0:00:03 > 0:00:06This programme contains strong language.
0:00:16 > 0:00:20Y'know, you'd be surprised at how quickly these get mixed up.
0:00:20 > 0:00:23People come in, lift a pack down, put a pack somewhere else.
0:00:23 > 0:00:26Next thing you know, they're all over the place.
0:00:26 > 0:00:29Now, I know it's your first day here, but you'll soon get the hang of it.
0:00:29 > 0:00:32A lot of these open packs... VOICE FADES
0:00:43 > 0:00:44You.
0:00:45 > 0:00:47It IS you.
0:00:50 > 0:00:52Whoa, you can't come through here.
0:00:52 > 0:00:54- Some nerve, showing your face around here.- Whoa, whoa...
0:02:02 > 0:02:04No.
0:02:44 > 0:02:46SHE WHISTLES IN SURPRISE
0:02:47 > 0:02:49BELL DINGS
0:02:52 > 0:02:54SHE SIGHS
0:04:40 > 0:04:42Shit!
0:04:45 > 0:04:47Diarmaid Black?
0:04:47 > 0:04:49He's not here at the minute. Can I take a message?
0:04:49 > 0:04:52We're here to reclaim.
0:04:52 > 0:04:55Six computers, a photocopier, two cameras.
0:04:55 > 0:04:57For non-payment of hire purchase.
0:04:57 > 0:04:59Problem, Diarmaid?
0:05:01 > 0:05:03I sent a cheque.
0:05:03 > 0:05:06This one?
0:05:06 > 0:05:08It bounced.
0:05:08 > 0:05:12- No, no, no, no, lads. You can't take the gear.- We have our orders.
0:05:12 > 0:05:14Look, lads, lads, I know what you're doing.
0:05:14 > 0:05:17You're turning the screw a wee bit. And fair play, it works.
0:05:17 > 0:05:20But leave the computers. I've got some money outside in the car.
0:05:20 > 0:05:22If you come with me, I'll sort this out.
0:05:22 > 0:05:26- Come on.- I'll need to speak to my boss.- Absolutely!
0:06:28 > 0:06:31Cormac!
0:06:58 > 0:07:00PHONE RINGS
0:07:39 > 0:07:41Janine?
0:08:10 > 0:08:11Diarmaid?
0:08:15 > 0:08:17Eh?
0:09:08 > 0:09:10Well?
0:09:14 > 0:09:16Mark Dillon, is it?
0:09:16 > 0:09:18Aye. Who wants to know?
0:09:18 > 0:09:21I work for the local paper. I want a word with you.
0:09:21 > 0:09:23And what is this? What do you want?
0:09:23 > 0:09:24I was wondering how you felt,
0:09:24 > 0:09:27coming face to face with the parents of the baby you ran over.
0:09:27 > 0:09:29And then you're out drinking and driving again.
0:09:29 > 0:09:30Easy there, big lad.
0:09:30 > 0:09:32We have photographs of you.
0:09:32 > 0:09:33Piss off.
0:09:33 > 0:09:36And you can get that out of my face. You have no right.
0:09:37 > 0:09:39No right at all!
0:09:40 > 0:09:42I think he made it pretty clear he doesn't want to talk to you.
0:09:42 > 0:09:47- Yes, I understand that, but... - He said no.
0:09:47 > 0:09:48OK?
0:09:48 > 0:09:50There are channels you can go through.
0:09:52 > 0:09:54And I don't want my picture taken.
0:09:54 > 0:09:56Now...
0:09:56 > 0:09:58if you don't mind...
0:10:02 > 0:10:04DOORBELL RINGS Alix...
0:11:10 > 0:11:12OK.
0:12:33 > 0:12:36GENTLE PIANO MUSIC PLAYS
0:12:52 > 0:12:54GLASS SMASHES
0:13:20 > 0:13:22ALARM BLARES
0:13:30 > 0:13:32Jesus!
0:13:53 > 0:13:54Where's Tommy?
0:13:54 > 0:13:56I don't know.
0:13:56 > 0:13:58No!
0:14:00 > 0:14:02HE COUGHS
0:14:08 > 0:14:09Tommy!
0:14:09 > 0:14:11Tommy, are you in there?
0:14:13 > 0:14:15- Tommy! - SIREN WAILS
0:15:07 > 0:15:10Mr Brady? What happened?
0:15:10 > 0:15:13- What the hell do you think? - HE COUGHS
0:15:14 > 0:15:18They burned us out. But I'll tell you something.
0:15:18 > 0:15:20I'd be dead now if it wasn't for Mark Dillon.
0:15:20 > 0:15:25He got me out. And he nearly killed himself doing it.
0:15:25 > 0:15:26Put that in your paper!
0:16:08 > 0:16:10Oh, hi!
0:18:47 > 0:18:48DOOR BUZZER
0:18:51 > 0:18:54'Hello?'
0:18:58 > 0:18:59"Baby"?
0:20:28 > 0:20:30PEOPLE CHATTERING
0:20:43 > 0:20:45It turns out you're quite the hero, Mr Dillon.
0:20:45 > 0:20:48Oh, it's "Mr" now, is it?
0:20:48 > 0:20:50Not "public enemy number one"?
0:20:50 > 0:20:53HE COUGHS
0:20:53 > 0:20:55- "Hero"? Is that what you're going to write?- Yes.
0:20:55 > 0:20:59Well, no. But that IS what people are saying.
0:20:59 > 0:21:02- Would you like to tell me what happened?- Not really, no.
0:21:02 > 0:21:03Were you burned? Any smoke inhalation?
0:21:03 > 0:21:05I don't want anything in the paper.
0:21:05 > 0:21:08Yes, but it's a good story, and we have to write it,
0:21:08 > 0:21:11so it's probably better that we have your input.
0:21:11 > 0:21:13Might help to rehabilitate you in the community.
0:21:13 > 0:21:16Oh, you'd do that for me, would you(?)
0:21:16 > 0:21:18You know, I might just say you were unavailable for comment.
0:21:25 > 0:21:26Look, I...
0:21:28 > 0:21:33Peggy's parents were friends of mine. I used to baby-sit her.
0:21:33 > 0:21:34Now you're out to get me?
0:21:36 > 0:21:37No.
0:21:37 > 0:21:39Of course you are.
0:21:41 > 0:21:44I know what I did was terrible, but...
0:21:45 > 0:21:46I can't change it.
0:21:47 > 0:21:50I can't change it.
0:21:50 > 0:21:53A million fires won't make any difference.
0:21:55 > 0:21:57I'm sorry.
0:22:01 > 0:22:03Did you never think of telling them that?
0:22:05 > 0:22:07I'm not brave enough for that.
0:22:09 > 0:22:11No, I, erm...
0:22:11 > 0:22:14No, I was stupid to think I could come back here.
0:22:16 > 0:22:18It's the only place I know.
0:22:18 > 0:22:20But I...
0:22:20 > 0:22:23I thought somehow...it would be OK.
0:22:26 > 0:22:29Even my own family won't speak to me.
0:22:33 > 0:22:36If I don't write this...
0:22:36 > 0:22:37somebody else will.
0:22:40 > 0:22:42I'll be fair.
0:23:51 > 0:23:53KNOCK AT DOOR
0:24:18 > 0:24:21MUSIC: "Queen Bitch" by David Bowie
0:24:28 > 0:24:29# Ah, yeah!
0:24:32 > 0:24:33# Oh, yeah!
0:24:35 > 0:24:40# I'm up on the eleventh floor and I'm watching the cruisers below
0:24:42 > 0:24:47# He's down on the street and he's trying hard to pull Sister Flo
0:24:49 > 0:24:54# Oh, my heart's in the basement My weekend's at an all-time low. #
0:24:55 > 0:24:56Subtitles by Red Bee Media Ltd