0:00:21 > 0:00:24There's a load of CCTV footage to go through.
0:00:24 > 0:00:25- My shift's nearly over. - So, stay late.
0:00:25 > 0:00:28- There's nothing wrong with being single.- Expert, are you?
0:00:28 > 0:00:31Maybe it's time you did something about that?
0:00:31 > 0:00:34- I can't believe you agreed to work. - If I lose my job, none of this will happen.
0:00:34 > 0:00:37You didn't happen to find out any more about that guy who was beaten up?
0:00:37 > 0:00:40- Do you make a habit of tuning in to people's personal conversations? - It's just...
0:00:40 > 0:00:42Look, Deek, don't gie up the day job.
0:00:42 > 0:00:43No, this is important.
0:00:43 > 0:00:47- Give me a break! Don't you think I've had enough to deal with today? - Will!- Stop it, will you?
0:01:22 > 0:01:24'Aye.'
0:01:24 > 0:01:26It's Sean.
0:01:26 > 0:01:28What can I do for you?
0:01:28 > 0:01:33The question should be, what can I do for you? I've got a wee proposition.
0:01:33 > 0:01:35What kind of a proposition?
0:01:35 > 0:01:38'Get yourself over here ASAP.'
0:01:38 > 0:01:40I'm just about to open the Arcade.
0:01:40 > 0:01:41'See you in 20 minutes.'
0:01:41 > 0:01:43PHONE GOES DEAD
0:01:58 > 0:02:04You're my girl, right? You don't walk away unless I say, OK?
0:02:20 > 0:02:24Maybe start selling some bargain DVDs? Might bring in a few more new customers.
0:02:24 > 0:02:26Aye, sounds good.
0:02:26 > 0:02:28Could even say it was your idea, if you like.
0:02:28 > 0:02:30Aw, I wouldnae dae that.
0:02:30 > 0:02:32I know you're not as innocent as you like to make out.
0:02:32 > 0:02:34I've seen you on a night out, remember.
0:02:34 > 0:02:37I've glimpsed the darker, murkier side of Iona McIntyre.
0:02:37 > 0:02:39Away you go.
0:02:42 > 0:02:43Still here, then?
0:02:43 > 0:02:45Nothing gets past you, does it?
0:02:45 > 0:02:47Just thought you'd be finished by now.
0:02:47 > 0:02:50It is only a mini-market you're assessing, not the Royal Bank of Scotland.
0:02:50 > 0:02:53Not seen a lot of this warm Shieldinch hospitality everyone speaks about,
0:02:53 > 0:02:57- apart from Iona. - People need to earn good hospitality,
0:02:57 > 0:03:01and I don't see you going out of your way to foster warmth. ..Coming out with the gang tonight?
0:03:01 > 0:03:05Try and stop me. I'll be gasping for a drink after all this paperwork.
0:03:05 > 0:03:05Excellent.
0:03:05 > 0:03:07Do you fancy coming along?
0:03:07 > 0:03:10- Uh...I'm not sure I can make it... - Lunch-time, then?
0:03:10 > 0:03:11OK, OK. For one.
0:03:11 > 0:03:12Great.
0:03:16 > 0:03:20What's up with you? You look like you won the lottery and lost the ticket.
0:03:22 > 0:03:26Just trying to do something nice... gets you nowhere, man.
0:03:26 > 0:03:30- I want to come to a music festival, right, and Nicole won't come. - How not?
0:03:30 > 0:03:35Cos the boys have been acting up ever since Michael left.
0:03:35 > 0:03:36She wants to keep an eye on them.
0:03:36 > 0:03:41Well, why not get somebody to look after them while you two go away?
0:03:51 > 0:03:53I do have a business to run, Sean.
0:03:53 > 0:03:55You call that arcade a business?
0:03:55 > 0:03:57Aye, well, it's the only one I've got.
0:03:57 > 0:03:58Not any more.
0:03:58 > 0:04:02I need somebody to take care of the day-to-day runnings for a bit.
0:04:02 > 0:04:06Look after the lassies here, and on the streets, keep the cash flowing.
0:04:06 > 0:04:09Is there not somebody else you can get to do that?
0:04:09 > 0:04:12I'm not asking anybody else. I'm telling you.
0:04:12 > 0:04:13OK.
0:04:15 > 0:04:18Angie! One word of advice.
0:04:18 > 0:04:21You give these lassies an inch, and they'll take a mile.
0:04:21 > 0:04:23Start as you mean to go on. Tough.
0:04:25 > 0:04:27I want you to meet my new right-hand man, Gabriel.
0:04:28 > 0:04:31He'll be in charge of the girls for the foreseeable.
0:04:31 > 0:04:35What? Why? If I done something wrong, tell me and I'll put it right.
0:04:35 > 0:04:39Listen, what have I told you about questioning me, eh?
0:04:39 > 0:04:42I think I've been spoiling her a wee bit, eh?
0:04:42 > 0:04:43Sorry.
0:04:43 > 0:04:47It's Gabriel you've embarrassed. It's him you should be apologising to.
0:04:47 > 0:04:48Sorry.
0:04:48 > 0:04:51Apology accepted.
0:04:51 > 0:04:56Angie went straight for a bit, but she's came back in the fold now.
0:04:56 > 0:04:59Just couldn't keep away, could you, darlin'?
0:04:59 > 0:05:04Angie's one of my girls. I keep her, for when I need her.
0:05:05 > 0:05:09The names of all the girls and their contact numbers are in there.
0:05:09 > 0:05:11Make sure you get the money off them right away,
0:05:11 > 0:05:14as in before the pubs open, eh, Angie?
0:05:14 > 0:05:19You want to make yourself useful, you can come wi' me and talk to the girls.
0:05:19 > 0:05:21I'll leave you to it, then, right.
0:05:21 > 0:05:23I've got business to deal with in Shieldinch.
0:05:23 > 0:05:25What sort of business?
0:05:26 > 0:05:29If I told you that, I'd have to kill you.
0:05:37 > 0:05:39Shift yourself.
0:05:49 > 0:05:54Here, hey! That's nearly £100 light!
0:05:58 > 0:06:01- Did you say something to them? - Like what?
0:06:01 > 0:06:04Like, I don't know - "Let's test the new guy"?
0:06:04 > 0:06:07At the moment, you're just a guy with a notebook.
0:06:07 > 0:06:08Aye.
0:06:08 > 0:06:11And the notebook says you owe me £150.
0:06:14 > 0:06:16So what are you going to do, talk me into giving it to you?
0:06:16 > 0:06:18I might give it a go, aye.
0:06:20 > 0:06:23See, he's nominated me as his right-hand man,
0:06:23 > 0:06:26and I'm nominating you as my right-hand woman,
0:06:26 > 0:06:30which means if you don't help me, or you hinder me,
0:06:30 > 0:06:33then you'll be next in line for punishment.
0:06:47 > 0:06:49Right, ta.
0:06:49 > 0:06:51Don't worry about it. I'll talk to him, right?
0:07:04 > 0:07:08The girls aren't happy about paying money to somebody they don't know.
0:07:08 > 0:07:11- Did you not point out the benefit? - What benefits?
0:07:11 > 0:07:13Of dealing with me on a regular basis, rather than Sean?
0:07:13 > 0:07:15They may need some convincing.
0:07:15 > 0:07:17PHONE RINGS Two secs.
0:07:17 > 0:07:19Hey.
0:07:19 > 0:07:22Gabriel, it's Stevie.
0:07:22 > 0:07:25Is everything OK?
0:07:25 > 0:07:30Aye, everything's fine. It's just...I need a favour.
0:07:30 > 0:07:31From me?
0:07:31 > 0:07:35Here, don't think you're top of my list or anything, right?
0:07:35 > 0:07:41Anyway, what it is, I've made plans for me and Nicole, and well...
0:07:41 > 0:07:45she's a bit worried about leaving the boys with Leyla,
0:07:45 > 0:07:48after all that...you know what I mean.
0:07:48 > 0:07:49'And?'
0:07:49 > 0:07:53I need somebody to look after the boys so she'll come.
0:07:53 > 0:07:56But me, though, Stevie? Does Leyla know about this?
0:07:56 > 0:08:00No, no. I'm doing this for the boys.
0:08:00 > 0:08:02Of course. Of course, I'll keep an eye on them.
0:08:02 > 0:08:04Aye?
0:08:04 > 0:08:06They're family.
0:08:06 > 0:08:09Well...cheers, Gabriel.
0:08:09 > 0:08:10No problem.
0:08:15 > 0:08:16Who was that?
0:08:16 > 0:08:18That was my niece's boyfriend.
0:08:18 > 0:08:23- He wants me to look after my nephews for a couple of days. - Family man, eh?
0:08:23 > 0:08:25Trying to be.
0:08:25 > 0:08:31- How come you're working for Sean, then?- A bad set of circumstances - what's your excuse?
0:08:31 > 0:08:33Same.
0:08:35 > 0:08:36Here. For helping me out.
0:08:36 > 0:08:38- Put that away!- What?
0:08:38 > 0:08:42They see you giving me money, and that's it, I become the enemy.
0:08:42 > 0:08:45And for the record, the only people I'm helping out here is me and the girls.
0:08:53 > 0:08:56You sitting in here on your own?
0:08:56 > 0:09:00Oh...just worrying about Malcolm.
0:09:01 > 0:09:05He nearly flooded the place this morning, leaving the taps on.
0:09:05 > 0:09:08Getting him to see the funny side and laugh about it will help.
0:09:10 > 0:09:16Laugh, because of the fact he's slowly being lost to me?!
0:09:16 > 0:09:17We're a long way from that.
0:09:17 > 0:09:23Anyway, he was very upset, so I just told him it was me had left them on.
0:09:24 > 0:09:27Covering up for him's just going to make things worse.
0:09:27 > 0:09:30He needs to acknowledge his behaviour, then he can start to own it.
0:09:30 > 0:09:35You see? I'm not dealing with this at all.
0:09:35 > 0:09:39You're doing fine. See you later.
0:09:39 > 0:09:42- Hi!- Hi, Malcolm.
0:09:42 > 0:09:44Where are you going?
0:09:44 > 0:09:46I'm...just popping out for the paper.
0:09:51 > 0:09:53What's so funny?
0:09:53 > 0:09:54You are.
0:09:56 > 0:09:58Because?
0:09:58 > 0:09:59Because...
0:10:01 > 0:10:04..I went over and got one earlier on.
0:10:27 > 0:10:28Is that all of it?
0:10:28 > 0:10:32A couple of the older girls still refused.
0:10:32 > 0:10:35- But just get heavy with them, they'll hand it over.- How heavy?
0:10:37 > 0:10:44Look, threats might work for Sean, because they know what he's like.
0:10:44 > 0:10:48And I'm guessing you know all about Sean's threats, am I right?
0:10:50 > 0:10:51The guy's a psychopath.
0:10:51 > 0:10:54And what's the best thing to do with a psychopath?
0:10:54 > 0:10:55What's that?
0:10:55 > 0:10:58Avoid them. And yet, here we are.
0:10:58 > 0:11:00PHONE RINGS
0:11:00 > 0:11:01What?
0:11:04 > 0:11:06Right, OK, I'm on my way back.
0:11:06 > 0:11:08What's up?
0:11:08 > 0:11:11A punter's back at the flat's threatening one of the girls.
0:11:22 > 0:11:24He won't be back in a hurry.
0:11:24 > 0:11:26I thought you were Mr Non-Violence?
0:11:26 > 0:11:31Not when it comes to lowlifes who think it's all right to beat up young lassies.
0:11:31 > 0:11:33Are you all right, love?
0:11:33 > 0:11:35She'll be fine.
0:11:35 > 0:11:39Listen, why don't you go and get yourself cleaned up before Sean gets back, OK?
0:11:52 > 0:11:55It's good to know you can handle yourself.
0:11:55 > 0:11:57If it was just me, he would have had a go.
0:11:57 > 0:11:59Want me to take a look at that?
0:12:00 > 0:12:02Is that a "thank you"?
0:12:02 > 0:12:05It's about as close as I'm goin' to get to one, right?
0:12:07 > 0:12:10You've got a normal life away from here, then?
0:12:10 > 0:12:11That's all relative.
0:12:11 > 0:12:14You know what I mean. You're not from this world, that's for sure.
0:12:16 > 0:12:20Sean said you escaped for a while. How come you're back?
0:12:23 > 0:12:28Getting away isn't the hard bit. The hard bit's staying away.
0:12:29 > 0:12:33I needed a bit more money behind me, that's all.
0:12:33 > 0:12:35Next time, I willnae be back.
0:12:35 > 0:12:38I've seen what happens to lassies that stay in this life too long.
0:12:39 > 0:12:41Friends?
0:12:41 > 0:12:43Nobody you know.
0:12:43 > 0:12:46Hey, I'm just trying to find out what the deal is with you.
0:12:46 > 0:12:49You don't want to know, trust me.
0:12:49 > 0:12:51I dae.
0:12:51 > 0:12:53So what about your friends?
0:12:55 > 0:12:59- Did they try to escape, same as you? - You don't get far.
0:13:02 > 0:13:05In this game, you do as you're told. If you don't, well...
0:13:10 > 0:13:13Murder?
0:13:13 > 0:13:15Punters?
0:13:15 > 0:13:18Punters are the least of my problems.
0:13:19 > 0:13:21What, are you saying it's Sean?
0:13:26 > 0:13:29It was all over the papers.
0:13:29 > 0:13:32A Lithuanian girl...
0:13:32 > 0:13:34Alicia.
0:13:34 > 0:13:37What, that was him?
0:13:37 > 0:13:41If Sean finds out I've told you any of this, he will kill me. Then he'll come after you.
0:13:41 > 0:13:44Well, I don't want either of us to be next, do you?
0:13:45 > 0:13:48Come on, man, we can help each other here, eh?
0:13:50 > 0:13:56There was another girl...she was just a kid. She tried to get away.
0:13:57 > 0:13:59They found her strangled.
0:14:02 > 0:14:06- Who was she? - Her name was Silvie.
0:14:07 > 0:14:09See,
0:14:09 > 0:14:11Silvie had this necklace that she always wore,
0:14:11 > 0:14:12I mean she never took it off.
0:14:14 > 0:14:17He came back with it one day, I seen him wi' it.
0:14:18 > 0:14:20Where is it?
0:14:23 > 0:14:25He keeps it in the back bedroom,
0:14:25 > 0:14:27hidden in the air vent.
0:14:30 > 0:14:33So, now you know.
0:14:33 > 0:14:37I'm gonnae go, get the rest of your money.
0:15:03 > 0:15:05Why did you no' open up earlier?
0:15:05 > 0:15:09- I had to do some stuff to do for Sean.- That's interesting.
0:15:09 > 0:15:12Depends which way you look at it. He's promoted me.
0:15:12 > 0:15:15Really? Grand.
0:15:15 > 0:15:16No, it's not grand, Lenny.
0:15:20 > 0:15:22He's got me looking after the girls.
0:15:22 > 0:15:26- I'm done with all this.- No, you're done wi' this when tell you.
0:15:26 > 0:15:30- It's your fault I'm in this in the first place. - Was it me that told Kennedy I had MS?
0:15:31 > 0:15:36- ...No. - Aye, you're right, no. You owe me.
0:15:36 > 0:15:38Anyway, I need you on the inside.
0:15:40 > 0:15:43- Why?- Because as long as you're there, so am I.
0:15:43 > 0:15:46Did he give you a reason why you're promoted?
0:15:46 > 0:15:50He said he was going to be focussing on the business elsewhere for a while.
0:15:50 > 0:15:52He mentioned something about Shieldinch.
0:15:53 > 0:15:57You've no idea what I'm dealing with here.
0:15:57 > 0:16:01- He's killed two girls, at least. - Is that right?
0:16:01 > 0:16:02Aye.
0:16:02 > 0:16:05He's hidden a necklace and pendant of one of the dead girls,
0:16:05 > 0:16:06with her name engraved on it.
0:16:06 > 0:16:09If the police find out, then...
0:16:09 > 0:16:11Go on...
0:16:11 > 0:16:14They'd go in, find it and then it'd be good night Mr Kennedy.
0:16:15 > 0:16:17- Everybody's happy. - Not everybody.
0:16:18 > 0:16:21See, then I don't get to see what he's planning on my turf,
0:16:21 > 0:16:24- or who he's planning it with. - Ah well,
0:16:24 > 0:16:27- we don't always get what we want. - Don't be smart with me, son.
0:16:27 > 0:16:31What if the polis did raid the place, and he's moved the evidence?
0:16:31 > 0:16:34You grass on him and he doesn't go down, your life's not worth living.
0:16:36 > 0:16:38Look.
0:16:39 > 0:16:41It's you and me.
0:16:41 > 0:16:43No-one else.
0:16:43 > 0:16:45I've got your back.
0:16:45 > 0:16:47Ah, well, then all I need to worry about is my front.
0:16:47 > 0:16:50Time to grow up, Gabriel.
0:16:50 > 0:16:52You're playing with the big boys now.
0:17:31 > 0:17:33..."Silvie."
0:17:38 > 0:17:42- What the hell are you doing? - I had to find out if you were telling me the truth.
0:17:42 > 0:17:44We're both dead now, aren't we?
0:17:44 > 0:17:48Only if one of us tells Sean and I've got your back.
0:17:48 > 0:17:53- What the hell does that even mean? - It means I'm not gonnae say anything to him, all right?
0:17:53 > 0:17:56- Where is everybody? Oi!- Quick!
0:17:56 > 0:17:58Where are you all hiding?
0:18:00 > 0:18:02Hurry up, come on!
0:18:02 > 0:18:03Down there.
0:18:15 > 0:18:16What's going on?
0:18:18 > 0:18:20CHUCKLES
0:18:20 > 0:18:21What does it look like?
0:18:21 > 0:18:23Something amusing you?
0:18:23 > 0:18:26- Come here, you...- I'm sorry.
0:18:32 > 0:18:34My fault.
0:18:34 > 0:18:37Then I'm disappointed.
0:18:37 > 0:18:40We had a dodgy punter in here, I had to get rid of him,
0:18:40 > 0:18:44the adrenalin was pumping and one thing led to another..
0:18:44 > 0:18:46And anyway,
0:18:46 > 0:18:52I've collected all your money, I felt I was due a reward.
0:18:52 > 0:18:54Angie's mine.
0:18:54 > 0:18:57- Ask for permission next time, right?- Got it.
0:19:01 > 0:19:06Keep a hold of that. Emergency fund.
0:19:06 > 0:19:09And Gabriel... ..It's not your good looks or charm.
0:19:11 > 0:19:17They'll do anything to get out of paying, including doling out freebies.
0:19:17 > 0:19:19Don't be taken for a mug again, right?
0:19:38 > 0:19:39Come on...
0:19:44 > 0:19:47We know both girls worked for him
0:19:47 > 0:19:51and we know he has a reputation for violence against his employees.
0:19:51 > 0:19:55But no concrete evidence tying him directly to either death.
0:19:59 > 0:20:03We also have Gabriel Brodie
0:20:03 > 0:20:07spending more and more time in Kennedy's company.
0:20:07 > 0:20:10I can't see Lenny Murdoch being happy about that.
0:20:12 > 0:20:17If there was any justice at all, those two would get into a good old-fashioned turf war
0:20:17 > 0:20:19and cancel each other out for good.
0:20:22 > 0:20:24Do you think Brodie's got any information on the murders?
0:20:26 > 0:20:30- We could try squeezing him. - I've seen your version of squeezing.
0:20:31 > 0:20:34I overstepped the mark with Sean. It won't happen again.
0:20:42 > 0:20:44You staying for the briefing?
0:20:58 > 0:21:02It is like watching paint dry. Just take the shot, man.
0:21:02 > 0:21:04You cannae hurry genius.
0:21:04 > 0:21:06Which is why she's hurrying you.
0:21:06 > 0:21:08Come on!
0:21:11 > 0:21:13Sorry I'm late, guys.
0:21:14 > 0:21:17- Finally, you can relax.- Two empty glasses here if you're buying.
0:21:17 > 0:21:20- Thought you weren't coming. - Here I am.
0:21:22 > 0:21:26- I'm fine, thanks.- Suit yourself. I'm sure you usually do.
0:21:27 > 0:21:28I'll give you a hand.
0:21:30 > 0:21:32I might try and come along tonight.
0:21:32 > 0:21:35- Give them two a run for their money, eh?- Great...
0:21:37 > 0:21:40Agreed? OK. Let's see what we've come up with.
0:21:46 > 0:21:48Hours of CCTV footage, door-to-door enquiries,
0:21:48 > 0:21:51leafleting, witness posters and still nothing to show for it.
0:21:51 > 0:21:55Sean Kennedy must be laughing his head off.
0:21:55 > 0:21:57Yeah. Let him.
0:21:59 > 0:22:03- Maybe we need to shake things up a bit?- How?
0:22:03 > 0:22:06I don't know. Start arresting his girls, lean on his punters?
0:22:06 > 0:22:07Cut off his income.
0:22:07 > 0:22:09Then he will know we're desperate.
0:22:09 > 0:22:11Besides, you arrest any of those girls,
0:22:11 > 0:22:14you're putting their lives at risk.
0:22:14 > 0:22:17So what's the alternative? Wait for a break that never comes?
0:22:17 > 0:22:21Patience. That's what it's all about at this stage.
0:22:25 > 0:22:28Anyway, shouldn't you be getting on with other things?
0:22:28 > 0:22:29Other things, sir?
0:22:30 > 0:22:33Thought you had a wedding to organise.
0:22:33 > 0:22:35Can't leave it all to the boyfriend.
0:22:37 > 0:22:39I suggest you concentrate on that, short-term.
0:22:39 > 0:22:41I'll let you know if there's any developments.
0:22:52 > 0:22:54Game over.
0:22:54 > 0:22:56Are you just continuing from where you left off at lunchtime?
0:22:56 > 0:22:58Aye, beaten again.
0:22:58 > 0:23:01Drinks for the rest of the night are on you and Hayley.
0:23:01 > 0:23:03I knew I should have had Deek on my side.
0:23:07 > 0:23:08No!
0:23:08 > 0:23:11Sorry, Iona.
0:23:21 > 0:23:23Yes!
0:23:23 > 0:23:25THEY LAUGH
0:23:30 > 0:23:34- I take it you won, then. - No, THEY lost.
0:23:37 > 0:23:41Don't you go disappearing, I've got stuff to show you - wedding cake websites.
0:23:46 > 0:23:49- What'll it be?- A vodka-coke please, Zinnie, cheers.
0:23:55 > 0:23:57How are you doing?
0:23:57 > 0:24:00Better than the other week, when your mob arrested me.
0:24:00 > 0:24:02Well, hang around with guys like Sean Kennedy
0:24:02 > 0:24:05and you're going to attract our attention.
0:24:05 > 0:24:09What does Lenny think about you spending so much time with Sean?
0:24:09 > 0:24:11What's it to you?
0:24:11 > 0:24:15I'm interested. Must be hard juggling the two of them.
0:24:15 > 0:24:20You're not interested, you're fishing and I'm not biting.
0:24:21 > 0:24:23Can I get you another?
0:24:24 > 0:24:26Take a lot more than a pint to buy me, pal.
0:24:29 > 0:24:35If you ever get thirsty, Mr Brodie, you know where to find me.
0:25:18 > 0:25:20I think it's cute Iona's got a crush.
0:25:20 > 0:25:23But what about when Tom heads south?
0:25:23 > 0:25:26D'you think he'll be coming back up here to see her?
0:25:26 > 0:25:29- Who knows?- I do, he won't.
0:25:29 > 0:25:32I think our Tom's a bit of a player. The love 'em and leave 'em type.
0:25:32 > 0:25:34Can't say I get the "ladies' man" vibe off him.
0:25:34 > 0:25:36And what would you know about being a ladies' man?
0:25:36 > 0:25:40That's true. Listen, I'll need an hour or so off this afternoon.
0:25:40 > 0:25:43- What for? - My man's too busy saving the world,
0:25:43 > 0:25:46so it's down to me to find reception venues.
0:25:46 > 0:25:49I'm glad nobody else on my payroll's planning a wedding,
0:25:49 > 0:25:51I'd be running the place on my own.
0:26:04 > 0:26:06Can I help you?
0:26:06 > 0:26:07Oh, I hope so.
0:26:07 > 0:26:09What do you want?
0:26:09 > 0:26:10Do I look like I want something?
0:26:15 > 0:26:19I'm looking for Gabriel Brodie. Do you know where he lives?
0:26:19 > 0:26:21What do you want with him?
0:26:21 > 0:26:23Gabriel's a good friend of mine.
0:26:23 > 0:26:25Since when?
0:26:25 > 0:26:27Since me and him went into business together.
0:26:27 > 0:26:30So, you're a friend of Lenny Murdoch's, too then?
0:26:31 > 0:26:33It's all right, Leyla, I've got this.
0:26:33 > 0:26:36Leyla? Nice.
0:26:36 > 0:26:37All sorted, thanks.
0:26:50 > 0:26:52Now, that is my kind of woman.
0:26:52 > 0:26:55Hey, hands off. She's my sister-in-law.
0:26:55 > 0:26:56What, that's Michael's wife?
0:26:56 > 0:26:59She must be feeling pretty neglected at the moment.
0:27:02 > 0:27:05What are you doing round here, anyway?
0:27:05 > 0:27:08First day in a new job and you've let me down already.
0:27:08 > 0:27:11- How?- One of the girls got beaten up last night.
0:27:11 > 0:27:12Who?
0:27:12 > 0:27:16Candice. Punter had a problem with the fee.
0:27:17 > 0:27:20I need to know when she's gonnae get back to work.
0:27:20 > 0:27:23Get yourself down to the hospital and find out how she is.
0:27:25 > 0:27:26Where are you going?
0:27:27 > 0:27:32I'm going to be asking a beautiful woman how lonely it feels
0:27:32 > 0:27:34to be a prisoner's wife.
0:27:34 > 0:27:35Don't even think about it.
0:27:35 > 0:27:36Touched a nerve, have I?
0:28:01 > 0:28:04Gabriel Brodie called. Says he wants to talk.
0:28:04 > 0:28:05What about?
0:28:05 > 0:28:07He says he's got info on Sean Kennedy.
0:28:07 > 0:28:09Did he give any details?
0:28:09 > 0:28:12It's about one of the murders.
0:28:12 > 0:28:16Call him back. Tell him he'll have to come to the station.
0:28:16 > 0:28:19He wasn't too keen on that when I suggested it.
0:28:19 > 0:28:22Well, I can't get out the office this morning, it's that or nothing.
0:28:22 > 0:28:25I made the contact, I should be the one he speaks to anyway.
0:28:26 > 0:28:29I think I'll interview him.
0:28:29 > 0:28:32Are you closing me out again, sir?
0:28:34 > 0:28:36I'm running this investigation as I see fit, and it's fitting that
0:28:36 > 0:28:40if he has vital information about the murder of a young girl,
0:28:40 > 0:28:43then he passes it on to a senior officer.
0:28:44 > 0:28:49So, I'll expect him here at 9.30.
0:28:54 > 0:28:57Why are we meeting here?
0:28:57 > 0:28:58Because this is police business.
0:29:02 > 0:29:07Look, if anyone connected to Sean Kennedy sees me, I'm a dead man.
0:29:07 > 0:29:09We'll smuggle you out the back gate in a car
0:29:09 > 0:29:12and drop you wherever you like.
0:29:12 > 0:29:16Now, what's this evidence you have against him?
0:29:18 > 0:29:20You want me to put him away, you need to talk to me, Mr Brodie.
0:29:20 > 0:29:24You can't let him know you got this information from me.
0:29:24 > 0:29:28If he finds out I've tipped you off...it's not just me.
0:29:28 > 0:29:31The girls'll be in danger too.
0:29:31 > 0:29:32Understood.
0:29:38 > 0:29:43It's a necklace with a pendant, with the name Silvie engraved on it.
0:29:43 > 0:29:48Maybe he kept it as a trophy, I don't know, but he's got it
0:29:48 > 0:29:52hidden in a plastic bag in an air vent in his back bedroom.
0:29:52 > 0:29:54I thought you two were mates?
0:29:57 > 0:30:02I'm in way over my head with this guy and I want rid of him,
0:30:02 > 0:30:03as much as you do.
0:30:05 > 0:30:06Maybe more.
0:30:06 > 0:30:07I doubt that.
0:30:09 > 0:30:14So, if you had the necklace, is that enough to get him locked up?
0:30:16 > 0:30:19Well, if it was enough to link him directly to the murdered girl,
0:30:19 > 0:30:23then it might be something that proved useful, yeah.
0:30:25 > 0:30:27So, now what do I do?
0:30:28 > 0:30:30You do nothing. I'll take it from here.
0:31:14 > 0:31:17MALCOLM: Is that you, Liz?
0:31:57 > 0:32:00Jeez, you gave me a fright!
0:32:00 > 0:32:04Obviously not enough of a one. What did you tell the cops?
0:32:04 > 0:32:05Who?
0:32:05 > 0:32:08Don't play games with me. You were seen.
0:32:08 > 0:32:11I gave him enough information to get Kennedy out of my life for good.
0:32:11 > 0:32:15- Did you spill your guts about me as well?- No why would I do that?
0:32:15 > 0:32:18I dunno, maybe you were in the mood for confessions.
0:32:18 > 0:32:20You said you'd had my back Lenny,
0:32:20 > 0:32:22but I've not seen much evidence of that.
0:32:22 > 0:32:23And you think Donald will?
0:32:23 > 0:32:27He doesn't care about you, all he cares about is getting Kennedy.
0:32:27 > 0:32:30Which, right now, suits me to the ground.
0:32:30 > 0:32:34That scumbag Kennedy was here making threats about Leyla.
0:32:34 > 0:32:39Right, that's why all the common sense went out the window.
0:32:39 > 0:32:41So what's Donald's plan?
0:32:41 > 0:32:42I don't know, he didn't say.
0:32:42 > 0:32:44'Course he didn't.
0:32:44 > 0:32:47But once I get Kennedy off my back, I want you gone as well.
0:32:47 > 0:32:51Yeah, well, you get me the information I want
0:32:51 > 0:32:55before they put him away and I'll gladly leave you alone.
0:32:55 > 0:32:56We'd be quits?
0:32:57 > 0:33:01Yeah. You can go back to your quiet life.
0:33:12 > 0:33:14How's that lassie doin'?
0:33:14 > 0:33:16Bruised, but not battered.
0:33:16 > 0:33:19Good. Get her back earning ASAP.
0:33:19 > 0:33:22I've got to nip out for a few hours.
0:33:22 > 0:33:24Anything to do with this job in Shieldinch?
0:33:24 > 0:33:26What do you know about that, like?
0:33:26 > 0:33:27Just what you told me.
0:33:27 > 0:33:29- Which is?- Nothing.
0:33:29 > 0:33:30Exactly.
0:33:31 > 0:33:34Look, Sean, as your right-hand man,
0:33:34 > 0:33:36I should be doing more than walking about with some notebook.
0:33:36 > 0:33:38Any Rent-A-Thug could do that.
0:33:38 > 0:33:43Aye, and if this deal goes through we'll be moving up the ladder rapid
0:33:43 > 0:33:45and you'll have plenty to do, believe me.
0:33:45 > 0:33:49Police! Get on the floor!
0:33:49 > 0:33:51Get your hands behind your head!
0:33:51 > 0:33:53Room secure.
0:33:56 > 0:33:59- Get off me! - Shut your mouth, you!
0:34:03 > 0:34:04Turn the place over.
0:34:08 > 0:34:12The Huffton House Hotel have got their own in-house DJ.
0:34:12 > 0:34:13Have you actually heard him?
0:34:13 > 0:34:16You could be dancing to Barry Manilow and Cliff all night.
0:34:16 > 0:34:17There is such a thing as being too camp.
0:34:17 > 0:34:19Not a chance, mate.
0:34:19 > 0:34:21I see Tom, but where's his shadow?
0:34:21 > 0:34:23She must be around here somewhere.
0:34:29 > 0:34:32That's ten quid you've cost me. You're a shark!
0:34:32 > 0:34:35Area Pool Champion for Head Office, two years undefeated.
0:34:35 > 0:34:36I am a shark.
0:34:36 > 0:34:40So, you let me win last night?
0:34:41 > 0:34:45You don't seem like the kind of person who likes to lose.
0:34:47 > 0:34:48You're pathetic.
0:34:48 > 0:34:50Hayley?
0:34:58 > 0:35:00Hey.
0:35:03 > 0:35:05You know, if you want people to like you better,
0:35:05 > 0:35:08- then pretending you're something you're not isn't the way to do it.- I agree.
0:35:08 > 0:35:11So why don't you stop pretending you're far too good for everyone around here?
0:35:11 > 0:35:14- You've just described yourself to a tee. - What are you talking about?
0:35:14 > 0:35:16Patronising us by pretending to lose at pool
0:35:16 > 0:35:20- and stringing Iona along when we know you're not really interested in her.- That's true.
0:35:20 > 0:35:23So, you admit it, that you're stringing her along?
0:35:23 > 0:35:26I admit I'm not really interested in her, not in the way you're saying.
0:35:26 > 0:35:28But she's a good, decent person I enjoy spending time with.
0:35:28 > 0:35:30Unlike me?
0:35:30 > 0:35:31You said it.
0:35:31 > 0:35:34If I'm so horrible, how come you followed me out here?
0:35:34 > 0:35:37I'm asking myself the same question.
0:35:37 > 0:35:40Maybe it's the same reason you get so upset when I'm around.
0:35:40 > 0:35:42And why's that?
0:35:42 > 0:35:44You want to hear my theory?
0:35:44 > 0:35:45Can't wait.
0:35:45 > 0:35:46OK.
0:35:59 > 0:36:02You're happy to proceed without a solicitor, correct?
0:36:02 > 0:36:05I've got nothing to hide.
0:36:05 > 0:36:07I want to go back over a statement you made a while back,
0:36:07 > 0:36:11in connection with the death of a young girl, Silvie McGregor, is that OK?
0:36:11 > 0:36:14Sooner we get this over with, the sooner I'm out of here.
0:36:14 > 0:36:19You said, and I quote - "I didn't know the girl.
0:36:19 > 0:36:21"She was an acquaintance of an acquaintance."
0:36:23 > 0:36:24Aye.
0:36:26 > 0:36:30Then can I ask why you kept this hidden in your house?
0:36:30 > 0:36:35For the benefit of the tape, I'm showing Mr Kennedy exhibit one,
0:36:35 > 0:36:39the necklace and pendant engraved with the name Silvie.
0:36:43 > 0:36:45You've gone very quiet, Mr Kennedy.
0:36:47 > 0:36:48Who tipped you off?
0:36:48 > 0:36:51I'm the one asking the questions here.
0:36:51 > 0:36:55You came looking for it. Someone told you it was there.
0:36:55 > 0:36:58We raided your flat this morning based on a tip off that drugs were being sold there.
0:36:58 > 0:37:01I can assure you,
0:37:01 > 0:37:04finding the necklace was just a wonderful surprise.
0:37:05 > 0:37:09Now, why would you keep a necklace that belonged to the acquaintance
0:37:09 > 0:37:12of an acquaintance in your house?
0:37:12 > 0:37:13Who says I hid it?
0:37:13 > 0:37:14I do.
0:37:14 > 0:37:18And no doubt the DNA and the fingerprints will corroborate that.
0:37:21 > 0:37:24You kept it as a trophy after you killed her.
0:37:26 > 0:37:31Or maybe as a warning for any other girls that step out of line.
0:37:33 > 0:37:34That's not why I kept it.
0:37:34 > 0:37:36So, you do admit you kept it?
0:37:38 > 0:37:41For the benefit of the tape, Mr Kennedy nodded.
0:37:41 > 0:37:42For the benefit of the tape,
0:37:42 > 0:37:45the Chief Inspector looks very pleased with himself.
0:37:47 > 0:37:51Sean Kennedy, I am formally arresting you for the murder of Silvie McGregor.
0:37:51 > 0:37:52I didn't keep it as a trophy.
0:37:52 > 0:37:54Then why?
0:37:54 > 0:37:56As insurance.
0:37:56 > 0:37:57Insurance for what?
0:37:57 > 0:38:01Insurance should I become a suspect.
0:38:01 > 0:38:03You're far more than a suspect now.
0:38:03 > 0:38:06That's why I need to put you straight right now,
0:38:06 > 0:38:08before you waste any more police time.
0:38:08 > 0:38:11- I didn't kill Silvie McGregor. - Then who did?
0:38:13 > 0:38:16I'm going to need a name if you expect me to start believing you.
0:38:16 > 0:38:21I'll give you a name, if you tell me who the grass is.
0:38:24 > 0:38:29This is Detective Chief Inspector Donald suspending the interview at 1635 hours.
0:38:31 > 0:38:33I don't do deals with scum.
0:38:33 > 0:38:35Neither do I, but I'll make an exception in your case.
0:38:35 > 0:38:39Give me the name of who murdered Silvie McGregor or I'll bang you up
0:38:39 > 0:38:41for perverting the course of justice.
0:38:41 > 0:38:43You need to lighten up, Chief Inspector.
0:38:43 > 0:38:46This grass, I'll find myself.
0:38:46 > 0:38:52As for the murderer, I'll give you his name, address, shoe size.
0:38:52 > 0:38:56But I walk out of this place today, no more questions asked.
0:38:57 > 0:38:59I could give you a name right now.
0:38:59 > 0:39:01You could have him banged up
0:39:01 > 0:39:04and be cracking open the champers within the hour.
0:39:09 > 0:39:11OK.
0:39:12 > 0:39:13It was a punter.
0:39:15 > 0:39:16Do you take me for an idiot?
0:39:17 > 0:39:19It's the truth.
0:39:19 > 0:39:23Things got out of hand, it was an accident.
0:39:23 > 0:39:24He freaked out.
0:39:24 > 0:39:27Thought maybe I could make some money out him on the necklace.
0:39:27 > 0:39:32But now...as I said, it's insurance.
0:39:32 > 0:39:37The DNA and fingerprints on that necklace are his, not mine.
0:39:39 > 0:39:42Sorry to spoil your big moment.
0:39:43 > 0:39:47The man that you want to speak to is called John McColgan.
0:39:49 > 0:39:53Ironically, I believe he's a solicitor.
0:40:03 > 0:40:05What happened to you at lunchtime?
0:40:05 > 0:40:07I lost my appetite.
0:40:09 > 0:40:12- What's going on with you and Tom? - Nothing.
0:40:12 > 0:40:14When he came back to the pub his cheek was pure bealing.
0:40:14 > 0:40:16Did you slap him?
0:40:16 > 0:40:17He deserved it.
0:40:18 > 0:40:23Weird thing was he was dead upbeat. Bought us all lunch.
0:40:24 > 0:40:26Really?
0:40:38 > 0:40:40Well?
0:40:43 > 0:40:45He confirmed everything Sean Kennedy said.
0:40:45 > 0:40:49So where does that leave Gabriel Brodie?
0:40:49 > 0:40:52In a lot of trouble, if Kennedy finds out he was the grass.
0:40:52 > 0:40:55But hey, that's his problem now, not ours.
0:41:00 > 0:41:03The necklace was where he'd hidden it, just like I told them.
0:41:03 > 0:41:06I didn't have Kennedy pegged as that stupid.
0:41:06 > 0:41:09What about the information I needed?
0:41:09 > 0:41:12Sean said the job would move him up the ladder locally.
0:41:12 > 0:41:14Must be pretty big.
0:41:14 > 0:41:16He's making a push into my territory.
0:41:19 > 0:41:24It's got to be drugs. There's only two guys big enough here to handle large amounts like that -
0:41:24 > 0:41:27Barry Carlson, Andy Griffin.
0:41:27 > 0:41:29I need to know which one it is.
0:41:31 > 0:41:34I'm going back over to see the girl that told me about the necklace.
0:41:34 > 0:41:35She might have a name.
0:41:35 > 0:41:38You're going back to the flat to talk to a prostitute?
0:41:38 > 0:41:42Sean gave me a wad of cash and you know what, she's welcome to it.
0:41:42 > 0:41:45She went straight once, I'd like to think she could again.
0:41:45 > 0:41:47Ever the hero, eh?
0:41:47 > 0:41:50I like her. I want to help her out.
0:41:53 > 0:41:54Cheery bye.
0:42:00 > 0:42:02What happened to you?
0:42:02 > 0:42:03When?
0:42:03 > 0:42:06Lunchtime. You'd gone by the time I got there.
0:42:06 > 0:42:08I hope it was nothing to do with Tom.
0:42:08 > 0:42:09Should it be?
0:42:09 > 0:42:13Come on, you could cut the atmosphere with a knife when you are together.
0:42:13 > 0:42:15What can I say? He winds me up.
0:42:15 > 0:42:18I don't understand how the two of you don't on.
0:42:18 > 0:42:21Why don't you ask him? He seems to have all the answers.
0:42:21 > 0:42:23He's away to a meeting in Edinburgh.
0:42:23 > 0:42:25- He'll not be back till tomorrow.- Oh.
0:42:25 > 0:42:27So, if you wanted to come out for a drink tonight,
0:42:27 > 0:42:30you wouldn't have to run into him.
0:42:30 > 0:42:31I think I'll just have a quiet night in.
0:42:31 > 0:42:33I hate that the two of you don't get on
0:42:33 > 0:42:38cos if things go the way I'd like, you may be seeing a lot more of him.
0:42:59 > 0:43:01Are you all right? What happened?
0:43:02 > 0:43:04I happened.
0:43:07 > 0:43:10I knew they wouldn't be able to keep you in long.
0:43:10 > 0:43:13What's going on with Angie?
0:43:13 > 0:43:16The police didn't raid here this morning because they had nothing better to do.
0:43:16 > 0:43:21- They were after something and they found it.- What?
0:43:21 > 0:43:23A necklace.
0:43:23 > 0:43:26- What necklace?- Why don't you tell him? What necklace?
0:43:26 > 0:43:31Keeping your mouth shut now? Blabbin' my business to the filth?
0:43:31 > 0:43:34- Wait a second. You saying she went to the police?- Aye.
0:43:34 > 0:43:36After all I've done for her.
0:43:36 > 0:43:38When was this?
0:43:38 > 0:43:43There's no way they would've raided the place on the strength of a phone call.
0:43:43 > 0:43:46She would have had to have met up with them, yeah?
0:43:46 > 0:43:48What's your point?
0:43:48 > 0:43:50My point is, Angie's been with me all morning.
0:43:50 > 0:43:53She wouldn't have time to meet up with anybody.
0:43:53 > 0:43:56It couldnae have been her.
0:43:59 > 0:44:00So I owe you money.
0:44:02 > 0:44:04Here.
0:44:04 > 0:44:06I told you before about letting these tarts take you for a mug.
0:44:06 > 0:44:08I really like her, Sean.
0:44:13 > 0:44:15Here's the deal.
0:44:15 > 0:44:18After this morning I've got to keep a low profile, eh?
0:44:18 > 0:44:21- so I want you to handle the job tonight.- Tonight?
0:44:21 > 0:44:25My dealer's bringing the merchandise into Shieldinch this evening.
0:44:25 > 0:44:27I give you the money, you give it to him,
0:44:27 > 0:44:30pick up the goods, bring them back here. Simple.
0:44:30 > 0:44:32Use that money I gave you yesterday to make up the difference.
0:44:32 > 0:44:38- Right.- The meet's on the Dock Road, 7.30. Your contact's called Andy Griffin.
0:44:38 > 0:44:39Griffin.
0:44:40 > 0:44:42Now, I've got a grass to find.
0:44:52 > 0:44:53Think he bought it?
0:44:53 > 0:44:56You went to the polis?! Are you an idiot?
0:44:56 > 0:44:57He threatened my family.
0:44:57 > 0:44:59He was this close to finishing me.
0:44:59 > 0:45:03- I didnae think. - No' thinking disnae cut it, Gabriel.
0:45:03 > 0:45:06No' thinking gets us both killed!
0:45:12 > 0:45:14Thanks, Graham.
0:45:16 > 0:45:20I hope you don't mind me asking but, what's up with your coupon.
0:45:20 > 0:45:22Is someone feeling a wee bit love-sick?
0:45:22 > 0:45:25- Robbie, just give it a rest, eh? - I know how she feels.
0:45:25 > 0:45:29I've hardly seen Will the past couple of days and even when I do he's moaning about that job.
0:45:29 > 0:45:34I tell him, you should try working in the Salon with Miss Crack-the-Whip McCrone.
0:45:34 > 0:45:37Tom! What happened to Edinburgh?
0:45:37 > 0:45:39Finished early.
0:45:39 > 0:45:44- And you just couldn't wait to get back here to us, right? - Aye, couldn't wait.
0:45:44 > 0:45:48I think I'm just going to go and powder my nose.
0:45:50 > 0:45:53- Want a drink? - I've just got one.- We're fine.
0:45:58 > 0:46:00Lager, please.
0:46:03 > 0:46:06I mean, how the hell could the polis just let him go?
0:46:06 > 0:46:10Because he's not as daft as he looks. At least now you know who your real pals are.
0:46:14 > 0:46:17The dealer he's working with is Andy Griffin.
0:46:17 > 0:46:18That right?
0:46:21 > 0:46:26Kennedy must be bigging himself up, to Griff, giving him the impression he's up-and-coming.
0:46:26 > 0:46:28Now that you're past it.
0:46:32 > 0:46:35- The deal's happening tonight. - When?
0:46:38 > 0:46:39Just under an hour.
0:46:41 > 0:46:45- Where's Kennedy meeting him? - He's no'. I am.
0:46:46 > 0:46:52Running a prostitute ring, now dealing drugs? You're on the slippery slope, son.
0:46:52 > 0:46:55It makes it easier for you to step in and take the gear though, doesn't it?
0:46:55 > 0:46:58- Except I've no intentions of stepping in. - You're just going to let it go ahead?
0:46:58 > 0:47:00I don't want your cover blown just yet.
0:47:00 > 0:47:02You said once I done this, we'd be quits.
0:47:02 > 0:47:05That's when Kennedy getting locked up was a sure thing.
0:47:05 > 0:47:09Now he's back on the streets again, I need my eyes and my ears in his camp.
0:47:10 > 0:47:14You make sure you don't mess up tonight, because he's already wondering about you.
0:47:16 > 0:47:19The stakes are getting higher, and the higher they get,
0:47:19 > 0:47:21the further you get to fall.
0:47:36 > 0:47:39Hayley.
0:47:43 > 0:47:47- You don't have to deliberately avoid me, you know.- I'm not.
0:47:47 > 0:47:50It's just a coincidence that I walk into the bar and you walk out?
0:47:51 > 0:47:53I don't want Iona getting upset.
0:47:53 > 0:47:56She thinks she's the reason you came back here tonight.
0:47:56 > 0:47:58I can't do anything about that.
0:48:00 > 0:48:02Maybe you should pretend that it is.
0:48:03 > 0:48:06I'm finished pretending, Hayley.
0:48:16 > 0:48:18So much for hating each other..
0:48:18 > 0:48:20Who says I don't hate you?
0:48:41 > 0:48:46No! No! No!
0:48:46 > 0:48:47Where the hell is it?
0:48:49 > 0:48:53- What have you lost? - An envelope. A brown envelope.
0:48:53 > 0:48:59- In the piano? - I put it in there for safe keeping, and now it's gone. Did you move it?
0:49:00 > 0:49:04- I don't know, did I? - Don't play games with me, Malcolm, this is life or death.
0:49:04 > 0:49:06I'm trying to remember.
0:49:08 > 0:49:10Did you play the piano today?
0:49:10 > 0:49:12I...
0:49:12 > 0:49:15- Did you clear anything from inside it?- I don't remember.
0:49:15 > 0:49:17Come on, man! It's important!
0:49:17 > 0:49:20I moved something... I put it...
0:49:20 > 0:49:21- Right?- Where did I put it?
0:49:21 > 0:49:24For God's sake, think, man!
0:49:24 > 0:49:25What is going on?!
0:49:25 > 0:49:29Malcolm's moved something of mine, something really important!
0:49:29 > 0:49:30I need that envelope.
0:49:30 > 0:49:33You're not going to get it by yelling like that.
0:49:33 > 0:49:35You've no idea how much I need that envelope.
0:49:35 > 0:49:39Do you remember moving an envelope of Gabriel's?
0:49:39 > 0:49:43Look, Malcolm, try and remember. Where did you put it?
0:49:43 > 0:49:46Ah! Is this it?
0:49:48 > 0:49:51- I couldn't remember. - It's OK, you're all right, dear.
0:49:56 > 0:49:58Gabriel?!
0:49:58 > 0:50:03- What on earth has got into you lately?- I have to go.
0:50:03 > 0:50:06- What was all that about in there?! - Look, I was out of order, I know.
0:50:06 > 0:50:09Do you not think that you owe Malcolm an apology?
0:50:09 > 0:50:11He's positively shaking.
0:50:11 > 0:50:16- I'll talk to him later, Liz. I'll make it up to him. I really... - You have to go, yes, you said.
0:50:16 > 0:50:21You need to acknowledge and face up to what is really happening here.
0:50:23 > 0:50:25You can't ignore it any longer. None of us can.
0:50:27 > 0:50:33Malcolm's not well and we all have to rally round for him.
0:50:33 > 0:50:35I will, I promise.
0:50:37 > 0:50:40Because if you ever behave like that again,
0:50:40 > 0:50:43you will no longer be welcome in our house. Do you understand?
0:50:46 > 0:50:47Gabriel...
0:50:49 > 0:50:52..Is everything all right?
0:50:52 > 0:50:54Everything's...
0:50:56 > 0:50:58..fine.
0:51:42 > 0:51:43Sean couldnae make it.
0:51:58 > 0:52:00There you go.
0:52:06 > 0:52:07We good?
0:52:32 > 0:52:35Wa-hey! Here's my man.
0:53:09 > 0:53:13We are going to make some serious money, man! Time to celebrate.
0:53:13 > 0:53:16It's been a long day, I'm going to head up the road.
0:53:16 > 0:53:18Nobody's going anywhere man, we're going to party!
0:53:18 > 0:53:20No' me, mate.
0:53:21 > 0:53:22Take Angie, there. Angie.
0:53:24 > 0:53:26She's your favourite, aye?
0:53:26 > 0:53:30I'm offering her to you, as a reward for a good job.
0:53:30 > 0:53:32I appreciate it, but I'm OK.
0:53:33 > 0:53:38You already said no to a party, you cannae say no to me twice,
0:53:38 > 0:53:41I might start thinking you don't like me or something.
0:53:49 > 0:53:54When you're done there, we are going to a party, right? Nae arguments.
0:54:28 > 0:54:33- How long should we leave it? - Two minutes, tops?
0:54:33 > 0:54:37Thanks a lot!
0:54:37 > 0:54:39- You tell me, then? - I dunno, what's normal for you?
0:54:39 > 0:54:42You're asking somebody in my profession what's normal?
0:54:44 > 0:54:47Tell you what, we'll make it 20 minutes.
0:54:47 > 0:54:49No sack that, make it 25.
0:54:49 > 0:54:52I've got a reputation to think of, after all.
0:54:52 > 0:54:54THEY LAUGH
0:54:56 > 0:54:58What is this like!
0:55:10 > 0:55:12SHE SIGHS
0:55:13 > 0:55:17- Did Gabriel go? - Yes, he did.
0:55:18 > 0:55:20I better apologise to him.
0:55:21 > 0:55:27It's Gabriel who owes you an apology.
0:55:27 > 0:55:28As do I.
0:55:28 > 0:55:31You? Why?
0:55:31 > 0:55:34Because I was wasn't helping.
0:55:34 > 0:55:36You ALWAYS help.
0:55:36 > 0:55:41I wasn't dealing well with everything that was going on,
0:55:41 > 0:55:43and I got cross, just like Gabriel.
0:55:43 > 0:55:45Well, I won't hold it against you.
0:55:45 > 0:55:49People are just going to have to get used to me being forgetful
0:55:49 > 0:55:51and putting things in the wrong place.
0:55:51 > 0:55:55You mean like "planting" the remote in the pot?
0:55:57 > 0:56:01Maybe I thought if it grew, we'd get more channels.
0:56:13 > 0:56:17You know, something tells me that...
0:56:19 > 0:56:24..just maybe, we're going to be OK.
0:56:24 > 0:56:26Yeah, sure we are.
0:56:37 > 0:56:39It's all there, man.
0:56:39 > 0:56:40What made you think it wouldn't be?
0:56:41 > 0:56:43It's my turn wi' Angie.
0:56:43 > 0:56:46- ...No chance.- What?
0:56:46 > 0:56:48Look, I'm in charge of the girls now,
0:56:48 > 0:56:51so I get to decide when and where they work.
0:56:51 > 0:56:53You got a problem with that, then I walk right now.
0:56:55 > 0:56:58See, this is what I'm talking about, eh?
0:57:04 > 0:57:07This is what I need from my right-hand man.
0:57:08 > 0:57:12Forward thinking, and commitment. You still here?
0:57:14 > 0:57:15With us two working together,
0:57:15 > 0:57:19Lenny Murdoch doesn't stand a chance, right?
0:57:22 > 0:57:23Right.
0:57:25 > 0:57:28- Sore head?- My head's fine. - You can't keep doing this.
0:57:28 > 0:57:29I'll see you tonight.
0:57:29 > 0:57:32- Tell her, tell her, tell her. - I can't...
0:57:32 > 0:57:35- You can't NOT. - Iona's my pal, or at least she was.
0:57:35 > 0:57:37I've really screwed things up, big time.
0:57:37 > 0:57:40Any danger of my next set of notes coming through?
0:57:43 > 0:57:46- I'm fine.- You're no good to anyone in this state. Go home.
0:57:46 > 0:57:49Were you drunk? Like you were when you nearly burnt down the house?
0:58:07 > 0:58:10Subtitles by Red Bee Media Ltd