0:00:02 > 0:00:05CHINESE FLUTES PLAY
0:00:11 > 0:00:16WOMAN: The great artisans say the more the teapot is used
0:00:16 > 0:00:19the more beautiful it becomes.
0:00:20 > 0:00:26The pot is seasoned by repeatedly pouring tea over the surface.
0:00:26 > 0:00:34The deposit left on the clay creates this beautiful patina over time.
0:00:34 > 0:00:39Some pots, the clay has been burnished by tea made over 400 years ago.
0:00:50 > 0:00:54PA SYSTEM: This museum will be closing in 10 minutes.
0:00:54 > 0:00:58400 years old, they're letting you use it to make yourself a brew.
0:00:58 > 0:01:01Some things aren't supposed to sit behind glass,
0:01:01 > 0:01:02they're made to be touched.
0:01:02 > 0:01:05To be handled.
0:01:07 > 0:01:10SIGHS These pots need attention.
0:01:10 > 0:01:12The clay is cracking.
0:01:12 > 0:01:15Well, I can't see how a tiny splash of tea is going to help.
0:01:15 > 0:01:18Sometimes you have to look hard at something
0:01:18 > 0:01:20to see its value.
0:01:22 > 0:01:24See?
0:01:24 > 0:01:26This one shines a little brighter.
0:01:28 > 0:01:29I don't suppose...
0:01:29 > 0:01:30Um, I mean...
0:01:30 > 0:01:33I don't suppose that you want to have a drink?
0:01:33 > 0:01:38Not tea, obviously. Um, in a pub, with me, tonight.
0:01:38 > 0:01:41Um...?
0:01:41 > 0:01:43You wouldn't like me all that much.
0:01:44 > 0:01:46Can I maybe decide that for myself?
0:01:50 > 0:01:52I can't.
0:01:52 > 0:01:55I'm sorry.
0:01:55 > 0:01:56Please stop asking.
0:01:58 > 0:02:00THUD!
0:02:00 > 0:02:01CLUNK!
0:02:16 > 0:02:18LOCK CLICKS
0:02:22 > 0:02:24Is that security?
0:02:42 > 0:02:44Hello?
0:03:47 > 0:03:49SIREN WAILS
0:03:49 > 0:03:51BEEPS
0:03:51 > 0:03:54PA SYSTEM: Can the till supervisor please go to...?
0:03:54 > 0:03:57COMPUTER-GENERATED MESSAGE: Unexpected item in bagging area,
0:03:57 > 0:03:58please try again.
0:03:58 > 0:04:02GRUNTING AND GROANING
0:04:02 > 0:04:04Argh! THUD!
0:04:06 > 0:04:08Item not scanned. Please try again.
0:04:08 > 0:04:10Can you maybe keep your voice down?
0:04:21 > 0:04:24- Card not authorised. - Yes, all right! I've got it.
0:04:24 > 0:04:27Please use an alternative method of payment. Card not authorised.
0:04:27 > 0:04:29Please use an alternative method of payment.
0:04:29 > 0:04:31Keep it. Keep that.
0:04:31 > 0:04:33GRUNTS
0:04:35 > 0:04:37SIGHS
0:04:43 > 0:04:47MOTORCYCLE ENGINE REVS
0:04:51 > 0:04:52CAR HORN BLARES
0:04:52 > 0:04:55- You took your time. - Yeah, I didn't get the shopping.
0:04:55 > 0:04:56What? Why not?
0:04:56 > 0:05:00Because I had a row in the shop with a chip and PIN machine.
0:05:00 > 0:05:02You... You had a row with a machine?!
0:05:02 > 0:05:05Sort of. It sat there and I shouted abuse. Have you got cash?
0:05:05 > 0:05:07Take my card.
0:05:10 > 0:05:13You could always go yourself, you know, you've been sitting there all morning,
0:05:13 > 0:05:15you've not even moved since I left.
0:05:15 > 0:05:17GRUNTS AND GROANS
0:05:17 > 0:05:19And what happened about that case you were offered -
0:05:19 > 0:05:22- the Jaria diamond? - Not interested.
0:05:22 > 0:05:23METALLIC CLANK
0:05:23 > 0:05:27- I sent them a message. - THUD!
0:05:29 > 0:05:31WATSON SIGHS AND TUTS
0:05:39 > 0:05:42Don't worry about me, I can manage.
0:05:51 > 0:05:53- Is that my computer? - Of course.
0:05:53 > 0:05:55- What? - Mine was in the bedroom.
0:05:55 > 0:05:58What? And you couldn't be bothered to get up?
0:05:58 > 0:05:59It's password protected.
0:05:59 > 0:06:02In a manner of speaking. Took me less than a minute to guess yours,
0:06:02 > 0:06:04not exactly Fort Knox.
0:06:04 > 0:06:05Right. Thank you.
0:06:09 > 0:06:12SIREN WAILS
0:06:12 > 0:06:13Oh...
0:06:19 > 0:06:22- Need to get a job. - Oh, dull.
0:06:25 > 0:06:27Listen, um...
0:06:30 > 0:06:32..if you'd be able to lend me some...
0:06:35 > 0:06:39- Sherlock, are you listening? - I need to go to the bank.
0:07:03 > 0:07:05Yes, when you said we were going to the bank...
0:07:13 > 0:07:15DOOR BEEPS
0:07:15 > 0:07:16ELEVATOR PINGS
0:07:25 > 0:07:28- Sherlock Holmes. - PHONE RINGS
0:07:29 > 0:07:30Sherlock Holmes.
0:07:30 > 0:07:32- Sebastian. - Hiya, buddy.
0:07:32 > 0:07:34How long - eight years since I last clapped eyes on you?
0:07:34 > 0:07:39- This is my friend, John Watson. - Friend?- Colleague.
0:07:40 > 0:07:42Right.
0:07:42 > 0:07:43PHONE RINGING
0:07:43 > 0:07:44Grab a pew.
0:07:44 > 0:07:46Do you need anything, coffee, water?
0:07:46 > 0:07:50No? We're all sorted here, thanks.
0:07:50 > 0:07:54So you're doing well. You've been abroad a lot.
0:07:54 > 0:07:55Well, so?
0:07:55 > 0:07:58Flying all the way around the world twice in a month.
0:07:58 > 0:08:02SCOFFS Right. You're doing that thing.
0:08:02 > 0:08:06We were at uni together, and this guy here had a trick he used to do.
0:08:06 > 0:08:07It's not a trick.
0:08:07 > 0:08:09He could look at you and tell you your whole life story.
0:08:09 > 0:08:13- Yes, I've seen him do it.- Put the wind up everybody, we hated him.
0:08:13 > 0:08:15We'd come down to breakfast in the formal hall
0:08:15 > 0:08:17and this freak would know you'd been shagging the previous night.
0:08:17 > 0:08:19- I simply observed. - Go on, enlighten me.
0:08:19 > 0:08:23Two trips a month, flying all the way around the world, you're quite right.
0:08:23 > 0:08:27How could you tell? Are you going to tell me there's a stain on my tie
0:08:27 > 0:08:29from some special kind of ketchup you can only buy in Manhattan?
0:08:29 > 0:08:32- No, I... - Is it the mud on my shoes?
0:08:33 > 0:08:35I was just chatting with your secretary outside.
0:08:35 > 0:08:37She told me.
0:08:37 > 0:08:41LAUGHS
0:08:43 > 0:08:46I'm glad you could make it over, we've had a break-in.
0:08:46 > 0:08:49Sir William's office - the bank's former chairman.
0:08:49 > 0:08:52The room's been left here like a sort of memorial.
0:08:52 > 0:08:54Someone broke in late last night.
0:08:54 > 0:08:57- What did they steal? - Nothing.
0:08:57 > 0:08:59Just left a little message. PHONE RINGING
0:08:59 > 0:09:01ELECTRONIC BEEP
0:09:16 > 0:09:1760 seconds apart.
0:09:17 > 0:09:19KEYBOARD BEEPS
0:09:24 > 0:09:27So, someone came up here in the middle of the night,
0:09:27 > 0:09:30splashed paint around and left within a minute.
0:09:30 > 0:09:32How many ways into that office?
0:09:32 > 0:09:34Well, that's where this gets really interesting.
0:09:34 > 0:09:38Every door that opens in this bank, it gets locked right here.
0:09:38 > 0:09:40Every walk-in cupboard, every toilet.
0:09:40 > 0:09:42That door didn't open last night?
0:09:42 > 0:09:44There's a hole in our security.
0:09:44 > 0:09:46Find it and we'll pay you -
0:09:46 > 0:09:47five figures.
0:09:47 > 0:09:49This is an advance.
0:09:49 > 0:09:51Tell me how he got in.
0:09:51 > 0:09:52There's a bigger one on its way.
0:09:52 > 0:09:56I don't need an incentive, Sebastian.
0:09:58 > 0:10:01- He's, er... - CLEARS THROAT - ..he's kidding you, obviously.
0:10:01 > 0:10:03Shall I look after that for him?
0:10:03 > 0:10:04Thanks.
0:11:53 > 0:11:56Two trips around the world this month.
0:11:56 > 0:12:00You didn't ask his secretary, you said that just to irritate him.
0:12:00 > 0:12:01- How did you know? - Did you see his watch?
0:12:01 > 0:12:03His watch?
0:12:03 > 0:12:05The time was right, but the date was wrong.
0:12:05 > 0:12:08Said two days ago. Crossed the date line twice and he didn't alter it.
0:12:08 > 0:12:11- Within a month? How did you get that?- New Breitling.
0:12:11 > 0:12:12Only came out this February.
0:12:13 > 0:12:17OK. So do you think we should sniff around here for a bit longer?
0:12:17 > 0:12:19Got everything I need to know already, thanks.
0:12:19 > 0:12:20That graffiti was a message.
0:12:22 > 0:12:23Someone at the bank, working on the trading floors.
0:12:23 > 0:12:26We find the intended recipient and...
0:12:26 > 0:12:28They'll lead us to the person who sent it?
0:12:28 > 0:12:29Obvious.
0:12:29 > 0:12:31Well, there's 300 people up there, who was it meant for?
0:12:31 > 0:12:34- Pillars.- What?
0:12:34 > 0:12:35Pillars and the screens.
0:12:35 > 0:12:36Very few places you could see that graffiti from.
0:12:36 > 0:12:40That narrows the field considerably. And, of course, the message was left
0:12:40 > 0:12:42at 11.34 last night. That tells us a lot.
0:12:42 > 0:12:44- Does it? - Traders come to work at all hours.
0:12:44 > 0:12:46Some trade with Hong Kong in the middle of the night.
0:12:46 > 0:12:50That message was intended for somebody who came in at midnight.
0:12:50 > 0:12:53Not many Van Coons in the phone book.
0:12:53 > 0:12:54Taxi!
0:13:09 > 0:13:10BUZZES
0:13:15 > 0:13:18So what do we do now? Sit here and wait for him to come back?
0:13:18 > 0:13:20- Just moved in.- What?
0:13:20 > 0:13:23- Floor above, new label. - Could have just replaced it.
0:13:23 > 0:13:25BUZZES
0:13:25 > 0:13:28- No-one ever does that. - WOMAN: Hello?
0:13:28 > 0:13:33Hi, um, I live in the flat just below you. I don't think we've met.
0:13:33 > 0:13:35No, well, er, I've just moved in.
0:13:37 > 0:13:41Actually, I've just locked my keys in my flat.
0:13:41 > 0:13:42Do you want me to buzz you in?
0:13:42 > 0:13:45Yeah. And can we use your balcony?
0:13:45 > 0:13:46What?!
0:14:22 > 0:14:25DOOR BUZZES
0:14:25 > 0:14:28WATSON: Sherlock?
0:14:28 > 0:14:30WATSON: Sherlock, are you OK?
0:14:36 > 0:14:38Yeah, any time you feel like letting me in(!)
0:14:52 > 0:14:54Do you think he'd lost a lot of money?
0:14:54 > 0:14:57Suicide is pretty common among City boys.
0:14:57 > 0:14:59- We don't know that it was suicide. - Come on.
0:14:59 > 0:15:02The door was locked from the inside, you had to climb down the balcony.
0:15:02 > 0:15:06Been away three days judging by the laundry.
0:15:08 > 0:15:10Look at the case, there was something tightly packed inside it.
0:15:10 > 0:15:13- Thanks. I'll take your word for it. - Problem?
0:15:13 > 0:15:17Yeah, I'm not desperate to root around some bloke's dirty underwear.
0:15:17 > 0:15:20Those symbols at the bank, the graffiti, why were they put there?
0:15:20 > 0:15:22- Some sort of code?- Obviously.
0:15:22 > 0:15:25Why were they painted? Want to communicate, why not use e-mail?
0:15:25 > 0:15:26Well, maybe he wasn't answering.
0:15:26 > 0:15:28Oh, good, you follow.
0:15:28 > 0:15:30No.
0:15:30 > 0:15:32What kind of a message would everyone try to avoid?
0:15:34 > 0:15:35What about this morning?
0:15:35 > 0:15:39- Those letters you were looking at? - Bills?
0:15:41 > 0:15:44Yes. He was being threatened.
0:15:44 > 0:15:46MAN'S VOICE IN BACKGROUND
0:15:46 > 0:15:47Not by the Gas Board.
0:15:47 > 0:15:49DIMMOCK: ...see if we can get prints off this glass.
0:15:49 > 0:15:51Sergeant, we haven't met.
0:15:51 > 0:15:53Yeah, I know who you are
0:15:53 > 0:15:55and I would prefer it if you didn't tamper with any of the evidence.
0:15:59 > 0:16:04- I phoned Lestrade. Is he on his way? - He's busy. I'm in charge.
0:16:04 > 0:16:08And it's not Sergeant, it's Detective Inspector Dimmock.
0:16:12 > 0:16:13We're obviously looking at a suicide.
0:16:13 > 0:16:16It does seem the only explanation of all the facts.
0:16:16 > 0:16:18Wrong, it's one possible explanation of some of the facts.
0:16:18 > 0:16:21You've got a solution that you like, but you are choosing
0:16:21 > 0:16:23to ignore anything you see that doesn't comply with it.
0:16:23 > 0:16:25- Like?- Wound's on the right side of his head.
0:16:25 > 0:16:26- And?- Van Coon was left-handed.
0:16:26 > 0:16:28Requires quite a bit of contortion.
0:16:28 > 0:16:32- Left-handed?- I'm amazed you didn't notice. All you have to do is look around this flat.
0:16:32 > 0:16:34Coffee table on the left-hand side,
0:16:34 > 0:16:36coffee mug handle pointing to the left.
0:16:36 > 0:16:38Power sockets, habitually used the ones on the left. Pen and paper
0:16:38 > 0:16:42on the left of the phone. Picked up with his right, took messages with his left.
0:16:42 > 0:16:43- D'you want me to go on? - No, I think you've covered it.
0:16:43 > 0:16:45I might as well, I'm almost at the bottom of the list.
0:16:45 > 0:16:48There's a knife on the breadboard with butter on the right side of the blade
0:16:48 > 0:16:49because he used it with his left. It's highly unlikely
0:16:49 > 0:16:52that a left-handed man would shoot himself in the right of his head.
0:16:52 > 0:16:54Conclusion, someone broke in here and murdered him -
0:16:54 > 0:16:56only explanation of all of the facts.
0:16:56 > 0:16:58- But the gun? - He was waiting for the killer.
0:16:58 > 0:17:01- He'd been threatened.- What?
0:17:01 > 0:17:04Today at the bank, sort of a warning.
0:17:04 > 0:17:06He fired a shot when his attacker came in.
0:17:06 > 0:17:08- And the bullet? - Went through the open window.
0:17:08 > 0:17:10Oh, come on(!)
0:17:10 > 0:17:12What are the chances of that?!
0:17:12 > 0:17:14Wait until you get the ballistics report.
0:17:14 > 0:17:17The bullet in his brain wasn't fired from his gun, I guarantee it.
0:17:17 > 0:17:21If his door was locked from the inside, how did the killer get in?
0:17:21 > 0:17:24Good, you're finally asking the right questions.
0:17:31 > 0:17:33He's left trying to sort of cut his hair with a fork,
0:17:33 > 0:17:35which of course can never be done.
0:17:35 > 0:17:38It was a threat, that's what the graffiti meant.
0:17:38 > 0:17:39I'm kind of in a meeting.
0:17:39 > 0:17:42Can you make an appointment with my secretary?
0:17:42 > 0:17:45I don't think this can wait. Sorry, Sebastian.
0:17:45 > 0:17:49One of your traders, someone who worked in your office, was killed.
0:17:49 > 0:17:51- What?- Van Coon.
0:17:51 > 0:17:52The police are at his flat.
0:17:52 > 0:17:54- Killed?! - Sorry to interfere
0:17:54 > 0:17:57with everyone's digestion. Still want to make an appointment(?)
0:17:57 > 0:17:59Would maybe nine o'clock at Scotland Yard suit?
0:18:03 > 0:18:07Harrow, Oxford...very bright guy.
0:18:08 > 0:18:11Worked in Asia for a while, so...
0:18:11 > 0:18:13You gave him the Hong Kong accounts?
0:18:15 > 0:18:19Lost 5 million in a single morning, made it all back a week later.
0:18:19 > 0:18:20Nerves of steel, Eddie had.
0:18:20 > 0:18:23- Who'd want to kill him? - We all make enemies.
0:18:23 > 0:18:25You don't all end up with a bullet through your temple.
0:18:25 > 0:18:27MOBILE RINGS Not usually. Excuse me.
0:18:30 > 0:18:32It's my chairman.
0:18:32 > 0:18:34Police have been on to him.
0:18:34 > 0:18:36Apparently they're telling him
0:18:36 > 0:18:38- it was a suicide. - Well, they've got it wrong,
0:18:38 > 0:18:39Sebastian. He was murdered.
0:18:39 > 0:18:42Well, I'm afraid they don't see it like that.
0:18:42 > 0:18:44- So?- And neither does my boss.
0:18:44 > 0:18:47I hired you to do a job. Don't get sidetracked.
0:18:47 > 0:18:51FADING FOOTSTEPS
0:18:51 > 0:18:53I thought bankers were all supposed to be heartless bastards.
0:19:00 > 0:19:03HORN BLARES
0:19:41 > 0:19:44I need you to get over to Crispians.
0:19:44 > 0:19:49Two Ming vases up for auction - Chenghua.
0:19:49 > 0:19:53- Will you appraise them?- Soo Lin should go - she's the expert.
0:19:53 > 0:19:55Soo Lin has resigned her job. I need you.
0:20:44 > 0:20:46PHONE RINGING
0:20:49 > 0:20:52- Just locum work. - No, that's fine.
0:20:53 > 0:20:56You're, um... Well, you're a bit over-qualified.
0:20:58 > 0:21:00Er, I could always do with the money.
0:21:00 > 0:21:04Well, we've got two away on holiday this week
0:21:04 > 0:21:06and one's just left to have a baby.
0:21:06 > 0:21:09It might be a bit mundane for you.
0:21:09 > 0:21:13Er, no, mundane is good, sometimes.
0:21:13 > 0:21:14Mundane works.
0:21:14 > 0:21:18- It says here you were a soldier. - And a doctor.
0:21:21 > 0:21:23Anything else you can do?
0:21:23 > 0:21:25I learned the clarinet at school.
0:21:25 > 0:21:29Oh... LAUGHS ..well, I'll look forward to it.
0:21:37 > 0:21:39I said, could you pass me a pen?
0:21:41 > 0:21:43- What? When? - About an hour ago.
0:21:44 > 0:21:47Didn't notice I'd gone out then?
0:21:48 > 0:21:51I went to see about a job at that surgery.
0:21:51 > 0:21:53- How was it? - Great. She's great.
0:21:53 > 0:21:55Who?
0:21:55 > 0:21:57The job.
0:21:57 > 0:21:58She?!
0:21:59 > 0:22:00It.
0:22:02 > 0:22:03Yeah, have a look.
0:22:08 > 0:22:11"The intruder who can walk through walls."
0:22:11 > 0:22:13It happened last night.
0:22:13 > 0:22:15Journalist shot dead in his flat.
0:22:15 > 0:22:17Doors locked, windows bolted from the inside.
0:22:17 > 0:22:19Exactly the same as Van Coon.
0:22:20 > 0:22:23- God! You think...? - He's killed another one.
0:22:31 > 0:22:35Brian Lukis, freelance journalist,
0:22:35 > 0:22:37murdered in his flat.
0:22:37 > 0:22:39Doors locked from the inside.
0:22:39 > 0:22:41You've got to admit, it's similar.
0:22:41 > 0:22:44Both men killed by someone who can walk through solid walls.
0:22:44 > 0:22:48Inspector, do you seriously believe that Eddie Van Coon was
0:22:48 > 0:22:50just another city suicide?
0:22:51 > 0:22:55- SIGHS - You have seen the ballistics report, I suppose?
0:22:55 > 0:22:57And the shot that killed him. Was it fired from his own gun?
0:22:57 > 0:23:00- No.- No. So this investigation might move
0:23:00 > 0:23:02a bit quicker if you were to take my word as gospel.
0:23:04 > 0:23:08I've just handed you a murder inquiry.
0:23:08 > 0:23:10Five minutes in his flat.
0:23:38 > 0:23:40Four floors up.
0:23:40 > 0:23:43That's why they think they're safe.
0:23:43 > 0:23:46Put a chain across the door, bolt it shut, think they're impregnable.
0:23:48 > 0:23:52They don't reckon for one second that there's another way in.
0:23:52 > 0:23:57- I don't understand.- Dealing with a killer who can climb.
0:23:57 > 0:24:00- What are you doing? - Clings to the walls like an insect.
0:24:00 > 0:24:02- CLUNK! - That's how he got in.
0:24:02 > 0:24:03What?!
0:24:03 > 0:24:06He climbed up the side of the walls, ran along the roof,
0:24:06 > 0:24:08dropped in through this skylight.
0:24:08 > 0:24:11You're not serious?! Like Spider-Man?
0:24:11 > 0:24:14He scaled six floors of a Docklands apartment building,
0:24:14 > 0:24:17- jumped the balcony and killed Van Coon.- Oh, hold on(!)
0:24:17 > 0:24:22That's how he got into the bank - ran along the window ledge onto the terrace.
0:24:22 > 0:24:24I have to find out what connects these two men.
0:24:52 > 0:24:55Date stamped on the book is the same day that he died.
0:25:04 > 0:25:06Sherlock?
0:25:17 > 0:25:20So, the killer goes to the bank,
0:25:20 > 0:25:21leaves a threatening cipher at the bank.
0:25:21 > 0:25:23Van Coon panics, returns to his apartment, locks himself in.
0:25:23 > 0:25:26Hours later, he dies.
0:25:26 > 0:25:30The killer finds Lukis at the library, he writes the cipher
0:25:30 > 0:25:33on the shelf where he knows it'll be seen. Lukis goes home.
0:25:33 > 0:25:36Late that night, he dies too.
0:25:38 > 0:25:40Why did they die, Sherlock?
0:25:40 > 0:25:43Only the cipher can tell us.
0:25:48 > 0:25:51The world's run on codes and ciphers, John.
0:25:51 > 0:25:54From the million-pound security system at the bank to the PIN machine
0:25:54 > 0:25:57you took exception to. Cryptography inhabits our every waking moment.
0:25:57 > 0:25:59Yes, OK, but...
0:25:59 > 0:26:00But it's all computer generated -
0:26:00 > 0:26:03electronic codes, electronic ciphering methods.
0:26:03 > 0:26:05This is different.
0:26:05 > 0:26:07It's an ancient device.
0:26:07 > 0:26:09Modern code-breaking methods won't unravel it.
0:26:09 > 0:26:11- Where are we headed? - I need to ask some advice.
0:26:11 > 0:26:14What?! Sorry?
0:26:15 > 0:26:17You heard me perfectly. I'm not saying it again.
0:26:17 > 0:26:19- You need advice? - On painting.
0:26:19 > 0:26:20Yes, I need to talk to an expert.
0:26:20 > 0:26:23SIREN WAILS
0:26:29 > 0:26:31Part of a new exhibition.
0:26:31 > 0:26:34- Interesting. - I call it...
0:26:34 > 0:26:37Urban Bloodlust Frenzy. CHUCKLES
0:26:37 > 0:26:39Catchy(!)
0:26:39 > 0:26:42I've got two minutes before a Community Support Officer
0:26:42 > 0:26:43comes around that corner.
0:26:43 > 0:26:46Can we do this while I'm working?
0:26:51 > 0:26:55- Know the author? - I recognise the paint.
0:26:55 > 0:26:58It's like Michigan...hard-core propellant.
0:26:58 > 0:26:59I'd say zinc.
0:26:59 > 0:27:02And what about the symbols? Do you recognise them?
0:27:02 > 0:27:04I'm not even sure it's a proper language.
0:27:05 > 0:27:07Two men have been murdered, Raz.
0:27:07 > 0:27:09Deciphering this is the key to finding out who killed them.
0:27:09 > 0:27:12And this is all you've got to go on(?)
0:27:12 > 0:27:15- It's hardly much, is it? - Are you going to help us or not?
0:27:17 > 0:27:18I'll ask around.
0:27:18 > 0:27:20- Somebody must know something about it.- Oi!
0:27:22 > 0:27:23METALLIC CLATTERING
0:27:23 > 0:27:26What the hell do you think you're doing? This gallery is a listed public building.
0:27:26 > 0:27:29No, no. Wait, wait. It's not me who painted that.
0:27:29 > 0:27:30I was just holding this for...
0:27:36 > 0:27:37Bit of an enthusiast, are we?
0:27:37 > 0:27:40POLICE RADIO IN BACKGROUND
0:27:41 > 0:27:45She was right in the middle of an important piece of restoration.
0:27:45 > 0:27:47Why would she suddenly resign?
0:27:47 > 0:27:49Family problems. She said so in her letter.
0:27:49 > 0:27:52But she doesn't have a family. She came to this country on her own.
0:27:52 > 0:27:54- Andy!- Look, those teapots, those ceramics.
0:27:54 > 0:27:56They've become her obsession.
0:27:56 > 0:27:58She's been working on restoring them for weeks.
0:27:58 > 0:28:02I can't believe that she would just...abandon them.
0:28:02 > 0:28:05Perhaps she was getting a bit of unwanted attention?
0:28:15 > 0:28:16DOOR SLAMS
0:28:17 > 0:28:18You've been a while.
0:28:21 > 0:28:23Yeah, well, you know how it is.
0:28:23 > 0:28:26Custody sergeants don't really like to be hurried, do they?
0:28:26 > 0:28:28Just formalities. Fingerprints,
0:28:28 > 0:28:31charge sheet, and I've got to be in magistrates' court on Tuesday.
0:28:31 > 0:28:35- What?- Me, Sherlock! In court, on Tuesday!
0:28:35 > 0:28:38- They're giving me an ASBO! - Good, fine.
0:28:38 > 0:28:41You want to tell your little pal he's welcome to go and own up any time.
0:28:41 > 0:28:43This symbol, I still can't place it.
0:28:43 > 0:28:45No, I need you to go to the police station
0:28:45 > 0:28:48and ask about the journalist. The personal effects will have been impounded.
0:28:48 > 0:28:52Get hold of his diary, or something that will tell us his movements.
0:28:52 > 0:28:53Go and see Van Coon's PA.
0:28:53 > 0:28:57If you retrace their steps, somewhere they'll coincide.
0:29:03 > 0:29:04SHUTTER CLICKS
0:29:05 > 0:29:07Scotland Yard.
0:29:17 > 0:29:19Flew back from Dalian Friday.
0:29:19 > 0:29:22Looks like he had back-to-back meetings with the sales team.
0:29:22 > 0:29:24Can you print me up a copy?
0:29:24 > 0:29:26- Sure. - What about the day he died?
0:29:26 > 0:29:29- Can you tell me where he was? - Sorry, I've got a gap.
0:29:30 > 0:29:32I have all his receipts.
0:29:32 > 0:29:35- Your friend... - Listen, whatever you say,
0:29:35 > 0:29:36I'm behind you 100 per cent.
0:29:36 > 0:29:38...he's an arrogant sod.
0:29:39 > 0:29:42Well, that was mild. People say a lot worse than that.
0:29:44 > 0:29:47This is what you wanted, isn't it? The journalist's diary?
0:29:52 > 0:29:56What kind of a boss was he, Amanda? Appreciative?
0:29:56 > 0:29:59Um, no. That's not a word I'd use.
0:29:59 > 0:30:03The only things Eddie appreciated had a big price tag.
0:30:03 > 0:30:06Like that hand cream. He bought that for you, didn't he?
0:30:12 > 0:30:14Look at this one.
0:30:14 > 0:30:16Got a taxi from him on the day he died, £18.50.
0:30:16 > 0:30:18That would get him to the office.
0:30:18 > 0:30:21Not rush hour. Check the time. Mid-morning. 18 would get him
0:30:21 > 0:30:24- as far as...- ..The West End. I remember him saying.
0:30:25 > 0:30:27Underground, printed at one in Piccadilly.
0:30:27 > 0:30:30So he got a Tube back to the office.
0:30:30 > 0:30:32Why would he get a taxi into town, and then the Tube back?
0:30:32 > 0:30:35Because he was delivering something heavy.
0:30:35 > 0:30:37You wouldn't lug a package up the escalator.
0:30:37 > 0:30:39Delivering?!
0:30:39 > 0:30:41To somewhere near Piccadilly Station.
0:30:41 > 0:30:43Dropped the package, delivered it, and then...
0:30:46 > 0:30:48Stopped on his way. He got peckish.
0:30:52 > 0:30:55So you bought your lunch from here en route to the station
0:30:55 > 0:30:56but where were you headed from?
0:30:56 > 0:30:58Where did the taxi drop you?
0:30:58 > 0:31:00- Oof!- Right.
0:31:00 > 0:31:02Eddie Van Coon brought a package here the day he died.
0:31:02 > 0:31:03Whatever was hidden inside that case...
0:31:03 > 0:31:05I've managed to piece together a picture
0:31:05 > 0:31:09using scraps of information - credit card bills, receipts. He flew back from China,
0:31:09 > 0:31:10- then he came here.- Sherlock.
0:31:10 > 0:31:13Somewhere in this street, somewhere near. I don't know where, but...
0:31:13 > 0:31:17- That shop, over there. - How could you tell?
0:31:17 > 0:31:18Lukis' diary. He was here too.
0:31:18 > 0:31:22- He wrote down the address.- Oh.
0:31:40 > 0:31:42SHOP BELL RINGS
0:31:46 > 0:31:47Hello.
0:31:53 > 0:31:56You want...lucky cat?
0:31:56 > 0:31:59No, thanks, no.
0:31:59 > 0:32:01£10! £10!
0:32:03 > 0:32:06I think your wife, she will like.
0:32:06 > 0:32:08Um, thank you.
0:32:15 > 0:32:17Sherlock...
0:32:19 > 0:32:22- The label there. - Yes, I see it.
0:32:22 > 0:32:24It's exactly the same as the cipher.
0:32:26 > 0:32:28WATSON CLEARS THROAT
0:32:29 > 0:32:33It's an ancient number system - Hang Zhou.
0:32:33 > 0:32:36These days only street traders use it.
0:32:36 > 0:32:39Those were numbers written on the wall at the bank and at the library.
0:32:39 > 0:32:42Numbers written in an ancient Chinese dialect.
0:32:42 > 0:32:43It's a 15.
0:32:43 > 0:32:46What we thought was the artist's tag, it's a number 15.
0:32:46 > 0:32:50And the blindfold, the horizontal line. That was a number as well.
0:32:50 > 0:32:52- The Chinese number one, John. - We found it.
0:32:58 > 0:33:01Two men travel back from China,
0:33:01 > 0:33:06both head straight for the Lucky Cat emporium.
0:33:06 > 0:33:08What did they see?
0:33:08 > 0:33:10It's not what they saw.
0:33:10 > 0:33:13It's what they both brought back in those suitcases.
0:33:13 > 0:33:16And you don't mean duty free.
0:33:16 > 0:33:18Thank you.
0:33:22 > 0:33:24Think about what Sebastian told us.
0:33:24 > 0:33:27About Van Coon, about how he stayed afloat in the market.
0:33:27 > 0:33:30- Lost 5 million. - Made it back in a week.
0:33:30 > 0:33:32That's how he made such easy money.
0:33:32 > 0:33:34- He was a smuggler.- Mm.
0:33:34 > 0:33:36Cover would have been perfect.
0:33:38 > 0:33:40Businessman, making frequent trips to Asia.
0:33:40 > 0:33:44Lukis was the same, a journalist writing about China.
0:33:44 > 0:33:46Both of them smuggled stuff about.
0:33:46 > 0:33:48The Lucky Cat was their drop-off.
0:33:48 > 0:33:51But why did they die?
0:33:51 > 0:33:54It doesn't make sense. If they both turn up at the shop and deliver the goods,
0:33:54 > 0:33:56why would someone threaten them
0:33:56 > 0:33:59and kill them after the event, after they'd finished the job?
0:34:03 > 0:34:05What if one of them was light-fingered?
0:34:05 > 0:34:07- How do you mean?- Stole something.
0:34:07 > 0:34:09Something from the hoard.
0:34:09 > 0:34:11The killer doesn't know which of them took it
0:34:11 > 0:34:12so threatens them both. Right.
0:34:15 > 0:34:17Remind me.
0:34:17 > 0:34:20When was the last time that it rained?
0:34:28 > 0:34:30It's been here since Monday.
0:34:31 > 0:34:34HE RINGS DOORBELL
0:34:42 > 0:34:45No-one's been in that flat for at least three days.
0:34:45 > 0:34:47Could have gone on holiday.
0:34:47 > 0:34:50Do you leave your windows open when you go on holiday?
0:34:58 > 0:35:00METALLIC SCREECH
0:35:00 > 0:35:03Sherlock!
0:35:03 > 0:35:05GROANS WATER DRIPS
0:35:08 > 0:35:11Someone else has been here.
0:35:11 > 0:35:16Somebody else broke into the flat and knocked over the vase, just like I did.
0:35:23 > 0:35:27SNIFFS DOORBELL RINGS
0:35:27 > 0:35:29Do you think maybe you could let me in this time?
0:35:33 > 0:35:36Can you not keep doing this, please?
0:35:42 > 0:35:44I'm not the first.
0:35:46 > 0:35:49- What? - Somebody's been in here before me.
0:35:50 > 0:35:52What are you saying?
0:35:54 > 0:35:57Size eight feet.
0:35:57 > 0:36:02Small, but...athletic.
0:36:02 > 0:36:04I'm wasting my breath.
0:36:05 > 0:36:08DOORBELL RINGS
0:36:08 > 0:36:11Small, strong hands.
0:36:13 > 0:36:15Our acrobat.
0:36:16 > 0:36:19Why didn't he close the window when he lef...?
0:36:19 > 0:36:21Oh, stupid, stupid!
0:36:21 > 0:36:23Obvious.
0:36:23 > 0:36:25He's still here.
0:36:43 > 0:36:45CHOKES
0:36:48 > 0:36:51Any time you want to include me...
0:36:51 > 0:36:52John...
0:36:52 > 0:36:55John!
0:36:56 > 0:36:58Oh, I'm Sherlock Holmes and I always work alone
0:36:58 > 0:37:01because no-one else can compete with my massive intellect(!)
0:37:09 > 0:37:11DOORBELL RINGS
0:37:14 > 0:37:18SPLUTTERS AND COUGHS
0:37:19 > 0:37:23GROANS
0:37:44 > 0:37:46The milk's gone off and the washing's started to smell.
0:37:46 > 0:37:49- Somebody left here in a hurry three days ago.- Somebody?
0:37:50 > 0:37:53Soo Lin Yao. We have to find her.
0:37:53 > 0:37:54How, exactly?
0:37:59 > 0:38:00We could start with this.
0:38:00 > 0:38:03You've gone all croaky. Are you getting a cold?
0:38:03 > 0:38:05- COUGHS - I'm fine.
0:38:06 > 0:38:09When was the last time that you saw her?
0:38:09 > 0:38:11ANDY: Three days ago. Here at the museum.
0:38:12 > 0:38:15This morning they told me she'd resigned.
0:38:15 > 0:38:19Just like that. Left her work unfinished.
0:38:19 > 0:38:23What was the last thing that she did on her final afternoon?
0:38:26 > 0:38:32She does this demonstration for the tourists, a tea ceremony.
0:38:32 > 0:38:36So she would have packed up her things and just put them in here.
0:38:55 > 0:38:57We have to get to Soo Lin Yao.
0:38:57 > 0:38:59- If she's still alive. - Sherlock!
0:38:59 > 0:39:02Oh, look who it is.
0:39:02 > 0:39:03Found something you'll like.
0:39:09 > 0:39:11Tuesday morning,
0:39:11 > 0:39:13all you've got to do is turn up and say the bag was yours.
0:39:13 > 0:39:15Forget about your court date.
0:39:21 > 0:39:23GIRL: Dude, that was rad!
0:39:24 > 0:39:27You want to hide a tree, then a forest is the best place to do it,
0:39:27 > 0:39:29wouldn't you say?
0:39:29 > 0:39:31People would just walk straight past, not knowing,
0:39:31 > 0:39:33unable to decipher the message.
0:39:35 > 0:39:38There. I spotted it earlier.
0:39:39 > 0:39:41They've been here. And that's the exact same paint?
0:39:41 > 0:39:42Yeah.
0:39:42 > 0:39:45John, if we're going to decipher this code,
0:39:45 > 0:39:46we need to look for more evidence.
0:40:48 > 0:40:50Answer your phone. I've been calling you.
0:40:50 > 0:40:53PANTING I found it.
0:41:07 > 0:41:09It's been painted over.
0:41:12 > 0:41:14I don't understand. It was...
0:41:14 > 0:41:16here.
0:41:17 > 0:41:1910 minutes ago. I saw it.
0:41:19 > 0:41:21A whole load of graffiti.
0:41:21 > 0:41:23Somebody doesn't want me to see it.
0:41:24 > 0:41:27- Sherlock, what are you doing...? - Ssh! John, concentrate.
0:41:27 > 0:41:29I need you to concentrate. Close your eyes.
0:41:29 > 0:41:32What? Why? Why? What are you doing?
0:41:32 > 0:41:34I need you to maximise your visual memory.
0:41:34 > 0:41:36Try to picture what you saw.
0:41:36 > 0:41:38- Can you picture it?- Yeah.
0:41:38 > 0:41:40- Can you remember it? - Yes, definitely.
0:41:40 > 0:41:41Can you remember the pattern?
0:41:41 > 0:41:43- Yes.- How much can you remember it?
0:41:43 > 0:41:44Look, don't worry.
0:41:44 > 0:41:47Because the average human memory on visual matters is only 62% accurate.
0:41:47 > 0:41:50- Well, don't worry, I remember all of it.- Really?
0:41:50 > 0:41:54At least I would, if I could get to my pockets. I took a photograph.
0:41:54 > 0:41:56MOBILE BEEPS
0:42:00 > 0:42:04TRAIN RUMBLES
0:42:15 > 0:42:17Always in pairs, John, look.
0:42:19 > 0:42:20Numbers...
0:42:20 > 0:42:22come with partners.
0:42:22 > 0:42:23God, I need to sleep.
0:42:23 > 0:42:26- Why did he paint it so near the tracks?- No idea.
0:42:26 > 0:42:28Thousands of people pass by there every day.
0:42:28 > 0:42:30Just 20 minutes...
0:42:32 > 0:42:33Of course.
0:42:33 > 0:42:36Of course, he wants information. He's trying to communicate
0:42:36 > 0:42:40with his people in the underworld. Whatever was stolen, he wants it back.
0:42:40 > 0:42:44It's somewhere here, in a code.
0:42:44 > 0:42:47We can't crack this without Soo Lin Yao.
0:42:47 > 0:42:49Oh, good.
0:42:49 > 0:42:52Two men who travelled back from China were murdered.
0:42:52 > 0:42:55And their killer left them messages in Hang Zhou numerals.
0:42:55 > 0:42:57Soo Lin Yao is in danger.
0:42:57 > 0:43:00That cipher, it was just the same pattern as the others.
0:43:00 > 0:43:01He means to kill her as well.
0:43:01 > 0:43:03Look, I've tried everywhere -
0:43:03 > 0:43:06friends, colleagues. I don't know where she's gone.
0:43:06 > 0:43:08I mean, she could be a thousand miles away.
0:43:10 > 0:43:13- What are you looking at? - Tell me more about those teapots.
0:43:13 > 0:43:18The pots were her obsession. They need urgent work.
0:43:18 > 0:43:20If they dry out, then the clay can start to crumble.
0:43:20 > 0:43:23Apparently, you have to just keep making tea in them.
0:43:23 > 0:43:27Yesterday, only one of those pots was shining.
0:43:27 > 0:43:29Now, there are two.
0:43:39 > 0:43:40GRATING
0:44:19 > 0:44:22Fancy a biscuit with that?
0:44:24 > 0:44:27Centuries old. Don't want to break that.
0:44:34 > 0:44:36Hello.
0:44:36 > 0:44:37You saw the cipher.
0:44:37 > 0:44:41Then you know he is coming for me.
0:44:41 > 0:44:45You've been clever to avoid him so far.
0:44:45 > 0:44:47I had to finish.
0:44:47 > 0:44:49To finish this work.
0:44:51 > 0:44:53It's only a matter of time.
0:44:53 > 0:44:55I know he will find me.
0:44:55 > 0:44:58Who is he? Have you met him before?
0:45:00 > 0:45:03When I was a girl, we met in China.
0:45:05 > 0:45:08I recognised his...
0:45:08 > 0:45:10- signature. - The cipher?
0:45:12 > 0:45:16Only he would do this. Zhi Zhu.
0:45:16 > 0:45:20- Zhi Zhu?- The spider.
0:45:25 > 0:45:26You know this mark?
0:45:26 > 0:45:30Yes. It's the mark of a Tong.
0:45:30 > 0:45:34- Huh?- Ancient crime syndicate, based in China.
0:45:37 > 0:45:39Every foot soldier bears the mark.
0:45:41 > 0:45:43Everyone who hauls for them.
0:45:43 > 0:45:44Hauls?
0:45:47 > 0:45:49You mean you were a smuggler?
0:45:53 > 0:45:55I was 15.
0:45:57 > 0:45:59My parents were dead.
0:46:00 > 0:46:02I had no livelihood.
0:46:02 > 0:46:06No way of surviving, day-to-day,
0:46:06 > 0:46:08except to work for the bosses.
0:46:08 > 0:46:10Who are they?
0:46:10 > 0:46:14They are called the Black Lotus.
0:46:17 > 0:46:20By the time I was 16,
0:46:21 > 0:46:25I was taking thousands of pounds worth of drugs
0:46:25 > 0:46:27across the border into Hong Kong.
0:46:31 > 0:46:34I managed to leave that life behind me.
0:46:35 > 0:46:37I came to England.
0:46:39 > 0:46:41They gave me a job, here.
0:46:44 > 0:46:48Everything was good. New life.
0:46:48 > 0:46:51And he came looking for you.
0:46:51 > 0:46:52Yes.
0:46:55 > 0:46:59I hoped, after five years...
0:46:59 > 0:47:01maybe they would have forgotten me.
0:47:02 > 0:47:05But they never really let you leave.
0:47:07 > 0:47:09A small community like ours...
0:47:11 > 0:47:13..they are never very far away.
0:47:19 > 0:47:21He came to my flat.
0:47:21 > 0:47:25He asked me to help him to track down something that was stolen.
0:47:25 > 0:47:27And you've no idea what it was?
0:47:27 > 0:47:30I refused to help.
0:47:30 > 0:47:34So, you knew him well when you were living back in China?
0:47:36 > 0:47:38Oh, yes.
0:47:39 > 0:47:41He's my brother.
0:47:55 > 0:47:58Two orphans.
0:47:59 > 0:48:01We had no choice.
0:48:03 > 0:48:09We could work for the Black Lotus, or starve on the streets, like beggars.
0:48:13 > 0:48:16My brother has become their puppet.
0:48:17 > 0:48:22In the power of the one they call Shan.
0:48:22 > 0:48:23The Black Lotus general.
0:48:27 > 0:48:29I turned my brother away.
0:48:31 > 0:48:34He said I had betrayed him.
0:48:36 > 0:48:39Next day, I came to work
0:48:39 > 0:48:41and the cipher was waiting.
0:48:47 > 0:48:49Can you decipher these?
0:48:51 > 0:48:54- These are numbers.- Yes, I know.
0:48:54 > 0:48:59Here, the line across the man's eyes, it's the Chinese number one.
0:48:59 > 0:49:02And this one is 15. But what's the code?
0:49:03 > 0:49:05All the smugglers know it.
0:49:05 > 0:49:07It's based upon a book...
0:49:07 > 0:49:09DOOR THUDS
0:49:12 > 0:49:13He's here.
0:49:14 > 0:49:18Zhi Zhu has found me.
0:49:18 > 0:49:20No, no, Sherlock.
0:49:20 > 0:49:21Sherlock, wait!
0:49:21 > 0:49:23Come here.
0:49:23 > 0:49:25Get in. Get in!
0:49:34 > 0:49:36GUNSHOT
0:49:36 > 0:49:37SECOND GUNSHOT
0:49:37 > 0:49:39MORE GUNSHOTS
0:49:41 > 0:49:44I have to go and help him. Bolt the door after me.
0:49:53 > 0:49:55GUNSHOT
0:50:12 > 0:50:14GUNSHOTS
0:50:15 > 0:50:17- Careful! - GUNSHOT
0:50:17 > 0:50:22Some of those skulls are over 200,000 years old. Have a bit of respect.
0:50:25 > 0:50:27Thank you.
0:51:24 > 0:51:26Liang.
0:51:27 > 0:51:29SPEAKS CHINESE
0:51:33 > 0:51:36SPEAKS CHINESE
0:51:38 > 0:51:40GUNSHOT
0:51:42 > 0:51:43Oh, my God.
0:52:07 > 0:52:09GULPS
0:52:16 > 0:52:17How many murders is it going to take
0:52:17 > 0:52:20before you start believing that this maniac's out there?
0:52:20 > 0:52:22MUTTERS
0:52:22 > 0:52:24A young girl was gunned down tonight.
0:52:24 > 0:52:28That's three victims in three days. You're supposed to be finding him.
0:52:28 > 0:52:29Brian Lukis and Eddie Van Coon
0:52:29 > 0:52:32were working for a gang of international smugglers.
0:52:32 > 0:52:35A gang called the Black Lotus, operating here in London
0:52:35 > 0:52:37right under your nose.
0:52:37 > 0:52:39Can you prove that?
0:52:47 > 0:52:49- What are you thinking? Pork or pasta?- Oh, it's you.
0:52:50 > 0:52:53I suppose it's never going to trouble Egon Ronay, is it?
0:52:53 > 0:52:55I'd stick with the pasta.
0:52:55 > 0:52:59Don't want to be doing roast pork, not if you're slicing up cadavers.
0:52:59 > 0:53:02What are you having?
0:53:02 > 0:53:04I don't eat when I'm working. Digesting slows me down.
0:53:04 > 0:53:07So you're working here tonight?
0:53:07 > 0:53:09- Need to examine some bodies.- Some?
0:53:09 > 0:53:12Eddie Van Coon and Brian Lukis.
0:53:12 > 0:53:13They're on my list.
0:53:15 > 0:53:17Could you wheel them out again for me?
0:53:17 > 0:53:21Well...their paperwork's already gone through.
0:53:25 > 0:53:28- You changed your hair.- What?
0:53:28 > 0:53:31The style. It's usually parted in the middle.
0:53:31 > 0:53:32Yes, well...
0:53:32 > 0:53:34It's good.
0:53:34 > 0:53:36It...suits you better this way.
0:53:47 > 0:53:49We're just interested in the feet.
0:53:49 > 0:53:50- The feet?- Yes.
0:53:50 > 0:53:52Do you mind if we have a look at them?
0:54:00 > 0:54:02Now, Van Coon.
0:54:07 > 0:54:11- Oh!- So...
0:54:11 > 0:54:14So either these two men just happened to visit the same Chinese tattoo parlour,
0:54:14 > 0:54:18- or I'm telling the truth. - What do you want?
0:54:18 > 0:54:20I want every book from Lukis' apartment and Van Coon's.
0:54:20 > 0:54:22Their books?
0:54:26 > 0:54:29Not just a criminal organisation. It's a cult.
0:54:32 > 0:54:34Her brother was corrupted by one of its leaders.
0:54:34 > 0:54:35Soo Lin said the name.
0:54:35 > 0:54:38Yes, Shan. General Shan.
0:54:38 > 0:54:40We're still no closer to finding him.
0:54:40 > 0:54:42Wrong! We've got almost all we need to know.
0:54:42 > 0:54:45She gave us most of the missing pieces.
0:54:45 > 0:54:48Why did he need to visit his sister?
0:54:48 > 0:54:50- Why did he need her expertise? - She worked at the museum.
0:54:50 > 0:54:53- Exactly.- An expert in antiquities.
0:54:54 > 0:54:56- Of course, I see. - Valuable antiquities, John.
0:54:56 > 0:54:59Ancient Chinese relics purchased on the black market.
0:54:59 > 0:55:02China's home to a thousand treasures hidden after Mao's revolution.
0:55:02 > 0:55:04The Black Lotus is selling them.
0:55:09 > 0:55:11Check for the dates... Here,
0:55:11 > 0:55:14John, "arrived from China four days ago".
0:55:15 > 0:55:16Anonymous.
0:55:16 > 0:55:19The vendor doesn't give his name.
0:55:19 > 0:55:21"Two undiscovered treasures from the East."
0:55:21 > 0:55:26One in Lukis' suitcase and one in Van Coon's.
0:55:26 > 0:55:27"Antiquities...
0:55:27 > 0:55:31"sold at auction."
0:55:31 > 0:55:33Look, here's another one.
0:55:33 > 0:55:35Arrived from China a month ago,
0:55:35 > 0:55:39Chinese ceramic statue sold for £400,000.
0:55:39 > 0:55:42Look, a month before that, Chinese painting, £500,000.
0:55:42 > 0:55:44All of them from an anonymous source.
0:55:44 > 0:55:48They're stealing them back in China and one by one feeding them into Britain.
0:55:52 > 0:55:56Every single auction coincides with Lukis or Van Coon travelling to China.
0:55:56 > 0:55:58So what if one of them got greedy when they were in China?
0:55:58 > 0:55:59What if one of them stole something?
0:55:59 > 0:56:02That's why Zhi Zhu's come. KNOCK AT DOOR
0:56:02 > 0:56:05Sorry, are we collecting for charity, Sherlock?
0:56:05 > 0:56:06What?
0:56:06 > 0:56:09A young man's outside with crates of books.
0:56:15 > 0:56:17So the numbers are references.
0:56:17 > 0:56:18To books.
0:56:18 > 0:56:21To specific pages and specific words on those pages.
0:56:21 > 0:56:24Right, so...
0:56:24 > 0:56:2615 and 1, that means?
0:56:26 > 0:56:28Turn to page 15 and it's the first word you read.
0:56:28 > 0:56:30- OK, so what's the message? - Depends on the book.
0:56:30 > 0:56:33That's the cunning of the book code.
0:56:33 > 0:56:35It has to be one that they both own.
0:56:39 > 0:56:43OK, fine. This shouldn't take too long, should it(?)
0:56:55 > 0:57:00We found these...at the museum. Is this your writing?
0:57:00 > 0:57:03Er, we hoped Soo Lin could decipher it for us.
0:57:03 > 0:57:05Ta.
0:57:05 > 0:57:08Anything else I can do?
0:57:08 > 0:57:10To assist you, I mean.
0:57:10 > 0:57:12Some silence right now would be marvellous.
0:57:27 > 0:57:29Cigarette.
0:57:57 > 0:57:59Imagine.
0:58:03 > 0:58:05CLOCK TICKS
0:58:10 > 0:58:13WATCH BLEEPS
0:58:13 > 0:58:14Oh...
0:58:16 > 0:58:18CHURCH BELLS RING
0:58:19 > 0:58:21I'm sorry to keep you waiting,
0:58:21 > 0:58:25but we haven't got anything now until next Thursday.
0:58:25 > 0:58:27WOMAN: This is taking ages.
0:58:27 > 0:58:29Sorry.
0:58:29 > 0:58:32WOMAN: What's the point of booking an appointment if they can't stick to it?
0:58:32 > 0:58:34Um, what's going on?
0:58:34 > 0:58:39That new doctor you hired, he hasn't buzzed the intercom for ages.
0:58:39 > 0:58:42Let me go and have a word.
0:58:42 > 0:58:45- Excuse me.- Sorry.
0:58:45 > 0:58:47- KNOCKS ON DOOR - John?
0:58:50 > 0:58:51John?
0:58:57 > 0:59:00GENTLE SNORING
0:59:02 > 0:59:06Looks like I'm done. I thought I had some more to see.
0:59:06 > 0:59:09- Oh, I did one or two of yours. - One or two?
0:59:09 > 0:59:12Well, maybe five or six.
0:59:12 > 0:59:14I'm sorry, that's not very professional.
0:59:14 > 0:59:17No, not really.
0:59:17 > 0:59:20I had...a bit of a late one.
0:59:21 > 0:59:23Oh, right.
0:59:24 > 0:59:26Anyway, see you.
0:59:26 > 0:59:31So...what were you doing to keep you up so late?
0:59:31 > 0:59:34I was attending a sort of book event.
0:59:34 > 0:59:38Oh. Oh, she likes books, does she, your girlfriend?
0:59:38 > 0:59:40No, it wasn't a date.
0:59:40 > 0:59:44- Good. I mean, I'm... - And I don't have one tonight.
0:59:46 > 0:59:49A book that everybody would own.
0:59:59 > 1:00:0115, entry 1.
1:00:15 > 1:00:18I need to get some air. We're going out tonight.
1:00:18 > 1:00:20- Actually, I've got a date.- What?
1:00:20 > 1:00:22Where two people who like each other go out and have fun?
1:00:22 > 1:00:24That's what I was suggesting.
1:00:24 > 1:00:27No, it wasn't. At least, I hope not.
1:00:27 > 1:00:28Where are you taking her?
1:00:28 > 1:00:30Er, cinema.
1:00:30 > 1:00:32Dull, boring, predictable...
1:00:32 > 1:00:34Why don't you try this?
1:00:34 > 1:00:37In London for one night only.
1:00:37 > 1:00:38LAUGHS NERVOUSLY
1:00:38 > 1:00:41Thanks, but I don't come to you for dating advice.
1:00:41 > 1:00:44SARAH: It's years since anyone took me to the circus.
1:00:44 > 1:00:46Right, yes.
1:00:46 > 1:00:50A friend recommended it to me and I phoned up.
1:00:50 > 1:00:52Oh! What are they, a touring company or something?
1:00:52 > 1:00:54I don't know much about it.
1:00:54 > 1:00:57I think they're probably from China.
1:00:57 > 1:01:00I think so, yes. There's a coincidence(!)
1:01:00 > 1:01:03That's wonderful, thank you very much.
1:01:04 > 1:01:07Hi, I have two tickets reserved for tonight.
1:01:07 > 1:01:09- And what's the name?- Holmes.
1:01:12 > 1:01:15Actually, I have three in that name.
1:01:15 > 1:01:17No, I don't think so, we only booked two.
1:01:17 > 1:01:21Then I phoned back and got one for myself as well.
1:01:21 > 1:01:23I'm Sherlock.
1:01:25 > 1:01:28- Hi.- Hello.
1:01:30 > 1:01:33You couldn't let me have just one night off.
1:01:33 > 1:01:36Yellow Dragon Circus, in London for one day. It fits.
1:01:36 > 1:01:38The Tong sent an assassin to England...
1:01:38 > 1:01:40Dressed as a tightrope walker. Come on, Sherlock, behave!
1:01:40 > 1:01:42We're looking for a killer who can climb, who can shin up a rope.
1:01:42 > 1:01:45Where else would you find that level of dexterity?
1:01:45 > 1:01:47Exit visas are scarce in China.
1:01:47 > 1:01:49They need a good reason to get out of that country.
1:01:49 > 1:01:51All I need to do is have a quick look around...
1:01:51 > 1:01:53Fine. You do that, I'll take Sarah for a pint.
1:01:53 > 1:01:54I need your help.
1:01:54 > 1:01:56I do have a couple of other things on my mind this evening.
1:01:56 > 1:01:58Like what?
1:01:58 > 1:02:01- You are kidding? - What's so important?
1:02:01 > 1:02:03Sherlock, I'm in the middle of a date.
1:02:03 > 1:02:05You're going to chase some killer while I'm trying to...
1:02:05 > 1:02:07What?
1:02:07 > 1:02:09While I'm trying to get off with Sarah.
1:02:09 > 1:02:12Hey... Ready?
1:02:12 > 1:02:13Yeah.
1:02:16 > 1:02:18MURMUR OF CONVERSATION
1:02:22 > 1:02:26You said circus. This is not a circus.
1:02:26 > 1:02:27Look at the size of this crowd.
1:02:27 > 1:02:30Sherlock, this is...art.
1:02:30 > 1:02:32This is not their day job.
1:02:32 > 1:02:37Sorry, I forgot, they're not a circus, they're a gang of international smugglers.
1:02:56 > 1:02:58LOUDER DRUM BEAT
1:03:47 > 1:03:50WHOOSH AUDIENCE GASPS
1:03:52 > 1:03:54APPLAUSE
1:04:09 > 1:04:12Classic Chinese escapology act.
1:04:12 > 1:04:15- Hm? - The crossbow's on a delicate string.
1:04:15 > 1:04:19The warrior has to escape his bonds before it fires.
1:04:26 > 1:04:27HE SHOUTS
1:04:34 > 1:04:37DRUM BEAT QUICKENS
1:04:39 > 1:04:41- GONG - Oh!
1:04:41 > 1:04:43THEY LAUGH
1:04:53 > 1:04:56She splits the sandbag, the sand pours out.
1:04:56 > 1:04:59Gradually, the weight lowers into the bowl.
1:05:04 > 1:05:06ESCAPOLOGIST SHOUTS AND STRAINS
1:05:38 > 1:05:39APPLAUSE
1:05:39 > 1:05:41- Thank God.- My God!
1:06:00 > 1:06:03APPLAUSE RESTARTS
1:06:12 > 1:06:15Ladies and gentlemen.
1:06:15 > 1:06:20From the distant moonlit shores of the Yangtze River,
1:06:20 > 1:06:23we present, for your pleasure,
1:06:23 > 1:06:27the deadly Chinese bird spider.
1:06:29 > 1:06:30APPLAUSE
1:06:36 > 1:06:37Did you see that?
1:07:00 > 1:07:02Well, well.
1:07:03 > 1:07:05DOOR OPENS
1:07:13 > 1:07:16COAT HANGERS RATTLE
1:07:21 > 1:07:24DOOR OPENS AND CLOSES
1:07:31 > 1:07:33Found you.
1:08:38 > 1:08:41- Come on. - Come on. Let's go!
1:08:41 > 1:08:45I sent a couple of cars. The old hall is totally deserted.
1:08:45 > 1:08:48Look, I saw the mark at the circus. The tattoo that we saw
1:08:48 > 1:08:50on the two bodies, the mark of the Tong.
1:08:50 > 1:08:53Lukis and Van Coon were part of a smuggling operation.
1:08:53 > 1:08:56One of them stole something in China. Something valuable.
1:08:56 > 1:08:57The circus performers were gang members
1:08:57 > 1:08:59- sent here to get it back. - Get what back?
1:09:01 > 1:09:02We don't know.
1:09:02 > 1:09:04You don't know?
1:09:05 > 1:09:09Mr Holmes, I've done everything you asked.
1:09:09 > 1:09:13Lestrade, he seems to think your advice is worth something.
1:09:13 > 1:09:14I gave the order for a raid.
1:09:14 > 1:09:16Please tell me I'll have something to show for it.
1:09:16 > 1:09:19Other than a massive bill for overtime.
1:09:24 > 1:09:25They'll be back in China by tomorrow.
1:09:25 > 1:09:28No, they won't leave without what they came for.
1:09:28 > 1:09:30We need to find a hideout.
1:09:30 > 1:09:31A rendezvous.
1:09:33 > 1:09:36Somewhere in this message it must tell us.
1:09:40 > 1:09:42Well, I think perhaps I should leave you to it.
1:09:42 > 1:09:46- No, you don't have to go. Stay. - Yes, it'd be better if you left now.
1:09:46 > 1:09:49He's kidding. Please stay if you'd like.
1:09:49 > 1:09:51Is it just me or is anyone else starving?
1:09:51 > 1:09:53Oh, God.
1:10:06 > 1:10:08So this is what you do.
1:10:08 > 1:10:11You and John, you solve puzzles for a living.
1:10:11 > 1:10:14Consulting detective.
1:10:14 > 1:10:16Oh.
1:10:17 > 1:10:18Oh!
1:10:22 > 1:10:24What are these squiggles?
1:10:24 > 1:10:26They're numbers. An ancient Chinese dialect.
1:10:26 > 1:10:31Oh, right. Well, of course I should have known that.
1:10:36 > 1:10:40(I've done punch and a bowl of nibbles.)
1:10:40 > 1:10:42Mrs Hudson, you are a saint.
1:10:42 > 1:10:44If it was Monday, I'd have been to the supermarket.
1:10:44 > 1:10:46Thank you. Thank you.
1:10:46 > 1:10:48SIRENS PASS BY
1:10:53 > 1:10:56- So these numbers, it's a cipher? - Exactly.
1:10:56 > 1:10:57And each pair of numbers is a word?
1:10:59 > 1:11:00How did you know that?
1:11:00 > 1:11:03Well, two words have already been translated. Here.
1:11:05 > 1:11:07- John.- Mmm?
1:11:07 > 1:11:08John, look at this.
1:11:10 > 1:11:14Soo Lin at the museum, she started to translate the code for us.
1:11:14 > 1:11:16We didn't see it.
1:11:16 > 1:11:18Nine mill.
1:11:20 > 1:11:21Does that mean millions?
1:11:21 > 1:11:24Nine million quid. For what?
1:11:24 > 1:11:27We need to know the end of this sentence.
1:11:27 > 1:11:29Where are you going?
1:11:29 > 1:11:33- To the museum, to the restoration room. We must have been staring right at it.- At what?
1:11:33 > 1:11:35The book, John. The book. The key to cracking the cipher.
1:11:35 > 1:11:39Soo Lin used it to do this. Whilst we were running around the gallery,
1:11:39 > 1:11:42she started to translate the code. It must be on her desk.
1:11:44 > 1:11:45Taxi!
1:11:45 > 1:11:47ANGRY VOICE
1:11:47 > 1:11:48Entschuldigen Sie, bitte.
1:11:48 > 1:11:50Ja, danke(!)
1:11:50 > 1:11:52THEY MUTTER
1:12:03 > 1:12:05INAUDIBLE
1:12:14 > 1:12:16A book that everybody would own.
1:12:19 > 1:12:21Please, wait!
1:12:21 > 1:12:23Bitte!
1:12:24 > 1:12:27Was wollt er?
1:12:27 > 1:12:29Hey, du, was machst du?
1:12:29 > 1:12:31- Minute! - Gib mir doch mein Buch zuruck!
1:12:33 > 1:12:35Yeah. No, absolutely.
1:12:35 > 1:12:38I mean, a quiet night in is just what the doctor ordered.
1:12:40 > 1:12:45I mean, I love to go out of an evening and wrestle a few Chinese gangsters generally,
1:12:45 > 1:12:47- but a girl can get too much.- OK.
1:12:51 > 1:12:54Er, shall we get a takeaway?
1:12:54 > 1:12:55Yeah.
1:12:56 > 1:12:58Page 15, entry 1...
1:12:58 > 1:13:00Page 15, entry 1.
1:13:03 > 1:13:05Dead man.
1:13:05 > 1:13:08You were threatening to kill them.
1:13:08 > 1:13:10That's the first cipher.
1:13:13 > 1:13:179... 0... 15...
1:13:17 > 1:13:18er, 15 and 36.
1:13:18 > 1:13:2136, 39, 39...
1:13:21 > 1:13:2339...
1:13:23 > 1:13:249...
1:13:28 > 1:13:32"Nine", "mill", "for"...
1:13:41 > 1:13:43KNOCK AT DOOR
1:13:43 > 1:13:45Blimey, that was quick. I'll just pop down.
1:13:45 > 1:13:48Do you want me to lay the table?
1:13:48 > 1:13:51- Um...eat off trays?- Yeah.
1:13:53 > 1:13:5670...35...
1:13:59 > 1:14:00Jade...
1:14:00 > 1:14:03Jade.
1:14:05 > 1:14:07Sorry to keep you. How much do you want?
1:14:07 > 1:14:09- Do you have it?- What?
1:14:09 > 1:14:12- Do you have the treasure? - I don't understand.
1:14:17 > 1:14:19MUTTERS
1:14:25 > 1:14:30"Nine mill for Jade pin.
1:14:30 > 1:14:32"Dragon den, black...
1:14:32 > 1:14:34"tramway."
1:14:40 > 1:14:42DOOR SHUTS
1:14:45 > 1:14:47HOLMES: John! John, I've got it.
1:14:47 > 1:14:51The cipher, the book. It's the London A-Z that they're us...
1:15:07 > 1:15:12WOMAN: A book is like a magic garden,
1:15:12 > 1:15:14carried in your pocket.
1:15:28 > 1:15:32- Chinese proverb, Mr Holmes. - I'm...
1:15:32 > 1:15:34I'm not Sherlock Holmes.
1:15:34 > 1:15:37Forgive me if I do not take your word for it.
1:15:37 > 1:15:40Ow!
1:15:43 > 1:15:45Debit card, name of...
1:15:45 > 1:15:46S Holmes.
1:15:46 > 1:15:47Take my card.
1:15:47 > 1:15:50Yes, that's not actually mine. He lent that to me.
1:15:50 > 1:15:56And a cheque for £5,000 made out in the name of Mr Sherlock Holmes.
1:15:56 > 1:16:00Yeah, he gave me that to look after.
1:16:00 > 1:16:04Tickets from the theatre collected by you, name of Holmes.
1:16:04 > 1:16:05Yes, OK.
1:16:05 > 1:16:06- What's the name? - Er, Holmes.
1:16:06 > 1:16:08I realise what this looks like.
1:16:08 > 1:16:10But I'm not him.
1:16:10 > 1:16:13- We heard it from your own mouth. - What?
1:16:13 > 1:16:17"I am Sherlock Holmes and I always work alone."
1:16:17 > 1:16:21Because no-one else can compete with my massive intellect.
1:16:21 > 1:16:23Did I really say that?
1:16:26 > 1:16:31I suppose there's no use me trying to persuade you I was doing an impression.
1:16:33 > 1:16:34I am Shan.
1:16:36 > 1:16:39You're... You're Shan?
1:16:39 > 1:16:42Three times we tried to kill you and your companion, Mr Holmes.
1:16:42 > 1:16:46What does it tell you when an assassin cannot shoot straight?
1:16:47 > 1:16:49GUN COCKS
1:16:59 > 1:17:01GUN CLICKS
1:17:01 > 1:17:05It tells you that they're not really trying.
1:17:06 > 1:17:08Tramway.
1:17:24 > 1:17:26There.
1:17:29 > 1:17:33- Not blank bullets now.- OK.
1:17:33 > 1:17:36If we wanted to kill you, Mr Holmes, we would have done it by now.
1:17:36 > 1:17:39We just wanted to make you inquisitive.
1:17:41 > 1:17:44- Do you have it? - Do I have what?
1:17:44 > 1:17:47- The treasure.- I don't know what you're talking about.
1:17:47 > 1:17:51I would prefer to make certain.
1:17:55 > 1:17:58Everything in the West has its price.
1:17:58 > 1:18:03And the price for her life - information.
1:18:06 > 1:18:09SARAH GROANS
1:18:09 > 1:18:12(I'm sorry. I'm sorry.)
1:18:27 > 1:18:30- Where's the hairpin?- What?
1:18:30 > 1:18:34The Empress pin valued at £9 million sterling?
1:18:34 > 1:18:36We already had a buyer in the West
1:18:36 > 1:18:38and then one of our people was greedy, he took it,
1:18:38 > 1:18:41brought it back to London, and you, Mr Holmes, have been searching.
1:18:41 > 1:18:45Please, please. Listen to me. I'm not...
1:18:45 > 1:18:48I'm not Sherlock Holmes. You have to believe me.
1:18:48 > 1:18:50I haven't found whatever it is you're looking for.
1:18:50 > 1:18:54- I need a volunteer from the audience.- No, please, please!
1:18:54 > 1:18:56Ah, thank you, lady.
1:18:56 > 1:19:01Yes, you'll do very nicely.
1:19:01 > 1:19:03MUFFLED GROANS
1:19:22 > 1:19:29Ladies and gentlemen, from the distant, moonlit shores of NW1,
1:19:29 > 1:19:33we present for your pleasure,
1:19:33 > 1:19:39- Sherlock Holmes' pretty companion in a death-defying act.- Please!
1:19:42 > 1:19:47You've seen the act before. How dull for you.
1:19:47 > 1:19:48You know how it ends.
1:19:48 > 1:19:50I'm not Sherlock Holmes!
1:19:50 > 1:19:52I don't believe you.
1:19:52 > 1:19:54You should, you know.
1:19:54 > 1:19:57Sherlock Holmes is nothing at all like him.
1:19:57 > 1:20:00How would you describe me, John?
1:20:00 > 1:20:04- Resourceful? Dynamic? Enigmatic? - Late?
1:20:04 > 1:20:06That's a semi-automatic. If you fire it,
1:20:06 > 1:20:08the bullet will travel at over 1,000 metres per second.
1:20:08 > 1:20:10Well?
1:20:10 > 1:20:12- Well... - THUMP
1:20:12 > 1:20:14..the radius curvature of these walls is nearly four metres.
1:20:14 > 1:20:16If you miss, the bullet will ricochet.
1:20:16 > 1:20:18Could hit anyone.
1:20:18 > 1:20:20Might even bounce off the tunnel and hit you.
1:21:18 > 1:21:20WHOOSH THUMP
1:21:21 > 1:21:24GROANS
1:21:33 > 1:21:35FOOTSTEPS RECEDE
1:21:41 > 1:21:42It's all right.
1:21:42 > 1:21:44GRUNTS
1:21:44 > 1:21:47You're going to be all right. It's over now.
1:21:53 > 1:21:55Don't worry.
1:21:55 > 1:21:57Next date won't be like this.
1:22:11 > 1:22:14We'll just slip off. No need to mention us in your report.
1:22:14 > 1:22:17- Mr Holmes...- I have high hopes for you, Inspector.
1:22:17 > 1:22:19A glittering career.
1:22:19 > 1:22:21I go where you point me.
1:22:23 > 1:22:25Exactly.
1:22:29 > 1:22:31POURING LIQUID
1:22:31 > 1:22:34WATSON: Ta.
1:22:34 > 1:22:36- So, nine million.- Million.
1:22:36 > 1:22:41Million, yes. Nine million for Jade pin dragon den black tramway.
1:22:41 > 1:22:43An instruction to all their London operatives.
1:22:43 > 1:22:46A message. What they were trying to reclaim.
1:22:46 > 1:22:48- What, a jade pin? - Worth £9 million.
1:22:48 > 1:22:50Bring it to the Tramway, their London hideout.
1:22:50 > 1:22:53Hang on. A hairpin worth £9 million?
1:22:53 > 1:22:55- Apparently.- Why so much?
1:22:55 > 1:22:57Depends who owned it.
1:23:03 > 1:23:05Two operatives based in London.
1:23:05 > 1:23:08They travel over to Dalian to smuggle those vases.
1:23:08 > 1:23:11One of them helps himself to something, a little hairpin.
1:23:11 > 1:23:14- Worth £9 million. - Eddie Van Coon was the thief,
1:23:14 > 1:23:16he stole the treasure when he was in China.
1:23:16 > 1:23:18How do you know it was Van Coon, not Lukis?
1:23:18 > 1:23:21- Even the killer didn't know that. - Because of the soap.
1:23:29 > 1:23:31PHONE RINGS
1:23:33 > 1:23:35- Amanda? - HOLMES: He brought you a present.
1:23:35 > 1:23:37Oh, hello.
1:23:37 > 1:23:39A little gift when he came back from China.
1:23:39 > 1:23:44- How do you know that? - You weren't just his PA, were you?
1:23:44 > 1:23:45Someone's been gossiping.
1:23:45 > 1:23:47- No.- Then I don't understand why...
1:23:47 > 1:23:49Scented hand soap in his apartment.
1:23:49 > 1:23:53300ml of it. Bottle almost finished.
1:23:53 > 1:23:58- Sorry...?- I don't think Eddie Van Coon was the type of chap to buy himself hand soap,
1:23:58 > 1:24:00not unless he had a lady coming over.
1:24:00 > 1:24:02And it's the same brand as that hand cream there on your desk.
1:24:04 > 1:24:08Look, it wasn't serious between us.
1:24:08 > 1:24:13It was over in a flash, it couldn't last. He was my boss.
1:24:13 > 1:24:15What happened? Why did you end it?
1:24:17 > 1:24:20I thought he didn't appreciate me.
1:24:20 > 1:24:22Took me for granted.
1:24:24 > 1:24:25Stood me up once too often.
1:24:25 > 1:24:29We'd plan to go away for the weekend, and then he'd just leave.
1:24:29 > 1:24:32Fly off to China at a moment's notice.
1:24:32 > 1:24:34And he brought you a present from abroad to say sorry.
1:24:36 > 1:24:39Can I just have a look at it?
1:24:45 > 1:24:48He really climbed up onto the balcony?
1:24:48 > 1:24:51Nail a plank across the window and all your problems are over.
1:24:53 > 1:24:55Thanks.
1:24:55 > 1:24:58He said he bought it in a street market.
1:24:58 > 1:25:01Oh, I don't think that's true. I think he pinched it.
1:25:01 > 1:25:03Yeah, that's Eddie.
1:25:03 > 1:25:05Didn't know its value, just thought it would suit you.
1:25:05 > 1:25:08Oh? What's it worth?
1:25:10 > 1:25:12£9 million.
1:25:15 > 1:25:16Oh, my God.
1:25:16 > 1:25:18Oh, my God!
1:25:21 > 1:25:22Nine million?!
1:25:35 > 1:25:37Over 1,000 years old
1:25:37 > 1:25:39and it's sitting on her bedside table every night.
1:25:39 > 1:25:42He didn't know its value. Didn't know why they were chasing him.
1:25:44 > 1:25:46Should've just got her a lucky cat.
1:25:50 > 1:25:53- You mind, don't you?- What?
1:25:53 > 1:25:56That she escaped. General Shan.
1:25:56 > 1:25:58It's not enough that we got her two henchmen.
1:25:58 > 1:25:59Must be a vast network, John.
1:25:59 > 1:26:01Thousands of operatives.
1:26:01 > 1:26:04You and I, we barely scratched the surface.
1:26:04 > 1:26:06You cracked the code though, Sherlock.
1:26:06 > 1:26:09And maybe Dimmock can track down all of them now he knows it.
1:26:09 > 1:26:13No. No, I crack this code,
1:26:13 > 1:26:17all the smugglers have to do is pick up another book.
1:26:38 > 1:26:40SIREN BLARES
1:26:42 > 1:26:45Without you...
1:26:45 > 1:26:48without your assistance,
1:26:48 > 1:26:52we would not have found passage into London.
1:26:55 > 1:26:57You have my thanks.
1:27:08 > 1:27:10We did not anticipate...
1:27:11 > 1:27:14We did not know this man would come.
1:27:16 > 1:27:19This Sherlock Holmes.
1:27:22 > 1:27:26And now your safety is compromised.
1:27:36 > 1:27:38I will not reveal your identity.
1:27:48 > 1:27:50GUNSHOT
1:27:58 > 1:28:01Subtitles by Red Bee Media Ltd