0:00:21 > 0:00:23We have the police and Inland Revenue
0:00:23 > 0:00:25all over us today, running audits.
0:00:25 > 0:00:27'You need to make sure she's keeping her mouth shut.'
0:00:27 > 0:00:31- You've had a man here, haven't you, while I was away.- No, Billy.
0:00:31 > 0:00:32Well, maybe he wouldnae like you so much
0:00:32 > 0:00:34if you had a couple of wee scars on your face.
0:00:34 > 0:00:36Billy will kill me.
0:00:36 > 0:00:38I've never seen him like that before.
0:00:38 > 0:00:40What are we going to do?
0:00:40 > 0:00:43I'd like you to take a message to the Spaniards from me.
0:00:44 > 0:00:45What's that?
0:00:45 > 0:00:46This.
0:00:47 > 0:00:50VOICEMAIL: 'Hi, this is Paul Malick. Please leave me a brief message.'
0:00:50 > 0:00:52It's me. Listen, I'll talk to you
0:00:52 > 0:00:55about how I'm going to deal with her and Billy when I get back.
0:01:11 > 0:01:13Did you really think you'd get away wi' it?
0:01:15 > 0:01:16Hm?
0:01:18 > 0:01:21I'd just...
0:01:21 > 0:01:22I'd roll over and that would be it?
0:01:25 > 0:01:26Did you?
0:01:35 > 0:01:37Big mistake, Paul.
0:01:37 > 0:01:39Big mistake.
0:01:41 > 0:01:43See, everyone...
0:01:43 > 0:01:44everyone has a line.
0:01:46 > 0:01:47That's just the way it is.
0:01:49 > 0:01:51If you push somebody,
0:01:51 > 0:01:56if you push a man beyond that line, then...
0:01:56 > 0:01:59Well, they either lose their self-respect or...
0:02:06 > 0:02:08I'm not saying you're the only one.
0:02:15 > 0:02:17DOG BARKS
0:02:17 > 0:02:19ENGINE APPROACHES
0:02:27 > 0:02:28'Lenny owes me.'
0:02:34 > 0:02:36Here he is, trying to ease me out.
0:02:39 > 0:02:40Hm.
0:02:42 > 0:02:44He shoulda made sure there'd be nae comeback.
0:02:46 > 0:02:48Cos, believe me, there's gonnae be a comeback.
0:02:51 > 0:02:52Hm.
0:02:55 > 0:02:56And then there's her.
0:03:45 > 0:03:46(Let's go back to bed.)
0:03:48 > 0:03:49(Come on.)
0:04:14 > 0:04:15HE SIGHS
0:04:20 > 0:04:22HE TUTS
0:04:22 > 0:04:23Right.
0:04:31 > 0:04:32Excuse me.
0:04:36 > 0:04:38There we go.
0:05:05 > 0:05:07Hm.
0:05:18 > 0:05:19PHONE BEEPS
0:05:21 > 0:05:23LINE RINGS
0:05:25 > 0:05:26'Amber Cabs.'
0:05:26 > 0:05:29Yeah, I need a cab. The Tall Ship flat.
0:05:29 > 0:05:33It's one of Lenny's pals. Just a wee bit incapacitated.
0:05:33 > 0:05:35'Er, OK.'
0:05:35 > 0:05:37Said to ask for Jimmy Mullen. Only him.
0:05:37 > 0:05:39'Um, I think Jimmy's busy at the moment.
0:05:39 > 0:05:40Only...him.
0:05:40 > 0:05:41'OK...'
0:05:41 > 0:05:43Tell him to come to the side door.
0:05:45 > 0:05:47PHONE BEEPS
0:05:55 > 0:05:57Come on Eamonn, son, move it along, eh?
0:06:01 > 0:06:03JIMMY: Lenny? You up there?
0:06:05 > 0:06:07Aw, Billy, somebody phoned a cab. Is it for you?
0:06:07 > 0:06:09No, not just me.
0:06:10 > 0:06:14Ooh! The state's he in. He's well out o' it.
0:06:14 > 0:06:15Oh, he is that all right.
0:06:17 > 0:06:20Look, Billy, if he's sick in the cab, there's a charge.
0:06:20 > 0:06:22He'll no' do that.
0:06:24 > 0:06:26What...?
0:06:26 > 0:06:27Look, I-I...
0:06:28 > 0:06:31I've seen nothing, all right?
0:06:31 > 0:06:33I'll no' tell a soul.
0:06:33 > 0:06:35I know you'll no'. That's why I asked for you.
0:06:37 > 0:06:39Lenny always said you could be relied on.
0:06:39 > 0:06:41Relied on? To do what?
0:06:41 > 0:06:44To get a man out a corner.
0:06:44 > 0:06:46I've a problem, right?
0:06:46 > 0:06:47Man needs moving.
0:06:47 > 0:06:49Cannae do it all by myself.
0:06:49 > 0:06:51What, me? Look, no...
0:06:52 > 0:06:54It isnae a request, pal.
0:06:54 > 0:06:56GUN CLICKS
0:06:56 > 0:07:00MUSIC: "Oh Yeah" by Can
0:07:41 > 0:07:43Where we goin'?
0:07:44 > 0:07:45Trainspottin'.
0:07:55 > 0:07:59TRAIN PASSES
0:08:13 > 0:08:18Here it comes. I'll get his legs, put him on his side.
0:08:18 > 0:08:20All right.
0:08:20 > 0:08:22BILLY GRUNTS
0:08:27 > 0:08:28OK...
0:08:30 > 0:08:32TRAIN APPROACHES
0:08:32 > 0:08:33OK...
0:08:33 > 0:08:34Now!
0:08:37 > 0:08:38HEAVY THUD
0:08:38 > 0:08:40TRAIN ROARS PAST
0:08:40 > 0:08:43What, you planning on singing a wee hymn? Eh?
0:08:43 > 0:08:45Let's get out o' here.
0:08:46 > 0:08:47Come on!
0:09:40 > 0:09:43MOBILE BEEPS
0:09:43 > 0:09:45C'mon, Malick. Where're ye?
0:09:55 > 0:09:56HE SNIFFS
0:10:00 > 0:10:01'Where are we goin' now?'
0:10:01 > 0:10:03'Just take the next exit.'
0:10:24 > 0:10:25There, that'll do.
0:10:29 > 0:10:31What's your take on women, Jimmy?
0:10:31 > 0:10:33What, me? I...
0:10:33 > 0:10:36I don't know... I've no' got one any mair.
0:10:36 > 0:10:39You're probably better off that way.
0:10:39 > 0:10:41There's no' one of them can be trusted.
0:10:41 > 0:10:44Look, you don't have do this.
0:10:44 > 0:10:45Lenny said you could rely on me.
0:10:45 > 0:10:47- BILLY CHUCKLES - "Lenny said."
0:10:47 > 0:10:49Yeah, that'll be all right, then(!)
0:10:49 > 0:10:52Look, I-I'm no' gonnae go squealing.
0:10:52 > 0:10:56See, trouble is, how can I be sure of that? Eh?
0:10:56 > 0:10:58If I believed you,
0:10:58 > 0:11:01and I might end up regrettin' it for the rest of my natural.
0:11:01 > 0:11:03Banged up.
0:11:03 > 0:11:05What kind of retirement plan's that?
0:11:05 > 0:11:06Oh, I swear!
0:11:09 > 0:11:11Oh, for the love of Jesus!
0:11:11 > 0:11:14I've got a wean. She needs her dad. Please!
0:11:14 > 0:11:15Any last words?
0:11:16 > 0:11:18I'm begging you. Don't!
0:11:18 > 0:11:19What've I ever done?
0:11:24 > 0:11:25Right, turn round.
0:11:28 > 0:11:29Turn round.
0:11:33 > 0:11:34You're not gonnae grass me.
0:11:34 > 0:11:37- Aye, you're right. - Shut up and listen.
0:11:37 > 0:11:40You're a family man?
0:11:40 > 0:11:42You know that, if you grass me...
0:11:42 > 0:11:44you wouldnae be the first I'd do.
0:11:44 > 0:11:46What d'you mean?
0:11:47 > 0:11:51I want you to remember just how that felt, Jimmy.
0:11:52 > 0:11:56And then think about how that would feel for them.
0:11:56 > 0:11:59See, you and Lenny, you got wee Cal back.
0:12:01 > 0:12:04The next time, you might no' be so lucky.
0:12:04 > 0:12:05So it was you..?
0:12:05 > 0:12:06HE CHUCKLES
0:12:10 > 0:12:12Oh, come on.
0:12:12 > 0:12:13Come on - now or no'.
0:12:13 > 0:12:15Look, look, look...
0:12:15 > 0:12:18I'll make it easy for you. There.
0:12:18 > 0:12:19I'll even let you go
0:12:19 > 0:12:22and get the pool cue you use for warding off the drunks.
0:12:22 > 0:12:25- You're an animal!- Aye, I know.
0:12:26 > 0:12:30Right, drop me at a taxi rank and then burn this heap.
0:12:30 > 0:12:31What, my cab?
0:12:31 > 0:12:35None of this, Jimmy... None of this is coming back to me.
0:12:37 > 0:12:39You got that?
0:12:39 > 0:12:40Eh?
0:12:49 > 0:12:51SHE GASPS
0:12:51 > 0:12:53Hey, hey. Whoa. It's OK.
0:12:53 > 0:12:56Billy doesnae know where you are.
0:12:56 > 0:12:59Where are Leyla and Zinnie? They'll wonder why I'm here.
0:12:59 > 0:13:01They're still in Aberdeen.
0:13:01 > 0:13:03They won't be back for a day or so.
0:13:06 > 0:13:07HE SIGHS
0:13:10 > 0:13:12Sorry.
0:13:12 > 0:13:14There's nothing to be sorry for.
0:13:15 > 0:13:16No?
0:13:17 > 0:13:20How about involving you in all this for a kick off?
0:13:20 > 0:13:22Do you not think I was involved already?
0:13:24 > 0:13:27All right, maybe it's not exactly what I'd in mind but...
0:13:27 > 0:13:29What's that mean?
0:13:29 > 0:13:30Gabriel, if you didn't want me here,
0:13:30 > 0:13:33- you should've slammed the door on me.- Hey.
0:13:33 > 0:13:34That's not what I said
0:13:38 > 0:13:41Listen, I've got a plan.
0:13:41 > 0:13:44I've got a mate, lives in the Highlands.
0:13:44 > 0:13:46She'll put you up for a bit, if I ask.
0:13:48 > 0:13:50Then what?
0:13:50 > 0:13:53I don't know. But we'll think of something.
0:13:53 > 0:13:55But the main thing is, you'll be running your own life.
0:13:55 > 0:13:59And you won't have Billy ordering you about. You'll be safe.
0:14:02 > 0:14:03I'm hungry.
0:14:03 > 0:14:05There's cornflakes in there.
0:14:05 > 0:14:10I was thinking more bacon roll, brown sauce, heavy on the grease.
0:14:10 > 0:14:13You know what? That sounds like another plan.
0:14:13 > 0:14:14Look, the Oyster'll be open soon.
0:14:14 > 0:14:17I'll just splash some water on my face.
0:14:47 > 0:14:50Let's see what Mr Malick's been up to.
0:14:56 > 0:15:00MALICK: 'It's me again. I left you a message, you're not getting back.
0:15:00 > 0:15:04'Anyway, everything's sorted wi' the shipment.
0:15:04 > 0:15:06'I've no' told the jannie anything.'
0:15:07 > 0:15:09No jannie, eh?
0:15:12 > 0:15:14HE SIGHS
0:15:26 > 0:15:30- So, the impact of the train threw him over there?- Yes.
0:15:54 > 0:15:57No cards? Nothing with a name on it?
0:16:03 > 0:16:07Nearest houses, 15 minutes. Ditto pubs, shops, businesses.
0:16:07 > 0:16:09And it's a tidy walk from the station.
0:16:09 > 0:16:11What about a vehicle? Was there a car he could've used?
0:16:11 > 0:16:13No. No car keys, either.
0:16:13 > 0:16:17So, in other words, the only way our vic could've got there was on foot.
0:16:17 > 0:16:19In the dark. Across a muddy road.
0:16:19 > 0:16:22Most they've ever walked on is carpet.
0:16:22 > 0:16:24So what was he doing?
0:16:24 > 0:16:28And why no credit cards? No other ID?
0:16:28 > 0:16:30Find out.
0:16:30 > 0:16:33I've got to meet the HMRC guys. Keep me in the loop, yeah?
0:16:58 > 0:16:59Can I help you?
0:16:59 > 0:17:00Seen Mandy?
0:17:02 > 0:17:03Well, should I have?
0:17:03 > 0:17:05You're her driver.
0:17:05 > 0:17:07Aye, and you're her husband.
0:17:07 > 0:17:11What, am I meant to be on call 24/7?
0:17:11 > 0:17:12What, have you lost her?
0:17:13 > 0:17:15She's busy.
0:17:15 > 0:17:17She'll no' be needing you today.
0:17:17 > 0:17:18That suits me.
0:17:18 > 0:17:20I've got better things to be doing with my time
0:17:20 > 0:17:22than carry her shopping about.
0:17:22 > 0:17:24You know - having my breakfast.
0:17:24 > 0:17:25So if you don't mind...
0:17:28 > 0:17:29You do that.
0:17:53 > 0:17:54DOOR OPENS
0:17:58 > 0:18:01What, you forget how to knock?
0:18:01 > 0:18:05Somebody must have knocked the knocker. It's a rough neighbourhood.
0:18:05 > 0:18:07I was thinking we should catch up.
0:18:07 > 0:18:10We're supposed to be partners, after all.
0:18:10 > 0:18:11Were you here last night?
0:18:11 > 0:18:14I found a glass on the table.
0:18:14 > 0:18:16I was waiting for you.
0:18:16 > 0:18:19What? You've no' heard of telephones?
0:18:19 > 0:18:21Malick doesnae want us to use them.
0:18:21 > 0:18:23Wants us only to talk face-to-face fae now on.
0:18:23 > 0:18:25You've seen him, then?
0:18:25 > 0:18:26Aye, last night.
0:18:26 > 0:18:29That's what I was waiting to tell you.
0:18:29 > 0:18:32Man's paranoid about all the polis activity.
0:18:32 > 0:18:34He's worried his phone's bugged.
0:18:34 > 0:18:35That's just stupid.
0:18:35 > 0:18:38They have bugged us before, haven't they?
0:18:38 > 0:18:40What did he have to say?
0:18:40 > 0:18:44- Have you no' talked to him? - Come on, Billy, just tell us.
0:18:44 > 0:18:48Ah... Well, I had to do a wee bit of grovellin'.
0:18:50 > 0:18:54I mean, whatever else I am, I'm no' an idiot.
0:18:54 > 0:18:56I know which way the wind's blowing.
0:18:56 > 0:18:58Malick's not exactly secretary of my fan club, is he?
0:18:58 > 0:19:00- What did he say?- Ach...
0:19:01 > 0:19:03..went on about how I tried his patience
0:19:03 > 0:19:06and how, if it was down to him, I'd be out.
0:19:06 > 0:19:07Luckily...
0:19:07 > 0:19:11Luckily the Spaniards think I've got a wee bit mair to bring.
0:19:11 > 0:19:15You... You don't need to worry. They still want you calling the shots.
0:19:19 > 0:19:21You still havenae said what you want.
0:19:22 > 0:19:25I just want to be brought up to speed.
0:19:25 > 0:19:27Well, it's my shipment, right?
0:19:27 > 0:19:30And I get why I wasnae told about the switch. But...
0:19:31 > 0:19:34..now I need to know where it went.
0:19:34 > 0:19:35Safe.
0:19:35 > 0:19:38That's all you need know.
0:19:38 > 0:19:40Anybody'd think you didnae trust me.
0:19:41 > 0:19:44I'm just following orders.
0:19:44 > 0:19:47Spaniards told me to keep on top of things.
0:19:48 > 0:19:52If you want to make your own decisions, that's up to you. Right?
0:19:55 > 0:19:57Where're you going?
0:19:57 > 0:20:00Keep your heid. Just goin' for a leak.
0:20:00 > 0:20:04I'm an old man - this cold air's killing me.
0:20:07 > 0:20:10DOOR OPENS AND CLOSES
0:20:10 > 0:20:13HE WHISTLES TUNELESSLY
0:20:28 > 0:20:30PHONE BEEPS
0:20:31 > 0:20:37LINE RINGS
0:20:37 > 0:20:39MOBILE BUZZES
0:20:39 > 0:20:42HE CHUCKLES
0:20:42 > 0:20:43Hm.
0:20:52 > 0:20:54TOILET FLUSHES
0:21:01 > 0:21:03- DOOR CLOSES GABRIEL:- Hey ho, only me.
0:21:03 > 0:21:05But, hey, stay well out of sight.
0:21:06 > 0:21:07I just saw Billy.
0:21:09 > 0:21:11Mandy?
0:21:13 > 0:21:15Mandy, you up there?
0:21:17 > 0:21:20LINE RINGS
0:21:22 > 0:21:25MOBILE RINGS
0:21:31 > 0:21:33- It's me.- 'Where are you?'
0:21:33 > 0:21:35Doesn't matter. Just listen.
0:21:35 > 0:21:39'I want to meet. But where I say.'
0:21:39 > 0:21:40Whatever you want.
0:21:40 > 0:21:43You know I've only ever wanted what's best for you.
0:21:48 > 0:21:51Jimmy, you got a second?
0:21:56 > 0:21:59- You havenae seen Mandy Kennedy have you?- No, why?
0:21:59 > 0:22:01Oh, nae reason. Don't worry.
0:22:01 > 0:22:03Has something happened to her?
0:22:03 > 0:22:05Why you saying that?
0:22:05 > 0:22:07Oh, it's just you looked a bit worried, that's all.
0:22:07 > 0:22:09No, I just want to know that she's OK.
0:22:09 > 0:22:12- If you see herm let me know. All right?- Aye.
0:22:43 > 0:22:45DOOR OPENS
0:22:47 > 0:22:49KELLY-MARIE: Hey. It's just me.
0:22:49 > 0:22:52Oh, Jimmy. Y'all right?
0:22:52 > 0:22:53Hi, Kell. Aye, brand new.
0:22:55 > 0:22:57- You looking for Ma?- No... Aye, aye.
0:22:57 > 0:22:59She said something about fixing a light.
0:23:01 > 0:23:05- Are you OK? - Aye, why wouldn't I be?
0:23:05 > 0:23:07Have you no' got Cal wi' you?
0:23:07 > 0:23:09Be an hour or so yet.
0:23:09 > 0:23:10Aye, s'pose it will.
0:23:10 > 0:23:13I thought you'd have all the school times and holidays down pat.
0:23:13 > 0:23:15Isn't that the case for us parents?
0:23:15 > 0:23:18Aye, maybe that's why I don't.
0:23:18 > 0:23:22Right, I know there's something no' right here, so...
0:23:22 > 0:23:24are you gonnae tell me what it is?
0:23:26 > 0:23:29I'm only ever part-time, hen. Not a proper da.
0:23:29 > 0:23:33You know, when I was wee, I used to look up to my dad.
0:23:34 > 0:23:36How can Madonna do that wi' me?
0:23:36 > 0:23:38What's brought this on?
0:23:39 > 0:23:41Never mind, just forget I said anything.
0:23:41 > 0:23:43No, Jimmy, tell me.
0:23:44 > 0:23:45HE SIGHS
0:23:47 > 0:23:49Well, I'm just...
0:23:50 > 0:23:52..totting up my life, that's all.
0:25:06 > 0:25:08Can I help you?
0:25:08 > 0:25:09I'm looking for Paul Malick.
0:25:09 > 0:25:12I'm Fi Malick, his wife. You are...?
0:25:12 > 0:25:14My name's Murdoch. I'm a colleague.
0:25:15 > 0:25:17Paul's never mentioned you before.
0:25:17 > 0:25:18Is he here?
0:25:18 > 0:25:20Why would he be? He's at work.
0:25:20 > 0:25:22No, I tried there. They've not seen him.
0:25:22 > 0:25:24I thought you said you were a colleague?
0:25:26 > 0:25:27Where is he?
0:25:28 > 0:25:30I'd say that was his business.
0:25:30 > 0:25:33If he's not at his desk, maybe he'd a meeting.
0:25:33 > 0:25:36Why don't you send him an e-mail, like anyone else?
0:25:36 > 0:25:38Because I'm not anyone else.
0:25:38 > 0:25:40And I think it'd be best if this didn't go in an e-mail.
0:25:44 > 0:25:46This way. Wipe your feet.
0:25:53 > 0:25:54Nice place.
0:25:57 > 0:26:00Here. If you leave it there, I'll make sure he knows.
0:26:00 > 0:26:01- DOG BARKS - OK, Tiber.
0:26:03 > 0:26:04I won't be a minute.
0:26:06 > 0:26:10Come on, darling. Come to Mummy. Come on...
0:26:10 > 0:26:11Come on, Tiber.
0:26:32 > 0:26:34What on earth are you doing?
0:26:34 > 0:26:37Who's this? It's a Spanish number.
0:26:37 > 0:26:40How should I know? And it's none of your business.
0:26:40 > 0:26:43- I want you out of here! - I couldn't care less, missus.
0:26:43 > 0:26:44Because me and your man,
0:26:44 > 0:26:46we're supposed to be having a wee chat.
0:26:46 > 0:26:47But now he's not answering his calls.
0:26:47 > 0:26:49I need to find out where he is.
0:26:49 > 0:26:51And that gives you licence to go through his things?
0:26:51 > 0:26:52You tell me, then.
0:26:54 > 0:26:57Only I'm guessing you've even less of a clue than I have.
0:26:57 > 0:26:59We're married. Not joined at the hip.
0:26:59 > 0:27:01If he's not answering,
0:27:01 > 0:27:04- maybe he's been called away on business.- Spain?
0:27:04 > 0:27:07I want you to leave now. That, or I'll call the police.
0:27:16 > 0:27:20Yeah, it's me. Listen, Billy Kennedy was at my flat last night.
0:27:20 > 0:27:22Did he take one of our cabs home?
0:27:23 > 0:27:25All right? Who was the driver?
0:27:28 > 0:27:30Right, thanks.
0:27:33 > 0:27:34Just a wee change of plan.
0:27:34 > 0:27:36Leave the gear where it is, but keep your eye on it, all right?
0:27:41 > 0:27:42Jimmy...
0:27:44 > 0:27:45A word.
0:27:58 > 0:28:00ENGINE STARTS UP
0:28:16 > 0:28:19You get a pick-up last night from my place?
0:28:19 > 0:28:21- Was it Billy?- Aye.
0:28:21 > 0:28:23- Was he alone?- Mm-hm.
0:28:23 > 0:28:25Where did you take him? Did he meet anybody?
0:28:25 > 0:28:26No, no, just his hotel.
0:28:30 > 0:28:33So you didn't see him with this Malick character?
0:28:33 > 0:28:36You know, fond of himself - he's been round here before.
0:28:36 > 0:28:38No.
0:28:39 > 0:28:41But I've got a question for you.
0:28:43 > 0:28:46You mind that discussion we had about somebody bigger
0:28:46 > 0:28:49maybe pulling the strings behind Cal's kidnapping?
0:28:51 > 0:28:52It was Kennedy, wasn't it?
0:28:55 > 0:28:58- Don't know what you're talking about.- Aye, you do.
0:28:58 > 0:28:59When did you find out?
0:29:07 > 0:29:08Well?
0:29:09 > 0:29:12- No then. No for sure. - No for sure?
0:29:14 > 0:29:17- Or was there a reason you didnae want to find out?- Meaning?
0:29:17 > 0:29:20Well, you two are in business. Might have upset things.
0:29:22 > 0:29:25You only know half the story, Jimmy. Walk away.
0:29:25 > 0:29:27All you care about is money.
0:29:29 > 0:29:31He kidnaps Cal, and you still go into business with him.
0:29:31 > 0:29:33You think I like it?
0:29:34 > 0:29:37I've telt you, there's more to this than you know.
0:29:37 > 0:29:38So stay out of it.
0:29:38 > 0:29:40The wee man's better off without you as a grandad!
0:30:00 > 0:30:01What is it you want, Jimmy?
0:30:03 > 0:30:06- You were asking about Mandy Kennedy. - You seen her?
0:30:07 > 0:30:10No. But I got the feeling you looked worried.
0:30:10 > 0:30:11You've a right to be.
0:30:11 > 0:30:14I cannae go into it, but I was with Billy last night.
0:30:14 > 0:30:16- Why did you no tell me that before? - I couldnae.
0:30:18 > 0:30:21- See, he talked about women... - What do you mean, "talked"?
0:30:21 > 0:30:22I think he meant her.
0:30:22 > 0:30:24Now, if there's bad blood between them,
0:30:24 > 0:30:25she needs to get away fae here.
0:30:25 > 0:30:27That nut-job, he's out of control.
0:30:28 > 0:30:29She's left him.
0:30:29 > 0:30:31But it's all right - we're going to get her somewhere
0:30:31 > 0:30:33where he cannae touch her.
0:30:33 > 0:30:35I hope you're right about that.
0:30:35 > 0:30:37Because if Billy wants to hurt somebody,
0:30:37 > 0:30:39there's nothing anybody can dae.
0:30:39 > 0:30:41Not the law. Not you, me...naebody.
0:31:05 > 0:31:06Yeah, what you got?
0:31:09 > 0:31:11Aye, that's Eamonn.
0:31:13 > 0:31:14Good man.
0:31:15 > 0:31:17OK, get yourself back here.
0:32:06 > 0:32:10I'm going back to the hotel. If she shows, you call me, right?
0:33:03 > 0:33:05PHONE RINGS
0:33:05 > 0:33:08- Yeah, who is this? - Is that Carlos?
0:33:09 > 0:33:12- Who's asking? - My name's Murdoch.
0:33:12 > 0:33:14How's the weather over there in Spain?
0:33:14 > 0:33:16No idea. We've got air con.
0:33:16 > 0:33:17Get to the point.
0:33:17 > 0:33:20I understand you might've been talking to Paul Malick this morning?
0:33:20 > 0:33:22How did you get this number?
0:33:22 > 0:33:25What does that matter? Question is, where is he?
0:33:25 > 0:33:26Is he over there?
0:33:26 > 0:33:28How about I ask you the same question?
0:33:28 > 0:33:30Where is he?
0:33:30 > 0:33:33Well, if I knew that, I wouldn't be asking you.
0:33:33 > 0:33:37- Who are you?- Asking questions is a dangerous hobby.
0:33:37 > 0:33:40When I need you, I'll find you. You don't call this number.
0:33:56 > 0:33:59- Sir? I just came from the PM. - OK, what you got?
0:33:59 > 0:34:01Well, there was enough of his neck intact
0:34:01 > 0:34:05for the pathologist to see abrasions consistent with strangulation.
0:34:05 > 0:34:07Strangulation? Any prints?
0:34:07 > 0:34:09Not recoverable.
0:34:09 > 0:34:12His watch. First off, all I saw was an inscription.
0:34:12 > 0:34:14"To Paul. L."
0:34:14 > 0:34:16Then I noticed there was a serial number.
0:34:16 > 0:34:19Each one's individual, so I contacted the manufacturer.
0:34:19 > 0:34:22This one was purchased by a Lucy Galbraith,
0:34:22 > 0:34:25- lawyer of this parish. - I know her.
0:34:25 > 0:34:28She works with Paul Malick. He's the registered owner.
0:34:29 > 0:34:31Christ. He's our victim?
0:34:31 > 0:34:34If it is him, is it possible it's connected?
0:34:34 > 0:34:36We're shaking trees. Maybe someone got rattled.
0:34:36 > 0:34:39Next thing, Malick's dead.
0:34:39 > 0:34:41And Billy Kennedy arrived in Scotland 36 hours ago.
0:34:47 > 0:34:50Can you be quick? I'm late as it is.
0:34:50 > 0:34:53What's that...the school run?
0:34:53 > 0:34:55No.
0:34:55 > 0:34:56So..?
0:34:56 > 0:35:00Mrs Malick, I'm afraid I have some very bad news.
0:35:01 > 0:35:03A body was found earlier this morning.
0:35:03 > 0:35:07He's been positively identified as your husband.
0:35:07 > 0:35:10It can't be him. You've identified the wrong person.
0:35:11 > 0:35:14Paul always says how inept you people are.
0:35:15 > 0:35:17I'm afraid there's been no mistake.
0:35:17 > 0:35:22Your husband was arrested for drink-driving about 18 months ago.
0:35:22 > 0:35:25Charges were dropped, but his DNA remains on file
0:35:25 > 0:35:27and a match has been confirmed.
0:35:31 > 0:35:33Perhaps there's someone I could call to be with you?
0:35:35 > 0:35:36No.
0:35:38 > 0:35:41How...? Was it an accident?
0:35:43 > 0:35:46Unfortunately, we're not able to say too much just yet.
0:35:46 > 0:35:48We're treating his death as suspicious.
0:35:51 > 0:35:53I'm really sorry.
0:35:55 > 0:35:57The coroner will require a positive ID.
0:35:57 > 0:35:58That won't be just yet.
0:35:58 > 0:36:01- And if you're not up to it... - No.
0:36:02 > 0:36:03I want to see him.
0:36:03 > 0:36:05I'm afraid we'll have to hold on
0:36:05 > 0:36:07to his personal effects for the moment,
0:36:07 > 0:36:09as part of a wider enquiry.
0:36:09 > 0:36:12His clothing. Wallet. Watch.
0:36:13 > 0:36:16We'll make sure you have them as soon as we can.
0:36:16 > 0:36:19The rest, yes. But not the watch.
0:36:19 > 0:36:20She should have it.
0:36:21 > 0:36:24When Paul didn't come home last night...
0:36:25 > 0:36:28Well, I've gotten used to where he'd be.
0:36:28 > 0:36:30I see.
0:36:30 > 0:36:31It's him I hated for it. Not her.
0:36:33 > 0:36:36What sort of man wears something another woman's given him
0:36:36 > 0:36:38and thinks his wife won't see?
0:36:41 > 0:36:44Mrs Malick, has Paul ever spoken to you
0:36:44 > 0:36:47about any threats he may have received?
0:36:47 > 0:36:48No.
0:36:48 > 0:36:52What about people he met? Anyone not from your normal circle?
0:36:55 > 0:36:57There was someone this morning.
0:36:57 > 0:36:59Said he needed to leave a message.
0:36:59 > 0:37:01Then started going through Paul's desk.
0:37:01 > 0:37:04- Did you get a name?- Murdoch.
0:37:29 > 0:37:31Mr Murdoch.
0:37:32 > 0:37:33Oh, great. Miss Marple.
0:37:33 > 0:37:35I need to ask you some questions.
0:37:35 > 0:37:37Then what? You and they clowns gonnae beat it?
0:37:37 > 0:37:39Let me get back to running an honest business here?
0:37:40 > 0:37:44- You were at Paul Malick's home this morning.- So?
0:37:44 > 0:37:46Can we can cut the games?
0:37:47 > 0:37:50Malick was found dead earlier this morning.
0:37:50 > 0:37:51Someone had made a concerted effort
0:37:51 > 0:37:54to disguise the fact that he'd been murdered.
0:37:54 > 0:37:56So why don't we start with what you know about that?
0:37:58 > 0:37:59Mr Murdoch?
0:38:02 > 0:38:05Fine. Exactly nothing.
0:38:06 > 0:38:09- So if that's all you came for... - No.
0:38:09 > 0:38:11We also had a partial sighting of an Amber Cab
0:38:11 > 0:38:15on one of their cameras close to where the body was found.
0:38:15 > 0:38:17For some reason, the headlights were off,
0:38:17 > 0:38:19as though the driver was trying to avoid
0:38:19 > 0:38:21his licence plate being seen.
0:38:21 > 0:38:23Now we know by then that Malick was already dead.
0:38:23 > 0:38:29So...I'm wondering - was that cab being used to dispose of the body?
0:38:32 > 0:38:34My cabs go all over.
0:38:34 > 0:38:37Well, you won't mind me bringing in a forensic team, then,
0:38:37 > 0:38:39to examine all of your taxis.
0:38:39 > 0:38:41You do what you like, sweetheart. Oh...
0:38:41 > 0:38:44Just make sure you've got a warrant first.
0:38:44 > 0:38:46Is that necessary, if you've nothing to fear?
0:38:46 > 0:38:48You get a warrant. Or you keep your hands aff.
0:38:49 > 0:38:50Are we clear?
0:38:52 > 0:38:53We're clear OK.
0:38:55 > 0:38:56I'll be back.
0:39:13 > 0:39:16Yeah, it's me. Where are you?
0:39:17 > 0:39:19Yeah? Well, get back here.
0:39:20 > 0:39:21The Oyster Cafe, soon as.
0:39:21 > 0:39:24Hey - keep your cab well out of sight.
0:39:39 > 0:39:41You want to tell me what you didnae tell me earlier?
0:39:43 > 0:39:46Why the polis are looking to search all my cabs?
0:39:46 > 0:39:48Apparently, one was used to dump a body.
0:39:49 > 0:39:52I'm not messing about here, Jimmy!
0:39:52 > 0:39:53You think I wanted to?
0:39:54 > 0:39:58I thought I was gonnae get a bullet in my skull, and that psycho,
0:39:58 > 0:40:01he threatened Cal again, and Madonna.
0:40:01 > 0:40:04That's how I knew it was him. That animal told me.
0:40:04 > 0:40:05But you knew anyway, eh?
0:40:06 > 0:40:08Why did you let him away wi' it?
0:40:09 > 0:40:12- It wasn't the money.- What, then?
0:40:12 > 0:40:14I mean, he wisnae exactly looking out for you, was he?
0:40:14 > 0:40:16What do you mean?
0:40:16 > 0:40:18He killed that boy in your flat.
0:40:18 > 0:40:19Never even told you.
0:40:21 > 0:40:23Are you his insurance?
0:40:23 > 0:40:25If anything goes wrong,
0:40:25 > 0:40:27everything comes straight back at you.
0:40:30 > 0:40:32And the cab?
0:40:32 > 0:40:35- He ordered me to burn it.- Did you?
0:40:35 > 0:40:37What do you think?
0:40:37 > 0:40:38I put it where naebody'll find it.
0:40:39 > 0:40:42All I want to know is what are you gonnae do about Kennedy?
0:40:48 > 0:40:51I've been going out of my mind here. Where the hell have you been?
0:40:51 > 0:40:53Do you know what I've been going through?
0:40:53 > 0:40:55And why lie to get shot of me?
0:40:57 > 0:40:58I didn't want to.
0:40:59 > 0:41:00Then why?
0:41:02 > 0:41:05Because if you were still here, you'd have stopped me.
0:41:05 > 0:41:06From doing what?
0:41:08 > 0:41:10- Ringing Billy.- You did what?
0:41:10 > 0:41:12No, listen, Gabriel -
0:41:12 > 0:41:15I thought if I could make him see it was finished, then maybe...
0:41:15 > 0:41:17I don't know...
0:41:17 > 0:41:20What, you just thought he would accept that?
0:41:20 > 0:41:23Come on! That doesn't sound like the Billy Kennedy I know!
0:41:23 > 0:41:24I said listen!
0:41:25 > 0:41:27I thought I was doing what was best for us.
0:41:30 > 0:41:31Only...
0:41:31 > 0:41:33What?
0:41:33 > 0:41:34You were right.
0:41:36 > 0:41:37He'll never let go.
0:41:39 > 0:41:40Not now.
0:41:43 > 0:41:45He knows about us
0:41:47 > 0:41:49He knew there was someone.
0:41:50 > 0:41:53I don't know how he found out it was you.
0:41:53 > 0:41:54But I spoke to him earlier.
0:41:57 > 0:42:00- What did you say? - What? Nothing!
0:42:00 > 0:42:03You must've said something. Or done something.
0:42:03 > 0:42:06Or looked at him the wrong way. How else would he have guessed?
0:42:09 > 0:42:10What did you say?
0:42:12 > 0:42:15I told him he was wrong, about everything.
0:42:16 > 0:42:18- That I'd meet him.- Meet him?
0:42:18 > 0:42:20And tell him it was all a big mistake,
0:42:20 > 0:42:22that I'd made a big mistake.
0:42:22 > 0:42:23Are you mental?
0:42:23 > 0:42:26I only told him that to get him out of the hotel.
0:42:28 > 0:42:29Why?
0:42:29 > 0:42:31My passport's in the safe there.
0:42:32 > 0:42:35I thought if I could get him out, I could get it.
0:42:35 > 0:42:37You went back there for a passport?
0:42:37 > 0:42:40I know - I wasn't thinking straight. I was panicking.
0:42:40 > 0:42:43I just thought, "We have to get away."
0:42:43 > 0:42:45And not to some bloody hut in the Highlands.
0:42:45 > 0:42:47He'd find us.
0:42:47 > 0:42:51We have to go somewhere he won't - abroad
0:42:51 > 0:42:54And when was I going to be included in all this, eh?
0:42:54 > 0:42:57First, you lie to get rid of me and now you're planning all this!
0:42:57 > 0:43:00- I mean, come on... - I didn't know what else to do.
0:43:05 > 0:43:06Hey, hey...
0:43:08 > 0:43:11I don't know what I'm saying, all right? It's just...
0:43:13 > 0:43:16Either way, least we know now.
0:43:18 > 0:43:21The sooner we're out of here, the better.
0:43:23 > 0:43:24We can't.
0:43:28 > 0:43:29Not now he knows it's you.
0:43:31 > 0:43:33Don't you see...?
0:43:33 > 0:43:36It was different when it was just me,
0:43:36 > 0:43:38when I was the one Billy was after.
0:43:39 > 0:43:40But you?
0:43:42 > 0:43:44You've got people here you love.
0:43:46 > 0:43:51Even if you're gone, he can use them to hurt you,
0:43:51 > 0:43:53in any number of ways.
0:43:53 > 0:43:55Right, that's it.
0:43:55 > 0:43:58I'll phone Leyla, I'll tell her to stay in Aberdeen.
0:43:58 > 0:43:59She can keep Zinnie with her.
0:43:59 > 0:44:03For how long? And then what?
0:44:06 > 0:44:08We can't all just run away forever.
0:44:15 > 0:44:16What else can we do?
0:44:18 > 0:44:19We have to get it sorted.
0:44:21 > 0:44:23I don't know how, but...
0:44:26 > 0:44:28And we need to be able to protect ourselves.
0:44:46 > 0:44:47It's his.
0:44:51 > 0:44:52Use what you need.
0:45:13 > 0:45:15SOMEONE KNOCKS THE DOOR
0:45:35 > 0:45:37Have you spoken to Malick?
0:45:37 > 0:45:38How was I supposed do that?
0:45:38 > 0:45:40Through a medium?
0:45:40 > 0:45:42I know what happened. He telt you you were out.
0:45:42 > 0:45:44You took the huff and you done him in him.
0:45:44 > 0:45:47Then you used one of my cabs to dump him? How stupid are you!
0:45:47 > 0:45:49The man had it coming. We don't need him.
0:45:49 > 0:45:52No, that's where you got it wrong, Billy.
0:45:52 > 0:45:54Cos he was the only one keeping you alive.
0:45:56 > 0:45:59You took my grandson. I should've killed you then.
0:46:00 > 0:46:01He stopped me.
0:46:02 > 0:46:04What if I did? It was business.
0:46:04 > 0:46:05You know how it works.
0:46:09 > 0:46:10Some lines you don't cross.
0:46:12 > 0:46:13Bye, Billy.
0:46:13 > 0:46:15SOMEONE KNOCKS THE DOOR
0:46:15 > 0:46:16Open up, Billy, I know you're in there.
0:46:16 > 0:46:18The receptionist told me.
0:46:19 > 0:46:22I'm coming! Give a man a chance!
0:46:29 > 0:46:33DCI Donald. Be my guest.
0:46:37 > 0:46:39Lenny.
0:46:41 > 0:46:42Aw, isn't this nice?
0:46:45 > 0:46:46You boys having a stag do?
0:46:48 > 0:46:49Seeing you're here already,
0:46:49 > 0:46:52I hardly need to explain the reason for my visit.
0:46:52 > 0:46:54Mr Malick.
0:46:54 > 0:46:55Aye, Lenny just told me.
0:46:55 > 0:46:59- It's come as an awful shock, so it did.- Of course, it has.
0:46:59 > 0:47:01You'll be sure to let us know funeral arrangements.
0:47:01 > 0:47:03Don't push it, Billy.
0:47:03 > 0:47:05Remind me, what was your relationship again?
0:47:05 > 0:47:07Man's a lawyer.
0:47:07 > 0:47:09Well...was.
0:47:09 > 0:47:14No, Billy. He's not just a lawyer. Friends at Holyrood.
0:47:15 > 0:47:18Huh...yeah. I imagine this investigation
0:47:18 > 0:47:20is going to be quite the glamour fixture.
0:47:20 > 0:47:23Played out in the full glare of the media.
0:47:23 > 0:47:24Not a lot's going to go unnoticed.
0:47:26 > 0:47:28Incidentally, where were you yesterday,
0:47:28 > 0:47:29late evening till the early hours?
0:47:29 > 0:47:32- Eh... - What, is this an interview now?
0:47:32 > 0:47:34Come on, what's the harm?
0:47:35 > 0:47:39- I was with some close pals.- Oh, aye? - Snooker club, Greycross Street.
0:47:39 > 0:47:43- Want me to give you some names? - Of course. Your alibi of choice.
0:47:43 > 0:47:45I take it Mr Murdoch here was with you?
0:47:45 > 0:47:49Eh...no, I cannae say he was.
0:47:54 > 0:47:56Listen, I've somewhere I have to be.
0:47:56 > 0:47:59So, if there's nothing else you need from me...
0:48:03 > 0:48:05Will you tell me where you're going?
0:48:05 > 0:48:07I promised the wife I'd take her out for a nice meal.
0:48:07 > 0:48:09Bit of an anniversary.
0:48:09 > 0:48:11Unless you want to arrest me? Take me down the station.
0:48:11 > 0:48:15- Only if you've got a good reason to. - I hope the restaurant's in Glasgow.
0:48:15 > 0:48:18Wouldn't like to think you were looking further afield.
0:48:18 > 0:48:21Do you think I'm going to run away? Nae danger.
0:48:22 > 0:48:26What reason have I got to run, eh, Lenny?
0:48:28 > 0:48:31Anyway...make yourselves at home.
0:48:31 > 0:48:34If I knew you were coming, I'd have had restocked the minibar.
0:48:36 > 0:48:39Chocolate's all gone, think there's a wee bit of Bombay mix.
0:48:39 > 0:48:40Help yourselves.
0:48:42 > 0:48:43See you later.
0:48:46 > 0:48:48Goes for you, too - make any attempt to leave the country,
0:48:48 > 0:48:49you'll be intercepted.
0:48:49 > 0:48:52- Why would I go anywhere? - You tell me.
0:48:54 > 0:48:57You think I killed Malick? Well, tell me this.
0:48:57 > 0:48:58Why would I go to his house looking for him
0:48:58 > 0:49:00if I knew he was already dead?
0:49:00 > 0:49:02Maybe it wasn't him you were looking for.
0:49:02 > 0:49:04Mrs Malick told one of my officers
0:49:04 > 0:49:07you seemed much more concerned with what was on his desk.
0:49:07 > 0:49:08What are you on about?
0:49:09 > 0:49:11Well, I'll tell you how that might look.
0:49:12 > 0:49:16That you were worried there was something on there confirming you met last night,
0:49:16 > 0:49:17prior to his death.
0:50:49 > 0:50:51Your cab was stolen?
0:50:51 > 0:50:52Aye.
0:50:52 > 0:50:54When exactly was this?
0:50:54 > 0:50:56About four-ish. I said.
0:50:56 > 0:51:00And you didn't think to dial 999?
0:51:00 > 0:51:03I was stuck out in Moss Green. Nae phone, nothing.
0:51:03 > 0:51:05No CCTV either.
0:51:05 > 0:51:08Which is doubly unfortunate that your cab was stolen
0:51:08 > 0:51:12in a locale where cameras rarely last longer than 24 hours,
0:51:12 > 0:51:16giving us no record.
0:51:16 > 0:51:19Mr Mullen, this is part of a murder investigation.
0:51:19 > 0:51:22Now if there's anything you know about that,
0:51:22 > 0:51:23or you have information,
0:51:23 > 0:51:26you do know that's something you have to give us?
0:51:28 > 0:51:30My cab was stolen.
0:51:38 > 0:51:43The descriptions are rubbish. Three lads, hooded, average height...
0:51:43 > 0:51:46And Mullen would have known about the CCTV.
0:51:46 > 0:51:50Every taxi driver in the city knows where NOT to stop his cab.
0:51:50 > 0:51:52At least we know which cab we're looking for.
0:51:52 > 0:51:54So how do you think we should play it? Hold him?
0:51:54 > 0:51:57No. Let's find the cab first. Then re-interview.
0:51:57 > 0:52:01Thing I don't get is why? Mullen covering for Lenny,
0:52:01 > 0:52:03that would be down to misplaced loyalty.
0:52:03 > 0:52:06But why cover for Kennedy?
0:52:06 > 0:52:07Maybe he is covering for Lenny.
0:52:25 > 0:52:26HE SIGHS
0:52:31 > 0:52:33Stupid, stupid, stupid!
0:52:37 > 0:52:38PHONE RINGS
0:52:40 > 0:52:42Hello.
0:52:42 > 0:52:43I have been waiting for you.
0:52:43 > 0:52:45And waiting is not something I enjoy.
0:52:45 > 0:52:46Who's this?
0:52:48 > 0:52:49You the guy I spoke to earlier?
0:52:49 > 0:52:52I am in the pool room. Get your sorry arse down here.
0:53:09 > 0:53:10Carlos.
0:53:27 > 0:53:28A bit more privacy upstairs.
0:53:41 > 0:53:43Well, you know who I am.
0:53:43 > 0:53:46How about telling me who you are?
0:53:46 > 0:53:50The only information you need is this - I came to find Malick.
0:53:50 > 0:53:53Any insight you can give me regarding that?
0:53:54 > 0:53:56I've been looking for him myself.
0:53:58 > 0:54:04Bad start. Next question, where is my drugs?
0:54:04 > 0:54:07- Your drugs? - You had a delivery. Unpaid for.
0:54:08 > 0:54:11Little chance of distributing by the looks of things.
0:54:11 > 0:54:15So I want its safe return plus the 100K you owe.
0:54:15 > 0:54:16And I will be on my way.
0:54:16 > 0:54:21No offence here, but I don't even know if you are who you say you are.
0:54:24 > 0:54:27Your first contact was Marsden, aka Pedro.
0:54:28 > 0:54:32You put a gun to his head thinking he took your grandson.
0:54:32 > 0:54:34I don't have time for your games...
0:54:34 > 0:54:37So again, where is my drugs?
0:54:38 > 0:54:39Safe.
0:54:41 > 0:54:44Me and Malick thought, with the polis around Shieldinch
0:54:44 > 0:54:48it was a bit vulnerable, so we moved the merchandise elsewhere.
0:54:48 > 0:54:52Sure? Only another interpretation can be put on things.
0:54:52 > 0:54:53And what's that?
0:54:54 > 0:54:58You took the drugs and took out Malick to cover your tracks.
0:55:00 > 0:55:02Then why am I still here?
0:55:02 > 0:55:04Do you not think I'd have sold them and be long gone?
0:55:07 > 0:55:09You want your gear... I'll take you to it.
0:55:12 > 0:55:13They are still in Glasgow?
0:55:13 > 0:55:17Couple of miles outside. You can see for yourself.
0:55:18 > 0:55:20I have better ways to spend my time.
0:55:26 > 0:55:30It is clean. When it rings it will be me.
0:55:30 > 0:55:34I will call you tomorrow. Tell you the arrangements.
0:55:34 > 0:55:39If you have my money and gear I will try and forget we have ever met.
0:55:39 > 0:55:40Of course, if not...
0:55:42 > 0:55:45Have you ever been to a bull run, Murdoch?
0:55:45 > 0:55:50The bull gets coated with burning wax then chased through the streets.
0:55:51 > 0:55:55Whoever kills it, gets to carry its ears, tail and what else,
0:55:55 > 0:55:58how do say in English, testicles on a spear.
0:55:59 > 0:56:01And later he can eat the best bit.
0:56:33 > 0:56:34Is that it?
0:56:34 > 0:56:36Just keep the boot open.
0:56:39 > 0:56:40You cold son? Huh?
0:56:48 > 0:56:51MUFFLED SHOUTING
0:57:00 > 0:57:04A friend of mine, a developer, he's willing to lend 100K for 30 days.
0:57:04 > 0:57:06Perfect.
0:57:06 > 0:57:09- Billy?- I've got a wee delivery job for you Jimmy.
0:57:09 > 0:57:12You've got until 3 o'clock to find my drugs.
0:57:12 > 0:57:14You don't find it, I will start working my way through
0:57:14 > 0:57:16everyone you know to see if they can help me out.
0:57:16 > 0:57:19You get Cal, Madonna, Kelly Marie, them all, you get them away.
0:57:19 > 0:57:23- Where? - Anywhere, anywhere but here, OK.
0:57:23 > 0:57:26Tommy, my man, the driver that's bringing the delivery,
0:57:26 > 0:57:28he's seen way too much.
0:57:28 > 0:57:31I don't want him coming home.
0:57:31 > 0:57:34This is a present, for Lenny Murdoch's grandson.