0:00:20 > 0:00:24You're just a bit of meat, don't ever forget it.
0:00:24 > 0:00:26Scratch my eye!
0:00:26 > 0:00:30Grass to the police? Call me scum.
0:00:30 > 0:00:33Raise a gun to me or mine, game's changed.
0:00:33 > 0:00:36He got a phone call, just before the police arrived.
0:00:36 > 0:00:38He walked straight out the back door.
0:00:38 > 0:00:40He'd heard Lenny was asking about the meet.
0:00:40 > 0:00:43You're saving my life here, and you know what?
0:00:45 > 0:00:46It suits me better.
0:01:16 > 0:01:19- Cooper.- Sir.
0:01:19 > 0:01:21Have we got a time of death?
0:01:21 > 0:01:24Forensics estimate it somewhere between ten last night
0:01:24 > 0:01:25and three this morning.
0:01:25 > 0:01:26What a waste.
0:01:28 > 0:01:30Bodies are piling up.
0:01:30 > 0:01:33Two unsolved murders, management want results fast.
0:01:33 > 0:01:36Guess what? Both girls worked for Sean Kennedy.
0:01:36 > 0:01:38How did we not collar him last night?
0:01:38 > 0:01:40Someone must have tipped him off.
0:01:40 > 0:01:42And now our chief suspect's miles away.
0:01:42 > 0:01:44Hardly makes us look great, does it?
0:01:44 > 0:01:49Hey! I want every hedge, skip and bin for a half-mile radius searched.
0:01:49 > 0:01:50Go.
0:01:52 > 0:01:54What a way to die.
0:01:54 > 0:01:56What a way to live.
0:01:57 > 0:02:01When we interviewed her, she said she'd got out of this game,
0:02:01 > 0:02:02away from Kennedy.
0:02:05 > 0:02:09Well, wherever he is I fully intend on finding him,
0:02:09 > 0:02:11dragging him back here to face the music.
0:02:17 > 0:02:19Alicia Petrauskas
0:02:19 > 0:02:20and now Angie Warren.
0:02:44 > 0:02:47- How are we doing, Raymondo? - I've had better nights.
0:02:47 > 0:02:50I slept like a baby for the first time in months.
0:02:50 > 0:02:52So you thrive on gun-running and police raids, do you?
0:02:52 > 0:02:54No, I thrive on being in my family's' good books
0:02:54 > 0:02:56- and seeing the back of that animal Kennedy.- He's gone?
0:02:56 > 0:03:02Yeah, left last night apparently and I don't see him coming back anytime soon.
0:03:02 > 0:03:06Not with a bunch of hacked-off gangsters and Strathclyde's finest on his tail.
0:03:06 > 0:03:08You know, things could finally be looking up.
0:03:24 > 0:03:25'This is Angie,
0:03:25 > 0:03:30'I can't get to the phone right now, but if you leave a message after the tone, I'll call you back.'
0:03:30 > 0:03:33We need to push this case through as a priority.
0:03:33 > 0:03:36I don't want any of the leads going cold, understand?
0:03:38 > 0:03:40What's happening?
0:03:40 > 0:03:43It's almost certain Angie Warren was murdered somewhere else
0:03:43 > 0:03:46and then brought here after, which makes the MO identical
0:03:46 > 0:03:50to Alicia Petrauskas's murder, right down to the same area being used to dump the body in.
0:03:50 > 0:03:53So, we start a manhunt for Kennedy, right?
0:03:53 > 0:03:57You always want to start off at a sprint, don't you, Cooper?
0:03:57 > 0:03:58Sir!
0:04:08 > 0:04:12- I thought you'd be looking like hell today. - I'm feeling pretty good.
0:04:12 > 0:04:17Yeah, well if I was you I wouldn't go breaking out the bunting just yet.
0:04:17 > 0:04:21- I don't know how you do it. - What?- Having to look over your shoulder all the time.
0:04:21 > 0:04:25- It takes commitment... - Yeah well, I'm opting out.
0:04:25 > 0:04:29Well, commitment and not giving yourself the choice of opting out.
0:04:29 > 0:04:33From now on, you'll be doing it on your tod.
0:04:33 > 0:04:37Yeah. Well, like I said, don't be planning any celebrations just yet.
0:04:42 > 0:04:43Sorry I'm late.
0:04:43 > 0:04:45No bother, pal.
0:04:47 > 0:04:52Remember this, eh? Best Scottish Community Pub Of The Year.
0:04:52 > 0:04:55- What a joke, eh? - Don't worry about that.
0:04:55 > 0:04:58See when you open back up, the community will be back in here in force,
0:04:58 > 0:04:59trust me.
0:04:59 > 0:05:03Right, there's a few crates of mixers wanting bringing up.
0:05:03 > 0:05:06See when you've done that, go and give the outside a bit of sweep, eh?
0:05:06 > 0:05:08Back to business as usual, then?
0:05:08 > 0:05:09That's the plan.
0:05:15 > 0:05:19Forensics have confirmed that the fibres on the scarf we found
0:05:19 > 0:05:21match those on Angie Warren's body.
0:05:21 > 0:05:23Looks like it was used to strangle her.
0:05:23 > 0:05:27The postmortem's still underway but they've found traces of skin and blood under her finger nails.
0:05:27 > 0:05:29They're matching it to the national database now.
0:05:29 > 0:05:33I've got officers going over CCTV, but I think we should do a little digging ourselves.
0:05:33 > 0:05:36- Right.- You speak to Gabriel Brodie, see if he can give you
0:05:36 > 0:05:39any information about Sean Kennedy's movements yesterday. But..
0:05:39 > 0:05:42No mention of Angie Warren, I know.
0:05:42 > 0:05:46I'll go speak to the other girls, see if anyone's feeling chatty.
0:06:00 > 0:06:05Dinner at yours last night and now a personal visit. I must be doing something right.
0:06:05 > 0:06:08Have you heard from Angie? Did she get to London OK?
0:06:08 > 0:06:12I asked her to text me once she got there, but she's still not been in touch.
0:06:12 > 0:06:15Hopefully she's putting this sorry mess behind her.
0:06:17 > 0:06:21- Thanks again for yesterday. - It's the least I could do.
0:06:21 > 0:06:23Look, I'll let you know, if I hear anything, OK?
0:06:25 > 0:06:27Something else on your mind?
0:06:27 > 0:06:30I can't stop thinking about how bad I would have felt
0:06:30 > 0:06:33if something had happened to Stevie at the pub yesterday.
0:06:33 > 0:06:38- But nothing did happen. - I know, but if it had, we haven't spent any proper time together.
0:06:38 > 0:06:42- You live with each other. - Yeah, but not properly, not in our own place.
0:06:42 > 0:06:45- You're 16 years old, Nicole. - Age has got nothing to do with it.
0:06:45 > 0:06:48You promised your dad that you'd stay with the family.
0:06:48 > 0:06:53Yeah, but if we moved close by, I'd still be with them, just not WITH them.
0:06:53 > 0:06:55What does Leyla think?
0:06:55 > 0:06:58- I haven't mentioned it to her yet. - Well, if you're mature enough to move out,
0:06:58 > 0:07:01you're certainly mature enough to be up front with her.
0:07:01 > 0:07:03She'll just take it personally, she always does.
0:07:03 > 0:07:06Then it's up to you to make sure that she doesn't.
0:07:08 > 0:07:10Yeah. I'll see you later.
0:07:10 > 0:07:13Hey. Thanks for coming to me.
0:07:13 > 0:07:15It means a lot.
0:07:24 > 0:07:26You heard the news, Eileen? Sean Kennedy's gone.
0:07:26 > 0:07:29What, the police have got him?
0:07:29 > 0:07:33- Gabriel says he's left town.- So he's not gone, then, he's just missing.
0:07:33 > 0:07:37Well, he's not here today and for me, that's a step in the right direction.
0:07:37 > 0:07:40I won't relax until he's behind bars or six feet under.
0:07:40 > 0:07:42Preferably the latter.
0:07:42 > 0:07:45Means we can get this place back on its feet.
0:07:45 > 0:07:50You need to see this. It's from the council.
0:07:50 > 0:07:53By the look on your face, it's not good news..
0:07:53 > 0:07:56but then why on earth would I expect any good news?
0:07:56 > 0:08:00They thought it would soften the blow coming from me.
0:08:00 > 0:08:04They're suspending your licence until they look into last night's police raid.
0:08:04 > 0:08:06You are joking.
0:08:07 > 0:08:11- I don't believe this. - You had gangsters in here doing an arms deal.
0:08:11 > 0:08:16There was a sub-machine-gun in the flipping bar, what did you expect?
0:08:16 > 0:08:19You'd better get off, Stevie, son.
0:08:19 > 0:08:21There's going to be no work round here for a while.
0:08:21 > 0:08:23I'm sorry.
0:08:23 > 0:08:26We're all sorry.
0:08:34 > 0:08:35Leyla.
0:08:35 > 0:08:37I wanted to talk to you.
0:08:37 > 0:08:38Oh?
0:08:38 > 0:08:40About me and Stevie.
0:08:42 > 0:08:45Is everything OK between you two?
0:08:45 > 0:08:48Yeah, everything's great. That's kind of my point.
0:08:48 > 0:08:50We haven't talked this through properly yet,
0:08:50 > 0:08:55it's just an idea, but I want us to look for our own place.
0:08:55 > 0:08:59- You're 16, Nicole.- Why does everyone go on about my age?
0:08:59 > 0:09:00Who's everyone?
0:09:00 > 0:09:02Gabriel.
0:09:02 > 0:09:06And what wise words does your Uncle Gabriel have for you, then?
0:09:06 > 0:09:08- He said I should speak to you. - Honestly, one dinner
0:09:08 > 0:09:11and he thinks he's got his feet back under the table.
0:09:11 > 0:09:12I went to him, he didn't come to me.
0:09:12 > 0:09:14Well, seeing as you followed instructions
0:09:14 > 0:09:17and you've spoken to me, why don't you go ahead and find somewhere?
0:09:17 > 0:09:20Be sure to let me know when you've got a moving-out date.
0:09:25 > 0:09:27I'm guessing that could have gone better.
0:09:33 > 0:09:34Mr Brodie?
0:09:34 > 0:09:36Here we go...
0:09:37 > 0:09:40Things must be looking brighter down at the cop shop
0:09:40 > 0:09:42now Public Enemy Number One's out of the way.
0:09:42 > 0:09:45- I don't suppose you know where he's gone, do you? - Further away the better.
0:09:45 > 0:09:49Did you...see him at all yesterday evening?
0:09:49 > 0:09:52Nope. I had dinner with Leyla, Nicole and the boys.
0:09:52 > 0:09:55And after dinner?
0:09:55 > 0:09:57Do I need my solicitor with me, Will?
0:09:57 > 0:10:01A lot happened yesterday, we're just trying to keep on top of things.
0:10:01 > 0:10:05Not everyday you have an arms deal going down in Shieldinch, is it?
0:10:05 > 0:10:07After I left Leyla's, I fancied a wee drink,
0:10:07 > 0:10:10so I came back to the office, cos I knew I had a bottle there.
0:10:10 > 0:10:13I ended up crashing. Why?
0:10:13 > 0:10:14No reason.
0:10:14 > 0:10:19We also want to talk to one of Sean's girls, Angie Warren.
0:10:19 > 0:10:22- You know where we might find her? - Why do you want her?
0:10:22 > 0:10:25Like I said, we're just trying to keep on top of things.
0:10:25 > 0:10:27When did you last see her?
0:10:27 > 0:10:29A couple of days ago, I think.
0:10:29 > 0:10:32- Well, I suppose she'll turn up. - I wouldn't bet on it.
0:10:32 > 0:10:35- Oh?- Now that Sean's not there to stop her,
0:10:35 > 0:10:38she's probably taken her opportunity and done a runner.
0:10:38 > 0:10:43- PHONE RINGS - OK. Well, thanks for the heads up.
0:10:43 > 0:10:45DC Cooper.
0:10:47 > 0:10:48OK.
0:10:48 > 0:10:53Listen, Gabriel, we might your help again soon. All right?
0:10:53 > 0:10:55- Can I go now?- Yeah.
0:11:01 > 0:11:04So, no-one knows where Sean Kennedy is
0:11:04 > 0:11:06and no one's seen Angie Warren since yesterday?
0:11:08 > 0:11:12Strange how sudden acute deaf, dumb and blindness comes over you all whenever I turn up.
0:11:15 > 0:11:18Remember Silvie and Alicia?
0:11:23 > 0:11:25Have a nice day.
0:11:32 > 0:11:35You got something to say?
0:11:42 > 0:11:44If you change your mind... PHONE RINGS
0:11:44 > 0:11:46Excuse me
0:11:50 > 0:11:55Donald. Great, thanks. Let Cooper know.
0:12:10 > 0:12:14Didn't Gabriel Brodie tell you he hadn't seen Angie Warren for a few days?
0:12:14 > 0:12:19Yeah, he did. He also said he got the scratches on his face from fixing a machine at work.
0:12:19 > 0:12:23Which begs the question, why did he feel it necessary to lie?
0:12:23 > 0:12:24Have any luck with the girls?
0:12:26 > 0:12:30I got the feeling one of them, Charlene, knew something.
0:12:30 > 0:12:33Looked like she was about to spill and then thought better of it.
0:12:33 > 0:12:36- We could pull her in. - Better to talk to her outside the station, you know,
0:12:36 > 0:12:39- away from the other girls. You track her down, see what she knows. - Will do.
0:12:39 > 0:12:43Oh! Who's that? Play it back.
0:12:43 > 0:12:44Freeze it.
0:12:44 > 0:12:47Can we zoom in on that?
0:12:47 > 0:12:50No need. I can tell you exactly who it is.
0:12:50 > 0:12:53That's Stevie Burns and he's coming from The Tall Ship beer garden.
0:12:53 > 0:12:57Looks like he considered intervening and then thought better of it.
0:13:03 > 0:13:04HE SIGHS
0:13:04 > 0:13:06Maybe I should start looking for another job the now.
0:13:06 > 0:13:09I mean, who knows how long the Ship's gonnae be shut down?
0:13:09 > 0:13:12I could say to Gabriel if he's heard of anything that's going.
0:13:12 > 0:13:14No. I wouldn't ask him for anything the now.
0:13:14 > 0:13:16What do you mean?
0:13:16 > 0:13:20The more you hang about with scum like that Sean, the more you become like them.
0:13:20 > 0:13:22He explained why he was working for Sean.
0:13:22 > 0:13:26Oh, aye. Did he also explain why he was manhandling one of his lassies yesterday?
0:13:26 > 0:13:30I saw them at the boatyard. The lassie scratched the coupon right off him.
0:13:30 > 0:13:35That was Angie, she explained the whole thing to me all when she was here yesterday.
0:13:35 > 0:13:38It was staged. Gabriel got her to scratch him.
0:13:38 > 0:13:39Am I hearing this right?
0:13:39 > 0:13:44Are you saying that Gabriel's working for that Sean Kennedy, as a pimp?
0:13:44 > 0:13:49- He's got his reasons. - And he brought one of those... girls into this house yesterday?
0:13:49 > 0:13:53It was Angie, the girl who helped me get away from Cammy.
0:13:53 > 0:13:55- I know who Angie is. - Well, he was helping her.
0:13:55 > 0:13:58And was that be before after she'd paid him his percentage?
0:13:58 > 0:14:00- You don't understand. - PHONE RINGS
0:14:00 > 0:14:03I understand that if this is the sort of thing that you two get up to
0:14:03 > 0:14:07behind my back, then the sooner you get out of here, the better.
0:14:07 > 0:14:10- Leyla, nobody's doing anything behind your back. - Yeah, you could have fooled me!
0:14:13 > 0:14:16Stevie, I need to talk to you, mate.
0:14:23 > 0:14:26Can you tell me the names of the two people we're seeing here?
0:14:26 > 0:14:27You know who it is.
0:14:27 > 0:14:30The question is, Mr Burns, do you?
0:14:30 > 0:14:33It's Gabriel and a lassie called Angie.
0:14:33 > 0:14:35And you know this, because...?
0:14:35 > 0:14:39I saw them from the beer garden, but my guess is you know that an' all.
0:14:39 > 0:14:44- Clever lad. - The film's not what it looks like.
0:14:44 > 0:14:46In what way?
0:14:46 > 0:14:48I thought it was real when I saw them, but it's not.
0:14:48 > 0:14:51They had to make it look like Angie had a fight with Gabriel.
0:14:51 > 0:14:53Who told you that?
0:14:53 > 0:14:55Nicole.
0:14:55 > 0:14:56How did she know?
0:14:57 > 0:14:59Angie told me.
0:14:59 > 0:15:03- And when exactly did you last speak to Angie?- Yesterday afternoon.
0:15:03 > 0:15:06She stayed with me here until Gabriel got the chance to get her away.
0:15:06 > 0:15:08I can't believe you lot.
0:15:08 > 0:15:09Get her away from what?
0:15:09 > 0:15:11Sean Kennedy.
0:15:11 > 0:15:15He was planning on sending her down Newcastle to some guy.
0:15:15 > 0:15:18She found out what he was like and was freaking out.
0:15:18 > 0:15:20So, Gabriel had a soft spot for Angie?
0:15:20 > 0:15:23- I think he felt like he owed her. - What for?
0:15:23 > 0:15:27- She helped me get away from Cammy. - So, there was a special bond between them?
0:15:27 > 0:15:29I suppose.
0:15:29 > 0:15:31Did Angie like Gabriel?
0:15:32 > 0:15:34He was helping her, so, yeah.
0:15:34 > 0:15:36Gabriel was risking everything for this girl.
0:15:36 > 0:15:40Was it possible it went beyond simple gratitude?
0:15:40 > 0:15:45Do you think this special bond could've been more than just a working relationship?
0:15:45 > 0:15:47No.
0:15:47 > 0:15:50Strange that Gabriel didn't help any of the other girls.
0:15:50 > 0:15:53Did you ever see any intimacy between them?
0:15:53 > 0:15:55I know what you're trying to do.
0:15:55 > 0:15:58I'm just trying to determine the nature of the relationship, Nicole.
0:15:58 > 0:16:01There was no relationship. She had helped me and he was helping her.
0:16:01 > 0:16:04By bringing her into the heart of this family?
0:16:04 > 0:16:07It's a bit above and beyond for a pimp and his...
0:16:07 > 0:16:09That's enough.
0:16:09 > 0:16:12If you've got any more questions, you can ask them at the station.
0:16:12 > 0:16:14I'm not having any more of this in my house.
0:16:14 > 0:16:16To be fair, it's not me who's brought it here, Mrs Brodie,
0:16:16 > 0:16:19it's your brother-in-law and your daughter.
0:16:21 > 0:16:24Just one more thing.
0:16:24 > 0:16:27You said Gabriel came to collect Angie yesterday evening, yes?
0:16:27 > 0:16:31- Yeah, about six o'clock. - And then where did he take her? - To the subway.
0:16:31 > 0:16:33I told you, he was helping her get away from Sean.
0:16:35 > 0:16:38OK, thanks, Nicole. If we need anything else we'll be in touch.
0:16:38 > 0:16:40Sorry again for the intrusion.
0:16:40 > 0:16:45- When Angie gets back in touch with Gabriel, she'll tell you all this herself.- Yeah.
0:16:52 > 0:16:55So, Brodie lied about being with Angie Warren yesterday,
0:16:55 > 0:16:59he lied about the scratches on his face and he was, conceivably,
0:16:59 > 0:17:01the last person to see her alive.
0:17:01 > 0:17:04- So are you considering him as a possible suspect?- It certainly puts him in the top two.
0:17:04 > 0:17:07We all know Sean Kennedy's pond life, though.
0:17:07 > 0:17:08PHONE RINGS
0:17:08 > 0:17:10Brodie's hardly driven snow either, is he?
0:17:10 > 0:17:12DCI Donald.
0:17:12 > 0:17:17OK. No, thanks.
0:17:17 > 0:17:22- They seek him here, they seek him there and then our chief suspect turns up at the station.- Kennedy?
0:17:22 > 0:17:25Apparently he wants to have a talk.
0:17:25 > 0:17:29It's Batman and Robin. Long time, no see.
0:17:29 > 0:17:30Where have you been?
0:17:31 > 0:17:33Nowhere.
0:17:33 > 0:17:35Who tipped you off about the raid yesterday?
0:17:35 > 0:17:39- What raid?- This is no time to get cute, Kennedy.
0:17:39 > 0:17:41Running gun deals out of The Tall Ship,
0:17:41 > 0:17:45you're lucky you weren't thrown in a cell the second you walked in this place.
0:17:45 > 0:17:49Yeah, I was in The Tall Ship yesterday. But gun deals?
0:17:49 > 0:17:52I was playing pool.
0:17:52 > 0:17:56I don't know anything about any gun deals.
0:17:56 > 0:17:58I came here because I heard that one of my girls
0:17:58 > 0:18:01turned up dead last night.
0:18:01 > 0:18:05How did you hear that? That's not public knowledge yet.
0:18:05 > 0:18:07You have your sources, I have mine.
0:18:07 > 0:18:10Are you saying you've got someone on the inside?
0:18:10 > 0:18:13Somebody on the estate where she was found.
0:18:13 > 0:18:20Somebody said Angie had been missing. Angie Warren.
0:18:20 > 0:18:22- Is it her?- You tell us.
0:18:23 > 0:18:28I heard that it was. She was a nice lassie.
0:18:28 > 0:18:29Until you got hold of her.
0:18:29 > 0:18:33I had nothing to do with the killing of Angie,
0:18:33 > 0:18:35but I have a good idea who did.
0:18:35 > 0:18:39Gabriel Brodie was all over her from day one.
0:18:39 > 0:18:40She was scared to death of that man.
0:18:40 > 0:18:44- Sure it wasn't you she was scared of?- He gave her the total creeps.
0:18:45 > 0:18:49she asked me to get her a job in Newcastle just to get away from him.
0:18:49 > 0:18:51It was like he was stalking her.
0:18:53 > 0:18:54Maybe he found out about that.
0:18:57 > 0:18:59He wasn't too pleased about it.
0:19:01 > 0:19:04- Sir, do you have a minute? - Excuse me.
0:19:15 > 0:19:19I have to say I'm surprised to see you back in Shieldinch.
0:19:19 > 0:19:20Why? I've no reason to run.
0:19:20 > 0:19:24Your friend, Tony, the arms dealer, might disagree with you there.
0:19:24 > 0:19:28He might want to know how you managed to get out of the pub just before the raid.
0:19:28 > 0:19:31I've absolutely no idea what you're talking about.
0:19:31 > 0:19:32Course you don't.
0:19:35 > 0:19:37I'll have someone see you out.
0:19:37 > 0:19:38What?
0:19:38 > 0:19:41No kicking this time?
0:19:43 > 0:19:47There's far worse things I can do to you, Sean.
0:19:47 > 0:19:50One of which is put you away for a very long time.
0:20:05 > 0:20:09- Sir, I've been thinking... - Wonders will never cease.
0:20:09 > 0:20:12I think Gabriel probably lied about not seeing Angie yesterday
0:20:12 > 0:20:14because he didn't want anyone to know she'd gone.
0:20:14 > 0:20:16If he'd told us he'd put her on a train,
0:20:16 > 0:20:17then we'd have chased her down
0:20:17 > 0:20:19and brought her back into Kennedy's orbit.
0:20:19 > 0:20:21I think he was trying to keep her safe.
0:20:21 > 0:20:23Or covering up the fact that he'd killed her.
0:20:23 > 0:20:25If he had, why did he dump her where we could find her?
0:20:25 > 0:20:28And Kennedy's version of events doesn't stack up.
0:20:28 > 0:20:30If Angie was scared of Gabriel, why didn't she run
0:20:30 > 0:20:31when he left her with Nicole?
0:20:31 > 0:20:35Why did she wait there until he got back and then willingly go to the subway with him?
0:20:35 > 0:20:37It's amazing what fear'll make people do.
0:20:37 > 0:20:40Maybe she was playing along until a better opportunity
0:20:40 > 0:20:41to get away cropped up.
0:20:41 > 0:20:43I don't believe he was the last person to see her alive either.
0:20:43 > 0:20:45If he dropped her off at the train around six
0:20:45 > 0:20:48and she wasn't dead until around nine,
0:20:48 > 0:20:50then that gives Kennedy plenty of time to have picked her up.
0:20:50 > 0:20:52Hmm.
0:20:52 > 0:20:54Look...
0:20:54 > 0:20:55What are we looking at?
0:20:55 > 0:20:57Gabriel Brodie and Angie Warren outside the subway at 6.30
0:20:57 > 0:20:58yesterday evening.
0:20:58 > 0:21:00What do you see?
0:21:03 > 0:21:05He's wearing the scarf.
0:21:05 > 0:21:07Bingo.
0:21:12 > 0:21:14Is that everything closed up down there?
0:21:14 > 0:21:17The side door was wide open.
0:21:22 > 0:21:25You want to be more careful, anybody could just walk in here.
0:21:25 > 0:21:27Lucky for you it's only me.
0:21:28 > 0:21:31I was told you'd gone.
0:21:31 > 0:21:32I had a few things I had to do.
0:21:32 > 0:21:36Talking of which, I need you to do something for me.
0:21:36 > 0:21:40- I've picked up a few extra things for Stuart... - Oh, it's the lovely Eileen!
0:21:41 > 0:21:42You?!
0:21:44 > 0:21:45In the flesh.
0:21:50 > 0:21:53She's stunned into silence.
0:21:53 > 0:21:56I often have that effect on women.
0:21:56 > 0:21:59You know, if I was into older woman, you'd be top of my list.
0:21:59 > 0:22:02I mean, you know that, don't you?
0:22:02 > 0:22:03You better go.
0:22:05 > 0:22:06You'll be all right?
0:22:06 > 0:22:10He'll be fine, Eileen. Off you trot now!
0:22:15 > 0:22:18If you want my opinion, mate, you're well shot of that one.
0:22:18 > 0:22:19Trouble.
0:22:28 > 0:22:30So...
0:22:31 > 0:22:35"What can I do for you, Sean?" I hear you ask.
0:22:38 > 0:22:40Any plans for tonight?
0:22:40 > 0:22:42No, not much. Pizza, maybe.
0:22:44 > 0:22:47She's not happy about Angie being in the house yesterday.
0:22:47 > 0:22:48Cheers for the heads up.
0:22:49 > 0:22:51Well, if it isn't the local pimp.
0:22:51 > 0:22:53Look, Leyla, let me explain...
0:22:53 > 0:22:55You brought a prostitute into our house,
0:22:55 > 0:22:58a house where two impressionable teenage boys live!
0:22:58 > 0:23:01I'm sorry, all right? I didn't have a choice.
0:23:01 > 0:23:03Look, I promise, it's not going to happen again.
0:23:03 > 0:23:06- No, it won't, because you won't step foot back in the house.- Leyla...
0:23:06 > 0:23:08You don't think this family's been through enough?
0:23:08 > 0:23:11- POLICE SIRENS BLARE - Just stay away from us from now on!
0:23:11 > 0:23:13Whoa, what's going on?
0:23:13 > 0:23:16Gabriel Brodie, I'm arresting you on suspicion of the murder of Angie Warren.
0:23:16 > 0:23:19You do not have to say anything but it may harm your defence
0:23:19 > 0:23:22- if you fail to mention something you later rely on in court. - Angie's alive!
0:23:22 > 0:23:26...Anything you do say may be given in evidence. Do you understand?
0:23:26 > 0:23:28- She just went away, that's all. - Do you understand?
0:23:28 > 0:23:29Yes.
0:23:29 > 0:23:31Good. Take him away.
0:23:32 > 0:23:33Wait!
0:23:33 > 0:23:36Angie's not dead. She just went to London.
0:23:39 > 0:23:43This is a just a mix-up! Why are they saying that Angie's dead?!
0:23:43 > 0:23:45We found her body this morning.
0:23:47 > 0:23:49- No...- She's dead, Nicole.
0:23:50 > 0:23:51It's OK...
0:23:51 > 0:23:53It's not OK!
0:24:01 > 0:24:04Hamish? It's Lenny.
0:24:04 > 0:24:07Look, I'm going to need some of your advice.
0:24:08 > 0:24:09Gabriel Brodie...
0:24:11 > 0:24:12Right.
0:24:18 > 0:24:20What's all the commotion out there?
0:24:20 > 0:24:22Gabriel Brodie's been arrested.
0:24:22 > 0:24:24What for?
0:24:25 > 0:24:27Murder.
0:24:28 > 0:24:31Seems another young girl was murdered last night.
0:24:33 > 0:24:36You left here last night, after the raid.
0:24:37 > 0:24:38So?
0:24:38 > 0:24:40So...
0:24:40 > 0:24:46nobody knew where you were till you turned up here this morning,
0:24:46 > 0:24:49asking me to say you'd been here most of the night.
0:24:49 > 0:24:51You want to be careful what you say next, Raymond.
0:24:51 > 0:24:54It could get you in a lot of trouble.
0:24:56 > 0:24:58You expect me to be an accessory to murder?
0:24:58 > 0:25:04No, I'm asking you to do what I say or I'll be calling in my loan.
0:25:04 > 0:25:05Go ahead.
0:25:07 > 0:25:11And once I've bankrupted you and seen you broken...
0:25:13 > 0:25:18..then I'll turn my attentions on the lovely Eileen and wee Stuart.
0:25:21 > 0:25:23So, where was I last night?
0:25:24 > 0:25:26The police'll never buy it.
0:25:26 > 0:25:30It's down to you to make it seem convincing.
0:25:31 > 0:25:34So, I'll ask you again. Where was I last night?
0:25:45 > 0:25:47Drinking.
0:25:48 > 0:25:50Till the early hours.
0:25:51 > 0:25:56Lovely. I knew we'd get there in the end.
0:26:11 > 0:26:13Mr Brodie, how are you?
0:26:13 > 0:26:16Before you ask, my services are being generously paid for
0:26:16 > 0:26:18by Mr Murdoch.
0:26:20 > 0:26:23First off, I'm going to ask you a question
0:26:23 > 0:26:26and it's absolutely essential that you answer me truthfully,
0:26:26 > 0:26:28do you understand?
0:26:28 > 0:26:31A one word answer is all that's required,
0:26:31 > 0:26:35but it will determine the direction and content of the entire case.
0:26:38 > 0:26:41Did you kill this girl?
0:26:41 > 0:26:44No way. Never.
0:26:44 > 0:26:48Well, then, we can play this one straight down the middle.
0:27:00 > 0:27:03You're sure you want to look at these?
0:27:05 > 0:27:08For the benefit of the tape, I'm showing Mr Brodie photographs of the victim.
0:27:17 > 0:27:18Seen enough?
0:27:18 > 0:27:21Obviously, my client is deeply distressed
0:27:21 > 0:27:22by this young girl's death.
0:27:22 > 0:27:25I suggest we take five minutes.
0:27:26 > 0:27:27I want to carry on.
0:27:31 > 0:27:34You told my colleague you last saw Angie Warren
0:27:34 > 0:27:35a few days ago, correct?
0:27:37 > 0:27:38I lied.
0:27:39 > 0:27:41I spent most of yesterday with her.
0:27:41 > 0:27:44Did you leave her at any time?
0:27:44 > 0:27:46I took her to Leyla's house to be with Nicole.
0:27:46 > 0:27:48Why did you do that?
0:27:48 > 0:27:51Well, Angie needed to find somewhere where Sean couldn't find her.
0:27:51 > 0:27:53Sean Kennedy?
0:27:54 > 0:27:57I was helping her escape from him.
0:27:57 > 0:28:00So I picked her up later and took her to the Tube station.
0:28:00 > 0:28:03From there, she got a train into the city centre.
0:28:03 > 0:28:05And then she was heading down to London.
0:28:07 > 0:28:09For the benefit of the tape, I'm showing Mr Brodie
0:28:09 > 0:28:12a photograph of himself and the victim taken outside
0:28:12 > 0:28:15Shieldinch subway yesterday evening at 18.30 hours.
0:28:15 > 0:28:18I saw her over the barrier and then I left.
0:28:20 > 0:28:22I thought she'd be safe.
0:28:23 > 0:28:28And did keeping her safe include fighting with her?
0:28:30 > 0:28:33The last time you were here we took a DNA sample
0:28:33 > 0:28:37which matches the traces of skin and blood we found under Angie Warren's fingernails.
0:28:37 > 0:28:40Look, we had to convince Sean that she'd fought me to escape,
0:28:40 > 0:28:42so I got her to punch and scratch me.
0:28:42 > 0:28:45I swear it was a pretend fight.
0:28:45 > 0:28:48That's the story Angie told your niece.
0:28:48 > 0:28:51- Whether it's true or not...- It is.
0:28:51 > 0:28:55It's a shame Angie's not here to corroborate it, then, isn't it?
0:28:56 > 0:28:59For the benefit of the tape, I'm showing Mr Brodie
0:28:59 > 0:29:04the scarf in evidence bag 002712. Do you recognise it?
0:29:04 > 0:29:07It's mine.
0:29:07 > 0:29:09Angie asked if she could have it.
0:29:09 > 0:29:12This scarf was used to strangle Angie Warren.
0:29:14 > 0:29:17We're looking at some pretty comprehensive evidence, Mr Brodie.
0:29:17 > 0:29:20Look, I was trying to help her escape from Kennedy!
0:29:20 > 0:29:22- So you keep saying. - Why would I want to kill her?!
0:29:22 > 0:29:26Falling in love with a cheap hooker can't have been easy.
0:29:26 > 0:29:29- She's not a cheap hooker! - Mr Brodie...
0:29:29 > 0:29:32I'm not having him bad-mouthing her! That poor girl's dead!
0:29:32 > 0:29:36I insist we take a five minute break, Detective Chief Inspector.
0:29:41 > 0:29:46DCI Donald suspending the interview at 13.23 hours.
0:29:47 > 0:29:49Five minutes.
0:29:58 > 0:30:00This is ridiculous.
0:30:03 > 0:30:07Gabriel had his dinner here last night and everything was normal.
0:30:07 > 0:30:08How long did he stay?
0:30:08 > 0:30:12He arrived about 7.30 left about 10-ish.
0:30:12 > 0:30:14And you didn't see him at all after that?
0:30:14 > 0:30:15No.
0:30:15 > 0:30:18We also hoped you might have information
0:30:18 > 0:30:22about Gabriel's movements at the time of another young girl's death.
0:30:24 > 0:30:27We just want to eliminate him from our enquiries, that's all.
0:30:27 > 0:30:31Do you have you any recollection of where Gabriel
0:30:31 > 0:30:33might have been on or around the first of May?
0:30:34 > 0:30:38We... weren't very close at the time.
0:30:40 > 0:30:42In fact, I'd told him to stay away from us.
0:30:42 > 0:30:46- Was he behaving badly?- No...
0:30:46 > 0:30:50Things had happened and we'd agreed not to see so much of each other.
0:30:51 > 0:30:53I've no idea what he was up to at the time.
0:30:53 > 0:30:55What about Nicole and the boys?
0:30:55 > 0:30:56Had they spent much time with him back then?
0:30:56 > 0:30:59Nic wasn't speaking to him either,
0:30:59 > 0:31:02although if she thought it'd keep him out of jail, she'd say anything.
0:31:02 > 0:31:04Sounds like she's certain he's innocent.
0:31:07 > 0:31:10Obviously because you were the last people to see Gabriel last night,
0:31:10 > 0:31:12I'll have to speak to both Nicole and the boys.
0:31:12 > 0:31:15No way! I'm not having the boys dragged into this.
0:31:15 > 0:31:17It was bad enough when Michael was arrested.
0:31:17 > 0:31:20When the time comes to talk to them, you're more than welcome to sit in.
0:31:27 > 0:31:29Are you going to be OK until somebody gets home?
0:31:31 > 0:31:33Yeah.
0:31:51 > 0:31:55You'll need to keep yourself in check, Mr Brodie.
0:31:55 > 0:31:56Sorry.
0:31:56 > 0:31:58Don't apologise to me.
0:31:58 > 0:32:01You're the one looking at spending the rest of your life behind bars.
0:32:01 > 0:32:04I've been telling them the truth, just like you told me.
0:32:06 > 0:32:07Ready to reconvene?
0:32:14 > 0:32:18DCI Donald resuming interview with Gabriel Brodie at 13.32 hours.
0:32:19 > 0:32:24So, we've established that you last saw our victim at Shieldinch subway.
0:32:24 > 0:32:27You saw her at the station and then she caught a train into the city?
0:32:27 > 0:32:28That's right.
0:32:28 > 0:32:32Well, we've looked at CCTV footage - both of trains leaving Shieldinch
0:32:32 > 0:32:36at that time, and of passengers arriving in the city centre.
0:32:36 > 0:32:38There's no record of our victim anywhere.
0:32:38 > 0:32:41Well, Sean must have got to her somehow.
0:32:42 > 0:32:45Our victim's mobile phone records show you've called her nine times
0:32:45 > 0:32:46since yesterday evening.
0:32:46 > 0:32:47There you go, then.
0:32:47 > 0:32:51Why would I be calling her if I already knew she was dead?
0:32:51 > 0:32:52That's an old trick.
0:32:52 > 0:32:55Look, Sean must have found out that I grassed him up
0:32:55 > 0:32:57and that I was helping Angie to get away.
0:32:57 > 0:33:01So he must have killed her and now he's doing his best to frame me
0:33:01 > 0:33:04for the murder, starting with using my scarf to strangle her.
0:33:04 > 0:33:08Well, don't you worry. We'll be having another word with Mr Kennedy.
0:33:08 > 0:33:12I already told you, he's gone, he's left town.
0:33:12 > 0:33:13He's not gone.
0:33:13 > 0:33:17He walked in here earlier today, to help us with our enquiries.
0:33:17 > 0:33:18He's very much here.
0:33:25 > 0:33:28- Here he is, my very own Robocop. - Hiya.
0:33:29 > 0:33:32- Sorry, what did you say? - At the arrest, you were great.
0:33:32 > 0:33:35- Aye, well... - "I can't wait to get him home tonight", that's what I thought.
0:33:35 > 0:33:37Look, I better to get back to the station.
0:33:37 > 0:33:40- But hold that thought.- You don't really think Gabriel did it, do you?
0:33:40 > 0:33:44- That's for a court to decide. - I know he loses his temper sometimes, but killing somebody?!
0:33:44 > 0:33:47Robbie, you know I can't discuss the case with you.
0:33:47 > 0:33:49See my lips? Tight as!
0:33:49 > 0:33:51Look, once the case is over,
0:33:51 > 0:33:53we'll have lots more time to spend together, OK?
0:33:53 > 0:33:56- Can't wait.- Me, neither.
0:33:56 > 0:33:58- Meantime...- You got it.
0:34:42 > 0:34:45I just wanted to tell you, you've got my full support.
0:34:45 > 0:34:47Sorry, Scarlett?
0:34:47 > 0:34:50- Managing on your own. All power to you, hen.- Thanks.
0:35:21 > 0:35:24So, none of the girls had any idea where Charlene had gone?
0:35:24 > 0:35:29My guess is Sean's back in charge and he's battened down the hatches.
0:35:29 > 0:35:31We'll put a description of her out,
0:35:31 > 0:35:34and if she surfaces for a second, I want to see her.
0:35:36 > 0:35:38The evidence is building up against him.
0:35:38 > 0:35:41You really think he killed her?
0:35:41 > 0:35:44You can't ignore the evidence, plus he misled us
0:35:44 > 0:35:47over Sean Kennedy twice, meaning we missed Sean Kennedy twice
0:35:47 > 0:35:49and ended up with egg on our face.
0:35:49 > 0:35:54- He's a slippery customer.- Yeah, but he led us to the arrest of the punter who killed Silvie McGregor.
0:35:54 > 0:35:56Maybe he's leading us in the right direction again this time.
0:35:56 > 0:35:58Plus, he hasn't lied to me, whereas Brodie...
0:35:58 > 0:36:00PHONE RINGS
0:36:02 > 0:36:05DCI Donald.
0:36:05 > 0:36:07Yeah, on my way.
0:36:07 > 0:36:10If Kennedy's got an alibi, there's only one way this thing's going.
0:36:10 > 0:36:12He does have an alibi.
0:36:12 > 0:36:16He told me he was drinking in The Tall Ship with Raymond Henderson
0:36:16 > 0:36:17till the early hours.
0:36:17 > 0:36:19Has Mr Henderson corroborated that?
0:36:19 > 0:36:23That was my next job, after getting a formal statement from Kennedy.
0:36:23 > 0:36:25But my gut feeling still says Kennedy's the killer.
0:36:25 > 0:36:28No-one's been convicted on the strength of a gut feeling yet
0:36:28 > 0:36:31and we need a conviction or we could be looking for new jobs.
0:36:31 > 0:36:33I'll speak to Mr Henderson.
0:36:33 > 0:36:35- I know Raymond, I drink in his pub, he trusts me...- No, no.
0:36:35 > 0:36:38- I need to take this thing by the scruff of the neck.- I can do it...
0:36:38 > 0:36:41You have got plenty to be getting on with here, OK?
0:36:52 > 0:36:56I tried to get them to let you go home, but as they're still questioning you,
0:36:56 > 0:36:59they're going to keep you here overnight.
0:37:00 > 0:37:02What if Kennedy walks?
0:37:04 > 0:37:06I wouldn't be the first innocent man to go down, would I?
0:37:06 > 0:37:10Stay positive. I'll be back first thing.
0:37:25 > 0:37:27How come this place is closed again?
0:37:27 > 0:37:30The council are looking into why it was raided.
0:37:30 > 0:37:36Ah. Well, you did have some fairly unsavoury characters in here.
0:37:36 > 0:37:38Not my usual clientele.
0:37:38 > 0:37:42Talking of unsavoury characters, I want to ask you about Sean Kennedy.
0:37:42 > 0:37:45- Fancy a drink?- On duty.
0:37:45 > 0:37:48Shame, cos I'm definitely having one.
0:37:50 > 0:37:52Was Sean here last night?
0:37:54 > 0:37:56Mr Henderson?
0:37:57 > 0:37:58Sure?
0:37:58 > 0:38:00Was he here?
0:38:04 > 0:38:07Yeah, he was.
0:38:07 > 0:38:09From what time?
0:38:09 > 0:38:13From about nine till four-ish.
0:38:13 > 0:38:14Doing what?
0:38:14 > 0:38:18He's been using this place as a kind of makeshift office.
0:38:18 > 0:38:22Seems an unlikely friendship, you and Mr Kennedy.
0:38:22 > 0:38:25Stranger things have happened.
0:38:27 > 0:38:30Late night for you, wasn't it? Four o'clock.
0:38:30 > 0:38:34I'm a pub landlord, mate. Late is what I do.
0:38:34 > 0:38:37Plus, I had to get the place straight after your boys had been through it.
0:38:40 > 0:38:42I'm smelling something not quite right here.
0:38:43 > 0:38:46There's no-one wants him put away more than me.
0:38:46 > 0:38:48Why would I lie to save his skin?
0:38:51 > 0:38:54Fair enough.
0:38:54 > 0:38:55OK, thanks.
0:38:57 > 0:38:58I'll have that drink once you've reopened.
0:38:58 > 0:39:00It'll be on the bar waiting for you, pal.
0:39:07 > 0:39:10CLAPPING
0:39:16 > 0:39:19Oscar-winning performance, Raymundo.
0:39:20 > 0:39:24And if the DCI isn't going to have a free drink, I certainly will.
0:39:32 > 0:39:34DOOR OPENS
0:39:40 > 0:39:42Hey.
0:39:42 > 0:39:44Are you feeling any better?
0:39:44 > 0:39:45Not really.
0:39:47 > 0:39:49Listen, Leyla. We've been talking.
0:39:49 > 0:39:51Right.
0:39:51 > 0:39:53Aye.
0:39:53 > 0:39:57Well, we don't see any real reason to move out right now.
0:39:58 > 0:40:02So we thought we'd wait a while, if that's all right with you?
0:40:04 > 0:40:06Well, I'll...
0:40:06 > 0:40:09I'll just have to put up with the pair of you for a bit longer, eh?
0:40:19 > 0:40:20SHE SIGHS
0:40:20 > 0:40:22Thank you.
0:40:25 > 0:40:26Any convictions yet?
0:40:28 > 0:40:29HE SIGHS
0:40:29 > 0:40:32I was hoping to get away from the case for half an hour.
0:40:32 > 0:40:35- How are you doing?- What, you're going to grill me now as well?
0:40:35 > 0:40:37I was asking how you are, not the case.
0:40:37 > 0:40:40But while we're on the subject, I'm worried about you.
0:40:40 > 0:40:43You've been working so hard.
0:40:43 > 0:40:45I'm part of a double-murder enquiry, Robbie.
0:40:45 > 0:40:48I know, but maybe you need to learn to leave it behind
0:40:48 > 0:40:50at the end of the day. Get some downtime.
0:40:50 > 0:40:52- Downtime?- Aye!
0:40:52 > 0:40:55- Everybody needs downtime. - Even hairdressers?
0:40:55 > 0:40:59Especially hairdressers who are living with detectives.
0:40:59 > 0:41:02When was the last time we went to see a film or went to dinner?
0:41:02 > 0:41:05I need to keep on top of things at the moment,
0:41:05 > 0:41:08especially with the DCI breathing down my neck. He's a workaholic.
0:41:08 > 0:41:09And you're not?
0:41:10 > 0:41:13- You saying I'm like him?- No, but...
0:41:13 > 0:41:15- I've certainly learnt one thing from him.- What's that?
0:41:15 > 0:41:17Take your coffee breaks on your own.
0:41:17 > 0:41:21So, did he do it?
0:41:21 > 0:41:23Gabriel?
0:41:23 > 0:41:24Suit yourself!
0:41:27 > 0:41:29- Hiya, darling.- Hiya.
0:41:31 > 0:41:34- How can he have a watertight alibi? - He does.
0:41:34 > 0:41:37And also a witness to say he was with him most of evening
0:41:37 > 0:41:39- and into the night.- Then he's lying.
0:41:39 > 0:41:41Maybe, but until I can prove otherwise...
0:41:41 > 0:41:45If Kennedy didn't kill her himself, he's paid someone to do it for him.
0:41:45 > 0:41:47Again, very hard to prove.
0:41:47 > 0:41:52OK. Let's say, for argument's sake, that Mr Brodie is not the murderer.
0:41:52 > 0:41:53Who else is in the frame?
0:41:53 > 0:41:56At the moment, with the evidence we have, no-one.
0:41:58 > 0:42:01For the benefit of the tape, I'm showing Mr Brodie the jacket
0:42:01 > 0:42:06in evidence bag 0026608. Do you recognise it?
0:42:08 > 0:42:10It's Angie's.
0:42:10 > 0:42:12And you know that. You found her.
0:42:12 > 0:42:15It wasn't on the body.
0:42:15 > 0:42:16Well, where did you find it?
0:42:16 > 0:42:19In one of the bins outside your arcade.
0:42:21 > 0:42:22And you think I put it there?
0:42:22 > 0:42:27- Did you?- You think I'm stupid enough to just dump it outside the arcade?
0:42:27 > 0:42:31Look, come on. This is Sean. He must have planted it there.
0:42:31 > 0:42:33I don't deal in must haves, Mr Brodie.
0:42:33 > 0:42:34I deal in hard evidence.
0:42:34 > 0:42:38Can you confirm to me that you were running a vice-ring for Mr Kennedy?
0:42:41 > 0:42:42Yes.
0:42:42 > 0:42:47So, you were in contact with all the girls, including Alicia Petrauskas?
0:42:48 > 0:42:50Why are we starting to talk about her now?
0:42:50 > 0:42:53Just answer the question, please, Mr Brodie.
0:42:53 > 0:42:56- You think I killed her too? - I won't tell you again.
0:42:59 > 0:43:01I had nothing to do with the girls back in May,
0:43:01 > 0:43:04so I don't know Alicia Petrauskas.
0:43:04 > 0:43:07And you say you've been keeping an eye on me from day one, right?
0:43:07 > 0:43:09So you must have a record of that.
0:43:09 > 0:43:11But you were in contact with Kennedy back then.
0:43:11 > 0:43:16You lied to us about what happened with Angie Warren, why wouldn't you lie about knowing Alicia Petrauskas?
0:43:16 > 0:43:19You're doing this because I never gave you Sean or Lenny.
0:43:19 > 0:43:22I'm doing this because the evidence is overwhelming
0:43:22 > 0:43:23and cannot be ignored.
0:43:23 > 0:43:26You were infatuated with Angie Warren.
0:43:26 > 0:43:30You fought with her on the day of her murder, your DNA was under her fingernails,
0:43:30 > 0:43:31your scarf was used to strangle her,
0:43:31 > 0:43:34her jacket was found outside your arcade,
0:43:34 > 0:43:37you lied about seeing her and were the last person to see her alive.
0:43:37 > 0:43:40- This isn't right.- The fact that her killing exactly fits the MO
0:43:40 > 0:43:45- of Alicia Petrauskas' murder leads me to conclude you killed her as well.- Look, please...
0:43:45 > 0:43:47Therefore, Gabriel Brodie, I'm formally charging you
0:43:47 > 0:43:51with the murders of Angie Warren and Alicia Petrauskas. Book him.
0:44:00 > 0:44:02What was the argument about?
0:44:02 > 0:44:05It wasn't even an argument, it was more a tiff.
0:44:05 > 0:44:08I told him he was working too hard and he got all stroppy.
0:44:08 > 0:44:11A classic sign of overworking - getting annoyed when it's pointed out to you.
0:44:11 > 0:44:14He had dinner last night and went straight to bed with his files.
0:44:14 > 0:44:17If that's not the actions of a workaholic, what is?
0:44:17 > 0:44:21Robbie, I suppose his job doesn't really compare with ours.
0:44:21 > 0:44:26I mean, serving tea to old ladies or doing a perm,
0:44:26 > 0:44:28it doesn't keep us up at night, does it?
0:44:28 > 0:44:31ROBBIE GROANS
0:44:31 > 0:44:34Maybe I'll make him a special dinner. Pamper him a bit.
0:44:34 > 0:44:36I think I'm going to be sick!
0:44:36 > 0:44:39I'm kidding. I'm happy for you.
0:44:39 > 0:44:43We could grab a quick drink before I cook, if you fancy it.
0:44:43 > 0:44:46A quick pint and a pie in the pub before you swan off
0:44:46 > 0:44:49to your haute cuisine and fine wine, you mean?
0:44:49 > 0:44:52- Take it or leave it. - All right, I'll take it.
0:45:01 > 0:45:03Hi.
0:45:03 > 0:45:05You look terrible.
0:45:05 > 0:45:07Eileen, leave it, eh?
0:45:07 > 0:45:09Raymond, this is me.
0:45:09 > 0:45:13I don't know, I guess it's the shock of Kennedy coming back.
0:45:13 > 0:45:16I had one morning with him out of my life,
0:45:16 > 0:45:18things are starting to look up.
0:45:18 > 0:45:20I open the door...
0:45:20 > 0:45:22and bang - back to square one.
0:45:22 > 0:45:25I know. But you're not in this alone.
0:45:25 > 0:45:27You've got me and Stuart.
0:45:27 > 0:45:33If we keep our heads down and play along, he's got to move on one day.
0:45:33 > 0:45:35- (WEAKLY)- Yeah.
0:45:35 > 0:45:37I'll see you later.
0:45:45 > 0:45:48Word has it you're Kennedy's alibi.
0:45:48 > 0:45:52- Whose word?- Well, my brief's taken on Gabriel's case.
0:45:52 > 0:45:55- Small world. - Yeah, if you can afford it to be.
0:45:56 > 0:46:00Listen, if you ever get fed up being Kennedy's whipping boy,
0:46:00 > 0:46:01just let me know.
0:46:04 > 0:46:06You've changed your tune.
0:46:10 > 0:46:13You charged Brodie with the double murder?
0:46:13 > 0:46:17- I can't ignore the facts. - I'm still following leads on Alicia Petrauskas' murder.- Waste of time.
0:46:17 > 0:46:20You don't believe Gabriel committed these murders
0:46:20 > 0:46:22- any more than I do. - Are you asking me or telling me?
0:46:22 > 0:46:23I'm stating fact.
0:46:23 > 0:46:26Rescind the charge, let me get some more evidence together.
0:46:26 > 0:46:29- Must be great to know you're right all the time(!)- That is not it.
0:46:29 > 0:46:32You're in the right, everyone else is stupid.
0:46:32 > 0:46:35- Look...- You want to do something useful? Rein in the pillow talk.
0:46:35 > 0:46:38I've not said a word of this to Robbie.
0:46:38 > 0:46:42Somebody's said something. We've had calls from residents worried there's a serial killer on the loose.
0:46:42 > 0:46:45Are you accusing Robbie of starting a rumour?
0:46:45 > 0:46:47Well, who knows where it came from?
0:46:47 > 0:46:50But in my experience, hairdressers - Gossip Central.
0:46:50 > 0:46:54- What is this about? Have you got a personal vendetta with me?- You what?
0:46:54 > 0:46:58- Are you threatened by me in some way, is that it?- Hey, wind your neck in, zip your mouth
0:46:58 > 0:47:01and get some sense before you find yourself on a suspension.
0:47:01 > 0:47:05Take the rest of the day off. Come back tomorrow with a fresh attitude.
0:47:05 > 0:47:08- In agreement with you, you mean? - Don't push me.
0:47:17 > 0:47:19That side door was wide open again.
0:47:21 > 0:47:22I'm expecting a delivery.
0:47:22 > 0:47:26You still trying to get this place back on its feet, then?
0:47:26 > 0:47:29Sooner rather than later.
0:47:29 > 0:47:31Then you're maybe speaking to the right man.
0:47:31 > 0:47:33I've got influence on the council.
0:47:33 > 0:47:35Well, a couple of them are regular punters.
0:47:37 > 0:47:39A word from me could make all the difference.
0:47:39 > 0:47:42I think I'll wait for a proper decision, thanks.
0:47:42 > 0:47:45I don't want to be back in your debt.
0:47:49 > 0:47:52What do you mean "back" in my debt?
0:47:55 > 0:47:56Look...
0:47:57 > 0:48:00..I gave you your alibi.
0:48:00 > 0:48:01We're quits.
0:48:01 > 0:48:03If only life was that simple, Raymond.
0:48:07 > 0:48:11I'm going to be coming and going from here on a regular basis.
0:48:11 > 0:48:13I need keys.
0:48:13 > 0:48:17A set for the front door, the cellar, the safe.
0:48:18 > 0:48:20Is that all right?
0:48:22 > 0:48:23Great.
0:48:26 > 0:48:30You know what, I'm sure this watch is running slow.
0:48:30 > 0:48:33It looks good on me, though, eh? Retro-style.
0:48:33 > 0:48:36I'm just nipping out for a while. Will you have the keys ready for me
0:48:36 > 0:48:38when I get back, aye?
0:48:59 > 0:49:01Conditions of release have been set.
0:49:01 > 0:49:03Release?
0:49:03 > 0:49:06I had to convince them you're not a flight risk.
0:49:06 > 0:49:10- So, no mad dashes to the airport. - So I'm free to go?
0:49:10 > 0:49:12As soon as I've sorted the paperwork.
0:49:12 > 0:49:14Oh, man, thanks.
0:49:19 > 0:49:20OK, Mr Brodie.
0:49:23 > 0:49:25DOOR OPENS
0:49:25 > 0:49:29Wonders will never cease. Two days back home before eight.
0:49:31 > 0:49:34I'd arranged to go for a quick drink with Deek before I cooked,
0:49:34 > 0:49:38but I suppose I could always cancel him and make a start on it now, eh?
0:49:38 > 0:49:40It's your favourite.
0:49:40 > 0:49:44Also, I was thinking we should just rent a film or something.
0:49:44 > 0:49:46My career's going down the pan.
0:49:48 > 0:49:49What are you talking about?
0:49:50 > 0:49:55DCI flaming Donald, he's all over me like a rash.
0:49:55 > 0:49:57Have you been winding him up again?
0:49:57 > 0:49:58Me?
0:49:58 > 0:50:01You know you can be hot-headed when you want to be.
0:50:01 > 0:50:04He is a patronising git! Throwing his weight around the station.
0:50:06 > 0:50:08He is also the senior officer.
0:50:09 > 0:50:11Have you heard yourself?
0:50:11 > 0:50:13I'm just saying, maybe you should try to...
0:50:13 > 0:50:15I'll tell you what you should try and do.
0:50:15 > 0:50:19- Stop gossiping about the case down at the salon.- What?
0:50:19 > 0:50:21Donald brought it up today.
0:50:21 > 0:50:24Brought what up? Nobody's talking about the case at the salon.
0:50:24 > 0:50:28Of all the embarrassing cliches, the gossiping, gay hairdresser.
0:50:28 > 0:50:30I'll get the dinner on.
0:50:30 > 0:50:33That's right, go on, walk away.
0:50:33 > 0:50:36- I want this evening to be chilled. - It's not going to be chilled, is it?
0:50:36 > 0:50:38I'm having a nightmare at work and you don't give a damn.
0:50:38 > 0:50:39That's not fair.
0:50:39 > 0:50:41Ah!
0:50:45 > 0:50:47Robbie...
0:50:50 > 0:50:53Bail's been set and Gabriel's on his way over.
0:50:53 > 0:50:55Cheers, Hamish.
0:50:55 > 0:50:58I had to use every trick in the book to get him out.
0:50:58 > 0:50:59You must really like this lad.
0:50:59 > 0:51:02Maybe I see a bit of myself in him.
0:51:04 > 0:51:05Hey-hey.
0:51:06 > 0:51:08Right, I'll catch you both tomorrow.
0:51:08 > 0:51:11I've got a few things to look over tonight.
0:51:13 > 0:51:17Hey, listen. Thanks for posting bail.
0:51:17 > 0:51:21I reckon it's safe. Unless you're planning on doing a runner.
0:51:21 > 0:51:22What, with this?
0:51:23 > 0:51:24No chance.
0:51:27 > 0:51:30I wouldn't be here now if I'd have got Angie out sooner.
0:51:30 > 0:51:33Ifs and buts, son.
0:51:33 > 0:51:34You believe I'm innocent?
0:51:34 > 0:51:38It doesn't matter what I believe. It's up to the courts and the judge.
0:51:38 > 0:51:40You know, I was sitting down the cop shop,
0:51:40 > 0:51:43wondering where it all went wrong.
0:51:43 > 0:51:45And I just wish Michael was here.
0:51:45 > 0:51:48But then that's something else I've messed up, isn't it?
0:51:48 > 0:51:53Look, go home, get a decent night's sleep.
0:51:53 > 0:51:56With my curfew starting at seven tonight?
0:51:56 > 0:51:59Doesn't give me much option, does it?
0:52:01 > 0:52:03Cheers.
0:52:07 > 0:52:09MOBILE RINGS
0:52:10 > 0:52:12Yeah?
0:52:13 > 0:52:14Really?
0:52:16 > 0:52:19And what can I do for you?
0:52:19 > 0:52:21FOOTSTEPS APPROACHING
0:52:25 > 0:52:27I'm so sorry, Robbie.
0:52:32 > 0:52:35I just... I need to know that you're there for me
0:52:35 > 0:52:37and that I'm not fighting you as well, you know?
0:52:39 > 0:52:42You just wind me up, and then I...
0:52:53 > 0:52:55HE SIGHS
0:53:01 > 0:53:04Let me guess what this is about.
0:53:05 > 0:53:07You want my help getting rid of Kennedy.
0:53:09 > 0:53:12I only want one thing from you.
0:53:12 > 0:53:13What?
0:53:13 > 0:53:15A gun.
0:53:17 > 0:53:21- How much of this stuff have you already had?- Not nearly enough.
0:53:21 > 0:53:24I want rid of him once and for all.
0:53:24 > 0:53:28And if I've got a gun pointed at him, he'll have to take me seriously.
0:53:30 > 0:53:33If you point a gun at somebody like Kennedy,
0:53:33 > 0:53:35you've got to be prepared to use it.
0:53:35 > 0:53:38Which means you've got to be ready to kill him.
0:53:43 > 0:53:47You're not the only one that wants rid of him.
0:53:47 > 0:53:49You've got to play it smart.
0:53:50 > 0:53:52You think you can do that?
0:53:55 > 0:53:57Good.
0:54:06 > 0:54:08Are you sure I can stay on?
0:54:08 > 0:54:11You not think I've brought enough trouble to your doorstep?
0:54:11 > 0:54:13Gabriel....
0:54:13 > 0:54:16we know you didn't do that terrible thing.
0:54:16 > 0:54:18Aye, you maybe.
0:54:18 > 0:54:22But some folk like to think the worst before they think the best.
0:54:22 > 0:54:25Well, you'll just have to prove them wrong, then, won't you?
0:54:29 > 0:54:31On you go.
0:54:57 > 0:54:59Thought I'd open a bottle of wine.
0:55:00 > 0:55:02DOORBELL RINGS
0:55:04 > 0:55:05Leave it.
0:55:14 > 0:55:16You ready?
0:55:16 > 0:55:20Are you OK? What's happened?
0:55:20 > 0:55:23- This is awful.- What is?
0:55:23 > 0:55:25Everything. This.
0:55:25 > 0:55:27Did he do that to you?
0:55:27 > 0:55:31- And I can't live without him. - Stay here.
0:55:31 > 0:55:33Deek!
0:55:34 > 0:55:37- Where are you going? - We need to sort this out.
0:55:39 > 0:55:40Deek!
0:55:40 > 0:55:42Trust me, all right?
0:55:51 > 0:55:54Will! Oi!
0:56:06 > 0:56:09- Deek? Deek!- Deek!
0:56:09 > 0:56:13- Robbie, call an ambulance.- Is he breathing?- Call an ambulance.
0:56:15 > 0:56:17- Oh, my God.- Deek.
0:56:19 > 0:56:23Will, he doesn't look as if he's breathing.
0:56:40 > 0:56:41Hi, DC Cooper, CID here,
0:56:41 > 0:56:44can you put me through to Traffic Control, please?
0:56:47 > 0:56:48I'm going to get this guy, Robbie.
0:56:48 > 0:56:51Aye, and that'll make everything all right, won't it(?)
0:56:51 > 0:56:53What happened to your face?
0:56:53 > 0:56:57Oh, nothing. I-I slipped in the kitchen.
0:56:57 > 0:56:58Personal issues or not,
0:56:58 > 0:57:01you're coming dangerously close to overstepping the mark, DC Cooper.
0:57:01 > 0:57:06I'm coming dangerously close to telling you where to stick your job, DCI Donald.
0:57:13 > 0:57:16Subtitles by Red Bee Media