0:01:28 > 0:01:30How's your blog going?
0:01:31 > 0:01:35Yeah, good, very good.
0:01:35 > 0:01:37You haven't written a word, have you?
0:01:37 > 0:01:40You just wrote "still has trust issues".
0:01:40 > 0:01:42And you read my writing upside down.
0:01:44 > 0:01:46You see what I mean?
0:01:46 > 0:01:50John, you're a soldier
0:01:51 > 0:01:55and it's going to take you a while to adjust to civilian life
0:01:55 > 0:02:00and writing a blog about everything that happens to you will honestly help you.
0:02:01 > 0:02:03Nothing happens to me.
0:02:41 > 0:02:44- 'What do you mean there's no ruddy car?'- He went to Waterloo, I'm sorry.
0:02:44 > 0:02:47- Get a cab!- I never get cabs!
0:02:49 > 0:02:51- I love you.- When?
0:02:51 > 0:02:53Get a cab!
0:03:12 > 0:03:14My husband
0:03:14 > 0:03:19was a happy man who lived life to the full.
0:03:19 > 0:03:23He loved his family and his work,
0:03:23 > 0:03:28and that he should have taken his own life in this way
0:03:28 > 0:03:30is a mystery
0:03:30 > 0:03:33and a shock to all who knew him.
0:03:46 > 0:03:48Taxi, taxi!
0:03:52 > 0:03:54- I'll be just two minutes, mate. - What?
0:03:54 > 0:03:57- I'm just going home to get my umbrella.- You can share mine.
0:03:57 > 0:03:58Two minutes, all right?
0:04:33 > 0:04:35She still dancing?
0:04:35 > 0:04:37Yeah, if you can call it that.
0:04:37 > 0:04:40- Did you get the car keys off her? - Got them out of her bag.
0:04:40 > 0:04:43Where is she?
0:04:57 > 0:05:00The body of Beth Davenport, Junior Minister for Transport,
0:05:00 > 0:05:04was found late last night on a building site in Greater London.
0:05:04 > 0:05:08Preliminary investigations suggest that this was suicide.
0:05:08 > 0:05:12We can confirm that this apparent suicide closely resembles those of
0:05:12 > 0:05:15Sir Jeffrey Patterson and James Phillimore.
0:05:15 > 0:05:18In the light of this, these incidents are now being treated as linked.
0:05:18 > 0:05:23The investigation is ongoing but Detective Inspector Lestrade will take questions now.
0:05:23 > 0:05:26Detective Inspector, how can suicides be linked?
0:05:26 > 0:05:29Well, they all took the same poison.
0:05:29 > 0:05:32They were all found in places they had no reason to be.
0:05:32 > 0:05:35- None of them had shown any prior indication.- But you can't have serial suicides.
0:05:35 > 0:05:37Well, apparently you can.
0:05:37 > 0:05:40These three people, there's nothing that links them?
0:05:40 > 0:05:43There's no link we've found yet but
0:05:43 > 0:05:45we're looking for it. There has to be one.
0:05:51 > 0:05:55- If you've all got texts, please ignore them.- It just says "Wrong".
0:05:55 > 0:05:57Well, just ignore that. If there are no more questions,
0:05:57 > 0:06:00I'm going to bring this session to an end.
0:06:00 > 0:06:03If they're suicides, what are you investigating?
0:06:03 > 0:06:08As I say, these suicides are clearly linked.
0:06:08 > 0:06:13It's an unusual situation, we've got our best people investigating.
0:06:16 > 0:06:18Says "Wrong" again.
0:06:18 > 0:06:22- One more question.- Is there any chance that these are murders?
0:06:22 > 0:06:25And if they are, is this the work of a serial killer?
0:06:25 > 0:06:29I know that you like writing about these but these do appear to be suicides.
0:06:29 > 0:06:33We know the difference. The poison was clearly self-administered.
0:06:33 > 0:06:37Yes, but if they are murders, how do people keep themselves safe?
0:06:37 > 0:06:39Well, don't commit suicide.
0:06:39 > 0:06:40Daily Mail!
0:06:40 > 0:06:48This is a frightening time for people but all anyone has to do is exercise reasonable precautions.
0:06:48 > 0:06:51We are all as safe as we want to be.
0:06:51 > 0:06:54MOBILE PHONES BUZZ
0:06:59 > 0:07:00Thank you.
0:07:04 > 0:07:07You've got to stop him doing that. He's making us look like idiots.
0:07:07 > 0:07:10If you can tell me how he does it, I'll stop him.
0:07:21 > 0:07:23John!
0:07:23 > 0:07:25John Watson!
0:07:26 > 0:07:30- Stamford, Mike Stamford. We were at Barts together. - Yes, sorry, yes, Mike, hello.
0:07:30 > 0:07:33- Yes, I know, I got fat.- No, no.
0:07:33 > 0:07:36I heard you were abroad somewhere getting shot at. What happened?
0:07:36 > 0:07:38I got shot.
0:07:44 > 0:07:46Are you still at Barts then?
0:07:46 > 0:07:49Teaching now, yeah, bright young things like we used to be.
0:07:49 > 0:07:51God, I hate them.
0:07:51 > 0:07:54What about you, just staying in town till you get yourself sorted?
0:07:54 > 0:07:56I can't afford London on an Army pension.
0:07:56 > 0:08:01- Couldn't bear to be anywhere else. That's not the John Watson I know. - I'm not the John Watson.
0:08:06 > 0:08:08Couldn't Harry help?
0:08:08 > 0:08:10Yeah, like that's going to happen(!)
0:08:10 > 0:08:13I don't know, get a flatshare or something?
0:08:13 > 0:08:15Who'd want me for a flatmate?
0:08:17 > 0:08:19What?
0:08:19 > 0:08:22You're the second person to say that to me today.
0:08:22 > 0:08:24Who was the first?
0:08:26 > 0:08:28How fresh?
0:08:28 > 0:08:31Just in. 67, natural causes.
0:08:31 > 0:08:34Used to work here. I knew him, he was nice.
0:08:34 > 0:08:37Fine.
0:08:37 > 0:08:39We'll start with the riding crop.
0:08:49 > 0:08:53So, bad day was it?
0:08:54 > 0:08:58I need to know what bruises form in the next 20 minutes. A man's alibi depends on it. Text me.
0:08:58 > 0:09:01Listen, I was wondering. Maybe later, when you're finished...
0:09:01 > 0:09:03You're wearing lipstick. You weren't wearing lipstick before.
0:09:03 > 0:09:07I refreshed it a bit.
0:09:07 > 0:09:10Sorry, you were saying?
0:09:10 > 0:09:12I was wondering if you'd like to have coffee?
0:09:12 > 0:09:15Black, two sugars, please. I'll be upstairs.
0:09:17 > 0:09:19OK.
0:09:22 > 0:09:24KNOCK ON DOOR
0:09:31 > 0:09:34- Bit different from my day. - You've no idea!
0:09:34 > 0:09:36Mike, can I borrow your phone? There's no signal on mine.
0:09:36 > 0:09:39- And what's wrong with the landline? - I prefer to text.
0:09:39 > 0:09:42Sorry, it's in my coat.
0:09:43 > 0:09:46Here, use mine.
0:09:46 > 0:09:48Oh, thank you.
0:09:48 > 0:09:51This is an old friend of mine, John Watson.
0:09:55 > 0:09:57Afghanistan or Iraq?
0:09:59 > 0:10:02- Sorry? - Which was it, in Afghanistan or Iraq?
0:10:05 > 0:10:07Afghanistan, sorry, how did you know?
0:10:07 > 0:10:09Ah! Coffee, thank you.
0:10:09 > 0:10:11What happened to the lipstick?
0:10:11 > 0:10:13It wasn't working for me.
0:10:13 > 0:10:17Really? It was a big improvement. Your mouth's too small now.
0:10:17 > 0:10:19OK.
0:10:20 > 0:10:21How do you feel about the violin?
0:10:24 > 0:10:27I'm sorry, what?
0:10:27 > 0:10:31I play the violin when I'm thinking and sometimes I don't talk for days on end. Would that bother you?
0:10:31 > 0:10:33Potential flatmates should know the worst about each other.
0:10:36 > 0:10:38- You told him about me?- Not a word.
0:10:38 > 0:10:40Who said anything about flatmates?
0:10:40 > 0:10:44I did. Told Mike this morning that I must be a difficult man to find a flatmate for.
0:10:44 > 0:10:47Now here he is just after lunch with an old friend clearly just home from
0:10:47 > 0:10:50military service in Afghanistan. Wasn't a difficult leap.
0:10:50 > 0:10:53How did you know about Afghanistan?
0:10:53 > 0:10:55Got my eye on a nice little place in central London.
0:10:55 > 0:10:57We ought to be able to afford it.
0:10:57 > 0:10:59We'll meet there tomorrow evening, seven o'clock.
0:10:59 > 0:11:03Sorry, got to dash. I think I left my riding crop in the mortuary.
0:11:03 > 0:11:04Is that it?
0:11:04 > 0:11:06Is that what?
0:11:06 > 0:11:10We've only just met and we're going to go and look at a flat?
0:11:10 > 0:11:12Problem?
0:11:14 > 0:11:16We don't know a thing about each other.
0:11:16 > 0:11:19I don't know where we're meeting, I don't even know your name.
0:11:19 > 0:11:22I know you're an Army doctor and you've been invalided home from Afghanistan.
0:11:22 > 0:11:25You've got a brother worried about you but you won't go to him for help because you don't
0:11:25 > 0:11:30approve of him, possibly because he's an alcoholic, more likely because he recently walked out on his wife.
0:11:30 > 0:11:35And I know that your therapist thinks your limp's psychosomatic, quite correctly, I'm afraid.
0:11:35 > 0:11:37That's enough to be going on with, don't you think?
0:11:41 > 0:11:45The name's Sherlock Holmes and the address is 221B Baker Street.
0:11:45 > 0:11:47Afternoon.
0:11:50 > 0:11:53Yeah, he's always like that.
0:12:57 > 0:12:59Hello.
0:12:59 > 0:13:02- Ah - Mr Holmes.- Sherlock, please.
0:13:03 > 0:13:05Well, this is a prime spot. Must be expensive.
0:13:05 > 0:13:08Mrs Hudson, the landlady - she's given me a special deal.
0:13:08 > 0:13:13Owes me a favour. A few years back, her husband got himself sentenced to death in Florida.
0:13:13 > 0:13:17- I was able to help out.- Sorry - you stopped her husband being executed?
0:13:17 > 0:13:18Oh, no, I ensured it.
0:13:20 > 0:13:22Sherlock!
0:13:22 > 0:13:24Mrs Hudson, Dr John Watson.
0:13:24 > 0:13:27- Hello. Come in.- Thank you. - Shall we...?
0:13:53 > 0:13:54Well, this could be very nice.
0:13:56 > 0:13:58Very nice indeed.
0:13:58 > 0:14:00Yes.
0:14:00 > 0:14:02Yes, I think so, my thoughts precisely.
0:14:02 > 0:14:08- TOGETHER: So I went straight ahead and moved in.- Soon as we get all this rubbish cleaned out...
0:14:08 > 0:14:14- So this is all...- Well, obviously I can erm...straighten things up a bit.
0:14:14 > 0:14:17- That's a skull.- Friend of mine.
0:14:17 > 0:14:18When I say friend...
0:14:18 > 0:14:21What do you think, then, Dr Watson?
0:14:21 > 0:14:25There's another bedroom upstairs, if you'll be needing two bedrooms.
0:14:25 > 0:14:27Of course we'll be needing two.
0:14:27 > 0:14:33Oh, don't worry, there's all sorts round here. Mrs Turner next door's got (married ones).
0:14:35 > 0:14:39Oh... Sherlock! The mess you've made.
0:14:45 > 0:14:47I looked you up on the internet last night.
0:14:50 > 0:14:54- Anything interesting?- Found your website. The Science of Deduction.
0:14:54 > 0:14:55What did you think?
0:14:58 > 0:15:02You said you could identify a software designer by his tie and an airline pilot by his left thumb?
0:15:02 > 0:15:03Yes.
0:15:03 > 0:15:06And I can read your military career in your face and your leg,
0:15:06 > 0:15:09and your brother's drinking habits on your mobile phone.
0:15:09 > 0:15:10How?
0:15:12 > 0:15:16What about these suicides then, Sherlock? I thought that'd be right up your street.
0:15:16 > 0:15:19Three exactly the same.
0:15:19 > 0:15:20Four.
0:15:22 > 0:15:26- There's been a fourth. And there's something different this time.- A fourth?
0:15:28 > 0:15:31- Where?- Brixton, Lauriston Gardens.
0:15:31 > 0:15:34What's new about this one? You wouldn't have come to me otherwise.
0:15:34 > 0:15:37- You know how they never leave notes? - Yeah.- This one did.
0:15:37 > 0:15:39Will you come?
0:15:39 > 0:15:41- Who's on forensics?- Anderson.
0:15:42 > 0:15:43He doesn't work well with me.
0:15:43 > 0:15:46- Well, he won't be your assistant. - I NEED an assistant.
0:15:46 > 0:15:49- Will you come?- Not in a police car, I'll be right behind.
0:15:49 > 0:15:51Thank you.
0:15:59 > 0:16:01Brilliant! Yes!
0:16:02 > 0:16:04Four serial suicides, and now a note.
0:16:04 > 0:16:08Oh, it's Christmas. Mrs Hudson, I'll be late. Might need some food.
0:16:08 > 0:16:11I'm your landlady, dear, not your housekeeper.
0:16:11 > 0:16:15Something cold will do. John, have a cup of tea, make yourself at home.
0:16:15 > 0:16:16Don't wait up!
0:16:16 > 0:16:19Look at him, dashing about...
0:16:19 > 0:16:26My husband was just the same. But you're more the sitting-down type, I can tell.
0:16:26 > 0:16:28I'll make you that cuppa, you rest your leg.
0:16:28 > 0:16:31Damn my leg! Sorry, I'm so sorry -
0:16:31 > 0:16:34It's just sometimes this bloody thing...
0:16:34 > 0:16:36I understand, dear, I've got a hip.
0:16:36 > 0:16:41- Cup of tea'd be lovely. Thank you. - Just this once, dear, I'm not your housekeeper.
0:16:41 > 0:16:44- Couple of biscuits too, if you've got 'em.- Not your housekeeper!
0:16:48 > 0:16:49You're a doctor.
0:16:50 > 0:16:52In fact you're an Army doctor.
0:16:53 > 0:16:55Yes.
0:16:55 > 0:16:57Any good?
0:16:58 > 0:16:59Very good.
0:17:00 > 0:17:03Seen a lot of injuries, then. Violent deaths.
0:17:03 > 0:17:05Well, yes.
0:17:05 > 0:17:06Bit of trouble too, I bet?
0:17:06 > 0:17:11Of course. Yes. Enough for a lifetime, far too much.
0:17:12 > 0:17:15- Want to see some more?- Oh, God, yes.
0:17:18 > 0:17:22- Sorry Mrs Hudson, I'll skip the tea. Off out.- Both of you?
0:17:23 > 0:17:25Impossible suicides? Four of them?
0:17:25 > 0:17:28No point sitting at home when there's finally something fun going on!
0:17:28 > 0:17:31- Look at you, all happy. It's not decent.- Who cares about decent?
0:17:31 > 0:17:34The game, Mrs Hudson, is on!
0:17:40 > 0:17:41Taxi!
0:18:18 > 0:18:19OK, You've got questions...
0:18:19 > 0:18:21Yeah, where are we going?
0:18:21 > 0:18:24Crime scene. Next?
0:18:24 > 0:18:26- Who are you, what do you do? - What do you think?
0:18:26 > 0:18:29- I'd say...private detective.- But?
0:18:29 > 0:18:31But the police don't go to private detectives.
0:18:32 > 0:18:36I'm a consulting detective. Only one in the world, I invented the job.
0:18:36 > 0:18:40- What does that mean?- Means when the police are out of their depth, which is always,
0:18:40 > 0:18:44- they consult me. - The police don't consult amateurs.
0:18:46 > 0:18:50When I met you for the first time yesterday, I said Afghanistan or Iraq. You looked surprised.
0:18:50 > 0:18:53- Yes, how DID you know? - I didn't know, I saw.
0:18:53 > 0:18:56'Your haircut, the way you hold yourself says military.
0:18:56 > 0:18:59- 'But your conversation...' - Bit different from my day.
0:18:59 > 0:19:02..said trained at Barts - so Army doctor, obvious.
0:19:03 > 0:19:04'Your face is tanned...
0:19:04 > 0:19:08'but no tan above the wrists. You've been abroad, but not sunbathing.
0:19:08 > 0:19:12'Your limp's really bad when you walk, but you don't ask for a chair when you stand -
0:19:12 > 0:19:14'so it's at least partly psychosomatic.
0:19:14 > 0:19:17'That says the original circumstances of the injury were traumatic -'
0:19:17 > 0:19:22wounded in action then. Wounded in action, suntan - Afghanistan or Iraq.
0:19:22 > 0:19:24You said I had a therapist.
0:19:24 > 0:19:27You've got a psychosomatic limp, of course you've got a therapist.
0:19:27 > 0:19:29- Then there's your brother.- Mm? - Your phone.
0:19:29 > 0:19:31'It's expensive, e-mail enabled, MP3 player.'
0:19:31 > 0:19:34And you're looking for a flatshare. You wouldn't buy this - it's a gift.
0:19:34 > 0:19:36'Scratches. Not one, many over time -'
0:19:36 > 0:19:38it's been in the same pocket as keys and coins.
0:19:38 > 0:19:40You wouldn't treat your one luxury item like this,
0:19:40 > 0:19:44so it's had a previous owner. Next bit's easy. You know it already.
0:19:44 > 0:19:45The engraving?
0:19:45 > 0:19:48Harry Watson. Clearly a family member who's given you his old phone.
0:19:48 > 0:19:50Not your father, this is a young man's gadget.
0:19:50 > 0:19:53Could be a cousin, but you're a war hero who can't find a place to live -
0:19:53 > 0:19:57unlikely you've got an extended family, not one you're close to. So brother it is.
0:19:57 > 0:20:00Now, who's Clara? Three kisses says it's a romantic attachment.
0:20:00 > 0:20:04The expense of the phone says wife, not girlfriend.
0:20:04 > 0:20:06Must have given it to him recently, it's only six months old.
0:20:06 > 0:20:09Marriage in trouble then - six months on he's given it away.
0:20:09 > 0:20:11If she'd left HIM, he would have kept it. Sentiment.
0:20:11 > 0:20:13No, he wanted rid of it. He left HER.
0:20:13 > 0:20:15He gave the phone to you, so he wants you to stay in touch.
0:20:15 > 0:20:20You're looking for cheap accommodation, but you're not going to your brother for help -
0:20:20 > 0:20:24that says you've got problems with him. Maybe you liked his wife, or don't like his drinking.
0:20:24 > 0:20:27How can you possibly know about the drinking?
0:20:27 > 0:20:29Shot in the dark. Good one, though.
0:20:29 > 0:20:32Power connection - tiny little scuff marks round it.
0:20:32 > 0:20:34Every night he plugs it in but his hands are shaking.
0:20:34 > 0:20:36You never see those marks on a sober man's phone,
0:20:36 > 0:20:41- never see a drunk's without them. There you go, you were right. - I was right? Right about what?
0:20:41 > 0:20:43The police don't consult amateurs.
0:20:46 > 0:20:48That...was amazing.
0:20:52 > 0:20:56- Do you think so?- Of course it was. It was extraordinary, it was quite extraordinary.
0:20:56 > 0:20:59- That's not what people normally say. - What do people normally say?
0:20:59 > 0:21:00Piss off!
0:21:12 > 0:21:14Did I get anything wrong?
0:21:15 > 0:21:17Harry and me don't get on, never have,
0:21:17 > 0:21:21Clara and Harry split up three months ago
0:21:21 > 0:21:23and they're getting a divorce,
0:21:23 > 0:21:24and Harry is a drinker.
0:21:24 > 0:21:27Spot on, then. I didn't expect to be right about everything.
0:21:27 > 0:21:29Harry's short for Harriet.
0:21:30 > 0:21:34- Harry's your sister. - Look, what exactly am I supposed to be doing here?- Sister!
0:21:34 > 0:21:37- No - seriously, what am I doing here?- There's always something.
0:21:37 > 0:21:41- Hello, freak!- I'm here to see Detective Inspector Lestrade.
0:21:41 > 0:21:42Why?
0:21:42 > 0:21:44I was invited.
0:21:44 > 0:21:46- Why? - I think he wants me to take a look.
0:21:46 > 0:21:49- Well, you know what I think, don't you?- Always Sally.
0:21:49 > 0:21:52I even know you didn't make it home last night.
0:21:52 > 0:21:55- I don't... Who's this? - Colleague of mine, Dr Watson.
0:21:55 > 0:21:57Dr Watson, Sergeant Sally Donovan.
0:21:57 > 0:21:58Old friend.
0:21:58 > 0:22:02A colleague(?) How do YOU get a colleague?
0:22:02 > 0:22:03Did he follow you home?
0:22:03 > 0:22:06- Would it be better if I just waited...- No.
0:22:07 > 0:22:09Freak's here. Bringing him in.
0:22:18 > 0:22:21Ah, Anderson. Here we are again.
0:22:21 > 0:22:25It's a crime scene. I don't want it contaminated. Are we clear on that?
0:22:25 > 0:22:27Quite clear.
0:22:27 > 0:22:29And is your wife away for long?
0:22:29 > 0:22:31Oh, don't pretend you worked that out. Somebody told you that.
0:22:31 > 0:22:33Your deodorant told me that.
0:22:33 > 0:22:34My deodorant?
0:22:34 > 0:22:38- It's for men.- Well, of course it's for men - I'm wearing it.
0:22:38 > 0:22:39So's Sergeant Donovan.
0:22:41 > 0:22:43Ooh... I think it just vaporised. May I go in?
0:22:43 > 0:22:45Whatever you're trying to imply...
0:22:45 > 0:22:51I'm not implying anything. I'm sure Sally came round for a nice little chat, and just happened to stay over.
0:22:51 > 0:22:54And I assume she scrubbed your floors, going by the state of her knees.
0:23:05 > 0:23:07You'll need to wear one of these.
0:23:07 > 0:23:08Who's this?
0:23:08 > 0:23:10He's with me.
0:23:10 > 0:23:13- But who is he?- I said he's with me.
0:23:15 > 0:23:17Aren't you going to put one on?
0:23:20 > 0:23:23- So where are we?- Upstairs.
0:23:30 > 0:23:32I can give you two minutes.
0:23:32 > 0:23:35May need longer.
0:23:35 > 0:23:37Her name's Jennifer Wilson according to her credit cards,
0:23:37 > 0:23:40we're running them now for contact details.
0:23:40 > 0:23:42Hasn't been here long.
0:23:42 > 0:23:43Some kids found her.
0:24:16 > 0:24:19Shut up.
0:24:19 > 0:24:21- I didn't say anything. - You were thinking. It's annoying.
0:25:34 > 0:25:36Got anything?
0:25:36 > 0:25:38Not much.
0:25:38 > 0:25:40She's German.
0:25:40 > 0:25:43Rache. It's German for revenge. She could be trying to tell us something...
0:25:43 > 0:25:45Yes, thank you for your input.
0:25:45 > 0:25:49- So she's German?- Of course she's not. She's from out of town though.
0:25:49 > 0:25:50Intended to stay in London for one night
0:25:50 > 0:25:54before returning home to Cardiff. So far, so obvious.
0:25:54 > 0:25:56- Sorry - obvious? - What about the message though?
0:25:56 > 0:25:57Dr Watson, what do you think?
0:25:57 > 0:25:59- Of the message? - Of the body. You're a medical man.
0:25:59 > 0:26:01We have a whole team right outside.
0:26:01 > 0:26:04- They won't work with me.- I'm breaking every rule letting YOU in here...
0:26:04 > 0:26:07Yes...because you need me.
0:26:08 > 0:26:10Yes, I do.
0:26:10 > 0:26:11God help me.
0:26:11 > 0:26:13- Dr Watson!- Hm?
0:26:14 > 0:26:17Oh, do as he says. Help yourself.
0:26:19 > 0:26:23Anderson, keep everyone out for a couple of minutes...
0:26:24 > 0:26:26- Well?- What am I doing here?
0:26:26 > 0:26:30- Helping me make a point.- I'm supposed to be helping you pay the rent. - This is more fun.
0:26:30 > 0:26:32Fun? There's a woman lying dead.
0:26:32 > 0:26:35Perfectly sound analysis, but I WAS hoping you'd go deeper.
0:26:54 > 0:26:56Yeah...
0:26:56 > 0:26:59Asphyxiation, probably. Passed out, choked on her own vomit.
0:26:59 > 0:27:01Can't smell any alcohol on her.
0:27:01 > 0:27:03It could have been a seizure. Possibly drugs.
0:27:03 > 0:27:05You know what it was, you've read the papers.
0:27:05 > 0:27:07Well, she's one of the suicides. The fourth...?
0:27:07 > 0:27:10Sherlock - two minutes, I said, I need anything you got.
0:27:10 > 0:27:14Victim is in her late 30s. Professional person, going by her clothes -
0:27:14 > 0:27:17I'm guessing the media, going by the frankly alarming shade of pink.
0:27:17 > 0:27:22Travelled from Cardiff today intending to stay in London one night from the size of her suitcase.
0:27:22 > 0:27:25- Suitcase?- Yes. She's been married at least ten years, but not happily.
0:27:25 > 0:27:28She's had a string of lovers but none of them knew she was married.
0:27:28 > 0:27:30Oh, for God's sake, if you're just making this up...
0:27:30 > 0:27:33Her wedding ring. Ten years old at least.
0:27:33 > 0:27:38The rest of her jewellery has been regularly cleaned, but not her wedding ring.
0:27:38 > 0:27:40The inside is shinier than the outside.
0:27:40 > 0:27:43The only polishing it gets is when she works it off her finger.
0:27:43 > 0:27:48It's not for work, look at her nails. She doesn't work with her hands so who DOES she remove her rings for?
0:27:48 > 0:27:52Not ONE lover, she'd never sustain the fiction of being single for that long
0:27:52 > 0:27:54- so more likely a string of them. - Brilliant.
0:27:54 > 0:27:56- Sorry.- Cardiff?
0:27:56 > 0:27:59- It's obvious, isn't it? - It's not obvious to me.
0:28:00 > 0:28:05Dear God, what is it like in your funny little brains, it must be so boring. Her coat -
0:28:05 > 0:28:07it's slightly damp, she's been in heavy rain the last few hours -
0:28:07 > 0:28:09no rain anywhere in London in that time.
0:28:09 > 0:28:13Under her coat collar is damp too. She's turned it up against the wind.
0:28:13 > 0:28:15She's got an umbrella in her pocket but it's dry and unused.
0:28:15 > 0:28:18Not just wind, strong wind - too strong to use her umbrella.
0:28:18 > 0:28:21We know from her suitcase that she was intending to stay overnight
0:28:21 > 0:28:25but she can't have travelled more than two or three hours because her coat still hasn't dried.
0:28:25 > 0:28:29So - where has there been heavy rain and strong wind within the radius of that travel time?
0:28:29 > 0:28:31Cardiff.
0:28:31 > 0:28:33- Fantastic. - Do you know you do that out loud?
0:28:33 > 0:28:36- Sorry, I'll shut up. - No, it's...fine.
0:28:36 > 0:28:39- Why do you keep saying suitcase? - Yes, where is it?
0:28:39 > 0:28:44- She must have had a phone or an organiser. Find out who Rachel is. - She was writing Rachel?
0:28:44 > 0:28:48No, she was leaving an angry note in German - of course she was writing Rachel, no other word it can be.
0:28:48 > 0:28:52- Why did she wait until she was dying to write it?- How do you know she had a suitcase?
0:28:52 > 0:28:55Tiny splash marks on her right heel and calf not present on the left.
0:28:55 > 0:29:00She was dragging a wheeled suitcase behind her with her right hand, by that splash pattern.
0:29:00 > 0:29:02Smallish case, going by the spread.
0:29:02 > 0:29:04Case that size, woman this clothes-conscious -
0:29:04 > 0:29:07could only be an overnight bag so we know she was staying one night.
0:29:07 > 0:29:08Where is it, what have you done with it?
0:29:08 > 0:29:10There wasn't a case.
0:29:13 > 0:29:16- Say that again.- There wasn't a case. There was never any suitcase.
0:29:16 > 0:29:20Suitcase! Did anyone find a suitcase? Was there a suitcase in this house?
0:29:20 > 0:29:22Sir, there was no case!
0:29:22 > 0:29:25But they take the poison themselves, swallow the pills.
0:29:25 > 0:29:28- There are clear signs, even you lot couldn't miss them. - Right, thanks. And...?
0:29:29 > 0:29:32It's murder, all of them. I don't know how.
0:29:32 > 0:29:34But they're not suicides, they're serial killings.
0:29:34 > 0:29:37We've got a serial killer. There's always something to look forward to.
0:29:37 > 0:29:41- Why are you saying that? - Her case! Come on, where is her case?
0:29:41 > 0:29:45Did she eat it(?) Someone else was here, and they took her case.
0:29:45 > 0:29:48So the killer must have driven here. Forgot the case was in the car.
0:29:48 > 0:29:51She could have checked into a hotel, left it there.
0:29:51 > 0:29:55No, look at her hair. She colour-coordinates her lipstick and her shoes.
0:29:55 > 0:29:58She'd never have left any hotel with her hair still looking...
0:29:58 > 0:30:00Oh...
0:30:01 > 0:30:02Oh!
0:30:02 > 0:30:04- Sherlock?- What is it, what?
0:30:04 > 0:30:08Serial killers, always hard. You have to wait for them to make a mistake.
0:30:08 > 0:30:11- We can't just wait!- Oh, we're done waiting. Look at her, really look!
0:30:11 > 0:30:13Houston, we have a mistake. Get on to Cardiff.
0:30:13 > 0:30:16Find out who Jennifer Wilson's family and friends were. Find Rachel!
0:30:16 > 0:30:18Of course, yeah - but what mistake?!
0:30:20 > 0:30:21Pink!
0:30:23 > 0:30:25- ANDERSON:- Let's get on with it...
0:31:03 > 0:31:04- He's gone.- Who, Sherlock Holmes?
0:31:04 > 0:31:07Yeah, he just took off. He does that.
0:31:07 > 0:31:09- Is he coming back? - Didn't look like it.
0:31:10 > 0:31:12Right.
0:31:13 > 0:31:14Right...
0:31:15 > 0:31:17Yes. Sorry, where am I?
0:31:18 > 0:31:20Brixton.
0:31:21 > 0:31:23Do you know where I could get a cab?
0:31:23 > 0:31:25It's just er...
0:31:25 > 0:31:27well -
0:31:27 > 0:31:28my leg.
0:31:28 > 0:31:30Er...
0:31:31 > 0:31:33..try the main road.
0:31:33 > 0:31:34Thanks.
0:31:34 > 0:31:37But you're not his friend.
0:31:37 > 0:31:39He doesn't HAVE friends.
0:31:40 > 0:31:42So who are you?
0:31:42 > 0:31:45I'm...I'm nobody. I just met him.
0:31:45 > 0:31:47OK, bit of advice then. Stay away from that guy.
0:31:47 > 0:31:49Why?
0:31:51 > 0:31:52You know why he's here?
0:31:54 > 0:31:56He's not paid or anything.
0:31:56 > 0:31:59He likes it. He gets off on it.
0:32:00 > 0:32:04The weirder the crime, the more he gets off. And you know what...?
0:32:04 > 0:32:06One day just showing up won't be enough.
0:32:06 > 0:32:10One day we'll be standing round a body and he'll be the one that put it there.
0:32:10 > 0:32:13- Why would he do that? - Because he's a psychopath.
0:32:13 > 0:32:14Psychopaths get bored.
0:32:15 > 0:32:17- LESTRADE:- Donovan!- Coming.
0:32:21 > 0:32:24Stay away from Sherlock Holmes.
0:32:38 > 0:32:41PHONE RINGS
0:32:42 > 0:32:46PHONE RINGS
0:32:49 > 0:32:50PHONE STOPS RINGING
0:32:54 > 0:32:56Taxi! Taxi...
0:32:58 > 0:32:59PHONE RINGS
0:33:02 > 0:33:05PHONE RINGS OFF ABRUPTLY
0:33:16 > 0:33:17PHONE RINGS
0:33:18 > 0:33:20PHONE RINGS
0:33:21 > 0:33:23PHONE KEEPS RINGING
0:33:31 > 0:33:33Hello?
0:33:33 > 0:33:36- MAN:- 'There is a security camera on the building to your left.
0:33:36 > 0:33:38'Do you see it?'
0:33:42 > 0:33:43Who's this?
0:33:44 > 0:33:46Who's speaking?
0:33:46 > 0:33:49'Do you see the camera, Dr Watson?'
0:33:50 > 0:33:52- Yeah, I see it.- 'Watch...
0:33:57 > 0:34:01'There is another camera on the building opposite you. Do you see it?'
0:34:01 > 0:34:02Mm-hm.
0:34:04 > 0:34:08'And finally, at the top of the building on your right.'
0:34:08 > 0:34:10CAMERA WHIRS
0:34:15 > 0:34:17How are you doing this?
0:34:17 > 0:34:20'Get into the car, Dr Watson.
0:34:20 > 0:34:25'I would make some sort of threat, but I'm sure your situation is quite clear to you.'
0:34:42 > 0:34:44- Hello.- Hi.
0:34:49 > 0:34:52What's your name, then?
0:34:52 > 0:34:53Er...Anthea.
0:34:54 > 0:34:57- Is that your real name?- No.
0:35:01 > 0:35:03I'm John.
0:35:03 > 0:35:05Yes. I know.
0:35:08 > 0:35:11Any point in asking... where I'm going?
0:35:14 > 0:35:16None at all...
0:35:16 > 0:35:17John.
0:35:18 > 0:35:20OK.
0:35:39 > 0:35:41Have a seat, John.
0:35:45 > 0:35:47You know, I've got a phone.
0:35:48 > 0:35:51I mean, very clever and all that,
0:35:51 > 0:35:53but er...
0:35:53 > 0:35:55you could just phone me.
0:35:56 > 0:35:57On my phone.
0:36:00 > 0:36:05When one is avoiding the attention of Sherlock Holmes, one learns to be discreet, hence this place.
0:36:05 > 0:36:08Your leg must be hurting you. Sit down.
0:36:08 > 0:36:10I don't want to sit down.
0:36:11 > 0:36:13You don't seem very afraid.
0:36:13 > 0:36:14You don't seem very frightening.
0:36:14 > 0:36:17- HE CHUCKLES - Yes...
0:36:17 > 0:36:20The bravery of the soldier.
0:36:20 > 0:36:24Bravery is by far the kindest word for stupidity, don't you think?
0:36:24 > 0:36:26What is your connection to Sherlock Holmes?
0:36:27 > 0:36:33I don't have one. I barely know him, I met him...yesterday.
0:36:33 > 0:36:37Mmm, and since yesterday you've moved in with him and now you're solving crimes together.
0:36:37 > 0:36:40Might we expect a happy announcement by the end of the week?
0:36:40 > 0:36:43- Who are you?- An interested party.
0:36:43 > 0:36:45Interested in Sherlock? Why?
0:36:45 > 0:36:47I'm guessing you're not friends.
0:36:47 > 0:36:50You've met him. How many friends do you imagine he has?
0:36:51 > 0:36:56- I am the closest thing to a friend that Sherlock Holmes is capable of having.- And what's that?
0:36:56 > 0:36:58- An enemy.- An enemy?
0:36:58 > 0:36:59In HIS mind, certainly.
0:36:59 > 0:37:03If you were to ask him, he'd probably say his arch-enemy.
0:37:03 > 0:37:05He does love to be dramatic.
0:37:05 > 0:37:07Well, thank God YOU'RE above all that.
0:37:09 > 0:37:10TEXT MESSAGE ALERT
0:37:13 > 0:37:16I hope I'm not distracting you.
0:37:17 > 0:37:18Not distracting me at all.
0:37:18 > 0:37:21Do you plan to continue your association with Sherlock Holmes?
0:37:21 > 0:37:22I could be wrong...
0:37:22 > 0:37:25but I think that's none of your business.
0:37:25 > 0:37:28- It could be.- It really couldn't.
0:37:29 > 0:37:31If you DO move into, erm...
0:37:33 > 0:37:38..221B Baker Street,
0:37:38 > 0:37:39I'd be happy to
0:37:39 > 0:37:44pay you a meaningful sum of money on a regular basis to ease your way.
0:37:44 > 0:37:45Why?
0:37:45 > 0:37:47Because you're not a wealthy man.
0:37:47 > 0:37:48In exchange for what?
0:37:49 > 0:37:51Information.
0:37:51 > 0:37:54Nothing indiscreet. Nothing you'd feel...uncomfortable with.
0:37:54 > 0:37:57- Just tell me what he's up to.- Why?
0:37:58 > 0:38:02I worry about him. Constantly.
0:38:02 > 0:38:03That's nice of you.
0:38:03 > 0:38:08But I would prefer for various reasons that my concern go unmentioned,
0:38:08 > 0:38:12we have what you might call a... difficult relationship.
0:38:12 > 0:38:13TEXT MESSAGE ALERT
0:38:18 > 0:38:21- No. - But I haven't mentioned a figure.
0:38:21 > 0:38:22Don't bother.
0:38:22 > 0:38:24You're very loyal VERY quickly.
0:38:24 > 0:38:27No, I'm not, I'm just not interested.
0:38:32 > 0:38:34"Trust issues"...it says here.
0:38:38 > 0:38:39What's that?
0:38:39 > 0:38:43Could it be that you've decided to trust Sherlock Holmes of all people?
0:38:43 > 0:38:46- Who says I trust him?- You don't seem the kind to make friends easily.
0:38:46 > 0:38:48Are we done?
0:38:49 > 0:38:50You tell me.
0:38:57 > 0:39:00I imagine people have already warned you to stay away from him,
0:39:00 > 0:39:03but I can see from your left hand that's not going to happen.
0:39:06 > 0:39:09- My what?- Show me.
0:39:20 > 0:39:21Don't...
0:39:29 > 0:39:31- Remarkable.- What is?
0:39:31 > 0:39:38Most people...blunder round this city, and all they see are streets and shops and cars.
0:39:38 > 0:39:41When you walk with Sherlock Holmes, you see the battlefield.
0:39:41 > 0:39:43You've seen it already. Haven't you?
0:39:43 > 0:39:45What's wrong with my hand?
0:39:45 > 0:39:49You have an intermittent tremor in your left hand.
0:39:49 > 0:39:52Your therapist thinks it's post-traumatic stress disorder.
0:39:52 > 0:39:55She thinks you're haunted by memories of your military service.
0:39:55 > 0:39:57Who the hell are you?
0:39:58 > 0:40:02- How do you know that?- Fire her. She's got it the wrong way round.
0:40:02 > 0:40:06You're under stress right now and your hand is perfectly steady.
0:40:07 > 0:40:10You're not haunted by the war, Dr Watson...
0:40:11 > 0:40:13You miss it.
0:40:15 > 0:40:17Welcome back.
0:40:22 > 0:40:23TEXT MESSAGE ALERT
0:40:23 > 0:40:26Time to choose a side, Dr Watson.
0:40:36 > 0:40:38I'm to take you home.
0:40:47 > 0:40:49Address?
0:40:49 > 0:40:51Er, Baker Street.
0:40:51 > 0:40:54221B Baker Street.
0:40:55 > 0:40:57But I need to stop off somewhere first.
0:41:24 > 0:41:29Listen, your boss. Any chance you could not tell him this is where I went?
0:41:29 > 0:41:31- Sure.- You've told him already, haven't you?
0:41:31 > 0:41:33Yeah.
0:41:36 > 0:41:40Hey erm... do you ever get any free time?
0:41:40 > 0:41:42- SHE CHUCKLES - Oh, yeah. Lots.
0:41:48 > 0:41:50- Bye...- OK.
0:42:12 > 0:42:15HE EXHALES SLOWLY
0:42:18 > 0:42:19What are you doing?
0:42:20 > 0:42:22Nicotine patch.
0:42:22 > 0:42:24Helps me think.
0:42:24 > 0:42:28Impossible to sustain a smoking habit in London these days.
0:42:28 > 0:42:30Bad news for brain work.
0:42:30 > 0:42:33- It's good news for breathing. - Oh... Breathing! Breathing's boring.
0:42:33 > 0:42:34Is that...three patches?
0:42:34 > 0:42:36It's a three-patch problem.
0:42:40 > 0:42:42Well...?
0:42:44 > 0:42:47You asked me to come, I'm assuming it's important.
0:42:48 > 0:42:50Oh - yeah, of course. Can I borrow your phone?
0:42:51 > 0:42:55- My phone?- Always a chance that my number will be recognised. It's on the website.
0:42:55 > 0:42:57- Mrs Hudson's got a phone. - Yeah, she's downstairs.
0:42:57 > 0:43:00- I tried shouting but she didn't hear. - I WAS the other side of London...
0:43:00 > 0:43:02There was no hurry.
0:43:04 > 0:43:06Here...
0:43:11 > 0:43:13So what's this about - the case?
0:43:13 > 0:43:17- Her case...- HER case? - Her suitcase, yes, obviously.
0:43:17 > 0:43:21The murderer took her suitcase, first big mistake.
0:43:21 > 0:43:22OK, he took her case. So?
0:43:22 > 0:43:26It's no use, there's no other way. We'll have to risk it.
0:43:27 > 0:43:29On my desk there's a number. I want you to send a text.
0:43:31 > 0:43:34You've brought me here... to send a text.
0:43:34 > 0:43:36Text, yes. The number on my desk.
0:43:48 > 0:43:50- What's wrong? - Just met a friend of yours.
0:43:50 > 0:43:52- A friend?- An enemy.
0:43:52 > 0:43:54Oh. Which one?
0:43:55 > 0:43:59Well, your arch-enemy, according to him. Do people have arch-enemies?
0:44:01 > 0:44:03Did he offer you money to spy on me?
0:44:04 > 0:44:06- Yes.- Did you take it?
0:44:06 > 0:44:09- No.- Pity, we could have split the fee. Think it through next time.
0:44:10 > 0:44:14- Who is he? - The most dangerous man you've ever met, and not my problem right now.
0:44:14 > 0:44:16On my desk, the number!
0:44:22 > 0:44:25Jennifer Wilson. That was...
0:44:25 > 0:44:27Hang on. Wasn't that the dead woman?
0:44:27 > 0:44:30Yes. That's not important. Just enter the number.
0:44:30 > 0:44:32- Are you doing it?- Yes. - Have you done it?
0:44:32 > 0:44:35Yeah - hang on!
0:44:35 > 0:44:37These words exactly.
0:44:37 > 0:44:41"What happened at Lauriston Gardens?
0:44:41 > 0:44:43"I must have blacked out.
0:44:43 > 0:44:46"22 Northumberland Street,
0:44:46 > 0:44:47- please come."- You blacked out?
0:44:47 > 0:44:50What? No... No!
0:44:51 > 0:44:53Type and send it. Quickly.
0:44:57 > 0:45:00- Have you sent it?- What's the address?
0:45:00 > 0:45:0222 Northumberland Street. Hurry up!
0:45:09 > 0:45:10That's...
0:45:11 > 0:45:14That's the pink lady's case, that's Jennifer Wilson's case.
0:45:14 > 0:45:16Yes, obviously.
0:45:18 > 0:45:22- Oh, perhaps I should mention - I didn't kill her. - I never said you did.
0:45:22 > 0:45:27Why not? Given that text and the fact I have her case it's a perfectly logical assumption.
0:45:27 > 0:45:29Do people usually assume you're the murderer?
0:45:30 > 0:45:32Now and then, yes.
0:45:33 > 0:45:34OK...
0:45:36 > 0:45:38- How did you get this?- By looking.
0:45:38 > 0:45:41- Where?- The killer must have driven her to Lauriston Gardens.
0:45:41 > 0:45:44He could only keep her case by accident if it was in the car.
0:45:44 > 0:45:47Nobody could be seen with this case without drawing attention -
0:45:47 > 0:45:50particularly a man, which is statistically more likely.
0:45:50 > 0:45:52So obviously he'd feel compelled to get rid of it.
0:45:52 > 0:45:55Wouldn't have taken him more than five minutes to realise his mistake.
0:45:55 > 0:46:00I checked every backstreet wide enough for a car five minutes from Lauriston Gardens,
0:46:00 > 0:46:05'and anywhere you could dispose of a bulky object without being observed.
0:46:05 > 0:46:08'Took me less than an hour to find the right skip.'
0:46:09 > 0:46:12Pink. You got all that because you realised the case would be pink?
0:46:12 > 0:46:15- It had to be pink, obviously. - Why didn't I think of that(?)
0:46:15 > 0:46:16Because you're an idiot.
0:46:16 > 0:46:19No, no, no, don't look like that. Practically everyone is.
0:46:19 > 0:46:22Now, look. Do you see what's missing?
0:46:22 > 0:46:23From the case? How could I?
0:46:24 > 0:46:25Her phone. Where's her mobile phone?
0:46:25 > 0:46:28There was no phone on the body, there's no phone in the case.
0:46:28 > 0:46:30We know she had one. You just texted it.
0:46:30 > 0:46:31Maybe she left it at home.
0:46:31 > 0:46:36She has a string of lovers and she's careful about it. She never leaves her phone at home.
0:46:36 > 0:46:38Er...
0:46:39 > 0:46:41Why did I just send that text?
0:46:41 > 0:46:44Well, the question is where is her phone NOW?
0:46:44 > 0:46:47- She could have lost it.- Yes, or?
0:46:48 > 0:46:50The murderer... You think the murderer has the phone?
0:46:51 > 0:46:57Maybe she...left it when she left her case. Maybe he took it from her for some reason.
0:46:58 > 0:47:01Either way, the balance of probability is the murderer has her phone.
0:47:01 > 0:47:06Sorry...what are we doing - did I just text a murderer? What good will that do?
0:47:06 > 0:47:07TEXT MESSAGE ALERT
0:47:08 > 0:47:11A few hours after his last victim,
0:47:11 > 0:47:14and now he receives a text that can only be from her.
0:47:16 > 0:47:21If somebody had just found that phone they'd ignore a text like that, but the murderer...
0:47:21 > 0:47:23would panic.
0:47:25 > 0:47:28- Have you talked to the police?- Four people are dead, there isn't time.
0:47:28 > 0:47:30So why are you talking to ME?
0:47:30 > 0:47:32Mrs Hudson took my skull.
0:47:33 > 0:47:35So I'm basically filling in for your skull?
0:47:35 > 0:47:37Relax, you're doing fine.
0:47:37 > 0:47:41- Well?- Well, what?- Well - you could just sit there and...watch telly.
0:47:41 > 0:47:46- What, you want me to come with you? - I like company when I go out, and I think better when I talk aloud.
0:47:46 > 0:47:48The skull just attracts attention, so...
0:47:48 > 0:47:51- Problem?- Yeah, Sergeant Donovan.
0:47:51 > 0:47:53What about her?
0:47:53 > 0:47:54She said...
0:47:54 > 0:47:56you get off on this. You enjoy it.
0:47:57 > 0:48:01And I said "dangerous", and here you are.
0:48:04 > 0:48:06Damn it!
0:48:15 > 0:48:18- Where are we going? - Northumberland Street's a five-minute walk from here.
0:48:18 > 0:48:22- You think he's stupid enough to go there? - No - I think he's brilliant enough.
0:48:22 > 0:48:25I love the brilliant ones. They're all so desperate to get caught.
0:48:25 > 0:48:27- Why?- Appreciation!
0:48:27 > 0:48:29Applause! At long last the spotlight.
0:48:29 > 0:48:33- That's the frailty of genius, John, it needs an audience.- Yeah.
0:48:33 > 0:48:38This is his hunting ground. Right here in the heart of the city.
0:48:38 > 0:48:41Now that we know his victims were abducted, that changes everything.
0:48:41 > 0:48:44Because all of his victims disappeared from busy streets,
0:48:44 > 0:48:46crowded places, but nobody saw them go.
0:48:47 > 0:48:50Think! Who do we trust, even though we don't know them?
0:48:50 > 0:48:54Who passes unnoticed wherever they go?
0:48:54 > 0:48:56Who hunts in the middle of a crowd?
0:48:56 > 0:48:58Don't know. Who?
0:48:58 > 0:49:00Haven't the faintest. Hungry?
0:49:04 > 0:49:05Thank you, Billy.
0:49:10 > 0:49:1122 Northumberland Street.
0:49:11 > 0:49:14Keep your eyes on it.
0:49:14 > 0:49:17He's not just going to ring the doorbell. He'd need to be mad.
0:49:17 > 0:49:19He HAS killed four people.
0:49:19 > 0:49:21OK.
0:49:22 > 0:49:24Sherlock!
0:49:24 > 0:49:26Anything on the menu, whatever you want, free.
0:49:26 > 0:49:29On the house, for you and for your date.
0:49:29 > 0:49:30- Do you want to eat?- I'm not his date.
0:49:30 > 0:49:33This man got me off a murder charge.
0:49:33 > 0:49:38This is Angelo. Three years ago I proved to Lestrade at the time of a particularly vicious triple murder
0:49:38 > 0:49:40that Angelo was elsewhere, house-breaking.
0:49:40 > 0:49:44- He cleared my name.- I cleared it a bit. Anything happening opposite?
0:49:44 > 0:49:45Nothing.
0:49:45 > 0:49:48- But for this man, I'd have gone to prison.- You did go to prison.
0:49:48 > 0:49:51I'll get a candle for the table. It's more romantic.
0:49:51 > 0:49:52I'm not his date!
0:49:54 > 0:49:57You may as well eat. We might have a long wait.
0:49:58 > 0:50:00Thanks.
0:50:07 > 0:50:09People don't have arch-enemies.
0:50:10 > 0:50:12- I'm sorry?- In real life.
0:50:13 > 0:50:15There are no arch-enemies in real life. Doesn't happen.
0:50:15 > 0:50:17Doesn't it? Sounds a bit dull.
0:50:17 > 0:50:19So who did I meet?
0:50:19 > 0:50:23What do real people have, then, in their..."real lives"?
0:50:24 > 0:50:26Friends?
0:50:26 > 0:50:30People they know, people they like, people they don't like...
0:50:30 > 0:50:34- Girlfriends, boyfriends. - Yes, well, as I was saying - dull.
0:50:34 > 0:50:36You don't have a girlfriend, then.
0:50:36 > 0:50:39Girlfriend? No, not really my area.
0:50:39 > 0:50:40Mm.
0:50:41 > 0:50:43Oh, right.
0:50:44 > 0:50:46Do you have a...boyfriend? Which is fine, by the way.
0:50:46 > 0:50:48I know it's fine.
0:50:49 > 0:50:51- So you've got a boyfriend then.- No.
0:50:51 > 0:50:53Right. OK.
0:50:55 > 0:50:57You're unattached. Like me.
0:50:58 > 0:51:01Fine. Good.
0:51:08 > 0:51:10John, erm...
0:51:10 > 0:51:13I think you should know that I consider myself married to my work,
0:51:13 > 0:51:16- and while I'm flattered, I'm really not looking for any...- No,
0:51:16 > 0:51:19I'm...not asking. No.
0:51:20 > 0:51:23I'm just saying, it's all fine.
0:51:24 > 0:51:26TAXI OUTSIDE Good.
0:51:28 > 0:51:29Thank you.
0:51:31 > 0:51:34Look across the street. Taxi. It's stopped.
0:51:34 > 0:51:36Nobody getting in, and nobody getting out.
0:51:37 > 0:51:38Why a taxi?
0:51:39 > 0:51:42- Oh, that's clever. Is it clever? Why is it clever?- That's him.
0:51:43 > 0:51:44Don't stare.
0:51:44 > 0:51:46- You're staring.- We can't both stare.
0:52:08 > 0:52:10CAR HORN
0:52:11 > 0:52:12Sorry...
0:52:13 > 0:52:15- I've got the cab number. - Good for you.
0:52:16 > 0:52:19Right turn, one way, roadworks, traffic lights, bus lane,
0:52:19 > 0:52:21pedestrian crossing, left turn only, traffic lights.
0:52:26 > 0:52:28Sorry.
0:52:31 > 0:52:33TYRES SQUEAL
0:52:38 > 0:52:39Come on, John...
0:52:58 > 0:53:00Come on, John. We're losing him!
0:53:29 > 0:53:31This way.
0:53:32 > 0:53:33No - THIS way!
0:53:33 > 0:53:35Sorry...
0:54:00 > 0:54:03Police! Open her up.
0:54:04 > 0:54:07SHERLOCK PANTS No...
0:54:07 > 0:54:09Teeth, tan. What - Californian...?
0:54:10 > 0:54:13LA, Santa Monica. Just arrived.
0:54:13 > 0:54:15- How could you possibly know that? - The luggage.
0:54:17 > 0:54:19Probably your first trip to London, right?
0:54:19 > 0:54:22Going by your final destination and the cabbie's route.
0:54:22 > 0:54:24Sorry - are you guys the police?
0:54:24 > 0:54:26Yeah. Everything all right?
0:54:26 > 0:54:28Yeah.
0:54:29 > 0:54:31Welcome to London.
0:54:33 > 0:54:35Er, any problems - just let us know.
0:54:39 > 0:54:42- Basically just a cab that happened to slow down.- Basically.
0:54:42 > 0:54:44- Not the murderer. - Not the murderer, no.
0:54:44 > 0:54:46Wrong country, good alibi.
0:54:46 > 0:54:49- As they go. - Hey, where did you get this?
0:54:50 > 0:54:52- Detective Inspector Lestrade?- Yeah.
0:54:52 > 0:54:54I pickpocket him when he's annoying.
0:54:54 > 0:54:56You can keep that one, I've got plenty at the flat.
0:54:59 > 0:55:02- What? - Nothing, just..."Welcome to London".
0:55:02 > 0:55:04HE SNIGGERS
0:55:06 > 0:55:08- Got your breath back? - Ready when you are.
0:55:14 > 0:55:17- JOHN PANTS - OK...
0:55:18 > 0:55:19That was ridiculous.
0:55:19 > 0:55:23That was the most ridiculous thing...I've ever done.
0:55:23 > 0:55:26And you invaded Afghanistan. THEY LAUGH
0:55:27 > 0:55:29That wasn't just me.
0:55:29 > 0:55:31Why aren't we back at the restaurant?
0:55:31 > 0:55:33They can keep an eye out.
0:55:33 > 0:55:35It was a long shot anyway.
0:55:35 > 0:55:37So what were we doing there?
0:55:40 > 0:55:42Oh, just passing the time.
0:55:43 > 0:55:44And proving a point.
0:55:44 > 0:55:46- What point?- You.
0:55:46 > 0:55:50Mrs Hudson! Dr Watson WILL take the room upstairs.
0:55:50 > 0:55:51Says who?
0:55:51 > 0:55:53Says the man at the door.
0:55:53 > 0:55:54KNOCKING
0:56:04 > 0:56:08Sherlock texted me. He said you forgot this.
0:56:09 > 0:56:10Ah...
0:56:12 > 0:56:13Er, thank you.
0:56:13 > 0:56:14Thank you.
0:56:15 > 0:56:17Sherlock, what have you done?
0:56:17 > 0:56:20- Mrs Hudson?- Upstairs.
0:56:25 > 0:56:28- What are you doing?- Well, I knew you'd find the case, I'm not stupid.
0:56:28 > 0:56:33- You can't just break into my flat. - You can't withhold evidence - and I didn't break in.
0:56:33 > 0:56:35Well, what do you call this then?
0:56:35 > 0:56:39- It's a drugs bust. - Seriously? This guy - a junkie?
0:56:39 > 0:56:41- Have you met him?- John...
0:56:41 > 0:56:45You could search this flat all day, you wouldn't find anything you could call recreational.
0:56:45 > 0:56:47- John, you probably want to shut up now.- But come on...
0:56:49 > 0:56:51- No...- What?
0:56:51 > 0:56:54- You? - Shut up! I'm not your sniffer dog.
0:56:54 > 0:56:56No, Anderson's my sniffer dog.
0:56:58 > 0:57:00Anderson, what are YOU doing here on a drugs bust?
0:57:00 > 0:57:05- Oh, I volunteered.- They all did. They're not strictly speaking ON the drug squad, but they're very keen.
0:57:05 > 0:57:07- Are these human eyes? - Put those back!
0:57:07 > 0:57:09- They were in the microwave. - It's an experiment.
0:57:09 > 0:57:11Keep looking, guys.
0:57:11 > 0:57:13Or you could help us properly and I'll stand them down.
0:57:13 > 0:57:15- This is childish. - Well, I'm dealing with a child.
0:57:15 > 0:57:19Sherlock, this is our case. I'm letting you in, but you do not go off on your own.
0:57:19 > 0:57:23- Clear?- What - so you set up a pretend drugs bust to bully me?
0:57:23 > 0:57:27- It stops being pretend if we find anything.- I am clean!
0:57:27 > 0:57:28Is your flat...? All of it?
0:57:28 > 0:57:31Don't even smoke.
0:57:31 > 0:57:33Neither do I.
0:57:35 > 0:57:37So let's work together.
0:57:37 > 0:57:39- We've found Rachel.- Who is she?
0:57:39 > 0:57:41Jennifer Wilson's only daughter.
0:57:41 > 0:57:43Her daughter?
0:57:43 > 0:57:45Why would she write her daughter's name? Why?
0:57:45 > 0:57:48Never mind that, we found the case.
0:57:48 > 0:57:53According to SOMEONE the murderer has the case, and we found it in the hands of our favourite psychopath.
0:57:53 > 0:57:56I'm a high-functioning sociopath. Do your research.
0:57:56 > 0:57:58You need to bring Rachel in and I need to question her.
0:57:58 > 0:58:02- She's dead.- Excellent. How, when and why? Is there a connection? There has to be.
0:58:02 > 0:58:07Well, I doubt it, since she's been dead for 14 years. Technically she was never alive.
0:58:07 > 0:58:12Rachel was Jennifer Wilson's stillborn daughter, 14 years ago.
0:58:12 > 0:58:13No, that's...
0:58:14 > 0:58:16..that's not right. How...
0:58:16 > 0:58:18Why would she do that? Why?
0:58:18 > 0:58:22Why would she think of her daughter in her last moments? Yup - sociopath, I'm seeing it now.
0:58:22 > 0:58:24She didn't think about her daughter.
0:58:24 > 0:58:28She scratched her name on the floor with her fingernails. She was dying.
0:58:28 > 0:58:30It took effort, it would have hurt.
0:58:31 > 0:58:35You said that the victims all took the poison themselves, that he MAKES them take it -
0:58:35 > 0:58:40well, maybe he...I don't know, talks to them. Maybe he used the death of her daughter somehow.
0:58:40 > 0:58:44Yeah, but that was ages ago. Why would she still be upset?
0:58:47 > 0:58:49Not good?
0:58:49 > 0:58:50Bit not good, yeah.
0:58:50 > 0:58:54If you were dying... If you'd been murdered - in your very last few seconds what would you say?
0:58:54 > 0:58:57- "Please, God, let me live." - Use your imagination!
0:58:57 > 0:58:59I don't have to.
0:59:00 > 0:59:04Yeah, but if you were clever... Jennifer Wilson running all those lovers - she WAS clever.
0:59:04 > 0:59:06She's trying to tell us something.
0:59:06 > 0:59:09Isn't the doorbell working? Your taxi's here, Sherlock.
0:59:09 > 0:59:13- I didn't order a taxi. Go away. - Oh, dear. They're making such a mess. What are they looking for?
0:59:13 > 0:59:15It's a drugs bust, Mrs Hudson.
0:59:15 > 0:59:18But they're just for my hip. They're herbal soothers...
0:59:18 > 0:59:21Shut up, everybody! Don't speak, don't breathe. I'm trying to think.
0:59:21 > 0:59:23Anderson, face the other way. You're putting me off.
0:59:23 > 0:59:26- What? My FACE is(?) - Everybody quiet and still.
0:59:26 > 0:59:28- Anderson, turn your back. - Oh, for God's sake!
0:59:28 > 0:59:30Your back, now, please!
0:59:30 > 0:59:32- Come on, think. Quick! - What about your taxi?
0:59:32 > 0:59:33MRS HUDSON!
0:59:36 > 0:59:38Oh...
0:59:38 > 0:59:40Ah!
0:59:40 > 0:59:43She was clever. Clever, yes!
0:59:43 > 0:59:48She's cleverer than you lot and she's dead. Do you see, do you get it?
0:59:48 > 0:59:51She didn't lose her phone, she never lost it. She PLANTED it on him.
0:59:51 > 0:59:54When she got out of the car, she knew that she was going to her death.
0:59:54 > 0:59:59- She left the phone in order to lead us to her killer.- But how?
1:00:00 > 1:00:01What do you mean, how?
1:00:01 > 1:00:03Rachel!
1:00:04 > 1:00:06Don't you see? Rachel!
1:00:09 > 1:00:10Oh...
1:00:10 > 1:00:12Look at you lot. You're all so vacant.
1:00:12 > 1:00:15Is it nice not being me? It must be so relaxing.
1:00:15 > 1:00:16Rachel is not a name.
1:00:16 > 1:00:19- Then what is it?- John - on the luggage, there's a label.
1:00:19 > 1:00:21E-mail address.
1:00:22 > 1:00:26Er, jennie.pink@mephone.org.uk.
1:00:26 > 1:00:31She didn't have a laptop, which means she did her business on her phone. A smartphone, it's e-mail enabled.
1:00:31 > 1:00:33So there was a website for her account.
1:00:33 > 1:00:36The username is her e-mail address - and all together, the password is?
1:00:36 > 1:00:39- Rachel. - So we can read her e-mails. So what?
1:00:39 > 1:00:42Anderson, don't talk out loud. You lower the IQ of the whole street.
1:00:42 > 1:00:45We can do much more than that. It's a smartphone, it's got GPS.
1:00:45 > 1:00:50Which means if you lose it you can locate it online. She's leading us directly to the man who killed her.
1:00:50 > 1:00:52- Unless he got rid of it. - We know he didn't.
1:00:52 > 1:00:56- Come on, come on. Quickly! - Sherlock, dear. This taxi driver...
1:00:56 > 1:00:59Mrs Hudson, isn't it time for your evening soother?
1:01:00 > 1:01:03Get vehicles, get a helicopter. This phone battery won't last for ever.
1:01:03 > 1:01:06- We'll just have a map reference, not a name.- It's a start!
1:01:06 > 1:01:09- Sherlock...- Narrows it down from just anyone in London.
1:01:09 > 1:01:11- It's the first proper lead that we've had.- Sherlock...
1:01:11 > 1:01:14Where is it? Quickly, where?
1:01:14 > 1:01:17Here. It's...in 221 Baker Street.
1:01:18 > 1:01:20How can it be here?
1:01:20 > 1:01:22How?
1:01:22 > 1:01:25Maybe it was in the case when you brought it back and it...fell out somewhere.
1:01:25 > 1:01:29What, and I didn't notice it? Me - I didn't notice?
1:01:29 > 1:01:31Anyway, we texted him and he called back.
1:01:31 > 1:01:34Guys, we're also looking for a mobile somewhere here,
1:01:34 > 1:01:37- belonged to the victim...- 'Who do we trust, even if we don't know them?
1:01:47 > 1:01:50'Who passes unnoticed wherever they go?
1:01:54 > 1:01:57'Who hunts in the middle of a crowd?'
1:02:26 > 1:02:27TEXT MESSAGE ALERT
1:02:35 > 1:02:38- Sherlock, you OK?- What...?
1:02:38 > 1:02:40Yeah, yeah... I'm fine.
1:02:40 > 1:02:42So, how can the phone be here?
1:02:42 > 1:02:43Don't know.
1:02:43 > 1:02:45- I'll try it again.- Good idea.
1:02:45 > 1:02:47Where are you going?
1:02:47 > 1:02:50Fresh air, just popping outside for a moment. Won't be long.
1:02:50 > 1:02:52- You sure you're all right?- I'm fine.
1:03:03 > 1:03:04Taxi for Sherlock Holmes.
1:03:07 > 1:03:10I didn't order a taxi.
1:03:10 > 1:03:12Doesn't mean you don't need one.
1:03:13 > 1:03:15You're the cabbie.
1:03:16 > 1:03:19The one who stopped outside Northumberland Street.
1:03:24 > 1:03:26It was you. Not your passenger.
1:03:26 > 1:03:29See? No-one ever thinks about the cabbie.
1:03:29 > 1:03:31It's like you're invisible.
1:03:31 > 1:03:33Just the back of an 'ead.
1:03:34 > 1:03:37Proper advantage for a serial killer.
1:03:39 > 1:03:41- Is this a confession?- Oh, yeah.
1:03:42 > 1:03:44I'll tell you what else...
1:03:44 > 1:03:46If you call the coppers now, I won't run.
1:03:47 > 1:03:51I'll sit quiet and they can take me down, I promise.
1:03:51 > 1:03:52Why?
1:03:52 > 1:03:55- Cos you're not going to do that. - Am I not?
1:03:57 > 1:04:00I didn't kill those four people, Mr Holmes.
1:04:00 > 1:04:02I spoke to 'em...
1:04:02 > 1:04:04and they killed themselves.
1:04:06 > 1:04:09If you get the coppers now, I'll promise you one thing.
1:04:11 > 1:04:13I will never tell you what I said.
1:04:19 > 1:04:22No-one else will die, though, and I believe they call that a result.
1:04:22 > 1:04:26And you won't ever understand how those people died.
1:04:27 > 1:04:29What kind of result do you care about?
1:04:45 > 1:04:47If I wanted to understand...
1:04:48 > 1:04:51- ..what would I do? - Let me take you for a ride.
1:04:51 > 1:04:54- So you can kill me too? - I don't want to kill you, Mr Holmes.
1:04:56 > 1:04:58I'm going to talk to ya...
1:04:59 > 1:05:02..and then you're going to kill yourself.
1:05:12 > 1:05:15DOOR OPENS AND CLOSES
1:05:16 > 1:05:17ENGINE STARTS
1:05:20 > 1:05:23He just got in a cab... It's Sherlock. He just drove off in a cab.
1:05:23 > 1:05:25I told you, he does that.
1:05:25 > 1:05:26He bloody left again.
1:05:26 > 1:05:28We're wasting our time!
1:05:28 > 1:05:30I'm...calling the phone, it's ringing out.
1:05:31 > 1:05:33PHONE RINGS
1:05:37 > 1:05:38PHONE KEEPS RINGING
1:05:41 > 1:05:42PHONE KEEPS RINGING
1:05:42 > 1:05:44And if it's ringing, it's not here.
1:05:44 > 1:05:48- I'll try the search again. - Does it matter? Does any of it?
1:05:48 > 1:05:54He's just a lunatic, and he'll always let you down. And you're wasting your time. All our time.
1:06:00 > 1:06:02OK, everybody...
1:06:02 > 1:06:04done here.
1:06:06 > 1:06:08How did you find me?
1:06:08 > 1:06:10Oh, I recognised ya.
1:06:12 > 1:06:13Soon as I saw you chasing my cab.
1:06:14 > 1:06:17Sherlock Holmes!
1:06:18 > 1:06:19I was warned about you.
1:06:20 > 1:06:24I've been on your website, too. Brilliant stuff! Loved it.
1:06:24 > 1:06:28- Who warned you about me?- Just someone out there who's noticed.
1:06:29 > 1:06:31Who?
1:06:38 > 1:06:40Who would notice me?
1:06:40 > 1:06:43- You're too modest, Mr Holmes. - I'm really not.
1:06:43 > 1:06:45Got yourself a fan.
1:06:46 > 1:06:48Tell me more.
1:06:48 > 1:06:49That's all you're going to know.
1:06:51 > 1:06:53In THIS lifetime.
1:06:54 > 1:06:56Why did he do that? Why did he have to leave?
1:06:56 > 1:06:58You know him better than I do.
1:06:58 > 1:07:02I've known him for five years - and no, I don't.
1:07:03 > 1:07:05So why do you put up with him?
1:07:06 > 1:07:08Because I'm desperate, that's why.
1:07:10 > 1:07:12And because Sherlock Holmes is a great man -
1:07:12 > 1:07:16and I think one day, if we're very, very lucky,
1:07:16 > 1:07:18he might even be a good one.
1:07:39 > 1:07:41Where are we?
1:07:42 > 1:07:45You know every street in London. You know exactly where we are.
1:07:45 > 1:07:48Roland-Kerr Further Education College.
1:07:48 > 1:07:51- Why here?- It's open.
1:07:51 > 1:07:53Cleaners are in.
1:07:53 > 1:07:57One thing about being a cabbie - you always know a nice quiet spot for a murder.
1:07:57 > 1:08:00I'm surprised more of us don't branch out.
1:08:01 > 1:08:03And you just walk your victims in? How?
1:08:05 > 1:08:07Oh... Dull.
1:08:07 > 1:08:08Don't worry. It gets better.
1:08:09 > 1:08:14- You can't make people take their own lives at gunpoint.- I don't.
1:08:14 > 1:08:17It's much better than that.
1:08:17 > 1:08:20Don't need this with you. Cos you'll follow me.
1:08:43 > 1:08:45BEEP
1:08:46 > 1:08:47CONTINUED BEEPING
1:09:11 > 1:09:14Well, what do you think?
1:09:15 > 1:09:17It's up to you.
1:09:17 > 1:09:19You're the one who's going to die here.
1:09:21 > 1:09:24- No, I'm not. - That's what they all say.
1:09:26 > 1:09:27Shall we talk?
1:09:42 > 1:09:44Bit risky, wasn't it?
1:09:45 > 1:09:48Took me away under the eye of about half a dozen policemen.
1:09:48 > 1:09:50They're not that stupid.
1:09:50 > 1:09:52And Mrs Hudson will remember you.
1:09:52 > 1:09:55You call that a risk? Nah...
1:09:55 > 1:09:57THIS is a risk.
1:10:05 > 1:10:07Oh, I like this bit.
1:10:07 > 1:10:09Cos you don't get it yet, do ya?
1:10:11 > 1:10:13But you're about to.
1:10:14 > 1:10:16I just have to do this...
1:10:22 > 1:10:24Weren't expecting that, were ya?
1:10:25 > 1:10:27Oh, you're going to love this.
1:10:27 > 1:10:30- Love what? - Sherlock Holmes! Look at you!
1:10:32 > 1:10:37Here in the flesh. That website of yours, your fan told me about it.
1:10:37 > 1:10:38My fan?
1:10:38 > 1:10:41You are brilliant.
1:10:41 > 1:10:44You are a proper genius.
1:10:44 > 1:10:47The Science of Deduction. Now, that...
1:10:47 > 1:10:50is proper thinking.
1:10:51 > 1:10:54Between you and me sitting here, why can't people think?
1:10:56 > 1:10:58Don't it make you mad?
1:10:59 > 1:11:01Why can't people just think?
1:11:05 > 1:11:09Oh, I see... So you're a proper genius too.
1:11:09 > 1:11:11Don't look it, do I?
1:11:12 > 1:11:14Funny little man driving a cab.
1:11:15 > 1:11:17But you'll know better in a minute.
1:11:17 > 1:11:20Chances are it'll be the last thing you EVER know.
1:11:22 > 1:11:24OK, two bottles. Explain.
1:11:26 > 1:11:28There's a good bottle and a bad bottle.
1:11:28 > 1:11:31You take the pill from the good bottle, you live.
1:11:31 > 1:11:35You take the pill from the bad bottle...you die.
1:11:35 > 1:11:37- Both bottles are of course identical. - In every way.
1:11:37 > 1:11:40- And you know which is which. - Of course I know.- But I don't.
1:11:40 > 1:11:43Wouldn't be a game if you knew. You're the one who chooses.
1:11:43 > 1:11:47Why should I? I've got nothing to go on. What's in it for me?
1:11:48 > 1:11:50I haven't told you the best bit yet.
1:11:51 > 1:11:53Whatever bottle YOU choose,
1:11:53 > 1:11:55I take the pill from the other one.
1:11:56 > 1:11:57And then together...
1:11:57 > 1:12:00we take our medicine.
1:12:02 > 1:12:05I won't cheat. It's your choice.
1:12:06 > 1:12:08I'll take whatever pill you don't.
1:12:11 > 1:12:14Didn't expect that, did you, Mr Holmes?
1:12:14 > 1:12:16This is what you did to the rest of them -
1:12:16 > 1:12:19- you gave them a choice? - And now I'm giving you one.
1:12:20 > 1:12:22You take your time.
1:12:22 > 1:12:24Get yourself together.
1:12:25 > 1:12:28- I want your best game. - It's not a game, it's chance.
1:12:28 > 1:12:31I've played four times. I'm alive.
1:12:32 > 1:12:35It's not chance, Mr Holmes, it's chess.
1:12:36 > 1:12:38It's a game of chess,
1:12:38 > 1:12:42with one move...and one survivor.
1:12:43 > 1:12:46And this - this...
1:12:46 > 1:12:48is the move.
1:12:56 > 1:12:59Did I just give you the good bottle or the bad bottle?
1:12:59 > 1:13:01You can choose either one.
1:13:04 > 1:13:08No, Detective Inspector Lestrade - I need to speak to him.
1:13:08 > 1:13:10It's important. It's an emergency.
1:13:10 > 1:13:12Er, left here, please. Left here...
1:13:24 > 1:13:26You ready yet, Mr Holmes?
1:13:26 > 1:13:30- Ready to play?- Play what? It's a 50:50 chance.
1:13:30 > 1:13:32You're not playing the numbers, you're playing ME.
1:13:35 > 1:13:38Did I just give you the good pill or the bad pill?
1:13:38 > 1:13:40Is it a bluff,
1:13:40 > 1:13:42or a double bluff?
1:13:42 > 1:13:44- Or a triple bluff? - It's still just chance.
1:13:44 > 1:13:46Four people, in a row? It's not chance.
1:13:46 > 1:13:48- Luck.- It's genius!
1:13:49 > 1:13:52I know how people think.
1:13:52 > 1:13:54- I know how people think- I- think.
1:13:55 > 1:13:57I can see it all like a map inside my head.
1:13:58 > 1:14:01Everyone's so stupid, even you.
1:14:01 > 1:14:03Or maybe God just loves me.
1:14:07 > 1:14:09Either way, you're wasted as a cabbie.
1:14:18 > 1:14:20So...
1:14:21 > 1:14:25You risked your life four times just to kill strangers? Why?
1:14:25 > 1:14:26Time to play.
1:14:26 > 1:14:29Oh, I am playing.
1:14:29 > 1:14:30This is my turn.
1:14:31 > 1:14:35There's shaving foam behind your left ear. Nobody's pointed it out to you.
1:14:35 > 1:14:40Traces of where it's happened before, so obviously you live on your own - there's no-one to tell you.
1:14:40 > 1:14:43But there's a photograph of children. Their mother's been cut out.
1:14:43 > 1:14:45If she'd died, she'd still be there.
1:14:45 > 1:14:47The photograph's old, but the frame's new.
1:14:47 > 1:14:49You think of your children, but you don't get to see them.
1:14:49 > 1:14:52Estranged father.
1:14:52 > 1:14:53She took the kids,
1:14:53 > 1:14:57but you still love them and it still hurts.
1:14:58 > 1:14:59Ah, but there's more.
1:15:01 > 1:15:03Your clothes. Recently laundered,
1:15:03 > 1:15:06but everything you're wearing is at least...three years old?
1:15:07 > 1:15:10Keeping up appearances, but not planning ahead.
1:15:11 > 1:15:15And here you are on a kamikaze murder spree. What's that about?
1:15:19 > 1:15:21Ah...
1:15:21 > 1:15:23Three years ago. Is that when they told you?
1:15:23 > 1:15:26Told me what?
1:15:26 > 1:15:28- That you're a dead man walking. - So are you.
1:15:28 > 1:15:29You don't have long, though.
1:15:29 > 1:15:32Am I right?
1:15:33 > 1:15:35Aneurism. Right in 'ere.
1:15:38 > 1:15:41Any breath could be my last.
1:15:41 > 1:15:44And because you're dying, you've just murdered four people.
1:15:44 > 1:15:46I've outlived four people.
1:15:48 > 1:15:51That's the most fun you can have with an aneurism.
1:15:52 > 1:15:55No... No, there's something else.
1:15:55 > 1:15:59You didn't just kill four people because you're bitter. Bitterness is a paralytic.
1:15:59 > 1:16:03Love is a much more vicious motivator.
1:16:05 > 1:16:08Somehow, this is about your children.
1:16:08 > 1:16:09Oh...
1:16:11 > 1:16:14- You ARE good, in't ya?- But how?
1:16:15 > 1:16:18When I die they won't get much, my kids.
1:16:20 > 1:16:22Not a lot of money in driving cabs.
1:16:22 > 1:16:25- Or serial killing. - You'd be surprised.
1:16:25 > 1:16:26Surprise me.
1:16:29 > 1:16:31I have a sponsor.
1:16:31 > 1:16:35- You have a what?- For every life I take, money goes to my kids.
1:16:35 > 1:16:39The more I kill... the better off they'll be.
1:16:40 > 1:16:43You see? It's nicer than you think.
1:16:43 > 1:16:45Who'd sponsor a serial killer?
1:16:45 > 1:16:48Who'd be a fan of Sherlock Holmes?
1:16:51 > 1:16:54You're not the only one to enjoy a good murder.
1:16:54 > 1:16:58There's others out there just like you, except you're just a man.
1:16:59 > 1:17:02And they're so much more than that.
1:17:04 > 1:17:05What do you mean...
1:17:05 > 1:17:07more than a man?
1:17:08 > 1:17:10An organisation...? What?
1:17:10 > 1:17:15There's a name, that no-one says.
1:17:15 > 1:17:16And I'm not going to say it either.
1:17:18 > 1:17:20Now, enough chatter.
1:17:22 > 1:17:24Time to choose.
1:17:29 > 1:17:30Sherlock?!
1:17:34 > 1:17:36Sherlock!
1:17:36 > 1:17:40What if I don't choose either? I could just walk out of here.
1:17:43 > 1:17:46You can take a 50:50 chance,
1:17:46 > 1:17:49or I can shoot you in the head.
1:17:50 > 1:17:52Funnily enough,
1:17:52 > 1:17:54no-one's ever gone for that option.
1:17:54 > 1:17:56I'll have the gun, please.
1:17:57 > 1:17:59Are you sure?
1:18:00 > 1:18:02Definitely. The gun.
1:18:02 > 1:18:04You don't want to phone a friend(?)
1:18:05 > 1:18:08The gun.
1:18:13 > 1:18:14I know a real gun when I see one.
1:18:16 > 1:18:19- None of the others did.- Clearly.
1:18:20 > 1:18:23Well, this has been very interesting.
1:18:23 > 1:18:26I look forward to the court case.
1:18:29 > 1:18:31Just before you go, did you figure it out?
1:18:33 > 1:18:35Which one's the good bottle?
1:18:35 > 1:18:37Course. Child's play.
1:18:38 > 1:18:39Well, which one, then?
1:18:41 > 1:18:42Which one would you have picked?
1:18:42 > 1:18:46Just so I know whether I could have beaten you.
1:18:47 > 1:18:49Come on!
1:18:49 > 1:18:50Play the game.
1:19:04 > 1:19:05Oh!
1:19:06 > 1:19:09Interesting.
1:19:17 > 1:19:19So what do you think?
1:19:20 > 1:19:22Shall we?
1:19:24 > 1:19:26Really... What do you think?
1:19:28 > 1:19:29Can you beat me?
1:19:31 > 1:19:34Are you clever enough...
1:19:35 > 1:19:36..to bet your life?
1:19:49 > 1:19:50- FAINTLY:- SHERLOCK!
1:19:52 > 1:19:54I bet you get bored, don't you?
1:19:55 > 1:19:57I know you do.
1:19:57 > 1:20:01A man like you. So clever.
1:20:02 > 1:20:06But what's the point of being clever if you can't prove it?
1:20:07 > 1:20:09Still the addict.
1:20:11 > 1:20:14But this...this is what you're really addicted to.
1:20:16 > 1:20:18You'll do anything...
1:20:19 > 1:20:23..anything at all, to stop being bored.
1:20:25 > 1:20:27You're not bored now, are ya?
1:20:28 > 1:20:29Isn't it good?
1:20:29 > 1:20:30GUNSHOT
1:20:41 > 1:20:43CABBIE GASPS
1:20:44 > 1:20:46Was I right?
1:20:46 > 1:20:47I was, wasn't I?
1:20:47 > 1:20:49Did I get it right?!
1:20:53 > 1:20:56OK... Tell me this.
1:20:57 > 1:20:59Your sponsor. Who was it?
1:20:59 > 1:21:02The one who told you about me, my fan.
1:21:02 > 1:21:03I want a name.
1:21:03 > 1:21:05No...
1:21:05 > 1:21:08You're dying, but there's still time to hurt you.
1:21:08 > 1:21:11Give me...a name.
1:21:11 > 1:21:12HE GASPS
1:21:13 > 1:21:16A name! Now.
1:21:18 > 1:21:19The name!
1:21:19 > 1:21:23- HE GASPS - MORIARTY!
1:21:37 > 1:21:39SIRENS WAIL
1:21:44 > 1:21:48Why have I got this blanket? They keep putting this blanket on me.
1:21:48 > 1:21:49- Yeah, it's for shock. - I'm not in shock.
1:21:49 > 1:21:52Yeah, but some of the guys want to take photographs.
1:21:54 > 1:21:56So, the shooter. No sign?
1:21:56 > 1:22:00Cleared off before we got here. But a guy like that would have had enemies, I suppose.
1:22:00 > 1:22:03One of them could have been following him, but...
1:22:03 > 1:22:05we've got nothing to go on.
1:22:05 > 1:22:07Oh, I wouldn't say that.
1:22:08 > 1:22:10OK. Give me.
1:22:10 > 1:22:13The bullet they just dug out of the wall's from a handgun.
1:22:13 > 1:22:17A kill shot over that distance, that's a crack shot. But not just a marksman, a fighter.
1:22:17 > 1:22:21His hands couldn't have shaken at all so clearly he's acclimatised to violence.
1:22:21 > 1:22:25He didn't fire until I was in immediate danger though, so strong moral principle.
1:22:25 > 1:22:29You're looking for a man probably with a history of military service, and...
1:22:29 > 1:22:30nerves of steel...
1:22:37 > 1:22:40- Actually, do you know what? Ignore me.- Sorry?- Ignore all of that.
1:22:40 > 1:22:43It's just the er...the shock talking.
1:22:43 > 1:22:46- Where are you going?- I just need to...talk about the rent.
1:22:46 > 1:22:49- I've still got questions. - What now? I'm in shock - look, I've got a blanket.
1:22:49 > 1:22:54- Sherlock!- And, I just caught you a serial killer... More or less.
1:22:57 > 1:23:00OK. We'll pull you in tomorrow, off you go.
1:23:08 > 1:23:12Erm - Sergeant Donovan has... just been explaining everything.
1:23:12 > 1:23:14The two pills...
1:23:15 > 1:23:17Dreadful business, isn't it? Dreadful.
1:23:18 > 1:23:19Good shot.
1:23:20 > 1:23:23- Yes. Yes, must have been. Through that window.- Well, you'd know.
1:23:26 > 1:23:28Need to get the powder burns out of your fingers.
1:23:28 > 1:23:32I don't suppose you'd serve time for this, but let's avoid the court case.
1:23:32 > 1:23:35- Are you all right? - Yes, of course I'm all right.
1:23:35 > 1:23:36- Well, you have just killed a man. - Yes...
1:23:40 > 1:23:41That's true, isn't it?
1:23:42 > 1:23:45But he wasn't a very nice man.
1:23:46 > 1:23:50- No. No, he wasn't, really, was he? - Frankly a bloody awful cabbie.
1:23:50 > 1:23:53SHERLOCK CHUCKLES That's true, he was a bad cabbie.
1:23:53 > 1:23:56You should have seen the route he took us to get here.
1:23:56 > 1:23:59Stop it! We can't giggle, it's a crime scene. Stop it.
1:23:59 > 1:24:01- Well, you're the one who shot him. - Keep your voice down.
1:24:01 > 1:24:05- Sorry, it's just erm... nerves, I think.- Sorry.
1:24:05 > 1:24:09- You were going to take that damn pill, weren't you?- Course I wasn't.
1:24:10 > 1:24:12Biding my time. Knew you'd turn up.
1:24:12 > 1:24:13No, you didn't.
1:24:13 > 1:24:17That's how you get your kicks, isn't it - you risk your life to prove you're clever.
1:24:17 > 1:24:20- Why would I do that? - Because you're an idiot.
1:24:22 > 1:24:24- Dinner?- Starving.
1:24:24 > 1:24:27End of Baker Street there's a good Chinese. Stays open till two.
1:24:27 > 1:24:30You can tell a good Chinese by the bottom third of the door handle.
1:24:30 > 1:24:34Sherlock... That's him, that's the man I was talking to you about.
1:24:34 > 1:24:36I know exactly who that is.
1:24:36 > 1:24:39So... Another case cracked.
1:24:39 > 1:24:41How very public-spirited.
1:24:41 > 1:24:44Though that's never really your motivation, is it?
1:24:45 > 1:24:46What are you doing here?
1:24:46 > 1:24:48As ever, I'm concerned about you.
1:24:48 > 1:24:50Yes, I've been hearing about your "concern".
1:24:50 > 1:24:52Always so aggressive.
1:24:52 > 1:24:55Did it never occur to you that you and I belong on the same side?
1:24:55 > 1:24:57Oddly enough - no.
1:24:57 > 1:25:00We have more in common than you'd like to believe.
1:25:00 > 1:25:03This petty feud between us is simply childish.
1:25:03 > 1:25:07People will suffer. And you know how it always upset Mummy.
1:25:08 > 1:25:10I upset her?
1:25:10 > 1:25:12Me?
1:25:12 > 1:25:14It wasn't me that upset her, Mycroft.
1:25:14 > 1:25:16No. No, wait...
1:25:16 > 1:25:17Mummy? Who's Mummy?
1:25:17 > 1:25:20Mother. Our mother.
1:25:20 > 1:25:21This is my brother, Mycroft.
1:25:21 > 1:25:23Putting on weight again?
1:25:24 > 1:25:27- Losing it, in fact. - He's your brother?
1:25:27 > 1:25:29Course he's my brother.
1:25:30 > 1:25:31- So he's not...- Not what?
1:25:33 > 1:25:35I don't know... Criminal mastermind?
1:25:36 > 1:25:38- Close enough.- For goodness' sake.
1:25:38 > 1:25:41I occupy a minor position in the British government.
1:25:41 > 1:25:46He IS the British government, when he's not too busy being the British secret service
1:25:46 > 1:25:47or the CIA on a freelance basis.
1:25:47 > 1:25:51Good evening, Mycroft. Try not to start a war before I get home,
1:25:51 > 1:25:53you know what it does for the traffic.
1:25:55 > 1:25:59So, when you say you're concerned about him - you actually are concerned?
1:25:59 > 1:26:00Yes, of course.
1:26:01 > 1:26:03I mean, it actually is a childish feud?
1:26:04 > 1:26:06He's always been so resentful.
1:26:06 > 1:26:10- You can imagine the Christmas dinners.- Yeah...
1:26:10 > 1:26:12No... God, no.
1:26:13 > 1:26:15I'd better erm...
1:26:15 > 1:26:17Hello again.
1:26:17 > 1:26:20- Hello. - We met earlier on this evening.
1:26:21 > 1:26:23- Oh!- OK. Goodnight.
1:26:23 > 1:26:25Goodnight, Dr Watson.
1:26:27 > 1:26:29- So, dim sum.- Mmm!
1:26:29 > 1:26:31- I can always predict the fortune cookies.- No, you can't.
1:26:31 > 1:26:33Almost can. You did get shot, though.
1:26:33 > 1:26:36- Sorry?- In Afghanistan. There was an actual wound.
1:26:36 > 1:26:38- Oh. Yeah, shoulder. - Shoulder! I thought so.
1:26:38 > 1:26:41- No, you didn't.- The left one. - Lucky guess.- I never guess.
1:26:41 > 1:26:43Yes, you do.
1:26:43 > 1:26:46- What are you so happy about? - Moriarty.
1:26:46 > 1:26:49- What's Moriarty? - I've absolutely no idea.
1:26:50 > 1:26:53Sir, shall we go?
1:26:53 > 1:26:56Interesting, that soldier fellow.
1:26:56 > 1:26:59He could be the making of my brother...
1:26:59 > 1:27:00or make him worse than ever.
1:27:01 > 1:27:04Either way, we'd better upgrade their surveillance status.
1:27:04 > 1:27:07Grade three active.
1:27:07 > 1:27:09Sorry, sir - whose status?
1:27:11 > 1:27:14Sherlock Holmes, and Dr Watson.
1:27:48 > 1:27:50Subtitles by Red Bee Media Ltd
1:27:51 > 1:27:53E-mail subtitling@bbc.co.uk