0:00:02 > 0:00:03THUNDER RUMBLES
0:00:03 > 0:00:05Why today?
0:00:09 > 0:00:14- Do you want to hear me say it? - 18 months since our last appointment.
0:00:14 > 0:00:15You read the papers?
0:00:17 > 0:00:18Sometimes...
0:00:18 > 0:00:19And you watch telly?
0:00:22 > 0:00:23You know why I'm here.
0:00:27 > 0:00:28I'm here because...
0:00:33 > 0:00:35What happened, John?
0:00:47 > 0:00:49Sherl...
0:00:53 > 0:00:54You need to get it out.
0:00:57 > 0:00:59My best friend...
0:00:59 > 0:01:00Sherlock Holmes...
0:01:03 > 0:01:04..is dead.
0:01:37 > 0:01:42Falls Of The Reichenbach. Turner's masterpiece.
0:01:42 > 0:01:43Thankfully recovered,
0:01:43 > 0:01:47owing to the prodigious talent of Mr Sherlock Holmes.
0:01:47 > 0:01:49APPLAUSE
0:01:51 > 0:01:53A small token of our gratitude.
0:01:54 > 0:01:57Diamond cufflinks... All my cuffs have buttons.
0:01:57 > 0:01:58- He means thank you.- Do I?
0:01:58 > 0:02:01- Just say it.- Thank you.
0:02:01 > 0:02:03Hang on.
0:02:07 > 0:02:13Back together with my family, after my terrifying ordeal.
0:02:13 > 0:02:17And we have one person to thank for my deliverance...
0:02:17 > 0:02:20Sherlock Holmes.
0:02:20 > 0:02:21APPLAUSE
0:02:23 > 0:02:26- Tie pin. I don't wear ties.- Shhh.
0:02:29 > 0:02:34Peter Ricoletti... Number one on Interpol's most wanted list since 1982.
0:02:34 > 0:02:38We got him, and there's one person we have to thank for giving us the decisive leads.
0:02:38 > 0:02:41With all his customary diplomacy and tact.
0:02:41 > 0:02:44- Sarcasm.- Yes.
0:02:45 > 0:02:46We all chipped in.
0:02:52 > 0:02:53Oh...
0:02:53 > 0:02:55Put the hat on. Put the hat on.
0:02:55 > 0:02:57Yes, Sherlock, put it on.
0:02:57 > 0:03:00Just get it over with.
0:03:10 > 0:03:13"Boffin!"
0:03:13 > 0:03:15"Boffin Sherlock Holmes!"
0:03:15 > 0:03:16Everybody gets one.
0:03:16 > 0:03:18- One what?- Tabloid nickname.
0:03:18 > 0:03:23- SuBo, Nasty Nick. I'll probably get one soon.- Page five, column six, first sentence.
0:03:23 > 0:03:26Why is it always the hat photograph?!
0:03:26 > 0:03:29- "Bachelor John Watson." - What kind of hat is it? - What are they implying?!
0:03:29 > 0:03:32- Is it a cap? Why has it got two fronts?- It's a deerstalker.
0:03:32 > 0:03:37- "Frequently seen in the company of bachelor John Watson." - What are you going to do, throw it?
0:03:37 > 0:03:41- "Confirmed bachelor John Watson." - A death frisbee!- This is too much,
0:03:41 > 0:03:45- we need to be more careful. - It's got flaps. Ear flaps, it's an ear hat, John.
0:03:45 > 0:03:47What do you mean, more careful?
0:03:47 > 0:03:51I mean, this isn't a deerstalker now, it's a Sherlock Holmes hat.
0:03:51 > 0:03:53I mean, you're not exactly a private detective any more.
0:03:53 > 0:03:56- You're this far from famous. - Oh, it'll pass.
0:03:56 > 0:04:03It better pass. The press will turn, Sherlock, they always turn and they'll turn on you.
0:04:03 > 0:04:06- It really bothers you. - What?- What people say.- Yes.
0:04:06 > 0:04:08About me? why would it upset YOU?
0:04:10 > 0:04:14Just try to keep a low profile. Find yourself a little case this week.
0:04:15 > 0:04:17Stay out of the news.
0:04:56 > 0:04:58MOBILE BLEEPS
0:04:58 > 0:04:59That's your phone.
0:04:59 > 0:05:02Hmm, it keeps doing that.
0:05:05 > 0:05:10So, did you just talk to him for a really long time?
0:05:10 > 0:05:13Oh, Henry Fishguard never committed suicide.
0:05:13 > 0:05:16Bow Street runners missed everything.
0:05:16 > 0:05:20- Pressing case, is it?- They're all pressing until they're solved.
0:05:20 > 0:05:23Put your key back please. Thank you.
0:05:26 > 0:05:29Excuse me, sir.
0:05:29 > 0:05:32Any metal objects, keys, mobile phones?
0:05:34 > 0:05:35You can go through.
0:05:35 > 0:05:37Thank you.
0:06:08 > 0:06:09Fancy a cuppa then, mate?
0:06:09 > 0:06:11Yeah, why not?
0:06:13 > 0:06:15Gilts at seven.
0:06:15 > 0:06:18Dutch Telecoms in free-fall. Thank you, Harvey.
0:06:23 > 0:06:24What are you saying?
0:06:24 > 0:06:28Refuse them all parole and bring back the rope?
0:06:28 > 0:06:29Let's begin.
0:06:47 > 0:06:48ALARM SOUNDS
0:06:48 > 0:06:50This is an emergency. Please leave.
0:06:50 > 0:06:54Sir, I'm going to have to ask you to leave.
0:06:57 > 0:06:58DOOR BANGS
0:07:07 > 0:07:09Sir, there's been a break-in.
0:07:09 > 0:07:10Not our division.
0:07:10 > 0:07:11You'll want it.
0:07:11 > 0:07:13ALARM SOUNDS
0:07:22 > 0:07:24The vault!
0:07:30 > 0:07:35Hacked into the Tower of bloody London's security?! How?!
0:07:33 > 0:07:35MOBILE RINGS
0:07:35 > 0:07:38- Tell them we're on our way! - There's been another one, another break-in.
0:07:38 > 0:07:40Bank of England!
0:07:58 > 0:08:00ALARM SOUNDS
0:08:00 > 0:08:03Sir! Security's down, sir. It's failing.
0:08:04 > 0:08:05What is it now?
0:08:05 > 0:08:07Pentonville Prison.
0:08:07 > 0:08:10Oh no!
0:08:21 > 0:08:22POLICE SIRENS
0:09:20 > 0:09:22No rush.
0:09:23 > 0:09:25MOBILE BLEEPS
0:09:26 > 0:09:27I'll get it, shall I?
0:09:36 > 0:09:38- Here.- Not now, I'm busy.
0:09:38 > 0:09:41- Sherlock...- Not now!- He's back.
0:09:57 > 0:09:59That glass is tougher than anything.
0:09:59 > 0:10:03Not tougher than crystallised carbon. He used a diamond.
0:10:24 > 0:10:28# Oh, sinnerman, where you gonna run to?
0:10:28 > 0:10:31# Sinnerman, where you gonna run to?
0:10:32 > 0:10:35# Where you gonna run to?
0:10:35 > 0:10:37# All on that day
0:10:37 > 0:10:40# Well, I run to the rock... #
0:10:40 > 0:10:42- Ready?- Yes.
0:10:44 > 0:10:47- Stand back. Stand back. - Mr Holmes. Mr Holmes.
0:10:47 > 0:10:50- Let them through. - Thank you. Get in.
0:10:52 > 0:10:54# Oh, Lord...
0:10:54 > 0:10:56# Please help me, Lord
0:10:57 > 0:11:00# Don't you see me praying
0:11:01 > 0:11:04# Don't you see me down here praying
0:11:04 > 0:11:07# But the Lord said
0:11:07 > 0:11:10# Go to the devil The Lord said
0:11:10 > 0:11:13# Go to the devil
0:11:14 > 0:11:17# He said Go to the devil
0:11:17 > 0:11:18# All on that day
0:11:18 > 0:11:21# So I ran to the devil
0:11:21 > 0:11:23# He was waiting... #
0:11:23 > 0:11:25- Remember...- Yes.
0:11:27 > 0:11:28- Remember...- Yes.
0:11:29 > 0:11:33- Remember what they told you. Don't try to be clever.- No.
0:11:33 > 0:11:38- Please, keep it simple and brief. - God forbid the star witness at the trial should appear intelligent.
0:11:38 > 0:11:41Intelligent, fine. Let's give "smart-arse" a wide berth.
0:11:41 > 0:11:44- I'll just be myself. - Are you listening to me(?)
0:11:52 > 0:11:54Today, outside the Old Bailey...
0:11:54 > 0:11:58- This is the trial of the century... - The trial of James Moriarty...
0:11:58 > 0:12:00James Moriarty, earlier today accused of...
0:12:00 > 0:12:02..attempting to steal the Crown Jewels.
0:12:02 > 0:12:05At the Old Bailey we have Reichenbach hero Sherlock Holmes...
0:12:15 > 0:12:18Would you mind slipping your hand into my pocket?
0:12:35 > 0:12:37Thanks.
0:12:37 > 0:12:40# It was boiling, I ran to the sea
0:12:40 > 0:12:43# It was boiling I ran to the sea... #
0:12:43 > 0:12:48Crown v Moriarty, please proceed to Court 10.
0:12:49 > 0:12:50You're him.
0:12:53 > 0:12:56- Wrong toilet.- I'm a big fan. - Evidently.
0:12:56 > 0:12:59I read your cases, follow them all.
0:12:59 > 0:13:02Sign my shirt, would you?
0:13:04 > 0:13:06- There are two types of fans.- Oh?
0:13:07 > 0:13:10- Catch me before I kill again, Type A.- Uh-huh.
0:13:10 > 0:13:14- What's Type B?- Your bedroom's just a taxi ride away.- Hmm.
0:13:14 > 0:13:16Guess which one I am?
0:13:19 > 0:13:22- Neither.- Really? - No, you're not a fan at all.
0:13:22 > 0:13:25Those marks on your forearm, edge of a desk.
0:13:25 > 0:13:29You've been typing in a hurry, probably, pressure on, facing a deadline.
0:13:29 > 0:13:31That all?
0:13:31 > 0:13:34There's an ink smudge on your wrist, a bulge in your jacket pocket.
0:13:34 > 0:13:38- Bit of a giveaway? - The smudge is deliberate, to see if I'm as good as they say I am.
0:13:38 > 0:13:41Hmm. Oil-based, used in newspaper print.
0:13:41 > 0:13:45- But drawn on with an index finger, your finger.- Hmm.
0:13:45 > 0:13:49Journalist. Unlikely you get your hands dirty at the press.
0:13:50 > 0:13:54- You put that there to test me. - Wow! I'm liking you.
0:13:54 > 0:13:57I'd make a great feature, "Sherlock Holmes, the man beneath the hat".
0:13:57 > 0:13:59Kitty...
0:13:59 > 0:14:01Riley. Pleased to meet you.
0:14:01 > 0:14:06I'm saving you the job of asking. I won't give you an interview. No, I don't want the money.
0:14:06 > 0:14:11You and John Watson, just platonic? Can I put you down for a "no" there as well(?)
0:14:11 > 0:14:16There's all sorts of gossip in the press about you.
0:14:16 > 0:14:20Sooner or later, you're going to need someone on your side.
0:14:20 > 0:14:23Someone to set the record straight.
0:14:25 > 0:14:27You think you're the girl for that job, do you?
0:14:27 > 0:14:30I'm smart and you can trust me...
0:14:31 > 0:14:32..totally.
0:14:32 > 0:14:36Smart? OK, investigative journalist.
0:14:36 > 0:14:39Good. Well, look at me and tell me what you see.
0:14:41 > 0:14:45If you're that skilful, you don't need an interview,
0:14:45 > 0:14:47you can just read what you need.
0:14:49 > 0:14:51No? OK, my turn.
0:14:51 > 0:14:56I see someone who's waiting for their first scoop, so their editor will notice them.
0:14:56 > 0:15:01You're wearing an expensive skirt, that's been rehemmed twice. Only posh skirt you've got.
0:15:01 > 0:15:05Your nails, you can't afford to do them that often. I see someone who's hungry,
0:15:05 > 0:15:10I don't see smart. I don't see trustworthy. I'll give you a quote. if you like. Three little words.
0:15:12 > 0:15:15You repel me.
0:15:28 > 0:15:31- "A consulting criminal."- Yes.
0:15:31 > 0:15:34Your words. Can you expand on that answer?
0:15:36 > 0:15:39- James Moriarty is for hire. - A tradesman?
0:15:39 > 0:15:42- Yes.- But not the sort who'd fix your heating?
0:15:42 > 0:15:45No, the sort who'd plant a bomb or stage an assassination.
0:15:45 > 0:15:48But I'm sure he'd make a decent job of your boiler.
0:15:48 > 0:15:49Would you describe him as...
0:15:49 > 0:15:52- Leading.- What? - You're leading the witness.
0:15:52 > 0:15:54- He'll object and the judge'll uphold.- Mr Holmes.
0:15:54 > 0:15:56Ask me how, HOW would I describe him?
0:15:56 > 0:16:00What opinion have I formed of him? Do they not teach you this?
0:16:00 > 0:16:02Mr Holmes, we are fine without your help.
0:16:02 > 0:16:06HOW would you describe this man, his character?
0:16:06 > 0:16:07First mistake.
0:16:07 > 0:16:10James Moriarty isn't a man at all.
0:16:10 > 0:16:12He's a spider.
0:16:13 > 0:16:17A spider at the centre of a web, a criminal web with a thousand threads
0:16:17 > 0:16:21and he knows precisely how each and every single one of them dances.
0:16:23 > 0:16:25SHE CLEARS THROAT
0:16:25 > 0:16:27- And how long...? - No, no. Don't, don't do that.
0:16:27 > 0:16:30- That's really not a good question. - Mr Holmes!
0:16:30 > 0:16:32How long have I known him? Not your best line of enquiry.
0:16:32 > 0:16:35We met twice, five minutes in total.
0:16:35 > 0:16:37I pulled a gun, he tried to blow me up.
0:16:37 > 0:16:39I felt we had a special something.
0:16:39 > 0:16:44Miss Sorrel, are you seriously claiming this man is an expert?
0:16:44 > 0:16:47After knowing the accused for just five minutes?
0:16:47 > 0:16:50Two minutes would have made me an expert, five was ample.
0:16:50 > 0:16:53- Mr Holmes, that's a matter for the jury.- Oh, really?
0:16:56 > 0:16:58One librarian, two teachers,
0:16:58 > 0:17:00two high-pressure jobs, probably the City.
0:17:00 > 0:17:05- The foreman's a medical secretary, trained abroad, judging by her shorthand.- Mr Holmes?
0:17:05 > 0:17:08Seven are married, two are having an affair with each other.
0:17:08 > 0:17:12- Oh, they've just had tea and biscuits. Would you like to know who ate the wafer?- Mr Holmes!
0:17:12 > 0:17:16You've been called here to answer Miss Sorrel's questions,
0:17:16 > 0:17:20not to give us a display of your intellectual prowess.
0:17:20 > 0:17:24Keep your answers brief and to the point.
0:17:24 > 0:17:26Anything else will be treated as contempt.
0:17:26 > 0:17:29Do you think you could survive for just a few minutes...
0:17:29 > 0:17:30WITHOUT SHOWING OFF?!
0:17:36 > 0:17:38CELL DOOR SLAMS
0:17:50 > 0:17:53What did I say? I said don't get clever.
0:17:53 > 0:17:57- I can't just turn it on and off like a tap. Well?- Well, what?
0:17:57 > 0:18:01You were there for the whole thing, up in the gallery, start to finish.
0:18:01 > 0:18:04Like you said it would be - sat on his backside, never even stirred.
0:18:04 > 0:18:06Moriarty is not mounting any defence.
0:18:06 > 0:18:09Bank of England, Tower of London, Pentonville.
0:18:09 > 0:18:12Three of the most secure places in the country
0:18:12 > 0:18:15and six weeks ago, Moriarty breaks in,
0:18:15 > 0:18:17no-one knows how or why.
0:18:17 > 0:18:19- All we know is... - He ended up in custody.
0:18:21 > 0:18:23- Don't do that.- Do what?
0:18:23 > 0:18:28- The look.- Look?- You're doing the look again.- Well, I can't see it, can I?
0:18:28 > 0:18:29It's my face.
0:18:29 > 0:18:33Yes, and you're doing a "We both know what's really going on here" face.
0:18:33 > 0:18:36- We do.- No, I don't, which is why I find the face so annoying.
0:18:36 > 0:18:38If Moriarty wanted the jewels, he'd have them.
0:18:38 > 0:18:41If he wanted the prisoners freed, they'd be on the streets.
0:18:41 > 0:18:45The reason he's still in a prison cell is cos he chose to be there.
0:18:45 > 0:18:47Somehow this is part of his scheme.
0:18:57 > 0:19:01Mr Crayhill, can we have your first witness?
0:19:03 > 0:19:07Your Honour, we're not calling any witnesses.
0:19:07 > 0:19:08I don't follow.
0:19:08 > 0:19:11You've entered a plea of not guilty.
0:19:11 > 0:19:14Nevertheless, my client is offering no evidence.
0:19:14 > 0:19:17The defence...rests.
0:19:26 > 0:19:31Ladies and gentlemen of the jury, James Moriarty stands accused...
0:19:31 > 0:19:34of several counts of attempted burglary.
0:19:35 > 0:19:37Crimes which, if he's found guilty,
0:19:37 > 0:19:40will elicit a very long custodial sentence,
0:19:40 > 0:19:43and yet...his legal team...
0:19:43 > 0:19:47has chosen to offer no evidence whatsoever
0:19:47 > 0:19:49to support their plea.
0:19:49 > 0:19:51I find myself in the unusual position
0:19:51 > 0:19:54of recommending a verdict wholeheartedly.
0:19:54 > 0:19:57You must find him guilty.
0:20:01 > 0:20:02Guilty.
0:20:02 > 0:20:04You must find him guilty.
0:20:13 > 0:20:15DOOR SLAMS
0:20:15 > 0:20:18- They're coming back. - That's six minutes.
0:20:18 > 0:20:21Surprised it took them that long, to be honest.
0:20:21 > 0:20:23There's a queue for the loo!
0:20:33 > 0:20:36Have you reached a verdict on which you all agree?
0:20:42 > 0:20:44PHONE RINGS
0:20:45 > 0:20:48Not guilty, they found him not guilty.
0:20:48 > 0:20:51No defence and Moriarty's walked free.
0:20:53 > 0:20:55Sherlock?
0:20:55 > 0:20:59Are you listening? He's out, you know he'll be coming after you. Sherl...
0:21:11 > 0:21:14VIOLIN PLAYS
0:21:28 > 0:21:30STAIRS CREAK
0:21:30 > 0:21:32MUSIC STOPS
0:21:34 > 0:21:36VIOLIN PLAYS AGAIN
0:21:39 > 0:21:42DOOR CREAKS
0:21:46 > 0:21:47Most people knock.
0:21:49 > 0:21:51But then, you're not most people, I suppose.
0:21:52 > 0:21:54Kettle's just boiled.
0:21:56 > 0:21:58Johann Sebastian would be appalled.
0:22:02 > 0:22:04- May I?- Please.
0:22:10 > 0:22:13You know when he was on his deathbed, Bach,
0:22:13 > 0:22:18he heard his son at the piano playing one of his...pieces.
0:22:18 > 0:22:21The boy stopped before he got to the end.
0:22:21 > 0:22:24The dying man jumped out of bed, ran to the piano and finished it.
0:22:24 > 0:22:28- Couldn't cope with an unfinished melody.- Neither can you, that's why you've come.
0:22:28 > 0:22:31- Be honest, you're a tiny bit pleased.- What, with the verdict?
0:22:31 > 0:22:34With me, back on the streets.
0:22:36 > 0:22:38Every fairy tale needs a good old-fashioned villain.
0:22:41 > 0:22:44You need me or you're nothing.
0:22:45 > 0:22:47Because we're just alike, you and I,
0:22:47 > 0:22:49except you're boring.
0:22:50 > 0:22:52You're on the side of the angels.
0:22:52 > 0:22:54You got to the jury, of course.
0:22:55 > 0:22:57I got into the Tower of London,
0:22:57 > 0:23:00you think I can't worm my way into 12 hotel rooms?
0:23:01 > 0:23:02Cable network.
0:23:02 > 0:23:05Every hotel bedroom has a personalised TV screen.
0:23:07 > 0:23:09And every person has their pressure point.
0:23:09 > 0:23:13Someone that they want to protect from harm.
0:23:14 > 0:23:16Easy peasy.
0:23:16 > 0:23:18So how are you going to do it?
0:23:20 > 0:23:21Burn me?
0:23:21 > 0:23:25Ah, that's the problem, the final problem.
0:23:26 > 0:23:28Have you worked out what it is yet?
0:23:31 > 0:23:33What's the final problem?
0:23:33 > 0:23:37I did tell you... but did you listen?
0:23:50 > 0:23:53How hard do you find it, having to say "I don't know"?
0:23:54 > 0:23:57- I don't know.- Oh, that's clever, very clever, awfully clever.
0:23:57 > 0:24:00Speaking of clever, have you told your little friends yet?
0:24:00 > 0:24:02Told them what?
0:24:02 > 0:24:05- Why I broke into all those places and never took anything?- No.
0:24:05 > 0:24:08- But you understand?- Obviously. - Off you go, then.
0:24:08 > 0:24:11- Tell you what you already know? - No, prove that you know it.
0:24:11 > 0:24:14- You didn't take anything because you don't need to.- Good.
0:24:14 > 0:24:18- You'll never need to take anything ever again.- Very good, because?
0:24:18 > 0:24:20Because nothing in the Bank of England,
0:24:20 > 0:24:23the Tower of London or Pentonville Prison could possibly match
0:24:23 > 0:24:26the value of the key that could get you into all three.
0:24:26 > 0:24:31I can open any door anywhere with a few tiny lines of computer code.
0:24:31 > 0:24:35No such thing as a private bank account now, they're all mine.
0:24:35 > 0:24:38No such thing as secrecy, I OWN secrecy.
0:24:39 > 0:24:40Nuclear codes?
0:24:40 > 0:24:42I could blow up NATO in alphabetical order.
0:24:42 > 0:24:46In a world of locked rooms, the man with the key is king.
0:24:46 > 0:24:51And honey, you should see me in a crown.
0:24:52 > 0:24:54You were advertising all through the trial,
0:24:54 > 0:24:56you were showing the world what you can do.
0:24:56 > 0:24:58And you were helping.
0:24:58 > 0:25:01Big client list - rogue governments, intelligence communities,
0:25:01 > 0:25:03terrorist cells.
0:25:04 > 0:25:06They all want me.
0:25:06 > 0:25:08Suddenly, I'm Mr Sex.
0:25:08 > 0:25:12If you can break any bank, what do you care about the highest bidder?
0:25:12 > 0:25:15I don't, I just like to watch them all competing.
0:25:15 > 0:25:19"Daddy loves me the best." Aren't ordinary people adorable?
0:25:19 > 0:25:23Well, you know, you've got John. I should get myself a live-in one.
0:25:23 > 0:25:27- Why are you doing all of this? - It must be so funny.
0:25:27 > 0:25:30You don't want money or power, not really.
0:25:30 > 0:25:33What is it all for?
0:25:33 > 0:25:34I want to solve the problem.
0:25:37 > 0:25:38Our problem.
0:25:38 > 0:25:40The final problem.
0:25:43 > 0:25:47It's going to start very soon, Sherlock...the fall.
0:25:47 > 0:25:48HE WHISTLES
0:25:48 > 0:25:51But don't be scared, falling is just like flying,
0:25:51 > 0:25:54except there's a more permanent destination.
0:26:02 > 0:26:03Never liked riddles.
0:26:07 > 0:26:08Learn to.
0:26:10 > 0:26:12Because I owe you a fall, Sherlock.
0:26:14 > 0:26:18I...owe...you.
0:27:03 > 0:27:06KEYPAD BLEEPS
0:27:48 > 0:27:52Er, excuse me, I'm looking for Mycroft Holmes?
0:27:56 > 0:27:58Would you happen to know if he's around at all?
0:27:58 > 0:28:00Can you not hear me?
0:28:00 > 0:28:03Yes, all right. Anyone?
0:28:03 > 0:28:05Anyone at all know...
0:28:05 > 0:28:09where Mycroft Holmes is, I've been asked to meet him here?
0:28:09 > 0:28:13No takers, right. Am I invisible, can you actually see me?
0:28:13 > 0:28:17Ah, thanks, gents. I've been asked to meet Mycroft Holmes. What the hell?!
0:28:17 > 0:28:19MUFFLED CRIES FROM JOHN
0:28:19 > 0:28:22Tradition, John, our traditions define us.
0:28:22 > 0:28:24So total silence is traditional, is it?
0:28:24 > 0:28:26You can't even say pass the sugar?
0:28:26 > 0:28:28Three-quarters of the diplomatic service
0:28:28 > 0:28:31and half the government front bench all sharing one tea trolley,
0:28:31 > 0:28:33it's for the best, believe me.
0:28:33 > 0:28:38We don't want a repeat of...1972.
0:28:38 > 0:28:40- But we can talk in here. - You read this stuff?
0:28:40 > 0:28:42- Caught my eye.- Mm-hm.
0:28:42 > 0:28:45Saturday, they're doing a big expose.
0:28:45 > 0:28:48I'd love to know where she got her information.
0:28:48 > 0:28:51Someone called Brook. Recognise the name?
0:28:51 > 0:28:53School friend, maybe?
0:28:53 > 0:28:55- HE LAUGHS - Of Sherlock's?
0:28:56 > 0:28:59But that's not why I asked you here.
0:29:06 > 0:29:09- Who's that?- Don't know?- No. - Never seen his face before?
0:29:09 > 0:29:13- Um...- He's taken a flat in Baker Street, two doors down from you.
0:29:13 > 0:29:16Hm, I was thinking of doing a drinks thing for the neighbours.
0:29:16 > 0:29:18I'm not sure you'll want to.
0:29:18 > 0:29:22Sulejmani, Albanian hit squad, expertly trained killer,
0:29:22 > 0:29:25living less than 20 feet from your front door.
0:29:25 > 0:29:28Well, it's a great location. Jubilee line's handy.
0:29:28 > 0:29:30- John...- What's it got to do with me?
0:29:30 > 0:29:32Dyachenko. Ludmila.
0:29:32 > 0:29:34Oh...
0:29:35 > 0:29:38- Actually, I think I have seen her. - Russian killer.
0:29:38 > 0:29:40She's taken the flat opposite.
0:29:40 > 0:29:41OK.
0:29:42 > 0:29:44I'm sensing a pattern here.
0:29:44 > 0:29:47In fact, four top international assassins relocate
0:29:47 > 0:29:50to within spitting distance of 221b.
0:29:51 > 0:29:54- Anything you'd care to share with me? - JOHN LAUGHS
0:29:54 > 0:29:58- I'm moving?- It's not hard to guess the common denominator, is it?
0:29:58 > 0:30:00You think this is Moriarty?
0:30:00 > 0:30:02He promised Sherlock he'd come back.
0:30:02 > 0:30:07- If this was Moriarty, we'd be dead already.- If not Moriarty, then who?
0:30:08 > 0:30:11Why don't you talk to Sherlock, if you're so concerned about him?
0:30:11 > 0:30:15Oh, God, don't tell me.
0:30:15 > 0:30:17Too much history between us, John.
0:30:17 > 0:30:20Old scores, resentments.
0:30:20 > 0:30:23Nicked all his Smurfs? Broke his Action Man?
0:30:27 > 0:30:28(Finished.)
0:30:30 > 0:30:32We both know what's coming, John.
0:30:32 > 0:30:36Moriarty is obsessed, he's sworn to destroy his only rival.
0:30:36 > 0:30:40So you want me to watch out for your brother because he won't accept your help?
0:30:40 > 0:30:42If it's not too much trouble?
0:30:54 > 0:30:55DOOR BANGS
0:31:25 > 0:31:27- Excuse me.- Sorry.
0:31:35 > 0:31:39- Sherlock, something weird... What's going on?- Kidnapping.- Rufus Bruhl.
0:31:39 > 0:31:42- The ambassador to the US. - He's in Washington, isn't he?
0:31:42 > 0:31:46Not him, his children. Max and Claudette, age seven and nine.
0:31:46 > 0:31:48- They're at St Aldates. - Posh boarding place in Surrey.
0:31:48 > 0:31:50School broke up, the boarders went home.
0:31:50 > 0:31:54- A few kids remained, including those two. - The kids have vanished.
0:31:54 > 0:31:58- The ambassador's asked for you personally.- The Reichenbach hero.
0:32:00 > 0:32:02Isn't it great to be working with a celebrity?
0:32:12 > 0:32:16We shouldn't need to keep you for much longer. Thank you.
0:32:16 > 0:32:19- It's all right.- Miss Mackenzie, House Mistress. Go easy.
0:32:19 > 0:32:22Miss Mackenzie, you're in charge of pupil welfare,
0:32:22 > 0:32:24yet you left this place wide open last night.
0:32:24 > 0:32:28What are you, an idiot, a drunk or a criminal?! Quickly, tell me!
0:32:28 > 0:32:30All the doors and windows were properly bolted.
0:32:30 > 0:32:34No-one, not even me, went into their room last night.
0:32:34 > 0:32:37- You have to believe me!- I do, I just wanted you to speak quickly.
0:32:37 > 0:32:39Miss Mackenzie will need to breath into a bag now.
0:32:39 > 0:32:42SHE SOBS
0:32:46 > 0:32:50Six grand a term, you'd expect them to keep the kids safe for you.
0:32:50 > 0:32:52You said the other kids had all left on their holidays.
0:32:52 > 0:32:55They were the only two sleeping on this floor.
0:32:55 > 0:32:57There's absolutely no sign of a break-in.
0:32:57 > 0:33:01The intruder must have been hidden inside some place.
0:33:14 > 0:33:16Show me where the brother slept.
0:33:29 > 0:33:31The boy sleeps there every night.
0:33:32 > 0:33:35Gazing at the only light source outside in the corridor.
0:33:35 > 0:33:37He'd recognise every shape, every outline,
0:33:37 > 0:33:40the silhouette of everyone who came to the door.
0:33:40 > 0:33:44- OK, so?- So if someone approaches the door who he doesn't recognise,
0:33:44 > 0:33:47an intruder, maybe he can even see the outline of a weapon.
0:33:51 > 0:33:53What would he do?
0:33:53 > 0:33:56In the precious few seconds before they came into the room,
0:33:56 > 0:33:58how would he use them if not to cry out?
0:33:58 > 0:34:01This little boy, this particular little boy,
0:34:01 > 0:34:05who reads all of those spy books, what would he do?
0:34:05 > 0:34:06He'd leave a sign?
0:34:06 > 0:34:08HE SNIFFS
0:34:19 > 0:34:20Get Anderson!
0:34:22 > 0:34:23Linseed oil.
0:34:24 > 0:34:28- Not much use, it doesn't lead us to the kidnapper.- Brilliant, Anderson.
0:34:28 > 0:34:31- Really?- Yes, brilliant impression of an idiot.
0:34:32 > 0:34:33Floor.
0:34:34 > 0:34:38- He...made a trail for us.- The boy was made to walk ahead of them.
0:34:38 > 0:34:41- On what, tiptoe?- Indicates anxiety.
0:34:41 > 0:34:43Gun held to his head.
0:34:44 > 0:34:47The girl was pulled beside him, dragged sideways.
0:34:47 > 0:34:50He had his left arm cradled about her neck.
0:34:51 > 0:34:54That's the end of it, we don't know where they went from here.
0:34:54 > 0:34:56Tells us nothing after all.
0:34:56 > 0:34:59You're right, Anderson, nothing.
0:35:00 > 0:35:03Except his shoe size, his height, his gait, his walking pace.
0:35:11 > 0:35:12SHERLOCK LAUGHS
0:35:13 > 0:35:15- Having fun?- Starting to.
0:35:17 > 0:35:19Maybe don't do the smiling. Kidnapped children?
0:35:28 > 0:35:31How could he get past the CCTV? If all the doors were locked.
0:35:31 > 0:35:33He walked in when they weren't locked.
0:35:33 > 0:35:36But a stranger can't just walk into a school like that.
0:35:36 > 0:35:40Anyone can walk in anywhere if they pick the right moment.
0:35:40 > 0:35:43Yesterday, end of term, parents milling around, chauffeurs, staff.
0:35:43 > 0:35:45What's one more stranger among that lot?
0:35:48 > 0:35:49He was waiting for them.
0:35:51 > 0:35:53All he had to do was find a place to hide.
0:36:02 > 0:36:03Molly!
0:36:03 > 0:36:06- Hello, I'm just going out.- No, you're not.- I've got a lunch date.
0:36:06 > 0:36:09- Cancel it, have lunch with me. - What?- I need your help.
0:36:09 > 0:36:11One of your old boyfriends, we're tracking him down.
0:36:11 > 0:36:14- He's been naughty.- Moriarty? - Of course it's Moriarty!
0:36:14 > 0:36:17Jim wasn't my boyfriend, we went out three times. I ended it.
0:36:17 > 0:36:22Then he stole the Crown Jewels, broke into the Bank of England and organised a prison break.
0:36:22 > 0:36:27For the sake of law and order, I suggest you avoid all future attempts at a relationship, Molly.
0:36:30 > 0:36:34Oil, John. The oil in the kidnapper's footprint.
0:36:34 > 0:36:36It'll lead us to Moriarty.
0:36:36 > 0:36:39All the chemical traces on his shoe have been preserved.
0:36:39 > 0:36:44The sole of the shoe is like a passport. If we're lucky, we'll see everything he's been up to.
0:36:48 > 0:36:49I need that analysis.
0:36:52 > 0:36:53Alkaline.
0:36:53 > 0:36:56- Thank you, John.- Molly.- Yes.
0:37:19 > 0:37:22I...O...U.
0:37:24 > 0:37:26Glycerol molecule.
0:37:27 > 0:37:29- HE SIGHS - What are you?
0:37:34 > 0:37:36What did you mean, IOU?
0:37:37 > 0:37:39You said IOU.
0:37:40 > 0:37:43- You were muttering it while you were working.- Nothing, mental note.
0:37:45 > 0:37:49You're a bit like my dad. He's dead. No, sorry.
0:37:49 > 0:37:53Molly, please don't feel the need to make conversation, it's really not your area.
0:37:53 > 0:37:56When he was dying, he was always cheerful, he was lovely,
0:37:56 > 0:37:59except when he thought no-one could see.
0:38:00 > 0:38:04- I saw him once, he looked sad. - Molly.
0:38:05 > 0:38:09You look sad, when you think he can't see you.
0:38:13 > 0:38:17Are you OK? And don't just say you are, because I know what that means,
0:38:17 > 0:38:19looking sad when you think no-one can see you.
0:38:21 > 0:38:23- You can see me.- I don't count.
0:38:24 > 0:38:28What I'm trying to say is, that if there's anything I can do,
0:38:28 > 0:38:31anything you need, anything at all, you can have me.
0:38:31 > 0:38:37No, I just mean, I mean, if there's anything you need, it's fine.
0:38:40 > 0:38:41But what can I need from you?
0:38:42 > 0:38:45Nothing. I don't know.
0:38:45 > 0:38:48You could probably say thank you, actually.
0:38:50 > 0:38:51Thank you?
0:38:51 > 0:38:55I'm just going to go and get some crisps. Do you want anything?
0:38:55 > 0:38:58It's OK, I know you don't.
0:38:58 > 0:39:01- Well, actually, maybe I'll... - I know you don't.
0:39:11 > 0:39:13- Sherlock?- Hmm?
0:39:13 > 0:39:18- This envelope that was in her trunk, there's another one.- What?
0:39:18 > 0:39:23On our doorstep. Found it today. Yes, and look at that.
0:39:25 > 0:39:28Look at that, exactly the same seal.
0:39:33 > 0:39:36- Breadcrumbs.- Uh-huh. It was there when I got back.
0:39:36 > 0:39:39A little trace of breadcrumbs.
0:39:39 > 0:39:41Hardback copy of Fairy Tales.
0:39:42 > 0:39:46Two children led into the forest by a wicked father, follow a little trail of breadcrumbs.
0:39:46 > 0:39:50That's Hansel and Gretel. What sort of kidnapper leaves clues?
0:39:50 > 0:39:53The sort that likes to boast, that thinks it's a game.
0:39:53 > 0:39:56He sat in our flat and he said these exact words to me...
0:39:56 > 0:39:59"All fairy tales need a good old-fashioned villain."
0:40:00 > 0:40:05- The fifth substance, it's part of the tale. The witch's house.- What?
0:40:07 > 0:40:08The glycerol molecule.
0:40:12 > 0:40:15- PGPR!- What's that? - It's used in making chocolate.
0:40:24 > 0:40:25This fax arrived an hour ago.
0:40:25 > 0:40:27PHONE RINGS
0:40:28 > 0:40:30What have you got for us?
0:40:30 > 0:40:34We need to find a place in the city where all five of these things intersect.
0:40:34 > 0:40:36Chalk, asphalt, brick dust, vegetation.
0:40:36 > 0:40:40- What - chocolate?!- I think we're looking for a disused sweet factory.
0:40:40 > 0:40:43We need to narrow that down. A sweet factory with asphalt?
0:40:43 > 0:40:45No, too general. Something more specific.
0:40:45 > 0:40:48Chalk, chalky clay. That's a far thinner band of geology.
0:40:51 > 0:40:52Brick dust?
0:40:53 > 0:40:56Building site. Bricks from the 1950s.
0:40:56 > 0:40:58There's thousands of building sites in London.
0:40:58 > 0:41:01- I've got people out looking. - So have I!
0:41:01 > 0:41:03Homeless network, faster than the police,
0:41:03 > 0:41:06far more relaxed about taking bribes.
0:41:06 > 0:41:08PHONES RING
0:41:19 > 0:41:20John.
0:41:20 > 0:41:24Rhododendron ponticum. Matches.
0:41:29 > 0:41:30- Addlestone.- What?
0:41:30 > 0:41:34A mile of disused factories between the river and the park, matches everything.
0:41:34 > 0:41:36Right, come on. Come on!
0:41:40 > 0:41:43SIRENS BLARE
0:41:48 > 0:41:49OK, you look over there.
0:41:49 > 0:41:51Look everywhere.
0:41:51 > 0:41:54OK, spread out, please, spread out.
0:41:56 > 0:41:58(Quietly, quietly!)
0:42:03 > 0:42:07This was alight moments ago. They're still here! Sweet wrappers?
0:42:07 > 0:42:12What's he been feeding you? Hansel and Gretel.
0:42:17 > 0:42:18HE SNIFFS
0:42:19 > 0:42:20Ugh!
0:42:20 > 0:42:22- Mercury.- What?
0:42:22 > 0:42:24The papers, they're painted with mercury, lethal.
0:42:24 > 0:42:25The more they ate...
0:42:25 > 0:42:29- It was killing them.- But it's not enough to kill them on its own.
0:42:29 > 0:42:33Taken in large enough quantities, eventually it would kill them.
0:42:33 > 0:42:36He didn't need to be there for the execution.
0:42:36 > 0:42:40Murder by remote control, he could be 1,000 miles away.
0:42:43 > 0:42:47The hungrier they got, the more they ate, the faster they died. Neat.
0:42:47 > 0:42:49- Sherlock.- Over here!
0:42:52 > 0:42:53I've got him, don't worry.
0:43:02 > 0:43:04Right then, the professionals are finished.
0:43:04 > 0:43:07If the amateurs want to go in and have their turn.
0:43:07 > 0:43:10Now remember, she's in shock and she's just seven years old,
0:43:10 > 0:43:12so, anything you can do to...
0:43:12 > 0:43:14- Not be myself? - Yeah, might be helpful.
0:43:24 > 0:43:25Claudette, I...
0:43:25 > 0:43:28- SHE SCREAMS - No, no, I know it's been hard for you.
0:43:28 > 0:43:31- Claudette, listen to me. - Out. Get out!
0:43:34 > 0:43:37- Makes no sense. - Kid's traumatised.
0:43:37 > 0:43:41- Something about Sherlock reminds her of the kidnapper.- What's she said?
0:43:41 > 0:43:44- Hasn't uttered another syllable. - And the boy?- No, he's unconscious.
0:43:44 > 0:43:46He's still in intensive care.
0:44:00 > 0:44:01Don't let it get to you,
0:44:01 > 0:44:04I always feel like screaming when you walk into a room.
0:44:04 > 0:44:06In fact, so do most people.
0:44:07 > 0:44:08Come on.
0:44:10 > 0:44:13SIREN BLARES OUTSIDE
0:44:13 > 0:44:16Brilliant work you did finding those kids from just a footprint,
0:44:16 > 0:44:17it's really amazing.
0:44:17 > 0:44:18Thank you.
0:44:18 > 0:44:19Unbelievable.
0:44:30 > 0:44:31Ah.
0:44:34 > 0:44:35- You OK?- Thinking.
0:44:38 > 0:44:41- This is my cab, you get the next one.- Why?- You might talk.
0:44:53 > 0:44:57- 'Is this chocolate?'- 'We're looking for a disused sweet factory.'
0:44:57 > 0:44:58'Get out!'
0:44:58 > 0:45:00'Aaaargh!'
0:45:02 > 0:45:03Problem?
0:45:13 > 0:45:18- TV BLARES - '..this stunning evening wear set from us at London Taxi Shopping.
0:45:18 > 0:45:23- Can you turn this off, please?- 'The set comprises of a beautiful...'
0:45:23 > 0:45:25Can you turn this off?!
0:45:25 > 0:45:28'Accompanied by four spangly diamond bracelets...'
0:45:29 > 0:45:30Hello.
0:45:30 > 0:45:33Are you ready for the story?
0:45:33 > 0:45:36This is the story of Sir Boast-a-lot.
0:45:37 > 0:45:40A footprint, it's all he had.
0:45:40 > 0:45:42A footprint.
0:45:42 > 0:45:46Yeah, well, you know what he's like. CSI Baker Street.
0:45:46 > 0:45:48Well, our boys couldn't have done it.
0:45:48 > 0:45:52- Well, that's why we need him, he's better.- That's one explanation.
0:45:52 > 0:45:54And what's the other?
0:45:54 > 0:45:58Sir Boast-a-lot was the bravest and cleverest knight at the round table.
0:45:58 > 0:46:02But soon the other knights began to grow tired of his stories
0:46:02 > 0:46:05about how brave he was and how many dragons he'd slain.
0:46:07 > 0:46:12And soon they began to wonder, "Are Sir Boast-a-lot's stories even true?"
0:46:12 > 0:46:15Only he could have found that evidence.
0:46:16 > 0:46:17Oh, no.
0:46:17 > 0:46:21The girl screams her head off when she sees him - a man she has never seen before,
0:46:21 > 0:46:24- unless she had seen him before. - What's your point?
0:46:24 > 0:46:26You know what it is, you just don't want to think about it.
0:46:26 > 0:46:30So, all of the knights went to King Arthur and said,
0:46:30 > 0:46:34"I don't believe Sir Boast-a-lot's stories.
0:46:34 > 0:46:39"He's just a big old liar who makes things up to make himself look good."
0:46:39 > 0:46:41SHE MOUTHS
0:46:43 > 0:46:46You're not seriously suggesting he's involved, are you?
0:46:46 > 0:46:48We have to entertain the possibility.
0:46:49 > 0:46:53And then, even the King began to wonder.
0:46:57 > 0:47:00But that wasn't the end of Sir Boast-a-lot's problem.
0:47:01 > 0:47:03No.
0:47:05 > 0:47:08That wasn't the final problem.
0:47:09 > 0:47:11The end.
0:47:13 > 0:47:15Stop the cab.
0:47:15 > 0:47:16Stop the cab!
0:47:16 > 0:47:17What was that?!
0:47:19 > 0:47:21What was that?
0:47:21 > 0:47:23No charge.
0:47:29 > 0:47:30Watch out!
0:47:30 > 0:47:32TYRES SQUEAL
0:47:36 > 0:47:38Thank you.
0:47:39 > 0:47:40GUNFIRE
0:47:51 > 0:47:52Sherlock!
0:47:58 > 0:48:00That is him. It's him.
0:48:00 > 0:48:03Sulejmani or something, Mycroft showed me his file.
0:48:03 > 0:48:06He's a big Albanian gangster, lives two doors down from us.
0:48:06 > 0:48:08- He died because I shook his hand. - What?
0:48:08 > 0:48:10He saved my life, but he couldn't touch me. Why?
0:48:12 > 0:48:15Four assassins living right on our doorstep.
0:48:15 > 0:48:16They haven't come here to kill me.
0:48:16 > 0:48:18They have to keep me alive.
0:48:18 > 0:48:21I've got something that all of them want.
0:48:21 > 0:48:23But if one of them approaches me...
0:48:23 > 0:48:25The others kill them before they can get it.
0:48:28 > 0:48:31All of the attention is focused on me.
0:48:33 > 0:48:36There's a surveillance web closing in on us right now.
0:48:36 > 0:48:38So what have you got that's so important?
0:48:40 > 0:48:42I need to ask about the dusting.
0:48:42 > 0:48:45Precise details, in the last week, what's been cleaned?
0:48:45 > 0:48:49- Tuesday, I did your lino.- No, this room, this is where we'll find it.
0:48:49 > 0:48:53Any break in the dust line. You can put back anything but dust. Dust is eloquent.
0:48:53 > 0:48:54(What's he on about?)
0:48:56 > 0:48:58Cameras, we're being watched.
0:48:58 > 0:49:00What?! Cameras? Here?
0:49:00 > 0:49:03- DOORBELL RINGS - I'm in my nightie!
0:49:04 > 0:49:06FOOTSTEPS ON STAIRS
0:49:20 > 0:49:22- No, Inspector.- Why?
0:49:22 > 0:49:24- The answer's no. - You've not heard the question!
0:49:24 > 0:49:28You want to take me to the station. Saving you the trouble of asking.
0:49:28 > 0:49:30Sherlock.
0:49:30 > 0:49:32- The scream?- Yeah.
0:49:32 > 0:49:34Who was it? Donovan? I bet it was Donovan.
0:49:34 > 0:49:36"Am I somehow responsible for the kidnapping?"
0:49:36 > 0:49:38Ha ha, Moriarty is smart.
0:49:38 > 0:49:42He planted that doubt in her head. That little nagging sensation.
0:49:42 > 0:49:44You're going to have to be strong to resist.
0:49:44 > 0:49:47You can't kill an idea, can you?
0:49:47 > 0:49:50Not once it's made a home...there.
0:49:52 > 0:49:55- Will you come?- One photograph, that's his next move.
0:49:55 > 0:49:57Moriarty's game.
0:49:57 > 0:50:01First the scream, then a photograph of me being taken in for questioning.
0:50:01 > 0:50:03He wants to destroy me inch by inch.
0:50:03 > 0:50:07It is a game, Lestrade, and not one I'm willing to play.
0:50:08 > 0:50:10Give my regards to Sergeant Donovan.
0:50:19 > 0:50:20COMPUTER BLEEPS
0:50:43 > 0:50:45- They'll be deciding.- Deciding?
0:50:45 > 0:50:48- Whether to come back with a warrant and arrest me.- You think?
0:50:48 > 0:50:52- Standard procedure.- You should have gone with him. People'll think...
0:50:52 > 0:50:54I don't care what people think.
0:50:54 > 0:50:57You'd care if they thought you were stupid or wrong.
0:50:57 > 0:51:00No, that would just make them stupid or wrong.
0:51:00 > 0:51:02Sherlock, I don't want the world believing you're...
0:51:05 > 0:51:07That I am what?
0:51:09 > 0:51:10A fraud.
0:51:12 > 0:51:17- You're worried they're right.- What? - That they're right about me. - No.- That's why you're upset.
0:51:17 > 0:51:20You can't entertain the possibility they may be right.
0:51:20 > 0:51:22- You're afraid you've been taken in. - I'm not.
0:51:22 > 0:51:26Moriarty is playing with your mind, too. Can't you SEE what's going on?!
0:51:29 > 0:51:32- No, I know you for real. - 100 percent?
0:51:32 > 0:51:35Well, nobody could fake being such an annoying dick all the time.
0:51:41 > 0:51:43- Sherlock Holmes?- Yes, sir.
0:51:43 > 0:51:46That bloke that's been in the press?
0:51:46 > 0:51:47Mm-hm.
0:51:48 > 0:51:50I thought he was some sort of private eye.
0:51:50 > 0:51:54- He is.- We've been consulting with him, that's what you're telling me?
0:51:54 > 0:51:57Not used him on any proper cases though, have we?
0:51:57 > 0:51:58Well, one or two.
0:51:58 > 0:52:00Or 20 or 30.
0:52:00 > 0:52:01What?!
0:52:01 > 0:52:05- I'm not the only senior officer who did this. Gregson...- Shut up!
0:52:05 > 0:52:09An amateur detective given access to all sorts of classified information.
0:52:09 > 0:52:12And now he's a suspect in a case.
0:52:12 > 0:52:15- With all due respect... - You're a bloody idiot, Lestrade!
0:52:15 > 0:52:17Now go and fetch him in, right now.
0:52:17 > 0:52:19Do it!
0:52:24 > 0:52:28- Proud of yourselves?- Well, what if it's not just this case?
0:52:28 > 0:52:30What if he's done this to us every single time?
0:52:30 > 0:52:32PHONE BLEEPS
0:52:42 > 0:52:46So, still got some friends on the force. It's Lestrade.
0:52:46 > 0:52:48Says they're all coming over here now.
0:52:48 > 0:52:49Queuing up to slap on the handcuffs.
0:52:49 > 0:52:52Every officer you've ever made feel like a tit,
0:52:52 > 0:52:53which is a lot of people.
0:52:53 > 0:52:55Yoo-hoo.
0:52:55 > 0:52:57Oh, sorry, am I interrupting?
0:52:57 > 0:53:01Some chap delivered a parcel, I forgot, marked perishable.
0:53:01 > 0:53:03I had to sign for it.
0:53:03 > 0:53:07Funny name, German, like the fairy tales.
0:53:12 > 0:53:15SIRENS BLARE
0:53:16 > 0:53:18Burnt to a crisp.
0:53:20 > 0:53:21What does it mean? DOORBELL RINGS
0:53:21 > 0:53:23- KNOCKING AT DOOR - 'Police!'- I'll go.
0:53:23 > 0:53:25'Sherlock.
0:53:25 > 0:53:27- 'Excuse me, Mrs Hudson. - We need to talk to you.
0:53:27 > 0:53:30'You can't just barge in like that!'
0:53:31 > 0:53:33JOHN: 'Have you got a warrant? Have you?'
0:53:33 > 0:53:34- LESTRADE:- 'Leave it, John.
0:53:34 > 0:53:37'Eh? Manners!'
0:53:37 > 0:53:41Sherlock Holmes, I'm arresting you on suspicion of abduction and kidnapping.
0:53:41 > 0:53:43- It's OK, John.- He's not resisting.
0:53:43 > 0:53:45No, it's not all right, this is ridiculous.
0:53:45 > 0:53:47Get him downstairs now.
0:53:47 > 0:53:48You don't have to do this.
0:53:48 > 0:53:51Don't try to interfere or I shall arrest you too.
0:53:55 > 0:53:56You done?
0:53:56 > 0:53:57- I said it.- Hmm?
0:53:57 > 0:53:59- First time we met.- Don't bother.
0:53:59 > 0:54:03Solving crimes won't be enough. One day he'll cross the line.
0:54:03 > 0:54:07Now ask yourself, what sort of man would kidnap those kids
0:54:07 > 0:54:09just so he can impress us all by finding them?
0:54:09 > 0:54:14- Donovan?- Sir?- Got our man? - Er, yes, sir.
0:54:14 > 0:54:16Looked a bit of a weirdo, if you ask me.
0:54:16 > 0:54:19Often are, these vigilante types.
0:54:21 > 0:54:23What are you looking at?
0:54:25 > 0:54:26Are you all right, sir?
0:54:28 > 0:54:30- Joining me?- Yeah.
0:54:30 > 0:54:35Well, apparently it's against the law to chin the Chief Superintendent.
0:54:35 > 0:54:37Hmm. Bit awkward this.
0:54:37 > 0:54:39There's no-one to bail us.
0:54:39 > 0:54:42I was thinking more about our imminent and daring escape.
0:54:42 > 0:54:46- 'All units to 27.'- What?
0:54:46 > 0:54:47'All units to 2...'
0:54:47 > 0:54:51- ALARM SOUNDS - Aah!
0:54:51 > 0:54:54Ladies and gentlemen, will you all please get on your knees?
0:54:55 > 0:54:58- GUNFIRE - NOW would be good!- Do as he says!
0:55:00 > 0:55:04Just so you're aware, the gun is his idea, I'm just a...you know.
0:55:04 > 0:55:08- My hostage.- Hostage, yes, that works. That works.
0:55:08 > 0:55:10So what now?
0:55:10 > 0:55:14Doing what Moriarty wants, becoming a fugitive. Run!
0:55:18 > 0:55:20Get after him, Lestrade!
0:55:21 > 0:55:23Take my hand.
0:55:23 > 0:55:25SIRENS BLARE
0:55:25 > 0:55:28- Now people will definitely talk. The gun!- Leave it!
0:55:35 > 0:55:37Sherlock, wait!
0:55:38 > 0:55:41We're going to need to coordinate.
0:55:42 > 0:55:45- Go to your right.- Huh? - Go to your right.
0:55:45 > 0:55:47SIREN BLARES
0:55:48 > 0:55:52Everybody wants to believe it, that's what makes it so clever.
0:55:52 > 0:55:54A lie that's preferable to the truth.
0:55:54 > 0:55:58My deductions were a sham. No-one feels inadequate, Sherlock's an ordinary man.
0:55:58 > 0:56:00Mycroft, he could help us.
0:56:00 > 0:56:04Big family reconciliation, now's not really the moment.
0:56:06 > 0:56:10Sherlock...we're being followed. I knew we couldn't outrun the police.
0:56:10 > 0:56:13That's not the police, it's one of my new neighbours from Baker Street.
0:56:13 > 0:56:16Let's see if he can give us some answers.
0:56:21 > 0:56:22(Where are we going?)
0:56:22 > 0:56:26We're going to jump in front of that bus.
0:56:31 > 0:56:32- BOTH:- Oof!
0:56:32 > 0:56:34BUS BLASTS HORN
0:56:34 > 0:56:35Oh...
0:56:36 > 0:56:39Tell me what you want from me.
0:56:39 > 0:56:41Tell me!
0:56:41 > 0:56:42He left it at your flat.
0:56:42 > 0:56:45- Who?- Moriarty.
0:56:45 > 0:56:46What?
0:56:46 > 0:56:48- The computer key code.- Of course.
0:56:48 > 0:56:52He's selling it. The programme he used to break into the Tower.
0:56:54 > 0:56:56He planted it when he came around.
0:56:56 > 0:56:58GUNFIRE
0:57:06 > 0:57:09SIREN BLARES
0:57:09 > 0:57:11THEY PANT
0:57:12 > 0:57:14It's a game-changer.
0:57:14 > 0:57:16It's a key, it can break into any system
0:57:16 > 0:57:19and it's sitting in our flat right now.
0:57:19 > 0:57:23That's why he left that message, telling everyone where to come, "Get Sherlock!"
0:57:23 > 0:57:27- We need to get back into the flat and search.- CID will be camped out.
0:57:27 > 0:57:28Why plant it on you?
0:57:28 > 0:57:30It's another subtle way of smearing my name,
0:57:30 > 0:57:33now I'm best pals with all those criminals.
0:57:35 > 0:57:37Yeah, well, have you seen this?
0:57:37 > 0:57:39A kiss-and-tell.
0:57:39 > 0:57:41Some bloke called Rich Brook.
0:57:43 > 0:57:44Who is he?
0:57:53 > 0:57:55ALARM BLEEPS
0:58:10 > 0:58:12Too late to go on the record?
0:58:13 > 0:58:16Congratulations, "The Truth About Sherlock Holmes."
0:58:16 > 0:58:19The scoop that everybody wanted and you got it. Bravo!
0:58:19 > 0:58:21I gave you your opportunity.
0:58:21 > 0:58:24I wanted to be on your side, remember?
0:58:24 > 0:58:25You turned me down, so...
0:58:25 > 0:58:28Then lo and behold, someone spills all the beans.
0:58:28 > 0:58:31How utterly convenient. Who is Brook?
0:58:31 > 0:58:34Oh, come on, Kitty, no-one trusts the voice at the end of a phone.
0:58:34 > 0:58:36All those little meetings in cafes,
0:58:36 > 0:58:40those sessions in the hotel room when he gabbled into your Dictaphone.
0:58:40 > 0:58:42How do you know that you can trust him?
0:58:42 > 0:58:45A man turns up with the Holy Grail in his pockets.
0:58:45 > 0:58:47What were his credentials?
0:58:50 > 0:58:53Darling, they didn't have any ground coffee, so I just got normal.
0:59:00 > 0:59:04You said that they wouldn't find me here, you said that I'd be safe here.
0:59:04 > 0:59:05You are safe.
0:59:05 > 0:59:09Richard, I'm a witness, they wouldn't harm you in front of witnesses.
0:59:09 > 0:59:12So that's your source? Moriarty is Richard Brook?
0:59:12 > 0:59:15Of course he's Richard Brook, there is no Moriarty.
0:59:15 > 0:59:19- There never has been.- What are you talking about?- Look him up.
0:59:19 > 0:59:23Rich Brook, an actor Sherlock Holmes hired to be Moriarty.
0:59:29 > 0:59:31Dr Watson, I know you're a good man,
0:59:31 > 0:59:34don't, don't, don't hurt me.
0:59:34 > 0:59:37No, you are Moriarty! He's Moriarty!
0:59:37 > 0:59:40We've met, remember? You were going to blow me up!
0:59:40 > 0:59:43I'm sorry. I'm sorry.
0:59:43 > 0:59:46He paid me, I needed the work. I'm an actor, I was out of work.
0:59:46 > 0:59:50Sherlock, you'd better explain, because I am not getting this.
0:59:50 > 0:59:52I'll be doing the explaining, in print.
0:59:52 > 0:59:55It's all here, conclusive proof.
0:59:57 > 0:59:59You invented James Moriarty, your nemesis.
0:59:59 > 1:00:01- Invented him?!- Mm-hm.
1:00:01 > 1:00:03He invented all the crimes, actually.
1:00:03 > 1:00:06And to cap it all, he made up a master villain.
1:00:06 > 1:00:10- Don't be ridiculous!- Ask him. He's right here. Just ask him.
1:00:10 > 1:00:13- Tell him, Richard.- For God's sake, this man was on trial!
1:00:13 > 1:00:17Yes, and you paid him to take the rap. Promised you'd rig the jury.
1:00:17 > 1:00:20Not exactly a West End role, but I'll bet the money was good.
1:00:20 > 1:00:23But not so good he didn't want to sell his story.
1:00:23 > 1:00:26I am sorry. I am. I am sorry.
1:00:26 > 1:00:28So this is the story you're going to publish?
1:00:28 > 1:00:32- The big conclusion of it all, Moriarty's an actor?- He knows I am.
1:00:32 > 1:00:35I have proof. Show them... Kitty, show them something.
1:00:35 > 1:00:37Yeah, show me something.
1:00:42 > 1:00:46I'm on TV. I'm on kids' TV. I'm the story-teller.
1:00:49 > 1:00:52I'm the story-teller. It's on DVD.
1:01:00 > 1:01:03Just tell him. It's all coming out. It's all over.
1:01:03 > 1:01:06Just tell them. Just tell them. Tell them! It's all over now!
1:01:06 > 1:01:09No! Don't you touch me! Don't you lay a finger on me!
1:01:09 > 1:01:11Stop it now!
1:01:11 > 1:01:14- Don't hurt me! - Don't let him get away!
1:01:14 > 1:01:16Leave him alone!
1:01:19 > 1:01:21No, no, no. He'll have back-up.
1:01:21 > 1:01:23Do you know what, Sherlock Holmes?
1:01:23 > 1:01:29I look at you know and I can read you...and you repel me.
1:01:33 > 1:01:35Can he do that?
1:01:35 > 1:01:38Completely change his identity, make you the criminal?
1:01:38 > 1:01:40He's got my whole life story.
1:01:40 > 1:01:42That's what you do when you sell a big lie,
1:01:42 > 1:01:45you wrap it up in the truth to make it more palatable.
1:01:45 > 1:01:46It'll be your word against his.
1:01:46 > 1:01:50He's been sowing doubt into people's minds for 24 hours.
1:01:50 > 1:01:54There's only one thing he needs to do to complete his game and that...
1:01:55 > 1:01:56Sherlock?
1:01:57 > 1:02:01- There's something I need to do. - What? Can I help?- No, on my own.
1:02:18 > 1:02:20You're wrong, you know?
1:02:21 > 1:02:23You do count.
1:02:24 > 1:02:28You've always counted and I've always trusted you.
1:02:29 > 1:02:31But you were right.
1:02:33 > 1:02:35I'm not OK.
1:02:35 > 1:02:37Tell me what's wrong.
1:02:39 > 1:02:42Molly, I think I'm going to die.
1:02:44 > 1:02:48- What do you need?- If I wasn't everything that you think I am,
1:02:48 > 1:02:50everything that I think I am...
1:02:51 > 1:02:53..would you still want to help me?
1:02:55 > 1:02:57What do you need?
1:03:04 > 1:03:06You.
1:03:19 > 1:03:24She has really done her homework, Miss Riley,
1:03:24 > 1:03:28and it's things that only someone close to Sherlock could know.
1:03:29 > 1:03:32- Ah.- Have you seen your brother's address book lately?
1:03:32 > 1:03:36Two names - yours and mine...
1:03:36 > 1:03:39and Moriarty didn't get this stuff from me.
1:03:39 > 1:03:42- John...- So how does it work, your relationship?
1:03:42 > 1:03:46Do you go out for a coffee now and then, you and Jim?
1:03:46 > 1:03:48Your own brother
1:03:48 > 1:03:54and you blabbed about his entire life to this maniac.
1:03:56 > 1:03:59I never intend...I never dreamt...
1:03:59 > 1:04:03This...this is what you were trying to tell me, isn't it?
1:04:03 > 1:04:06"Watch his back because I've made a mistake."
1:04:09 > 1:04:11How did you meet him?
1:04:13 > 1:04:19People like him, we know about them, we watch them.
1:04:21 > 1:04:23But James Moriarty...
1:04:25 > 1:04:29..the most dangerous criminal mind the world has ever seen,
1:04:29 > 1:04:32and, in his pocket, the ultimate weapon.
1:04:32 > 1:04:34The key code.
1:04:34 > 1:04:38A few lines of computer code that can unlock any door.
1:04:39 > 1:04:44And you abducted him to try and find the key code?
1:04:45 > 1:04:47Interrogated him for weeks.
1:04:47 > 1:04:50- And?- He wouldn't play along.
1:04:51 > 1:04:54He just sat there
1:04:54 > 1:04:57staring into the darkness.
1:05:00 > 1:05:03The only thing that made him open up...
1:05:07 > 1:05:11I could get him to talk, just a little.
1:05:12 > 1:05:14But...
1:05:14 > 1:05:17In return you had to offer him Sherlock's life story.
1:05:18 > 1:05:21So, one big lie...
1:05:22 > 1:05:24..Sherlock's a fraud,
1:05:24 > 1:05:28and people will swallow it because the rest of it's true.
1:05:29 > 1:05:32Moriarty wanted Sherlock destroyed, right,
1:05:32 > 1:05:38and you have given him the perfect ammunition.
1:05:44 > 1:05:46John.
1:05:49 > 1:05:50I'm sorry.
1:05:50 > 1:05:52Oh, please!
1:05:54 > 1:05:56Tell him, would you?
1:06:08 > 1:06:09I got your message.
1:06:09 > 1:06:13The computer code is the key to this. We find it, we can use it.
1:06:13 > 1:06:16- Use it?- He used it to create a false identity
1:06:16 > 1:06:19so we can break into the records and destroy Richard Brook.
1:06:19 > 1:06:20Bring back Jim Moriarty again.
1:06:20 > 1:06:21Somewhere in 221b,
1:06:21 > 1:06:24somewhere on the day of the verdict he left it hidden.
1:06:24 > 1:06:26Uh-huh.
1:06:27 > 1:06:29- What did he touch? - An apple, nothing else.
1:06:29 > 1:06:32- Did he write anything down? - No.
1:07:16 > 1:07:18MOBILE RINGS
1:07:20 > 1:07:22Oh.
1:07:24 > 1:07:26Yeah, speaking.
1:07:26 > 1:07:27What?
1:07:27 > 1:07:30What happened? Is she OK?
1:07:30 > 1:07:33Oh, my God! Right, yes, I'm coming.
1:07:33 > 1:07:36- What is it?- Paramedics. Mrs Hudson's been shot.
1:07:36 > 1:07:39- How?- Probably one of the killers you managed to attract. Jesus!
1:07:39 > 1:07:42- She's dying, Sherlock. Let's go. - You go. I'm busy.
1:07:42 > 1:07:45- Busy?! - Thinking. I need to think.
1:07:45 > 1:07:47You need to...? Doesn't she mean anything to you?
1:07:47 > 1:07:50You once half-killed a man because he laid a finger on her.
1:07:50 > 1:07:54- She's my landlady. - She's dying...you machine!
1:07:54 > 1:07:58Sod this. Sod this! You stay here if you want, on your own.
1:07:58 > 1:08:00Alone is what I have. Alone protects me.
1:08:00 > 1:08:02No, friends protect people.
1:08:05 > 1:08:07TEXT ALERT
1:08:22 > 1:08:24# I've been kicked around since I was born
1:08:24 > 1:08:27# But now it's all right, it's OK
1:08:27 > 1:08:29# You can look the other way
1:08:29 > 1:08:31# We can try to understand
1:08:31 > 1:08:34# The New York Times' effect on man
1:08:34 > 1:08:36# Whether you're a brother or whether you're a mother
1:08:36 > 1:08:39# You're stayin' alive... #
1:08:39 > 1:08:43Well...here we are at last.
1:08:43 > 1:08:46You and me, Sherlock.
1:08:46 > 1:08:49And our problem - the final problem.
1:08:49 > 1:08:52Staying alive!
1:08:54 > 1:08:57It's so boring, isn't it?
1:08:58 > 1:09:01It's just staying.
1:09:02 > 1:09:05All my life I've been searching for distractions
1:09:05 > 1:09:08and you were the best distraction and now I don't even have you
1:09:08 > 1:09:10because I've beaten you.
1:09:10 > 1:09:14And you know what? In the end, it was easy.
1:09:15 > 1:09:17It was easy.
1:09:17 > 1:09:20Now I've got to go back to playing with the ordinary people,
1:09:20 > 1:09:23and it turns out you're ordinary, just like all of them.
1:09:24 > 1:09:27Ah, well.
1:09:28 > 1:09:32Did you almost start to wonder if I was real?
1:09:32 > 1:09:35Did I nearly get you?
1:09:35 > 1:09:37Richard Brook.
1:09:37 > 1:09:41Nobody seems to get the joke, but you do.
1:09:41 > 1:09:43- Of course.- Attaboy.
1:09:43 > 1:09:46Richard Brook in German is Reichenbach.
1:09:46 > 1:09:50- The case that made my name. - Just trying to have some fun.
1:09:55 > 1:09:58Good. You got that too.
1:09:59 > 1:10:02Beats like digits.
1:10:02 > 1:10:06Every beat is a one, every rest is a zero.
1:10:06 > 1:10:07Binary code.
1:10:07 > 1:10:10That's why all those assassins tried to save my life.
1:10:10 > 1:10:13It was hidden on me, hidden inside my head.
1:10:13 > 1:10:16A few simple lines of computer code that can break into any system.
1:10:16 > 1:10:21Told all my clients, last one to Sherlock is a sissy.
1:10:21 > 1:10:26But now that it's up here, I can use it to alter all the records.
1:10:27 > 1:10:31I can kill Rich Brook and bring back Jim Moriarty.
1:10:33 > 1:10:36No, no, no, no, no. This is too easy.
1:10:36 > 1:10:38This is too easy.
1:10:38 > 1:10:41There is no key, doofus!
1:10:44 > 1:10:48Those digits are meaningless. They're utterly meaningless.
1:10:48 > 1:10:51You don't really think a couple of lines of computer code
1:10:51 > 1:10:54are going to crash the world around our ears?
1:10:54 > 1:10:57I'm disappointed in you, ordinary Sherlock.
1:10:57 > 1:11:02- But the rhythm...- Partita no 1! Thank you, Johann Sebastian Bach.
1:11:02 > 1:11:06- But then how did you...? - How did I break into the bank, to the Tower, to the prison?
1:11:06 > 1:11:11Daylight robbery! All it takes is some willing participants.
1:11:16 > 1:11:19I knew you'd fall for it. That's your weakness.
1:11:19 > 1:11:22You always want everything to be clever.
1:11:22 > 1:11:24Shall we finish the game? One final act.
1:11:24 > 1:11:28Glad you chose a tall building. Nice way to do it.
1:11:28 > 1:11:30Do it? Do what?
1:11:33 > 1:11:35Yes, of course.
1:11:37 > 1:11:38My suicide.
1:11:38 > 1:11:41Genius detective proved to be a fraud.
1:11:41 > 1:11:43I read it in the paper so it must be true.
1:11:43 > 1:11:46I love newspapers.
1:11:46 > 1:11:48Fairy tales.
1:11:51 > 1:11:54And pretty grim ones too.
1:12:02 > 1:12:06Oh, God, John, you made me jump. Is everything OK with the police?
1:12:06 > 1:12:08Has Sherlock sorted it all out?
1:12:10 > 1:12:13Oh, my God.
1:12:16 > 1:12:17Taxi!
1:12:19 > 1:12:22Taxi! No, no, no. Police...sort of!
1:12:22 > 1:12:24Thanks, mate. Thanks a lot!
1:12:24 > 1:12:27I can prove that you created an entirely false identity.
1:12:27 > 1:12:30Oh, just kill yourself. It's a lot less effort.
1:12:32 > 1:12:33Go on.
1:12:33 > 1:12:35For me.
1:12:35 > 1:12:38Please!
1:12:42 > 1:12:43You're insane.
1:12:44 > 1:12:47You're just getting that now? Wo-wo-wo!
1:12:47 > 1:12:49OK.
1:12:50 > 1:12:53Let me give you a little extra incentive.
1:12:53 > 1:12:56Your friends will die if you don't.
1:12:57 > 1:12:58John?
1:12:58 > 1:13:00Not just John. Everyone.
1:13:01 > 1:13:04- Mrs Hudson?- Everyone.
1:13:04 > 1:13:10- Lestrade?- Three bullets, three gunmen, three victims.
1:13:10 > 1:13:12There's no stopping them now...
1:13:14 > 1:13:17..unless my people see you jump.
1:13:25 > 1:13:28You can have me arrested, you can torture me,
1:13:28 > 1:13:31you can do anything you like with me,
1:13:31 > 1:13:34but nothing's going to prevent them from pulling the trigger.
1:13:34 > 1:13:37Your only three friends in the world will die unless...
1:13:37 > 1:13:41Unless I kill myself and complete your story.
1:13:42 > 1:13:44You've got to admit, that's sexier.
1:13:44 > 1:13:49- And I die in disgrace.- Of course. That's the point of this.
1:13:49 > 1:13:52Oh. You've got an audience now.
1:13:54 > 1:13:56Off you pop.
1:13:57 > 1:13:58Go on.
1:14:00 > 1:14:02I told you how this ends.
1:14:06 > 1:14:09Your death is the only thing that's going to call off the killers.
1:14:09 > 1:14:12I'm certainly not going to do it.
1:14:13 > 1:14:16Would you give me one moment, please?
1:14:17 > 1:14:19One moment of privacy.
1:14:20 > 1:14:22Please.
1:14:24 > 1:14:26Of course.
1:14:41 > 1:14:43HE LAUGHS
1:14:49 > 1:14:51What?!
1:14:51 > 1:14:53What is it?
1:14:55 > 1:14:58What did I miss?
1:15:01 > 1:15:03You're not going to do it.
1:15:03 > 1:15:05So the killers can be called off,
1:15:05 > 1:15:08then there's a recall code or a word or a number.
1:15:10 > 1:15:13I don't have to die
1:15:13 > 1:15:15if I've got you.
1:15:15 > 1:15:17Oh!
1:15:18 > 1:15:20You think you can make me stop the order?
1:15:20 > 1:15:24- You think you can make me do that? - Yes.
1:15:24 > 1:15:27- So do you.- Sherlock, your big brother and all the King's horses
1:15:27 > 1:15:30couldn't make me do a thing I didn't want to.
1:15:30 > 1:15:32Yes, but I'm not my brother, remember?
1:15:34 > 1:15:36I am you.
1:15:36 > 1:15:38Prepared to do anything.
1:15:38 > 1:15:40Prepared to burn.
1:15:40 > 1:15:44Prepared to do what ordinary people won't do.
1:15:44 > 1:15:48You want me to shake hands with you in hell? I shall not disappoint you.
1:15:49 > 1:15:51Nah.
1:15:52 > 1:15:55You talk big.
1:15:55 > 1:15:57Nah.
1:15:57 > 1:15:59You're ordinary.
1:15:59 > 1:16:02You're ordinary. You're on the side of the angels.
1:16:02 > 1:16:05Oh, I may be on the side of the angels,
1:16:05 > 1:16:11but don't think for one second that I am one of them.
1:16:19 > 1:16:20No...
1:16:22 > 1:16:24..you're not.
1:16:30 > 1:16:32I see.
1:16:33 > 1:16:35You're not ordinary.
1:16:35 > 1:16:37No.
1:16:38 > 1:16:40You're me.
1:16:42 > 1:16:44You're me.
1:16:46 > 1:16:48Thank you...
1:16:49 > 1:16:51..Sherlock Holmes.
1:17:00 > 1:17:02Thank you.
1:17:03 > 1:17:05Bless you.
1:17:08 > 1:17:13As long as I'm alive, you can save your friends, you've got a way out.
1:17:14 > 1:17:16Well, good luck with that.
1:17:27 > 1:17:30No.
1:17:53 > 1:17:54Yes, sir. Thank you. Bye.
1:18:33 > 1:18:35MOBILE DIAL TONE
1:18:37 > 1:18:40MOBILE RINGS Hello?
1:18:40 > 1:18:42- John. - Hey, Sherlock. Are you OK?
1:18:42 > 1:18:46- Turn around and walk back the way you came.- I'm coming in.
1:18:46 > 1:18:48Just do as I ask!
1:18:48 > 1:18:49Please.
1:18:49 > 1:18:51Where?
1:18:52 > 1:18:54Stop there.
1:18:54 > 1:18:57- Sherlock? - OK, look up. I'm on the rooftop.
1:18:58 > 1:19:01Oh, God.
1:19:01 > 1:19:05I...I can't come down, so we'll just have to do it like this.
1:19:05 > 1:19:08What's going on?
1:19:08 > 1:19:09An apology.
1:19:12 > 1:19:14It's all true.
1:19:14 > 1:19:16What?
1:19:16 > 1:19:21Everything they said about me. I invented Moriarty.
1:19:27 > 1:19:29Why are you saying this?
1:19:32 > 1:19:34I'm a fake.
1:19:34 > 1:19:38- Sherlock... - The newspapers were right all along.
1:19:38 > 1:19:41I want you to tell Lestrade,
1:19:41 > 1:19:44I want you to tell Mrs Hudson and Molly.
1:19:44 > 1:19:47In fact, tell anyone who will listen to you...
1:19:49 > 1:19:53..that I created Moriarty for my own purposes.
1:19:54 > 1:19:56OK, shut up Sherlock. Shut up.
1:19:56 > 1:19:59The first time we met... the first time we met,
1:19:59 > 1:20:02- you knew all about my sister, right? - Nobody could be that clever.
1:20:02 > 1:20:05You could.
1:20:12 > 1:20:14I researched you.
1:20:15 > 1:20:18Before we met, I discovered everything that I could
1:20:18 > 1:20:20to impress you.
1:20:21 > 1:20:24It's a trick. Just a magic trick.
1:20:24 > 1:20:26No. All right, stop it now.
1:20:26 > 1:20:29No. Stay exactly where you are.
1:20:30 > 1:20:32- Don't move.- All right.
1:20:34 > 1:20:37Keep your eyes fixed on me.
1:20:37 > 1:20:40- Please, will you do this for me? - Do what?
1:20:40 > 1:20:42This phone call, it's...
1:20:43 > 1:20:45..it's my note.
1:20:47 > 1:20:49It's what people do, don't they?
1:20:51 > 1:20:53Leave a note?
1:20:55 > 1:20:57Leave a note when?
1:20:57 > 1:21:00- Goodbye, John.- No. Don't...
1:21:11 > 1:21:12Sherlock!
1:21:16 > 1:21:17Sherlock.
1:22:04 > 1:22:07Sherlock...Sherlock.
1:22:08 > 1:22:12I'm a doctor, let me come through. Let me come through, please.
1:22:12 > 1:22:14He's my friend. He's my friend... Please.
1:22:30 > 1:22:32Please, let me just...
1:22:39 > 1:22:41Oh, Jesus!
1:22:41 > 1:22:43No.
1:22:43 > 1:22:44God, no.
1:24:23 > 1:24:26There's stuff that you wanted to say...
1:24:28 > 1:24:31- ..but didn't say it.- Yeah.
1:24:35 > 1:24:37Say it now.
1:24:43 > 1:24:45Sorry, I can't.
1:24:53 > 1:24:58There's all the stuff. All the science equipment.
1:24:58 > 1:25:01I left it all in boxes. I don't know what needs doing.
1:25:01 > 1:25:04I thought I'd take it to a school.
1:25:05 > 1:25:10- Would you...?- I can't go back to the flat again, not at the moment.
1:25:13 > 1:25:14I'm angry.
1:25:14 > 1:25:17It's OK, John. There's nothing unusual in that.
1:25:17 > 1:25:20That's the way he made everyone feel.
1:25:20 > 1:25:23All the marks on my table and the noise,
1:25:23 > 1:25:27- firing guns at half past one in the morning...- Yeah.
1:25:27 > 1:25:29..bloody specimens in my fridge.
1:25:29 > 1:25:32- Imagine, keeping bodies where there's food.- Yes.
1:25:32 > 1:25:36And the fighting! Drove me up the wall with all his carryings-on.
1:25:36 > 1:25:39Listen, I'm not actually that angry, OK?
1:25:39 > 1:25:43OK. I'll leave you alone to, you know...
1:25:54 > 1:25:55Erm...
1:25:56 > 1:25:58Hmm.
1:25:58 > 1:26:01You...you told me once...
1:26:02 > 1:26:04..that you weren't a hero.
1:26:04 > 1:26:08Erm, there were times I didn't even think you were human,
1:26:08 > 1:26:11but let me tell you this, you were...
1:26:11 > 1:26:13the best man...
1:26:13 > 1:26:18the most human...human being that I've ever known
1:26:18 > 1:26:22and no-one will ever convince me that you told me a lie, so...
1:26:23 > 1:26:25..there.
1:26:32 > 1:26:34I was so alone...
1:26:36 > 1:26:38..and I owe you so much.
1:26:42 > 1:26:46But, please, there's just one more thing, one more thing,
1:26:46 > 1:26:49one more miracle, Sherlock, for me, don't be...
1:26:51 > 1:26:53..dead.
1:26:53 > 1:26:56Would you do that just for me?
1:26:56 > 1:26:58Just stop it. Stop this.
1:28:10 > 1:28:13Subtitles by Red Bee Media Ltd
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