0:00:21 > 0:00:23It was me who went to the press.
0:00:23 > 0:00:26I really wish you hadn't done that.
0:00:26 > 0:00:27What have you done?!
0:00:32 > 0:00:35Is this the body of Raymond Henderson?
0:00:35 > 0:00:37Who were you with that you shouldn't have been?
0:00:37 > 0:00:39- My wife. - Why is this a big secret?
0:00:39 > 0:00:41How do you think they're going to feel when they find out she's
0:00:41 > 0:00:45- been back in Glasgow, and she hasn't bothered to see them? - Daddy had an accident.
0:00:45 > 0:00:47It's just going to be you and me from now on.
0:01:06 > 0:01:10Right. Do you think that you could look after Granny and Grandad
0:01:10 > 0:01:12while I pop out for a minute?
0:01:12 > 0:01:14Good boy, come on.
0:02:53 > 0:02:55Dad!
0:02:59 > 0:03:00Are you OK?
0:03:00 > 0:03:02Fine. What are you doing here?
0:03:02 > 0:03:05- We had to know what was going on. - It's not a big deal.
0:03:05 > 0:03:07Kirsty was worried.
0:03:07 > 0:03:09Well, can we go now, please?
0:03:09 > 0:03:12- You're free to go? - Of course I am. Come on.
0:03:19 > 0:03:22So why did they keep you in last night?
0:03:22 > 0:03:24It was just a stupid fight, a misunderstanding.
0:03:24 > 0:03:26Look, can we just get in the car, please?
0:03:26 > 0:03:27Yeah, but...
0:03:27 > 0:03:28In the car!
0:03:28 > 0:03:31- Aye, all right, calm down.- Sorry. I just spent the night in here.
0:03:31 > 0:03:33Forgive me if I don't want to hang around.
0:03:33 > 0:03:35At least now you can sleep easy.
0:03:38 > 0:03:41Can I, though?
0:03:41 > 0:03:42What do you mean?
0:03:42 > 0:03:44What if I'm responsible for what he did?
0:03:44 > 0:03:46What if our fight is what pushed him over the edge?
0:03:46 > 0:03:47That's just daft.
0:03:56 > 0:03:58You know, you should make a complaint.
0:03:58 > 0:04:00They're not allowed to keep you in overnight for no reason.
0:04:00 > 0:04:02Can we just drop this, please?
0:04:07 > 0:04:09Is that Mum?
0:04:09 > 0:04:11Don't be silly.
0:04:11 > 0:04:13It is, it's her. Dad, stop the car!
0:04:13 > 0:04:14Kirsty, stop it.
0:04:14 > 0:04:17- Stop the car, Dad, it's Mum. - Kirsty, you're being ridiculous!
0:04:17 > 0:04:19- I'm not.- Enough!
0:04:19 > 0:04:22'I'm telling you,'
0:04:22 > 0:04:23it was mum.
0:04:23 > 0:04:26Look, I see her all the time - at least I think I do -
0:04:26 > 0:04:29but it's never her, it's just some woman walking down the street.
0:04:29 > 0:04:31- It's wishful thinking. - She's here.
0:04:34 > 0:04:37Why are you lying to us?
0:04:37 > 0:04:38I'm not.
0:04:39 > 0:04:40Fine.
0:04:40 > 0:04:41Where are you going?
0:04:41 > 0:04:42Back to the police station.
0:04:42 > 0:04:44I'm sure they'll be able to tell me if it was her.
0:04:44 > 0:04:45This is crazy.
0:04:45 > 0:04:48Come or don't. It's up to you.
0:04:50 > 0:04:51Fine, I'll go myself.
0:04:55 > 0:04:56It was her.
0:04:57 > 0:04:59I knew it.
0:05:00 > 0:05:01What?!
0:05:01 > 0:05:03You drove away!
0:05:03 > 0:05:05You didn't let her see us!
0:05:05 > 0:05:06It's no' that simple.
0:05:06 > 0:05:08Why do you keep pushing her away?
0:05:08 > 0:05:11It's no' me doing the pushing. It's her!
0:05:11 > 0:05:13Wait, hold on a minute.
0:05:13 > 0:05:15So she is back in Glasgow?
0:05:15 > 0:05:17Aye.
0:05:17 > 0:05:20- When did she get back? - A few days ago.
0:05:21 > 0:05:22No.
0:05:22 > 0:05:24Maybe more. I don't know.
0:05:24 > 0:05:27I only found out myself, the day before yesterday.
0:05:27 > 0:05:29You're lying.
0:05:29 > 0:05:32She would have come to see us, wouldn't she?
0:05:37 > 0:05:41It's not that she doesn't love you, of course she does,
0:05:41 > 0:05:43but she says she just needs time.
0:05:43 > 0:05:44HE SCOFFS
0:05:44 > 0:05:45What does that even mean?
0:05:45 > 0:05:47I don't know!
0:05:47 > 0:05:50I don't know what's going on in her head!
0:05:50 > 0:05:53How was she?
0:05:53 > 0:05:54Different.
0:05:56 > 0:05:58No' the same person.
0:05:58 > 0:06:01- In what way?- Detached.
0:06:01 > 0:06:04I don't think she looked me in the eye once.
0:06:04 > 0:06:06You think she's hiding something?
0:06:06 > 0:06:08- Like what? - Maybe she's seeing someone else?
0:06:08 > 0:06:10Maybe.
0:06:10 > 0:06:13But I don't think that's it, I think it's something worse.
0:06:13 > 0:06:17- Stop it!- This is why I didn't want to talk about it.
0:06:19 > 0:06:21Do you think she's not well?
0:06:23 > 0:06:26It's the only thing that would explain why she would do this.
0:06:26 > 0:06:28No' so much to me but to you guys.
0:06:30 > 0:06:33I have to believe that she's going through some sort of breakdown.
0:06:33 > 0:06:36What if she does something stupid?
0:06:36 > 0:06:38- She won't. - You don't know that!
0:06:38 > 0:06:42She'll go back to Dubai, she'll be thousands of miles away,
0:06:42 > 0:06:43all on her own.
0:06:43 > 0:06:44She's got her friend out there.
0:06:44 > 0:06:46She's not got us!
0:06:46 > 0:06:49She'll be fine. She just needs a break.
0:06:50 > 0:06:53It's not just a break, though, is it?
0:06:58 > 0:07:00Dad?
0:07:00 > 0:07:02I don't know.
0:07:08 > 0:07:10- We must have really pissed her off. - No!
0:07:10 > 0:07:13You have done nothing wrong. Either of you.
0:07:15 > 0:07:18If anybody's to blame here, it's me.
0:07:18 > 0:07:22I should have seen that she was unhappy but I was too busy with...
0:07:22 > 0:07:24other things.
0:07:25 > 0:07:27Look, I hate that this has happened to us,
0:07:27 > 0:07:29I hate that she's no' here...
0:07:30 > 0:07:32..but it is what it is.
0:07:36 > 0:07:38Look, I'm going nowhere.
0:07:40 > 0:07:42So you're stuck with me.
0:07:42 > 0:07:44Whether you like it or no'.
0:07:45 > 0:07:46OK?
0:07:48 > 0:07:49OK.
0:07:52 > 0:07:53Kirsty?
0:07:56 > 0:07:57Come here.
0:07:57 > 0:07:59KIRSTY SOBS
0:08:01 > 0:08:03It'll be OK.
0:08:06 > 0:08:08We'll be OK.
0:10:12 > 0:10:14DOORBELL RINGS
0:10:14 > 0:10:16You liar!
0:10:16 > 0:10:18You and your pals made me out to be an idiot!
0:10:18 > 0:10:20You ruined my professional reputation!
0:10:20 > 0:10:22And all the time you knew that that land was bad!
0:10:24 > 0:10:25Where did you get that?
0:10:25 > 0:10:27You can't even act surprised, can you?
0:10:27 > 0:10:29Because you've seen this before!
0:10:29 > 0:10:31Please, can we take this away from my door?
0:10:36 > 0:10:38It wasn't my idea to cover anything up.
0:10:39 > 0:10:42I don't work for the development any more. I am out of it.
0:10:42 > 0:10:44You're still up to your neck in it.
0:10:44 > 0:10:46I know that.
0:10:46 > 0:10:49But please believe me, if I'd known what I was getting into
0:10:49 > 0:10:51with that business, I would never have signed up for the job.
0:10:51 > 0:10:55- We OK here?- Yep, could you two just give us a minute, please?
0:10:55 > 0:10:56Is that a good idea?
0:10:56 > 0:10:59Thanks, Angus, I can handle this. Inside, please.
0:11:01 > 0:11:04Dad didn't have anything to do with Raymond's death.
0:11:04 > 0:11:07- If you don't believe him, you can ask the police.- Angus!
0:11:10 > 0:11:13DOOR CLOSES What's he talking about?
0:11:14 > 0:11:17The police questioned me about Raymond's death.
0:11:17 > 0:11:20They thought I might have been involved.
0:11:20 > 0:11:23Is that why they took you away yesterday?
0:11:24 > 0:11:26Me and Raymond had a disagreement before he died.
0:11:26 > 0:11:28I guess that made me a suspect.
0:11:31 > 0:11:33So they DON'T think it's suicide?
0:11:34 > 0:11:37Are they investigating it as something else?
0:11:37 > 0:11:40Honestly, Eileen, I don't know.
0:11:40 > 0:11:43I suppose they have to look into every possibility.
0:11:43 > 0:11:45I was the last person to see Raymond alive,
0:11:45 > 0:11:47they were always going to talk to me.
0:11:48 > 0:11:51And how was he? When you saw him?
0:11:54 > 0:11:56Not good.
0:11:56 > 0:12:00Mentally? Did he look like a man that was going to kill himself?
0:12:00 > 0:12:01I don't know.
0:12:01 > 0:12:04Think! This is important! You owe me!
0:12:07 > 0:12:09He wasn't in a good state.
0:12:12 > 0:12:14I need to go.
0:12:14 > 0:12:15I'm sorry...for your loss.
0:12:15 > 0:12:18- If there's ever anything I can do... - Spare me.
0:12:20 > 0:12:22If you had any concern for my family,
0:12:22 > 0:12:24you wouldn't have stood by and let this happen.
0:12:31 > 0:12:34Was it you that set Lenny Murdoch on me?
0:12:34 > 0:12:35What?
0:12:36 > 0:12:39When I first opposed the development, Lenny Murdoch turned up
0:12:39 > 0:12:43on my doorstep and blackmailed me into stepping out of the fight.
0:12:43 > 0:12:45Why would Murdoch be involved?
0:12:45 > 0:12:46You tell me.
0:12:46 > 0:12:48But now I can see how low you people will stoop,
0:12:48 > 0:12:51I'm more certain than ever that it was somebody from your company
0:12:51 > 0:12:52that sent him.
0:12:52 > 0:12:54It wasn't me. I promise you.
0:12:59 > 0:13:00This isn't over.
0:13:10 > 0:13:12You all right? I heard the police picked you up.
0:13:12 > 0:13:14They wanted to know where I was the night Raymond died.
0:13:14 > 0:13:15I thought it was suicide.
0:13:15 > 0:13:19You think they'd have kept me in overnight for a suicide?
0:13:19 > 0:13:22It gets better. Eileen has a copy of the report.
0:13:24 > 0:13:25HE SIGHS
0:13:28 > 0:13:30How the hell did I get involved in this?!
0:13:30 > 0:13:33I've been asking myself that from the start.
0:13:34 > 0:13:36Is she going to go to the police?
0:13:36 > 0:13:37I wouldnae be surprised.
0:13:37 > 0:13:39OK, cheers for the heads-up.
0:13:39 > 0:13:40I'm no' finished.
0:13:42 > 0:13:45Eileen thinks one of us had Lenny Murdoch blackmail her.
0:13:45 > 0:13:49- What?- She's claiming that we used him to strong-arm her
0:13:49 > 0:13:51into dropping her opposition to the flats.
0:13:53 > 0:13:55But we didnae do that, did we?
0:13:55 > 0:13:58Cos Murdoch has nothing to do with Lowtherhill.
0:14:01 > 0:14:02Frank brought him in.
0:14:02 > 0:14:04HE SIGHS
0:14:04 > 0:14:07I didn't want him on board, but I didn't seem to have a choice.
0:14:07 > 0:14:10As far as I knew, his role was only financial.
0:14:10 > 0:14:12Apparently not.
0:14:12 > 0:14:13Murdoch is a gangster.
0:14:13 > 0:14:15Violence is second nature to people like him.
0:14:15 > 0:14:17You know that better than me.
0:14:17 > 0:14:19And if Murdoch's involved,
0:14:19 > 0:14:21who's to say what really happened to Eric Turnbull?
0:14:21 > 0:14:23Turnbull will turn up.
0:14:23 > 0:14:27Well, let's hope it's not in another car filled with exhaust fumes, eh?
0:14:31 > 0:14:33DOOR OPENS
0:14:41 > 0:14:42KNOCK AT DOOR
0:14:50 > 0:14:51- Hi.- Come in.
0:14:51 > 0:14:52Thanks.
0:14:57 > 0:14:58HE CLEARS HIS THROAT
0:15:01 > 0:15:03How you doing?
0:15:03 > 0:15:05How do you think?
0:15:05 > 0:15:07Sorry.
0:15:07 > 0:15:09- No.- I- am. I'm just...
0:15:09 > 0:15:12I've just not slept much.
0:15:12 > 0:15:15Well, this might mean you can start to move on.
0:15:15 > 0:15:18It's the results of the postmortem.
0:15:18 > 0:15:21The pathologist's issued a death certificate.
0:15:26 > 0:15:28"Asphyxiation"?
0:15:28 > 0:15:30I mean, we...
0:15:30 > 0:15:31We know all this.
0:15:33 > 0:15:36It tells us there were no suspicious circumstances.
0:15:36 > 0:15:40You can't tell that just from a postmortem.
0:15:41 > 0:15:43We scoured the place, Eileen.
0:15:43 > 0:15:47There was just no evidence of any foul play.
0:15:49 > 0:15:52And how hard did you look, exactly?
0:15:52 > 0:15:53Sorry?
0:15:53 > 0:15:56Well, it's obvious you all think it was suicide,
0:15:56 > 0:15:59so I can't see you throwing resources at proving otherwise.
0:16:00 > 0:16:03You think there's something to be proved?
0:16:05 > 0:16:08I just want you to give me a proper explanation
0:16:08 > 0:16:11as to why Raymond died, because right now
0:16:11 > 0:16:14it just doesn't make any sense.
0:16:14 > 0:16:16He did have high levels of alcohol in his blood.
0:16:18 > 0:16:20So he passed out because he was drunk?
0:16:22 > 0:16:23It's not impossible.
0:16:24 > 0:16:26But you don't think that's what happened.
0:16:26 > 0:16:28Eileen, I've been doing this job a long time.
0:16:28 > 0:16:31When a death looks like a...suicide,
0:16:31 > 0:16:33that's generally what it is.
0:16:35 > 0:16:37I'm really sorry.
0:16:42 > 0:16:44Anyway, the body has been released,
0:16:44 > 0:16:46so you and the family can start to make plans.
0:16:46 > 0:16:48Raymond...he wasn't depressed when he died.
0:16:48 > 0:16:51And he wasn't having some sort of a breakdown.
0:16:51 > 0:16:54I saw the state of him, the state of his house.
0:16:54 > 0:16:56Everything pointed to him being unwell, paranoid...
0:16:56 > 0:16:59What if he was right to be?
0:16:59 > 0:17:03What if his conspiracy theories weren't just pie in the sky?
0:17:03 > 0:17:06What if he was right about Alan Lindsay and Alex McAllister
0:17:06 > 0:17:07and Frank Paton?
0:17:07 > 0:17:10Eileen, it's a housing development. The stakes really aren't that high.
0:17:10 > 0:17:13There's money to be made from that development, and reputations too.
0:17:13 > 0:17:15And not just in Shieldinch.
0:17:15 > 0:17:18Frank Paton is promoting developments
0:17:18 > 0:17:20just like this one all over Glasgow.
0:17:20 > 0:17:23There's nothing illegal about that.
0:17:23 > 0:17:26There is if they're relying on blackmail to do it.
0:17:27 > 0:17:29I beg your pardon?
0:17:33 > 0:17:37When I opposed the development, somebody set Lenny Murdoch on me.
0:17:42 > 0:17:45He told me that if I didn't stop causing trouble,
0:17:45 > 0:17:49he would expose Raymond over the death of Sean Kennedy.
0:17:49 > 0:17:52- Why didn't you come to the police?! - Because I was scared!
0:17:52 > 0:17:54I still am.
0:17:54 > 0:17:57But what happened to me isn't important.
0:17:57 > 0:17:59I'm just telling you so you know the kind of people
0:17:59 > 0:18:01that you're dealing with. You need to work harder
0:18:01 > 0:18:04and find out what happened to Raymond.
0:18:05 > 0:18:08And to Eric Turnbull.
0:18:08 > 0:18:12Eric Turnbull wrote the report for the land that was to be developed.
0:18:12 > 0:18:14Then he wrote another report completely contradicting
0:18:14 > 0:18:15everything that's in this one.
0:18:15 > 0:18:20And then he disappeared. And Raymond winds up dead.
0:18:21 > 0:18:23Don't you think that's suspicious?
0:18:25 > 0:18:29I made a copy. You take it, and you read it.
0:18:31 > 0:18:32OK.
0:19:09 > 0:19:11Stevie, this might be way out of line,
0:19:11 > 0:19:14but I really don't know if you should be here.
0:19:15 > 0:19:19It's only been a day. Don't you need to give it some time?
0:19:19 > 0:19:21I know what I need, thanks.
0:19:21 > 0:19:24And that's for you to get the tables cleared.
0:19:25 > 0:19:27What can I get you?
0:19:27 > 0:19:29Just a word with the landlord, thanks.
0:19:29 > 0:19:31He's through there.
0:19:31 > 0:19:32Ta.
0:19:40 > 0:19:43Morning, Lenny. Mind if I have a word?
0:19:43 > 0:19:46I take it that's a rhetorical question.
0:19:46 > 0:19:48We could go somewhere more private.
0:19:48 > 0:19:53Unless you want to take me down the station, I'm quite comfy.
0:19:53 > 0:19:57We hear you've been paying a bit of attention to Eileen Donachie.
0:19:57 > 0:19:59I thought she'd be more your type than mine.
0:20:00 > 0:20:04- She claims you blackmailed her. - Really? That's not my style.
0:20:04 > 0:20:06You didn't lean on her to drop her opposition
0:20:06 > 0:20:09- to the housing development?- Course not. Although I did ask her,
0:20:09 > 0:20:13as my representative on the City Council, to reconsider her position.
0:20:13 > 0:20:15Because you've got cash tied up in it?
0:20:15 > 0:20:18Well, I'm the local landlord. Student flats mean student cash
0:20:18 > 0:20:20going over that counter and into my pocket.
0:20:20 > 0:20:24- So you haven't invested in the project?- I don't do property.
0:20:24 > 0:20:27No money to be made in it these days.
0:20:27 > 0:20:30- Frank Paton seems to think there is. - Who he?
0:20:33 > 0:20:36What about a guy called Eric Turnbull? Ever heard of him?
0:20:36 > 0:20:38Sorry.
0:20:38 > 0:20:41Now, if you don't mind, I'm out of time.
0:20:41 > 0:20:45Look, you don't need me to tell you blackmail is a serious offence.
0:20:45 > 0:20:47You'd get a much shorter sentence
0:20:47 > 0:20:50- if you admitted to acting on someone else's behalf.- I'm sure I would.
0:20:50 > 0:20:52If I had something to admit.
0:20:52 > 0:20:54We can take this down the station if you like.
0:20:54 > 0:20:56Let's think here for a wee minute.
0:20:56 > 0:20:59What possible leverage could I have over Eileen Donachie
0:20:59 > 0:21:01or any of her family?
0:21:01 > 0:21:04Only thing I can think about is Raymond Henderson,
0:21:04 > 0:21:06God rest his soul, well, he got away with murder
0:21:06 > 0:21:09- while you boys all looked the other way.- Don't try and be clever.
0:21:09 > 0:21:12You tell Counsellor Donachie that I apologise
0:21:12 > 0:21:14if she misinterpreted my polite request.
0:21:14 > 0:21:17I was only exercising my rights as one of her constituent.
0:21:30 > 0:21:33Oh, this is where you're hiding.
0:21:33 > 0:21:35Liz has been looking for you.
0:21:37 > 0:21:40She wants to discuss the funeral arrangements.
0:21:42 > 0:21:46- I went round to his house this morning.- Yeah?
0:21:46 > 0:21:48And I found his will.
0:21:50 > 0:21:52He's left everything to me.
0:21:52 > 0:21:55Course he did. What else would he do?
0:21:55 > 0:21:57We weren't married any more, Dad.
0:21:57 > 0:22:01He could have left it in trust for Brian and Stuart, but this...
0:22:03 > 0:22:07It's almost like he thought we'd have some kind of future together...
0:22:09 > 0:22:12Maybe we would have done. There was always a connection.
0:22:16 > 0:22:20Maybe he thought that once we'd got through all this mess,
0:22:20 > 0:22:24we could be a family again. Me, him and Stuart.
0:22:25 > 0:22:27Oh, there you are.
0:22:28 > 0:22:31Listen...
0:22:31 > 0:22:34I thought we should get on the phone to the minister.
0:22:34 > 0:22:37Now that the...
0:22:37 > 0:22:40that Raymond has been released.
0:22:41 > 0:22:43If we get our skates on,
0:22:43 > 0:22:48we should be able to organise everything for the end of the week.
0:22:51 > 0:22:56So, would you like to phone the minister or shall I?
0:22:58 > 0:23:01Right, I'll do it.
0:23:01 > 0:23:03We're not going to bury him.
0:23:06 > 0:23:10The crematorium, then, if that's what he would have wanted.
0:23:10 > 0:23:15There's not going to be any funeral until I know how he died.
0:23:16 > 0:23:18But we DO know.
0:23:20 > 0:23:24- It says on the death certificate... - It says nothing.
0:23:26 > 0:23:29Raymond didn't kill himself.
0:23:39 > 0:23:41Lowther Developments. That's your outfit, is it?
0:23:41 > 0:23:44It's the company formed to oversee the new flats.
0:23:44 > 0:23:47- But you're the boss?- On paper.
0:23:48 > 0:23:53- Either are or you aren't. - Sorry, is this going somewhere?
0:23:56 > 0:24:00- Business good, is it?- I've got a few different companies on the go.
0:24:00 > 0:24:04An entrepreneur, eh? Just like Uncle Billy.
0:24:06 > 0:24:07I'm not proud of where I come from.
0:24:07 > 0:24:10But I've made my own success.
0:24:10 > 0:24:13My way. Legally.
0:24:15 > 0:24:17So, how do you explain the fact that Eileen Donachie claims
0:24:17 > 0:24:19to have been blackmailed on your account?
0:24:19 > 0:24:22- That's nothing to do with me. - But you don't deny it happened?
0:24:22 > 0:24:24No. I've only just heard about it.
0:24:24 > 0:24:26But it was to do with your development?
0:24:26 > 0:24:29With furthering your business interests?
0:24:29 > 0:24:32This project isn't a one-man show.
0:24:32 > 0:24:34Though I'm beginning to wish it was.
0:24:35 > 0:24:37So who put Murdoch on Councillor Donachie?
0:24:39 > 0:24:42I don't know. Maybe you should speak to the man that brought
0:24:42 > 0:24:43Murdoch into the development.
0:24:45 > 0:24:47You'll find him at the Council Chambers.
0:24:55 > 0:24:57KNOCK ON DOOR
0:24:59 > 0:25:02Sorry to disturb. I did knock.
0:25:02 > 0:25:05I am Detective Inspector Donald, Shieldinch and Mossgreen Police.
0:25:05 > 0:25:08I know the name. What's this about?
0:25:08 > 0:25:11Lenny Murdoch. Friend of yours?
0:25:11 > 0:25:13Murdoch? Let's see...
0:25:13 > 0:25:15He owns the Tall Ship pub in Shieldinch.
0:25:15 > 0:25:17- Big fan of your development. - It's not my development.
0:25:17 > 0:25:19I just support it because it's good for the city,
0:25:19 > 0:25:21that's where my interest ends.
0:25:21 > 0:25:25But, I think I might have met this Mr Murdoch in passing.
0:25:25 > 0:25:28It's funny. He's no idea who you are.
0:25:28 > 0:25:29Well, I must be mistaken, then.
0:25:31 > 0:25:33There's an accusation doing the rounds that you used
0:25:33 > 0:25:36Mr Murdoch to "persuade"
0:25:36 > 0:25:39Eileen Donachie to drop her campaign against the new building work.
0:25:39 > 0:25:41That's ridiculous. Who said that? Eileen?
0:25:41 > 0:25:44- Just a straight answer, thanks. Yes or no.- Of course not!
0:25:44 > 0:25:46That's a ridiculous idea.
0:25:48 > 0:25:50You're getting quite a name for yourself
0:25:50 > 0:25:53with your regeneration initiatives, aren't you?
0:25:53 > 0:25:55And not just in Shieldinch.
0:25:55 > 0:25:58It's quite a legacy you're creating.
0:25:58 > 0:26:01Every project provides jobs for workers,
0:26:01 > 0:26:03homes for ordinary families.
0:26:03 > 0:26:05And another notch on your political bedpost?
0:26:05 > 0:26:08You can't speak to me like that.
0:26:08 > 0:26:10I apologise.
0:26:11 > 0:26:13But it's fair to say, though, that you wouldn't be best pleased
0:26:13 > 0:26:16if someone threatened to derail things.
0:26:16 > 0:26:19Who are you referring to here? Eileen Donachie?
0:26:19 > 0:26:21She couldn't derail a toy train.
0:26:21 > 0:26:24This project is bigger than someone like her.
0:26:26 > 0:26:29What about Eric Turnbull? Is it bigger than him?
0:26:29 > 0:26:31Or Raymond Henderson?
0:26:31 > 0:26:34- I don't follow.- Mr Henderson was the local man kicking up
0:26:34 > 0:26:36a stink about your development.
0:26:36 > 0:26:39He was found dead yesterday morning.
0:26:39 > 0:26:42See, there's one thing you should know about Councillor Donachie.
0:26:42 > 0:26:44She hates me. Not just because of the development.
0:26:44 > 0:26:47We've come to blows a few times. Professionally.
0:26:47 > 0:26:51You're saying she's got reason to make false accusations against you?
0:26:51 > 0:26:55No disrespect, but that woman wasn't the most rational of people
0:26:55 > 0:26:58- even before her ex-husband pegged it.- So you deny the allegations?
0:26:58 > 0:27:02There's nothing to deny. It's just the case of a sad, bereaved woman
0:27:02 > 0:27:05looking for a scapegoat.
0:27:05 > 0:27:07So, if you'll excuse me?
0:27:09 > 0:27:11Thank you for your time.
0:27:21 > 0:27:24But you're not happy to drop it?
0:27:24 > 0:27:27There's absolutely no evidence to suggest that Raymond's death
0:27:27 > 0:27:30was anything other than suicide.
0:27:30 > 0:27:33But something's not sitting right.
0:27:34 > 0:27:37And I do not like that Frank Paton.
0:27:37 > 0:27:40Word to the wise, you might want to steer clear of rattling the cages
0:27:40 > 0:27:42of the great and the good.
0:27:42 > 0:27:45- You've already lost a stripe on account of that.- I know, I know.
0:27:45 > 0:27:48Never mind that Lenny has blackmail on us, too.
0:27:50 > 0:27:51ENGINE STARTS
0:28:10 > 0:28:13- Eileen Donachie's been talking to the police!- Aye, well, that's generally
0:28:13 > 0:28:16- what folk do when they're being blackmailed.- You know the score.
0:28:16 > 0:28:20- All's fair in love and property deals.- This is not how I operate.
0:28:20 > 0:28:22And it's not how the people I deal with operate.
0:28:22 > 0:28:26So what are you going to do? Cut me out of the project?
0:28:26 > 0:28:28Nobody's indispensable, Frank.
0:28:30 > 0:28:34Oh, and by the way, Eileen's got a copy of the original report.
0:28:42 > 0:28:46- So, you're saying you don't believe me about the blackmail?- No.
0:28:46 > 0:28:48I'm saying there's no hard evidence of it.
0:28:48 > 0:28:50Or of any wider corruption
0:28:50 > 0:28:53that might be connected to Raymond's death.
0:28:54 > 0:28:57I just want to do the right thing for Raymond.
0:28:57 > 0:29:00Then, you have to bury him.
0:29:00 > 0:29:02Not until I know how he's died.
0:29:02 > 0:29:06Eileen, his body is not going to give up any more clues.
0:29:06 > 0:29:10The man deserves a funeral.
0:29:10 > 0:29:12And what then? I just give up?
0:29:12 > 0:29:16Accept that this has all just been a senseless tragedy?
0:29:16 > 0:29:22I cannot begin to imagine how awful this must be for you.
0:29:22 > 0:29:25Death's never easy to accept at the best of times,
0:29:25 > 0:29:30- never mind one that's as shocking and sudden one like this.- Please.
0:29:30 > 0:29:33Please look into the development company.
0:29:33 > 0:29:38Just check out how they operate, because this isn't right.
0:29:38 > 0:29:41I've already had my knuckles rapped for going off-piste once lately.
0:29:41 > 0:29:44And you're too scared to step out of line?
0:29:45 > 0:29:47I wish Raymond had been as big a coward as you are,
0:29:47 > 0:29:49because he might still be alive.
0:29:53 > 0:29:58- OK, leave it with me. I'll see what I can do.- You promise?
0:30:02 > 0:30:05Give that man a funeral, and we've got a deal.
0:30:18 > 0:30:20DOOR CLOSES
0:30:21 > 0:30:24Stevie, I need you to help me arrange Raymond's funeral.
0:31:09 > 0:31:11# The rabbit hopped over the log
0:31:11 > 0:31:13# And the rabbit crawled under the log...
0:31:14 > 0:31:17# And the rabbit... # Er...
0:31:17 > 0:31:19What's the rhyme? I forgot...
0:31:19 > 0:31:22You should have let me do that.
0:31:22 > 0:31:26I know how to tie his tie, I just forgot the rhyme.
0:31:26 > 0:31:29You know, I've been waiting for you to have a bad day.
0:31:29 > 0:31:32All this stress has not been good for you.
0:31:32 > 0:31:35I'm fine! I'm just worried about Eileen.
0:31:35 > 0:31:37And I'm disappointed that Gina didn't come back to support
0:31:37 > 0:31:39her sister.
0:31:39 > 0:31:41She offered,
0:31:41 > 0:31:43and Eileen told her not to bother.
0:31:43 > 0:31:47I think Eileen would be happy if no-one at all turned up today.
0:31:49 > 0:31:53- If you ask me, she's feeling the shame of it.- Och, that's not right.
0:31:53 > 0:31:55You don't need to tell ME that!
0:31:56 > 0:32:00- Oh.- Oh, very nice.
0:32:00 > 0:32:03- Mm-hm.- And very dignified.
0:32:04 > 0:32:07Because not everyone wears black these days.
0:32:08 > 0:32:11Especially not for a younger person.
0:32:12 > 0:32:16What is it they say again? They're celebrating a life.
0:32:16 > 0:32:20Well, I don't feel like celebrating, so there we are.
0:32:20 > 0:32:25- Has Stuart had his breakfast? - I'll take him. Come on, son.
0:32:25 > 0:32:27Come on, I'll take you for your breakfast.
0:32:30 > 0:32:32Eileen...
0:32:33 > 0:32:36..I know that you are dreading this funeral.
0:32:37 > 0:32:42But...people these days are much more understanding of the issues
0:32:42 > 0:32:47when somebody has died... the way Raymond did.
0:32:47 > 0:32:49It's not like the old days
0:32:49 > 0:32:51when there might have been some kind of stigma.
0:32:51 > 0:32:53Can we just get through this?
0:32:54 > 0:32:56Whatever the circumstances,
0:32:56 > 0:32:58he was Stuart's father,
0:32:58 > 0:33:02and if my son's to remember this day at all, I'd like him
0:33:02 > 0:33:06to remember it with some kind of pride, if that's even possible.
0:33:06 > 0:33:08Well...
0:33:08 > 0:33:10that's what we all want.
0:33:10 > 0:33:11Good.
0:33:16 > 0:33:18Hey ho.
0:33:48 > 0:33:50That's the hearse arrived.
0:33:50 > 0:33:52Oh, right.
0:33:52 > 0:33:54Let's get this thing done.
0:33:54 > 0:33:56Right, I'll get Stuart.
0:34:01 > 0:34:03I don't think I can do this.
0:34:03 > 0:34:04Come on, hey.
0:34:04 > 0:34:06Take my hand.
0:34:07 > 0:34:09We'll get through this thing together. Come on.
0:35:03 > 0:35:05I knew his friends wouldn't let him down.
0:35:06 > 0:35:09See what an important man your daddy was?
0:39:17 > 0:39:18All right, dear?
0:39:18 > 0:39:20Where's my dad got to?
0:39:20 > 0:39:25He spotted an old pal of George's and went to say hello.
0:39:25 > 0:39:27Can't remember what he had for breakfast,
0:39:27 > 0:39:30but he remembered this old chap that he hadn't seen for 20 years...
0:39:33 > 0:39:37I'll...I'll go on ahead, I think. See how things are going.
0:39:42 > 0:39:43How are you doing?
0:39:44 > 0:39:47I think I'm in a dream.
0:39:47 > 0:39:49I thought I'd be in bits, but I'm just numb.
0:39:51 > 0:39:53What's HE doing here?
0:39:56 > 0:39:58You want me to deal with him?
0:39:58 > 0:40:01No, ignore him.
0:40:01 > 0:40:03It's not about him today.
0:40:03 > 0:40:06Everybody's away to the pub. Do you want to start making a move?
0:40:08 > 0:40:09Two minutes.
0:40:09 > 0:40:11Aye, of course.
0:40:34 > 0:40:35I'm sorry.
0:40:37 > 0:40:40I am so, so sorry.
0:40:49 > 0:40:51SHE SOBS
0:40:57 > 0:41:00- Great seeing you again, Gerry. You take care.- Take care.
0:41:01 > 0:41:03Ah...
0:41:07 > 0:41:09You all right, there?
0:41:09 > 0:41:11Aye, oh, just seeing an old pal of mine there.
0:41:11 > 0:41:15- Used to play cards with him. - Happy days, eh?- Aye, they were.
0:41:15 > 0:41:19Och, maybe we just remember them well from a distance.
0:41:19 > 0:41:24- You must be Eileen's dad, Malcolm, isn't it?- Aye... Have we met before?
0:41:24 > 0:41:27- My memory's not... - No, no, no, I'm Frank.
0:41:27 > 0:41:30- I'm a colleague of Eileen's from the council.- Oh, nice to meet you.
0:41:30 > 0:41:32I'm very sorry for your loss.
0:41:32 > 0:41:36- Oh, thanks. So, you knew Raymond too? - Just in passing.
0:41:36 > 0:41:40- It's really Eileen that I'm here to support.- Oh, that's good of you.
0:41:40 > 0:41:43It's getting on a wee bit, why don't I give you a run to the Tall Ship?
0:41:43 > 0:41:47Oh... That's kind of you, but I can't go without my wife.
0:41:47 > 0:41:49Oh, don't you worry about that.
0:41:49 > 0:41:51There was some confusion with the cars, it's all hands to the pump.
0:41:51 > 0:41:54- Oh, really?- Aye. In you get.
0:41:54 > 0:41:56I'll get you to the Tall Ship in no time.
0:41:56 > 0:41:58You'll get the drinks in for the ladies, eh?
0:41:58 > 0:42:00Aye, that's a good idea, that.
0:42:09 > 0:42:11Have you seen Malcolm?
0:42:13 > 0:42:15I thought he was with you.
0:42:15 > 0:42:17No, I had to go and settle up the account, you know,
0:42:17 > 0:42:21in the church, and now I can't see him anywhere.
0:42:25 > 0:42:26You all right back there, Malcolm?
0:42:26 > 0:42:30Aye... Aye, I'm fine. Thanks, son.
0:42:31 > 0:42:33It's a terrible business, this, eh?
0:42:33 > 0:42:35Aye, oh, aye.
0:42:35 > 0:42:37Raymond... Huh!
0:42:37 > 0:42:39Tragic.
0:42:39 > 0:42:41Him and Eileen were divorced, weren't they?
0:42:41 > 0:42:44Aye, but when you've a kid together...
0:42:44 > 0:42:47nothing's ever cut and dried.
0:42:47 > 0:42:50Well, listen, I'll tell you,
0:42:50 > 0:42:53that lassie hasn't slept a wink since the day he died.
0:42:55 > 0:42:58- So, they were still close, then? - Oh, that's another word. Huh!
0:42:59 > 0:43:01He's left her every penny he had.
0:43:01 > 0:43:03That's a bit unusual, in't it?
0:43:03 > 0:43:05For a couple that split up.
0:43:05 > 0:43:09Ah, but Raymond and Eileen were different.
0:43:09 > 0:43:11They knew each other from when they were teenagers.
0:43:11 > 0:43:15Aye, they were on, then they were off again.
0:43:15 > 0:43:18Ah, but when the chips were down...
0:43:18 > 0:43:22Eileen always turned to Raymond. And him to her.
0:43:23 > 0:43:26So, would you say that Raymond might confide in Eileen?
0:43:28 > 0:43:29Aye!
0:43:29 > 0:43:33Hey, what kind of question is that?
0:43:33 > 0:43:35Sorry. I'm just interested. I'm divorced myself
0:43:35 > 0:43:39so I'm always keen to know how other folks make it work.
0:43:39 > 0:43:41Aye, aye, aye.
0:43:41 > 0:43:42Whatever.
0:43:46 > 0:43:47I'm so sorry.
0:43:47 > 0:43:50He has a habit of wandering off.
0:43:50 > 0:43:52He's definitely not in the churchyard.
0:43:52 > 0:43:54Oh, no, this is all we need!
0:43:54 > 0:43:56Liz, don't worry, he'll be all right, we'll find him.
0:43:56 > 0:43:59Look, I'll take the car, I'll drive around for a bit.
0:43:59 > 0:44:01- He can't have got far. - I'll come with you.- Think about it.
0:44:01 > 0:44:03When did you actually last see him?
0:44:03 > 0:44:06He was talking to that friend of George's.
0:44:06 > 0:44:09Maybe they've wandered off together. They could be in the Tall Ship now.
0:44:09 > 0:44:11She's right, we should get back there.
0:44:11 > 0:44:13Oh, no, I don't want to leave without him.
0:44:13 > 0:44:15Well, he's not here, is he?
0:44:18 > 0:44:19Thank you.
0:44:24 > 0:44:27What's going to happen to his flats? That's what I want to know.
0:44:27 > 0:44:30- Now is not the time. - When is the right time, Jimmy?
0:44:30 > 0:44:33When they're all sold and we're flung out on our ears.
0:44:33 > 0:44:34- Is my dad here?- I've not seen him.
0:44:34 > 0:44:39Oh, no, you see, I knew we shouldn't have left the churchyard!
0:44:39 > 0:44:42- What's wrong, Liz? - Oh, he's gone AWOL.
0:44:42 > 0:44:45- Well, when did you last see him? - At the church.
0:44:45 > 0:44:49- We need to track down that friend of his. Is it Gerry?- Aye, but how?
0:44:49 > 0:44:52Well, he's a friend of Raymond's family. Somebody here must know him.
0:44:52 > 0:44:56- Is everything all right?- Oh! - It's my dad, he's gone missing.
0:44:56 > 0:44:59- I'll make a call. - Last seen at the church.
0:45:01 > 0:45:03- Anything?- No.
0:45:03 > 0:45:06We've covered the area between here and the church.
0:45:06 > 0:45:08Is there anywhere else he might have gone?
0:45:08 > 0:45:10Any number of places!
0:45:10 > 0:45:15The dookets down by the water. One time we found him
0:45:15 > 0:45:19he was going round and round on the Underground. He could be anywhere!
0:45:21 > 0:45:26- Dad! - Oh, Malcolm, thank heavens!
0:45:26 > 0:45:27What's the problem?
0:45:27 > 0:45:30Oh, Dad! Where have you been?
0:45:30 > 0:45:33There was that many folk there and not enough cars.
0:45:33 > 0:45:36So I hitched a lift from this fella here.
0:45:36 > 0:45:37He works with Eileen.
0:45:39 > 0:45:42Took his time getting here. I nodded off.
0:45:42 > 0:45:45Well, just as long as you're all right.
0:45:45 > 0:45:48Why wouldn't I be? Come on.
0:45:52 > 0:45:54I found him wandering away from the cemetery.
0:45:54 > 0:45:57I would have brought him back sooner but you'd left the church and
0:45:57 > 0:46:00he started getting confused about where the reception was.
0:46:00 > 0:46:02Thanks a lot. We're really glad you found him.
0:46:02 > 0:46:05- Kelly-Marie, can you give us a minute?- Sure.
0:46:07 > 0:46:10I don't know what you've just done but you need to go now.
0:46:10 > 0:46:12Eileen, I thought I'd done a good thing.
0:46:12 > 0:46:15I found an elderly confused man wandering the streets...
0:46:15 > 0:46:17I said, get out.
0:46:17 > 0:46:18All right?
0:46:20 > 0:46:22On behalf of everyone from the council,
0:46:22 > 0:46:25we're very sorry for your loss.
0:46:25 > 0:46:28You don't represent anyone on the council.
0:46:28 > 0:46:30What, have I got to show you the door?
0:46:32 > 0:46:35Sorry. I didn't mean to cause any distress.
0:46:37 > 0:46:38Eileen.
0:47:07 > 0:47:09Hi, Alison? It's Craig Donald here.
0:47:09 > 0:47:12Listen, I've got a document you guys might want to have a gander at.
0:47:12 > 0:47:17It's about a potential cover-up regarding some land in Shieldinch.
0:47:17 > 0:47:20I'll send it over to you. Probably something and nothing.
0:47:20 > 0:47:22Hope you're well, speak to you soon.
0:47:42 > 0:47:45I must have missed the bit where I asked you into my house.
0:47:45 > 0:47:48- I needed to get out of the bar. - Let me recommend the beer garden.
0:47:50 > 0:47:53I'm going. But just for the record...
0:47:55 > 0:47:59..this won't ever be your house. Or your pub.
0:47:59 > 0:48:03Tell that to the Licensing Authorities.
0:48:04 > 0:48:09This place is Raymond's. And mine.
0:48:09 > 0:48:11It's our home. And it always will be.
0:48:16 > 0:48:19Enjoy your spoils, Lenny.
0:48:20 > 0:48:22If you can.
0:50:03 > 0:50:04Hi.
0:50:04 > 0:50:07- Get out of here! - I did knock. You mustn't have heard.
0:50:07 > 0:50:08I'm going to call the police!
0:50:08 > 0:50:13Say what? That I've come to pay my respects to Raymond?
0:50:13 > 0:50:15You're sick!
0:50:15 > 0:50:17I'm a good man.
0:50:19 > 0:50:23It's you. It's you that's behind all this.
0:50:23 > 0:50:24- Eileen... - You set Lenny Murdoch on me!
0:50:24 > 0:50:29No. I didn't. Lenny Murdoch is his own man.
0:50:29 > 0:50:31Do you really think that he would do my bidding?
0:50:31 > 0:50:34You can't deny that you wanted me out of the way.
0:50:34 > 0:50:36No. I can't.
0:50:37 > 0:50:40There's a future out there, Eileen,
0:50:40 > 0:50:44and I want everyone in this city to be a part of it.
0:50:44 > 0:50:46And if that means tearing down old high rises
0:50:46 > 0:50:49and crumbling community centres, then that's what I'll do.
0:50:51 > 0:50:54This Lenny Murdoch thing - it's just not true.
0:50:58 > 0:51:03I get it that you're looking for someone to blame.
0:51:03 > 0:51:12When someone close does that... the guilt is like nothing else.
0:51:14 > 0:51:16Everywhere you go...
0:51:16 > 0:51:21you feel people looking at you with that one question in their eyes.
0:51:23 > 0:51:26"What did you do to push that person over the edge?"
0:51:30 > 0:51:33Cos you were the one closest to that person, right?
0:51:35 > 0:51:39You were the one that they should have wanted to stay alive for.
0:51:40 > 0:51:42The one they could come to with any problems.
0:51:44 > 0:51:47Everyone is looking at you and thinking,
0:51:47 > 0:51:50"You...let...that...person...die."
0:51:50 > 0:51:52How do you know this?
0:51:54 > 0:51:55How do you know this?
0:51:57 > 0:52:04My wife. She did it. Six years ago.
0:52:05 > 0:52:07She hung herself.
0:52:10 > 0:52:15I'm surprised you don't remember. It was all over the papers.
0:52:17 > 0:52:18Nobody said as much,
0:52:18 > 0:52:27but I read between the lines and every article blamed me.
0:52:29 > 0:52:32And maybe they were right.
0:52:34 > 0:52:39I can still remember the daft row we had the night before she died.
0:52:41 > 0:52:45Every stupid hurtful word.
0:52:48 > 0:52:50I would give anything...
0:52:50 > 0:52:53if I could take those words back.
0:52:53 > 0:52:55Everything.
0:52:56 > 0:52:59- SHE WAILS - Eileen?
0:52:59 > 0:53:02It IS my fault.
0:53:02 > 0:53:03I told him to go away.
0:53:03 > 0:53:06I told I didn't want him!
0:53:06 > 0:53:09It's OK, it's OK...
0:53:09 > 0:53:14What am I going to do, what am I going to do without him?
0:53:17 > 0:53:19SHE WAILS
0:53:19 > 0:53:22RAUCOUS LAUGHTER
0:53:26 > 0:53:29He came home that night covered in sludge from the riverbank.
0:53:29 > 0:53:31George took one look at him
0:53:31 > 0:53:35and knew right away he'd been out looking for that old German sub.
0:53:35 > 0:53:38So he smacked him till he was black and blue for his troubles.
0:53:38 > 0:53:40He told me about that sub.
0:53:40 > 0:53:43Me and Deek went out looking for it too.
0:53:43 > 0:53:45You're as daft as he was.
0:53:45 > 0:53:48He wasn't the sharpest tool in the box, was he?
0:53:48 > 0:53:52Mind that Sharon McLaren fae Arran? She played him like a banjo.
0:53:55 > 0:53:57Aye, he was good at dishing out the advice
0:53:57 > 0:53:58but not so good at taking it.
0:54:06 > 0:54:08It'll not be the same without him.
0:54:14 > 0:54:15To Raymond.
0:54:15 > 0:54:17ALL: Raymond.
0:54:23 > 0:54:26Can I get you some more water?
0:54:26 > 0:54:28No, thanks.
0:54:30 > 0:54:32I'm sorry.
0:54:32 > 0:54:37It's better to let it all out. I get it. I really do.
0:54:40 > 0:54:41Thank you.
0:54:44 > 0:54:46- I can stay if you like.- No.
0:54:50 > 0:54:54So we're good, then? All this silly police stuff.
0:54:54 > 0:54:58Please, Frank... I just want to sleep.
0:55:02 > 0:55:07You give me a call, yeah? We can get through this...together.
0:55:13 > 0:55:14MUSIC: Laura by Bat For Lashes
0:55:14 > 0:55:19# You say that they've all left you behind
0:55:23 > 0:55:27# Your heart broke when the party died... #
0:55:34 > 0:55:37WEEPING
0:55:41 > 0:55:48# Can we dance upon the tables again?
0:55:51 > 0:55:56# When your smile is so wide and your heels are so high
0:55:57 > 0:56:00# You can't cry
0:56:00 > 0:56:05# Get your glad rags on and let's sing along
0:56:07 > 0:56:10# To that lonely song
0:56:11 > 0:56:15# You're the train that crashed my heart
0:56:15 > 0:56:19# You're the glitter in the dark
0:56:19 > 0:56:25# Ooh, Laura, you're more than a superstar
0:56:29 > 0:56:32# And in this horror show
0:56:32 > 0:56:37# I've got to let you know
0:56:37 > 0:56:43# Ooh, Laura, you're more than a superstar... #
0:56:49 > 0:56:51SHE CALLS OUT
0:56:57 > 0:56:59So, first day back.
0:56:59 > 0:57:02I just need to get back to some kind of normality.
0:57:04 > 0:57:07PHONE RINGS
0:57:07 > 0:57:08Mum.
0:57:08 > 0:57:13Alan, I'm...I'm begging you here. I've got nowhere else to turn.