0:00:16 > 0:00:17Clearance for act two.
0:00:17 > 0:00:19Thanks, Cal.
0:00:22 > 0:00:26APPLAUSE
0:00:38 > 0:00:41Ladies and gentleman,
0:00:41 > 0:00:46welcome back to our celebration of the magical and the macabre!
0:00:48 > 0:00:51The next part of tonight's performance
0:00:51 > 0:00:53is not for those of a weak constitution.
0:00:53 > 0:00:55If you are easily shocked,
0:00:55 > 0:00:56or prone to nightmares,
0:00:56 > 0:01:01I highly recommend you leave the theatre immediately.
0:01:04 > 0:01:06You have been warned.
0:01:07 > 0:01:11Now, I require a volunteer.
0:01:11 > 0:01:14Somebody brave or, failing that...
0:01:19 > 0:01:20..foolish.
0:01:23 > 0:01:25Please look under your seats!
0:01:29 > 0:01:32There's no way I'm getting on stage with that pompous prat.
0:01:32 > 0:01:34Here!
0:01:34 > 0:01:35Do we have a volunteer?
0:01:35 > 0:01:37- Yep.- Yes, madam.
0:01:37 > 0:01:39Please. She looks nervous!
0:01:39 > 0:01:41How about a round of applause?
0:01:41 > 0:01:44APPLAUSE
0:01:46 > 0:01:51A little more encouragement, please, ladies and gentlemen.
0:01:54 > 0:01:56If you'd like to come with me.
0:01:56 > 0:01:57Please don't tell me your name.
0:01:57 > 0:02:02I don't want to become emotionally attached, just in case.
0:02:02 > 0:02:05Now, I would like to introduce you all
0:02:05 > 0:02:07to a woman close to my heart.
0:02:07 > 0:02:09I call her...
0:02:09 > 0:02:10..the Iron Maiden!
0:02:10 > 0:02:13GASPS, THUNDER SOUND EFFECT
0:02:17 > 0:02:22For those of you who think these spikes are fake...
0:02:24 > 0:02:27Solid metal.
0:02:27 > 0:02:28Please.
0:02:33 > 0:02:35Try to relax.
0:02:46 > 0:02:49Don't worry, ladies and gentlemen.
0:02:49 > 0:02:54I have no doubt she will find this to be a transformative experience.
0:02:59 > 0:03:01SCREAMING
0:03:01 > 0:03:03- Jill? - GASPS
0:03:05 > 0:03:06Jill, you OK?
0:03:08 > 0:03:10Look, there's blood!
0:03:54 > 0:03:55Look.
0:03:57 > 0:03:58Do I have to?
0:03:58 > 0:04:00We should be doing this!
0:04:00 > 0:04:01- What, gurning?- Publicising!
0:04:01 > 0:04:03What for?
0:04:03 > 0:04:06Look, what, let me think... Because we've got no clients!
0:04:06 > 0:04:09Not true! What about that identity theft case?
0:04:09 > 0:04:11Oh, he called up to cancel.
0:04:11 > 0:04:14Turns out it was his sister, only she thought he was dead and...
0:04:14 > 0:04:15It's a long story.
0:04:15 > 0:04:17Well, don't worry about it, something will turn up.
0:04:17 > 0:04:20- It always does.- Hope so, cos you've got more bills than a duck pond.
0:04:20 > 0:04:22Chester Patterson is our main competition.
0:04:22 > 0:04:24He is a fake!
0:04:24 > 0:04:27He used to sell overpriced wine for a living, eh.
0:04:27 > 0:04:30I mean, what kind of PI puts his own face on a flyer?
0:04:30 > 0:04:33I'm twice the detective he'll ever be!
0:04:33 > 0:04:35Well, if that's the case, how come he's opening
0:04:35 > 0:04:37a new swanky office down the road
0:04:37 > 0:04:38and we are just stood here,
0:04:38 > 0:04:40I'm just stood here eating doughnuts?
0:04:40 > 0:04:43Because, unlike Mr Chester Patterson,
0:04:43 > 0:04:45I have integrity.
0:04:46 > 0:04:47Says a man in a fake leather jacket.
0:04:47 > 0:04:50Hey, this is real. Smell it.
0:04:50 > 0:04:52Either way, integrity won't pay the bills, will it?
0:04:52 > 0:04:55If we're so much better than him, then that's great!
0:04:55 > 0:04:58That is brilliant. Let's shout about it. Let's tell everyone.
0:04:58 > 0:05:00All right. And how we going to do that?
0:05:02 > 0:05:06As you can see, these chains are very real
0:05:06 > 0:05:09and very...strong.
0:05:21 > 0:05:23I'm starting the stopwatch...
0:05:23 > 0:05:25..now!
0:05:25 > 0:05:29His record is 13 seconds.
0:05:29 > 0:05:32It's not that interesting. Let's go.
0:05:34 > 0:05:37Of course, he's not performed this particular trick in a while.
0:05:39 > 0:05:41Won't be long now.
0:05:41 > 0:05:43One final lock...
0:05:43 > 0:05:44Ta-da!
0:05:47 > 0:05:53"To be or not to be, that is the question.
0:05:53 > 0:05:55"Whether 'tis nobler of the mind to suffer
0:05:55 > 0:05:58"The slings and arrows of outrageous fortune, or..."
0:05:58 > 0:06:00I am fortune's fool.
0:06:00 > 0:06:01"..against a sea of troubles
0:06:01 > 0:06:05"And, by opposing, end them."
0:06:05 > 0:06:07APPLAUSE
0:06:07 > 0:06:10Don't give up, Dad.
0:06:10 > 0:06:11You just need to get your mojo back.
0:06:11 > 0:06:13Why?
0:06:13 > 0:06:16So I can do card tricks with the other lags?
0:06:20 > 0:06:23"Involuntary manslaughter by gross negligence."
0:06:25 > 0:06:27But...it was an accident!
0:06:28 > 0:06:30You have to fight this.
0:06:30 > 0:06:32A woman died.
0:06:32 > 0:06:33It was my fault.
0:06:34 > 0:06:37You've done the Iron Maiden trick a thousand times.
0:06:37 > 0:06:39You checked it and double-checked it.
0:06:39 > 0:06:40It's safe
0:06:40 > 0:06:42It's clearly not.
0:06:48 > 0:06:51For my opening night at the Terranova tomorrow.
0:06:51 > 0:06:53Show there are no hard feelings.
0:07:03 > 0:07:04What if it wasn't an accident?
0:07:13 > 0:07:17"Choose Shakespeare and Hathaway, because the other guy's a pillock"?
0:07:17 > 0:07:19- Could you please take this seriously?- I am!
0:07:19 > 0:07:22No, you're not, you can't be writing...
0:07:22 > 0:07:24Dear Lord, please let these clients
0:07:24 > 0:07:26be affluent, desperate and suggestible...
0:07:26 > 0:07:28- So much for integrity. - And thank you for the doughnuts.
0:07:28 > 0:07:31- I brought you the doughnuts. - The Lord works in mysterious ways.
0:07:31 > 0:07:33- KNOCK ON DOOR - Come in.
0:07:33 > 0:07:36Mr and Miss Pross.
0:07:36 > 0:07:38- They want to employ our services. - Hi. Hi.
0:07:41 > 0:07:43Hang on, aren't you that magician?
0:07:43 > 0:07:47Yes! Yes! The Great Prossini!
0:07:47 > 0:07:49I saw your show a couple of years ago.
0:07:49 > 0:07:52It's just... It was brilliant.
0:07:52 > 0:07:53Lawrence will suffice.
0:07:53 > 0:07:56This is my daughter, and assistant, Maggie.
0:07:56 > 0:07:58- Please.- Yes. Yeah.
0:08:02 > 0:08:04Are you here about what happened to that woman?
0:08:04 > 0:08:07- I heard about it on the news. - We believe the trick was sabotaged.
0:08:07 > 0:08:09- By?- Anton Dukes.
0:08:09 > 0:08:11AKA The Amazing Antonio.
0:08:11 > 0:08:14- He was there that night. - Another magician?
0:08:14 > 0:08:18Hardly! He calls himself an "experimental illusionist".
0:08:18 > 0:08:20He's been stealing my tricks for years.
0:08:20 > 0:08:24And you think Mr Dukes caused the fatality in order to...?
0:08:24 > 0:08:26Destroy Dad's career.
0:08:26 > 0:08:29Anton's taken over our spot at the theatre.
0:08:29 > 0:08:32The last few weeks have been a nightmare.
0:08:32 > 0:08:33We've been spat at in the street.
0:08:33 > 0:08:35Our van's been vandalised.
0:08:35 > 0:08:37They even broke off my aerial
0:08:37 > 0:08:39and threw it into a tree.
0:08:41 > 0:08:43Dad's being charged with manslaughter.
0:08:43 > 0:08:44He could go to jail.
0:08:46 > 0:08:47You've got to help us.
0:08:47 > 0:08:50Why don't we put the kettle on
0:08:50 > 0:08:53and you can tell us all about it?
0:08:53 > 0:08:54Sebastian?
0:08:55 > 0:08:58Starting with how the trick's supposed to work.
0:08:58 > 0:09:01That's not possible. The Magic Circle have...
0:09:01 > 0:09:03Have already kicked you out.
0:09:03 > 0:09:04Just tell them, Dad.
0:09:08 > 0:09:10It's easier if I show you.
0:09:11 > 0:09:13Yes.
0:09:13 > 0:09:14Yeah.
0:09:17 > 0:09:19- HE WHISPERS:- Just calm down.
0:09:22 > 0:09:24Stratford's greatest con artist.
0:09:25 > 0:09:27Callum!
0:09:29 > 0:09:31Erm, Maggie, how've you been?
0:09:33 > 0:09:34Who are they?
0:09:34 > 0:09:36They're going to clear Dad's name.
0:09:36 > 0:09:37Right.
0:09:37 > 0:09:39I suppose you better come in then.
0:09:43 > 0:09:45The police took the real Iron Maiden away
0:09:45 > 0:09:47but we can use these trunks.
0:09:47 > 0:09:50Excuse me! Mr Pross?
0:09:50 > 0:09:51Iris! How lovely to see you.
0:09:51 > 0:09:55You too, Mr Pross, but you're not really allowed to be in here.
0:09:55 > 0:09:58- My manager said you're... - Barred. I'm aware.
0:09:58 > 0:10:01Iris, these kind people are helping us discover
0:10:01 > 0:10:04what happened to that poor woman.
0:10:04 > 0:10:06I would consider it a great favour
0:10:06 > 0:10:08if you would turn a blind eye.
0:10:08 > 0:10:09We won't be long.
0:10:10 > 0:10:12OK.
0:10:12 > 0:10:13Just while my manager's on lunch.
0:10:13 > 0:10:14You're an angel.
0:10:16 > 0:10:19So, we bring the volunteer up onstage.
0:10:19 > 0:10:20Hooray!
0:10:20 > 0:10:23Sorry, how is that person chosen?
0:10:24 > 0:10:27I put a joker under one of the seats during the interval.
0:10:27 > 0:10:29So, you don't know who it is until they come onstage?
0:10:29 > 0:10:30No. I just pick a random seat.
0:10:32 > 0:10:35I position the volunteer.
0:10:35 > 0:10:36Please stand in here...
0:10:38 > 0:10:40..and try to relax.
0:10:40 > 0:10:45Now, on the underside of this front section is a strong magnet.
0:10:45 > 0:10:48When the device passes this point,
0:10:48 > 0:10:50the magnet breaks a circuit,
0:10:50 > 0:10:52opens the trap door,
0:10:52 > 0:10:55the volunteer disappears into the trap room,
0:10:55 > 0:10:58a spring mechanism pushes the trap door back into place
0:10:58 > 0:11:02just before the Iron Maiden closes.
0:11:02 > 0:11:04I wait downstairs to make sure they're all right
0:11:04 > 0:11:06and then I just bring them up after the trick's over.
0:11:06 > 0:11:08What, is that it?
0:11:08 > 0:11:09Oh!
0:11:09 > 0:11:12Then I do a bit more spiel...
0:11:13 > 0:11:15..and Maggie emerges
0:11:15 > 0:11:18from a secret compartment behind the spikes,
0:11:18 > 0:11:20resplendent in sequins.
0:11:22 > 0:11:26Is it not possible that maybe the trap door just jammed by itself?
0:11:26 > 0:11:29No, I do a safety check every night before the second half.
0:11:29 > 0:11:31A power-cut?
0:11:31 > 0:11:33If the power goes, the latch opens. That's how it works.
0:11:33 > 0:11:36But surely the police would've noticed if it'd been tampered with.
0:11:36 > 0:11:38Not if Anton removed any evidence.
0:11:38 > 0:11:41So, you're saying that this Anton guy -
0:11:41 > 0:11:44from his seat, somewhere in the auditorium -
0:11:44 > 0:11:46managed to jam the trap door shut
0:11:46 > 0:11:49and then un-jam it, but during the show, without anybody noticing.
0:11:49 > 0:11:51He's a magician, isn't he?
0:11:54 > 0:11:56Well, you got your wish.
0:11:56 > 0:11:58"Desperate, affluent and suggestible."
0:11:58 > 0:12:01Although I don't really feel like there's much of a case here.
0:12:01 > 0:12:03I feel like they just can't accept that The Great Prossini
0:12:03 > 0:12:05might have messed up.
0:12:05 > 0:12:06No, I'm not so sure.
0:12:06 > 0:12:08Really?
0:12:08 > 0:12:10I do think he quite liked a bit of a drink.
0:12:10 > 0:12:13I mean, really, would you put your life in his hands?
0:12:13 > 0:12:15Francis!
0:12:15 > 0:12:17Long time, no see.
0:12:17 > 0:12:18- Not long enough.- Francis?
0:12:21 > 0:12:25Chester. You're looking...well.
0:12:25 > 0:12:26And you must be Ms Shakespeare.
0:12:26 > 0:12:30I heard Francis had got himself a glamorous new assistant.
0:12:30 > 0:12:32I'm his partner.
0:12:32 > 0:12:34Business partner.
0:12:34 > 0:12:35He's a lucky man.
0:12:35 > 0:12:37Chester Patterson.
0:12:37 > 0:12:41Sure you've heard of Chester Patterson's Investigations.
0:12:41 > 0:12:43This is my client, Mr Shiplake.
0:12:43 > 0:12:45Mr Shiplake? Your wife was...
0:12:45 > 0:12:47Murdered by that maniac? Yes.
0:12:47 > 0:12:49Our condolences.
0:12:49 > 0:12:53And we intend to sue Mr Pross for every penny he has.
0:12:53 > 0:12:55I'm helping Mr Shiplake build a case
0:12:55 > 0:12:57- for a private compensation claim. - PHONE RINGS
0:12:57 > 0:12:59Excuse me, I have to take this.
0:13:01 > 0:13:03We... We have reason to believe
0:13:03 > 0:13:05there might be a third party involved.
0:13:05 > 0:13:07And what reason is that?
0:13:07 > 0:13:09Well, I'm not at liberty to say.
0:13:10 > 0:13:13So, wait, you're working for The Great Prossini?
0:13:14 > 0:13:16Might be.
0:13:16 > 0:13:18That's priceless! I've looked into the incident, Francis.
0:13:18 > 0:13:20If you think it was foul play, you're wrong.
0:13:20 > 0:13:22Well, do you want to put your money where your mouth is then?
0:13:22 > 0:13:24- You want to make a wager?! - Excuse us.
0:13:24 > 0:13:26- What are you doing?! - I'm doing what you said.
0:13:26 > 0:13:28Trying to prove we're the best in town.
0:13:28 > 0:13:29No! This is not what I meant.
0:13:29 > 0:13:31Listen to your hairdresser, Francis.
0:13:31 > 0:13:33Sounds like what she lacks in expertise
0:13:33 > 0:13:36she makes up for in female intuition.
0:13:36 > 0:13:37Two days.
0:13:39 > 0:13:40Two days.
0:13:40 > 0:13:43And if we haven't proved that Pross is innocent by then,
0:13:43 > 0:13:47then Frank and I will spend an entire day
0:13:47 > 0:13:49handing out your flyers.
0:13:49 > 0:13:51And if you succeed?
0:13:53 > 0:13:55I was talking about 20 quid,
0:13:55 > 0:13:57not humiliating myself in public
0:13:57 > 0:13:59promoting our biggest rivals.
0:13:59 > 0:14:01So, I got carried away!
0:14:01 > 0:14:03As long as we solve the case,
0:14:03 > 0:14:05it doesn't matter, does it?
0:14:05 > 0:14:06And we are the best, remember?
0:14:07 > 0:14:08All right!
0:14:08 > 0:14:10Listen, I want you to go back to the office
0:14:10 > 0:14:13and run those background checks, and talk to the daughter again.
0:14:13 > 0:14:16But on her own this time. She might open up if her dad's not there.
0:14:16 > 0:14:17What are you going to do?
0:14:17 > 0:14:19I'm going to deal with this.
0:14:19 > 0:14:22Good luck. SHE LAUGHS
0:14:22 > 0:14:24Well, well, if it isn't Arden Constabulary's finest!
0:14:24 > 0:14:27- I just had a phone call. - PPI? I hate those.
0:14:27 > 0:14:31Mr Shiplake has had a very distressing experience.
0:14:31 > 0:14:32Now he's worried that your investigation
0:14:32 > 0:14:35is going to confuse the witnesses and mess up the trial.
0:14:35 > 0:14:36That is rubbish.
0:14:36 > 0:14:39Chester Patterson got him to call you
0:14:39 > 0:14:41because he's scared we might find something.
0:14:41 > 0:14:43Yeah, but there's nothing to find, Frank.
0:14:43 > 0:14:45You know, there was no sign that the trap door was tampered with.
0:14:45 > 0:14:46Right, look.
0:14:46 > 0:14:50Hypothetically, OK, if someone wanted to sabotage...
0:14:50 > 0:14:51Oh, who? Why? When?
0:14:51 > 0:14:53Look, we've done a thorough investigation
0:14:53 > 0:14:56and so has the Health and Safety Executive.
0:14:56 > 0:14:58Now, the only fingerprints found on the device
0:14:58 > 0:15:01were those belonging to Lawrence Pross and a resident technician.
0:15:02 > 0:15:04- Well, you must've come up with something.- Yeah, we did.
0:15:04 > 0:15:07In-house usher Iris Swifton.
0:15:07 > 0:15:10She was seen having an argument with the deceased during an interval.
0:15:10 > 0:15:12- And?- And there was a dead end!
0:15:12 > 0:15:15It was just a customer complaint that was handled badly.
0:15:15 > 0:15:19And anyway, if someone wanted to kill Mrs Shiplake, well,
0:15:19 > 0:15:20she was chosen at random!
0:15:20 > 0:15:24Yeah, but if Mr Pross is right, the victim's irrelevant.
0:15:24 > 0:15:26Someone wanted to ruin his career.
0:15:26 > 0:15:29Yeah, and by "someone" you mean Anton Dukes.
0:15:29 > 0:15:31He was on a date the whole night.
0:15:31 > 0:15:34Look, the CPS have made their decision.
0:15:34 > 0:15:35The case is closed.
0:15:35 > 0:15:37Well, we won't be getting in their way
0:15:37 > 0:15:39if we have a look around ourselves, will we?
0:15:42 > 0:15:44Have you always wanted to be a performer?
0:15:44 > 0:15:45Not really.
0:15:45 > 0:15:49When I was little, I planned on being an archaeologist.
0:15:49 > 0:15:53Travel the world exploring lost temples.
0:15:53 > 0:15:55It sounds silly now.
0:15:55 > 0:15:57I think I just wanted to be Lara Croft.
0:15:57 > 0:15:59I left school after my GCSEs,
0:15:59 > 0:16:02been helping Dad ever since.
0:16:02 > 0:16:04And how long has your dad known Anton Dukes?
0:16:04 > 0:16:06A few years.
0:16:06 > 0:16:08Dad helped Anton out when he first started on the circuit.
0:16:08 > 0:16:11He was even going to propose Anton for the Magic Circle
0:16:11 > 0:16:14but then he found out Anton was using some of his tricks,
0:16:14 > 0:16:16passing them off as his own.
0:16:16 > 0:16:19Dad reported him and Anton got blacklisted.
0:16:20 > 0:16:22Do you think Dukes is really capable of murder?
0:16:22 > 0:16:25He certainly gives me the creeps.
0:16:25 > 0:16:27And Dad had this book full of his stage notes, right?
0:16:29 > 0:16:31Diagrams, scripts, everything.
0:16:31 > 0:16:33The Tuesday before the accident, it went missing.
0:16:33 > 0:16:35What, and you think Anton stole it?
0:16:35 > 0:16:37I saw him backstage...
0:16:38 > 0:16:40Maggie!
0:16:40 > 0:16:43- How are tricks? - What are you doing, Anton?
0:16:43 > 0:16:46- I was... I was looking for your dad. - He's rehearsing.
0:16:46 > 0:16:49All right. Well, never mind. I'll catch him later.
0:16:49 > 0:16:51I thought you two weren't speaking.
0:16:51 > 0:16:53Who told you that?
0:16:53 > 0:16:56Ah, speak of the devil!
0:16:56 > 0:16:58Callum!
0:16:58 > 0:16:59Yes, Mr Pross?
0:16:59 > 0:17:02What have I told you about leaving the stage door unlocked?
0:17:02 > 0:17:06Any vermin might crawl out of the sewer
0:17:06 > 0:17:07into our crucible of magic.
0:17:07 > 0:17:08Sorry, Mr Pross.
0:17:08 > 0:17:11There's no need to be like that, Larry.
0:17:11 > 0:17:13I thought we might start over.
0:17:14 > 0:17:18Maybe I could do a guest spot here one night.
0:17:18 > 0:17:20You wouldn't have to pay.
0:17:20 > 0:17:22I'd do it for the exposure.
0:17:22 > 0:17:24If you wish to expose yourself,
0:17:24 > 0:17:26please do it elsewhere.
0:17:40 > 0:17:42Did you tell the police?
0:17:42 > 0:17:43Only after the accident.
0:17:43 > 0:17:47And, of course, Anton denied taking it.
0:17:47 > 0:17:49I hope you don't mind me asking this but...
0:17:49 > 0:17:53..does your dad normally drink during the day?
0:17:53 > 0:17:54No!
0:17:54 > 0:17:57I mean...
0:17:58 > 0:18:00My mum left when I was 15.
0:18:00 > 0:18:02Dad took it pretty hard, hit the bottle, but...
0:18:04 > 0:18:06..he sorted himself out.
0:18:06 > 0:18:09It's only since the accident...
0:18:09 > 0:18:12- He's not coping.- He's scared.
0:18:12 > 0:18:15How's someone like him going to cope in jail?
0:18:16 > 0:18:17It won't come to that.
0:18:22 > 0:18:24SHE SCREAMS
0:18:28 > 0:18:30Did you get my message about the stage notes?
0:18:30 > 0:18:32Yeah, I ran it by Marlowe.
0:18:32 > 0:18:35Problem is, Pross didn't report the theft at the time.
0:18:35 > 0:18:37She reckons he's making it up.
0:18:37 > 0:18:39Ah, well, it is a bit convenient, isn't it?
0:18:39 > 0:18:41All your notes vanishing,
0:18:41 > 0:18:44just as they launch a health and safety investigation.
0:18:44 > 0:18:46- What else did she say?- She said we were wasting our time.
0:18:46 > 0:18:48Well, she's got a point, hasn't she?
0:18:48 > 0:18:51I mean, how long are we planning on just standing here doing nothing?
0:18:51 > 0:18:54Look, we've got...
0:18:54 > 0:18:56..46 hours and we'll be handing out Chester's notes.
0:18:56 > 0:18:59Dukes is the only person we've got with a motive.
0:18:59 > 0:19:01Right. So what are we going to find out
0:19:01 > 0:19:03loitering outside his house all day?
0:19:03 > 0:19:05What've I told you, eh?
0:19:05 > 0:19:07Surveillance is 90% of the job.
0:19:07 > 0:19:10You know we get inside people's heads,
0:19:10 > 0:19:12- find out what lies beneath the surface.- Idiot!
0:19:14 > 0:19:18- I was only going to show you my rabbit!- Really?
0:19:23 > 0:19:25- Where you going? - We haven't got time for this.
0:19:25 > 0:19:28I have met men like Dukes before.
0:19:28 > 0:19:31Trust me, there is nothing going on beneath the surface.
0:19:31 > 0:19:33Lu! Lu!
0:19:33 > 0:19:34Lu.
0:19:34 > 0:19:36Jealous? That's a laugh!
0:19:42 > 0:19:43Pross is a dinosaur.
0:19:43 > 0:19:45He's been doing the same tricks since the '80s.
0:19:45 > 0:19:47Why cop...?!
0:19:47 > 0:19:50HE GROANS AND CLEARS THROAT
0:19:51 > 0:19:53So, why copy them, then?
0:19:53 > 0:19:56Those old illusions are like jazz standards.
0:19:56 > 0:19:58You take the classic trick and put a new twist on it.
0:19:59 > 0:20:02Anyway, I've moved on since then.
0:20:02 > 0:20:05So, why were you there that night then?
0:20:05 > 0:20:08Well, I like to keep an eye on my competitors.
0:20:09 > 0:20:11Even the rubbish ones.
0:20:13 > 0:20:15Why would I sabotage his act
0:20:15 > 0:20:17when he does such a good job of that himself?
0:20:17 > 0:20:19Well, so you could inherit his residency at the theatre.
0:20:22 > 0:20:26Yeah, well, the Terranova's hardly worth killing for, is it?
0:20:26 > 0:20:27Revenge, then.
0:20:27 > 0:20:30For having you blacklisted from the Magic Circle.
0:20:34 > 0:20:36Maybe you never meant to hurt anybody.
0:20:36 > 0:20:39You just wanted to embarrass Pross
0:20:39 > 0:20:40and then it just all went wrong.
0:20:40 > 0:20:42Obviously, badly.
0:20:42 > 0:20:44Yeah, well, I was with my date the whole time.
0:20:44 > 0:20:46Yeah, we heard.
0:20:46 > 0:20:48You haven't got her contact details, have you?
0:20:48 > 0:20:50Just in case she remembered anything useful.
0:20:50 > 0:20:52No, sorry, can't help you there.
0:20:52 > 0:20:55Only met her the night before.
0:20:55 > 0:20:56Name, maybe?
0:20:58 > 0:20:59Lilly...
0:20:59 > 0:21:01Milly...
0:21:02 > 0:21:03No, it's gone.
0:21:03 > 0:21:05Police should have her details.
0:21:05 > 0:21:07And you're confident that she'll back
0:21:07 > 0:21:10- your version of events, are you? - Well, who knows?
0:21:10 > 0:21:12Did my famous vanishing act during the night,
0:21:12 > 0:21:13so she might be a bit miffed.
0:21:14 > 0:21:16I don't like to be there when they wake up.
0:21:17 > 0:21:19Ruins the magic.
0:21:21 > 0:21:22SHE SCOFFS
0:21:28 > 0:21:30The man is a cockroach.
0:21:30 > 0:21:32Yeah, but he's right, though, isn't he?
0:21:32 > 0:21:35The Terranova's not worth killing an innocent woman for.
0:21:35 > 0:21:37Not even if it meant getting revenge on Pross.
0:21:37 > 0:21:39And plus, he's got an alibi.
0:21:39 > 0:21:42Well, so, what are we supposed to do, just give up? Let Chester win?
0:21:43 > 0:21:45No, right, listen.
0:21:45 > 0:21:46We go back to the beginning.
0:21:46 > 0:21:49The victim. Maggie said she chose the volunteer at random.
0:21:51 > 0:21:53What if someone saw where she put the card
0:21:53 > 0:21:55and moved it to Mrs Shiplake's seat?
0:21:55 > 0:21:57Ah.
0:21:57 > 0:21:59- Who?- Marlowe mentioned an argument that night
0:21:59 > 0:22:02between the victim and an on-duty usher.
0:22:02 > 0:22:05Maybe we should have a word.
0:22:11 > 0:22:13Iris...
0:22:13 > 0:22:16- ..do you want a hand?- I'm fine.
0:22:21 > 0:22:23Iris?
0:22:23 > 0:22:25- Ah, you scared the life out of me!- Sorry.- It's OK.
0:22:25 > 0:22:28I'm just a little bit jumpy since...
0:22:28 > 0:22:29You know.
0:22:29 > 0:22:31Yeah, yeah. I'm sure you are.
0:22:31 > 0:22:33Is it all right if we just ask a couple of questions?
0:22:36 > 0:22:39So, is it true that you had an argument
0:22:39 > 0:22:42with Jill Shiplake the night she died?
0:22:42 > 0:22:44Ooh, sorry, I didn't mean to...
0:22:44 > 0:22:46It was my fault!
0:22:46 > 0:22:49I killed her!
0:22:49 > 0:22:51You killed Mrs Shiplake?
0:22:51 > 0:22:53She was sat behind this woman with stupidly big hair
0:22:53 > 0:22:55and she wanted to move seats
0:22:55 > 0:22:57but I wouldn't let her.
0:22:57 > 0:22:58Why not?
0:22:58 > 0:23:00Cos I saw Maggie put the card under her seat
0:23:00 > 0:23:03and I was worried that I'd mess up the trick!
0:23:04 > 0:23:06I'm sure it wasn't your fault.
0:23:06 > 0:23:08I should have just let her move!
0:23:08 > 0:23:10She was already in a bad mood, bickering with her husband...
0:23:10 > 0:23:12Why were they arguing?
0:23:12 > 0:23:14Well, he turned up late and then she was asking him where he'd been.
0:23:14 > 0:23:16That's all I know.
0:23:17 > 0:23:19Thank you.
0:23:19 > 0:23:21You've been really helpful.
0:23:21 > 0:23:25You didn't see anything else suspicious that night?
0:23:25 > 0:23:27Well...
0:23:27 > 0:23:29..at the interval, we clear the auditorium and,
0:23:29 > 0:23:32as I was doing my checks,
0:23:32 > 0:23:34I saw Mr Shiplake coming from backstage...
0:23:35 > 0:23:37Sorry, you're not allowed.
0:23:37 > 0:23:41Oh, no, I'm sorry, I was looking for the toilet.
0:23:41 > 0:23:43Just got a bit lost.
0:23:47 > 0:23:49Did you tell the police that?
0:23:49 > 0:23:51Well, they were asking me loads of questions
0:23:51 > 0:23:53about the row with his wife and...
0:23:53 > 0:23:55I guess it just slipped my mind.
0:23:55 > 0:23:58But, like he said, he was probably just lost.
0:24:00 > 0:24:03Does this place have CCTV?
0:24:03 > 0:24:05There's a camera at the back by the stage door
0:24:05 > 0:24:08but the police already checked the footage from that night.
0:24:08 > 0:24:10What about the Tuesday before?
0:24:10 > 0:24:14I mean, Maggie assumed that Anton stole the stage notes.
0:24:14 > 0:24:15What if it was someone else?
0:24:15 > 0:24:18The footage is probably still on the hard-drive but...
0:24:19 > 0:24:21- No, I can't.- Really?
0:24:22 > 0:24:26Not even if it would stop Pross going to jail?
0:24:26 > 0:24:28My manager would freak out,
0:24:28 > 0:24:30and I need this job. Sorry.
0:24:32 > 0:24:35Well, listen, if you think of anything, it would be a big help.
0:24:40 > 0:24:44So, Jill Shiplake comes from a very wealthy family.
0:24:44 > 0:24:46Most of their assets are in her name.
0:24:46 > 0:24:49Steffan Shiplake, however,
0:24:49 > 0:24:51owns Undreamed Shores -
0:24:51 > 0:24:54an independent travel agents. Made a loss for the last two years.
0:24:54 > 0:24:56So, are we talking about, like,
0:24:56 > 0:24:59an episode of My Big Fat Life Insurance Policy?
0:24:59 > 0:25:02Well, the culprit's usually someone close to the victim
0:25:02 > 0:25:05and Steffan stood to gain financially.
0:25:05 > 0:25:07And he asked Marlowe to warn us off.
0:25:07 > 0:25:09How do we prove it?
0:25:09 > 0:25:12Well, we'll ruffle his feathers a bit, see what happens. Sebastian!
0:25:14 > 0:25:17Can't a man enjoy his quinoa in peace?
0:25:17 > 0:25:19Fancy going on holiday?
0:25:21 > 0:25:23You've come here to ask me if I killed my wife?!
0:25:23 > 0:25:25That's not what I'm saying.
0:25:25 > 0:25:27I'm just asking why you were snooping around backstage.
0:25:27 > 0:25:29I wasn't snooping anywhere!
0:25:29 > 0:25:31Was it your idea to go to the magic show?
0:25:31 > 0:25:34For your information, we won those tickets in a competition
0:25:34 > 0:25:37organised by the theatre for couples...
0:25:39 > 0:25:41..but you don't believe me. Just ask them.
0:25:42 > 0:25:44Now, I...
0:25:44 > 0:25:47..would like you...
0:25:47 > 0:25:49..to leave!
0:25:51 > 0:25:52OK.
0:26:01 > 0:26:03- Good morning.- Isn't it?
0:26:03 > 0:26:07A sports injury? I managed to do my knee skiing last month.
0:26:07 > 0:26:10Oh, no, this is a car accident years ago.
0:26:11 > 0:26:13Serves me right.
0:26:13 > 0:26:15Was trying to be Lewis Hamilton.
0:26:15 > 0:26:18So, are we...planning a trip?
0:26:18 > 0:26:19Honeymoon.
0:26:19 > 0:26:21Somewhere adventurous yet luxurious,
0:26:21 > 0:26:24and Olivia's adamant we only stay in hotels with a low carbon-footprint.
0:26:26 > 0:26:27Budget?
0:26:27 > 0:26:29Not an issue.
0:26:29 > 0:26:30Please take a seat.
0:26:32 > 0:26:36HE COUGHS
0:26:36 > 0:26:39Sorry. Can't shake off this bug I picked up in Whistler.
0:26:39 > 0:26:40Water?
0:26:40 > 0:26:42If it's not too much trouble.
0:26:59 > 0:27:01Decent of you.
0:27:01 > 0:27:02Now...
0:27:04 > 0:27:08..let's see what we can find.
0:27:11 > 0:27:13Listen to this.
0:27:17 > 0:27:18I want to see you, too.
0:27:20 > 0:27:22It's not a good time.
0:27:22 > 0:27:25Because I've got some private detectives sniffing around
0:27:25 > 0:27:27and it won't look good, will it?
0:27:29 > 0:27:30All right, calm down!
0:27:30 > 0:27:33I'll come round after work.
0:27:33 > 0:27:34Five o'clock.
0:27:34 > 0:27:36But we'll have to be discreet.
0:27:37 > 0:27:40Looks like he's traded his wife in for a newer model.
0:27:40 > 0:27:43Hmm, he didn't exactly seem heartbroken when I saw him.
0:27:50 > 0:27:53ALARM BEEPS
0:27:58 > 0:28:01Now, remember what I told you about tailing people.
0:28:01 > 0:28:03Slow, smooth, steady.
0:28:07 > 0:28:08SHE SCREAMS
0:28:11 > 0:28:13I thought you might try something like this.
0:28:13 > 0:28:15Just to win a silly bet.
0:28:15 > 0:28:18Hey! That's wilful destruction of property.
0:28:18 > 0:28:21We both know you lack reasonable grounds
0:28:21 > 0:28:23to listen to my client's private conversations.
0:28:23 > 0:28:24What were you hoping to find?
0:28:24 > 0:28:27- Evidence. And we did.- Of what?
0:28:27 > 0:28:30He has been conducting an extramarital affair.
0:28:30 > 0:28:33And you can prove that this relationship
0:28:33 > 0:28:35started prior to Mrs Shiplake's death, can you?
0:28:38 > 0:28:40Your client was in the perfect position
0:28:40 > 0:28:42to place the joker under his wife's seat.
0:28:42 > 0:28:44Divorce costs a lot of money.
0:28:44 > 0:28:46Now he gets the assets, the life insurance,
0:28:46 > 0:28:48the compensation pay-out.
0:28:48 > 0:28:49It's a strong motive, Chester.
0:28:49 > 0:28:51Yeah, and we have a witness
0:28:51 > 0:28:53who saw him sneaking backstage during the interval.
0:28:53 > 0:28:55Wild speculation.
0:28:55 > 0:28:57If you continue bothering Mr Shiplake,
0:28:57 > 0:28:59I'll have you charged with harassment.
0:28:59 > 0:29:01And don't bother with another bug.
0:29:01 > 0:29:03My client won't be so careless in the future
0:29:03 > 0:29:05about what he says on the phone!
0:29:08 > 0:29:10- He's worried.- Good.
0:29:12 > 0:29:15We still need to get some proof, though.
0:29:18 > 0:29:19So, the box office manager
0:29:19 > 0:29:21says that the Shiplakes' tickets were issued
0:29:21 > 0:29:24under a complimentary code.
0:29:24 > 0:29:25So, he was telling the truth.
0:29:25 > 0:29:27Except no-one can remember issuing them
0:29:27 > 0:29:30and they've never heard of this couples competition.
0:29:30 > 0:29:31Maybe Shiplake had an accomplice.
0:29:31 > 0:29:34Who else could've processed the tickets?
0:29:34 > 0:29:36Well, resident performers are allowed comps,
0:29:36 > 0:29:37so maybe Maggie or Lawrence.
0:29:37 > 0:29:40Oh, and Callum told the police
0:29:40 > 0:29:42that nobody went backstage during the interval.
0:29:42 > 0:29:44So, either he didn't see Shiplake...
0:29:44 > 0:29:46Or Callum is lying.
0:29:50 > 0:29:52Callum?
0:29:52 > 0:29:57- No. He wouldn't.- You believe he was conspiring with Anton Dukes?
0:29:57 > 0:29:59No. Steffan Shiplake.
0:29:59 > 0:30:01- What?- The evidence suggests...
0:30:01 > 0:30:02Oh, evidence...
0:30:02 > 0:30:04..my foot!
0:30:04 > 0:30:06Dukes did it.
0:30:06 > 0:30:09He is an immoral, plagiarising,
0:30:09 > 0:30:10ungrateful wretch!
0:30:10 > 0:30:14PHONE RINGS
0:30:14 > 0:30:15My solicitor.
0:30:16 > 0:30:19Lawrence Pross speaking.
0:30:20 > 0:30:23Trust me, Callum wouldn't hurt a fly.
0:30:23 > 0:30:24- Can you be sure?- That's it!
0:30:26 > 0:30:30Maggie, I'll go.
0:30:32 > 0:30:38You are about to witness a superhuman feat...
0:30:38 > 0:30:41Not there! The...
0:30:41 > 0:30:43How many times do I have to tell you?! It's there.
0:30:44 > 0:30:47There you are, you slug!
0:30:47 > 0:30:49- Is it true?- Is what true?
0:30:49 > 0:30:52My solicitor told me you've spoken to the Health and Safety Executive.
0:30:52 > 0:30:55- Offered to be their expert witness. - Mr Pross, shall we go outside?
0:30:55 > 0:30:58How could you? Without me, you wouldn't even have an act!
0:30:58 > 0:31:00Right, Callum, can you get him out of here, please?
0:31:00 > 0:31:02So you are helping him!
0:31:02 > 0:31:03It's my job, Mr Pross.
0:31:03 > 0:31:04To stab me in the back?!
0:31:04 > 0:31:07Admit it, Pross. You're finished.
0:31:07 > 0:31:08Right.
0:31:08 > 0:31:11While you're banged up, I might even offer Maggie some work.
0:31:14 > 0:31:17I'd have to give her a test-drive first though.
0:31:17 > 0:31:19- I'll kill you!- Not the face!
0:31:19 > 0:31:21- No! Stop it. - PROSS WAILS
0:31:21 > 0:31:23Stop it. Stop!
0:31:23 > 0:31:25Stop it.
0:31:25 > 0:31:30Oh!
0:31:34 > 0:31:37- Mr Pross!- Why the devil did you come between us?
0:31:37 > 0:31:40I was going to tell them that it was a freak accident.
0:31:40 > 0:31:41Unforeseeable.
0:31:41 > 0:31:43You know, for old time's sake.
0:31:43 > 0:31:45But you deserve to be banged up.
0:31:47 > 0:31:49Are you all right?
0:31:51 > 0:31:53You're very lucky, Mr Pross.
0:31:53 > 0:31:55Am I?
0:31:55 > 0:31:56Well, there's no permanent damage
0:31:56 > 0:31:59- and Mr Dukes doesn't want to press charges.- Too right.
0:31:59 > 0:32:01- He's the criminal around here. - Careful there.
0:32:01 > 0:32:04I have witnesses who say you threatened to kill him.
0:32:04 > 0:32:06KNOCK ON DOOR
0:32:06 > 0:32:09Oh, hello.
0:32:09 > 0:32:11- Not interrupting, are we? - No, we're done.
0:32:11 > 0:32:13And so are you.
0:32:13 > 0:32:15I don't want you anywhere near Steffan Shiplake,
0:32:15 > 0:32:18Anton Dukes or the Terranova Theatre...
0:32:18 > 0:32:21- But I...- ..or I will arrest you for perverting the course of justice.
0:32:21 > 0:32:23Clear? Thank you.
0:32:27 > 0:32:29I've messed everything up, haven't I?
0:32:29 > 0:32:32- That's not true, Dad.- Yes. It is.
0:32:32 > 0:32:34Oh, look on the bright side,
0:32:34 > 0:32:36if you do end up going to prison,
0:32:36 > 0:32:39at least you're a trained escapologist, aren't you?
0:32:42 > 0:32:44So, what now?
0:32:44 > 0:32:45I've got no idea.
0:32:48 > 0:32:49Ah, you shouldn't have.
0:32:49 > 0:32:52I have this effect on most women, you know.
0:32:52 > 0:32:53Actually, they're for my parents.
0:32:53 > 0:32:55I was just on the way to the graveyard.
0:32:58 > 0:33:00The CCTV footage you wanted.
0:33:00 > 0:33:01Oh, what made you change your mind?
0:33:03 > 0:33:04If somebody does something wrong,
0:33:04 > 0:33:06they deserve to be punished.
0:33:08 > 0:33:09How long do I have to endure this?
0:33:12 > 0:33:15It's like watching an am-dram production of Waiting For Godot.
0:33:15 > 0:33:16We have to watch the whole thing.
0:33:16 > 0:33:19Pross said he had his stage notes first thing,
0:33:19 > 0:33:21but they were gone by the evening show.
0:33:21 > 0:33:22- What was that?- What was what?
0:33:22 > 0:33:24Go back!
0:33:26 > 0:33:28There!
0:33:28 > 0:33:30That could be anyone.
0:33:30 > 0:33:32Not just anyone. Play it again.
0:33:34 > 0:33:35Look how he's walking.
0:33:48 > 0:33:52We found Mr Pross' stage notes in a bin bag round the back.
0:33:52 > 0:33:55So, with the CCTV footage and the usher's witness statement,
0:33:55 > 0:33:58I'm confident that Shiplake will crack.
0:33:58 > 0:34:00Oh, sorry, what was that?
0:34:00 > 0:34:01"You were right, Frank.
0:34:01 > 0:34:04"Sorry for ever doubting you!"
0:34:04 > 0:34:06- She loves me really.- Yeah. No, I can see that.
0:34:06 > 0:34:08- Yeah.- Yeah.- It's in her eyes.
0:34:08 > 0:34:11I can't tell you how grateful I am.
0:34:11 > 0:34:13That makes two of us.
0:34:13 > 0:34:14As soon as my arm is better,
0:34:14 > 0:34:16I'll talk to the Terranova about having us back.
0:34:16 > 0:34:18I can't wait.
0:34:18 > 0:34:20You...might want to retire the old iron maiden trick, though.
0:34:20 > 0:34:22PHONE RINGS
0:34:24 > 0:34:26It's Marlowe.
0:34:26 > 0:34:27Hello?
0:34:30 > 0:34:32Well, have you charged him?
0:34:32 > 0:34:34Well, that can't be right.
0:34:37 > 0:34:38What's wrong?
0:34:39 > 0:34:41That is him! He's lying.
0:34:41 > 0:34:43How many more times?
0:34:43 > 0:34:45Steffan Shiplake has an alibi for when this was taken.
0:34:45 > 0:34:48Well, then he paid someone to cover for him.
0:34:48 > 0:34:52What, the whole of the Stratford Small Business Association?
0:34:52 > 0:34:53Yeah, maybe not.
0:34:53 > 0:34:55Whoever this is, it's not him.
0:34:57 > 0:34:59Show me the shot of him leaving again.
0:35:04 > 0:35:08- Show me again.- Why? There's no clear shot of his face.
0:35:08 > 0:35:09Just show me!
0:35:16 > 0:35:18There!
0:35:18 > 0:35:21- What am I looking for? - That's Anton's poster.
0:35:24 > 0:35:27The date says this was taken the week before the accident.
0:35:27 > 0:35:30Yeah, if that's true,
0:35:30 > 0:35:32then there's no way that poster would've been there.
0:35:32 > 0:35:34That's...
0:35:34 > 0:35:35This has been faked.
0:35:42 > 0:35:43- Get out!- We've come to apologise.
0:35:43 > 0:35:46- I'm not interested. - Mr Shiplake, honestly...
0:35:46 > 0:35:50My wife's dead and you had me dragged off to a police station!
0:35:50 > 0:35:53Don't you want to find out who's trying to frame you?
0:35:57 > 0:35:59Someone went out of their way
0:35:59 > 0:36:01to make us think it was you on that CCTV.
0:36:01 > 0:36:04And the same person probably planted the stage notes on your property.
0:36:04 > 0:36:06We've been trying to find out
0:36:06 > 0:36:09why someone would want to see you locked up.
0:36:09 > 0:36:10And?
0:36:10 > 0:36:12You told our colleague
0:36:12 > 0:36:15that you injured your leg in a car accident.
0:36:16 > 0:36:18That's right.
0:36:18 > 0:36:20Was...anyone else injured?
0:36:23 > 0:36:28- I don't see what this has got... - Please, Mr Shiplake.
0:36:28 > 0:36:30OK. Yeah. Yes.
0:36:32 > 0:36:33A couple.
0:36:33 > 0:36:37According to an article that we've got, you were...
0:36:37 > 0:36:41You were charged with causing death by dangerous driving.
0:36:49 > 0:36:51It was raining.
0:36:53 > 0:36:55They just came out of nowhere. I...
0:36:57 > 0:37:00I didn't do anything wrong.
0:37:00 > 0:37:02The case was dropped.
0:37:02 > 0:37:04Insufficient evidence.
0:37:04 > 0:37:05This was years ago!
0:37:05 > 0:37:07Why are you dragging this up now?
0:37:07 > 0:37:09The thing is, we think that maybe...
0:37:09 > 0:37:11Maybe your wife wasn't the intended victim that night.
0:37:13 > 0:37:15Maybe it was you.
0:37:15 > 0:37:17I don't understand.
0:37:17 > 0:37:20Did you two swap seats before the second half?
0:37:26 > 0:37:28- PA:- Please take your seats.
0:37:28 > 0:37:31The Amazing Antonio is about to commence.
0:37:31 > 0:37:33Did you find anything? On the CCTV?
0:37:34 > 0:37:36As a matter of fact, we did. Yeah.
0:37:36 > 0:37:38Well...?
0:37:38 > 0:37:41You must've watched that iron maiden trick 100 times, eh?
0:37:41 > 0:37:42Probably, yeah.
0:37:42 > 0:37:45Still, you didn't want to leave anything to chance.
0:37:45 > 0:37:48Is that why you took the stage notes?
0:37:48 > 0:37:50Sorry, I don't...
0:37:50 > 0:37:53You sent Mr and Mrs Shiplake tickets in the post,
0:37:53 > 0:37:55telling them they'd won some competition.
0:37:55 > 0:37:58And then, that night, you waited until Maggie had hidden the joker
0:37:58 > 0:38:01under the seat and you moved it, didn't you?
0:38:01 > 0:38:03And then, after Callum had done his safety checks,
0:38:03 > 0:38:05you removed the magnet
0:38:05 > 0:38:06from underneath the iron maiden.
0:38:26 > 0:38:29You had to find a way to put it back without being noticed.
0:38:29 > 0:38:31So, after Mrs Shiplake died,
0:38:31 > 0:38:34you ran onstage and you waited for an opportunity, didn't you?
0:38:34 > 0:38:36And then you put the magnet back.
0:38:36 > 0:38:38Why would I have wanted to kill Mrs Shiplake?
0:38:38 > 0:38:40I already told you, it was just a stupid row
0:38:40 > 0:38:42because she wanted to move seats!
0:38:42 > 0:38:45Yes, and you couldn't allow that, could you?
0:38:45 > 0:38:49Not when you'd already hidden the joker under Mr Shiplake's seat.
0:38:51 > 0:38:53I can't see anything.
0:38:53 > 0:38:55Her hair's too big.
0:38:55 > 0:38:57- So?- Can we swap seats?
0:38:57 > 0:38:59Then I won't be able to see anything!
0:38:59 > 0:39:01- I haven't been able to see and I can't see...- OK. OK.
0:39:01 > 0:39:05- It's our date night. - Yeah, feels like it.
0:39:05 > 0:39:09- Can we enjoy the rest of the evening now, please?- Yes.
0:39:09 > 0:39:13You blamed Steffan Shiplake for the accident that killed your parents.
0:39:16 > 0:39:18You wanted your revenge ever since.
0:39:18 > 0:39:20But then your little plan went horribly wrong, didn't it,
0:39:20 > 0:39:22- when they swapped places?- No!
0:39:22 > 0:39:26And then we showed up asking about the CCTV,
0:39:26 > 0:39:28and you saw an opportunity, didn't you,
0:39:28 > 0:39:31to frame him for the murder that you committed,
0:39:31 > 0:39:34putting Mr Shiplake in jail where you felt he belonged?
0:39:34 > 0:39:37It was you on the CCTV, wasn't it?
0:39:37 > 0:39:38You faked it.
0:39:38 > 0:39:40You lied about seeing him backstage
0:39:40 > 0:39:43and you planted the notes at the travel agency.
0:39:43 > 0:39:45- Come on, it was you, wasn't it? - SIREN WAILS
0:39:47 > 0:39:49That way!
0:39:50 > 0:39:55You are about to witness a superhuman feat...
0:39:56 > 0:39:59..of endurance and escapology!
0:40:15 > 0:40:17Raise the box.
0:40:19 > 0:40:21Higher.
0:40:23 > 0:40:25Leave me alone.
0:40:25 > 0:40:27Stop!
0:40:27 > 0:40:29Don't stop, you idiot!
0:40:29 > 0:40:31I've got this one!
0:40:31 > 0:40:33Back! It isn't what you think.
0:40:33 > 0:40:36I promise.
0:40:36 > 0:40:37Stay back!
0:40:39 > 0:40:40- All right.- What's going on?
0:40:42 > 0:40:45- You need to calm down. - You're ruining my act!
0:40:46 > 0:40:48The police are just outside, Iris.
0:40:48 > 0:40:49You might as well just give it up.
0:40:49 > 0:40:51What about Steffan Shiplake?
0:40:51 > 0:40:53He gets to limp away again, scot-free?
0:40:53 > 0:40:55He killed my parents!
0:40:55 > 0:40:58- And you killed an innocent woman. - It was an accident.- No.
0:40:58 > 0:41:00It was murder. You could've helped her,
0:41:00 > 0:41:02but you watched her be led to her death.
0:41:02 > 0:41:04I'm really sorry about this, ladies and gentlemen!
0:41:04 > 0:41:06Stay back!
0:41:06 > 0:41:08Police! Everybody stay in your seats.
0:41:08 > 0:41:09- Ow!- Don't...
0:41:09 > 0:41:10Ow! Ow!
0:41:21 > 0:41:23Can someone let me down, please?
0:41:28 > 0:41:30I thought I told you to stay away from the theatre.
0:41:30 > 0:41:32The thing is, I know how difficult it is
0:41:32 > 0:41:35- for you to allocate appropriate resources...- Shut up, Frank.
0:41:35 > 0:41:37- Shutting up.- Did she say anything?
0:41:37 > 0:41:39Yeah. I think she'll make a full confession.
0:41:39 > 0:41:41I'll talk to the CPS in the morning.
0:41:41 > 0:41:43Second time lucky, eh?
0:41:44 > 0:41:46What's so urgent?
0:41:46 > 0:41:48Do you want to tell him or shall I?
0:41:48 > 0:41:50Erm...
0:41:50 > 0:41:51How shall I put this?
0:41:55 > 0:41:57Hey-hey! There we go!
0:42:00 > 0:42:01Thanks.
0:42:01 > 0:42:03So, what now?
0:42:03 > 0:42:05Like I said,
0:42:05 > 0:42:07I persuade the Terranova to take us back.
0:42:08 > 0:42:10And maybe train up a new assistant.
0:42:11 > 0:42:12Excuse me?
0:42:12 > 0:42:15Well, I might be wrong,
0:42:15 > 0:42:18but I get the impression that Maggie's ready for a new adventure.
0:42:19 > 0:42:21Is this true?
0:42:21 > 0:42:23Well...
0:42:23 > 0:42:27You know I've always loved helping you with your tricks.
0:42:27 > 0:42:30I remember looking after your rabbits when I was tiny.
0:42:30 > 0:42:32But...
0:42:32 > 0:42:33But I...
0:42:34 > 0:42:38I'd kind of like to see the world outside of Stratford.
0:42:40 > 0:42:45- I'm sorry, just...- No! Don't be.
0:42:45 > 0:42:48It's my fault. I've been too caught up in my magic to notice.
0:42:51 > 0:42:55- Thank you, both.- Oh!
0:42:55 > 0:42:58A token of my appreciation.
0:43:00 > 0:43:01Is it true you bet that other detective
0:43:01 > 0:43:05- that you could clear my dad's name? - Oh, yes.- So what did you win?
0:43:11 > 0:43:15THEY LAUGH