0:00:06 > 0:00:07RUNNING AND PANTING
0:00:07 > 0:00:10A MAN YELLS
0:00:11 > 0:00:13YELLING AND GROWLING
0:00:17 > 0:00:19GROWLING
0:00:24 > 0:00:27THE MAN CRIES IN PAIN
0:00:32 > 0:00:34Oh, hello.
0:00:34 > 0:00:36Are you all right?
0:00:36 > 0:00:38What is it, dear? Are you lost?
0:00:38 > 0:00:40GROWLING
0:00:41 > 0:00:43HE SCREAMS
0:01:49 > 0:01:52- Well, that was tedious. - You went on the tube like that?
0:01:52 > 0:01:54None of the cabs would take me.
0:02:03 > 0:02:05Nothing?
0:02:05 > 0:02:08- Military coup in Uganda.- Hm.
0:02:08 > 0:02:10Hm.
0:02:10 > 0:02:13- Another photo of you with the er...- Oh!
0:02:13 > 0:02:17Well, um, Cabinet reshuffle?
0:02:17 > 0:02:18Nothing of importance?
0:02:18 > 0:02:21- BANGS ON THE FLOOR - Oh, God!
0:02:21 > 0:02:25John, I need some. Get me some.
0:02:25 > 0:02:27- No.- Get me some.
0:02:27 > 0:02:30No. Cold turkey we agreed, no matter what.
0:02:30 > 0:02:33Anyway, you've paid everyone off, remember?
0:02:33 > 0:02:35No-one within a two-mile radius will sell you any.
0:02:35 > 0:02:37Stupid idea. Whose idea was that?
0:02:37 > 0:02:38HE CLEARS THROAT
0:02:38 > 0:02:40Mrs Hudson!
0:02:45 > 0:02:51Look, Sherlock, you're doing really well, don't give up now!
0:02:51 > 0:02:52Tell me where they are!
0:02:52 > 0:02:54Please, tell me.
0:02:56 > 0:02:58Please.
0:02:58 > 0:03:01- Can't help, sorry.- I'll let you know next week's lottery numbers.
0:03:01 > 0:03:03- HE LAUGHS - It was worth a try.
0:03:08 > 0:03:09Yoo-hoo.
0:03:09 > 0:03:12My secret supply, what have you done with my secret supply?
0:03:12 > 0:03:14- Eh?- Cigarettes, what have you done with them?
0:03:14 > 0:03:18You never let me touch your things! Oh, chance would be a fine thing.
0:03:18 > 0:03:23- I thought you weren't my housekeeper.- I'm not.- Argh!
0:03:23 > 0:03:27How about a nice cuppa and perhaps you could put away your harpoon?
0:03:27 > 0:03:30I need something stronger than tea. Seven percent stronger.
0:03:32 > 0:03:35- You've been to see Mr Chatterjee again.- Pardon?
0:03:35 > 0:03:39Sandwich shop. That's a new dress, but there's flour on the sleeve. You wouldn't dress like that for baking.
0:03:39 > 0:03:42- Sherlock... - Thumbnail. Tiny traces of foil.
0:03:42 > 0:03:46Been at the scratch cards again. We all know where that leads.
0:03:46 > 0:03:49Kasbah Nights. Racy for a Monday morning, wouldn't you agree?
0:03:49 > 0:03:53I wrote a blog on the identification of perfumes. You should look it up!
0:03:53 > 0:03:58- Please!- Don't pin your hopes on that cruise with Mr Chatterjee, he's got a wife nobody knows about.- Sherlock!
0:03:58 > 0:04:02- Well, nobody except me. - I don't know what you're talking about, I really don't!
0:04:02 > 0:04:05DOOR SLAMS BEHIND HER
0:04:05 > 0:04:08- What the bloody hell was all that about?- You don't understand.
0:04:08 > 0:04:10Go after her and apologise.
0:04:12 > 0:04:13- Apologise?- Hmm.
0:04:13 > 0:04:16Oh, John, I envy you so much.
0:04:18 > 0:04:19You envy me?
0:04:19 > 0:04:22Your mind, it's so placid, straight-forward, barely used.
0:04:22 > 0:04:24Mine's like an engine, racing out of control.
0:04:24 > 0:04:28A rocket, tearing itself to pieces, trapped on the launch pad. I need a case!
0:04:28 > 0:04:31You've just solved one, by harpooning a dead pig, apparently!
0:04:31 > 0:04:34Oh, that was this morning.
0:04:34 > 0:04:38- When's the next one? - Nothing on the website?
0:04:41 > 0:04:45"Dear Mr Sherlock Holmes. I can't find Bluebell anywhere.
0:04:45 > 0:04:47"Please, please, please can you help?"
0:04:47 > 0:04:50- Bluebell?- A rabbit, John!- Oh. - Ah, but there's more.
0:04:50 > 0:04:52Before Bluebell disappeared, it turned luminous.
0:04:52 > 0:04:57"Like a fairy," according to little Kirsty. Then the next morning, Bluebell was gone.
0:04:57 > 0:05:00Hutch still locked, no sign of a forced entry.
0:05:00 > 0:05:03What am I saying, this is brilliant! Phone Lestrade.
0:05:03 > 0:05:07- Tell him there's an escaped rabbit. - Are you serious?- It's this or Cluedo.
0:05:07 > 0:05:10Ah, no. We are never playing that again.
0:05:10 > 0:05:13- Why not?- It's not possible for the victim to have done it.
0:05:13 > 0:05:16- It was the only possible solution. - It's not in the rules.
0:05:16 > 0:05:17Well, then, the rules are wrong!
0:05:17 > 0:05:19DOORBELL RINGS
0:05:19 > 0:05:20A single ring.
0:05:20 > 0:05:23Maximum pressure, just under the half second.
0:05:23 > 0:05:25BOTH: Client!
0:05:26 > 0:05:30- TV:- Dartmoor, it's always been a place of myth and legend,
0:05:30 > 0:05:33but is there something else lurking out here?
0:05:33 > 0:05:35Something very real.
0:05:35 > 0:05:39Dartmoor is also home to one the government's most secret of operations,
0:05:39 > 0:05:42the chemical and biological weapons research centre,
0:05:42 > 0:05:46which is said to be even more sensitive than Porton Down.
0:05:46 > 0:05:48Since the end of the Second World War,
0:05:48 > 0:05:52there have been persistent stories about the Baskerville experiments.
0:05:52 > 0:05:56Genetic mutations, animals grown for the battlefield.
0:05:56 > 0:06:01There are many who believe that within this compound, in the heart of this ancient wildness,
0:06:01 > 0:06:04there are horrors beyond imagining.
0:06:04 > 0:06:09But the real question is, are all of them still inside?'
0:06:09 > 0:06:11I was just a kid.
0:06:12 > 0:06:15It was on the moor.
0:06:15 > 0:06:18It was dark, but I know what I saw.
0:06:18 > 0:06:21I know what killed my father.
0:06:23 > 0:06:24What did you see?
0:06:24 > 0:06:27Oh, I was just about to say.
0:06:27 > 0:06:30Yes, in a TV interview. I prefer to do my own editing.
0:06:30 > 0:06:33Yes. Sorry, yes, of course.
0:06:35 > 0:06:38- Excuse me. - BLOWS HIS NOSE
0:06:38 > 0:06:39In your own time.
0:06:39 > 0:06:41But quite quickly.
0:06:45 > 0:06:48- Do you know Dartmoor, Mr Holmes?- No.
0:06:48 > 0:06:50It's an amazing place, it's like nowhere else,
0:06:50 > 0:06:54it's sort of bleak, but beautiful.
0:06:54 > 0:06:56Hm, not interested. Moving on.
0:06:57 > 0:07:01We used to go for walks, after my mum died, my dad and me.
0:07:01 > 0:07:04Every evening, we'd go out onto the moor.
0:07:04 > 0:07:08Good. Skipping to the night that your dad was violently killed, where did that happen?
0:07:10 > 0:07:12There's a place,
0:07:12 > 0:07:17it's a sort of local landmark, called Dewer's Hollow.
0:07:18 > 0:07:21That's an ancient name for the devil.
0:07:22 > 0:07:23So?
0:07:25 > 0:07:27Did you see the devil that night?
0:07:30 > 0:07:31Yes.
0:07:31 > 0:07:33HE CRIES OUT
0:07:33 > 0:07:35It was huge.
0:07:35 > 0:07:40Coal-black fur with red eyes.
0:07:43 > 0:07:45IT GROWLS
0:07:47 > 0:07:49It got him.
0:07:49 > 0:07:51Tore at him, tore him apart.
0:07:53 > 0:07:56I can't remember anything else.
0:07:56 > 0:07:59They found me the next morning, just wandering on the moor.
0:07:59 > 0:08:01My dad's body was never found.
0:08:01 > 0:08:04Hm.
0:08:04 > 0:08:09Red eyes, coal-black fur, enormous...
0:08:09 > 0:08:10A dog? Wolf?
0:08:10 > 0:08:12Or a genetic experiment.
0:08:14 > 0:08:16Are you laughing at me, Mr Holmes?
0:08:16 > 0:08:18Why, are you joking?
0:08:19 > 0:08:23My dad was always going on about the things they were doing at Baskerville.
0:08:23 > 0:08:26About the type of monsters they were breeding there.
0:08:26 > 0:08:29People used to laugh at him.
0:08:29 > 0:08:32At least the TV people took me seriously.
0:08:32 > 0:08:36- And I assume did wonders for Devon tourism.- Yeah...
0:08:36 > 0:08:41Henry, whatever did happen to your father, it was 20 years ago.
0:08:41 > 0:08:43Why come to us now?
0:08:43 > 0:08:48Not sure you can help me, Mr Holmes, since you find it all so funny!
0:08:48 > 0:08:52- Because of what happened last night. - Why, what happened last night?
0:08:54 > 0:08:56How... How do you know?
0:08:56 > 0:08:58I didn't know, I noticed.
0:08:58 > 0:09:00You came up from Devon on the first train this morning.
0:09:00 > 0:09:05You had a disappointing breakfast and a black coffee. The girl across the aisle fancied you.
0:09:05 > 0:09:08Though initially keen, you've changed your mind.
0:09:08 > 0:09:10You are anxious to have your first cigarette of the day.
0:09:10 > 0:09:13Sit down, Mr Knight, and do please smoke. I'd be delighted.
0:09:25 > 0:09:28- How on Earth did you notice all that?- It's not important...
0:09:28 > 0:09:31- Punched out holes where your ticket's been checked.- Not now.
0:09:31 > 0:09:35- I've been cooped-up for ages! - You're showing off.- I am a show-off, that's what we do.
0:09:35 > 0:09:38Train napkin you used to mop up the spilled coffee.
0:09:38 > 0:09:40Strength of the stain shows that you didn't take milk.
0:09:40 > 0:09:43There are traces of ketchup on it and on your lips and sleeve.
0:09:43 > 0:09:47Cooked breakfast, or the nearest thing those trains manage. Sandwich.
0:09:47 > 0:09:50How did you know it was disappointing?
0:09:50 > 0:09:53Is there any other type of breakfast on a train? The girl.
0:09:53 > 0:09:57Female handwriting's distinctive, wrote her number on the napkin.
0:09:57 > 0:10:00I can tell from the angle she wrote at that she was sat across from you.
0:10:00 > 0:10:04After she got off, I imagine you used the napkin to mop up your spilled coffee,
0:10:04 > 0:10:06accidentally smudging the numbers.
0:10:06 > 0:10:10You've been over the last four digits in another pen, so you wanted to keep the number.
0:10:10 > 0:10:13You used the napkin to blow your nose, so you're not that into her.
0:10:13 > 0:10:16Then there's the nicotine stains on your shaking fingers. I know the signs.
0:10:16 > 0:10:20No chance to smoke when on the train, no time to roll one before you got a cab here.
0:10:20 > 0:10:23It's just after 9.15, you're desperate.
0:10:23 > 0:10:26The first train from Exeter to London leaves at 5.46am.
0:10:26 > 0:10:30You got the first one, so something important must have happened last night. Am I wrong?
0:10:32 > 0:10:33No.
0:10:33 > 0:10:35You're right.
0:10:35 > 0:10:40You're completely, exactly right.
0:10:40 > 0:10:44- Bloody hell, I heard you were quick. - It's my job. Now shut up and smoke.
0:10:47 > 0:10:50Ahem.
0:10:50 > 0:10:56Henry, your parents both died and you were what, seven years old?
0:10:56 > 0:10:58I know, that...
0:10:58 > 0:11:00HE INHALES THE SMOKE
0:11:02 > 0:11:05That must be quite a trauma.
0:11:05 > 0:11:09Now, have you ever thought that maybe you invented this story, this...
0:11:09 > 0:11:11HE INHALES LOUDLY
0:11:12 > 0:11:14..to account for it?
0:11:14 > 0:11:18That's what Dr Mortimer says.
0:11:18 > 0:11:20- Who?- His therapist.- My therapist.
0:11:20 > 0:11:21Obviously.
0:11:21 > 0:11:23Louise Mortimer.
0:11:23 > 0:11:25She's the reason I came back to Dartmoor.
0:11:25 > 0:11:28She thinks I have to face my demons.
0:11:28 > 0:11:32What happened when you went back to Dewer's Hollow last night?
0:11:32 > 0:11:36You went there on the advice of your therapist and now you're consulting a detective.
0:11:36 > 0:11:40- What did you see that changed everything?- It's a strange place, the Hollow.
0:11:40 > 0:11:44It makes you feel so cold inside, so afraid.
0:11:44 > 0:11:49Yes, if I wanted poetry, I'd read John's emails to his girlfriends, much funnier. What did you see?
0:11:49 > 0:11:51HE SIGHS
0:11:53 > 0:11:55Footprints.
0:11:55 > 0:11:58On the exact spot where I saw my father torn apart.
0:11:58 > 0:12:00Man's or a woman's?
0:12:00 > 0:12:04- Neither. They were... - Is that it? Nothing else? Footprints, is that all?
0:12:04 > 0:12:07Yes. But they were...
0:12:07 > 0:12:10Dr Mortimer wins. It's a childhood trauma masked by an invented memory.
0:12:10 > 0:12:14- Boring. Goodbye, Mr Knight, thank you for smoking. - What about the footprints?
0:12:14 > 0:12:18Oh, they're probably paw prints, could be anything, therefore nothing.
0:12:18 > 0:12:20Off to Devon with you and have a cream tea on me.
0:12:20 > 0:12:24Mr Holmes, they were the footprints of a gigantic hound.
0:12:30 > 0:12:31Say that again.
0:12:31 > 0:12:33I found footprints, they were big...
0:12:33 > 0:12:35No, no, no, your exact words.
0:12:35 > 0:12:39Repeat your exact words from a moment ago, exactly as you said them.
0:12:40 > 0:12:43Mr Holmes,
0:12:43 > 0:12:49they were the footprints of a gigantic hound.
0:12:53 > 0:12:55- I'll take the case.- Sorry, what?
0:12:55 > 0:12:59- Thank you for bringing this to my attention, it's very promising. - Sorry, what?
0:12:59 > 0:13:02A minute ago, footprints were boring, now they're very promising?
0:13:02 > 0:13:06It's got nothing to do with footprints, you weren't listening. Baskerville, heard of it?
0:13:06 > 0:13:08Vaguely. It's very hush-hush.
0:13:08 > 0:13:11- Sounds like a good place to start. - You'll come down?
0:13:11 > 0:13:13I can't leave London at the moment, far too busy.
0:13:13 > 0:13:16But don't worry, I'm putting my best man onto it.
0:13:16 > 0:13:20I can always rely on John to send me the relevant data, as he never understands a word of it.
0:13:20 > 0:13:25- What are you talking about? You don't have a case! You were complaining...- I've got Bluebell!
0:13:25 > 0:13:30- The case of the vanishing glow-in-the-dark rabbit. NATO's in uproar.- Oh, you're not coming, then?
0:13:32 > 0:13:34Oh.
0:13:34 > 0:13:36OK.
0:13:37 > 0:13:38OK.
0:13:47 > 0:13:50I don't need those any more, I'm going to Dartmoor.
0:13:50 > 0:13:54- You go on ahead, Henry, we'll follow later.- Sorry, so you are coming?
0:13:54 > 0:13:5820-year-old disappearance, a monstrous hound?
0:13:58 > 0:14:00I wouldn't miss this for the world!
0:14:04 > 0:14:08- SHOUTING - ..cruise together, you had no intention of taking me on a boat!
0:14:08 > 0:14:09BANG
0:14:09 > 0:14:13Oh! Looks like Mrs Hudson finally got to the wife in Doncaster.
0:14:13 > 0:14:16Hm. Wait until she finds out about the one in Islamabad.
0:14:19 > 0:14:20Paddington Station, please.
0:15:28 > 0:15:30There's Baskerville.
0:15:32 > 0:15:35Er... That's Grimpen Village.
0:15:35 > 0:15:37So that must be...
0:15:37 > 0:15:40Yes, Dewer's Hollow.
0:15:40 > 0:15:43- What's that?- Hm?
0:15:43 > 0:15:44A mine field?
0:15:44 > 0:15:49Technically, Baskerville's an army base,
0:15:49 > 0:15:52so I guess they've always been keen to keep people out.
0:15:52 > 0:15:53Clearly.
0:16:18 > 0:16:22Right, three tours a day. Tell your friends, tell anyone.
0:16:22 > 0:16:25Don't be strangers. And remember, stay away from the moor at night,
0:16:25 > 0:16:28if you value your lives! Take care.
0:16:28 > 0:16:29THEY LAUGH
0:16:29 > 0:16:32It's cold.
0:16:40 > 0:16:41HE GROWLS
0:16:41 > 0:16:42HE SCREAMS
0:16:42 > 0:16:44SCREAMING
0:16:48 > 0:16:49HE SIGHS
0:16:50 > 0:16:52That part doesn't change.
0:16:53 > 0:16:54What does?
0:16:55 > 0:17:00Oh, there's something else. It's a word.
0:17:05 > 0:17:07Liberty.
0:17:07 > 0:17:09Liberty?
0:17:09 > 0:17:11And there's another word.
0:17:12 > 0:17:14In.
0:17:14 > 0:17:16I. N.
0:17:17 > 0:17:21Liberty In. What do you think it means?
0:17:33 > 0:17:36Sorry we couldn't do a double room for you boys.
0:17:36 > 0:17:39That's fine. We're not...
0:17:39 > 0:17:41There you go.
0:17:41 > 0:17:43- Oh, ta. I'll just get your change. - Ta.
0:17:53 > 0:17:54There you go.
0:17:54 > 0:17:58I couldn't help noticing, on the map of the moor, a skull and crossbones?
0:17:58 > 0:17:59Oh, that.
0:18:02 > 0:18:06- Pirates?- Er, no. The Great Grimpen Minefield, they call it.- Oh, right.
0:18:06 > 0:18:10It's not what you think. It's the Baskerville testing site.
0:18:10 > 0:18:12It's been going for 80-odd years.
0:18:12 > 0:18:16- I'm not sure anyone really knows what's there any more.- Hm.
0:18:16 > 0:18:19- Explosives?- Oh, not just explosives.
0:18:19 > 0:18:23Break into that place and if you're lucky, you just get blown up, so they say.
0:18:23 > 0:18:26- In case you're planning a wee stroll.- Ta. I'll remember.
0:18:26 > 0:18:30Aye. No, it buggers up tourism a bit, so thank God for the demon hound.
0:18:30 > 0:18:34- Did you see that show? The documentary?- Quite recently, yeah.
0:18:34 > 0:18:36God bless Henry Knight and his monster from hell.
0:18:36 > 0:18:38- Ever seen it? The hound? - Me? No, no.
0:18:38 > 0:18:41Fletcher has.
0:18:41 > 0:18:45He runs the walks, the monster walks for the tourists, you know. He's seen it.
0:18:45 > 0:18:47That's handy for trade.
0:18:47 > 0:18:52- I'm just saying we've been rushed off our feet, Billy. - Yeah, lots of monster hunters.
0:18:52 > 0:18:55It don't take much these days, one mention on Twitter and whoomph!
0:18:55 > 0:18:57We're out of WKD.
0:18:57 > 0:19:00- Oh, right.- What with the monster and the ruddy prison,
0:19:00 > 0:19:02I don't know how we sleep nights.
0:19:02 > 0:19:04- Do you, Gary?- Like a baby.
0:19:04 > 0:19:08- That's not true. He's a snorer. - Hey, ssh.
0:19:08 > 0:19:11- Is yours a snorer?- Got any crisps?
0:19:11 > 0:19:16Yeah. No. All right? Right, take care. Bye. Take care, bye.
0:19:17 > 0:19:18Mind if I join you?
0:19:25 > 0:19:30It's not true, is it, you haven't actually seen this hound thing?
0:19:30 > 0:19:35- Are you from the papers?- No, nothing like that, just curious.
0:19:35 > 0:19:38- Have you seen it?- Maybe.
0:19:38 > 0:19:40Got any proof?
0:19:40 > 0:19:43Why would I tell you if I did? Excuse me.
0:19:43 > 0:19:47- I called Henry.- Bet's off John, sorry.- What?- Bet?
0:19:47 > 0:19:52- My plan needs darkness. We've got another half an hour of light. - Wait, wait, what bet?
0:19:52 > 0:19:55Oh, I bet John here 50 quid that you couldn't prove you'd seen the hound.
0:19:55 > 0:19:59Yeah, the guys in the pub said you could.
0:19:59 > 0:20:02- Well, you're going to lose your money, mate.- Yeah?
0:20:02 > 0:20:05Yeah. I seen it.
0:20:05 > 0:20:09Only about a month ago. Up at the Hollow. It was foggy, mind, couldn't make much out.
0:20:09 > 0:20:12- I see. No witnesses, I suppose. - No, but...- Never are.
0:20:12 > 0:20:15No, wait. There.
0:20:15 > 0:20:20Is that it? It's not exactly proof, is it? Sorry, John, I win.
0:20:20 > 0:20:25Wait, wait, that's not all. People don't like going up there, you know.
0:20:25 > 0:20:27To the Hollow.
0:20:27 > 0:20:30Gives them a bad sort of feeling.
0:20:30 > 0:20:34Ooh, is it haunted? Is that supposed to convince me?
0:20:34 > 0:20:36Nah, don't be stupid! Nothing like that.
0:20:36 > 0:20:39But I reckon there is something out there.
0:20:39 > 0:20:42Something from Baskerville, escaped.
0:20:42 > 0:20:44- A clone? A super-dog?- Maybe.
0:20:44 > 0:20:48God knows what they've been spraying on us all these years, or putting in the water.
0:20:48 > 0:20:50I wouldn't trust them as far as I could spit.
0:20:50 > 0:20:52Is that the best you've got?
0:20:56 > 0:20:58I had a mate once who worked for the MOD.
0:20:58 > 0:21:01One weekend we were meant to go fishing, but he never showed up.
0:21:01 > 0:21:02Well, not till late.
0:21:02 > 0:21:06When he did, he was white as a sheet.
0:21:06 > 0:21:09I can see him now.
0:21:09 > 0:21:13"I've seen things today, Fletcher," he said,
0:21:13 > 0:21:15"that I never want to see again.
0:21:15 > 0:21:19"Terrible things."
0:21:19 > 0:21:23He'd been sent to some secret army place. Porton Down, maybe.
0:21:23 > 0:21:25Maybe Baskerville, or somewhere else.
0:21:25 > 0:21:30In the labs there, the really secret labs,
0:21:30 > 0:21:34he said he'd seen terrible things.
0:21:36 > 0:21:39Rats as big as dogs, he said.
0:21:39 > 0:21:43And dogs, dogs the size of horses.
0:21:48 > 0:21:51Um, we did say 50.
0:21:59 > 0:22:00Ta.
0:22:35 > 0:22:37Pass, please.
0:22:40 > 0:22:41Thank you.
0:22:41 > 0:22:44You've got ID for Baskerville?!
0:22:44 > 0:22:45How?
0:22:45 > 0:22:49It's not specific to this place. It's my brother's.
0:22:49 > 0:22:53Access all areas. I, um, ahem, acquired it ages ago. Just in case.
0:22:56 > 0:22:59- Brilliant.- What's the matter? - We'll get caught.- We won't!
0:22:59 > 0:23:01- Well, not yet. - Caught in five minutes.
0:23:01 > 0:23:04"Hi, we thought we'd have a wander around your top secret weapons base."
0:23:04 > 0:23:08"Really? Great. Come in, kettle's boiled." That's if we don't get shot.
0:23:08 > 0:23:10- Clear.- Thanks very much.- Thank you.
0:23:12 > 0:23:16- Straight through, sir. - Mycroft's name literally opens doors.
0:23:16 > 0:23:20I've told you, he practically is the British Government.
0:23:20 > 0:23:24I reckon we've got about 20 minutes before they realise something's wrong.
0:23:51 > 0:23:54- What is it? Are we in trouble? - Are we in trouble, sir.
0:23:54 > 0:23:56- Yes, sir. Sorry, sir. - You were expecting us?
0:23:56 > 0:24:00Your ID showed up straight away, Mr Holmes. Corporal Lyons, security.
0:24:00 > 0:24:06- Is there something wrong, sir? - I hope not, Corporal, I hope not. - We don't get inspected here.
0:24:06 > 0:24:07Ever heard of a spot check?
0:24:07 > 0:24:12- Captain John Watson, Fifth Northumberland Fusiliers.- Sir.
0:24:12 > 0:24:15Major Barrymore won't be pleased, sir. He'll want to see you both.
0:24:15 > 0:24:17I'm afraid we won't have time. We need the full tour.
0:24:17 > 0:24:21- Right away. Carry on. That's an order, Corporal.- Yes, sir.
0:24:47 > 0:24:50- Nice touch. - Haven't pulled rank in ages.
0:24:50 > 0:24:52- Enjoy it?- Oh, yeah.
0:25:16 > 0:25:18MONKEY SCREECHES
0:25:20 > 0:25:23- How many animals do you keep down here?- Lots, sir.
0:25:23 > 0:25:27- Any ever escape?- They'd have to know how to use that lift, sir.
0:25:27 > 0:25:30- We're not breeding them that clever. - Unless they have help.
0:25:30 > 0:25:34- Ah, and you are?- It's all right, Dr Frankland,
0:25:34 > 0:25:37- I'm just showing these gentlemen around.- Ah, new faces, how nice.
0:25:37 > 0:25:41Careful you don't get stuck here, though, I only came to fix a tap.
0:25:42 > 0:25:46- How far down does that lift go? - Quite a way, sir.
0:25:46 > 0:25:48Hm-mm. And what's down there?
0:25:48 > 0:25:51Well, we have to keep the bins somewhere, sir.
0:25:51 > 0:25:52This way please, gentlemen.
0:25:57 > 0:26:00So what exactly is it that you do here?
0:26:00 > 0:26:04I thought you'd know, sir, this being an inspection.
0:26:04 > 0:26:05Well, I'm not an expert, am I?
0:26:05 > 0:26:10Everything from stem cell research to trying to cure the common cold, sir.
0:26:10 > 0:26:13- But mostly weaponry? - Of one sort or another, yes.
0:26:13 > 0:26:16- Biological, chemical?- One war ends, another begins, sir.
0:26:16 > 0:26:18New enemies to fight. We have to be prepared.
0:26:18 > 0:26:21BEEPING
0:26:26 > 0:26:28MONKEY SCREECHES
0:26:28 > 0:26:31OK, Michael, let's try Harlow 3 next time.
0:26:31 > 0:26:33- Dr Stapleton...- Stapleton?
0:26:33 > 0:26:36Yes? Who's this?
0:26:36 > 0:26:41- Priority ultra, ma'am, orders from on high. An inspection.- Really?
0:26:41 > 0:26:45We are to be accorded every courtesy, Dr Stapleton. What's your role at Baskerville?
0:26:45 > 0:26:46SHE LAUGHS
0:26:46 > 0:26:50Accorded every courtesy, isn't that the idea?
0:26:50 > 0:26:53I'm not free to say. Official secrets.
0:26:53 > 0:26:57Oh, you most certainly are free, and I suggest you remain that way.
0:26:57 > 0:27:01I have a lot of fingers in a lot of pies.
0:27:01 > 0:27:03I like to mix things up.
0:27:03 > 0:27:05Genes, mostly. Now and again, actual fingers.
0:27:05 > 0:27:09Stapleton! I knew I knew your name.
0:27:09 > 0:27:10I doubt it.
0:27:10 > 0:27:12People say there's no such thing as coincidence.
0:27:12 > 0:27:16Dull lives they must lead.
0:27:19 > 0:27:23- Have you been talking to my daughter?- Why did Bluebell have to die, Dr Stapleton?
0:27:23 > 0:27:28- The rabbit?- Disappeared from inside a locked hutch, which was always suggestive.- The rabbit?
0:27:28 > 0:27:29- Clearly an inside job. - Oh, you reckon?
0:27:29 > 0:27:32Why? Because it glowed in the dark.
0:27:32 > 0:27:35I have absolutely no idea what you're talking about. Who are you?
0:27:35 > 0:27:37ALARM SOUNDS
0:27:39 > 0:27:41- We've seen enough for now. Thank you so much.- That's it?
0:27:41 > 0:27:44That's it. It's this way, isn't it?
0:27:44 > 0:27:45Just a minute!
0:27:45 > 0:27:49Did we just break into a military base to investigate a rabbit?
0:27:49 > 0:27:51BEEPING
0:28:15 > 0:28:16MOBILE PHONE BEEPS
0:28:17 > 0:28:21Ha! 23 minutes. Mycroft's getting slow.
0:28:29 > 0:28:31Hello, again.
0:28:37 > 0:28:38Er, Major...
0:28:38 > 0:28:41This is bloody outrageous! Why wasn't I told?!
0:28:41 > 0:28:44Major Barrymore, is it? Yes, well, good.
0:28:44 > 0:28:47Very good, we're very impressed. Aren't we, Mr Holmes?
0:28:47 > 0:28:52- Hugely.- The point of Baskerville was to eliminate bureaucratic nonsense! - Sorry, Major.- Inspections!
0:28:52 > 0:28:58- Can't remain unmonitored for ever, goodness knows what you'd get up to. Keep walking.- Sir!
0:28:58 > 0:28:59ALARM SOUNDS
0:28:59 > 0:29:02- ID unauthorised, sir.- What? - I've just had the call.
0:29:02 > 0:29:04Is that right? Who are you?
0:29:04 > 0:29:09Look, there's obviously been some kind of mistake.
0:29:09 > 0:29:11Clearly not, Mycroft Holmes.
0:29:11 > 0:29:15- Computer error. It'll all have to go in the report. - What the hell's going on?
0:29:15 > 0:29:18It's all right, Major, I know who these gentlemen are.
0:29:18 > 0:29:20- You do?- Yeah, I'm getting a little slow on faces,
0:29:20 > 0:29:24but Mr Holmes here isn't someone I expected to show up in this place.
0:29:24 > 0:29:28- Oh, well...- Good to see you again, Mycroft.
0:29:28 > 0:29:34I had the honour of meeting Mr Holmes at the WHO conference in... Brussels, was it?
0:29:36 > 0:29:39- Vienna.- Vienna, that's it.
0:29:39 > 0:29:44This is Mr Mycroft Holmes, Major. There's obviously been a mistake.
0:29:47 > 0:29:50On your head be it, Dr Frankland.
0:29:50 > 0:29:54- I'll show them out, Corporal. - Very well, sir.
0:30:03 > 0:30:04Thank you.
0:30:04 > 0:30:08This is about Henry Knight, isn't it? I thought so.
0:30:08 > 0:30:13I knew he wanted help, but I didn't realise he was going to contact Sherlock Holmes!
0:30:13 > 0:30:17Oh, don't worry, I know who you really are. I'm never off your website.
0:30:17 > 0:30:20- I thought you'd be wearing the hat. - That wasn't my hat.
0:30:20 > 0:30:23- I hardly recognise him without the hat.- It wasn't my hat.
0:30:23 > 0:30:26- I love the blog, too, Dr Watson. - Oh, cheers.
0:30:26 > 0:30:29- The pink thing. And that one about the aluminium crutch.- Yes.
0:30:29 > 0:30:32- You know Henry Knight? - Well, I knew his dad better.
0:30:32 > 0:30:36He had all sorts of mad theories about this place.
0:30:36 > 0:30:39Still, he was a good friend.
0:30:39 > 0:30:42Listen, I can't really talk now.
0:30:42 > 0:30:44Here's my cell number.
0:30:44 > 0:30:48If I can help with Henry, give me a call.
0:30:48 > 0:30:51I never did ask, Dr Frankland, what exactly is it that you do here?
0:30:51 > 0:30:54Ah, Mr Holmes, I would love to tell you,
0:30:54 > 0:30:57but then, of course, I'd have to kill you.
0:30:57 > 0:31:02That would be tremendously ambitious of you. Tell me about Dr Stapleton.
0:31:02 > 0:31:04I never speak ill of a colleague.
0:31:04 > 0:31:07But you'd speak well of one, which you're clearly omitting to do.
0:31:07 > 0:31:09I do seem to be, don't I?
0:31:09 > 0:31:11- I'll be in touch.- Any time.
0:31:14 > 0:31:16- So?- So?
0:31:16 > 0:31:18What was all that about the rabbit?
0:31:18 > 0:31:22Oh, please, can we not do this, this time?
0:31:22 > 0:31:27- Do what?- You being all mysterious with your...cheekbones,
0:31:27 > 0:31:30and turning your coat collar up so you look cool.
0:31:30 > 0:31:32- I don't do that.- Yeah, you do.
0:31:46 > 0:31:52So, the email from Kirsty. The missing luminous rabbit.
0:31:52 > 0:31:56Kirsty Stapleton, whose mother specialises in genetic manipulation.
0:31:56 > 0:31:59She made her daughter's rabbit glow in the dark?
0:31:59 > 0:32:02Probably a fluorescent gene.
0:32:02 > 0:32:05Removed and spliced into the specimen. Simple enough, these days.
0:32:05 > 0:32:07So?
0:32:07 > 0:32:13So we know that Dr Stapleton performs secret genetic experiments on animals.
0:32:13 > 0:32:17The question is, has she been working on something deadlier than a rabbit?
0:32:20 > 0:32:23To be fair, that is quite a wide field.
0:32:39 > 0:32:40- Hi.- Hi.
0:32:40 > 0:32:42Come in, come in.
0:32:51 > 0:32:52This is, er...
0:32:53 > 0:32:56Are you, um, rich?
0:32:56 > 0:32:58- Yeah.- Right.
0:33:07 > 0:33:12There's a couple of words, it's what I keep seeing.
0:33:12 > 0:33:14Liberty.
0:33:14 > 0:33:18- Liberty?- Liberty. And...
0:33:19 > 0:33:21In.
0:33:22 > 0:33:24It's just that.
0:33:24 > 0:33:26- Have you finished?- Hm.
0:33:29 > 0:33:34- Mean anything to you? - Liberty in death, isn't that the expression? The only true freedom.
0:33:41 > 0:33:42What now, then?
0:33:42 > 0:33:45- Sherlock's...got a plan?- Yes.
0:33:45 > 0:33:48- Right.- We take you back out onto the moor.
0:33:48 > 0:33:51- OK...- And see if anything attacks you.- What?
0:33:51 > 0:33:54- That should bring things to a head. - At night?
0:33:54 > 0:33:58- You want me to go out there at night?- Hm.- That's your plan?
0:33:58 > 0:34:00- Brilliant!- Got any better ideas? - That's not a plan.
0:34:00 > 0:34:05If there is a monster out there, John, there's only one thing to do. Find out where it lives.
0:34:52 > 0:34:54RUSTLING IN THE BUSHES
0:35:10 > 0:35:13HE GASPS (Sherlock.
0:35:38 > 0:35:41(U, M, Q, R, A. Umqra?
0:35:46 > 0:35:49(Sherlock.
0:35:57 > 0:36:00(Sherlock.
0:36:00 > 0:36:01(Sherlock?)
0:36:01 > 0:36:05- Met a friend of yours?- What?
0:36:05 > 0:36:07Dr Frankland?
0:36:07 > 0:36:10Oh, right. Bob, yeah.
0:36:10 > 0:36:13He seems pretty concerned about you.
0:36:13 > 0:36:14Oh, he's a worrier, bless him.
0:36:14 > 0:36:19He's been very kind to me since I came back.
0:36:19 > 0:36:22- He knew your father?- Yeah.
0:36:22 > 0:36:26But he works at Baskerville. Didn't your dad have a problem with that?
0:36:26 > 0:36:29Well, mates are mates, aren't they? I mean, look at you and John.
0:36:29 > 0:36:31What about us?
0:36:31 > 0:36:36Well, I mean, he's a pretty straightforward bloke and you...
0:36:36 > 0:36:41Well, they agreed never to talk about work, Uncle Bob and my dad.
0:36:44 > 0:36:45Dewer's Hollow.
0:36:52 > 0:36:54(Sherlock.)
0:37:06 > 0:37:09METALLIC THUD
0:37:10 > 0:37:13THUDDING CONTINUES
0:37:18 > 0:37:20THUD
0:37:23 > 0:37:25THUDDING CONTINUES
0:37:45 > 0:37:48SCREECHING
0:37:48 > 0:37:51HOWLING IN THE DISTANCE
0:38:08 > 0:38:11HOWLING GETS LOUDER
0:38:14 > 0:38:16GROWLING
0:38:19 > 0:38:21SNARLING
0:38:26 > 0:38:30Oh, my god, oh, my god, oh, my god! Oh, my god! Oh, my god!
0:38:30 > 0:38:32Did you see it?
0:38:47 > 0:38:49- Did you hear that?- We saw it. We saw it!
0:38:49 > 0:38:52No, I didn't see anything.
0:38:53 > 0:38:56What? What are you talking about?
0:38:56 > 0:38:59I didn't see anything.
0:39:04 > 0:39:06Look, he must have seen it.
0:39:06 > 0:39:10I saw it. He must have. He must have.
0:39:10 > 0:39:14I... Why? Why? Why would he say that?
0:39:14 > 0:39:17It was there, it was.
0:39:17 > 0:39:20Henry, Henry, I need you to sit down. Try and relax, please.
0:39:20 > 0:39:24- I'm OK, I feel OK. - I'm going to give you something to help you sleep. All right?
0:39:24 > 0:39:26This is good news, John.
0:39:26 > 0:39:30It's...it's...it's good.
0:39:30 > 0:39:33I'm not crazy.
0:39:33 > 0:39:37There is a hound there, there is.
0:39:37 > 0:39:43And Sherlock, he saw it too. No matter what he says, he saw it.
0:39:54 > 0:39:57Well, he's in a pretty bad way. He's manic.
0:39:57 > 0:40:02Totally convinced there's some mutant super-dog roaming the moors.
0:40:02 > 0:40:04And there isn't, though, is there?
0:40:04 > 0:40:07If people knew how to make a mutant super-dog, we'd know.
0:40:07 > 0:40:10It'd be for sale. I mean, that's how it works.
0:40:10 > 0:40:15Listen, on the moor I saw someone signalling, Morse.
0:40:15 > 0:40:18I guess it's Morse. It doesn't seem to make much sense.
0:40:18 > 0:40:19HE BREATHES DEEPLY
0:40:19 > 0:40:24U, M, Q, R, A, does that mean anything?
0:40:26 > 0:40:28So, OK, what have we got?
0:40:28 > 0:40:32We know there's footprints, because Henry found them,
0:40:32 > 0:40:34and so did the tour guide bloke.
0:40:34 > 0:40:36We all heard something.
0:40:41 > 0:40:44Maybe we should just look for whoever's got a big dog.
0:40:44 > 0:40:46- Henry's right.- What?
0:40:48 > 0:40:50I saw it, too.
0:40:50 > 0:40:53- What?- I saw it too, John.
0:40:53 > 0:40:56Just...just a minute, you saw what?
0:40:56 > 0:40:59A hound. Out there in the Hollow.
0:41:01 > 0:41:03A gigantic hound.
0:41:07 > 0:41:13Um, look, Sherlock, we have to be rational about this.
0:41:13 > 0:41:19OK, now you, of all people, can't just...
0:41:19 > 0:41:23Let's just stick to what we know, yes? Stick to the facts.
0:41:23 > 0:41:27Once you've ruled out the impossible, whatever remains, however improbable, must be true.
0:41:27 > 0:41:29What does that mean?
0:41:34 > 0:41:36Huh.
0:41:36 > 0:41:39Look at me, I'm afraid, John.
0:41:39 > 0:41:41Afraid.
0:41:41 > 0:41:43Sherlock.
0:41:43 > 0:41:47I've always been able to keep myself distant.
0:41:47 > 0:41:51Divorce myself from feelings.
0:41:51 > 0:41:55But look, you see, body's betraying me.
0:41:55 > 0:41:56Interesting, yes, emotions.
0:41:56 > 0:41:59The grit on the lens, the fly in the ointment.
0:41:59 > 0:42:05Yeah, all right, Spock, just...take it easy.
0:42:05 > 0:42:08You've been pretty wired lately, you know you have.
0:42:08 > 0:42:12I think you've just gone out there and got yourself a bit worked up.
0:42:12 > 0:42:13Worked up?
0:42:13 > 0:42:15It was dark and scary.
0:42:15 > 0:42:18Me? There's nothing wrong with me.
0:42:25 > 0:42:26Hm.
0:42:28 > 0:42:29Sherlock...
0:42:33 > 0:42:37- Sherl...- There is nothing wrong with me! Do you understand!?
0:42:40 > 0:42:42You want me to prove it, yes?
0:42:43 > 0:42:48We're looking for a dog, yes? A great big dog, that's your brilliant theory. Cherchez le chien!
0:42:48 > 0:42:51Where shall we start? How about them?
0:42:51 > 0:42:54The sentimental widow and her son, the unemployed fisherman.
0:42:54 > 0:42:58- The answer's yes.- Yes?- She's got a West Highland Terrier called Whisky, not what we're looking for!
0:42:58 > 0:43:02- For God's sake! - Look at his jumper, hardly worn. Clearly he's uncomfortable.
0:43:02 > 0:43:06Could be the material or the hideous pattern, suggests it's a present.
0:43:06 > 0:43:08He wants into his mother's good books. Why? Probably money.
0:43:08 > 0:43:11He's treating her to a meal, but his own portion is small.
0:43:11 > 0:43:15- He wants to impress her, but he's trying to economise on his own food. - Maybe he's not hungry.
0:43:15 > 0:43:19No, small plate, starter. He's practically licked it clean. She's nearly finished her pavlova.
0:43:19 > 0:43:22If she'd treated him, he'd have had as much as he wanted.
0:43:22 > 0:43:25He's hungry and not well-off, you can tell by his cuffs and shoes.
0:43:25 > 0:43:28Only a mother would give him a Christmas present like that.
0:43:28 > 0:43:31It could be an aunt or older sister, but mother's more likely.
0:43:31 > 0:43:34He was a fisherman, the scarring on his hands is distinctive, fish hooks.
0:43:34 > 0:43:36They're old, suggesting long-term unemployment.
0:43:36 > 0:43:39Not much industry here, so he's turned to his widowed mother for help. Widowed?
0:43:39 > 0:43:43She's got a man's wedding ring on a chain around her neck, clearly her late husband's
0:43:43 > 0:43:47and too big for her finger. She's well-dressed, but her jewellery is cheap.
0:43:47 > 0:43:49She could afford better, but she's kept it, sentimental.
0:43:49 > 0:43:52The dog? There are tiny hairs on her leg but none above the knees,
0:43:52 > 0:43:55suggesting it's a small dog, probably a terrier.
0:43:55 > 0:43:58It is a West Highland Terrier called Whisky. "How do you know that?"
0:43:58 > 0:44:02She was on the same train as us and I heard her call its name. That's listening.
0:44:02 > 0:44:05I use my senses, unlike some people, so you see, I am fine.
0:44:05 > 0:44:08In fact, I've never been better, so just leave me alone!
0:44:09 > 0:44:11Yeah, OK.
0:44:12 > 0:44:14OK.
0:44:16 > 0:44:20- Why would you listen to me? I'm just your friend.- I don't have friends.
0:44:20 > 0:44:21No.
0:44:23 > 0:44:24I wonder why.
0:44:55 > 0:44:58HE SIGHS
0:45:11 > 0:45:13SCREECHING
0:45:34 > 0:45:35CREAKING
0:45:37 > 0:45:41- MOANING - Oh, Mr Selden, you've done it again!
0:45:43 > 0:45:46I keep catching it with my belt.
0:45:46 > 0:45:49Oh, God! Oh.
0:45:54 > 0:45:56MOBILE PHONE BEEPS
0:46:03 > 0:46:05So?
0:46:20 > 0:46:23Oh, you're a bad man.
0:46:56 > 0:46:58SNARLING
0:47:19 > 0:47:22Argh, argh!
0:47:22 > 0:47:24COCKS TRIGGER
0:47:24 > 0:47:27PANTS WITH FEAR
0:47:36 > 0:47:39HE SCREAMS
0:47:43 > 0:47:46HE PANTS AND SCREAMS
0:47:57 > 0:47:59That's so mean!
0:48:02 > 0:48:06- Um, more wine, doctor?- Are you trying to get me drunk, doctor?
0:48:06 > 0:48:08The thought never occurred.
0:48:08 > 0:48:12- Because a while ago I thought you were chatting me up. - Oh! Where did I go wrong?
0:48:12 > 0:48:16- When you started asking about my patients.- Well, I am one of Henry's oldest friends.
0:48:16 > 0:48:19Yeah, and he's one of my patients, so I can't talk about him.
0:48:19 > 0:48:22Although he has told me about all his oldest friends.
0:48:22 > 0:48:25- Which one are you?- A new one?
0:48:26 > 0:48:29OK, what about his father? He wasn't one of your patients.
0:48:29 > 0:48:33Wasn't he some sort of conspiracy nutter...theorist?
0:48:33 > 0:48:36- You're only a nutter if you're wrong.- Hm, and was he wrong?
0:48:36 > 0:48:39- I should think so.- But he got fixated on Baskerville, didn't he?
0:48:39 > 0:48:41With what they were doing in there.
0:48:41 > 0:48:45Couldn't Henry have gone the same way, started imagining a hound?
0:48:45 > 0:48:47Why do you think I'll talk about this?
0:48:47 > 0:48:52Because I think you're worried about him and because I'm a doctor too.
0:48:52 > 0:48:57And because I have another friend who might be having the same problem.
0:49:00 > 0:49:02SHE SIGHS
0:49:05 > 0:49:08- Ah, Dr Watson!- Hi.- Hello.
0:49:08 > 0:49:12- How's the investigation going? - Er, hello.
0:49:12 > 0:49:13What, investigation?
0:49:13 > 0:49:16Didn't you know? Don't you read the blog? Sherlock Holmes.
0:49:16 > 0:49:18- It's...- Sherlock who?
0:49:18 > 0:49:21Private detective. This is his PA.
0:49:21 > 0:49:24- PA?- Well, live-in PA.- Perfect!
0:49:24 > 0:49:25Live-in..?
0:49:25 > 0:49:28This is Dr Mortimer, Henry's therapist.
0:49:28 > 0:49:31Oh, hello. Bob Frankland.
0:49:31 > 0:49:35Listen, tell Sherlock I've been keeping an eye on Stapleton.
0:49:35 > 0:49:37- Any time he wants a little chat. All right?- Hm.
0:49:37 > 0:49:41HE LAUGHS
0:49:41 > 0:49:43Oh.
0:49:43 > 0:49:47Why don't you buy him a drink? I think he likes you.
0:50:06 > 0:50:08KNOCKING
0:50:08 > 0:50:11Morning! Oh, how are you feeling?
0:50:11 > 0:50:12I...
0:50:12 > 0:50:15- I didn't sleep very well. - Oh, that's a shame.
0:50:15 > 0:50:17Shall I make us some coffee? Oh, look, you've got damp!
0:50:39 > 0:50:41Listen, last night...
0:50:45 > 0:50:47Why did you say you hadn't seen anything?
0:50:47 > 0:50:50- I mean, I only saw the hound for a minute, but...- Hound?
0:50:50 > 0:50:54- What?- Why do you call it a hound? Why a hound?
0:50:54 > 0:50:56- Why? What do you mean? - It's odd, isn't it?
0:50:56 > 0:50:58It's a strange choice of words, archaic.
0:50:58 > 0:51:02That's why I took the case. "Mr Holmes, they were the footprints of a gigantic hound."
0:51:02 > 0:51:05Why say "hound"?
0:51:05 > 0:51:08I don't know, I've never...
0:51:06 > 0:51:08Actually, I'd better skip the coffee.
0:51:10 > 0:51:13BIRDSONG
0:51:37 > 0:51:40Did you get anywhere with that Morse code?
0:51:40 > 0:51:41Nah.
0:51:41 > 0:51:45U, M, Q, R, A, wasn't it? Umqra.
0:51:45 > 0:51:47- Nothing.- Umqra...
0:51:47 > 0:51:50Look, forget it. I thought I was onto something, I wasn't.
0:51:50 > 0:51:52- Sure?- Yeah.
0:51:52 > 0:51:55- How about Louise Mortimer, did you get anywhere with her?- No.
0:51:55 > 0:51:58Too bad. But did you get any information?
0:51:58 > 0:52:00You're being funny now?
0:52:00 > 0:52:03Thought it might break the ice, a bit.
0:52:03 > 0:52:06Funny doesn't suit you. Let's stick to ice.
0:52:06 > 0:52:08- John...- It's fine.
0:52:08 > 0:52:12Wait, something happened to me last night, something I've not experienced before.
0:52:12 > 0:52:17- Yes, you said. Fear, Sherlock Holmes got scared, you said.- It was more than that, John. It was doubt.
0:52:17 > 0:52:19I felt doubt.
0:52:19 > 0:52:23I've always been able to trust my senses, the evidence of my own eyes, until last night.
0:52:23 > 0:52:28- You can't actually believe that you saw some kind of monster? - No, I can't believe that.
0:52:28 > 0:52:32But I did see it, so the question is, how? How?
0:52:33 > 0:52:35Yes.
0:52:35 > 0:52:37Yeah, right, good.
0:52:37 > 0:52:41So you've got something to go on, then. Good luck with that.
0:52:42 > 0:52:46Listen, what I said before, John, I meant it.
0:52:46 > 0:52:49I don't have friends.
0:52:49 > 0:52:50I've just got one.
0:52:55 > 0:52:56Right.
0:52:59 > 0:53:00John.
0:53:01 > 0:53:04John! You are amazing! You are fantastic!
0:53:04 > 0:53:07Yes, all right, you don't have to overdo it.
0:53:07 > 0:53:12- You may not be the most luminous of people, but as a conductor of light, you are unbeatable.- Cheers(!) What?
0:53:12 > 0:53:17- Some people who aren't geniuses have an ability to stimulate it in others.- You were saying sorry.
0:53:17 > 0:53:20Don't spoil it. So what have I done that's so bloody stimulating?
0:53:22 > 0:53:23Yeah?
0:53:23 > 0:53:26What if it's not a word, what if it is individual letters?
0:53:26 > 0:53:28You think it's an acronym?
0:53:28 > 0:53:30Absolutely no idea, but...
0:53:33 > 0:53:36- What the hell are you doing here?! - Oh, nice to see you too(!)
0:53:36 > 0:53:39- I'm on holiday, would you believe? - No, I wouldn't.
0:53:39 > 0:53:40- Hello, John.- Greg.
0:53:40 > 0:53:42I heard you were in the area. What are you up to?
0:53:42 > 0:53:45Are you after this Hound of Hell, like on the telly?
0:53:45 > 0:53:50- I'm waiting for an explanation, Inspector, why are you here? - I've told you, I'm on holiday.
0:53:50 > 0:53:54- You're brown as a nut. You're clearly just back from your holidays.- I fancied another one.
0:53:54 > 0:53:58- Oh, this is Mycroft, isn't it? - Now, look...- Of course it is.
0:53:58 > 0:54:03One mention of Baskerville and he sends down my handler to spy on me, incognito.
0:54:03 > 0:54:06- Is that why you're calling yourself "Greg"?- That's his name.
0:54:06 > 0:54:09- Is it?- Yes. If you'd ever bothered to find out.
0:54:09 > 0:54:10Look, I'm not your handler.
0:54:10 > 0:54:13And I just don't do what your brother tells me.
0:54:13 > 0:54:16- Actually, you could be just the man we want.- Why?
0:54:16 > 0:54:19Well, I've not been idle, Sherlock.
0:54:19 > 0:54:22I think I might have found something. Here.
0:54:22 > 0:54:23I didn't know if it was relevant.
0:54:23 > 0:54:28Starting to look like it might be. That is an awful lot of meat for a vegetarian restaurant.
0:54:28 > 0:54:29Excellent.
0:54:29 > 0:54:34A nice, scary inspector from Scotland Yard, who can put in a few calls, might come in very handy.
0:54:34 > 0:54:35Shop.
0:54:51 > 0:54:52What's this?
0:54:52 > 0:54:55- Coffee. I made coffee. - You never make coffee.
0:54:55 > 0:54:58- Don't you want it? - You don't have to keep apologising.
0:54:59 > 0:55:01Thanks.
0:55:07 > 0:55:09Hm, I don't take sugar.
0:55:13 > 0:55:16These records go back nearly two months.
0:55:16 > 0:55:18That's nice. It's good.
0:55:18 > 0:55:21Is that when you had the idea, after the TV show went out?
0:55:21 > 0:55:24It's me. It was me.
0:55:24 > 0:55:27I'm sorry, Gary. I couldn't help it.
0:55:27 > 0:55:31- I had a bacon sandwich at Cal's wedding and one thing led to another.- Nice try.
0:55:31 > 0:55:36Look, we were just trying to give things a bit of a boost, you know?
0:55:36 > 0:55:40Let a great big dog run wild up on the moor, it was heaven-sent.
0:55:40 > 0:55:42It was like us having our own Loch Ness monster.
0:55:42 > 0:55:46- And where do you keep it?- There's an old mine shaft. It's not too far.
0:55:46 > 0:55:50- He was all right there.- Was?
0:55:50 > 0:55:53We couldn't control the bloody thing. It was vicious.
0:55:54 > 0:55:56And then, a month ago,
0:55:56 > 0:56:01Billy took him to the vet and, you know...
0:56:01 > 0:56:03He's dead?
0:56:04 > 0:56:05Put down.
0:56:05 > 0:56:08Yeah. No choice.
0:56:08 > 0:56:09So it's over.
0:56:09 > 0:56:11It was just a joke, you know.
0:56:11 > 0:56:13Yeah, hilarious(!)
0:56:13 > 0:56:17You've nearly driven a man out of his mind.
0:56:34 > 0:56:38You know he's actually pleased you're here? Secretly pleased.
0:56:38 > 0:56:39Is he?
0:56:39 > 0:56:41That's nice.
0:56:41 > 0:56:44I suppose he likes having all the same faces back together.
0:56:44 > 0:56:48Appeals to his...his...
0:56:48 > 0:56:49Asperger's?
0:56:49 > 0:56:53- So, you believe them about having the dog destroyed?- No reason not to.
0:56:53 > 0:56:55Well, hopefully there's no harm done.
0:56:55 > 0:57:00I'm not quite sure what I'd charge them with, anyway. I'll have a word with the local force.
0:57:00 > 0:57:02Right, that's that, then. Catch you later.
0:57:02 > 0:57:07I'm enjoying this. It's nice to get London out of your lungs.
0:57:07 > 0:57:10- So that was their dog that people saw out on the moor?- Looks like it.
0:57:10 > 0:57:13But that wasn't what you saw, that wasn't just an ordinary dog.
0:57:13 > 0:57:14No. It was immense.
0:57:14 > 0:57:17It had burning red eyes, and it was glowing, John,
0:57:17 > 0:57:20its whole body was glowing.
0:57:22 > 0:57:27I've got a theory, but I need to get back into Baskerville to test it.
0:57:27 > 0:57:30How? Can't pull off the ID trick again.
0:57:30 > 0:57:31Might not have to.
0:57:32 > 0:57:36Hello, brother, dear. How ARE you?
0:58:01 > 0:58:03Afternoon, sir. Can you turn the engine off?
0:58:03 > 0:58:04Thank you.
0:58:04 > 0:58:07I need to see Major Barrymore as soon as we get inside.
0:58:07 > 0:58:11- Right.- Which means you'll have to start the search for the hound.- OK.
0:58:11 > 0:58:12In the labs.
0:58:12 > 0:58:14Stapleton's first.
0:58:14 > 0:58:16It could be dangerous.
0:58:30 > 0:58:31Oh, you know I'd love to(!)
0:58:31 > 0:58:35I'd love to give you unlimited access to this place. Why not?
0:58:35 > 0:58:38- It's a simple enough request, Major. - I've never heard of anything so bizarre.
0:58:38 > 0:58:41You're to give me 24 hours, it's what I negotiated.
0:58:41 > 0:58:43Not a second more.
0:58:43 > 0:58:47I may have to comply with this order, but I don't have to like it.
0:58:47 > 0:58:51- I don't know what the hell you expect to find here, anyway. - Perhaps the truth.- About what?
0:58:51 > 0:58:53Oh, I see.
0:58:53 > 0:58:55The big coat should have told me.
0:58:55 > 0:58:58You're one of the conspiracy lot, aren't you?
0:58:58 > 0:59:00Well, then, go ahead, seek them out,
0:59:00 > 0:59:03the monsters, the death rays, the aliens.
0:59:03 > 0:59:06Have you got any of those?
0:59:06 > 0:59:07Oh, just wondering.
0:59:08 > 0:59:12A couple. Crash landed here in the '60s.
0:59:12 > 0:59:14We call them Abbott and Costello.
0:59:14 > 0:59:17Good luck, Mr Holmes.
0:59:44 > 0:59:47Aargh! Oh, God!
0:59:47 > 0:59:49HE CRIES OUT
0:59:49 > 0:59:51Oh!
1:01:19 > 1:01:21Oh, God!
1:01:24 > 1:01:25Ow!
1:01:29 > 1:01:32LOUD ALARMS BLARE
1:01:37 > 1:01:38Ooh...
1:01:38 > 1:01:41ALARM CONTINUES
1:01:54 > 1:01:55Oh, come on.
1:01:57 > 1:01:58ALARM STOPS
1:02:04 > 1:02:05Hello?
1:03:04 > 1:03:05MONKEY SCREAMS
1:03:30 > 1:03:31WHIRRING
1:03:31 > 1:03:33No, come on. Come on.
1:03:33 > 1:03:34WHIRRING
1:03:38 > 1:03:40HE DIALS NUMBER
1:03:43 > 1:03:47(No... Don't be ridiculous.
1:03:47 > 1:03:48(Pick up.)
1:03:48 > 1:03:50Oh, damn it.
1:03:51 > 1:03:52(Right.)
1:04:11 > 1:04:14GROWLING
1:04:21 > 1:04:24GROWLING
1:04:47 > 1:04:49PHONE RINGS
1:04:55 > 1:04:58(It's here. It's in here with me.)
1:04:58 > 1:05:02'Where are you?'
1:05:02 > 1:05:05(Get me out, Sherlock, you've got to get me out.
1:05:05 > 1:05:08(The big lab, the first lab that we saw.)
1:05:09 > 1:05:10GROWLING
1:05:10 > 1:05:12Oh!
1:05:12 > 1:05:14'John... John?'
1:05:14 > 1:05:16(Now, Sherlock! Please!)
1:05:17 > 1:05:20'All right, I'll find you. Keep talking.'
1:05:20 > 1:05:22(I can't, it'll hear me.)
1:05:22 > 1:05:25'Keep talking. What are you seeing?
1:05:28 > 1:05:29'John?'
1:05:29 > 1:05:31(Yes, I'm here.)
1:05:31 > 1:05:32'What can you see?'
1:05:38 > 1:05:42(I don't know. I don't know, but I can hear it now.)
1:05:43 > 1:05:44GROWLING
1:05:44 > 1:05:46(Did you hear that?)
1:05:46 > 1:05:48'Stay calm, stay calm. Can you see it?
1:05:50 > 1:05:52'Can you see it?'
1:05:52 > 1:05:53(No, I can't.)
1:05:53 > 1:05:55GROWLING
1:05:59 > 1:06:00I can see it.
1:06:02 > 1:06:04(I can see it.
1:06:05 > 1:06:06(It's here.)
1:06:08 > 1:06:11Are you all right? John?
1:06:11 > 1:06:14Jesus Christ! It was the hound!
1:06:14 > 1:06:18Sherlock, it was here, I swear it, Sherlock, it must, it must...
1:06:18 > 1:06:22Did-did you see it? You must have!
1:06:22 > 1:06:25It's all right, it's OK now.
1:06:25 > 1:06:29NO, IT'S NOT! IT'S NOT OK!
1:06:29 > 1:06:30I saw it, I was wrong!
1:06:30 > 1:06:33- Hm, well, let's not jump to conclusions.- What?
1:06:33 > 1:06:36- What did you see?- I told you, I saw the hound?- Huge, red eyes?- Yes.
1:06:36 > 1:06:37- Glowing?- Yeah.
1:06:37 > 1:06:39- No.- What?
1:06:39 > 1:06:41I made up the bit about glowing.
1:06:41 > 1:06:43You saw what you expected to see because I told you.
1:06:43 > 1:06:46- You have been drugged. We have all been drugged.- Drugged?
1:06:46 > 1:06:50- Can you walk? - Of course I can walk.- Come on, then. It's time to lay this ghost.
1:06:57 > 1:07:02Oh, back again? What's on your mind this time?
1:07:02 > 1:07:03Murder, Dr Stapleton.
1:07:03 > 1:07:06Refined, cold-blooded murder.
1:07:11 > 1:07:14Will you tell little Kirsty what happened to Bluebell, or shall I?
1:07:16 > 1:07:18OK. What do you want?
1:07:18 > 1:07:20Can I borrow your microscope?
1:07:36 > 1:07:40Are you sure you're OK? You look very peaky.
1:07:40 > 1:07:41No, I'm all right.
1:07:44 > 1:07:47- It was the GFP gene from a jellyfish, in case you're interested.- What?
1:07:47 > 1:07:50- In the rabbits.- Oh, right, yeah.
1:07:50 > 1:07:53Aequorea victoria, if you really want to know.
1:07:53 > 1:07:56- Why?- Why not?
1:07:56 > 1:07:59We don't ask questions like that here. It isn't done.
1:07:59 > 1:08:03It was a mix-up, anyway. My daughter ended up with one of the lab specimens,
1:08:03 > 1:08:06so poor Bluebell had to go.
1:08:06 > 1:08:09- Your compassion is overwhelming! - I know.
1:08:09 > 1:08:12I hate myself sometimes.
1:08:13 > 1:08:16So, come on, then, you can trust me, I'm a doctor,
1:08:16 > 1:08:18what else have you got hidden away up here?
1:08:18 > 1:08:21- SHE SIGHS - Listen, if you can imagine it,
1:08:21 > 1:08:26someone is probably doing it somewhere. Of course they are.
1:08:26 > 1:08:30- Cloning?- Yes, of course. Dolly the Sheep, remember?
1:08:30 > 1:08:32- Human cloning?- Why not?
1:08:33 > 1:08:38HE CLEARS HIS THROAT And what about animals? Not sheep.
1:08:39 > 1:08:41Big animals.
1:08:41 > 1:08:44Size isn't a problem. Not at all.
1:08:44 > 1:08:49The only limits are ethics and the law and both those things can be very flexible.
1:08:49 > 1:08:52- But not here, not at Baskerville. - It's not there!
1:08:52 > 1:08:55- Jesus!- Nothing there! It doesn't make any sense!
1:08:55 > 1:08:57What were you expecting to find?
1:08:57 > 1:08:59A drug, of course. It has to be a drug.
1:08:59 > 1:09:01An hallucinogenic or a deliriant of some kind.
1:09:01 > 1:09:05- There's no trace of anything in the sugar.- Sugar?- Sugar, yes.
1:09:05 > 1:09:10A simple process of elimination. I saw the hound, saw it as my imagination expected me to see it.
1:09:10 > 1:09:13A genetically engineered monster.
1:09:13 > 1:09:16I knew I couldn't believe my eyes, so there were seven possible reasons,
1:09:16 > 1:09:19the most possible being narcotics.
1:09:19 > 1:09:23Henry Knight, he saw it too, but you didn't, John. You didn't see it.
1:09:23 > 1:09:27We have eaten and drunk the same things since we got to Grimpen, apart from one thing.
1:09:27 > 1:09:30- You don't take sugar in your coffee. - I see, so?
1:09:30 > 1:09:34I took it from Henry's kitchen, his sugar.
1:09:34 > 1:09:36It's perfectly all right.
1:09:36 > 1:09:38- But maybe it's not a drug. - No, it has to be a drug.
1:09:40 > 1:09:43How did it get into our systems? How?
1:09:45 > 1:09:49There has to be something, something...
1:09:49 > 1:09:50Something...
1:09:52 > 1:09:54Something buried deep.
1:09:54 > 1:09:57- Get out.- What?
1:09:57 > 1:10:00- Get out, I need to go to my mind palace.- Your what?
1:10:01 > 1:10:05He's not going to be doing much talking for a while, we may as well go.
1:10:05 > 1:10:09- His what?- Oh, his "mind palace".
1:10:09 > 1:10:12It's a memory technique, a sort of mental map.
1:10:12 > 1:10:16You plot a map with a location, it doesn't have to be a real place.
1:10:16 > 1:10:18You deposit memories there.
1:10:18 > 1:10:22Theoretically, you never forget anything. All you do is find your way back to it.
1:10:22 > 1:10:25- So this imaginary location could be anything, a house or a street?- Yeah.
1:10:25 > 1:10:29- But he said "palace", he said it was a palace?- Yeah, well, he would, wouldn't he?
1:10:52 > 1:10:53BELL TOLLS
1:10:55 > 1:10:57SOUND OF MARCHING BAND FADES IN AND OUT
1:11:09 > 1:11:13DOG BARKS AND HOWLS
1:11:13 > 1:11:14# You ain't nothing... #
1:11:18 > 1:11:20MECHANISED VOICE: Hound.
1:11:30 > 1:11:33DOG HOWLS
1:11:35 > 1:11:38ANIMAL SNARLS
1:11:48 > 1:11:49GUNSHOT
1:11:49 > 1:11:51SHE SCREAMS AND WHIMPERS
1:11:55 > 1:11:57SHE WHIMPERS
1:11:57 > 1:11:59Oh, my god!
1:11:59 > 1:12:05Oh, my god! Oh, my god! I am so... I am so sorry. I am so sorry.
1:12:23 > 1:12:26- John?- Yeah, I'm on it.
1:12:26 > 1:12:30Project HOUND. I must have read about it, stored it away.
1:12:30 > 1:12:33An experiment in a CIA facility in Liberty, Indiana.
1:12:33 > 1:12:35SHE TAPS THE KEYBOARD
1:12:40 > 1:12:42H-O-U-N-D.
1:12:46 > 1:12:48That's as far as my access goes, I'm afraid.
1:12:48 > 1:12:50There must be an override, a password?
1:12:50 > 1:12:53I imagine so, but that'd be Major Barrymore's.
1:12:55 > 1:12:58Password, password. Password.
1:12:58 > 1:13:01He sat here when he thought it up.
1:13:03 > 1:13:06- Describe him to me?- You've seen him. - But describe him.
1:13:06 > 1:13:11He's a bloody martinet, a throw-back, the sort they'd have sent into Suez.
1:13:11 > 1:13:16Good, excellent, old-fashioned. Traditionalist. Not the sort to use his children's name as a password.
1:13:16 > 1:13:20He loves his job, proud of it and this is work-related. So what's at eye level?
1:13:20 > 1:13:22Books.
1:13:22 > 1:13:25Jane's Defence Weekly, bound copies. Hannibal.
1:13:25 > 1:13:30Wellington. Rommel. Churchill's History of the English-Speaking Peoples, all four volumes.
1:13:30 > 1:13:33Churchill, he's fond of Churchill.
1:13:33 > 1:13:37Copy of The Downing Street Years, one to five. Separate biographies of Thatcher.
1:13:37 > 1:13:40Mid-1980s, at a guess. Father and son.
1:13:40 > 1:13:45- Barrymore Senior, medals, Distinguished Service Order. - That date, I'd say Falklands veteran.
1:13:45 > 1:13:48- Right, Thatcher's a more likely bet than Churchill.- That's the password?
1:13:48 > 1:13:52No! With a man like Major Barrymore, only first name terms would do.
1:14:01 > 1:14:04MACHINE BEEPS WILDLY
1:14:27 > 1:14:28Hound.
1:14:28 > 1:14:29Hm.
1:14:44 > 1:14:45Jesus.
1:14:46 > 1:14:53Project HOUND. A new deliriant drug which rendered its users incredibly suggestible.
1:14:53 > 1:14:57They wanted to use it as an anti-personnel weapon, to totally disorientate the enemy
1:14:57 > 1:15:02using fear and stimulus. But they shut it down and hid it away in 1986.
1:15:02 > 1:15:06- Because of what it did to the subjects they tested it on. - And what they did to others.
1:15:06 > 1:15:11Prolonged exposure drove them insane. Made them almost uncontrollably aggressive.
1:15:11 > 1:15:14So, someone's been doing it again? Carrying on the experiments?
1:15:14 > 1:15:18- Attempting to refine it, perhaps. For the last 20 years.- Who?
1:15:18 > 1:15:20Those names mean anything to you?
1:15:20 > 1:15:22No, not a thing.
1:15:22 > 1:15:25(SIGHS) Five principal scientists.
1:15:25 > 1:15:2820 years ago.
1:15:30 > 1:15:34Maybe our friend's somewhere in the back of the picture?
1:15:34 > 1:15:37Someone old enough to be there at the time of the experiments in 1986?
1:15:38 > 1:15:44- Maybe somebody who says "cell phone" because of time spent in America? You remember, John?- Hm-mm.
1:15:44 > 1:15:46Here's my, uh, cell number.
1:15:46 > 1:15:48He gave us his number, in case we needed him.
1:15:48 > 1:15:50Oh, my god, Bob Frankland.
1:15:50 > 1:15:54But Bob doesn't work on... He's a virologist. This is chemical warfare.
1:15:54 > 1:15:57That's where he started, though.
1:15:57 > 1:16:02He's never lost the certainty, the obsession that that drug really could work.
1:16:02 > 1:16:07Nice of him to give us his number. Let's arrange a little meeting.
1:16:09 > 1:16:12PHONE RINGS
1:16:18 > 1:16:19Hello?
1:16:19 > 1:16:22WOMAN SOBS ON THE PHONE
1:16:22 > 1:16:25- Who's this?- You've got to find Henry.
1:16:25 > 1:16:26It's Louise Mortimer.
1:16:26 > 1:16:28Louise, what's wrong?
1:16:28 > 1:16:31Henry was, was remembering. Then...
1:16:32 > 1:16:34He tried...
1:16:34 > 1:16:38- He's got a gun, he went for the gun and tried to...- What?
1:16:38 > 1:16:39SHE SOBS
1:16:39 > 1:16:43He's gone. But you've got to stop him, I don't know what he might do.
1:16:43 > 1:16:45Where, where are you?
1:16:45 > 1:16:47His house. I'm OK. I'm OK.
1:16:47 > 1:16:50Right, stay there. We'll get someone to you, OK?
1:16:50 > 1:16:53- Henry?- He's attacked her.- Gone?- Hm.
1:16:53 > 1:16:56There's only one place he'll go, back to where it started.
1:16:56 > 1:17:00Lestrade? Get to the Hollow. Dewer's Hollow, now! And bring a gun.
1:17:01 > 1:17:03FERAL SQUEAL ECHOES
1:17:07 > 1:17:09HE PANTS
1:17:41 > 1:17:43I'm sorry.
1:17:47 > 1:17:49I'm so sorry, Dad.
1:17:54 > 1:17:57- No, Henry, no, no!- Get back!
1:17:57 > 1:18:00- Get away from me! - Easy, Henry, easy. Just relax.
1:18:00 > 1:18:03I know what I am, I know what I tried to do.
1:18:03 > 1:18:07- Just put the gun down, it's OK. - No, no! I know what I am!
1:18:07 > 1:18:08Yes, I'm sure you do, Henry.
1:18:08 > 1:18:12It's all been explained to you, hasn't it?
1:18:12 > 1:18:14- Explained very carefully.- What?
1:18:14 > 1:18:17Someone needed to keep you quiet,
1:18:17 > 1:18:21needed to keep you as a child, to reassert the dream you both clung on to,
1:18:21 > 1:18:23because you had started to remember.
1:18:23 > 1:18:29Remember now, Henry, you've got to remember what happened here when you were a little boy.
1:18:29 > 1:18:33I thought it had got my dad.
1:18:33 > 1:18:36The hound. I thought... Oh, Jesus!
1:18:36 > 1:18:39I don't...I don't know any more! I don't!
1:18:39 > 1:18:43- No, Henry! Henry, for God's sake! - Henry, remember. "Liberty In." Two words.
1:18:43 > 1:18:48Two words a frightened little boy saw here 20 years ago. You'd started to piece things together.
1:18:48 > 1:18:51Remember what happened here that night.
1:18:51 > 1:18:53It wasn't an animal, was it, Henry?
1:18:53 > 1:18:55Not a monster.
1:18:56 > 1:18:58A man.
1:19:07 > 1:19:10ATTACKER GRUNTS LIKE AN ANIMAL
1:19:11 > 1:19:13BOY PANTS IN FEAR
1:19:18 > 1:19:21THE MAN PANTS WITH EXERTION
1:19:38 > 1:19:41MUTED SCREAM
1:19:41 > 1:19:45You couldn't cope. You were just a child.
1:19:45 > 1:19:48So you rationalised it into something very different.
1:19:48 > 1:19:51Then you started to remember, so you had to be stopped.
1:19:51 > 1:19:55Driven out of your mind so that no-one would believe a word that you said.
1:19:55 > 1:19:56Sherlock!
1:19:56 > 1:19:58It's OK.
1:19:58 > 1:20:00It's OK, mate.
1:20:00 > 1:20:04But we saw it, the hound, last night. We did, we s...
1:20:04 > 1:20:07No, but there was a dog, Henry,
1:20:07 > 1:20:11leaving footprints, scaring witnesses, but nothing more than an ordinary dog.
1:20:11 > 1:20:15We both saw it, saw it as our drugged minds wanted us to see it.
1:20:15 > 1:20:18Fear and stimulus, that's how it works.
1:20:20 > 1:20:22But there never was any monster.
1:20:22 > 1:20:26HOWLS AND SNARLS
1:20:26 > 1:20:28Sherlock?
1:20:28 > 1:20:31- No! No, no, no, no! - Henry, Henry...- Sherlock!
1:20:31 > 1:20:34No, no! No, no, no, noooo!
1:20:34 > 1:20:35Henry.
1:20:37 > 1:20:39DOG SNARLS AGGRESSIVELY
1:20:39 > 1:20:41Sherlock, are you seeing this?
1:20:41 > 1:20:45- Right, he is not drugged, Sherlock, so what's that?- Oh, oh, no! - What is it?!
1:20:45 > 1:20:48All right, it's still here.
1:20:48 > 1:20:52But it's just a dog, Henry. It's nothing more than an ordinary dog.
1:20:52 > 1:20:54My god!
1:20:54 > 1:20:56ANIMAL SNARLS FIERCELY
1:20:56 > 1:20:58Oh, Christ!
1:21:06 > 1:21:08DOG CONTINUES TO SNARL
1:21:08 > 1:21:10HE BREATHES HEAVILY THROUGH THE MASK
1:21:12 > 1:21:14< No. No!
1:21:18 > 1:21:19SNARLING ECHOES
1:21:21 > 1:21:23It's not you, not you!
1:21:23 > 1:21:25Argh... Urgh...
1:21:27 > 1:21:30HE BREATHES HEAVILY
1:21:31 > 1:21:35- The fog.- What?- It's the fog, the drug, it's in the fog!
1:21:35 > 1:21:39Aerosol dispersant, that's what it said in the records. Project HOUND, it's the fog!
1:21:39 > 1:21:41A chemical minefield.
1:21:41 > 1:21:45- DOG SNARLS - For God's sake, kill it! Kill it!
1:21:45 > 1:21:48LOUD GUNSHOTS
1:21:49 > 1:21:52ANIMAL SQUEALS IN PAIN, THEN FALLS SILENT
1:21:58 > 1:22:00Look at it, Henry.
1:22:00 > 1:22:03- No, no, no.- Come on, look at it!
1:22:08 > 1:22:10You bastard.
1:22:10 > 1:22:14You...bastard!
1:22:14 > 1:22:17- 20 years! 20 years of my life, making no sense!- It's all over now, come on.
1:22:17 > 1:22:19Why didn't you just kill me?
1:22:19 > 1:22:23Because dead men get listened to, he needed to do more than kill you.
1:22:23 > 1:22:26He had to discredit every word you ever said about your father.
1:22:26 > 1:22:29And he had the means right at his feet.
1:22:29 > 1:22:33A chemical minefield, pressure pads in the ground,
1:22:33 > 1:22:35dosing you up every time that you came back here.
1:22:35 > 1:22:38Murder weapon and scene of the crime all at once.
1:22:38 > 1:22:42Ha ha, oh, this case, Henry. Thank you.
1:22:42 > 1:22:45- It's been brilliant!- Sherlock.- What?
1:22:46 > 1:22:48Timing.
1:22:49 > 1:22:52- Not good?- No, no, it's OK.
1:22:52 > 1:22:56It's fine. Because this means...
1:22:56 > 1:23:00this means that my dad was right.
1:23:00 > 1:23:02He'd found something out, hadn't he?
1:23:02 > 1:23:06And that's why you killed him, because he was right,
1:23:06 > 1:23:13and he'd found you right in the middle of an experiment!
1:23:13 > 1:23:16SOUND OF DOG SNARLING AND GROWLING
1:23:16 > 1:23:18GUNSHOTS
1:23:20 > 1:23:22Frankland!
1:23:24 > 1:23:26- Frankland!- Keep running.
1:23:30 > 1:23:33Come on, keep up!
1:23:33 > 1:23:35It's no use, Frankland.
1:23:51 > 1:23:55WARNING ALARM BEEPS
1:23:57 > 1:23:58HIS BREATHING SLOWS
1:24:01 > 1:24:02HE SIGHS
1:24:39 > 1:24:40Thanks, Bill.
1:24:41 > 1:24:45- So they didn't have it put down then, the dog?- Obviously.
1:24:45 > 1:24:48I suppose they just couldn't bring themselves to do it.
1:24:48 > 1:24:49I see.
1:24:50 > 1:24:52No, you don't.
1:24:53 > 1:24:55- No, I don't. Sentiment?- Sentiment.
1:24:58 > 1:25:00Listen, what happened to me in the lab?
1:25:01 > 1:25:03Do you want some sauce with that?
1:25:03 > 1:25:08I hadn't been to the Hollow. How come I heard those things there? Fear and stimulus, you said?
1:25:08 > 1:25:11You must have been dosed with it elsewhere. In the lab, maybe?
1:25:11 > 1:25:14You saw those pipes, pretty ancient, leaky as a sieve.
1:25:14 > 1:25:18- And they were carrying the gas, so... Um, ketchup was it, or brown? - Hang on.
1:25:18 > 1:25:22You thought it was in the sugar. You were convinced it was in the sugar.
1:25:22 > 1:25:26I'd better get going, there's a train leaving in half an hour, so if you want...
1:25:26 > 1:25:28Oh, God! It was you.
1:25:28 > 1:25:31You locked me in that bloody lab.
1:25:31 > 1:25:34- I had to, it was an experiment. - An experiment?!- Ssh.
1:25:34 > 1:25:39- I was terrified, scared to death! - I thought the drug was in the sugar, so I put some in your coffee.
1:25:39 > 1:25:45Then I arranged everything with Major Barrymore. Totally scientific, laboratory conditions, literally.
1:25:46 > 1:25:49SOUND OF GROWLING
1:25:49 > 1:25:54- (It's in here with me.)- All right, keep talking, I'll find you.
1:25:54 > 1:25:58- Keep talking.- (I can't, it'll hear me.)- Tell me what you're seeing.
1:25:58 > 1:26:00HE TAPS A KEY: SOUND OF GROWLING ECHOES
1:26:00 > 1:26:04I don't know, but I can hear it now.
1:26:04 > 1:26:09I knew what effect it had had on a superior mind, so I needed to try it on an average one.
1:26:09 > 1:26:12You know what I mean.
1:26:12 > 1:26:16- But it wasn't in the sugar.- No, well,
1:26:16 > 1:26:20- I wasn't to know you'd already been exposed to the gas.- So you got it wrong.- No.- Hmm.
1:26:20 > 1:26:25- You were wrong. It wasn't in the sugar, you got it wrong.- A bit.
1:26:26 > 1:26:28It won't happen again.
1:26:31 > 1:26:33Any long-term effects?
1:26:33 > 1:26:37None at all. You'll be fine once you've excreted it. We all will.
1:26:38 > 1:26:41I think I might have taken care of that already.
1:26:46 > 1:26:49- Where are you going? - I won't be a minute.
1:26:50 > 1:26:52Got to see a man about a dog.
1:27:10 > 1:27:12All right, let him go.
1:27:43 > 1:27:44DOOR SLAMS
1:27:45 > 1:27:47Subtitles by Red Bee Media Ltd
1:27:47 > 1:27:49E-mail subtitling@bbc.co.uk