see you later?- Sure.
0:07:11 > 0:07:15- Maybe he's taken the day off. - I wouldn't count on it.
0:07:16 > 0:07:21- Why does he keep coming in, anyway? - It's easier if he stays busy.
0:07:21 > 0:07:26Yes, but not easy for us. He makes things so tense around here.
0:07:29 > 0:07:34- You think she'll ever come back? - I really don't know.
0:07:34 > 0:07:37- But the longer this goes on... - Don't.
0:07:37 > 0:07:40I've already had to deal with Christina thinking the worst.
0:07:40 > 0:07:44- How is she?- She feels guilty.
0:07:46 > 0:07:49Sorry we're late. Got held up.
0:07:49 > 0:07:53- Is everything OK?- Yeah, everything's just great, Dan.
0:07:53 > 0:07:55I was only asking.
0:07:55 > 0:07:58Sorry, it's been a bit of a morning.
0:08:05 > 0:08:08And you're sure he wanted you to go with him?
0:08:08 > 0:08:11It was more like he was waiting for me to invite myself.
0:08:11 > 0:08:15- So, why didn't you?- Come on. Going to a cemetery with him? It's a bit...
0:08:15 > 0:08:20- Creepy?- Intimate.- I once went out with a guy that was into cemeteries.
0:08:20 > 0:08:23We used to wait till it got dark, jump the gate,
0:08:23 > 0:08:27- share a curry out amongst the headstones.- Sounds lovely.- Oh, aye. It was dead exciting.
0:08:27 > 0:08:30But then he started talking about breaking into funeral parlours...
0:08:30 > 0:08:34and I just said to him, "Listen, pal. Now you're just being weird."
0:08:35 > 0:08:36OK.
0:08:36 > 0:08:42- So, you're planning on giving Lenny the bump, then?- No. Why would I do that?- Dunno.
0:08:42 > 0:08:45Just got the impression you're not really that into him.
0:08:45 > 0:08:48You never talk about him. Half the time you seem embarrassed.
0:08:48 > 0:08:51No, I'm not embarrassed. I like him. I like him a lot.
0:08:51 > 0:08:54- What's the problem, then? - I'm not ready to tell him that.
0:08:54 > 0:08:57Right, and going to his dead son's grave is declaring your love?
0:08:57 > 0:09:01Of course it is. It saying, "I'm there for you, you've got me".
0:09:01 > 0:09:04Are you sure it doesn't just say, "I'm neurotic,
0:09:04 > 0:09:07- "I read too much into things"? - I just don't want to rush it.
0:09:07 > 0:09:11OK, well, don't make him wait too long.
0:09:11 > 0:09:14Lenny's not exactly known for his patience.
0:09:20 > 0:09:25- So, how long's he thinking of staying?- Couple of weeks, he reckons.
0:09:25 > 0:09:30I can't say I blame him. It's a beautiful place - peace and quiet.
0:09:30 > 0:09:32No windows to smash, eh?
0:09:33 > 0:09:36Look, he feels terrible about that and a lot of other things.
0:09:36 > 0:09:40- Aye, well, so he should. - He'll get himself sorted soon.
0:09:40 > 0:09:42You wait and see.
0:09:47 > 0:09:50You can stare at it all you want, it's still going to be tea.
0:09:52 > 0:09:54You all right?
0:09:55 > 0:10:00- Was it really bad? - Was what really bad?
0:10:00 > 0:10:02Out there.
0:10:02 > 0:10:04Living on the streets.
0:10:06 > 0:10:09I'm not really sure I want to talk about that.
0:10:09 > 0:10:11Sorry. I didn't...
0:10:12 > 0:10:14I'm just worried about Nicole, that's all.
0:10:16 > 0:10:21- Gina, I'm just gonnae take a break, all right?- Sure.
0:10:32 > 0:10:34- Is there any news on Nicole? - No, sorry.
0:10:34 > 0:10:38- So why are you here, then? - I thought we could have a chat.
0:10:38 > 0:10:42- About?- About Nicole, and why she ran away.
0:10:42 > 0:10:46Did she have any problems or issues?
0:10:46 > 0:10:49What, apart from getting mixed up with this Cammy guy?
0:10:49 > 0:10:55- I was thinking about something closer to home. Something within the family.- Like what?
0:10:55 > 0:10:59Michael and Leyla, for instance. Was she worried about them?
0:10:59 > 0:11:01Why would she be worried about them?
0:11:01 > 0:11:05Well, kids have a sixth sense when it comes to parents.
0:11:05 > 0:11:08If they feel any tension, it can unsettle them.
0:11:08 > 0:11:13- She never ran away because Michael and Leyla were having problems. - But they were having problems?
0:11:13 > 0:11:18No, what I'm saying is, the reason she left is out there.
0:11:18 > 0:11:21- Not at home.- Probably right.
0:11:21 > 0:11:24Just thought with you being so close to Michael and Leyla, you might...
0:11:24 > 0:11:26I'm close to Michael.
0:11:26 > 0:11:29Well, I'll leave you to it, then.
0:11:39 > 0:11:40Aye...
0:11:40 > 0:11:43You'd think I was five years old the way she goes on.
0:11:43 > 0:11:47All that fussing and nagging - more like a wife than a daughter.
0:11:47 > 0:11:53- She's only looking out for you. - I'm more than capable of looking out for myself.
0:11:53 > 0:11:57I remember when I was the one who told her what to do. But not now.
0:11:57 > 0:12:00- It'll happen to you, too. - Is that right?
0:12:00 > 0:12:02Aye. She might be over there right now,
0:12:02 > 0:12:06talking boys and pop music, but give her a few years...
0:12:06 > 0:12:10- Sorry. Who are we talking about here?- Your girl.
0:12:11 > 0:12:15- She'll end up running your life the way Gina runs mine. - Are you saying you've seen Nicole?
0:12:15 > 0:12:18Aye. In the Oyster.
0:12:26 > 0:12:27Nicole!
0:12:30 > 0:12:36- Where is she?- Who?- Nicole. - Your dad said Nicole was here.- When?
0:12:36 > 0:12:41- He said he saw her this morning.- I'm sorry, Michael. He's made a mistake.
0:12:41 > 0:12:44I would've phoned you straight away if Nicole was here.
0:12:44 > 0:12:48- What the hell is he playing at? - Come on, you know he gets confused.
0:12:49 > 0:12:53Didn't take you long to find a new mate, did it?
0:12:53 > 0:12:57Let's hope she doesn't let you down the same way she did Nicole.
0:13:11 > 0:13:15- Are you OK?- No, Leyla. I'm not OK.
0:13:19 > 0:13:20Mr Brodie!
0:13:44 > 0:13:46I've been looking for you, sweetheart.
0:13:46 > 0:13:49- Get off!- Be nice.- Get off me!
0:13:49 > 0:13:52I just want to talk.
0:13:52 > 0:13:55- Let me go. - Know what your problem is?
0:13:55 > 0:13:57You've got a big mouth.
0:14:01 > 0:14:05Half of Glasgow's coppers are after me.
0:14:06 > 0:14:12So, you're going to help me get out of here. You understand? Money.
0:14:12 > 0:14:16- You get it and bring it to me. You bring it here...- I don't have any...
0:14:16 > 0:14:21Then get some. Cos I'm not doing time for you and that wee bitch.
0:14:24 > 0:14:29If you want to see your pal again... Two o'clock. And don't be late...
0:14:29 > 0:14:34or the Brodies won't be the only family missing a daughter.
0:14:38 > 0:14:43- Aye! He was out of here like a shot, so he was.- Sorry about that.
0:14:43 > 0:14:49- Can I book you in later in the week? - I don't know, hen. I'm a busy man. DOOR OPENS
0:14:49 > 0:14:54There he is. The wanderer's returned. Did you get her, then?
0:14:54 > 0:14:56No, Malcolm. We didn't get her.
0:14:56 > 0:15:00- Oh. Must've just missed her. - You know what, Malcolm?
0:15:00 > 0:15:05- It's about time you started facing up to reality.- Oh. Is that a fact?
0:15:05 > 0:15:09- You need Gina to look after you. You're a liability. - He was only trying to help.
0:15:09 > 0:15:12Sorry, but the idea of people helping round here is frankly laughable.
0:15:12 > 0:15:14Michael, calm down.
0:15:14 > 0:15:17Seriously, if it's not this stupid old goat giving us false hope...
0:15:17 > 0:15:21- it's her daughter holding back information. - This isn't Christina's fault!
0:15:21 > 0:15:23No, no, it's not just her.
0:15:23 > 0:15:26Everyone around here is to blame. Bloody cowards.
0:15:29 > 0:15:31Right. That's it.
0:15:43 > 0:15:47- What on Earth are you playing at? - What are THEY playing at, more like?
0:15:47 > 0:15:50Look at them! Nicole's missing and that lot just go about their day.
0:15:50 > 0:15:54Coffee in the Oyster. A quick trip to the doctors. A wee pint later.
0:15:54 > 0:15:57What do you expect them to do? Turn every house upside down?
0:15:57 > 0:16:00- That would be a start. Least it would show they care.- They do care.
0:16:00 > 0:16:02And they'd tell you that if you'd only listen!
0:16:02 > 0:16:06Listening to people is how I got into this mess in the first place.
0:16:06 > 0:16:09I knew this would happen. I should've trusted my instincts.
0:16:09 > 0:16:12I should've reined her in but no, no. "Give her space, Michael,
0:16:12 > 0:16:14"Let her experiment."
0:16:14 > 0:16:19- She's only 16 years old! - Right. So, now it's my turn, is it?
0:16:19 > 0:16:21You're the one that said treat her like an adult.
0:16:21 > 0:16:24Junkie boyfriends and going on the pill?
0:16:24 > 0:16:26I was helping her make her own choices.
0:16:26 > 0:16:32Well, now she's chosen to stay out there with God knows what kind of scum instead of coming home.
0:16:32 > 0:16:33So, well done Leyla. Great work.
0:16:37 > 0:16:40You know, maybe you're the reason she's not come home, Michael.
0:16:40 > 0:16:43I mean, what sort of teenager would choose to come home to a dad
0:16:43 > 0:16:45who runs his family like a boot camp?
0:16:45 > 0:16:47Who barely shows his kids any affection?
0:16:47 > 0:16:52- Treats them like his subordinates? - That's enough!- Yes, sir(!)
0:17:11 > 0:17:14- Where's my next patient? - She went home.- Why?
0:17:15 > 0:17:18Maybe she was upset by your outburst earlier.
0:17:18 > 0:17:22- Why don't you go home, Michael? - I've got some notes to catch up on.
0:17:22 > 0:17:26They can wait. Your family need you right now.
0:17:26 > 0:17:28I understand this helps take your mind off Nicole, but...
0:17:28 > 0:17:33- I don't know what makes you think you're in a position to give me all this Zen-like advice...- Michael.
0:17:33 > 0:17:34I mean, why would I listen to you?
0:17:34 > 0:17:37Michael.
0:17:40 > 0:17:42There's been a development.
0:17:45 > 0:17:48It's as if he's determined to alienate everyone.
0:17:48 > 0:17:52I mean, does he think he's the only one that's suffering?
0:17:52 > 0:17:55That no-one else is worried? And I knew it was coming.
0:17:55 > 0:17:56I knew he blamed me all along.
0:17:58 > 0:18:00Aren't you going to say something?
0:18:00 > 0:18:04- Like what?- I don't know. What you think?
0:18:04 > 0:18:08I think he's worried about Nicole and people should give him a break.
0:18:08 > 0:18:12Right. And does that include me?
0:18:12 > 0:18:17You could spend less time arguing with him and try supporting him.
0:18:17 > 0:18:23I am trying to support him, but he won't let me. That's the point.
0:18:23 > 0:18:30- Try harder. - Great. Thanks, Gabriel(!)
0:18:30 > 0:18:32Well, what do you want me to say?
0:18:32 > 0:18:37- He's my brother, Leyla. - So now you're loyal to him?
0:18:37 > 0:18:42- Well, it's about time that I was. - What's that supposed to mean?
0:18:43 > 0:18:46It's bad enough cheating with your brother's wife.
0:18:46 > 0:18:49But when he's going through something like this...
0:18:49 > 0:18:51I'm going through it, too.
0:18:54 > 0:18:56It feels wrong, Leyla.
0:18:59 > 0:19:01Wow.
0:19:01 > 0:19:04Loyalty AND guilt? This is a big day for you.
0:19:09 > 0:19:11SHE SIGHS
0:19:13 > 0:19:15So, what are you saying?
0:19:18 > 0:19:21You want us to stop this until Nicole's back?
0:19:28 > 0:19:34Right. I see. Nice timing.
0:19:34 > 0:19:37It couldn't go on for ever.
0:19:38 > 0:19:40Clearly.
0:19:40 > 0:19:43- KNOCKING> - Gabe, it's Michael!
0:19:43 > 0:19:45DOORBELL RINGS
0:19:45 > 0:19:47Gabe, hurry up!
0:19:51 > 0:19:53- They found a body.- What?
0:19:53 > 0:19:56They want me at the morgue. I don't know where Leyla is.
0:20:05 > 0:20:10MUSIC: "Spies" by Coldplay
0:20:49 > 0:20:52I was beginning to think you weren't going to make it.
0:20:52 > 0:20:56- Sorry. A bit hectic over there. - Booked out all day, eh?- Yeah.
0:20:56 > 0:20:57Glass of white wine.
0:20:57 > 0:21:00I mean, I was only working with her a couple of weeks ago.
0:21:00 > 0:21:04- What do you think happened? - Something bad, by the sounds of it.
0:21:04 > 0:21:08- You don't think she was... - Annie!- What?
0:21:08 > 0:21:11You want to shake yourself and go and change that barrel.
0:21:14 > 0:21:17What's that all about?
0:21:18 > 0:21:20Michael Brodie's at the morgue.
0:21:21 > 0:21:25- They found her? - Probably just a coincidence.- Yeah.
0:21:25 > 0:21:28- False alarm, no doubt. - Who'd be him today, eh?
0:21:33 > 0:21:37- I mean, what's keeping them? - They need to prep the body.
0:21:40 > 0:21:43Prep it? Prep it for what?
0:21:43 > 0:21:44For me.
0:21:44 > 0:21:47The last thing they want to do is traumatise the loved ones.
0:21:50 > 0:21:55If it's been a violent death, they do their best to hide the wounds.
0:21:57 > 0:22:02Bloody hell. Look, maybe I should phone Leyla.
0:22:02 > 0:22:04No point.
0:22:04 > 0:22:07She's not picking up.
0:22:07 > 0:22:10She should be here with you now.
0:22:10 > 0:22:13If you want to go, please yourself.
0:22:13 > 0:22:20Don't start, Michael. Your emotional blackmail crap didn't work when we were kids. It still doesn't.
0:22:22 > 0:22:26Look, I just think you and Leyla should be together right now.
0:22:27 > 0:22:32- Leyla and I haven't been together for a long time.- Meaning?
0:22:33 > 0:22:38- We're like a pair of strangers. - Well, with Nicole...
0:22:38 > 0:22:41We were like that before Nicole left. Just didn't notice.
0:22:45 > 0:22:50That's marriage, though, isn't it? Ups, downs. You just muddle through.
0:22:51 > 0:22:55What would you know?
0:22:57 > 0:23:00Anyway, this is different.
0:23:01 > 0:23:07- Feel like I've lost her to something.- Like what?
0:23:07 > 0:23:08I don't know.
0:23:10 > 0:23:14All I know is she's not with me any more.
0:23:26 > 0:23:28Good luck.
0:24:00 > 0:24:02Brenda! Is it her?
0:24:02 > 0:24:05We don't know yet. He's just gone in.
0:24:11 > 0:24:12This is unbelievable.
0:24:13 > 0:24:16I'll make you some tea.
0:24:19 > 0:24:22- Michael did try to call you.- What?
0:24:22 > 0:24:25To let you know what was happening, but there was no answer.
0:24:25 > 0:24:29Yeah, sorry...
0:24:29 > 0:24:34I was in town and my phone ran out of battery.
0:24:34 > 0:24:39- So in the end, Gabriel went along with him. For support.- Right.
0:24:44 > 0:24:50- By the way, how did you know?- Sorry? - The first thing you said when you came in was, "Is it her?",
0:24:50 > 0:24:54but presumably you didn't get the message if your phone was down.
0:24:54 > 0:24:57- So, how did you know?- Dan told me.
0:24:57 > 0:24:59I went to the health centre on the way back.
0:24:59 > 0:25:02- I see. - DOOR CLOSES
0:25:05 > 0:25:06Is it her?
0:25:13 > 0:25:15Michael.
0:25:15 > 0:25:17What happened?
0:25:18 > 0:25:20Wasn't her.
0:25:27 > 0:25:30- You OK?- Yeah. That poor girl.
0:25:32 > 0:25:35Just lying in there all alone. Nobody with her.
0:25:38 > 0:25:41Just some stranger standing over her,
0:25:41 > 0:25:44relieved it's her that's dead and not his kid.
0:25:46 > 0:25:49Come on, let's go.
0:25:53 > 0:25:58- What they must be going through. - It's every parent's nightmare.
0:25:58 > 0:26:02Makes you wonder if it's worth having them in the first place.
0:26:02 > 0:26:06- Sorry, that was a dumb thing to say. I'm so sorry.- It's all right.
0:26:08 > 0:26:11But to answer your question, they ARE worth it.
0:26:14 > 0:26:18- You OK?- Fine. Why?
0:26:18 > 0:26:22- Just seem a bit nervous. - Why would I be?- I dunno.
0:26:22 > 0:26:27- All I know is that you drink faster when you're nervous.- No, I don't.
0:26:27 > 0:26:31- Are you trying to say I've got a drink problem?- There's another thing you do when you're nervous.- Do what?
0:26:31 > 0:26:35- You got all defensive.- I'm not getting defensive.- Just a wee bit.
0:26:35 > 0:26:39Lenny, you know what? Maybe we should just call this a day, since you have so many problems with me.
0:26:39 > 0:26:44OK. I take it back. You're not nervous. You're psychotic.
0:26:44 > 0:26:46Frances.
0:26:46 > 0:26:49All I wanted to do was meet and have a drink.
0:26:49 > 0:26:51If you don't want to be here, go.
0:26:53 > 0:26:54Sorry.
0:26:55 > 0:26:57I don't know what's wrong with me.
0:26:59 > 0:27:04Anyway, how do you know I drink faster when I'm nervous?
0:27:04 > 0:27:06I notice things about you.
0:27:10 > 0:27:12You and I need to talk.
0:27:15 > 0:27:17What exactly did the school say?
0:27:17 > 0:27:21That she didn't turn up and none of her friends know where she is.
0:27:22 > 0:27:25- Maybe she's be back at the flat. - I checked.
0:27:25 > 0:27:31And I checked the cafe and the deli. Nothing. Something's wrong, Bob.
0:27:31 > 0:27:34- She was so emotional this morning. - She was upset about Nicole.
0:27:34 > 0:27:39And if she knows the police found a body, she'll be even more upset.
0:27:39 > 0:27:43- We need to find her. - I can't get away from my work.- Bob.
0:27:43 > 0:27:49- I'm really worried about her. - Right, you two! I want a word.
0:27:49 > 0:27:54I know things are tight, but you might at least have asked me.
0:27:54 > 0:27:58- Molly, what are you talking about? - My wages.
0:27:58 > 0:28:01The £40 one of you two pinched from the drawer.
0:28:01 > 0:28:05- I didn't touch your wages. - So, it was you, then?- Of course not.
0:28:05 > 0:28:10Well, somebody must have taken it, because it was definitely there this morning.
0:28:13 > 0:28:15Oh. Not again.
0:28:18 > 0:28:21- What's this?- You wanted money.
0:28:24 > 0:28:26Is that supposed to be a joke?
0:28:26 > 0:28:30- Not going to get far with 40 quid, am I?- It's all I could find.
0:28:30 > 0:28:34Well, you better try harder. Cos I need out of here today.
0:28:34 > 0:28:37Maybe I should call the police. Tell them where you are.
0:28:37 > 0:28:41- You're not going to do that. - I've been before, remember?
0:28:41 > 0:28:46- If you grass me up, you'll never see your pal again.- Where is she?
0:28:46 > 0:28:50- Where's Nicole?- She's safe as long as you get me more money.
0:28:50 > 0:28:54Now you've got an hour, or it's Nicole that's going to pay.
0:29:04 > 0:29:08We had a deal. You promised not to interfere in my business.
0:29:08 > 0:29:12- But I did say I would help out. - Help! I've had the same bakery supplier for ten years.
0:29:12 > 0:29:15- And you're paying over the odds. - In the food business, Lenny,
0:29:15 > 0:29:18- you pay for quality.- How much discount did you get?- 20%.
0:29:18 > 0:29:21- That's quite good.- He's a mate.
0:29:21 > 0:29:25- Looking to expand, so we worked out a deal.- I am still here, you know.
0:29:25 > 0:29:30- Gina, why not call your supplier and tell them you're switching? - Like hell I will.
0:29:30 > 0:29:34Just tell them you've got a better deal and with pressure on your margins
0:29:34 > 0:29:37and business being slow, you're going to take it.
0:29:37 > 0:29:41- Look, let me spell this one out to you. Ten years.- Exactly.
0:29:41 > 0:29:46So they won't want to lose you. Might offer you a better price.
0:29:46 > 0:29:48You'll not get 20%, but you'll get something.
0:29:50 > 0:29:52I don't suppose it'd do any harm to give it a go.
0:29:52 > 0:29:55Ten years is a long time.
0:29:58 > 0:30:01Right. I'll phone him.
0:30:02 > 0:30:05But I'm not going with your guy. Discount or no discount.
0:30:10 > 0:30:11Sorry.
0:30:11 > 0:30:15- Your mate won't be very happy. - He'll get over it. That was quick thinking.
0:30:15 > 0:30:18You know, if you ever get fed up working in the salon, we could work together.
0:30:18 > 0:30:20What, me and you? Partners?
0:30:20 > 0:30:22Would that be such a bad thing?
0:30:26 > 0:30:28Do you know who the girl is?
0:30:28 > 0:30:32We'll find out soon. Main thing is it's not Nicole.
0:30:38 > 0:30:40Are you OK?
0:30:41 > 0:30:44Bit of a scare. That's all.
0:30:44 > 0:30:49- Shouldn't you be at school? - I called them home. Thought they should be here just in case.
0:30:49 > 0:30:52- Well, it's time you were getting back.- Dad, I want to stay here.
0:30:52 > 0:30:56Conor, this is a big year for you. I don't want you missing anything.
0:30:56 > 0:31:00Just let them stay, Mick. It's no big deal if they miss an afternoon.
0:31:00 > 0:31:03- It's only PE.- Just go to school.
0:31:04 > 0:31:08Look, off you go. We'll see you later.
0:31:15 > 0:31:18- Maybe we should have a talk. - Maybe you should just leave.
0:31:18 > 0:31:22- Michael, please don't. - I don't think you're helping here.
0:31:22 > 0:31:25- How would you like me to help? - By leaving.
0:31:27 > 0:31:31You were the one who asked for this. You wanted us to pull out all the stops to find Nicole.
0:31:31 > 0:31:33And now I want you to go.
0:31:35 > 0:31:37I can call your boss if you like.
0:31:57 > 0:31:59I mean, what's wrong with him?
0:31:59 > 0:32:03Does he really think we can just carry on as normal with all this happening?
0:32:03 > 0:32:06Meanwhile, he goes around shouting the odds like a maniac.
0:32:06 > 0:32:09- That's my dad you're talking about. - Well, he's still a maniac.
0:32:09 > 0:32:13- Enough.- Like father, like son.- Say that again!- What's wrong with you?
0:32:13 > 0:32:16- Ask him. He started it.- Aye, so I did.- All right. Give it a rest.
0:32:16 > 0:32:20- You two are supposed to be family, remember?- Except we're not. Are we?
0:32:22 > 0:32:25Hiya. Have you seen Christina?
0:32:32 > 0:32:37- So now we're back in limbo. - We just need to be patient.- But it's the waiting that's killing me.
0:32:37 > 0:32:39The not knowing.
0:32:39 > 0:32:42Maybe it would have been better if it had been Nicole, then.
0:32:43 > 0:32:45Why would that have been better?
0:32:45 > 0:32:49Well, you wouldn't have to endure all that inconvenient waiting.
0:32:49 > 0:32:52- For God's sake, Michael. You know that's not what she meant.- Right.
0:32:52 > 0:32:54Sorry. Are you interpreting for my wife now?
0:32:54 > 0:32:59- Well, you seem to be having trouble understanding her.- I tell you what I'm having trouble with.
0:32:59 > 0:33:03I'm having trouble with where you were this morning.
0:33:03 > 0:33:08- What?- Well, where were you? Tried calling you. Half a dozen times.
0:33:08 > 0:33:12- I was in town. My phone was off. - Oh, how convenient.
0:33:12 > 0:33:16Tell me this, even if I had got you, would you even have been bothered?
0:33:16 > 0:33:20- What the hell?- Seriously, would it have had any effect whatsoever?
0:33:20 > 0:33:21Don't answer that.
0:33:21 > 0:33:24Let me get this straight.
0:33:26 > 0:33:30Not only is it my fault that she's gone,
0:33:30 > 0:33:33now you're telling me that I don't care.
0:33:33 > 0:33:35Well, it's not as if she's yours.
0:33:35 > 0:33:37My God, Michael.
0:33:38 > 0:33:42- If you really do think that, then... - Then what?
0:33:42 > 0:33:44Then I really don't know what we're doing here.
0:33:47 > 0:33:49Me neither.
0:34:01 > 0:34:05- Hey. What the hell are you doing? - I'm going to the pub. Coming?
0:34:05 > 0:34:09- You need to go back in there and fix things with Leyla.- Why should I?
0:34:09 > 0:34:13Because you're out of order. You're going to end up losing her.
0:34:13 > 0:34:17- And what's that got to do with you? - I'm just trying to help you, Michael.
0:34:17 > 0:34:20I'm sick of your help, all right? I'm sick of you hanging around us.
0:34:20 > 0:34:25Get your own family, Gabriel. Stop sticking your nose into mine.
0:34:37 > 0:34:40Single malt.
0:34:40 > 0:34:41Give me a second.
0:34:44 > 0:34:46Was it her?
0:34:49 > 0:34:53Good. I'll get that.
0:34:53 > 0:34:56It's on the house.
0:34:59 > 0:35:01INAUDIBLE
0:35:19 > 0:35:22- Secret code, was it? - What you on about?
0:35:22 > 0:35:25Whatever you said to him in there.
0:35:25 > 0:35:28- Just giving him some words of support.- They had quite an effect.
0:35:28 > 0:35:31Come on, tell me, what did you say to him?
0:35:31 > 0:35:35- I just say I'd say a prayer for his daughter.- Are you serious?
0:35:38 > 0:35:41So, you off to the cemetery, then?
0:35:41 > 0:35:45- Aye. Actually, I better get goin'. - Yeah.
0:35:45 > 0:35:47Me, too.
0:35:51 > 0:35:55- Haven't seen Christina, have you?- No. Sorry.
0:36:13 > 0:36:17- I'm looking for Christina. - She's not been in here.
0:36:17 > 0:36:20- Just trying to see if anybody's seen her.- Raymond,
0:36:20 > 0:36:25- have you seen Christina?- No. Why, is there a problem?- I dunno. Maybe.
0:36:25 > 0:36:29- Gone missing, has she? - Just trying to find her, Michael.
0:36:29 > 0:36:32Maybe she's worried the police have got more questions for her.
0:36:32 > 0:36:35I know you've had a tough day, mate, so I'm going to bite my tongue.
0:36:35 > 0:36:38Yeah, well it wasn't Nicole at the morgue.
0:36:38 > 0:36:43- So why don't you say what you want to say?- OK. Fine.
0:36:43 > 0:36:46I don't appreciate you upsetting Tatiana.
0:36:46 > 0:36:50- And I think you should give Christina a break. - Is that right?- Aye, that's right.
0:36:50 > 0:36:54Well, I'm sorry Tatiana's upset but as for Christina...
0:36:54 > 0:36:58- I don't understand why she waited so long to help my daughter. - Because she's her pal.
0:36:58 > 0:37:02She thought she was being loyal and she didn't want Nicole to get into trouble,
0:37:02 > 0:37:04because that's what 15-year-old girls do.
0:37:04 > 0:37:06And I know she was wrong.
0:37:06 > 0:37:09I know she should've spoken up sooner...but she's a kid.
0:37:09 > 0:37:12Just like Nicole. And kids make mistakes.
0:37:19 > 0:37:22I'm sorry, but it had to be said.
0:37:45 > 0:37:50- He sees you here, he'll go nuts.- Let him.
0:37:50 > 0:37:51Doesn't bother me.
0:37:53 > 0:37:57Look, I know he's not the easiest person to be around right now.
0:37:57 > 0:38:02He never was. You grew up with him. Was he always this uptight?
0:38:02 > 0:38:04No.
0:38:04 > 0:38:08Well, he was never Mr Laidback, that's for sure.
0:38:08 > 0:38:10Why's he so angry?
0:38:10 > 0:38:12Your sister going AWOL, that hasn't helped.
0:38:12 > 0:38:15He was like this before she left.
0:38:18 > 0:38:21You know, I once asked Mum why Dad never laughed.
0:38:21 > 0:38:25She said he used to laugh... before they had us.
0:38:25 > 0:38:30Hey, no matter what you think of him, your dad loves you.
0:38:30 > 0:38:33- Doesn't mean we make him happy. - Of course you do.
0:38:34 > 0:38:39- Listen, son, you and the family mean everything to him.- What family?
0:38:39 > 0:38:42Look at us. Nicole's gone missing. Him and Leyla never talk.
0:38:42 > 0:38:47- Yeah. And he's trying to fix that. - Why? I mean, seriously, why bother?
0:38:47 > 0:38:49We just make him miserable.
0:38:49 > 0:38:52He'd be a lot more miserable without you.
0:38:52 > 0:38:55See, I'm not so sure about that.
0:38:55 > 0:38:59- Sometimes I think it would be better if...- If what?
0:38:59 > 0:39:03I don't know. I just want to see him laugh again.
0:39:26 > 0:39:30- Maybe he didn't get your message. - I sent him four in the space of an hour.
0:39:30 > 0:39:35- He must've got one of them. - He's probably in the house. Just go and speak to him.- No.
0:39:35 > 0:39:37- I can't do that. - He might want some company.
0:39:37 > 0:39:42- Four unanswered text messages?- Look.
0:39:42 > 0:39:45All you've done all day is hum and haw, and over what?
0:39:45 > 0:39:48- A trip to the cemetery.- Come on, it's more than that.- Yeah, yeah.
0:39:48 > 0:39:51- I get it, you're not ready to tell him how you feel.- Exactly.
0:39:51 > 0:39:55But would you rather he was sitting on his own thinking you don't care?
0:39:55 > 0:39:57Go and speak to him.
0:40:06 > 0:40:10All right? I was just about to text you back.
0:40:10 > 0:40:14- I didn't know which one to answer first.- Don't worry.
0:40:14 > 0:40:17- I thought I should come round and talk to you anyway.- Sounds ominous.
0:40:27 > 0:40:30So, how was it? At the cemetery?
0:40:30 > 0:40:35Yeah, it was nice. Well, not nice. Nice to go, you know?
0:40:38 > 0:40:45- I was thinking...maybe I could come with you next time.- Really?
0:40:45 > 0:40:49I mean, I don't want to intrude and if you'd rather be alone...
0:40:49 > 0:40:50No, no, no.
0:40:51 > 0:40:54- I just got the impression, you weren't too keen.- No.
0:40:54 > 0:40:56I just wasn't sure how I felt about it.
0:40:59 > 0:41:00And how do you feel?
0:41:00 > 0:41:04That it would be a good thing to do.
0:41:06 > 0:41:10Right. Well, I better be off, then.
0:41:10 > 0:41:12Listen, I'm starving.
0:41:12 > 0:41:15I was just about to order some food in.
0:41:15 > 0:41:20- Fancy it?- Yeah. Why not?
0:41:34 > 0:41:36Christina?
0:41:40 > 0:41:42Christina! Wait!
0:41:51 > 0:41:53Christina, just calm down, OK?
0:41:53 > 0:41:58What's the matter with you? What are you scared of? Is it me?
0:41:58 > 0:42:02- God Almighty. Am I really that bad? - Just leave me alone. OK?
0:42:02 > 0:42:04Is that how Nicole felt?
0:42:04 > 0:42:07Is that why she left?
0:42:07 > 0:42:09Was she scared of me? Is that it?
0:42:09 > 0:42:13You're her friend. Tell me! Christina!
0:42:13 > 0:42:14I don't believe this.
0:42:31 > 0:42:32She wasn't scared of you.
0:42:37 > 0:42:39Thought you were with Michael.
0:42:39 > 0:42:41I think he'd rather be on his own.
0:42:45 > 0:42:47- You OK?- Oh, I'm just brilliant.
0:42:48 > 0:42:51You know, he had no right speaking to you like that.
0:42:51 > 0:42:54- He was way out of line. - You've changed your tune.
0:42:54 > 0:42:58- What happened to "give him a break"? - Aye, well, there's limits.
0:43:03 > 0:43:09Maybe he's right. Maybe I would feel different if it was Adeeb.
0:43:10 > 0:43:13- That's garbage and you know it. - Is it?
0:43:16 > 0:43:21Sometimes I think the only reason I want her home is so that things can just go back to the way they were.
0:43:21 > 0:43:24There's nothing wrong with that, I suppose.
0:43:25 > 0:43:29I think Michael might consider it a little selfish.
0:43:29 > 0:43:33- Only cos he likes to have the moral high ground on absolutely everyone. - He's certainly got it on us.
0:43:39 > 0:43:42Do you really want things to go back to the way they were?
0:43:45 > 0:43:48- Better than what I've got now. - But not much better.
0:43:50 > 0:43:54Even if she comes back, you know he's never going to change.
0:43:54 > 0:43:57- You don't know that.- Yeah, I do.
0:43:59 > 0:44:03This is how your marriage is going to be from now on.
0:44:03 > 0:44:08- Well, then we've got a pretty bleak future ahead of us.- Not necessarily.
0:44:10 > 0:44:13You could have a different one.
0:44:13 > 0:44:16'How did we get here?'
0:44:17 > 0:44:20Been asking myself that all day.
0:44:23 > 0:44:27I remember them handing me this tiny thing at the hospital.
0:44:28 > 0:44:31I just stood there, staring at her face.
0:44:33 > 0:44:37And then 16 years later, I'm in the morgue
0:44:37 > 0:44:41praying that it won't be the same face under the sheets.
0:44:42 > 0:44:44And I have no idea how we got here.
0:44:48 > 0:44:51See, everybody thinks she ran away because of the big stuff -
0:44:51 > 0:44:54fights about Stevie, going on the pill.
0:44:56 > 0:45:02I'm not so sure. By that time, it was all over. The damage was done.
0:45:02 > 0:45:05- What damage? - The damage the small stuff does.
0:45:08 > 0:45:11The time you snapped at them
0:45:11 > 0:45:14or didn't do the thing you said you would.
0:45:14 > 0:45:19When you ignored them because you wanted a bit of peace and quiet.
0:45:19 > 0:45:24- It all adds up. Bit by bit. - That's just normal, though.
0:45:24 > 0:45:31But that's what matters. Because it's those ordinary little moments that lead to the big awful stuff.
0:45:33 > 0:45:38And if I could find out what those moments were,
0:45:38 > 0:45:42if I could go back and change them, maybe we wouldn't be here.
0:45:44 > 0:45:48Mr Brodie, I'm sorry... for not telling you about Nicole.
0:45:48 > 0:45:54- It's not your fault.- I was a coward.
0:45:54 > 0:45:57No. What you did took courage.
0:45:59 > 0:46:03And if you hadn't come forward, then God knows where we'd be.
0:46:03 > 0:46:07The police know about this Cammy guy. They'll find him.
0:46:10 > 0:46:15- They won't find him. - What are you talking about?
0:46:20 > 0:46:22This is unfair. You can't just spring this on me, Gabriel.
0:46:22 > 0:46:25Look, I'm not saying that we need to do this tonight.
0:46:27 > 0:46:31- This is stupid.- No.
0:46:31 > 0:46:35Stupid's staying in a marriage that's broken and can't be fixed.
0:46:35 > 0:46:40- I can't leave him. - Why not?- He's lost his daughter.
0:46:40 > 0:46:45And, what, I'm going to abandon him?
0:46:45 > 0:46:49OK. We wait till she comes back.
0:46:49 > 0:46:52And if she doesn't? If she doesn't come back?
0:46:52 > 0:46:57There is never ever going to be a good time to do this, Leyla.
0:46:57 > 0:47:01No, but there are some pretty bad times to do it.
0:47:03 > 0:47:05And anyway,
0:47:05 > 0:47:08this morning, you were all for calling this off.
0:47:08 > 0:47:11Doesn't matter what I said this morning.
0:47:11 > 0:47:16I've had time to think about this. It's what I want.
0:47:18 > 0:47:20He's your brother.
0:47:20 > 0:47:25And I would never ever do anything like this to him if I wasn't sure.
0:47:25 > 0:47:28God, this isn't just about Michael.
0:47:28 > 0:47:35This is about the kids, Conor and Adeeb. We need to think about them.
0:47:35 > 0:47:38I am, Leyla. And I want to see them happy.
0:47:38 > 0:47:44But what are the chances of that with you and Michaels' relationship gone to pieces?
0:47:48 > 0:47:50You know, I still love him.
0:47:50 > 0:47:53It doesn't change how I feel for you, but...
0:47:55 > 0:47:59..I can't stop loving the man that I've built this family with.
0:47:59 > 0:48:04- But the way he treats you, Leyla. - It wasn't always like this. And...
0:48:05 > 0:48:09..he might not stay like this, either.
0:48:09 > 0:48:11What?
0:48:11 > 0:48:14You think when Nicole comes back that he's gonnae change?
0:48:16 > 0:48:19Well, maybe I have to live with that.
0:48:19 > 0:48:21No, you don't.
0:48:24 > 0:48:29Look, I know this isn't going to be easy...
0:48:30 > 0:48:33..but all you have to do is say "yes".
0:48:34 > 0:48:36We can do this, Leyla.
0:48:47 > 0:48:48I can't.
0:48:50 > 0:48:51I can't. I'm sorry.
0:49:03 > 0:49:06- I'm sorry. - Hey, it's going to be fine.
0:49:09 > 0:49:13Listen, you better go home. Your mum and Bob will be worried about you.
0:49:13 > 0:49:17And we can't have Molly out of pocket, can we?
0:49:17 > 0:49:22- No, Mr Brodie, honestly.- No, no, it's fine. It's the least I can do.
0:49:22 > 0:49:23There you go.
0:49:23 > 0:49:27- Thanks.- Come on.
0:49:28 > 0:49:32- What about Cammy?- It'll be fine.
0:49:33 > 0:49:38- You've done more than enough for Nicole.- Will you call the police?
0:49:38 > 0:49:40Soon as I get home.
0:49:40 > 0:49:42I really miss her.
0:49:42 > 0:49:46Yeah. So do I.
0:50:09 > 0:50:11About time you showed up.
0:50:13 > 0:50:15- Where is she?- What?
0:50:16 > 0:50:17What you on about?
0:50:17 > 0:50:20Where's Nicole?
0:50:20 > 0:50:22Don't know any Nicole, mate.
0:50:22 > 0:50:24Get your hands off me.
0:50:24 > 0:50:29- I'm not in the mood for you, mate. - I'm going to ask you one last time. Where is she?
0:50:29 > 0:50:30Aye.
0:50:32 > 0:50:33See you later, pal.
0:50:35 > 0:50:37HE CRIES OUT
0:50:37 > 0:50:40- Where's my daughter?- I don't know. I swear.- You're lying.
0:50:40 > 0:50:45- I don't know.- Where is she?! - Please!- Where is she? Don't...
0:50:49 > 0:50:51You tell me where my daughter is.
0:50:51 > 0:50:52Where is she?
0:50:53 > 0:50:55WHERE IS SHE?
0:50:55 > 0:50:57CRIES OF PAIN
0:50:57 > 0:50:59Where's my daughter?
0:50:59 > 0:51:01Where is she?
0:51:20 > 0:51:22All right?
0:51:23 > 0:51:29- Look, about earlier, I didn't... - No, I understand. It's your family.
0:51:29 > 0:51:31It's your family, too.
0:51:33 > 0:51:35We should get back.
0:52:00 > 0:52:02Hey, boys.
0:52:02 > 0:52:03Hey.
0:52:04 > 0:52:05Hey. I'm starvin'.
0:52:05 > 0:52:09- Sorry, I'll get dinner on soon. - Will you just give us a shout?
0:52:09 > 0:52:10Uh-huh.
0:52:19 > 0:52:21Michael.
0:52:23 > 0:52:25Are you all right?
0:52:30 > 0:52:33- Michael. What's wrong?- Nothing.
0:52:40 > 0:52:43- Talk to me.- Nothing to talk about.
0:52:43 > 0:52:46Right. I better go.
0:52:49 > 0:52:51See you later.
0:52:55 > 0:52:58Wait, I'll see you out.
0:53:09 > 0:53:11Yes.
0:53:25 > 0:53:30Aye, I know it's only been a few hours but it's not like her.
0:53:30 > 0:53:34Aye, but see, the thing is, she's taken some money.
0:53:34 > 0:53:37No. She's no' a thief.
0:53:37 > 0:53:41I just want you guys to start looking for her.
0:53:41 > 0:53:42Mum!
0:53:43 > 0:53:49- D'you know what? Just forget it. - There you are. Thank God! Oh!
0:53:49 > 0:53:53You had us so worried. Where have you been, Christina?
0:53:53 > 0:53:55Nowhere. Just about.
0:53:55 > 0:53:58- Is everything all right?- Yeah. Everything's fine.
0:53:58 > 0:54:02Bob and I think we should sit down tonight and talk about Nicole.
0:54:02 > 0:54:06- It's OK. I talked to Michael. - What did he say?- Nothing.
0:54:06 > 0:54:09He just helped me.
0:54:09 > 0:54:13- Are you sure? - He's a really nice man.
0:54:35 > 0:54:39Michael, Brenda has some news.
0:54:39 > 0:54:41- Have you found her?- No.
0:54:41 > 0:54:46- But we have found Cameron Tennant. - So, what's he saying?
0:54:46 > 0:54:50- Not much, I'm afraid.- Have you questioned him? Is he at the station?
0:54:50 > 0:54:54- Where is he?- Right now, he's in the intensive care unit at the hospital.
0:54:54 > 0:54:58- Mr Tennant has been the victim of a serious assault.- By whom?
0:54:58 > 0:55:02We don't know yet. But whoever it was wasn't messing about.
0:55:02 > 0:55:05You can still question him about Nicole, can't you?
0:55:05 > 0:55:08If he regains consciousness, then we'll speak to him.
0:55:10 > 0:55:12Michael?
0:55:16 > 0:55:17Are you OK, Dad?
0:55:19 > 0:55:21You're a good lad, Conor.
0:55:21 > 0:55:24Come here.
0:55:35 > 0:55:37Go get your dinner.
0:56:31 > 0:56:35- What is it?- I've not been entirely honest with you.
0:56:37 > 0:56:39Dr Brodie...
0:56:41 > 0:56:44..I need you to come down to the station.
0:56:51 > 0:56:54Subtitles by Red Bee Media Ltd